LOFFICIEL ST BARTH

Sun, Style & Glow

CHARLY STURM

CHARLY STURM Photographed by SKYLAR WILLIAMS, Look CHANEL Location EDEN ROCK – ST BARTHS.

GUSTAVIA ♦ COUR VENDÔME, RUE DE LA RÉPUBLIQUE

THE HOUSE OF CREED 12 RUE DE LA RÉPUBLIQUE, GUSTAVIA

HOUSE ESTABLISHED 1760

LOLITA JACA | St Barth Day Shop: Carré d’Or, Gustavia

LOLITA JACA | St Barth Night Shop: Bonito St Barth, Rue Lubin Brin, Gustavia

LOLITA JACA | Palm Beach Flagship: 353 Peruvian Ave, Suite 101, Florida

GOLDFINGER JEWELRY RUE DE LA REPUBLIQUE, GUSTAVIA, ST BARTH

Cesare Pompanon is the

Oud Zarian is the

The secrets to Vilebrequin’s longevity? Joy, freedom, charm.

Hayley Ferguson’s wine brand Hanikon is inspired by St Barth.

Brooklyn’s iconic pizzeria, Lucali, opens its doors in St Barth.

La Pointe, Cyril Lignac has opened Bar des Prés for epicureans

Fondé à Saint-Tropez en 1971

CHIEF FINANCIAL OFFICER

Xavier Zee

GLOBAL BUSINESS CONTROLS & TALENTS

Ken Lo

Inez Lee

Samuel Chau

Émilia Étienne

BUSINESS DEVELOPMENT & INTERNATIONAL PARTNERSHIP

Denise Lau

Flavia Benda

CHAIRMAN

Dr. Calvin Choi

CHIEF CONTENT OFFICER

Giampietro Baudo

GLOBAL EDITORIAL TEAM

Giampietro Baudo (Europe)

Caroline Grosso (USA)

Sean K (Asia)

DIGITAL PRODUCT & GRAPHIC TEAM

Giulia Gilebbi

Babila Cremascoli

Giuseppe de Martino Norante

CHIEF REVENUE OFFICER

Anthony Cenname

GLOBAL SALES

Aileen Soh

Carlotta Tomasoni

Robert D. Eisenhart III

FINANCE AND ADMINISTRATION

Jason Chiu

Samuel Chau

Thierry Leroy

Éric Bessenian

Claudia Lee

PUBLISHER & EDITORIAL DIRECTOR Philippe Combres phil@lofficielstbarth.com

CREATIVE DIRECTOR & EDITOR-IN-CHIEF Jenny Mannerheim jenny@lofficielstbarth.com

PHOTOGRAPHY

Skylar Williams

Kava Gorna

Jean-Philippe Robin

Camellia Menard

Emily Lab

Rayce Aaronson

Alex Aikiu

Bryan Lambert

Salomé Rateau ON

ST BARTH

FASHION EDITORS

Alice Heart

Myssia Ghosn

COPY EDITOR

Ed Luker

DIGITAL MANAGER

Maryia Hrytchanok

WWW.LOFFICIELSTBARTH.COM @LOFFICIELSTBARTH WWW.LOFFICIEL.COM PRINTED IN THE USA ON RECYCLED

INTERNATIONAL EDITIONS

PUBLISHED BY SAINT BARTH MEDIA GROUP

QUAI DU YACHT-CLUB, 97133 GUSTAVIA, SAINT BARTHÉLEMY

CO-FOUNDERS

Philippe Combres

Jennifer Eymère

L’Officiel Paris, L’Officiel Hommes Paris, L’Officiel ART Paris, Jalouse, La Revue des Montres, The International Watch Review, L’Officiel Arabia, L’Officiel Hommes Arabia, L’Officiel Argentina, L’Officiel Austria, L’Officiel Baltic, L’Officiel Belgique, L’Officiel Hommes Belgique, L’Officiel ART Belgique, L’Officiel Brasil, L’Officiel Hommes Brasil, L’Officiel Chile,L’Officiel China, L’Officiel Hommes China, L’Officiel French Riviera, L’Officiel Ibiza, L’Officiel Italia, L’Officiel Hommes Italia, L’Officiel ART Italia, L’Officiel Korea, L’Officiel Hommes Korea, La Revue des Montres Korea, L’Officiel Latvija, L’Officiel Liechtenstein, L’Officiel Lithuania, L’Officiel Malaysia, L’Officiel Mexico, L’Officiel Maroc, L’Officiel Hommes Maroc, L’Officiel Monaco, L’Officiel NL, L’Officiel Philippines, L’Officiel Singapore, L’Officiel Hommes Singapore, L’Officiel Spain, L’Officiel St Barth, L’Officiel Switzerland, L’Officiel Thailand, L’Officiel Hommes Thailand, L’Officiel Turkey, L’Officiel Hommes Turkey, L’Officiel Ukraine, L’Officiel Hommes Ukraine, L’Officiel USA, L’Officiel

L’Officiel

Hommes USA,

ART USA, L’Officiel Vietnam.

Fondé à Saint-Tropez en 1971

Long Live Change

Change has always had a complicated reputation on our small rock. For some, it is a delightful breeze that keeps the island alive; for others, the nostalgic souls who clutch onto their postcard memories, it can feel like an unwelcome guest. Yet St Barth has never thrived on stillness. Its beauty lies in its rhythm: tides that shift, seasons that evolve, and a community that continues to reinvent itself while honoring its roots. This year, more than ever, the island reminds us that novelty is not the enemy of authenticity and it is often the very spark that keeps it shining.

Take gastronomy, that essential art of island living. The arrival of chef Cyril Lignac on our shores has brought a refreshing and delectable energy, marrying Parisian elegance with Caribbean lightness. And then there is Lucali, the undisputed best slice of pizza, a joyful import whose warm, easygoing vibe has made it an instant staple. Even the legendary Le Ti St Barth has embraced reinvention, returning this season with a glamorous revamp that feels at once like a new beginning and a Proustian memory of the island’s wild nights. Renewal, in these cases, tastes undeniably good.

Art, too, is taking center stage. This season, St Barth welcomes the extraordinary poet of glass, Jean-Michel Othoniel, whose work reflects light, movement, fragility, and strength, qualities that mirror the island itself. His presence signals a thrilling cultural expansion, proving that even a paradise can aspire to more.

Fashion continues its own evolution. Chrome Hearts extends its footprint and creative concept, pushing the boundaries of island cool. Vilebrequin plants new roots with the opening of its boutique hotel at the Christopher, infusing the island’s fashion landscape with sun-soaked sophistication. But perhaps most transformative is the arrival of the new James Perse boutique, an ambitious and refined space that elevates the retail experience and redefines quiet luxury on the island. It is a statement: St Barth is ready to play in a new league.

And yes, change also whispers through the world of wellness. Charly Sturm, muse of her mother’s eponymous skincare brand, reminds us that caring for ourselves is not vanity but necessity. To care for oneself — even on days when we feel we don’t quite deserve it — is an act of quiet resilience. On an island that gives so much, taking a moment to breathe, restore, and glow becomes essential.

While we celebrate international stars, we also honor our own. With the support of the Tourism Office, emerging local talents, jewelry makers, furniture designers, stylists, couturiers are stepping into the spotlight. They are the heartbeat of a new generation determined to leave its imprint on this rock we call home.

We close this issue with a tribute to another beloved community: the dogs of St Barth, now a true tribe in their own right.

So yes: long live change. Long live the new voices, the fresh visions, and the daring projects that keep us awake, alive, and always moving forward.

— Philippe Combres, Publisher

Les Hauts du Carré D’Or, Gustavia, Saint Barthélemy

Fly CHIC

Why Tradewind is the ultimate way to reach St Barth.

When it comes to jetting off to Saint Barth, style isn’t just about what you wear, it’s about how you arrive. Enter Tradewind, the airline redefining the luxury island escape between Miami and Saint Barth with a mix of modern comfort, efficiency, and pure chic.

Flying Tradewind is an experience in itself. Step aboard their Pilatus PC-12 aircraft, with two pilots ensuring maximum safety, a pressurized cabin, and air-conditioning for smooth, serene skies. Complimentary snacks and refreshments add a touch of indulgence while you watch the turquoise waters stretch beneath you.

Before takeoff, relax in Tradewind’s exclusive private lounge in San Juan, complete with WiFi, refreshments, and expedited security. For the ultimate VIP treatment, their VIP Experience ensures you’re personally escorted from

your arriving airline gate to the lounge while your luggage is transferred seamlessly, perfect for those who like their travel effortless and elegant.

Tradewind’s connectivity is second to none: link via San Juan from the U.S. or Antigua from the U.K., and enjoy the convenience of booking with interline partners like American Airlines, JetBlue, United, and British Airways, with complimentary luggage transfer included.

It’s no surprise that Tradewind has been voted a Top 5 U.S. Airline by Condé Nast Readers’ Choice Awards five years running. For fashion insiders, influencers, and jetsetters heading to Saint Barth, this is not just a flight—it’s a statement. After all, arriving in style is the first rule.

flytradewind.com | @flytradewind

JEWELS in Eden

Jordana Gheler’s collaboration with Eden Rock captures the soul of St Barth in jewels.

Inspired by the hotel’s stunning views — from sunbeds overlooking the sea, the iconic rock, and the little planes — her medallions float like rubies adrift in the ocean in the Crystal Rock Collection. The Iguana Collection mirrors the hotel’s warm hues with reddish stones, while Eden Rock’s signature buoys are transformed into earrings, necklaces, and bracelets. For Jordana, Eden Rock is precious: a jewel of the island, mirrored in every gemstone she selects. Looking ahead to 2026, she will explore extraordinary new stones worldwide and launch the Eden Rock Men’s Collection, celebrating the island’s explorers and icons, as well as a special private line, Pirates of St Barth, blending adventure, elegance, and the spirit of the Caribbean.

Eden Rock ring made of rock crystal with rubies and diamonds.

Eden Rock earrings made of rock crystal with rubies and diamonds. 

Ocean view Eden Rock necklace in yellow gold and diamonds.

Iconic Eden Rock necklace made of white agate with rubies and diamonds.

Photography AGA SYPNIEVSKA

 Eden Rock crystal bracelet made of rock crystal with rubies and diamonds.

Treasure HUNTERS

Jordana Gheler’s jewellery captures the island’s spirit in every curve. Inspired by hooks, parrots, and treasure maps, each piece tells a story — playful yet sophisticated, bold yet intimate. Necklaces, rings, and bracelets carry hints of adventure and whimsy, while remaining effortlessly elegant.

HOOK necklace in yellow gold with diamonds.

 TREASURE map earring in yellow gold with fancy yellow and white diamonds. 

WIRE earrings in yellow gold with yellow sapphire and diamonds.

HOOK earrings in yellow gold with diamaonds.

ANCHOR necklace in yellow gold with blue sapphire and diamaonds.

PARROT earring in yellow gold with emeralds.

All jewelry by JORDANA GHELER.

Haute Serpenti

The BVLGARI Serpenti necklace in rosegold diamond pavé wraps the neckline with unapologetic glamour — a serpent of pure brilliance. Paired with Yazid Ichemrahen’s spiced-sweet carrot creation, it becomes a study in decadent contrasts.

Photography ALEX AIKIU

Serpenti necklace in rose gold with diamond pavé, BVLGARI Spiced sweet carrots by YAZID ICHEMRAHEN

French Light ETERNAL CRAFT

From Lyon to St Barth, Cesare Pompanon is the story of a family who has transformed jewelry into a signature of light, elegance, and craft.

Three generations, one obsession: jewels that feel alive. With floral silhouettes, sculpted gold, and diamonds that shimmer like petals in motion, the maison embodies a French elegance both poetic and modern. Today, its signature creations shine on the island through Goldfinger, bringing a touch of haute joaillerie to the Caribbean sun.

In March 2026, during the prestigious St Barth Bucket Regatta, Cesare Pompanon unveils a new chapter: an ultraexclusive, one-of-a-kind trunk, crafted in collaboration with Pinel & Pinel. Inside, three unique high-jewelry pieces — designed for this collector’s edition — celebrate the union of two French maisons devoted to rarity and craftsmanship.

Founded in 1936 in Lyon, Cesare Pompanon grew from a family workshop into one of France’s rising jewelry houses. The story begins with René Pompanon, a master setter whose precision shaped the brand’s identity. In the 1990s, Eric, Agnès, and Christine expanded the maison with new collections and collaborations with prestigious Place Vendôme houses. Today, the third generation — Carla, Ugo, and Adriana — brings modern, fashion-forward energy while honoring the family heritage.

At its core lies a singular savoir-faire. From meticulous gem selection to sketches created in the Lyon atelier, each jewel is crafted with intention. The diamond-tipped carving tool invented in the 1950s gives gold the brilliance of a stone and inspired the sculptural Poppy Carved line. Another icon, the Trembleuse ring, features a patented rotating pivot that brings the jewel to life.

The maison’s aesthetic blends softness and precision: Primavera, a luminous ode to spring; Fiore di Mamma, celebrating feminine strength with rose gold and mother of pearl; and Lily Flower, a modern interpretation of the fleur-de-lys.

In St Barth, Cesare Pompanon shines at Goldfinger Jewelry, where its romantic, radiant universe resonates with the island’s effortless glamour.

We don’t CREATE JEWELS TO DECORATE THE BODY — WE CREATE THEM to illuminate THE PERSON.

A scent carried by THE WIND

Oud Zarian is the latest chapter in this philosophy — an olfactory garment cut from shadows and light.

St Barth in winter does not grow colder; it grows quieter, brighter, more deliberate. December light hangs low and molten over the sea, as though someone has poured a ribbon of gold across the horizon. The palms whisper with the cadence of a half-remembered song. Villas glow like lanterns scattered over hillside terraces, each window a small theater of holiday rituals: silk dresses unzipped, pearls fastened at the throat, champagne breathed into flutes.

Into this delicate choreography arrives a new presence — invisible, but unmistakable. Oud Zarian, the latest creation of the House of Creed, moves across the island like a fragrance carried by the wind: soft but certain, ancient but startlingly modern, as though the Caribbean night has learned a new language.

Creed is one of those rare maisons whose history feels less like a chronology and more like a lineage of gestures. It began in 1760, not with perfume but with the fall of fabric — with a tailor’s hands smoothing a garment meant for a queen. The transition from couture to fragrance was not a leap but a continuation: the architecture of cloth becoming the architecture of scent.

For generations, the Creeds stitched their fragrances the way they once stitched gowns: with attention, with discretion, with a reverence for rare materials gathered from distant landscapes. Their perfumes do not announce; they reveal. They are not worn; they are inhabited.

At its center lies an ingredient that feels almost mythic: an 80-year-old oud, harvested in the forests of Sylhet and left to mature until time itself softened its edges. There is something cinematic in this — the idea of a resin waiting through decades of rain and heat and quiet, only to find itself reborn in the air above a Caribbean shoreline.

The fragrance opens with a spark: bergamot and ginger bright as laughter rising from a dinner table. Then comes

the rose — not the rose of gardens, but the rose of memory, soft-edged and luminous, the kind that clings to a silk scarf after a late night.

It is warm, resinous, smoky in the way of a secret told near a fire. Patchouli and sandalwood hold it in place; myrrh and tonka illuminate it from within. The result is a scent with the texture of velvet and the temperature of dusk. It is difficult to explain why Oud Zarian feels so at home here, among the soft dunes and the whitewashed villas, but it does. Perhaps because St Barth, too, understands the power of restraint — the way a whisper can travel farther than a shout. The way elegance breathes in open spaces.

Worn on a warm night, the fragrance becomes almost topographic: it mingles with the salt of the sea, with the warmth of the skin, with that faint mineral sweetness the island carries after sundown. Its trail is quiet but persistent — like the memory of a touch on the back of the hand.

On the decks of yachts, at candlelit tables in Gustavia, in the hush of a villa after the last guest has left, the scent seems to unlock the hour between night and morning — the hour when fashion becomes mood, and glamour slips into its softest dimension.

There are perfumes you wear, and there are perfumes that mark a moment in your life. Oud Zarian is firmly the latter — a scent that transforms winter into something tactile, almost visible. A scent that turns a Caribbean night into an intimate ritual. A scent that reminds you that luxury, at its most refined, is always a matter of the senses.

This season in St Barth, the air feels different. Softer. Warmer. Touched by centuries.

CREED St Barth 12, rue de la République, Gustavia, St Barthélémy @creedfragrance.com | @creedfragrance

The NEW ROMANTIC

Zimmermann’s latest collection draws on the kindred spirits of her 70s past to create a rebellious

By MARYIA HRYTCHANOK

The latest Zimmermann collection celebrates modern narratives of freedom, joy, and the enduring bonds of chosen creative families. The brand’s runway show became a living canvas of 1970s artistic rebellion, reinterpreted through a distinctly Australian lens. Creative Director Nicky Zimmermann described the show as: “an ode to the collaborative artistic spirit of the 70s and chosen creative families the world over.” The result was a vibrant, free wheeling celebration of colour, texture, and community.

The collection draws direct inspiration from a loosecannon collective of iconic artists who made their mark in Lavender Bay, a suburb on Sydney Harbour, during the 1970s. Like their contemporaries in London and New York, these creators pushed against the era’s conservative norms, forging a uniquely Australian aesthetic that blended bold self-expression with a playful sense of camaraderie.

Zimmermann’s narrative positions these artists as the “chosen creative families” whose supportive kinship fuels today’s fashion freedom. “I was inspired by a collective of iconic artists that made their mark in the 70s in Lavender Bay… they pushed against the status quo… and had a lot of fun along the way!” says Nicky about her tribute to the generation that inspired her.

Colour is the collection’s heartbeat. Vibrant offbeat shades: lavender, mustard, peach and deep teal all pulse across block-colour cotton-drill jackets, super-flared trousers. Psychedelic floral and soft tie-dye prints swirl through organza, silk and denim, creating trance-inducing graphics that appear to move as the model walks. Lace, traditionally shaped in pristine white, is now rendered in bold hues, adding a fresh, playful twist. There are hand-embroidered bird motifs in cut-away panels on an asymmetric denim midi dress, and panelled jeans, all reinforcing the collection’s nature-inspired narrative. Accessories channel the more-ismore elegance of the 70s. Jewellery embraces Australian motifs: koala figurines, native flora, reminding us of the collection’s roots.

From the super-fluffy organza gowns to the psychedelic prints that dominate the collection, Zimmermann proves that the spirit of the 70s, its rebellion, its community, its love of colour, remains a fertile source of inspiration. The brand’s ‘Kindred Spirit’ collection invites women everywhere to embrace individuality, celebrate creative bonds and step into the world with joyous, unapologetic confidence.

Zimmermann’s Spring RTW 26 is more than a fashion show. It is a vibrant homage to a bygone artistic era, reimagined for today’s diverse, expressive women. Zimmermann’s atelier continues to evolve, blending Sydney’s artistry with Paris’s tailoring finesse.

Zimmermann St Barth, Rue Du General De Gaulle, Gustavia, 97133, St Barthelemy zimmermann.com | @zimmermann

FROM LEFT—Looks from ZIMMERMANN SPRING 2026 PARIS FASHION SHOW.

IT’S Magic

Paula Doebrich, the Polish-born former model, has taken her career from the catwalk to building a prestigious jewelry brand, Meluzza. With her latest collaboration arriving in St Barth, she finds time to tell us just how.

By JENNY MANNERHEIM Photography SKYLAR WILLIAMS

From the runway to the alchemy of fine jewelry, Paula Doebrich’s path is anything but linear. With Meluzza, she fuses mythology, memory and personal power into pieces that feel both ancient and radically modern. In this conversation, she reflects on reinvention, feminine symbolism and designing jewelry as a form of storytelling, rather than just decoration.

L’OFFICIEL: Your journey from international model to clinical dietitian and now jewelry designer is truly fascinating. What inner calling or moment led you to make that creative leap and launch Meluzza?

PAULA DOEBRICH: A lot of my past pursuits were opportunities I just wanted to explore, but jewelry design is the first career I intentionally chose. I started modeling extremely young and when I realized it wasn’t fulfilling to me, I looked for a way out. Going back to school was a good way to leave the world of fashion behind. It was an escape route rather than a mindful pursuit of what I loved. Once I finished my master’s degree and started working in my job full-time, I was able to stop chasing the next milestones. I finally had time to focus on myself and explore my passions. I first approached jewelry from a collector’s perspective, trying to learn as much as I could about the objects I loved. What fascinated me most were gemstones, but I also learned about the history of jewelry, becoming more interested in how it’s made. I learned how to articulate my ideas through drawings. I realized that I always had creativity in me, but it had been buried under a mountain of expectations. Designing jewelry had seemed like one of the most abstract career choices but now I know it is where I belong.

L’O: Meluzza blends two mythological figures — Melusine and Medusa — each rich with symbolism. How did these stories shape your vision for the brand and the kind of woman you design for?

PD: Melusine a mermaid symbolizes the city of Warsaw where I grew up. It is a city with a rich history. The mermaid stands for refusing to be defeated, fighting relentlessly for what you love. Medusa, on the other hand, is believed to be the protector of women’s secrets. She represents feminine power and rage. She is believed to ward off evil by acting like an evil eye. Blended together, these two creatures are meant to represent strong women and reflect my story of taking back my power.

L’O: You’ve spoken about wanting to “bring back the magic” of jewelry. What does that magic mean to you personally — and how do you translate it into a modern piece?

PD: I think that jewelry lost some of its magic when the industry started to repeat the same playbooks and designs. But, in my opinion, jewelry is never just an accessory. It is how we express who we are, and it carries a deeper meaning. The pieces we choose are often connected to a memory of the people we love, or the places we visit. Jewelry is what will remain after we are long gone to tell our stories, so I hope I can help people share how interesting they are. It is the materials used to create jewelry that make it magical for me. Gemstones are a miracle of nature: so many elements have to interplay perfectly to produce a gem-quality mineral. Coming straight from Earth’s core, they carry our planet’s history inside them. The way we can dig up a rock in the dirt and, with enough know-how,

Designing JEWELRY SEEMED like an abstract DREAM .

NOW IT’S WHERE I BELONG.

turn it into a treasure is fascinating to me. Gold not only gives jewels their shape and structure; it is also an element that originates from the stars, which makes jewelry truly magical. I want to create pieces that can be carried on for generations, and that showcase natural materials. They are meant to feel modern regardless of when and where they are worn, which is why I blend classic elements with fresh ideas.

L’O: Many of your designs reflect strength and vulnerability intertwined. How do you find that balance between boldness and delicacy in your creative process?

PD: Jewelry itself represents a balance of vulnerability and strength. It is made from some of the strongest materials that have been polished and bent into shapes that seem weightless. It also carries deep meanings in objects that we can feel and touch, making bold statements with no words. The vulnerable part of creating jewelry is sharing deeply personal memories and feelings with the world through my designs. Boldness lies in being confident to execute ideas, even when people think it’s impossible. Stepping into the jewelry industry without a background in design was a bold move. I had to learn how to ask for help and often admit that I didn’t know what I was doing. This openness allowed me to find people who helped guide me to make my vision a reality.

L’O: Meluzza celebrates jewelry as an expression of self rather than an accessory. How do you hope women feel when they wear your pieces?

PD: I want women to feel confident in embracing their creative side. So much of what we wear today is calculated and meant to look a certain way, but with jewelry you can always play. It allows us to make a statement, even in the most formal setting. I often think back to my modeling days, where I was required to wear a black top with black pants to castings, blending in with every other girl. I would put on a chunky pair of earrings or a necklace and feel more like myself again. These small accents helped me infuse my personality into an otherwise bland look. With my jewelry, I want to create pieces that help you express how interesting and unique you are without having to make a huge effort.

L’O: You come from Warsaw, a city steeped in history and symbolism. How does your Polish heritage continue to influence your storytelling and design language?

PD: Polish culture is colorful. A lot of it is rooted in Slavic mythology, which is why I am often drawn to the mystical.

I refuse TO LOSE THE ROMANTIC SIDE OF jewelry in the PURSUIT of BUILDING a business.

The culture influenced who I am and today I feel most at home when I go back to Warsaw. Shaped by a relentless fight to maintain its identity, Warsaw is inspiring to me, which is why I chose the mermaid to represent Meluzza. Many of my pieces are inspired by memories that are connected to specific Polish traditions or customs. However, my upbringing was far from traditional. My parents were proud to be part of a new, open Europe after the Iron Curtain fell, and I embraced the exploration of different cultures. This led me to live in many different countries across the globe, and my design language is inspired by the many cultures I became part of while exploring the world and finding a home for myself.

L’O: Before creating Meluzza, you worked in public health — a field rooted in science and empathy. Do you find any parallels between that work and the emotional connection you build through jewelry?

PD: In order to help people share their stories, you need to understand their story. Coming from a background that is rooted in empathizing with people, it makes it easier. With custom pieces I have to sit down with each person and get to know them, which allows me to infuse personal elements into their pieces.

you find while gazing at the stars. By creating pieces that can feel personal, yet are also lighthearted, I want to create timeless designs that people want to cherish.

L’O: Mythology often speaks about transformation. How has founding Meluzza transformed you personally?

PD: With Meluzza I went from telling my friends that I would love to design jewelry in another life to making jewelry design my reality. I didn’t think I could draw and believed I lacked artistic talent. But once I tried, I learned how to put ideas to paper, proving anything is possible when you are passionate about it. Jewelry helped me reconnect with myself on a deeper level.

L’O: If Meluzza were a woman — with all her complexity, emotion, and strength — how would you describe her?

PD: Fearless, confident, playful, unafraid to embrace her femininity, and never blending in with a crowd. She always has a witty comment, her humor is unparalleled, you can talk to her about anything — and she never says no to a new adventure.

L’O: Looking ahead, what’s next for Meluzza? Are there new materials, collaborations, or narratives you’re excited to explore?

L’O: The jewelry market today can feel crowded and commercial. What do you think distinguishes Meluzza from other contemporary jewelry brands?

PD: I refuse to lose the romantic side of jewelry in the pursuit of building a business. The hands-on elements are what make the brand unique: I am committed to sourcing all gems myself, producing at my local New York City workshop, and designing jewelry that may not be fit for mass production but always means something.

L’O: Your pieces are described as “instant heirlooms.” What does that concept mean to you — and how do you design something that feels timeless from the very beginning?

PD: The ones that have meaning to you and that you might hand down to your children are what I consider heirloom pieces — those with a story behind them. I find inspiration in creating that unexpected moment. Most people can relate to the joy of eating ice cream on a hot summer day, or the magic

PD: The next Meluzza pieces will feature new materials, including lapis lazuli and platinum. I am also looking to add more large statement pieces to the collection. I am very excited to finally share it with the world. The journey began by being told the execution was impossible, then working with a team of designers, gem cutters, jewelers, and supportive friends to make the piece a reality. Anything can be done if you really want it!

L’O: Meluzza will be available exclusively at Eden Rock – St Barth, tell us about this collaboration?

PD: It has been such an honor to partner with the Eden Rock team! I wanted to curate pieces that would best reflect the feeling of being on St Barth, the summer and sunshine, and the timeless elegance of the hotel, so that people can carry that memory with them when they return home.

@meluzzajewelry | meluzza.com

Nautical Chic

The secret to Vilebrequin’s longevity? Joy, freedom, and that unique Saint-Tropez charm.

By MARYIA HRYTCHANOK

Saint-Tropez. 1971. The beaches are awash in colorful umbrellas, the port cafés buzz with lively conversations, and Slim Aarons’ legendary images capture the essence of the era: relaxed elegance, boundless joie de vivre, and irresistible charm. In those very days, while photographer Slim Aarons immortalized the carefree life of the jet set, a new legend was quietly emerging a few steps away: the first Vilebrequin swim shorts. Decades later, that spirit resonates through the Cruise 2026 collection — a refined triptych that celebrates three emblematic coastlines, each revealing its own distinct character.

First stop: the lively Riviera.

The collection embodies this lifestyle completely, introducing new Poppies and Geckos prints seemingly made for the Mediterranean sun. Lipstick, Vitamin, Topaze, Absinthe, and Bacchus form a vibrant palette that evokes holiday aroma and southern warmth. The classic Moorea model appears in a lighter linen version, perfect for finishing the day with an apéritif at the port.

Next destination: the West Coast of the United States.

Here, cinematic glamour meets California’s signature soft pastel tones. The collection unfolds in delicate hues of blush pink and sky blue, animated by ocean-inspired motifs. Whales and octopuses bring the Moorea and Mokea models to life, while a practical beach innovation — the Sapock towel — includes a discreet pocket for sunglasses, a phone, or small treasures.

The final chapter: the elegant and refined East Coast.

A bohemian-chic atmosphere reigns. The graphic “Orcas and Waves” print in crisp white and blue adorns flowing silk trousers, shorts, and tunics. In the men’s line: swim shorts and jacquard towels. For the first time in the brand’s history, the collection introduces 100% merino wool pieces with a clean, graphic interpretation of the iconic Vilebrequin turtle.

Yachting Collection: Haute Couture by the Sea

According to Vilebrequin CEO Roland Herlory, the philosophy behind the collection is clear: “Every piece is the result of exceptional craftsmanship, created with respect for the fabric, the time it requires, and the people who will wear it. Smaller but better: a wardrobe rooted in consistency rather than trends.”

Each item is crafted by highly skilled artisans with rare savoir-faire. Only noble materials are used: refined guipure embroidery with floral motifs, silk satin, pure silk chiffon, and the finest tulle. This is not fast fashion, but a timeless wardrobe meant to accompany women for years.

Caftans and kimonos with subtle shimmering details highlight femininity, while long evening dresses with open backs evoke understated glamour. The final touch: fully handcrafted raffia bags made by artisans in Madagascar.

Traditionally unveiled during the cruise season, the Yachting Collection is available in selected boutiques worldwide — from the Caribbean to the United States, Europe, and Asia.

Vilebrequin x G.H. Bass: A Union of Traditions in a New Capsule Collection

This collaboration is grounded in a shared philosophy carried through the decades: creating pieces that don’t merely follow fashion, but accompany it loyally over time.

Vilebrequin and the legendary American shoemaker G.H. Bass, founded in 1876, join forces to create a capsule collection that blends timeless elegance with durability.

The focus lies on two hand-stitched models, crafted in high-quality nubuck leather and finished with Vilebrequin’s signature turtle: the Hampton and the Winston, available in classic navy and beige. With arch support, a Vibram sole, and a 5mm EVA foam insole — an innovative material offering a cloud-like feel — the models ensure both refined aesthetics and outstanding comfort, ideal for evening strolls.

Vilebrequin plants new roots with the opening of its boutique hotel at the Christopher, infusing the island’s fashion landscape with sun-soaked sophistication.

Vilebrequin, Cour Vendôme, Rue de la République, Gustavia, Saint Barthélemy Vilebrequin, Hotel Christopher, Pointe Milou, Saint Barthélemy vilebrequin.com | @vilebrequin | hotelchristopher.com | @christopher_stbarth

The YELLOW TOP Rosé

L’O: As a woman entrepreneur leading a luxury lifestyle brand rooted in wine, how would you describe your role at Hanikon while navigating being both founder and CEO?

Inspired by the elegance and spirit of St Barth, Hayley Ferguson has built Hanikon into a wine brand that tells a rich story of family, craftsmanship, and modern innovation.

L’OFFICIEL: You’ve chosen St Barth as a key destination for Hanikon. What first drew you to St Barth?

HAYLEY FERGUSON: The idea of Hanikon was born on St Barth during a family holiday. We have a very large family, so getting time together is quite rare. Usually, when we do it’s over a 3-4 hour long lunch or dinner, with lots of rosé. We were designing a whisky bottle for my father over lunch. My brother John has a company called Young Spirits that buys and sells rare casks. I saw the amount of attention that went into it and I noticed the same craftsmanship is rarely seen with wine bottles. Seeing how popular rosé is on the island, I decided to create a bottle that was both beautiful to the eye and delicious to drink. So, yes, the island has greatly influenced the whole idea of Hanikon. Even before we decided to launch the brand, we were very lucky to meet many supportive people across the island, all of their advice really helped shape the brand long before it existed. Honest advice is rare these days, and the Caribbean community gave it so generously.

HF: I have quite strong views on where I want to see my product and what I want for the brand. I guess one of the most important things is sticking to what you believe and voicing your opinions. I have to keep trusting my instincts, stay curious, and never compromise on quality. I’m very lucky as I have my sister, Anna Ferguson, on the board as a cofounder. That keeps me grounded.

L’O: The Hanikon brand emphasises blending tradition with modernity. How do you balance respect for tradition with innovation in your business decisions?

HF: Our catchphrase is that we combine the best of tradition and the best of modernity. Working with Domaine La Rouillère, they have all the expertise and winemaking heritage. They have that understanding of the terroir, which gives us that tradition and authenticity. I absolutely love that they still use traditional methods like using horses so that they don’t damage the vines. The modern aspect definitely comes through our design; we wanted to create an experience from the moment that you open our wine, cutting through the yellow wax, to the touch of the frosted bottle. If you hold it up in different lighting you will be able to see the name glisten (the brand is all my siblings’ names put together, it’s there if people want to find it). So from the sommelier to the end consumer, there’s something to remember. We are also moving away from traditional labels, because, over time, when you see the yellow top wax, you know what you are drinking. If you know, you know.

St Barth DIDN’T just inspire HANIKON — it GAVE US the CONFIDENCE, THE community, and THE HONEST ADVICE that shaped the brand...

L’O: Living between St Barth and the South of France (Monaco) must bring a dynamic lifestyle. How do you divide your time?

HF: I’m super lucky. I spend around seven months of the year in Monaco, where my residency is, and it’s the perfect base. Travelling around Europe is so easy and because it’s small, much like St Barth, you really get to know people and build genuine relationships. Monaco is also practical for the business. I’m just an hour and a half from the vineyard, and equally close to our logistics warehouse. And because the peak seasons in Monaco and St Barth happen at different times, I get to experience both places at their best.

L’O: Do you follow seasonal fashion trends or prefer a timeless approach?

HF: I don’t really follow fashion trends. I prefer brands that are timeless. Take the brand 100% Capri, they have the same collection and it works all year round. Spending all year in the sun, I do miss the cold weather and chic winter clothing.

L’O: Looking ahead, what upcoming projects do you have for Hanikon — new vintages, markets, or collaborations?

HF: We’re expanding into new markets. The product is our baby. We make decisions carefully, staying selective about the partners we collaborate with. We just entered the Maldives, so our wine is sold in the UK, Maldives, St Barth, Monaco, India and the Swiss Alps. We’re looking into the Hamptons and Aspen, as well as more hospitality collaborations, especially in places that share our values and clientele. We’re growing fast, but keeping true to our roots.

L’O: With your base in Monaco and your connection to St Barth, how do you maintain authenticity with the Caribbean community while serving a global luxury audience?

HF: The authenticity comes from relationships. This year we hosted our second annual Hanikon dinner experience. We brought together all the sommeliers on the island, alongside our distributor, La Cave du Port Franc, who have been incredible partners. Most of the sommeliers here are far away from home, so it’s important to us that we create a community for them and appreciate what they do. Whenever we talk about Hanikon internationally, St Barth is always part of the story. In my speech at the sommelier dinner I said: “What we love most is the shared memories, precious time spent together and the quality of the product.” If we stay true to that, then that will naturally translate to a global audience.

L’O: As a woman in a male-dominated industry, what challenges have you faced, and what achievements are you most proud of?

HF: One of the biggest challenges is being heard. What I am learning quite quickly is the most important thing to have is a strong team behind you. I believe that over a short time, we have already achieved respect and we have many more years to go, too. We’re coming with fresh eyes, a lot of energy, and a vision to be the number-one sold bottle of rosé in the premium market. We have the ability to create experiences and deal with people in person, while also being able to take more risks as we don’t have to follow a large rulebook. That’s where our real strengths lie.

hanikon.com | @hanikon_collection

A Slice Of BROOKLYN

Brooklyn’s iconic pizzeria, Lucali, opens its doors in St Barth.

By PHILIPPE COMBRES Photography SALOMÉ RATEAU

After nearly two decades as one of New York’s most celebrated pizzerias, Lucali has landed in St Barth. The new Gustavia location opened on October 27, bringing the unmistakable aroma of wood-fired pizza to the island and offering a taste of Brooklyn craftsmanship under tropical skies.

Founded in 2006 by Mark Iacono in Brooklyn’s Carroll Gardens, Lucali is renowned for its thin-crust pizzas topped with fresh mozzarella, rich tomato sauce, and fragrant basil, baked to smoky perfection in a wood-fired oven. Remarkably, Iacono had never made pizza before opening the restaurant. A former construction worker, he chose the storefront carefully — a candy shop from his childhood — preserving a slice of Brooklyn nostalgia while launching a culinary institution. Iacono’s approach is intensely personal. He often prepares each pizza himself, one at a time, ensuring the precise balance of flavor, texture, and crust that made Lucali legendary. Inspired by classic New York pizzerias, his philosophy combines simplicity, authenticity, and craftsmanship. Even the name “Lucali” carries a personal touch, honoring both the candy shop’s original owner and his daughter, Kalista.

In St Barth, Lucali stays true to its Brooklyn roots. Pizzas and calzones are crafted with the same attention to detail and

high-quality ingredients, now enjoyed beneath Caribbean skies. The Gustavia venue, formerly Mi Brasa, blends Brooklyn energy with island elegance, offering communal tables, intimate corners, and a relaxed, welcoming atmosphere perfect for casual dinners or special evenings.

Mark Iacono’s story enriches the experience. From childhood memories and construction work to wood-fired ovens and global acclaim, every slice carries his hands-on dedication. Lucali has expanded from Brooklyn to Miami Beach and now St Barth, carefully adapting its signature style to new settings while keeping its heart intact. Diners can expect classic Lucali pizzas and calzones — thin, chewy crusts, fresh cheese, rich tomato sauce, and delicate touches of basil or cream — all wood-fired to perfection.

Lucali St Barth is more than a restaurant; it’s a transatlantic culinary journey, blending Brooklyn soul with Caribbean charm. Each bite tells a story of craftsmanship, authenticity, and the joy of pizza perfected over nearly twenty years.

Lucali St Barth, 8 rue de la France, Gustavia lucali-stbarth.com | @lucali_stbarth

C’est PRÉS !

At La Pointe, Cyril Lignac has opened a new rendezvous for epicureans seeking glamour and escape. Bar des Prés is where French technique flirts with Japanese exotica.

L’OFFICIEL: Why did you choose St Barth to open a Bar des Prés?

CYRIL LIGNAC: St Barth is a unique art de vivre — turquoise waters, a festive energy, an international clientele. Opening a restaurant here means cooking for the world, in a dream setting that is both legendary and authentic.

L’O: How did you imagine the menu for Bar des Prés St Barth?

Interview PHILIPPE COMBRES

Photography SALOMÉ RATEAU

CL: Whether in Paris, London, or Dubai, Bar des Prés offers a cosmopolitan, creative, and travel-inspired menu — halfway between French savoir-faire and Japanese exoticism. Sushi, California rolls, crudos, crispy avocado–crab galette, langoustine ravioli, smash burger, and vanilla-praline mille-feuille. In St Barth, you will find the full Bar des Prés identity, sometimes enhanced with Caribbean notes to honor the local ingredients.

St Barth is COOKING for the WORLD — in a DREAM SETTING that feels

L’O: The St Barth audience is international and demanding. What unique experience do you want to offer with this new address?

CL: To make the experience unique, cuisine, décor, atmosphere, and service must blend seamlessly. It’s a delicate balance to master. Here, everything has been designed so that our guests, coming from all over the world, feel both transported and at home — discovering my culinary universe, feeling our energy — all within a refined and elegant setting. I want them to remember the experience as a whole and to want to come back.

L’O: ‘Bar des Prés’ cuisine blends French technique with Asian influences. How does this fusion express itself?

CL: I trained alongside great French chefs — they taught me technique and emotion. Through my travels and encounters, I refined my tastes and explored other culinary worlds. My cuisine reflects this entire journey. It is simple yet skillful, flavorful, with precise seasoning and perfect cooking. The flavors are balanced and invite escape — like the chutoro & caviar sushi; the lobster & red fruit salad with elderflower vinaigrette; the beef fillet with satay spices; or the sea bream marinated with yuzu condiment and rocoto pepper. And of course, desserts that honor French pastry savoir-faire: passionfruit soufflé, vanilla profiteroles, pavlova with fresh fruits.

L’O: What memory, feeling, or image of the island inspired you the most in creating this new address?

CL: What impressed me most was that first image of the island from the plane window: the white sandy beaches, the lush hills, the colorful villas, the vegetation, the light. You feel like you’ve arrived in a little piece of paradise. It makes you want to bring freshness and color to the plates.

L’O: If you had to describe the spirit of the place in three words — to make someone want to book immediately — which would they be?

CL: CONTEMPORARY – REFINED – GLAMOROUS

Bar des Prés Saint Barth, 33 Rue Jeanne d’Arc, Gustavia, Saint Barthélemy bardespres.com | @bardespres.stbarth

The story of Le Ti

Long before the costumes, before the champagne fountains, before the world heard whispers of a nightclub perched above the sea, there was a simple wooden house on a hill in St Barth. It belonged to Carole, a woman whose laughter could ignite a room and whose vision was larger than the island itself.

By PHILIPPE COMBRES

THE early years WERE INTIMATE, ALMOST

SECRETIVE.

The walls SMELLED OF RUM AND SEA BREEZE.

Carole believed that the night should be a sanctuary, a confession, a dance, a surrender. And so one sunset, with candles glowing and music trembling in the distance, she opened the door to a place she named simply: Le Ti St Barth. The early years were intimate, almost secretive. The walls smelled of rum and sea breeze. Barefoot locals mixed with wanderers and dreamers. Carole moved through the room like a sorceress, placing a hand on a shoulder, shifting the music, igniting laughter with one well-timed wink. Le Ti St Barth wasn’t a club, it was an oasis of permission, where you could meet crazy party animals like Jack Nicholson and Jean Paul Gaultier in the same night. Then, you would also find Claude Challe, the mythical Parisian club legend, but you alredy know: everything that happened at Le Ti stayed at Le Ti.

Some nights you felt blessed, as if you were touched by stardust. Often, Johnny Hallyday walked in silently, his face half-hidden in the candlelight. He asked for an old rum, and sometimes he sang a few raspy lines that made the room stop. Another season, Bono came by, his sunglasses gleaming in the dark. He and Carole spoke for an hour on the terrace about music, islands, love, and silence. Years later, during carnival time, Jean Dujardin danced in a feathered mask, telling jokes that made the bartenders cry with laughter.

Carole never chased celebrities. They chased her atmosphere. But as you know, hurricanes are the Caribbean’s harsh poetry. One season, a monstrous storm descended, ripping apart roofs, snapping palms, and drowning the hills in rain. When the winds died, Le Ti St Barth stood wounded. Boards torn. Lights shattered. Music silenced. Carole stood before the ruins, her spirit heavy. She had given her nights to the island for years, and now the island demanded rest. She knew the time had come to pass the flame. Then arrived a discreet guy on the island, Nicolas Le Saout. He was not a saviour, but a believer. Known for transforming spaces into experiences, for turning walls into stories, and for creating nights that people remember years later, he walked into the broken shell of Le Ti St Barth with the expression of someone reading a beloved book in pieces. “This place is not dead,” he said softly. “It’s

waiting.” Carole saw in him what she had once carried herself: an unbroken spark. And so she handed him the slightly rusty keys (worn by salt, memories, and decades of laughter). Nicolas accepted, promising not to replace Carole’s spirit, but to raise it from the ashes. He rebuilt it with a clear vision. He restored the intimacy Carole created and layered it with immersive, cinematic lighting, surreal costume corners, and a renewed devotion to performance and great DJs. The soul remained Carole’s. The energy became Le Saout’s.

An iconic spot on the island, Le Ti St Barth isn’t just continuing its legend, it is creating new legends again. New shows ignite the stage, the atmosphere is electric and creative, and the famous Costume Room transforms guests into their most daring selves night after night. With its blend of modern cabaret, bold performances, and cosmopolitan energy, the club embodies the free-spirited, glamorous pulse of today’s St Barth.

Locals feel the shift. Regulars sense the spark. Newcomers witness the magnetism of a club reborn. Carole returns from time to time, always welcomed, always celebrated. She sits at the bar with a quiet smile, watching Nicolas command the night with calm confidence. “It’s still my dream,” she says. “And now it’s your masterpiece,” he replies. Two eras, one heartbeat. On the eve of a new season, Nicolas and his wife Julia stand on the main stage, the club humming with anticipation. The sea murmurs beyond the terrace. The lights dim to gold.

A magnetic performer steps forward, her voice blending Parisian cabaret with Caribbean fire. A siren of the stage, a storyteller through song. Resident DJ Kilian Christolomme follows, a master of island electro, a sculptor of rhythm. The crowd erupts, cheers, feathers, sparkles, celebration. Le Ti St Barth is alive again. Alive in the beating hearts of those dancing beneath the island moon.

SUN KISSED

Mathias Kiss lands in St Barth:

A study in Reflection,

Distortion

& quiet Precision.

By PHILIPPE COMBRES

This holiday season, St Barth becomes the unexpected backdrop for an exclusive retrospective of Mathias Kiss, the French artist-designer whose practice navigates the fault line between tradition and radical experimentation. Known for dissolving boundaries between art, architecture, and applied craft, Kiss brings a sharply curated constellation of works to the island, a moment of visual tension and serene disruption.

Central to the presentation are his folded mirrors, now signature pieces within his vocabulary. Seemingly pleated or compressed, they challenge material expectations: solid surfaces behave like fabric, reflections fragment, architecture bends. These objects hover between sculpture and design, operating as optical interventions rather than décor.

Alongside them, Kiss exhibits his sculptural frames, liberated from their original function and treated as autonomous architectural fragments. They suggest portals, thresholds, or the ghost of ornament, questioning what happens when the decorative becomes the essential. Completing the trio is a series of gradient sky paintings, atmospheric fields shifting

from one tonal temperature to another. Reduced to pure chromatic transition, they speak in whispers: an abstraction of horizon, weather, and time. Their quiet minimalism resonates with the island’s own transient light.

For the festive season, the exhibition debuts a new collaboration with Christofle: a set of candle stands rendered with the silversmith’s historic savoir-faire but interpreted through Kiss’s contemporary lens. Reflective, precise, almost architectural, they frame light as both object and presence.

With Sky Is Not the Limit, curator Alice Heart offers not a show, but a spatial experience, a meditation on reflection, distortion, and the future of craft. The location of the exhibition remains intentionally undisclosed, adding an architectural suspense to the event, a site to be revealed, a space that will undoubtedly echo Kiss’s fascination with thresholds, surfaces, and the poetry of materials.

Sky Is Not the Limit, Mathias Kiss, exhibition on appointment from 15 December to 15 January, 2026 mathiaskiss.com | @mathiaskiss artsaintbarth.com | @artstbarth

Whispers onPAPER

Space Gallery St Barth unveils Minjung Kim’s first major survey with the gallery, tracing twenty years of transformative work with hanji and ink. A meditative dialogue emerges between material, gesture, and time.

Space Gallery St Barth presents Minjung Kim’s first major survey with the gallery, spanning two decades of her practice. Across traditional ink painting and refined abstraction, Kim transforms hanji (Korean mulberry paper) through layering, burning, and repetition, creating works that meditate on time, presence, and impermanence.

The title, A Survey of Works, is not merely archival; it speaks to the artist’s continuous act of revisiting and rediscovering her own visual language. Each work embodies a moment of balance — between what is made and what is left unsaid. The repetition of marks becomes both meditation and ritual, a choreography of the hand guided by breath and awareness — each work a meditation on the passage of time. Key series like Phasing, Mountain, and The Street reveal her visual

rhythm; the work balances precision and spontaneity, creation and destruction, presence and absence. Each piece resonates with quiet intensity, inviting viewers to slow down, reflect, and inhabit the subtle cycles of emergence and dissolution.

Rooted in Korean aesthetic philosophy and in dialogue with the history of abstraction in art, Kim’s works sustain the tensions between control and surrender, fragility and mastery. In St Barth, her meditative practice meets a luminous, natural setting that mirrors the rhythms and sensibilities of her art.

A Survey of Works, Minjung Kim, exhibition January 05 – January 31, 2026 Space Gallery, Gustavia, Saint Barthélemy @spacegallerystbarth | spacegallerystbarth.com

Heart ofGLASS

Between poetry, light and wonder, Jean-Michel Othoniel has built a singular world where glass becomes emotion and beauty a form of resistance.

Interview by PHILIPPE COMBRES Photography by JEAN-PHILIPPE ROBIN

The SPIRITUAL , in ART, IS A very IMPORTANT NOTION, and I APPROACHED it THROUGH the prism of BEAUTY.

On the occasion of his exhibition Beauty Saves the World at the Wall House Museum in St Barth, the artist Jean-Michel Othoniel reflects on his journey, his relationship to light and his deep connection to the island. A conversation on art as re-enchantment, between intimacy, spirituality and the infinite.

L’OFFICIEL: Since your beginnings in the 1990s, how would you describe the evolution of your artistic approach and the materials you explore?

JEAN-MICHEL OTHONIEL: My artistic path is like a journey. First, the passage from shadow to light, a quest for joy and wonder, but it is also a perpetual journey discovering other forms of art and other countries. That is why I am very happy to come to St Barth once again. It is a very inspiring place for me, because I am very sensitive to light, to nature, and to the elements.

L’O: What role does poetry play in your work, particularly in your use of glass and organic forms?

J-MO: Poetry is above all a choice of life, a way of being in the world, and of looking at others around you, but it is also a concise way of expression: it is creating a fast and striking image. And in that sense, glass is a material that must be worked on with intensity, without the opportunity for correction, and it’s a material that lets itself be traversed by light and emotions.

L’O: You have exhibited in prestigious places all over the world — what does international recognition represent for you?

J-MO: International recognition is an opportunity. For me, it is proof that my work is generous enough to embrace all cultures, religions, and aesthetics. What is complicated in art, for me, is to be completely French, particularly in my relationship to poetry and to language, with this idea of an art that links with the past, and at the same time to be totally international with an open work that speaks to everyone.

The Constellation of Pegasus at Cheval Blanc St Barth, Photograph by Rafael Luhrs.

We need RE-ENCHANTMENT, WE need WONDER, not to ESCAPE the WORLD, but to return to it STRONGER.

L’O: In your monumental exhibition ‘Othoniel Cosmos, or the Ghosts of Love’ this year in Avignon, you presented more than 250 works spread across ten heritage sites. What do you retain from this exceptional experience?

J-MO: I realized through these exhibitions in the city of Avignon that the public in France today, and perhaps this is true on an international scale, need re-enchantment, need wonder. We need to escape for the duration of an exhibition, not to turn our backs on the world but, on the contrary, to recharge and feel stronger before we face again the hardships of our society.

L’O: How did you conceive the relationship between your works and the spiritual and architectural history of this emblematic place?

J-MO: The spiritual in art is a very important notion, and I approached it through the prism of beauty. I think that beauty leads us to contemplation, to something that goes beyond us, something greater than us, which carries us and nourishes us.

L’O: What personal or emotional connection do you have with the island of Saint Barthélemy?

J-MO: I discovered the island of St Barth out of season and I was immediately fascinated by the power of nature, by the great diversity of the flora, and by this feeling of being completely enveloped by the beauty of the vegetation. The fragility of the natural sites and the constantly changing light evoke for me the very nature of existence.

L’O: Can you tell us about the piece you created for the Cheval Blanc hotel in St Barth: how did it integrate into such a specific setting?

J-MO: The constellation of Pegasus, made of pink and mirrored glass pearls, located at the entrance of the Cheval Blanc hotel, pays tribute to what perhaps struck me most when arriving on the island. It is the immensity of the sky, the clarity with which one sees the stars, the fact of being overwhelmed by the universe, of feeling like a blade of straw in the ocean. I loved this feeling of direct connection with the constellations, and Pegasus is a constellation that represents the winged horse of our tales and legends. It was obvious to me that the white horse of St Barth was the one

from our dreams. It is the first time I paid tribute to the cosmos in such a direct and poetic way.

L’O: Your upcoming exhibition at the Wall House Museum marks an important step for contemporary art on the island: can you reveal its genesis?

J-MO: The exhibition was built in dialogue with the different curators of the place, and we always wanted, perhaps, to show the people of St Barth the artist behind The constellation of Pegasus by offering certain keys to my work which, in my opinion, will allow the curious to seek to know more.

L’O: What works will be presented at Wall House? Can we expect new pieces or a continuity of your recent creations?

J-MO: The works presented reveal certain directions very present in my work, notably this relation to contemplation, gazing at flowers, the idea of infinity that one finds in the reflections in my mathematical knots, the beauty of light in the suspended Murano glass works, and also the graphic work (which is the genesis of my works). But above all, what is important for me is to affirm this relationship to beauty, and since the name of the place is in English, Wall House, I allowed myself to name this exhibition Beauty Saves the World. It is a message sent to the world like a bottle thrown into the sea.

L’O: How do you hope the local and international public will resonate with your universe through this exhibition?

J-MO: I am very happy to be able to exhibit at this time of year when many visitors come to the island on vacation. It is a moment when it is easier to let oneself get lost in a poetic vision of the world, and my work requires a certain capacity for listening and for wonder. What better than a stay in St Barth for that!

ABOVE—Passiflora, 2025

BOTTOM, LEFT TO RIGHT—Garance (A) 2025, The Knot of the Imaginary, 2021

Photography by Claire Dorn

Look ALEXANDRA TURSI, Photography EMILY LAB.

ISLAND CREATORS

Fashion, design, jewelry, couture and more — St Barth Tourisme and L’Officiel St Barth present a spotlight on the island’s creative scene. An island where the light gently touches every cove, where the turquoise waters seem to whisper a ncient stories, and where the wind carries a unique scent of freedom and creativity. Behind its idyllic beaches and breathtaking panoramas lies another kind of richness: the soul of its creators.

Artisans, designers, jewelers, and stylists all infuse this land with their passion and vision, giving life to works that capture the very essence of the island. It is in this spirit that our collaboration with St Barths’ Tourism Board takes shape: we want to highlight those who make St Barth vibrate, sharing their stories and bringing their craftsmanship to the wider world.

Every piece and every creation is a fragment of the island, a testament to both the authenticity of its community and the natural elegance around us.

We want to invite you to discover St Barth differently. Not only as a dream destination, but as a true laboratory of creativity, full of expressions of the island’s spirit. Here, the art of living, the boldness, and the emotion in every creation create a bridge between the people and the island that inspires them.

This project celebrates the cultural richness of St Barth, taking a moment to recognize the freedom and inspiration it lends to the talents who make the island shine through their work.

NATURE’S BOUNTY

Nourished by the memory and poetry of the tropics, designer, Seraphyn’s approach is rooted in a dialogue between heritage and modernity.

By JENNY MANNERHEIM Photography CAMELLIA MENARD

Through her sculptural pieces, Seraphyn reinvents the codes of island design with elegance and emotion. Her universe conveys the lightness, sensuality and timeless grace of St Barth, muse and matrix of her inspiration.

L’OFFICIEL: Can you tell us about the birth of your brand?

SERAPHYN : My brand Seraphyn Design was born from memory: this art of living and the poetry of the tropics of the past. Inspired by this cultural heritage that cannot be forgotten, my founding idea was to reinterpret these codes with a contemporary vision. My goal is to express the pure sensations of the tropics through my creations: languid movement, the lightness of the atmosphere and the natural grace of places. I design each piece as a fragment of materialized emotion to be shared and passed on. My creative philosophy is fully expressed in emblematic pieces such as my rocking chair, my pedestal table and my gracile chair. The rocking chair (designed in carbon fiber) revisits a classic by combining strength, finesse and comfort. The pedestal table, made of bronze (an unalterable and eternal material) embodies the idea of a heritage treasure to be passed on. Its warm color and finish evoke the preciousness of a jewel, transforming a utilitarian object into a sculpture. As for the gracile chair, it expresses the quintessence of tropical lightness through its stripped-down structure. Celebrating the simplicity and sensuality of curves in the service of ergonomics, it is subtly inspired by the feminine silhouette. These three pieces represent the constant dialogue that I maintain between heritage and modernity.

L’O : What place does St Barth occupy in your journey?

S : St Barth is much more than an island to me; it is a land of the heart and my crucible of inspiration. In my eyes, it embodies a fertile paradox: a singular historical-cultural heritage and an openness to the world allied with bold modernity, where everything seems possible to me. This unique effervescence, nourished by the meeting of varied and cultivated horizons, offers the ideal ground for me to share my contemporary creations while remaining faithful to my Caribbean identity and to the history I share with its inhabitants.

L’O : What place, landscape or atmosphere in St Barth inspires you the most?

S : My inspiration draws its strength from the fusion between nature and the island’s seascapes. These spaces that open onto the horizon are for me an invitation to escape. The crystalline blue of its waters and the singular light reflected there create, in my eyes, an atmosphere conducive to reverie, stimulating infinity for my creativity.

L’O : If you had to sum up St Barth in a single word, which would you choose?

S : Iconic.

L’O : What projects or new developments are you preparing for 2026?

S : My 2026 horizon is resolutely focused on sustainable innovation. My projects revolve around the use of biosourced materials, an approach that is part of my desire to enhance and sustain our precious island heritage, in perfect coherence with my vision of a creation that is passed on.

L’O : What would you like the public to retain above all from your work?

S : I would like the public to perceive in my work the quest for a grounded and authentic design that goes beyond form. My objective is to express the sensations and values of tropical places, movement, lightness and femininity, through a resolutely modern language, thus contributing to the expression of a contemporary and emotional style, inspired by my territory.

L’O : What advice would you give to a young creator who dreams of settling or creating in St Barth?

S : To a young creator dreaming of settling in St Barth, I would give this advice: draw your inspiration from the deep identity and history of the place but also from the cultural mix it attracts from all over the world. It is by connecting to this unique essence, to its sensations, that you will be able to develop an original, authentic and personal creation. seraphyndesign.com

When you RESONATE WITH ST BARTH ON that level, EVERYTHING else NATURALLY FALLS into PLACE.

ISLAND JEWELS

Between family heritage and a fascination for the beauty of the island, Jordana Gheler transforms her memories and emotions into poetic jewelry.

By JENNY MANNERHEIM

Portrait SKYLAR WILLIAMS

Still lives MARTHE SOBCZAK

Each creation becomes a fragment of St Barth, capturing the light, colors, and unique energy of the island. For her, jewelry is not just an art form: it is a way of telling stories and sharing an intimate bond with the Caribbean paradise she calls home.

L’OFFICIEL: Can you tell us about the birth of your brand?

JORDANA GHELER: The brand was born from my personal story, intimately linked to my passion for St Barth. My mother was an artist, and every time she finished a project, we would celebrate together by choosing a piece of jewelry, carefully selecting the stone and the design. Ten years ago, she passed away, leaving me part of her collection. Last year, I decided to redesign these pieces so that they would reflect my style more. When I wore them in St Barth, many people asked me where they came from. That’s when the idea of creating my own brand took shape. But I wanted something different from what already existed here—a brand that, through its stones and lines, carries a deep connection with the island. That’s how it all began. Each piece tells a story: by wearing one, you take a fragment of the island with you.

L’O: What place does St Barth hold in your journey?

JG: St Barth represents a true transformation in my life. I discovered the island in 2011, and as soon as I set foot on it, I knew it would become my home. I traded city life for this little paradise. Even after all these years, every corner continues to inspire me. Its nature feeds my creativity, sparks ideas, and guides the stories behind each piece of jewelry. St Barth is not only where I live, it is an infinite source of inspiration.

L’O: Which place, landscape, or atmosphere on the island inspires you the most?

JG: What inspires me the most is the movement of the island, the way its atmosphere transforms over the months. Each period brings new sensations, almost like emotional seasons. Visually, I am fascinated by the infinity of its turquoise blues and its unique contrasts: the texture of the vegetation, the iconic red roofs, or the elegant curve of airplanes landing on the horizon. All these details feed my imagination and naturally find their way into my creations.

L’O: If you had to sum up St Barth in one word, which would you choose?

JG: St Barth is a jewel. That is my brand’s slogan, but also the most accurate expression of what the island represents for me, in every sense of the word.

L’O: What projects or new releases are you preparing for 2026?

JG: I am continuing a beautiful collaboration with Eden Rock, where the brand is represented. This place perfectly embodies the spirit of my house: St Barth is a jewel, and Eden Rock is its precious stone. We are constantly imagining new ideas together. In 2026, we will unveil a men’s collection, as well as a new line called Pirates of St. Barth.

L’O: What would you like the public to remember above all about your work?

JG: People often feel an inexplicable passion for the island, an almost magical emotion. My wish is that my jewelry becomes small fragments of St Barth that travel around the world, carrying the spirit and beauty of the island with them.

L’O: What advice would you give to a young creator who dreams of settling or creating in St Barth?

JG: The real key is a sincere connection with the island. You have to absorb its rhythm, its energy, its light, and know how to appreciate everything it offers without ever disturbing its balance. When you resonate with St Barth on that level, everything else naturally falls into place.

@jordanagheler

FULL BLOOM

In everything from crochet to silk, Alexandra Tursi captures the island’s light, textures, and movement in effortless, feminine pieces designed to glow all day and night.

By PHILIPPE COMBRES Photography EMILY LAB

Every piece carries an EMOTION: SERENITY, sensuality, AND ISLAND freedom.

Whether it’s her hand-crocheted beach bags or fluid silk silhouettes, Alexandra Tursi has built a brand where the hallmarks are shaped entirely by the light and spirit of St Barth. Her universe is luminous, sensual, and instinctive — a wardrobe born from sun, salt, and the slow rhythm of island life.

L’OFFICIEL: Can you tell us about the birth of your brand?

ALEXANDRA TURSI: I’ve been making clothes for as long as I can remember, experimenting with different styles, techniques, and combinations. Seven years ago, I came to St Barth, and like many fashion-loving girls, I made myself a crochet bag. Someone saw it and said, “I want one.” That’s how it all began. What started with me handcrafting hundreds of crochet bags has evolved into an exploration of elegant silk garments under my own brand, Alexandra Tursi. I wanted to create things that women can wear effortlessly from day to night.

L’O: What place does St Barth hold in your journey?

AT: St Barth created my brand, and in many ways, my brand has created me. For such a small island, it holds an immense and unique energy. Maybe it’s the views, but I began to see things differently here: the colors, the textures, the touch of sand, water, wind, and shells. Everything became more vibrant and alive. There’s that feeling when you lift your face to the sun, close your eyes, and the warmth covers you slowly like melting honey. That’s the sensation I try to capture in my creations, something that’s effortless and luminous, but also sensual. St Barth taught me the beauty of simplicity, movement, and natural luxury. Those are the values that now define Alexandra Tursi.

L’O: Which place, landscape, or atmosphere of St Barth inspires you the most?

AT: Every corner of St Barth inspires me. The view from Colombier, overlooking Gustavia and Public, takes my breath away each time. I remember sitting at Villa Mona (named after my mother-in-law) for hours, simply watching in silence. And the sea… I love it when it turns glassy and still; it’s like liquid silk. I’m mesmerized by its quiet movement, its reflections and shadows. It’s the same feeling I find in fabric — fluid, elegant, endlessly graceful. It’s a dance you can lose yourself in.

L’O: If you had to summarize St Barth in one word, which would you choose?

AT: Luminescence. Because everything here — from the sea to the light to the women who wear my designs — glows with that special effortlessness, that beauty and warmth.

L’O: What projects or new developments are you preparing for 2026?

AT: For 2026, I’m developing a capsule collection that celebrates the fluidity of silk and the natural rhythms of St Barth. Each piece is designed to move like water and capture the light like the sunrise over the sea. The collection will also feature hand-painted silks. These are one-of-a-kind pieces that reflect the island’s landscapes and colors. I’m also deepening my commitment to sustainability through ethically sourced materials and artisanal dyeing techniques inspired by St Barth’s beauty.

L’O: What would you most like the public to remember about your work?

AT: That each piece carries an emotion in it. There’s a combination of serenity, sensuality, and a touch of that special island freedom. I want women to feel both powerful and at ease, as if they’re carried by the sea breeze from St Barth itself.

L’O: What advice would you give to a young creator who dreams of settling or creating in St Barth?

This is a beautiful space to translate your experiences into creative expressions, and remember that, whatever you make, you are leaving inspiration for whoever comes after you.

@alexandra.tursi

COUTURE DUALITY

Born between Italian couture discipline and the raw soul of St Barth, Ced & Rod’s universe is as intimate as it is unmistakable.

By JENNY MANNERHEIM Portrait KAVA GORNA Photography CAMELLIA MENARD

There are some brands that make pieces, and others that create emotions. CED & ROD belongs to the latter — a house whose universe is felt even before it is understood: born between the rigor of Italian couture and the raw soul of St Barth. In their atelier, Cédric and Rodolf shape garments the way one shapes memories, with rare sensitivity and an almost instinctive attention to detail. Their luxury is silent, intimate, and deeply human. A meeting with a duo for whom each garment is a work of art, a memory, and an emotion to wear.

L’OFFICIEL: Can you tell us the story behind the birth of your brand?

CED&ROD: CED & ROD was born from the encounter between two worlds: that of the most demanding Italian couture and that of an island life in St Barth, where luxury is experienced in an authentic, almost confidential way. We wanted to offer not clothes, but experiences. Each piece is conceived as a personal work of art, nourished by rarity, sincerity, and craftsmanship pushed to the extreme. Our goal is to create pieces that transcend seasons, and go far beyond trends.

L’O: What place does St Barth hold in your journey?

C&R: The island is much more than a backdrop to our work: it is a home port. St Barth is a place where we have built an intimate connection with both the local community and an exceptional international clientele. We create wedding dresses here, sometimes for local families,

We DIDN’T want to offer clothes, BUT EXPERIENCES .

which leads us to experience moments of great intensity. When we are invited to our clients’ weddings, sharing these moments… that is exactly what CED & ROD represents: accompanying women through the most precious moments of their lives.

L’O: Which place or landscape on the island inspires you the most?

C&R: Saline, we can say this without hesitation. The path, the dunes, the rocks, the silence, then the endless horizon. It’s a raw, free, untouched landscape. This wild atmosphere inspires us directly: strength, simplicity, silent elegance. That is exactly what we seek to translate into our pieces.

L’O: If you had to sum up St Barth in one word?

C&R: Intensity. A simple but powerful word, capturing the island’s energy, light, and emotion.

L’O: What projects or new developments are you preparing for 2026?

C&R: 2026 will clearly be a year under the sign of exclusivity. CED & ROD will create a unique capsule collection for the women’s boutique at Cheval Blanc St-Barth Isle de France, an emblematic address of the LVMH group. We will also propose a few pieces for men, notably silk and linen shirts. At the same time, we’ll continue our work on highly confidential collections, produced in extremely limited quantities, in order to preserve what we consider a true privilege: rarity.

L’O: What would you like the public to remember above all about your work?

C&R: Absolute quality and rarity, those are the key things for us. We conceive of every detail in our workshops: pattern design, model development, even the choice of materials. We only collaborate with the finest suppliers: silks from Lake Como, English tweeds from the same historic mills as those of Chanel, and even fabrics specially created for them. We see our signature in exclusive prints, born from photographs that we transformed into textile artworks. We want our clients to be certain that no one else is wearing the same piece.

L’O: What advice would you give to a young designer dreaming of settling or creating in St Barth?

C&R: Don’t try to please everyone. The island is not a stage for the masses, but a jewel case where authenticity is key. Listen to the light, the contrasts, the energy of St Barth. Stay true to yourself. Here, sincerity is seen instantly. This is not a place for compromise: it is a place where you reveal who you truly are. cedandrod.com |

I SEE MYSELF AS a pirate in search OF TREASURES — EXCEPT these treasures, I TRANSFORM THEM SO they carry a story AND AN EMOTION.

WHEN THE OCEAN BECOMES JEWELRY

Cheyenne Mignot speaks with the candor of someone who never follows the rules. It’s this spirit that shaped Child of the Sea.

By OLIA TRETIACOFF Photography CAMELLIA MENARD

Cheyenne Mignot grew up on a sailboat with his parents and his brother, Ocean Sky. Eleven years spent sailing between the Caribbean and South America, each stopover was an adventure. Each island a treasure: “Growing up on the sea was living like a pirate,” he recalls. He tamed a parrot named Coco. He sold photographs to tourists. He caught and resold iguanas. He explored beaches, collected shells and pieces of sea-polished glass. Each day taught him resourcefulness, boldness, and freedom.

At seven, his grandmother taught him how to roll leather to make jewelry cords. At fifteen, he had mastered cutting, polishing, and drilling shells, stones, and pearls. At sixteen, he created his first pieces for the family shop, Bijoux de la Mer, in St Barth. “My first piece was a necklace made from a shell I found on the beach. I wanted to keep it as a memory, so I drilled into it and turned it into jewelry.”

At twenty-two, his grandfather passed down the foundations of metalworking: melting gold, silver, copper, and bronze to craft unique pieces. After the passing of his father and grandfather, Cheyenne founded Child of the Sea and set up his atelier in St Barth.

His creative process always begins with a find. A shell. A stone. A piece of sea-polished glass. He sketches around this element. He lets it guide the design. The materials speak, and he transforms them by hand. Each piece is born from meticulous attention, from patience passed down through his family, and enriched by the techniques of artisans he has met throughout his travels.

Cheyenne searches for his precious stones across the globe. He travels through Southeast Asia, South America, and the Pacific to source his gems. Everywhere he goes, he meets local artisans and miners. He observes their gestures, learns their techniques, and chooses every stone with care. The landscapes, the light, the warmth of the workshops, and the hands shaping these stones fuel his creativity. All the gold and precious metals he uses come from ethical sources. Each journey shapes his inspiration and becomes part of his creations. “Every piece tells a story, a connection between people, nature, and craftsmanship.”

St Barth remains his anchor, his refuge. “It’s a place where, like the pirates once did, you hide from the world and its rules.” Each jewel mirrors the sea, the light, the colors, and the island’s energy. The trident, the brand’s emblematic piece, symbolizes Cheyenne’s strength and bond with the ocean.

La Grande Famille is an ongoing project led by his cousins Jessica and Lucas, in which Cheyenne plays an active role. Located in the heart of Gustavia, the boutique brings together family members around their art and shared heritage. “It’s a space where the family can gather, exhibit their work, and share their creativity. The boutique is a testament to our story and our values: it’s more than a shop, it’s a home for our artistic expression.”

In this space, Cheyenne presents his Child of the Sea creations alongside those of his relatives. Each brings their skill, their story, and their love for art. “Child of the Sea was born from my personal history as a tribute to my grandparents who created Bijoux de la Mer, and La Grande Famille now turns it into a shared story.”

Instinct of STYLE

When Mollie Mae talks about her boutique, every piece in her store, every choice, every moment of magic, you know she was led by her desire and instinct.

By OLIA TRETIACOFF Photo CAMELLIA MENARD

Black sheer beaded gown FAUSE HATEN RUNWAY, MOLLIE MAE VINTAGE.

It fell INTO MY ARMS, as if it HAD

“It fell into my arms, as if it had always been obvious.” When Mollie Mae talks about her boutique, you feel that nothing was calculated. No business plan, no strategy. Just desire, instinct and hard work.

Born in the United Kingdom, she left her country at the age of six for France. She learned the language: “in the countryside, the hard way,” as she says, far from the luxury she is surrounded by today. School? A failure. But with Mollie, failure has always been an open door. “I failed at school, so I decided to travel.” Off to Asia, then the Pacific. She strung adventures together, without a roadmap. Back in France, she became a weather engineer in Toulouse. “But I knew I wasn’t in my place.” So, in 2021, she dropped everything and headed for St Barth. “I had always imagined living on an island. The luxury on such a small territory fascinated me.” Here, everything aligned: love, friends, light. The island became her refuge. And that’s where everything began.

“I have always been drawn to beauty, fashion, offbeat things.” As a child, she dressed her dolls. Then came makeup, art, and finally vintage fashion. Opening a boutique here, without school or a network, was almost audacious. “A girl like me, opening a vintage shop in St Barth, who was going to be interested?” She laughs. Supported by her partner Kristian and her mother-in-law, Laurie Stark, she really goes for it. She hunts, rummages, cleans, alters. “Everything came naturally. I knew exactly what I wanted.” In her boutique, nothing is left to chance: everything is chosen, washed, styled and staged by her alone. “It’s a one-woman show. All my energy goes into it.”

Between the racks, you’ll find an early 20th-century lace dress, a ’90s Harley jacket, a Fendi baguette bag. But what Mollie really sells is an emotion. “You have to follow your intuition. If you hesitate, you miss out.” She doesn’t try to please: she wants each piece to speak to someone. For her, fashion is not a game of appearances, but a way of existing. “The island inspires me all the time. The calm of the low season, the energy of the high season, everything comes in waves.” What else does she love about it? Reunions. “I love running into my clients afterwards, seeing them smile, dance, feeling good in their skin. There’s nothing more beautiful.”

For now, Mollie Mae is taking each day as it comes. The future? “Maybe a boutique in Los Angeles or online? I’m curious to see what life has in store for me.” One thing is certain: on this island she now calls home, Mollie has found much more than a job. She has found a way of existing that’s sincere, instinctive and free, a life of her own making.

OPPOSITE PAGE—White silk shirt & vintage play shorts DOLCE & GABBANA , vintage crochet hat FAUSE HATEN RUNWAY, vintage seude fringed boots with red soles, LOUBOUTIN, 1990s red sequin baguette bag FENDI,

THIS PAGE—Orange crochet bedazzled dress, JEAN LOUIS SCHERRER COUTURE.

Black sheer beaded gown FAUSE HATEN RUNWAY. All clothes by MOLLIE MAE VINTAGE.

Fashion AS FORM, body AS ARCHITECTURE, sun AS

CURATOR.

Perse in PARADISE

Sun, sea and serenity: Designer James Perse has shaped a universe of Californian luxury. He takes a moment to share his story and his vision, telling us how he created the ultimate expressions of simplicity in his new island essentials.

L’OFFICIEL: James, can you tell us how the James Perse story began and what inspired the creation of the brand?

JAMES PERSE: The brand was created by mixing two ideas: the sophistication of the world I grew up in with my father, being exposed to fashion and architecture, and the warmth of sunny California, living a casual lifestyle in the 70s and 80s.

L’O: How has your original vision evolved as the brand expanded and reached an international audience?

JP: Over the years the brand has expanded into all areas of experience, whether that’s food or hospitality. It has evolved its products for different end uses for our customers, across day and evening, and even into athletics as well.

Interview PHILIPPE COMBRES

Photography SKYLAR WILLIAMS

L’O: The James Perse aesthetic is deeply rooted in a refined California lifestyle. How would you describe that sensibility in your own words?

JP: Simple, modern, laid-back, effortless luxury.

Casual but ELEVATED, modern yet TIMELESS — that BALANCE is WHERE OUR STORY lives.

L’O: Your collections are synonymous with effortless luxury and timeless comfort. What continues to inspire you creatively?

JP: I am always inspired not by what you see but what you don’t see – these missied opportunities are part of the constant desire to make something more elevated.

L’O: What led you to open a store in St Barth? Why did this island feel like a natural extension of the brand?

JP: I have wanted to open a store in St Barth for probably fifteen years. I just needed the right space and the right moment. I feel very connected to St Barth. It’s casual and down-to-earth, yet very sophisticated, and I feel right at home here.

L’O: How does the new St Barth store reflect the spirit of James Perse, both in its design and in the experience it offers?

JP: I think our store will be a modern beach store resembling the architecture from St Barth homes. What we love about our store is that it is more like a little house than a retail store, allowing us to maintain that feel and experience of being on the beach.

L’O: The James Perse universe seamlessly blends fashion, lifestyle, and architecture. How do you approach the relationship between these worlds?

JP: Usually I think about the environment first, where I am, and then influence the architecture to fit in the surroundings, always feeling local. The products inside need to include specific products for that location that will not only be exclusively available to that location, but also give a strong collaboration of who we are as a brand and how we incorporate the local spirit. Ultimately it’s one seamless thought across multiple categories.

L’O: Over time, the brand has expanded far beyond clothing, encompassing furniture, home design, and now hospitality. Was this holistic approach something you always envisioned?

JP: I think it was organic but inevitable with my passion around environments and spaces. I need to complete the thought and add all the pieces up to tell the story. I am just so passionate about the entire picture that it’s the only way I can think about it.

L’O: Can you tell us more about your two destination properties in Mexico and how they embody the James Perse lifestyle?

JP: The two properties in Mexico allowed me the chance to create an environment completely from scratch – allowing someone the chance to stay and live in the world we create. It was the ultimate dream to be able to work through every detail of a guest’s stay, from their arrival experience to their journey from food to service presentation. All of the details, our furniture, furnishings and custom creations, even the surfboards and off-road vehicles, are done in our aesthetic. Most importantly, these properties allowed me the chance to share the special energy of each location in nature.

L’O: How do these properties translate your values of simplicity, quality, and authenticity into a hospitality experience?

JP: I think our properties create the same casual but elevated experience as our clothing and our brand but surrounded within nature and has a natural energy that can only be experienced, not described.

L’O: When choosing new locations or spaces, what elements make a place feel like a natural home for the brand?

JP: It’s all about the bones of the architecture or the possibilities. It starts with that and then becomes a playground to recreate something new or tell a new story, as we have never been a brand that provides just one formula or experience. We want our customers to explore every time they are in a new city or country and see a new store or find a new product from us that can only be found there.

L’O: Are there any upcoming projects, collaborations, or new openings on the horizon that you can share?

JP: I’m particularly excited about our new flagship store in Paris, opening in March. And besides that, all I can say is beach club!

L’O: Looking ahead, what excites you most about the next chapter of James Perse?

JP: I think I am mostly excited by always pushing new things and new products. We have always been focused on apparel and now introducing shoes, bags, jewelry, fragrance and eyewear is a natural progression. But for me it is all new and that’s what always keeps me going.

James Perse St Barth, Rue Samuel Fahlberg, Gustavia 97133, Saint Barthélemy

James Perse properties in Mexico: inquiries and reservations at PrivateEstates@JamesPerse.com www.jamesperse.com | @jamesperse

St-Tropez Pop Up at Indie Beach, Malibu Lumber Yard, Brandílera and Grey Cape Properties in Mexico JAMES PERSE

Minimal HORIZONS

Set between the white sands of Flamands Beach and the sculptural lines of the iconic Jangali Villa, James Perse’s latest collection defines a new language of timeless quiet chic—where refined ease meets effortless coastal elegance.

Photography SKYLAR WILLIAMS Styled by ALICE HEART

CAMERON Army green and black cotton short JAMES PERSE. OPPOSITE PAGE— EMILIE Black linen dress, black suede hat JAMES PERSE.

EMILIE beige knit dress JAMES PERSE. CAMERON Tobacco jacket with suede collar, tobacco short with suede piping at the side, white cotton t-shirt

JAMES PERSE.

OPPOSITE PAGE— CAMERON white linen shirt JAMES PERSE. EMILIE white linen shirt, white linen pant, white linen and cotton tote bag JAMES PERSE.

EMILIE white knit top, denim skirt, black suede hat JAMES PERSE.

CAMERON white knit hoodie, white linen pant, black suede hat JAMES PERSE.

OPPOSITE PAGE— EMILIE white linen jumpsuit JAMES PERSE. CAMERON white linen shirt, white linen short, beige cashmere sweater JAMES PERSE.

CAMERON black cotton jacket, black cotton pant, white cotton shirt, black leather shoes JAMES PERSE.

EMILIE black cotton dress, black suede ballet flats JAMES PERSE.

CAMERON white cotton t-shirt JAMES PERSE.

OPPOSITE PAGE— CAMERON beige cashmere hooded pullover, white cotton t-shirt, tobacco pant JAMES PERSE. EMILIE beige cashmere hooded pullover, white linen pant JAMES PERSE.

RAPHAELA Top & Renee Eyelet Cotton Pants LOLITA JACA, Necklace VINTAGE CHANEL, Baret SONIA RYKIEL VINTAGE

OPPOSITE PAGE—MARINE Romper Voile de Cotton & Silk LOLITA JACA.

Island LOLITA

In the golden hush of a St Barth hideaway, the new Lolita Jaca collection reveals itself — lace, sun-warmed silks, and elegant contrasts drifting through Maison Saline’s rooms and gardens.

Photography SKYLAR WILLIAMS

Styled by ALICE HEART

ABOVE—IBIZA Cover with Anka Embroidery in Georgette Silk LOLITA JACA, Necklace VINTAGE CHANEL.

TO THE RIGHT—DALIA Limited Edition Shirt in Viscose LOLITA JACA, Pochette Bag KYOMAI.

DONNA Jacket and AMANDINE Skirt in Satin Silk LOLITA JACA, Necklace VINTAGE CHANEL, Hat JULIE SULZYRSKA.

FABIANA ‘One-of-a-Kind’ Kimono, VALENTINE Skirt Satin Silk LOLITA JACA, Necklace VINTAGE CHANEL.

OPPOSITE PAGE—ONDINE Top in Satin Silk, MANOLITA Skirt in Satin Silk and Chiffon Silk LOLITA JACA.

ABOVE—ALICIA Dress ‘Limited Edition’ Embroidery in Georgette Silk LOLITA JACA, Necklace VINTAGE CHANEL

TO THE LEFT—MIA Cover ‘Limited Edition’ in Viscose LOLITA JACA, Bag BERTINI, Lunette and Bracelet VINTAGE

OPPOSITE PAGE—One-of-a-Kind

HUA Dress LOLITA JACA, Earrings CHANEL VINTAGE, Pochette Bag KYOMAI

MODEL INES LASMI

ART DIRECTION JENNY MANNERHEIM

PRODUCER PHILIPPE COMBRES

PRODUCTION SERENA GRIMALDI

HAIR

LOCATION MAISON SALINE

MADO Dress in Satin Silk LOLITA JACA, Belt VINTAGE CHANEL, Bag SILVIA GNECCHI.

OPPOSITE PAGE—ORNELLA Jacket ‘Limited Edition’ in Sequins LOLITA JACA, Earrings VINTAGE CHANEL.

Taken by STURM

Charly Sturm grew up in front of the camera, but St Barth is where she truly comes into her own. Between ocean rituals, timeless style, and her creative role at Dr. Barbara Sturm, she reveals the island moments that ground her, inspire her, and feel most like home.

Photography SKYLAR WILLIAMS

Styled by ALICE HEART

Interview JENNY MANNERHEIM

Rebellion Corded Gown ZIMMERMANN, Jewerly JORDANA GHELER

OPPOSITE PAGE—Daylight Metallic Trim Bikini, Goldentime Large Fringe Tote ZIMMERMANN.

PREVIOUS PAGE—Rebellion Filigree Mini Dress ZIMMERMANN.

Daylight Jacquard t-shirt and shorts

Rebellion Frayed Mini Dress ZIMMERMANN. Necklace and watch CHOPARD

Authenticity MATTERS MORE THAN EVER. In

beauty, I BELIEVE in ENHANCING, not HIDING.

L’OFFICIEL: St Barth has a very special energy. Do you remember your first time on the island, and what are the moments here that feel most “you”?

CHARLY STURM: I think my first time in St Barth was actually at Eden Rock, many years ago. Landing on the island was already an experience — and being by the water and in the sun is my happy place. I feel most like myself when I’m in the ocean or exploring the island’s beaches and nature. There’s so much beauty here, especially in the hikes, landscapes, and beaches.

L’O: We shot together at Eden Rock – St Barths, which has its own mythic status in fashion and travel. What does Eden Rock represent to you personally, and how do you like to experience the hotel when you’re here?

CS: I’ve loved Eden Rock from the moment I first stayed there — it always feels like coming home. The team is incredibly warm and welcoming, the beach is an oasis, and of course, I love that we have a partnership between Eden Rock and Dr. Barbara Sturm. That connection makes it feel even more personal. When I’m there, I spend most of my time on the beach or in the water — that’s where I feel most free and at peace. It really helps my mental wellbeing. I also adore the restaurant — the menu Jean-Georges has created is both delicious and beautifully nourishing. The food is so special: it’s rooted in a farm-to-table philosophy, showcasing the island’s freshest local produce.

L’O: When you land in St Barth after a busy period of work, what are the first three things you do to switch into island mode –beauty, ritual, and pleasure-wise?

CS: The first thing I do — without fail — is jump straight into the sea. I know I’ve said it before, but it truly is my favorite ritual. It calms and energizes me all at once. After that, I like to lie in the sun with a good book and soak up some vitamin D. And if I have time, I’ll book a Dr. Barbara Sturm facial at the spa or a lymphatic massage to revive my skin and body after the flight — before heading to a beautiful dinner at the Eden Rock restaurant.

L’O: How would you define your personal style in a sentence — and how has it evolved from your teenage years to the woman you are today?

CS: I’ve learned that I feel best in simple, timeless pieces with subtle accents. I love neutral tones, and over time, I’ve started investing in staple pieces I can rewear and mix and match — rather than buying into trends. My style has definitely evolved since my teenage years, but I’ve always been drawn to a more classic, understated look over bold colors and prints.

L’O: Are you someone who follows trends, or do you feel more drawn to a few permanent style codes that you always return to? What are those constants in your wardrobe?

CS: I’m definitely more drawn to permanent style codes over trends. I love a great pair of jeans, a white t-shirt, a cozy yet chic sweater, and boots with a little heel. Add a good bag and some staple jewelry, and I feel ready for the day. Some other constants in my wardrobe are an oversized blazer, tailored pants for the evening, and of course, a go-to little black dress. Comfort is key for me — I always want to feel good in what I’m wearing, because that’s what makes me feel most confident.

L’O: When you’re packing for St Barth versus packing for a city like London, what changes in your suitcase — and what are the nonnegotiable pieces and beauty products that always come with you?

CS: I love packing for the island as you really don’t need that much. For St Barth, I usually bring lots of bikinis, oversized shirts, and light dresses to throw on as cover-ups. I’m often barefoot during the day, and in the evening I’ll dress up a little with a slip dress, some heels, and a clutch. One of the best parts is arriving at Eden Rock and having our Dr. Barbara Sturm Shampoo and Conditioner already in the shower. My skincare routine is always non-negotiable when I travel — especially the Cleanser, Hyaluronic Serum, and Face Cream. For St Barth, I also add the Sun Drops, and lately I never travel without the Everything Eye Patches — they’re a lifesaver for jet lag. As for makeup, I keep it minimal in the sun. Just a touch of Kosas concealer, Fara Homidi Bronzer and Lip Liner, a bit of Patrick Ta blush, and some bronzy eyeshadow.

L’O: Social media has watched you grow up in front of the camera, but also step into a strategic role behind the scenes. How do you balance being a model, influencer, and brand builder all at once?

I feel MOST like MYSELF in the OCEAN — CALM, FREE, and completely AT PEACE.

CS: For me, it all goes hand in hand. Right now, my main focus is the brand — I’ve grown into that role in a way that feels really natural, and I love how much space there is for creativity. I’m launching new products next year as part of my “Everything” line, and I’m also working on the campaigns that bring them to life. Social media has been such a powerful tool for storytelling. It allows me to share what our products do, how they work, and why they matter. Education is one of our core values at Dr. Barbara Sturm, and social media helps us make that knowledge accessible around the world.

L’O: Being a woman in the beauty and wellness world, what is particularly dear to you today?

CS: Authenticity is what feels most important to me right now. Especially in the beauty and wellness space — and on social media — it can be rare, but it really matters. I think it’s essential to truly believe in the work you do and stand behind what you share. From a beauty perspective, I’ve always been drawn to a more natural look — enhancing rather than covering or changing our looks with beauty products. That’s also the heart of our skincare philosophy: treating your skin with the kindness and care it deserves rather than attacking it with harsh ingredients. I also love to wear makeup but again, in a natural and more enhancing way rather than hiding behind it.

L’O: You’re Director of Brand Development at Dr. Barbara Sturm and also the face of the brand in many ways. How would you describe your role inside the family business today?

CS: I work across different areas within the brand. That variety is part of why I love it so much. Right now, the part I enjoy most is product development, and everything that comes with it: perfecting the products, brainstorming new ideas, designing the packaging, planning campaigns and photoshoots, and working on the launch events. I’m also closely involved with our marketing and brand partnerships team, especially on the creative side.

L’O: Working so closely with your mother, Dr. Barbara Sturm, what have you learned from her about entrepreneurship and leadership — and what do you feel you bring that is distinctly your generation’s point of view?

CS: I truly love working with my mother — I’ve learned so

much from her. She’s always been my inspiration and role model. She had me at 23 while still studying to become a doctor. She opened her own clinic and built this incredible brand from the ground up. I have so much respect for her drive and work ethic — she’s one of the hardest working people I know. I feel very lucky that we’ve built a working relationship where we genuinely enhance each other. She’s always welcomed my input and made it part of the brand since day one. There are products she might not personally prioritize, but she trusts my instincts and supports me in developing them. We bring different generational viewpoints to the brand — which helps us connect with a wider audience in a more meaningful way.

L’O: Wellness is at the core of your world. On the days when you don’t feel your best, what are the small, realistic self-care gestures that genuinely help you reset?

CS: I think it’s such an important topic. I definitely have days where I don’t feel my best — and I’ve come to realize that’s completely normal. What matters is how we respond to those moments. I’ve found a few simple rituals that help me reset. On days when I wake up feeling anxious, tired, or a little low, I try to stick to my routine: I make my lemon water, then a coffee, and head out for a walk in the park or to my favorite Pilates class. Moving my body and getting fresh air always shifts my mindset. On weekends, I’ll try to see friends, and during the week I stay focused on work — that structure helps. I think it’s really healthy to acknowledge how we feel without letting it take over, because taking small, consistent steps often makes the biggest difference.

L’O: What are the projects you’re most excited about right now — including any personal or independent ideas you may be developing?

CS: I have two products launching next year that I cannot wait to share. They have been such passion projects of mine and we’ve worked so hard on perfecting them. I am a perfectionist and especially when it comes to developing products. Nothing gets launched until we are 100% happy with it. On a personal level, I have a deep passion for acting, which is something that I am still pursuing. I also have a few other projects that I am working on based on hobbies of mine that I unfortunately cannot share yet — but hopefully soon!

Knit dress and shoes CHANEL.

RAPHAELA Top & Renee Eyelet Cotton Pants LOLITA JACA, Necklace VINTAGE CHANEL, Baret SONIA RYKIEL VINTAGE.

OPPOSITE PAGE—Pyjamas PETITE PLUME, Jewerly CHOPARD.

FABIANA Silk Kimono, and pants LOLITA JACA, Necklace and bag VINTAGE CHANEL.AT LOLITA JACA. OPPOSITE PAGE—Dress MISSONI , Jewelry JORDANA GHELER Bag BOTTEGA VENETA AT CARLA ST BARTH.

Bikini VILEBREQUIN, Jewelry MELUZZA. Sunglasses CHROME HEARTS. OPPOSITE PAGE—Swimsuit VILEBREQUIN, Jewerly CHOPARD.

Dress and beanie LOUIS VUITTON.

OPPOSITE PAGE—Shirt, Cardigan, Jeans BRUNELLO CUCINELLI, Bag BOTTEGA VENETA AT CARLA ST BARTH.

Building THE BRAND with MY MOTHER has TAUGHT ME so much; WE BALANCE EACH OTHER, TRUST each OTHER, and bring TWO generations ’ PERSPECTIVES TOGETHER in a way THAT FEELS DEEPLY SPECIAL.

DIVEin colors

Dive in, dream on, chase the sun, linger longer. Bold, botanical and unapologetically Mediterranean, Orlebar Brown’s new collection is like laughter on the late afternoon breeze.

Photo CAMELLIA MENARD Styled by ALICE HEART

Short BULLDOG Drawcord Petralis Print in Summer Red ORLEBAR BROWN

Shirt MAITAN Solstice print Terragon Green, Short in Bulldog Drawcord Solstice print Night Iris ORLEBAR BROWN

Shirt MAITAN and Short BULLDOG with Petralis Print in Night Iris, St Barth hat ORLEBAR BROWN

Pants ALEX Linen with Petralis Print in Night Iris, ORLEBAR BROWN

Sweater GARFIELD in Night Iris, Short BULLDOG with Petralis Print in Night Iris, St Barth hat ORLEBAR BROWN

MODEL JASPER JANSEN

Forever BLUE

Frankie Belle Stark & Konoka Lulu Smith, co-founders of

, are opening their first St Barth boutique.

Dipped in Blue

Photography RAYCE AARONSON

I’M FREAKING OUT!! this is truly insane I cannot wait FOR EVERYONE to see it!

And in ST BARTH!!! OUR BIGGEST KEPT SECRET YET… it still FEELS UNREAL.

I’M PROUD of us! — FRANKIE BELLE STARK

From lifelong best friends to business partners, Frankie Belle Stark and Konoka Lulu Smith have turned their dream into reality: their very first swimwear store in the heart of Gustavia in St Barth. Between designing exclusive pieces, curating the perfect seaside vibes, and sharing unforgettable memories, this duo is redefining friendship and fashion in equal measure. Here, they spill the joy, excitement, and behind-the-scenes fun of building a brand together.

OUR FIRST STORE !!!!! AHHHHH are we freaking out?

FRANKIE: I’m freaking out!! this is truly insane i cannot wait for everyone to see it! and in St Barth!!! our biggest kept secret yet… it still feels unreal. i’m proud of us!

KONO: LITERALLY this is crazy I can’t believe it! we have made so many memories here together and i’m so excited to make tons more!!! IM PROUD OF US! what’s been the most exciting thing about the shop? every little step from start to finish - being able to design a big project like this and all the exclusive stuff we made for this shop! we can’t wait to see and hang out with everyone!

FRANKIE: Okay, so first things first… what’s your favorite part about building a brand together?

KONO: Honestly getting to work with you — my best friend — and still being able to keep things professional and fun at the same time. I think what we have is really special.

KONO: Okay my turn. What’s one of your favorite memories from growing up together?

FRANKIE: There’s no way I can pick just one, but… probably stealing my mom’s truck and making you drive it to Cross Creek. She’s gonna find out after reading this haha.

FRANKIE: What would you say our go-to song is when we’re shooting for the vibes?

KONO: Somehow I always end up on AUX, even when I don’t want to — but I secretly love it. Our shoot vibes are always chill mixed with rap, a little bit of everything… but nothing sad. We want everyone on set to have fun. this is a lil teaser of Dipped in Blue’s playlist hehe!

• Do My Thing – Erika de Casier

• Beautiful – Snoop Dogg

• 30 for 30 – SZA & Kendrick Lamar

• Disco Sushi – MINISKIRT

• Drop Dead Gorgeous – Princess Nokia

• Triple It – Cailin Russo

• i’m yours – Jesse Jo Stark

KONO: In five years, where do you think we’ll be sitting together?

FRANKIE: Wherever it is, I hope it’s together — still making all our dreams come true.

KONO: When we first dreamed about having a store in St. Barths, what was the first thing you imagined?

FRANKIE: This place is so special to me! i mean kono and i have been coming here since we were thirteen! It’s a dream every time i come here and i feel that now with the shop the dream is even BIGGER!

If our store could speak, what do you think it would say? we think it would scream n jump up n down with us but it would probably say, “ be you forever true n let’s rageeeeee”

If we could collaborate with anyone, who would it be?

Cher 100% because she’s just the coolest.

KONO: What’s one thing we do behind the scenes that you think the world should know about?

FRANKIE: Kono is down for everything. She’s just so cool — like insanely cool — and she makes the best snacks.

KONO: Frankie is truly one of a kind. I think everyone should know how funny and silly she is.

Favorite DIB memory?

Honestly anything that happens in the office. Our office diaries with our little team get crazy and obviously experiencing us growing up together. Also being able to be creative with all of our fabulous friends!

What’s our favorite beach in the whole world? we both grew up going to Little Dume so that’s one of our favs! Shell Beach, of course, but honestly we’ve grown to love any beach that nobody’s on. we like being alone or just with the squad, frolicking around. kono loves Tunnels Beach in Kauai. “I went a lot when I was younger and it’s such a core memory.”

Favorite beach snack?

KONO: Salt & vinegar chips, a prosciutto or turkey sandwich with pepperoncinis, and ice water.

FRANKIE: Whatever Kono’s having… plus a matcha. If you had to be one DIB swimsuit, which one would you be and why?

FRANKIE: The Billie set in cheetah or pink and a mini skirt!

KONO: I think I’d be a new clothing piece we’re dropping — these perfect baggy comfy shorts that are so me. I’d wear them every day if I could. Dipped In

Bikinis DIPPED IN BLUE.

FRANKIE—T-shirt DEADLY DOLL, Bikini Bottom & skirt

DIPPED IN BLUE, Socks & jewelry

CHROME HEARTS, Shoes CONVERSE. KONO—T-shirt DEADLY DOLL, Skirt DIPPED IN BLUE, Shoes CONVERSE.

Mayflower Lover

In the quiet elegance of Marigot Bay, time seems to slow. Inside the charmingly decorated Villa Mayflower — with its patinated walls, curated objects, and nostalgic soul — Jacques Zolty’s universe unfolds with cinematic ease.

Actor Louis Torres slips into this atmosphere with a natural magnetism, embodying the brand’s spirit through nuance, rather than declaration. His presence — calm, enigmatic, effortlessly refined — echoes the quiet luxury that defines Zolty’s world.

Photography KAVA GORNA Styled by ALICE HEART

NICOLAS Linen Shirt JACQUES Linen Pants, PIEDS NUS Perfume JACQUES ZOLTY.

OPPOSITE PAGE—PIERRE Mens Terry Cotton Polo , JACQUES Linen Pants JACQUES ZOLTY, PIEDS NUS Perfume, Straw Hat BORSALINO X JACQUES ZOLTY.

PIEDS NUS Perfume JACQUES ZOLTY. OPPOSITE

Mens Terry Cotton Polo , JACQUES Linen Pants, Large Beach Bag Grana with Embroidered JZ Logo JACQUES ZOLTY.

DOGS OF ST BARTH

Season 2: The Island’s Furriest Stars Return

Amid the idyllic landscapes of St Barth, the island’s four-legged icons return for another year of sunshine and mischie f. From beach-loving pups to elegant harbor companions, the Dogs of St Barth capture the warmth, charm, and irresistible spirit of this tail-wagging island.

& Casting MARINKA BURGOS-RIAÑO

CAMELLIA MENARD, BRYAN LAMBERT, & SKYLAR WILLIAMS

Concept

Photography

Styles by MYSSIA GHOSN

JOY, THE CUDDLY MAMA AND PAPI HER BOLD SON

JOY, a twelve-year-old pug, is a soft bundle of affection who lives for cuddles and calm moments. Playful despite her age, she watches the world with a soothing, round gaze. Gentle and devoted, she radiates quiet love. PAPI is a five-year-old pug mix, and Joy’s son, full of energy and curiosity. Always eager to please, he follows his humans with contagious enthusiasm. Behind his sweet look hides a surprise: he can jump up to one meter fifty. Joyful and loyal, Papi lights up every day.

Hats and dog bowl LOUIS VUITTON.

TAÏMA, THE WOLF OF THE TROPICS AND BELLA BLUE, THE FREE SPIRIT OF ST BARTH AT LE FOUQUET’S

TAÏMA has a silver coat that evokes both snow and sun-warmed stone. People sometimes say huskies don’t belong in the Antilles, but Taïma proves them wrong: her coat insulates, her shedding adapts, her body regulates easily. With Nathan, she forms a deeply bonded duo, moving in a rhythm that’s entirely theirs. Taïma analyzes, anticipates, observes, with intact northern precision. A huntress at heart, attentive to everything that moves, she remains connected to the living world. And in the water, she reveals unexpected grace, swimming with a fluidity that contrasts with her wolf-like aura. Between two worlds, Taïma naturally finds harmony.

BELLA BLUE, born in South Korea, Bella Blue is a six-year-old Pomsky — twelve kilos of polar sweetness and strong character. Arriving in St Barth during the quiet of covid, she first revealed her husky side: the desire to run, fierce independence, with cuddles rare but deserved. Over time, she learned the benefits of staying close — especially when treats fall at set hours. Adventurous, she follows her humans everywhere, but her secret kingdom remains the mountain. In St Barth, she loves her walks with Marinka, the freedom to run, a quick dip… and, to the despair of hotels, drying herself thoroughly on every sunbed. Bella rules quietly, confident in her charm.

Necklace and dog leash HERMÈS.

DAISY, THE PARISIENNE OF THE ISLANDS

Born in France and raised in Paris, Daisy has always traveled. At four months she was already discovering the Caribbean on her first stay in Anguilla. Now almost a local in St Barth, she spends half the year on the island with her humans, Marta and Jim. You might spot her at the Dog Bar of Eden Rock or on the sunbed of her villa, Bohemian Blue at Gypsea Beach Houses, observing visitors with focus. A Parisienne at heart, she also follows her humans into the world of Dior when in Paris. Daisy loves chasing squirrels, watching iguanas, and can be convinced by a slice of bacon. She moves easily between Parisian elegance and island softness.

Dog Harness LOUIS VUITTON, Dog Bowl HERMÈS.

OAKLEY, THE GIANT WHO SEES WITH HIS HEART

Just eight months old and already a full story: Oakley, a Malinois-husky mix, is a blend of raw tenderness, fluff, and endearing clumsiness. Born without an instruction manual… and without sight, he moves through life like Ray Charles: head high, ears alert, sensing vibrations and sounds before setting down his enormous paws. A true plush toy convinced he’s tiny, he hands out cuddles generously. Canine socializing is constant learning — hard to pick up the codes when you’ve never seen the examples. Yet every hesitation reveals instinctive gentleness and a light that doesn’t depend on vision.

AURA, THE LITTLE QUEEN OF THE ISLANDS

Aura is eight years old but wears time like an accessory — effortlessly chic, with that insolent elegance of dogs who know they’re adored. Born in St Martin, abandoned too early, her life changed when her future humans fell for her tiny two-toned face. They thought they were adopting a powerful staff; they discovered an adorable pseudo-pinscher raised like a big dog but with the soul of a cat. Aura cultivates a studied nonchalance: a precise gait, artistic detachment, and a gaze that judges as much as it charms. Behind her discretely theatrical façade hides one of the sweetest, most graceful little dogs on the island — a miniature sovereign who lights up St Barth...

CHARLIE, DOG CURATOR

Charlie is one year old and has a role all of her own in Gustavia. Every morning, she crosses the harbor to meet Uma and Oasis, her walking companions, before taking her post at Space Gallery. There, she welcomes visitors with quiet confidence. She reads people with amused precision: those who wander, she watches; those who need a smile, she spots. With her lively gait, joyful hops, and discreet mischief, she transforms the atmosphere. A neighborhood figure, Charlie gently imposes herself as a bright presence and the tender soul of the gallery.

RIVA, KEEPER OF STYLE

Riva is no ordinary dog. Young, lively, and endlessly curious, he has already developed a taste for beautiful things. He knows it well: it’s impossible to resist the iconic comfort of this 1950s Pierre Jeanneret armchair. The mascot of the gallery Dumas + Limbach never chews on the furniture—he admires it. And when visitors step inside, it’s often Riva who catches their eye first: a four-legged ambassador of good taste, a discreet guide who seems to whisper, “Here, everything is chosen with care.”

Dog collar and leash HERMÈS.

Dog collar and leash HERMÈS.

LES SAUCISSES DE ST BARTH, CLUB MEETING AT TAMARIN

In St Barth, it all began with Dutchie and Buddy, two dachshunds whose meeting unintentionally created one of the island’s most unlikely clubs. One walk, two noses crossing paths, and suddenly a dachshund friendship begins — one that catches eyes, sparks conversations, and soon the confessions arrive: “I have a dachshund too!” The troupe grows along the sun-warmed streets, each newcomer bringing their own story and mischief. Soon Buddy, Vegas, Dutchie, Elsie, Peanuts, Lilou, Daisy, and Hercule trot together in a joyful, proud procession.

To join this small confraternity of island sausages: @les_saucisses_de_saint_barth.

From top to bottom, left to right– DUTCHIE in HERMÈS , DAISY, HERCULE, LILOU, PEANUTS, VEGAS, ELSIE in Scarf LOUIS VUITTON, BUDDY in Jacket JOTT, all photographed at TAMARIN

MARLEY, ONE LOVE OR MAYBE TWO

Marley entered her family ten years ago with the calm assurance of those who already know they’ll rule. One flutter of her big, imploring eyes was enough to make everyone melt. Gorgeous, gentle, irresistible, she charmed Milo—five puppies were born from that love story. Then a city dog, equally smitten, brought her a second litter of seven, bringing her total to twelve. After these romantic and maternal adventures, Marley chose a peaceful retirement in Colombier, surrounded by those who adore her, watching the world with the tender wisdom of one who knows she could still get anything she wants with a single eyelash flick. Dogbed and bowl HERMÈS.

COLETTE, CANINE AMBASSADOR OF EDEN ROCK

At sixteen months and thirty-two kilos of golden light, Colette is a Golden Retriever whose joy seems sculpted from the St Barth sun. Playful, gentle, sociable and sometimes slightly resentful — yet always with class — she lives each day as a small celebration. The beach is her kingdom, as long as no one asks her to go into the sea, which she prefers to admire with dignity. Without ever seeking it, Colette has become the beloved mascot of Eden Rock, where she excels in Dog Relations, greeting and accompanying each person naturally. More than a mascot, she is the warm spirit of the place.

Dog collar and leash HERMÈS.

TANA, THE SENTINEL OF THE PORT

In Gustavia, Tana does her rounds like a little sea-dog guardian. She walks along the docks, watches the sailboats, greets the fishermen, and keeps an eye on anything that moves. And when something intrigues her, she gives her “woof” of vigilance — just to say she’s there. Curious, lively, and endearing, Tana watches over her port with pride and an enthusiasm that makes the whole neighborhood smile.

Dog Cape HERMES.

CLEVER THE LOVER

Clever arrived in 2021 at two months old, with two different-colored eyes like a story written in contrasts. Born on the streets of St Martin, noticed by Julia Victoria — a key figure in animal protection — he came to St Barth through a long-distance adoption. As he grew, Clever revealed a performer’s soul: calm intensity, a gaze that seems to read people without overdoing it. At the boutique, he naturally became part of the space: clients ask for him, greet him, wait for him. He creates connection, atmosphere, a suspended moment. An island gentleman, he soothes, gathers, and leaves a mark without a sound. A lover who offers his presence and receives affection without ever demanding it.

Dog Bowl LOUIS VUITTON.

GUEST list

Surf, Sand & Stars: Saint Barth’s hottest night of the year.

By PHILIPPE COMBRES

This New Year’s Eve, The Surf Lodge is bringing its legendary barefoot-cool energy to St Barth, teaming up with Hôtel Le Toiny and Ferragamo for a one-night-only celebration you won’t want to miss. Inspired by founder Jayma’s long-running love for the island, the evening promises toes-in-the-sand vibes, tropical cocktails, magnums of rosé, and an exclusive VIP crowd dancing under the stars to BLOND:ISH, known for her feel-good house sets, sunrise-to-sunset grooves, and eco-conscious ethos, she brings a sound that’s soulful, uplifting, and tailor-made for nights that feel endless.

Born in Montauk in 2008, The Surf Lodge has grown from a surfer hangout into an international lifestyle icon—famous for its sunset concerts, boho-lux atmosphere, and stylish, creative crowd. For this NYE, it brings its signature laidback, music-driven magic to Saint Barth, turning Le Toiny’s quiet coastline into a party playground where salty hair, good energy, and barefoot dancing set the tone for 2026.

While the night unfolds on the sand, Le Toiny’s private villas and ocean views offer the perfect retreat between beats, and Ferragamo adds a polished touch of Italian chic to the celebration. Together, the trio is crafting a dream New Year’s Eve—fun, exclusive, and totally Saint Barth.

If you want to start 2026 with a bang—feet in the sand, music in the air, a sky full of stars—this is the place. A night where Surf Lodge cool meets island glamour, and the party feels like endless summer.

The Surf Lodge and Ferragamo – New Year’s Eve at Le Toiny thesurflodge.com | @thesurflodge letoiny.com | @hotelletoinystbarth