TFO LIO SELECTED WORKS 2021- LINDSAY POE
POR
LINDSAY POE
LKPOE05@GMAIL.COM
(214) 790 - 4735
www.linkedin.com/in/ lindsay-poe College Station, TX
Dallas, TX
El Paso, TX
WORK EXPERIENCE
SUMMER 2022
FRANKLIN MOUNTAIN MANAGEMENT - EL PASO, TX
CONSTRUCTION MANAGEMENT INTERN
Successfully contributed to project development meetings/proposals, curated 3D representation for clients, and engaged in site visits for this high-end real estate development company.
2020 - 2021
MCCORMICK ARCHITECTURE - EL PASO, TX ARCHITECTURAL INTERN
Successfully operated CAD software, updated and organized online data, conducted site visits, and learned the odds and ins of an architecture firm.
EDUCATION
EXPECTED 2025 TEXAS A&M UNIVERSITY
A highly dedicated sophomore Environmental Design Architecture student with excellent interpersonal skills and experience working in a multitude of diverse environments. Seeking architectural and urban planning experience, with an interest in urban renewal and community planning efforts.
ABOUT ME SKILLS
Rhino 3D
AutoCAD
Adobe Illustrator
Adobe Photoshop
Sketchup
Keyshot Enscape
Microsoft Certified Blender Revit
Grasshopper
Lumion
BACHELOR OF ENVIRONMENTAL DESIGN
URBAN PLANNING MINOR
BUSINESS MINOR
3.85 GPA
2020
EL PASO COMMUNITY COLLEGE
ASSOCIATE OF ARTS, MULTIDISCIPLANARY
4.0 GPA
ACTIVITIES & COMPETITIONS
2021- PRESENT TERRY FOUNDATION
STUDENT MENTOR
MERCHANDISE COMMITTEE
COMMUNITY COMMITTEE
1 of 32 students chosen in 2021 to receive a full-ride scholarship offer based on leadership qualities, character, and scholastic record.
H.A. INTERDISCIPLINARY CHARRETTE FOR UNDERGRADUATES 2022
FIRST PLACE TEAM
Competition between teams of interdisciplanary members of the School of Architecture, tasked with formulating a solution to a design issue on campus.
2021- PRESENT
2021- PRESENT
AMERICAN INSTITUTE OF ARCHITECTURE STUDENTS
Learning Proficient TAMU DANCE ARTS SOCIETY
UPPER TERRACE UP UP A A B B FLOOR PLAN N FIREPLACE KITCHEN MECHANICAL CORE BATHROOM BATHROOM LOWER TERRACE 2'-0" 5'-0" 10'-0"
MUSEUM COMPUTATIONAL ANALYSIS CAMBODIAN VISITOR’S CENTER HERZOG SHADOWBOX UPPER TERRACE UP UP A B B N FIREPLACE KITCHEN MECHANICAL CORE BATHROOM BATHROOM LOWER TERRACE THE TRANSFIGURE
FARNSWORTH PRECEDENT ANALYSIS MAXXI
OTHER WORKS
FARNSWORTH PRECEDENT ANALYSIS
PARTNER: ADISAN NAVAIRA
PROFESSOR: ANTONIO VAZQUEZ
SPRING 2022, 1ST YEAR STUDIO
UP UP A A B B SITE PLAN N LOWER TERRACE ROOF 2'-0" 5'-0" 10'-0"
UP UP A A B FLOOR PLAN N LOWER TERRACE 2'-0" 5'-0" 10'-0"
UP B N
NORTH WEST ELEVATION 10'-0" SOUTH WEST ELEVATION 2'-0" 10'-0" SOUTH EAST ELEVATION 2'-0" 5'-0" NORTH EAST ELEVATION UPPER TERRACE UP UP A A B B FLOOR PLAN N FIREPLACE KITCHEN MECHANICAL CORE BATHROOM BATHROOM LOWER TERRACE 2'-0" 5'-0" 10'-0" Elevations
Physical Model
MAXXI MUSEUM COMPUTATIONAL ANALYSIS
PARTNER: ADISAN NAVAIRA
PROFESSOR: BENJAMIN ENNEMOSER
FALL 2022, 2ND YEAR STUDIO
Precedent Analysis of Zaha Hadid’s 2009
Maxxi Museum using Grasshopper to computationally apply the persistencies of part-to-part fluidity, curvilinear figures, and multi-directionality of the orginial precedent.
AXIS DIAGRAMAxiality
Column Conditions
Edge Conditions
Perpendicular
Levels Parallel Conditions
LEVELS EDGE CONDITIONS COLUMN CONDITIONS
CONDITIONS EDGE CONDITIONS
PARALLEL
Shading Elements
Conditions Maxxi Museum Persistence Analysis
Grasshopper Iterations
Zaha Hadid’s Maxxi Museun inspired generative iterations using Grasshopper. Unlimited iterations can be created using this methodology, every model encompassing the persistencies highlighted in the last page.
MO
Process Diagrams
THE TRANSFIGURE
PARTNER: ADISAN NAVAIRA
PROFESSOR: BENJAMIN ENNEMOSER
FALL 2022, 2ND YEAR STUDIO
An AI4ALL headquarters, the transfigure is a mixed use residential/research tower located in downtown Dallas programmed with classrooms, a library, lab spaces, offices, a lobby, an auditorium, study spaces, apartments, a gallery, a cafe, a mediatheque, and a rooftop garden space. This all-inclusive space is designed to provide the amenities necessary for research and community facilitiation in a lively downtown environment.
Pathway leading toward center stage
AI4ALL Activation Program Viewing Screen for community interatction Interactive AI art totems
Carving Process
The initial design phase involved critically analyzing our GAN outputs, looking for any clear persistencies in the geometry. We then took those cubes, stretched and cage-edited them, and this process resulted in a number of variations and we chose figures that generated movement in the design and represented our persistencies, as shown below, well.
Axiality Ground Conditions Directionality
Chunk Model
PARTNER: ISABELLE WOLFE
PROFESSOR: JULIE ROGERS
FALL 2021, 1ST YEAR STUDIO
CAMBODIAN VISITOR’S CENTER
Southwest Render
Visitor’s center, equipped with an office for the site manager and gallery space for local artisans. Center
Marketplace/Visitors
Northeast Render
Plan
Southwest Render
In response to the Together Farm Project, a sustainable community farm in Cambodia, needing to expand their amenities for the nonprofit, our class was tasked with putting together a proposal for a visitor’s center , distribution center, education center, and dormitory for their volunteers. Our goals for the project included cultural relevance, functional convenience, and modularity for ease of additions as the program grows overtime.
N
Northeast Render
Hydroponic Aquaponic Education Center Visitor’s Center Distribution Center Net Garden Residence Water Tank Mushroom House Hut Kitchen Bathroom Gate natural
Residence Net Garden Distribution Visitor’s Education Aquaponic Hydroponic Program
we laid the pathways in workers’ surrounds the Gardens illustrate and a is added residence and interns as area.
HERZOG SHADOWBOX
PROFESSOR: JULIE ROGERS ; FALL 2021, 1ST YEAR STUDIO
Inspired by Ginny Herzog’s “Architectural Illusion 10-204”, this shadowbox is made entirely by hand using wood and plexiglass to highlight her use of square figures swept in a diagonal motion in the painting. Using the grain and color of wood, the visual inertia is accentuated toards the black plexiglass fixture in the top right, much like the painting points toward its top right corner. While these pieces recreated this movement, they transformed from the original painting by using changes in elevation and contrast between the materials. This shadowbox exemplifies the movement in the original piece, all to guide the viewers focus toward the focal point.
Ginny Herzog’s “Architectural Illusion 10-204”
Other Works, Photography
