Two-Wheeled Revolution: How Bicyclists Shaped Philly

How Bicyclists Shaped Philly

How Bicyclists Shaped Philly

table of contents E x hib ition Con t en t

Mission Statement & Big Idea

3 Audience & Visitor Take-Aways

3 Goals and Objectives 4 Look & Feel 5 Color Palette 5 Bubble Diagram 6 Thematic Floor Plan

7 Axonometric Drawing 8

V i s ito r Walkt hrough

Approaching the Building

9 Introduction to the Highwheeler to Philadelphia 10 Hart’s Riding School 11 Workshop 12-13 Icon: Portrait of a Bicyclist 14 Timeline of Activism 15-16 Culture of Bicyclist

17-19

A r ch itect ural Draw i n gs

Current As-Built Plan 21 Demolition Plan 22 On-Site Construction 23 Partition Plan 24 Exhibition Plan 25 Reflected Ceiling Plan 26 A/V & Electrical Plan 27

E x hib ition Drawin gs

Exhibition Sections

29-32 Curved Wall Detail

33-34 Small Partition 35

Bike Pedestal 36 Touch-Screen Kiosks 37 Glass Reader-Rails 38 Bicycle Floor Plan 39 Bicycle Reflected Ceiling Plan 40

G r a ph i c s

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER

Exhibition Plan - Graphics 41 Graphics Schedule 43 Typical Graphic: Type F 44 Typical Graphic: Type G 45 Type Treatment 46 Logo 47

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November 10, 2011

Project Timeline 49 Budget 50 A/V Schedule 51 Lighting Schedule 52 Object list 53-55

324 North Preston Street Philadelphia, PA 19104

Design Development Package

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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exhibition framework Mi ss io n

B i g Ide a

In exploring the history of bicyclists in Philadelphia and

Bicyclists have been fighting for their right to ride long

the culture of biking today, this exhibition demonstrates

before bike lanes.

How Bicyclists Helped Shape Philly

how bicyclists have helped shape Philadelphia over the past century while creating a dialogue about advantages

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and challenges of biking in the city today.

Au dience • University of the Arts community • Students from other universities in Philadelphia • Urban adults that live in Philadelphia

EXHIBIT DESIGNER

V is i tor Ta k e - AwayS • City planners, motorists awareness and responsible riding can all make commuting by bicycle safer.

• Visitors will leave with the knowledge to ride through

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

the city more safely.

Client: • Biking is linked to the first paved roads, the women’s liberation movement, and

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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goals & objectives G oa l 1

G oa l 3

The exhibition will show the relationship between

This exhibition will highlight the beauty and simplicity

Philadelphians and their bikes.

of the design that fosters easy maintenance and

Objective 1 Visitors will understand the history of biking in Philadelphia and in Fairmount Park.

Objective 2 Visitors will understand the history of conflict between bicyclists, the city and people using other modes of transportation.

How Bicyclists Helped Shape Philly

modification by the owner.

Objective 1 Visitors will appreciate the diversity of bicyclists in Philadelphia, bikes and accessories available.

Objective 2 Through interactives and workshops, visitors will learn basic bicycle maintenance.

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

G oa l 2

G oa l 4

The exhibition will encourage safe and responsible

The exhibition will convey a sense of freedom and thrill

bicycle commuting in the city.

that riding offers.

Objective 1

Objective 1

Visitors will learn guidelines for responsible riding, proper bike security and the current bike laws.

Visitors will learn how biking helped encourage women’s liberation movement.

Objective 2

Objective 2

Visitors will become familiar with commonly used safety gear, and understand basic criteria with which to select a bicycle.

Visitors will appreciate the city from a different point of view, and learn about how accessible the city becomes on a bike.

Objective 3 Visitors will learn about opportunities to play on a bike — including races, bicyclist meets in Fairmount Park, etc.

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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look & feel How Bicyclists Helped Shape Philly

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Philly Project Design Development Package November 10, 2011

C o n t emp o ra ry P h oto g ra p h y

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

His to r ic Im agery c:0 m:98 y:83 k:0

c:0 m:100 y:0 k:0

Co l o r Palet t e

c:66 m:0 y:22 k:0

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c:45 m:1 y:100 k:0

c:20 m:0 y:10 k:0

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bubble diagram Timeline of Biking Activism in Philly

Maps of historic bike paths and bike lanes today

How Bicyclists Helped Shape Philly

Pimp My Ride Interactive Photo display

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Bikes and Philly D.I.Y.

L.A.W. Phlly

Neighborhood BikeWorks Sense of Freedom

Hands-On Interactives Effective Bike-Locking Build/modify a bike Workshops Bike Maintenance Biking safely in a city

Bike Coalition

Wall of Accessories Hanging Bikes Installation

Design Development Package November 10, 2011

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Commuter Culture

Junkyard Rally Alleycat Race

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Client:

Bike Messengers

Interactive

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Fairmount Park

Video Interview With a cross-section of Philly bicyclists

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thematic floor plan

How Bicyclists Helped Shape Philly

D.I.Y/ Neighborhood Bike Works

Bike Hanging Installation

Bicycles in Philly/ Fairmount Park

EXHIBIT DESIGNER

Introduction of Bicycle/Bike School

Commuter Culture

elizabeth russell 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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axonometric plan

How Bicyclists Helped Shape Philly

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Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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visitor walkthrough

A p pr oachin g t he Buil d in g

How Bicyclists Helped Shape Philly

Our visitor walks North on Broad Street crossing Pine. She pauses as a bicyclist speeds past. She passes Starbucks and the parking garage with cars lined up out into the street. She approaches the first window of the gallery, and sees a mosaic of images of people riding or posed next to their bicycles. Some images that look historic, could easily pass for a “hipster” today. With the skull cap and handlebar mustache. One man in particular is posed with a high-wheeler looking indifferently out at the street.

At the second window, the she sees a large historic photograph of

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

men lined up with high-wheelers in front of Memorial Hall. Within

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the image is the title of the exhibition: Two-Wheeled Revolution: How

Design Development Package

Bicyclists Helped Shape Philly.

November 10, 2011 Coming up to the third window she sees students and people on the street gathered around it. They are watching through the window as people inside the gallery mount a high-wheeler then pose while their friends capture a photo of them astride the giant “steed”.

This exhibition seems fun, historic and informative and since she is curious about past bicyclists and with all the bicyclists riding around

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Philly today, our visitor decides to check out this exhibition.

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visitor walkthrough T h r es ho ld: In t roduc tion of th e Hig h Whee ler to P h ila delph i a The visitor first enters a space that looks like Machinery Hall of the Centennial

“...the (to me) infernal machine arrived and was unboxed. I handled it with

Exposition. There is a high wheeler high up on a pedestal in front of a backdrop

extreme caution, and so akwardly that, in walking with it, I somehow becaume

of an image of the interior of Memorial Hall. The visitor reads about the

tangled up in the machine, and we both fell against the glass case. This was

introduction of the bicycle to America in the English exhibit in the Machinery

rather discouraging, so I hitched the animal up, just outside the store door.”

Hall at the Centennial. This machine, captivated Albert Pope, a factory owner in town from Connetecut. He would buy all the bicycles on display and bring

He goes on to describe the instant interest by Philadelphians and that

them back to his factory where he began manufacturing them.

his storefront was crowed with over 100 people inspecting it and asking

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

questions. When people ask Hart if he knows how to ride it, he admits he Our visitor turns to the alcove with a reproduction of a high-wheeler. It is

doesn’t. Pope then invites Hart to his shop and riding school in Boston to

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positioned in front of two backdrops, so when people mount it, they look like

learn how to ride one himself. After many spills, he finally conquers a bike

they are in one of those historic photographs. Other visitors climb up, and pose

and promptly buys it. This inspires the quote above.

Design Development Package

triumphantly on top of the “steed” while their friends cheer them on and snap photos with their phones.

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She takes the opportunity to climb up as people outside and within the

Client:

exhibition watch. Once atop this tall bike, she feels a bit nervous. The bike is

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

solidly anchored to the ground and doesn’t move, but she is still a little afraid of falling. She starts to appreciate the patience and skill needed to mount a moving bike as tall as this. She notices a quote, “I shall not attempt to describe my emotion of when I conquered this wheel.”

She thinks she can start to understand that emotion. And she now understands why so many men in the portraits look so proud in those photographs. Riding a bicycle like this was no small feat!

Once down off the bike, she moves past the quote and reads about how Albert Pope eventually comes back to Philadelphia to convince Mr. H.B. Hart to sell bicycles in his shop. Pope sends a bicycle to Hart to display in the window of his shop. He describes his first encounter with it:

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visitor walkthrough

How Bicyclists Helped Shape Philly

H a rt’s Ridin g Sc hool

Our visitor moves along to the second window. There is a small panel that explains this image that she has seen when she

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approched the school. This again, is a large image of a row of men, posed with their high-wheelers in front of Memorial Hall and the

EXHIBIT DESIGNER

title of the exhibition. She learns how this photograph was taken

324 North Preston Street Philadelphia, PA 19104

perhaps moments before they took off through Fairmount Park — outside the approved bicycling time — before dispersing. This small act of defiance against the Fairmount Commission would resemble a contemporary critical mass.

Moving further along, the visitor sees an antique bicycle displayed in front of a wall-sized photograph of people posed with their bicycles in what looks like a riding rink. She learns that the men in the “First Bicycle Meet” most likely organized through the help of Columbia Bicycle School, originally set up by Mr. Hart, located on Broad Street.

These schools were common in the late 1800’s, resembled horseback riding schools of that era, and were set up for bicyclists to safely master riding their bicycles. And because they were also adjacent to bicycle shops, this also helped sell bicycles.

“I shall not attempt to describe my emotion when I had conquered this wheel.”

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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visitor walkthrough

How Bicyclists Helped Shape Philly

Wo r ks hop

The visitor approaches a curved gallery that is rustic and noisy and

street. But she can walk her bike on the sidewalk if she needs to.

looks like a workshop. The floor is covered in rubber tiles and the

Another section in the interactive, demonstrates what aren’t laws, but

walls are covered in plywood. Stopping at the introductory panel, she

possible actions in normally dangerous situations, like when a car is

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learns that this workshop is a collaboration with Neighborhood Bike

turning right and may not see a bicyclist on the right side of the car.

EXHIBIT DESIGNER

Works, an organization where teenage urban youth learn urban bike

Again, through animations, she learns that in some cases it’s safer to

skills and how to build and repair a bike while building their own bike

move into the left lanes and pass on the left of a car turning right.

with parts from abandoned bikes.

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Further along, she sees 4 larger panels that explains basic bicycle Moving to the opposite wall she approached two touch-screen kiosks

maintenance skills including checking air in the tires, greasing the

positioned in front of a large image of boys in a class where they are

chain, checking pedals and shifters. The visitor makes a mental note

learning about the parts of a bicycle. At one of the kiosks, she tests

about needing to check this on her own bike when she gets home.

her knowledge of bikes laws in Philly today. Set in a multiple choice format followed by animations demonstrating the correct action, she answers a couple of questions and learns that riding on the sidewalk is actually against the law, as well as riding the wrong way on the

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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visitor walkthrough Wo r ks hop ( Cont inued)

How Bicyclists Helped Shape Philly

Looking around, she see tools hung on a pegboard with names called out, and a large drawing of a bicycle with the names of the different parts of the bike called out. Other visitors are huddled around two

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bikes in the center of the space. A few people seem to be trying to

EXHIBIT DESIGNER

lock and unlock a bike with a U-lock and they are discussing the advantages and disadvantages of their different approaches.

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Another group is intently working on a bike. Moving closer, she sees they are putting a bike together. It kinda looks like a frankenstein bike, with big knobby mountain-bike tires on a frame made for a woman. People’s hands are covered in grease and a teenage boy, who appears to be the instructor, is directing the assembly and pointing out key parts in the process. The people are discussing the advantages of the knobby tires in winter over skinny road tires.

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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visitor walkthrough Ico n: Po rt rait of a B ic y c lis t

How Bicyclists Helped Shape Philly

Coming back out the gallery, she approaches a large curved wall.

The portion of the wall closest to her has a montage of historic photographs of young, white men posed next to or on their bikes. The panel on this part of the wall describes the typical bicyclist of the late 1800’s: white, educated, wealthy men.

As she moves along the curve of the wall into a part of the gallery she starts seeing more photographs of women, and people of color.

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

A panel mentions how bicycling helped propel women’s liberation movement by providing a safe way for women to explore the world

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outside their home alone. When she gets to the opposite end of

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the curve and there is an explosion of diversity of bicyclists and bicycles. From kids to elderly men and women, to people looked

November 10, 2011

like they are about to start a race and are wearing all spandex and aerodynamic helmets to young women in dresses and heels posed with their bright city cruisers. There are bearded, pierced, tattooed bike messengers next to middle-age men in business suits. A panel in this section mentions the many bicycling subcultures. Finally, a panel entitled “Who’s Missing” explains how people in under-served urban communities are the least likely to ride and how city planners, the

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Bike Coalition and Neighborhood Bike Works are working to promote biking in these communities.

The visitor turns and walks around an older bike, she reads the label and learns that it is a “safety” bicycles because they had breaks. She thinks about how scary it would be to ride a bike fast but to not be able to stop quickly and how terrifying that would be.

She passes through this open space and come back near the entrance to a timeline interspersed with bicycles.

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visitor walkthrough

How Bicyclists Helped Shape Philly

T i me l ine of Act ivism Moving along the long wall of the gallery, the she learns about the

children and college students around campus.

history of advocacy between bicyclists and government officials. She first learns about the bicyclists petitioning the Faimount Commission

In the 1970’s, with the energy crisis, city planners and the Fairmount

to allow them to ride freely on the roads in Fairmount Park, not just

Park Commission see the importance of adding bike and pedestrian

during the restricted hours from midnight to 8am. Eventually, when

trails to the park. Bob Thomas, a recent graduate from the University

they are able to demonstrate to the commission that bicyclists don’t

of Pennsylvania’s Architecture program, a member of Sierra Club,

scare horses any more than any other park user, they are allowed free

and a past Peace Corp participant, and a bicyclist helps Sierra club

access to the park.

advocate for bike and pedestrian lanes along the length of the park.

When Fairmount Park is awarded money by PennDot to build the

On a second panel, she learns about how the changing design of bikes reflects the needs of the bicyclists. The first panel points to the invention of the pneumatic tire and break system to provide a safer, smoother ride. In the back, there are large graphics of advertisements

paths, they had laid off their planners. Mr. Thomas and his partner bid

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Philly Project Design Development Package November 10, 2011

from the time periods discussed in the reader rails.

During the “Gay 90’s” bicyclists enjoy free use of the park, which is also a hazard to some people who aren’t skilled enough to handle their “silent steed.” Because many of these bicycles were yet to be equipped with breaks. The Fairmount park guards are given bikes to help rescue riders on their runaway bicycle.

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

In the 1920’s, the automobile begins to rise in popularity and just like with the bicycles, there is a debate within the Fairmount Park Commission about whether to let automobiles into the park. However, this debate lasts more than 6 years. When the automobile is finally allowed into the park, both horses and bicycles are forced out of the park by the speeding automobile. And the design of bicycles change to resemble the curved bodies of automobiles.

What happens in Philly mirrors what happens all over the country: bicycling is seen as a recreational activity that is primarily ridden by

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visitor walkthrough

How Bicyclists Helped Shape Philly

T i me l ine of Act ivism ( C o n tinued ) for the job and are awarded it.

This event sparks a chain of events that will continue to shape the landscape of Philly up to today. Bob Thomas and his partner will be instrumental in conducting studies for and designing bike trails throughout the region.

In 1972 Bob and some friends at a bar near the 30th Street Station

“A bike route is not safe until an 8-year-old girl feels safe riding on it.”

— Dutch Urban Planner

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

decide to start the Bike Coalition of Philadelphia. This volunteerbased advocacy organization would lobby and protest for bike and

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pedestrian lanes on bridges throughout the city and region. Bikes

Design Development Package

like the 1976 Panasonic Touring Bike are built light and sturdy with a cargo rack for people to travel long distances.

In the 1990’s the focus of the organization shifts when it becomes less volunteer-based and the staff grows. They move to work with the local government, going so far as to writing grants seeking federal funding for bike lanes and trails. They do all the “heavy-lifting” and the government officials just need to sign sign the grant application.

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Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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visitor walkthrough T h e Cult ure of Bicyc lis ts Our visitor turns to the center of the space is winning prototype of a commuter bike from the Oregon Manifest. The bike has touches for classic designs like leather seats, and second passenger seat that is detachable, pannier bags and lots of extra storage. The second is a foldable bike that is small and can easily be carried onto public transportation. There is a contrast between the one with all the things a bicyclists may need: long frame, a back and front racks, and the other smaller, lighter, stripped-down commuter bike.

Looking up, the visitor is amazed by the diversity of bikes and can imagine the diversity of people who ride these different bikes. There is a BMX, a mountain bike, scratched up and dented from heaving riding and what looks like many spills.

There is a bright-colored vintage Shwinn Varsity that looks very stylish and they can picture a female collage student casually biking to class on it.

A video plays on a wall nearby and it is Philadelphians talking about their bike, and their relationship with it: how long they’ve had it, what adventures they’ve had with it or any conflicts with their partners as a result of the number of bikes they own. Located nearby are two touch-screen interactives mounted like reader rails that offer the visitor the opportunity to pick their ideal bike. They specify what they would want from a bike, like “I can easily take it on a train.” “I want my bike to look cute” I want to be able to wear a skirt” “I want to travel long distances without my rear hurting” “I want it light enough for me to carry up the stairs to my apartment” Each selection

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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visitor walkthrough T h e Cult ure of Bicyc lis ts ( C o n tinued ) of additional criteria eliminates or greys out bikes. Until the user arrives at their perfect “steed.”

Along another wall, the visitor can see a projection of a map of Philly. With a nearby touchscreen. The nearby panel describes how Tyler drew up the first bike map of Philadelphia based on the knowledge from the bicyclists of his time. Then how Bob Thomas and the Bicycle Coalition maps safe bike routes throughout the city. In the menu of the interactive, she is given two options: they can see where road hazards unique to bicyclists can be found in the city or they can map safe bicycle routes throughout the city. In learning about hazards throughout the city, she can click on the beacon and see an image of the hazard and description of it along with ways to avoid it. The visitor learns that this information is currently available online at the Bicycle Coalition’s website, but appreciates being able to drop in whenever they want to access this information.

best kind of clothes to wear in cooler weather to keep me warm yet still comfortable?” “How do I bike in a skirt without flashing everyone?” “How do I bike around trolly tracks?”

At this same multi-touch table visitors seek answers and those who are also experienced bicyclists can answer these questions. They can either type the answers directly into the interactive or they can capture photos or video and submit them to be added.

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

In a smaller gallery with a curved wall made of translucent plexiglass, a word cloud projected onto it. It has words like “Rain” “Sweat” “Work Clothes” “Women’s Helmet” “Biking in a Skirt” “Bikes on Septa” “Trolly Tracks” “Narrow Roads” Visitors to this multi-touch table can pose questions like “How do I commute to work without getting all sweaty?” “What is the

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visitor walkthrough T h e Cult ure of Bicyc lis ts ( C o n tinued ) The visitor is talking to her friend about how she wants to bike more but she would have to carry so much. She looks for an answer to this question but can’t seem to find one and is about to type in the question in hopes that it will be answered when she drops by again. But another visitor overhears the discussion and suggested panniers from public. She points them out on the wall of accessories and explains how they are bright and reflective not just to be cute but for safety purposes.

And that it can easily be locked to or unsnapped from the bike.

Bicycle Coalition that there are bike trails in Fairmount Park and bike lanes throughout the city. And that these people, are working to make biking safer. Though she is still a little nervous about the risks, she feels more informed about how to bike smart and decides she will try commuting by bicycle to at least one place this weekend.

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package

In the another, smaller gallery, which consists of a seat and a video projected on the wall, she watches a biker’s view of riding. The video switches from riding through the city of Philadelphia. The video switches to a junkyard where the rider is going over bridges over cars and in-between other demolished cars. The third video is shows what one would experience if they were to play bike polo at a rink in FDR park.

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Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

As our visitor leaves the exhibition, she realizes that even though it seems like bike lanes and biking throughout the city is a recent phenomena, there really has been a long-time interest in biking in the city. And it is because of the work of groups like the Wheelmen, Mr Hart, Bob Thomas and the

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How Bicyclists Helped Shape Philly

architectural drawings

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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as-built plan 33'-0 1/8" How Bicyclists Helped Shape Philly

17'-6"

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14'-3 1/8"

Scale: 3/32" = 1'-0"

14'-7 1/4"

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18'-1 1/2"

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demo plan Walls removed How Bicyclists Helped Shape Philly

Patch corner

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Patch Wall

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Remove false floor Remove Ramp Patch Wall

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How Bicyclists Helped Shape Philly

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324 North Preston Street Philadelphia, PA 19104

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Philly Project Design Development Package November 10, 2011

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Install false floor to a height of

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Install ramp from entrance to raised floor height.

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partition plan

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O ff -Site Fabricat ion How Bicyclists Helped Shape Philly

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5/8"

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22'-3"

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Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

3/4" curved plexi weighted down under attached seating 3/4" curved plexi R 5'-10 1/8"

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exhibition plan

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reflected ceiling plan How Bicyclists Helped Shape Philly

Ke y Projector

elizabeth russell Philips FXESS Track (A)

EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Barn Lign Pendant (B)

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Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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a/v & electrical plan How Bicyclists Helped Shape Philly

Ke y Electric

elizabeth russell EXHIBIT DESIGNER AV.2.2 AV.2.1 AV.3.3 AV.3.4

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

AV.3.5

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How Bicyclists Helped Shape Philly

elizabeth russell

exhibition drawings

EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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exhibition sections How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

1 29

Exterior Elevation Scale: 3/16" = 1'-0"

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exhibition sections How Bicyclists Helped Shape Philly

elizabeth russell Hart's Bike School Section

324 North Preston Street Philadelphia, PA 19104

1/8" = 1'-0"

Philly Project Design Development Package November 10, 2011

Client:

Center line for all graphic panels

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

4'-10"

1 30

EXHIBIT DESIGNER

5 FT

0

2 30

she e t

Workshop-South Wall 1/8" = 1'-0"

0

5 FT

30

exhibition sections How Bicyclists Helped Shape Philly

8'-9 5/8"

Bikes suspended with cables and hooks from ceiling

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104 8'-0"

8'-7 1/4"

Custom casework fabricated off-site

Philly Project Design Development Package November 10, 2011

0 1 31

Culture of Biking Gallery-Section 3/16" = 1'-0"

0 4 31

Culture of Biking Gallery-Section Scale: 3/32" = 1'-0"

5 FT

5 FT

Curved 3/4" plexiglass walls fabricated off-site

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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exhibition sections How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: 7'-11 1/2"

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

1 32

Timeline of Activism-Section 1/8" = 1'-0"

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construction detail C u rved Wall

24'-0" 6" x 6" grid for laying out photographs

How Bicyclists Helped Shape Philly

6"

4'-0"

8'-0"

4'-6"

elizabeth russell EXHIBIT DESIGNER

3'-0"

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package

1

Icon elevation

November 10, 2011

1/4" = 1'-0"

Client:

4'-10"

Center line for all graphics

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

2

Workshop elevation 1/4" = 1'-0"

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construction detail

4'-1 3/8"

4'-0"

How Bicyclists Helped Shape Philly

6"

C u rved Wall ( con t in u ed )

6 panels piece together 1 4'-

2

elizabeth russell

Curved panel-plan

EXHIBIT DESIGNER

1/2" = 1'-0"

8" 3/

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Ă˜ 33'-5 3/8"

8'-0"

Panels bolted or locked together Gypsum board with dark wood stain veneer

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Panels bolted to the floor

1

Curved wall plan 1/8" = 1'-0"

3

Curved panel-elevation

1/2" = 1'-0"

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construction detail Sm a l l Part it ion

How Bicyclists Helped Shape Philly

6'-6 1/4"

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package

8'-0"

R 5'-7 7/8"

November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

1

Small Partition- Plan 1/2" = 1'-0"

2

Small partition - Elevation 1/2" = 1'-0"

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typical casework B i ke Pedestals

3'-1 3/4"

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Plan View- With Bike

1

3

1/2" = 1'-0"

Axonometric View

5

Scale: 3/8" = 1'-0"

Plan View - Interior 1/2" = 1'-0"

Philly Project Design Development Package November 10, 2011

Client:

Sรถgreni Bike Stand bolted to base Constructed to support 150 lbs

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

2" x 4" wood supports

2

Side Elevation

Scale: 1/2" = 1'-0"

2'-0"

2'-1 3/8"

Dark Stained wood veneer

6'-0 3/4"

4

Front View - Interior 1/2" = 1'-0"

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typical casework

2'-6"

Touch scree n Kiosks Vartech 17" All-in-one computer

2'-5 3/4"

How Bicyclists Helped Shape Philly

2" wood with plywood veneer

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package

1'-8 1/4" 3 1/2" diameter steel tubes

Front Elevation

2

1" = 1'-0"

Power cords run through tubeÂ?

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

1'-3"

1'-6"

November 10, 2011

1

Exploded elevation 1" = 1'-0"

3

Deck- Plan view

1" = 1'-0"

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typical casework G l ass Re ade r-rails How Bicyclists Helped Shape Philly

2'-6 7/8"

3'-5 3/4"

EXHIBIT DESIGNER

1'-11 1/4"

1'-0"

2'-7"

elizabeth russell 324 North Preston Street Philadelphia, PA 19104

1" clear glass with graphic attached underneigh

2 3 4 1

FrontElevation Side Axonometric Deck -Elevation Plan View View

Philly Project Design Development Package November 10, 2011

3/4" = 1'-0"

Client:

3'-0"

1" translucent glass with a blue tint Brass fitting to attach rail to bike platform or floor

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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bicycle floor plan How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER

O 196 N-2

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package

O 222

November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

N-4 N-3

O 216

O 208 2011 F u j i 1 7 6 - 1 2 - 2 O 2 1 0 O 4862 O 227

N-1

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bicycle reflected ceiling plan How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

N-6

N-5

N-7 N-9

N-8

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

O 100

N-10 N-11

N-12

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How Bicyclists Helped Shape Philly

graphics package

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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graphic floor plan G.2.B.15 G.2.B.14 G.2.B.16

G.1.D.9

How Bicyclists Helped Shape Philly

G.2.B.17 G.2.D.13 G.1.A.8

G.1.E.7

G.3.F.18 .34

G.5 .

G.2.H.11 35 K.

K.3

7

G.5.K.36

G.5.K.33

5.

G.

EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

G.2.F.10

G.2.D.12

elizabeth russell

Philly Project

5.K G.

Design Development Package G.1.E.6

G.1.F.2

November 10, 2011

Client: G.1.G.5

G.3.F.19

G.1.A.1

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

G.4.D.22 G.4.A.26 G.3.B.20 G.3.D.21

G.4.A.25

G.4.B.29 G.4.G.32

G.4.A.24

G.4.B.28 G.4.G.31

G.4.A.23 G.4.B.27 G.4.G.30

G.1.D.3

G.1.D.4

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graphic schedule Code

Title/Description

Construction

G.3.F.18

The Freedom of Biking

Vinyl title applied to wall, graphics printed directly to metal

3’ x 3’

G.3.F.19

Mapping a Bike Network

Vinyl title applied to wall, graphics printed directly to metal

3’ x 3’

Dimensions

G.3.B.20

The Things We Carry

Vinyl graphics applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor

7’ x 3”

G.3.G.21

Commuter bike Advertisement

10’x4.5’ graphic applied to gatorboard attached with metal stand-offs

10’ x 4’ - 5”

G.4.D.22

Quotes about biking

Graphic Decal applied to wall

4’ x 6’

G.4.A.23

Wheelmen vs. The Fairmount Commission

Graphic panel addached to underside of glass reader rail

3’- 6” x 2’ 7” oval

G.4.A.24

The Automobile Debate

Graphic panel addached to underside of glass reader rail

3’- 6” x 2’ 7” oval

G.4.A.25

The First Bike Paths

Graphic panel addached to underside of glass reader rail

3’- 6” x 2’ 7” oval

G.4.A.26

Philly’s Bicycle Network Today

Graphic panel addached to underside of glass reader rail

3’- 6” x 2’ 7” oval

G.4.B.27

Design of the “Ordinary”

Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor

7’ x 3”

G.4.B.28

Design of the Shelby Airstream

Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor

7’ x 3”

Design of the Road bike

Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor

7’ x 3”

Zone 1 G.1.A.1

Behold the High Wheeler

Graphic panel addached to underside of glass reader rail

3’- 6” x 2’ 7” oval

G.1.H.2

Photograph of Machinery Hall

Printed scrim netting, hung from ceiling

7’ x 6’

G.1.D.3

Historic photogrph of Fairmount park trail

Printed on Vinyl and attached to wall

8’ x 9’

Historic photogrph of Fairmount park trail

Printed on Vinyl and attached to wall

8’ x 9’

G.1.G.5

Hart’s quote

Vinyl lettering applied directly to wall

2’ x 4’

G.1.E.6

The First Bicycle Meet

Printed vinyl decal applied to window

11’ - 3 1/2” x 8’ - 11”

G.1.D.4

G.1.E.7

Mosaic of Bicyclists

Printed vinyl decal applied to window

11’ - 3 1/2” x 8’ - 11”

G.1.A.8

Hart’s Bike School

Graphic panel addached to underside of glass reader rail

3’- 6” x 2’ 7” oval

G.1.I.9

Hart’s Bike School - Historic Photograph

Printed vinyl decal applied to wall

8’ x 9’

Zone 2 G.2.F.10

Neighborhood Bike Works

Vinyl title applied to wall, graphics printed directly to metal

3’ x 3’

G.2.H.11

Tools and Pegboard

Outlines and call-outs on a pegboard

4’ x 8’

G.2.D.12

Diagram of a Bike

Printed vinyl decal applied to wall

8’ x 9’

Zone 4

G.4.B.29

G.4.G.30

Columbia Advertisement

10’x4.5’ graphic applied to gatorboard attached with metal stand-offs

10’ x 4’ - 5”

G.4.G.31

Shelby Advertisemnt

10’x4.5’ graphic applied to gatorboard attached with metal stand-offs

10’ x 4’ - 5”

G.4.G.32

70’s Road Bicycle Advertisement

10’x4.5’ graphic applied to gatorboard attached with metal stand-offs

10’ x 4’ - 5”

8’ x 9’

G.2.B.14

Bike Maintenance: Grease

Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor

7’ x 3”

Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor

7’ x 3”

Direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor

7’ x 3”

G.5.K.33

Portraits of Bicyclists

Direct-printed onto metal.

(7)12”x12”; (8)18”x12”; (7)12”x18”; (2)18”x18”; (2) 24”x18”; (1) 30”x30”; (2) 36”x24”

direct- printed or vinyl applied to 7’ x 3’ translucent plexi attached to steel wires strung from ceiling to floor

7’ x 3”

G.5.J.34

Who were these Bicyclists?

smaller panel, on translucent plexi

1’ x 2’

and tires G.2.B.16

Bike Maintenance: Hand Breaks and Changer

G.2.B.17

Bike Maintenance: Pedals

Zone 3

324 North Preston Street Philadelphia, PA 19104

Philly Project

Client:

Printed vinyl decal applied to wall

Bike Maintenance: Wheels

EXHIBIT DESIGNER

November 10, 2011

Bike School image

G.2.B.15

elizabeth russell

Design Development Package

G.2.D.13

and Oil

How Bicyclists Helped Shape Philly

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Zone 5

G.5.J.35

What About the Ladies?

smaller panel, on translucent plexi

1’ x 2’

G.5.J.36

Who are Today’s Bicyclist?

smaller panel, on translucent plexi

1’ x 2’

G.5.J.37

Who’s Missing?

smaller panel, on translucent plexi

1’ x 2’

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typical graphics T y p e F: In t roductory Pa n e l Vinyl lettering applied

6”

directly to wall

36”

neighborhood bike works

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Graphic printed directly to

Philly Project

brushed metal substrate

Design Development Package November 10, 2011

Client:

30”

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102 Started in 1996 as Youth Cycle & Recycle, a program of The Bicycle Coalition of the Delaware Valley, it became 1999.

Bike program takes urban youth through 14 classes where they learn bicycle repair and maintenance and urban riding skills as well as health and nutrition, while refurbishing an abandoned bike.

After students complete the program, they leave with a new skill that could become a career, and with a sweet new ride they built themselves.

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typical graphics

3’-0”

Type G How Bicyclists Helped Shape Philly

Graphic printed directly to translucent plexi panel

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104 Plexi panel attached to galvanized steel cables

Philly Project

strung from floor to ceiling

Design Development Package

7’-0”

November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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type treatment

bikes

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package

Section Titles: Pistilli Regular 234 points

November 10, 2011

Wheelmen

Client:

Subtitles: Caecilia, Bold, 54 points

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

High-Wheeler Body: Caecilia, Roman, 36 points

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logo How Bicyclists Helped Shape Philly

elizabeth russell How Bicyclists Shaped Philly

How Bicyclists Shaped Philly How Bicyclists Shaped Philly

EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

How Bicyclists Shaped Philly

Philly Project Design Development Package November 10, 2011

How Bicyclists Shaped Philly

How Bicyclists Shaped Philly How Bicyclists Shaped Philly

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

How Bicyclists Shaped Philly

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How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER

appendix

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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project timeline How Bicyclists Helped Shape Philly

2011 June Reasarch Mission, Goals & Objectives Design Phase

July

August September October

2012 November

December

January

February

March

April

May

June

July August

September

October

November December

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Thematic floor plan Look & Feel Sketches/ perspectives Schematic Design Presentation Approval

Philly Project Design Development Package November 10, 2011

Graphics Element Schedule

Client:

Drawing Package

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Design Development Presentation Approval Construction Documents Construction Fabrication Installation Evaluation

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budget Demolition

5%

$25,000

wall demo

Graphic printed on fabric scrim Exhibition Design

This includes the billable hours of two staff members up through the completion of the construction documents

10%

$50,000

Purchase of objects

What objects aren’t donated or loaned will be purchased to fill out the wall of accessories, bike installations. Fuji bikes

5%

$25,000

fake floor demo stair demo

General Construction

25%

$125,000

Artifial floor with rubber covering

$65,000

Artifical floor install

$30,000

Tools

Lighting

Exhibit Fabrication

20%

$100,000

Bike stands

crescent wrench, screwdrivers, cable clipper, hammer, pliers, lubricants, multiple spanner wrench, vise-grip, channel lock pliers, chain tool

EXHIBIT DESIGNER

chains

Pegboard

Artifacts

Conservation/currier service of objects from Franklin Institute, Metz Bicycle Museum, Pennsylvania Historical Society, insurance coverage for objects

10%

$50,000

Education and Workshops

Collaboration with Neighborhood Bike Works on hosting workshops in the exhibition, buying bikes for the urban youth that complete their hours in the program. Also includes bike parts for demonstrations.

5%

$25,000

Mechanic’s stand hooks and containers Hanging Bike installation Walls Plexi walls Reader Rails cable High-Wheeler replica

A/V

20%

$100,000

Solid-state video player multi-touch table

$18,000

(3) projectors

$15,000

(5) Vartech Touch-screen computers

$16,000 An interactive on interviews with people who bike in Philadelphia, biking through Philadelphia interactive, Alleycat video, Junkyard rally video

Graphic Production

10%

$50,000

5%

$25,000

Total

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

$1,000

Contingency

Multimedia/ video production

elizabeth russell

Krypotonite Locks

On-site wall construction

How Bicyclists Helped Shape Philly

500,000

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Portraits for portrait wall Bike repair booklet Reprint permissions

Penn Historical Society, U of Penn Archives, Temple Urban archives, Franklin Institute

Hanging system Bike Diagram (2) Large window vinyl decals (4) Large wall decal All large-scale printing

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a/v schedule Code

Equipment

Description

Area

Mounting

How Bicyclists Helped Shape Philly

Zone 2 AV.2.1

Vartec Touch-screen and computer in one

Learn Bike Laws interactive

Workshop

Mounted to stand

AV.2.2

Vartec Touch-screen and computer in one

Learn Bike Laws interactive

Workshop

Mounted to stand

elizabeth russell EXHIBIT DESIGNER

Zone 3 AV.3.3

Sanyo PLC-XP200L Projector

Experience biking in the city

Bike Theater

Attached to Ceiling

AV.3.4

Solid-State video player

Experience biking in the city

Bike Theater

Mounted near projector

AV.3.5

MT55 multi-touch table

Bike Commuting Q&A

Biking Culture

Installed in center of space

AV.3.6

Sanyo PLC-XP200L Projector

Bike Commuting Q&A

Biking Culture

Mounted to ceiling facing back wall, connected to video out on multi-touch table

AV.3.7

Vartec Touch-screen and computer in one

Mapping bike routes

Biking Culture

Mounted to stand, connected to ceiling mounted projector (AV.3.6)

AV.3.8

Sanyo PLC-XP200L Projector

Mapping bike routes

Biking Culture

Mounted to ceiling facing corner above touch-screen, connected to touch-screen

AV.3.9

Sanyo PLC-XP200L Projector

Me and My Bike video

Biking Culture

Mounted to ceiling, connected to solid state video player (AV.3.9)

AV.3.10

Solid-State video player

Me and My Bike video

Biking Culture

Mounted near projector (AV.3.8)

AV.3.11

Vartec Touch-screen and computer in one

Choose Your Steed

Biking Culture

Mounted to stand

AV.3.12

Vartec Touch-screen and computer in one

Choose Your Steed

Biking Culture

Mounted to stand

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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lighting schedule Fixture Type

Fixture Name

Description

Manufacturer

Catalogue Number

Number/Length

Lamping

Voltage

Mounting

A

Tangent Track Lighting System

Spot

Phillips

FXESS

40

Halogen MR16

120

Track

Tangent Track Lighting System

Suspensio TrackClear Anondized

Phillips

FXS08

13/8’

How Bicyclists Helped Shape Philly

Ceiling

elizabeth russell B

Decorative Pendant

Barn Light Electric

9

Incandescant

Ceiling

EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

A

B

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object list Object Description Rover Safety #11

Object Number O 206

Host Institution Franklin Institute

Exhibit Location Zone 1

High Wheeler Standard Columbia

O 222

Franklin Institute

Zone 1

Photo

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

High Wheel Reproduction

N-1

Workman Cycles

Zone 1

Philly Project Design Development Package November 10, 2011

Linus Man and Women’s Tandem

N-2 O 100

Bicycle Revolution Franklin

Zone 2 Zone 3

Facile - London

O 208

Franklin Institute

Zone 4

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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object list Victor Safety

O 227

Franklin Institute

Zone 4 How Bicyclists Helped Shape Philly

Monarch Women’s Safety

O 216 L

Franklin Institute

Zone 4

elizabeth russell EXHIBIT DESIGNER

Hickory Safety

O 210

Franklin Institute

Zone 4

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package

Shelby “Airflow Model No. 72

O 4862

Franklin Institute

Zone 4

November 10, 2011

Client: Panasonic Tourist Bicycle

O 76-12-2

Franklin Institute

Zone 4

Fuji Feather

2011 Fuji 1

Fuji International or Zone 4 Eastern Mountain Sports

University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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object list Commuter Prototype Fold-up Bike Double-decker BMX Public M-8

N-3 N-4 N-5 N-6 N-7

Oregon Manifest

Zone 3

Public

Zone 3 Zone 3 Zone 3 Zone 3

How Bicyclists Helped Shape Philly

elizabeth russell EXHIBIT DESIGNER 324 North Preston Street Philadelphia, PA 19104

Philly Project Fixed Gear TBD TBD TBD

N-8 N-9 N-10 N-11

Zone 3

Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

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image sources Franklin Institute Historic Colletion

How Bicyclists Helped Shape Philly

Historical Society of Pennsylvanian Elizabeth Russell Public Bikes

elizabeth russell EXHIBIT DESIGNER

Fuji International http://www.ebbc.org/?q=taxonomy/term/107 http://legitbikepolo.com/category/photo/page/3/ http://www.gridphilly.com/griddle/2011/4/20/bikeadelphia-city-plans-fornorth-south-bike-lanes.html

http://www.designreformation.com/Gallery.html http://www.jimlangley.net/brake/1940sMonarkSuperDeluxe.html

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

http://partdesigner.posterous.com/insanely-accessorised-japanese-70sbicycle-ad

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resources Bruce L. Balshone, Paul L. Deering, Brian D. McCarl Bicycle Transit: Its Planning and Design. New York: Praeger, 1975.

How Bicyclists Helped Shape Philly

Pryor Dodge, The Bicycle. New York: Flammarion, 1996.

Sue Macy, Wheels of Change: How Women Rode the Bicycle to Freedom (With a Few Flat Tires Along the Way)

elizabeth russell EXHIBIT DESIGNER

Greater Philadelphia Bicycle Facts 2008 Women Cycling Project: Why Do You Use Your Bicycle for Trips?

Association of Pedestrian and Bicycle Professionals http://neighborhoodbikeworks.org Accessed 9/20/11 Anybody’s Bike Book: An Original Manual of Bicycle Repairs by Tom Cuthbertson Illustrated by Rick Morrall, Ten Speed Press, Berkely California, 1971 Bicycle Diaries, by David Byrne U.S. 2010 Penguin Books Interview with Bob Thomas of Campbell Thomas & Co.

324 North Preston Street Philadelphia, PA 19104

Philly Project Design Development Package November 10, 2011

Client: University of the Arts Rosenwold-Wolf Gallery 320 South Broad Street 19102

Interview with Rob Armstrong, Preservation & Capital Projects Manager for Philadelphia Parks & Recreation Interview with Sarah Clark Stuart, Campaign Director of the Bicycle Coalition of Greater Philadelphia Email interveiw with Kitty Heite of Neighborhood Bike Works

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