Criterion, Volume 40, 2022—Loyola Marymount University's Literary Journal

Page 41

Wild Outsiders: How Sorrowland Examines Social Issues Through Nature SOPHIE JONSSON

IN THE GENRE of Dystopian Literature, the

the feelings and actions Vern is criticized for

examination of a dystopian society is often

in that society are normalized and prevalent

paired with commentary regarding the social

throughout the natural world.

issues of our current world. In Rivers Solomon’s

Through the character of Vern, Solomon

recently published novel Sorrowland, the

examines life as a black person in America,

main character, Vern, is forced to live in both

more specifically a black woman, and even more

the dystopian society of Cainland, as well as

specifically,

the wild woods. Through interactions and

on a personal journey of self-discovery and

experiences in these places, Vern explores

acceptance. In Sorrowland, readers are taken on

many social issues that our society is grappling

multiple “journeys” through Vern’s character:

with today, particularly those related to gender

the first being the physical traveling journey

and sexuality, as well as ancestral trauma.

that Vern takes, the second being the journey

Throughout Sorrowland, Solomon connects

she takes mentally to discover and accept

Vern’s personal journey to self-discovery

herself, and the third journey being the bodily

and self-acceptance to elements of nature,

transformation that Vern undergoes as she is

particularly mushrooms and other fungi, as

enveloped by fungus and other earthly beings.

well as the idea of wildness in general. In doing

a

black-intersex-albino

Throughout

Sorrowland,

after

woman

Vern

so, Solomon argues that many marginalized

has escaped Cainland, she is reminded of the

groups have to look beyond human society to

memories of others in that place, degrading any

find peace and acceptance because, ultimately,

sexual orientation besides cis-heterosexuality.

S O P H I E J O N S S O N is an English major in the class of 2022. This piece was written for Dr. Alexandra Neel’s Postapocalyptic and Dystopian Fiction class she took during the Fall 2021 semester. For her final paper of the class, Sophie wanted to write about how the genre of dystopian fiction compares and contrasts human society and the natural world, as well as challenge herself by writing about a work that has been minimally referenced in scholarly texts due to its recent publication.

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