The Glory of Cremona Encounter Notes

Page 7

Antonio Stradivarius Violin Cremona, 1715 “Titian” Artist: Cho-Liang Lin Description

From Stradivari’s golden period, this instruments is considered one of the finest instruments from that era. According to violin expert Christopher Reuning, the French dealer Albert Caressa dubbed this violin the ‘Titian’ because its clear orange-red color reminded him of the work of the famous Venetian painter. Probably built on Stradivari’s P form, a medium-size model which was the principal golden period form, compact and comfortable to play. The flattened curves of the bouts and the rather square C-bouts add to the instrument’s solid appearance, together with the blunt corner, which makes a less inviting target for the bow and right forefinger. The maple two-piece back has a typical tight growth and is very exactly quartered. The mild, slightly irregular flames are not overtly showy, but are highly reflective and mobile under the varnish.

Measurements

Length: 35.2 cm Upper bouts width: 16.6 cm Middle bouts width: 10.7 cm Lower bouts width: 20.4 cm

18

7


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
The Glory of Cremona Encounter Notes by La Jolla Music Society - Issuu