Artworks for photocopy room

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Artworks for photocopy room. Notes on each artist and workDarren Munce, Timing and lighting (Overdub), 2019, Oil, Acrylic, and pencil on canvas, 153 x 122cm.

Darren Munce is a mid-career artist, who is concerned with the trickery of painting. I have chosen some really colourful works to brighten up the office in this room.


Eduardo Santos, Saudades 14, 2021, Acrylic, varnish, and natural pigment painted on canvas mounted on board, 165 x 194cm

Eduardo Santos is also a mid-career artist, concerned with techniques of painting. This is a quieter work to consider.


Jennifer Goodman Cascade, 2021 Oil on linen 200x120cm

This work, by Jennifer Goodman, has been featured a fair bit in my proposals. It is a wonderful work with organic forms and strong lines. The tones are particularly good with the tones in the office colours.


Helen Smith Executive Orders 13769 and 13780, 2018 oil on canvas 150 × 150 cm

Helen Smith is another mid-career artist. This is another good colourful work for this space.


James Clayden, Landing, 2021 Oil on canvas, 153 x 145cm

James Clayden is an established artist, with a painterly touch. A good work to add atmosphere to the room.


Mikhala Dwyer, Dogged, 2022, Acrylic on canvas,

182.5 x 121.5cm

Mikhala Dwyer is a mid-career artist, with a solid career. Geometry features heavily in her sculptures and 2D work. Again, a bright colourful work for the space.


Catherine Nelson, Cartago, 2020, Photographic print, acrylic cover 150 x 150cm

Catherine’s works are mesmerizing. The acrylic placed over the top of the print really adds a shine to the work. I have chosen this work to add interest to the space.


Reuben Patterson, Big Thanks Green, 2020 Acrylic and glitter on canvas, 120 x 120cm

Reuben is a well-known Maori artist. His glitter works are exciting and vibrant.


Reuben Paterson CV 1973 Born, Auckland (Ngāti Rangitihi, Ngāi Tūhoe, Tuhoūrangi) 1997 Elam School of Fine Arts, The University of Auckland, Bachelor of Fine Arts 2000 Post Graduate Diploma of Teaching, The University of Auckland SOLO EXHIBITIONS 2016 Worlds of Wearable Arts, Wellington, New Zealand 2016 Page Blackie Gallery, Wellington, New Zealand 2016 The Night Flowers, Martin Browne Contemporary, Sydney, Australia 2016 The End, Christchurch Art Gallery, New Zealand 2015 The Aroma of Black, Milford Galleries Queenstown, New Zealand 2015 Seasoned Pass, Corbans Estate Arts Centre 2015 ANZ GAYtm, Ponsonby Road, Auckland, New Zealand 2014 The Golden Promise, Permanent sculpture celebrating the 50th Heritage Jubilee Year of Massey University, Alabany Campus, Auckland, New Zealand 2014 The Golden Bearing at the Rhododendron Dell for for TSB Festival of Lights, Pukekura Park, New Plymouth 2014 Thanks Darkness, Benalla Art Gallery, Melbourne, Australia 2014 Seek to Find to Yield, Vibrant Laneways, Brisbane, Australia 2014 Seek to Find to Yield , Vibrant Laneways, Brisbane, Australia 2013 Thanks Darkness, Martin Browne Contemporary, Sydney, Australia 2013 Earth, Wind & Fire, Nellie Castan Gallery, Melbourne, Australia 2013 Seek to Yield to Find, Brisbane City Council Vibrant Laneways, Edison Lane, Brisbane, Australia 2013 Te Pūtahitanga ō Rehua, Christchurch Art Gallery, Christchurch, New Zealand 2012 Pleasure Seekers, Nellie Castan Gallery, Melbourne 2012 Twice Upon A Time, Gow Langsford Gallery, Auckland, New Zealand 2012 Bottled Lightening, Peloton Gallery, Sydney, Australia 2012 House of Rainbow, Milford Galleries, Dunedin New Zealand 2012 Bottled Lightning, Gus Fisher Gallery, Auckland, New Zealand 2011 Gazillion Swirl! Te Mahi Toi o Reuben Paterson, Education Centre installation, Auckland Art Gallery, New Zealand 2011 FLOW, Nellie Castan Gallery, Melbourne, Australia 2011 Muscles and Ice Cream, WORLD Store, Auckland, New Zealand 2011 Te Pūtahitanga ō Rehua, Te Manawa, Palmerston North, New Zealand 2011 She Beauty, He Beast, Pataka Museum, Porirua, New Zealand 2010 Dear Beauty, Dear Beast, Gow Langsford Gallery, Auckland, New Zealand 2010 Aere e Akamotu – Start to Finish, BCA Gallery, Rarotonga, New Zealand 2010 Whakapapa: get down upon your knees, Tauranga Art Gallery, Tauranga, New Zealand 2010 The Water Between Us, Milford Galleries, Dunedin, New Zealand 2008 Peep Show, Milford Galleries, Queenstown, New Zealand 2008 The Painter’s Lot, Milford Galleries, Dunedin, New Zealand 2007 Reverie, Gow Langsford Gallery, Auckland, New Zealand 2007 When the Sun Rises and the Shadows Flee, Dunedin Public Art Gallery, New Zealand 2007 64zero3 Gallery, Christchurch, New Zealand 2006 He Aha te Mea Nui? What is the Greatest thing? Dunedin Public Art Gallery, New Zealand


2006 Square2, Wellington City Gallery, New Zealand 2005 He Aha te Mea Nui? What is the Greatest thing? Institute of Modern Art, Brisbane, Australia 2005 Narcissus, Gow Langsford Gallery Auckland, New Zealand 2004 Recent Painting, Gow Langsford Gallery, Sydney, Australia 2004 The Customs of Tripping, Milford Galleries, Dunedin, New Zealand 2004 Everything that glitters is not gold, Milford Galleries, Queenstown, New Zealand 2003 Recent Painting, Gow Langsford Gallery, Auckland, New Zealand 2003 When Paradise is not enough, Dunedin Public Art Gallery Window Project, Dunedin, New Zealand 2003 Reuben Paterson, Milford Galleries, Dunedin, New Zealand 2001Cameo Project, Te Tuhi – The Mark, Auckland, April 17 – July 1 SELECTED GROUP EXHIBITIONS 2016 Contemporary Pacific and Asian Art, National Gallery of Victoria, Melbourne, Australia 2016 Black Heart, The Vivian Gallery, Auckland, New Zealand 2016 Visiting Asia, Hastings City Art Gallery, Hastings, New Zealand 2015 Imagine Asia, Pataka Art and Museum, Porirua, Wellington, New Zealand 2014 This is No Fantasy, Dianne Tanzer Galleryt and Nellie Caston Projects 2013 New Works, Gow Langsford Gallery, Auckland, New Zealand 2013 E Tū Ake, Musee de la Civilisation, Quebec City, Canada 2013 Architecture of the Heart, Hawkes Bay Museum, New Zealand 2013 Contemporary Pacific and Asian Art, National Gallery of Victoria, Melbourne, Australia 2013 Flow Riders, Rotorua Museum, New Zealand 2012 E Tū Ake, Museo Nacional Ias Culturas, Mexico City 2011 E Tū Ake, Musee du quai Branly, Paris, France 2011 CURRENT, October Gallery, London, UK 2011 Manstyle, National Gallery of Victoria, Australia 2011 E Tū Ake, Te Papa Tongarewa, Museum of New Zealand 2011 Close Encounters: The Next 500 Years, Plug In, Institute of Contemporary Art Winnipeg, Canada 2010 The Beauty of Distance: Songs of Survival in a Precarious Age, The 17th Biennale of Sydney, Sydney, Australia, 2010 Putiputi: The Flower in Contemporary New Zealand Art, Hastings City Art Galllery, New Zealand 2009 The 6th Asia Pacific Triennial of Contemporary Art, Gallery of Modern Art, Brisbane, Australia 2009 Together Alone: Australian and New Zealand Fashion, National Gallery of Victoria, Australia 2009 Blue Planet, Christchurch Art Gallery, New Zealand 2009 Am I Scared, Boy (eh): collection works from then and now, Govett Brewster Art Gallery,New Zealand 2008 Dispelling the Myth: a look at changing attitudes towards death, Te Manawa Museum, Palmerston North, New Zealand 2008 Dateline: Contemporary Art from the Pacific, Govett Brewster Gallery, New Plymouth, New Zealand 2008 Dateline: Contemporary Art from the Pacific, Galerie der Stadt Sindelfingen, Maichingen, Germany 2008 Dateline: Contemporary Art from the Pacific, Stadtgalerie Kiel, Germany 2007 Pacifica Styles, Cambridge University of Anthropology and Archaeology, Cambridge, England


2007 Dateline: Contemporary Art from the Pacific, Neuer Berliner Kunstverein, Berlin, Germany 2007 Of Deities and Mortals, Christchurch City Art Gallery, Christchurch, New Zealand 2007 News from Islands, Campelltown Arts Centre, Campbelltown, Australia 2006 nEUclear Reactions, CAB Centro de Arte Caja De Burgos, Burgos, Spain 2006 Te Hue Ipu – Artifact and Artwork, Pataka, Porirua, New Zealand 2006 Te Hue Ipu – Artifact and Artwork, Whangarei Art Museum, Whangarei 2005 nEUclear Reactions, International Biennale of Contemporary Art, National Gallery, Prague 2005 Parallel Practices, Hawkes Bay Exhibition Centre, Hawkes Bay, New Zealand 2005 Tau Ana, Waikato Museum, New Zealand 2005 YMCA, Sarjeant Gallery, Wanganui, New Zealand 2005 The Walters Show, Pataka, Porirua, New Zealand 2004 Iki and thanks for all the IKA, Artspace, Auckland, New Zealand 2004 Wish You were Here Hazelhurst Regional Art Gallery and Centre, Sydney, Australia 2004 Love and Love Song, Adam Art Gallery, Wellington, New Zealand 2004 26th Biennial de Sau Paulo, Oscar Niemayer Pavillion, Brazil 2004 9th Pacific Biennale, Palau Islands, Micronesia 2004 Flower Power, Pataka Museum, Porirua, New Zealand 2004 We Fought Fashion and Lost: World 1989-2004, Auckland Museum, New Zealand 2004 True Love, Dunedin Public Art Gallery, New Zealand 2004 Art and Industry, Christchurch Biennial, Riccarton House, Christchurch, New Zealand 2003 Portraiture: The Art of Social Commentary, Te Tuhi – The Mark, Auckland, New Zealand June 7 – July 20 2003 Lisa Reihana, Hemi McGregor and Reuben Paterson, Whangarei Art Museum, Whangarei, New Zealand 2003 Flaunt: Art, Fashion and Culture, Auckland Art Gallery, Auckland, New Zealand 2003 Iki and thanks for all the IKA, Rarotongan Cultural Centre, Cook Islands 2003 Iki and thanks for all the IKA, Siuolaikinio Meno Centre, Lithuania 2002 Taiaawhio: Te Tiimatanga, Te Papa Tongarewa Museum of New Zealand, Wellington, New Zealand 2002 The Koru and the Kowhaiwhai: Contemporary Renaissance of Kowhaiwhai Painting, Pataka Art Museum, Porirua, New Zealand 2001 Techno Maori, City Gallery Wellington and Pataka Art Museum, Wellington, New Zealand 2001 Purangiaho: Seeing Clearly, Auckland Art Gallery, Auckland, New Zealand 2001 Mana Tangata, Te Wa – the space, Whanganui, New Zealand 2000 Biennale dArt Contemporian: The 8th Festival of Pacific Arts, Tijibaou Arts and Cultural Centre, Noumea, New Caledonia SELECTED AWARDS, RESIDENCIES AND COMMISSIONS 2016 Public Art work Commission, Me Rongo: Walk in Rainbows, Ronwood Ave Car Park, Manukau, City, Auckland, New Zealand 2014 Artist in Residence, Gouyong, Korea (Forthcoming) 2013 Public art work commission for the Newmarket Railway Station, Auckland, New Zealand 2013 Artist in Residence Govett Brewster Art Gallery, New Plymouth 2010 Artist in residence, BCA Gallery, Rarotonga, New Zealand 2009 There Goes the Moon, commission for TV series New Artland, New Zealand 2007 Artspace Billboard, Karangahape Road, Auckland, New Zealand


2006 International Studio Curatorial Program, three month residency as part of the James Wallace Art Awards Development Prize, Manhattan, New York 2005 Ikaria, Greece, two month residency to create permanent installation at The Art Cafe, Kampos 2005 Finalist, Castteleon City Arts Council Arts Prize, Spain 2004 Punatapu Lodge, two month residency, Queenstown, New Zealand 2003 New Zealand Fashion Week, in collaboration with WORLD, Auckland 1997 Möet et Chandon Fellowship, two month residency, Avize, France COLLECTIONS University of Waikato, Hamilton AIgantighe Art Gallery, Timaru District Council National Gallery of Victoria, Melbourne, Australia National Gallery of Australia, Canberra, Australia Auckland City Art Gallery, Toi o Tamaki, Auckland, New Zealand Auckland University Collection, Auckland, New Zealand Te Papa Tongarewa, Wellington, New Zealand Dunedin Public Art Gallery, Dunedin, New Zealand The Dowse Art Museum, Lower Hutt, New Zealand Sky City Casino Penthouse, Auckland, New Zealand Govett–Brewster, New Plymouth, New Zealand Christchurch City Art Gallery, Christchurch, New Zealand James Wallace Arts Trust, Auckland, New Zealand Otago Museum, New Zealand CATALOGUES 2014 Meredith Robertshaw, Reuben Paterson: Published in association with the exhibition Reuben Paterson: The Golden Bearing, Govett Brewster Art Gallery 2014 Reina Whaitiri & Robert Sullivan. Puna Wai Kōrero: An Anthology of Māori Poetry in English, Auckland University Press (cover design)


EDUCATION 2005-07 Universität der Künste Berlin (UdK)/Berlin University of the Arts, Berlin, Class of Stan Douglas 2000 Master of Fine Arts, College of Fine Arts, The University of New South Wales, Sydney 1985-86 Middlesex University, London 1983-86 Bachelor of Fine Arts, Sydney College of the Arts, The University of Sydney, Sydney SOLO EXHIBITIONS 2021 Bird, Roslyn Oxley9 Gallery, Sydney Ode to the ‘ō‘ō, with James Hayes, Gertrude Glasshouse, Melbourne 2020 2019

Earthcra 2020, Anna Schwartz Gallery, Melbourne Earthcra , Govett-Brewster Art Gallery | Len Lye Centre, New Plymouth

2018

The Play, curated by John Nixon, Melbourne Art Theatre, Gossard Theatre, RMIT University, Melbourne So Relics, Roslyn Oxley9 Gallery, Sydney

2017

Mikala Dwyer: A shape of thought, Art Gallery of New South Wales, Sydney

2016 2015

In the head of humans, Hopkinson Mossman, Auckland Mikala Dwyer: MCA Collection, Museum of Contemporary Art, Sydney

2014

The Letterbox Marys, Roslyn Oxley9 Gallery, Sydney The Garden of Half Life, University Art Gallery, The University of Sydney, Sydney Hollowwork, Anna Schwartz Gallery, Melbourne Panto Collapzar, Project Arts Centre, Dublin; West Cork Arts Centre, Cork; Wexford Arts Centre, Wexford; Ballina Arts Centre, Ballina; Mermaid Arts Centre, Wicklow; Riverbank Arts Centre, Newbridge; Droichead Arts Centre, Drogheda Underfall, Mildura Arts Centre, Mildura

2013

Goldene Bend’er, Australian Centre for Contemporary Art, Melbourne

2012

Divinations for the Real Things, Roslyn Oxley9 Gallery, Sydney Panto Collapzar, Project Arts Centre, Dublin

2011

Drawing Down the Moon, Institute of Modern Art, Brisbane The Silvering, Anna Schwartz Gallery, Melbourne

2010

Square Cloud Compound, Hamish Morrison Galerie, Berlin

2009 2008

Outfield, Roslyn Oxley9 Gallery, Sydney Swamp Geometry, Anna Schwartz Gallery, Melbourne Mono Clinic, Hamish McKay Gallery, Wellington Moon Garden, Aratoi Wairarapa Museum of Art and History, Masterton Costumes and Empty Sculptures, IMA@TCB, Brisbane

2007

The Addition and Subtractions and the Hanging Garden, Kunstraum, Potsdam Black Sun Blue Moon, Hamish Morrison Galerie, Berlin The Shape of Thought’s Own Making, Peloton, Sydney Only One and a Bit Days to Go, Darren Knight Gallery, Sydney

2005

I Maybe We, Museum of New Zealand Te Papa Tongarewa, Wellington Superstitious Sca olding, Hamish McKay Gallery, Wellington Some More Recent Old Work, Darren Knight Gallery, Sydney

2004

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Flowers, Flies and Someone Else, Anna Schwartz Gallery, Melbourne

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Born 1959, Sydney, Australia


2003

Séance for Lost Space, Hamish McKay Gallery, Wellington

2002

Uplands Gallery, Melbourne Art Li s, National Gallery of Australia, Canberra Mikala Dwyer: an Australian artist’s project, Wellington City Gallery, Wellington Sarah Cottier Gallery, Sydney Hamish McKay Gallery, Wellington

2001

Sarah Cottier Gallery, Sydney Hamish McKay Gallery, Wellington

2000

Mikala Dwyer, Museum of Contemporary Art, Sydney Indefinitly Maybe, I Care Because You Do, The Loozer Planet, Sweetpotatosexpet Antenna, Hanging Eyes, I.O.U. (a tile), My Home is Your Home, Floating Old man, Selfshel, Chapter Arts Centre, Cardi

1999 1998

I ytown, Hamish McKay Gallery, Wellington Uniform, Sarah Cottier Gallery, Sydney I.O.U., CBD Gallery, Sydney Addons (Clothing Plan) (Closing Plan), Hamish McKay Gallery, Wellington A Work by Mikala Dwyer in Someone Else’s Studio, Fortitude Valley, Brisbane

1997 1996

Hamish McKay Gallery, Wellington Recent Old Work, Sarah Cottier Gallery, Sydney New Work, Hamish McKay Gallery, Wellington Tubeweight, CBD Gallery, Sydney Hollowware and a Few Solids, Australian Centre of Contemporary Art, Melbourne

1995

Hollow-ware & a few solids, Sarah Cottier Gallery Sydney Sad Songs, Artspace, Sydney Voodoo Lambchop, Teststrip, Auckland Vincent (Aries), Dunedin Public Art Gallery, Dunedin Nail-Polish Paintings, Hamish McKay Gallery, Wellington

1994

Woops, Sarah Cottier Gallery, Sydney Jean’s OK, Regents Court Hotel, Sydney

1993

CBD Gallery, Sydney (collaboration with Gail Hastings) Henle’s Loop, Institute of Modern Art, Brisbane

1992

untitled installation, Black, Sydney

1991

untitled installation, First Dra West, Sydney untitled installation, 200 Gertrude Street, Melbourne

1990

untitled installation, First Dra West, Sydney Wall to Wall: Ceiling to Floor, 200 Gertrude Street, Melbourne

1989

Ringing, First Dra , Sydney

1988

untitled installation, Window Gallery, Sydney untitled installation, 338 Gallery, Sydney

1987

Boot, KSK Gallery, Sydney untitled installation, First Dra , Sydney

1986

Becalmed, City Artists Gallery, London

1985 1983

Poor Bare Forked Animal (with Mary Rose Sinn), Chelsea School of Art, London; Avago, Sydney Drumheart, performance, ANZART, Old Mail Exchange, Hobart Noughts and Crosses, ANZART, Hobart

1982

In the Manger, Chapel of Love, Sydney

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ALTERBEAST EXHIBITIONS 2011 Penrith Regional Gallery, Sydney


2010

Gertrude Contemporary, Melbourne SuperDeluxe@Artspace, presented by the Biennale of Sydney, Artspace, Sydney

SELECTED GROUP EXHIBITIONS 2021 Know My Name: Australian Women Artists 1900 to Now [Part Two], National Gallery of Australia, Canberra Connecting the world through Sculpture: In the Air, Monash University Museum of Art, Melbourne Gertrude Studios 2021: If Not At Arm’s Length, Gertrude Contemporary, Melbourne Immaculate Conception, Dungeon and Meadow, Melbourne 2020

Know My Name: Australian Women Artists 1900 to Now [Part One], National Gallery of Australia, Canberra Ichihara Art x Mix 2020, Ichihara, Japan 2020 Adelaide Biennial of Australian Art: Monster Theatres, Art Gallery of South Australia, Adelaide

2019

Gertrude Studio 2019, Gertrude Contemporary, Melbourne Workshop, The University of Queensland Art Museum, Brisbane Idol Worship, Lismore Regional Gallery, Lismore Never the same river, Anna Schwartz Gallery, Melbourne So Core, Perc Tucker Regional Gallery, Townsville Bauhaus Now!, Buxton Contemporary, Melbourne Today Tomorrow Yesterday: MCA Collection, Museum of Contemporary Art Australia, Sydney

2018

Second Sight: Witchcra , Ritual, Power, The University of Queensland Art Museum, Brisbane Blessed Be: Mysticism, Spirituality, and the Occult in Contemporary Art, Museum of Contemporary Art, Tucson, USA Au, presented by Arndt Art Agency, Station Gallery, Melbourne The shape of things to come, Buxton Contemporary, Melbourne Charm School, Neon Parc, Melbourne

2017

So Core, Shepparton Art Museum, Shepparton Unfinished Business: Perspectives on art and feminism, Australian Centre for Contemporary Art, Melbourne State of Play, Roslyn Oxley9 Gallery, Sydney Unpainting, Art Gallery of New South Wales, Sydney Occulture: The Dark Arts, City Gallery Wellington, Wellington Moving Histories // Future Projections, Toowoomba Regional Gallery, Toowoomba City Every Brilliant Eye: Australian Art of the 1990s, National Gallery of Victoria, Melbourne Triple Point of Matter, Foundation Fiminco, Paris

2016

Quicksilver, Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide So Core, Casula Powerhouse Arts Centre, Sydney MCA Collection: Today Tomorrow Yesterday, Museum of Contemporary Art, Sydney Erewhon, Margaret Lawrence Gallery, Victorian College of the Arts, Melbourne; Horsham Regional Art Gallery; Warrnambool Art Gallery; Benalla Art Gallery; Latrobe Regional Gallery Wonder, Hazelhurst Regional Gallery, Sydney GRLZ, 55 Sydenham Rd, Sydney Riddle of the Burial Grounds, Extra City Kunsthal, Antwerp Fabrik, Ian Potter Museum of Art, Melbourne Primavera at 25: MCA Collection, Museum of Contemporary Art, Sydney

2015

Dämmerschlaf, Artspace, Sydney Dead Ringer, Perth Institute of Contemporary Art, Perth Antropia, Eduardo Secci Contemporary, Florence 21: Our 21st birthday show, Casula Powerhouse Arts Centre, Sydney Hall of Half-Life, Stierischer Herbst Festival, GrazMuseum, Graz, Austria

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Saint Jude’s Le overs (Your Thoughts in Lights), Stierischer Herbst Festival, Vordernberg, Austria Believe not every spirit, but try the spirits, Monash University Museum of Art, Melbourne


Hiding in Plain Sight: A selection of works from the Michael Buxton Collection, Bendigo Art Gallery, Bendigo Neverwhere, Gaia Gallery, Istanbul MAGNETISM, Hazelwood, Sligo, Ireland Deeply Highly Eccentric, Winchester Gallery, Winchester School of Art, Hampshire Glazed and Confused, Hazelhurst Regional Gallery, Sydney Everything and Nothing, Sarah Cottier Gallery, Sydney Square Cloud Compound, Encounters, Art Basel Hong Kong, Hong Kong Redlands Konica Minolta Art Prize, National Art School Gallery, Sydney 2014

Primavera 2014, Museum of Contemporary Art, Sydney [Curator] Silly Canvas, Utopian Slumps, Melbourne The Cinemas Project: Exploring The Spectral Spaces of Cinema, Mildura Arts Centre, Melbourne From a Near Future, SCA Gallery, Sydney College of the Arts, University of Sydney, Sydney De Rerum Natura, Studio La Citta, Verona Future Primitive, Heide Museum of Modern Art, Melbourne You Imagine What You Desire, 19th Biennale of Sydney, Cockatoo Island, Sydney The Brassington A air, Plimsoll Gallery, Hobart

2013

Das Ende des 20. Jahrhunderts. Es Kommt Noch Besser: Ein Dialog mit der Sammlung Marx (The End of the 20th Century. The Best is Yet to Come. A Dialogue with the Marx Collection), Hamburger Banhof, Berlin Light Sweet Crude, Hopkinson Mossman Gallery, Auckland Schwarz//Weiss, Hamish Morrison Galerie, Berlin

2012

Cronies, Roslyn Oxley9 Gallery, Sydney In Abstraction, The Body, Anna Schwartz Gallery, Melbourne Less Is More: Minimal and Post-Minimal Art in Australia, Heide Museum of Modern Art, Melbourne Reunion, Hamish Mckay Gallery, Wellington Ten Years of Things, The University of Queensland Art Museum, Brisbane Plus ou Moins Sorcières 2/3: Epreuves Ritualisées, Maison Populaire, Paris

2011

Sundown, Papermill Gallery, Sydney Colour Baazar, Heide Museum of Modern Art, Melbourne Networks, Cells and Silos, Monash University Museum of Art, Melbourne Melbourne Biennale, Y3K, Melbourne Monanism, Museum of Old and New Art, Hobart Tre punkt, Hamish Morrison Galerie, Berlin Collection show AGNSW, Art Gallery of New South Wales, Sydney

2010

Ich Wicht, Kunstraum, Potsdam Before and A er Science, Biennial of Australian Art, Art Gallery of South Australia, Adelaide The Beauty of Distance: Songs of Survival in a Precarious Age, Biennale of Sydney, Cockatoo Island, Sydney Australian Experimental Art Foundation, Adelaide Milk and the Town that Was Mad, Laneways Project, Sydney Artspace, Sydney Zeigen: Audio Tour through Berlin, Temporare Kunsthalle, Berlin Roslyn Oxley9 Gallery, Sydney

2009

Hamish McKay Gallery, Wellington Hamish McKay Gallery, Wellington Almanac: The Gi of Ann Lewis AO, Museum of Contemporary Art, Sydney Mirror Mirror: Then and Now, Institute of Modern Art, Brisbane; University Art Gallery, Verge Gallery, and Tin Sheds Gallery, University of Sydney, Sydney; Samstag Museum of Art, Adelaide

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Lost and Found: An Archaeology of the Present, TarraWarra Biennale, TarraWarra Museum of Art, Tarrawarra Common Space, Private Space, Margaret Lawrence Gallery, Victorian College of the Arts, Melbourne

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2008


Come-In: Interior Design as a Contemporary Art Medium in Germany, RMIT Gallery, Melbourne Axis Bold as Love, CAPC Musée d’Art Contemporain, Bordeaux To Make a Work of Timeless Art, Museum of Contemporary Art, Sydney 2007

Ceramica, Institute of Contemporary Art Newtown, Sydney P25, Echelon, Sydney Mystic Truths, Auckland Art Gallery, Auckland Den Haag Sculptuur 2007: De Overkant/Down Under, The Hague, Netherlands Love Chief, Auckland Art Gallery, Auckland

2006

High Tide, Zacheta National Gallery, Warsaw; Contemporary Art Centre, Vilnius Von Riots Zu Angels, NewYorkRioTokyo, Berlin

2005

An End-of-Year Exhibition, Hamish McKay Gallery, Wellington The Wallflower, Canberra Contemporary Art Space, Canberra National Sculpture Prize and Exhibition, National Gallery of Australia, Canberra Unscripted: Language in Contemporary Art, Art Gallery of New South Wales, Sydney Salvage, Clubs Projects Inc., Melbourne Mixed-Up Childhood, Auckland Art Gallery, Auckland

2004 2003

Everyday Minimal, Auckland Art Gallery, Auckland Three-Way Abstraction: Works from the Monash University Collection, Monash University Museum of Art, Melbourne Face Up: Contemporary Art from Australia, Hamburger Bahnhof, Berlin Unpacked II, Museum of Contemporary Art, Sydney; Bendigo Art Gallery, Bendigo; University of the Sunshine Coast, Brisbane This Was the Future: Australian Sculpture of the 1950s, 60s, 70s + Today, Heide Museum of Modern Art, Melbourne Still Life: The Inaugural Balnaves Foundation Sculpture Project, Art Gallery of New South Wales, Sydney A erlife, Sarah Cottier Gallery, Sydney Stephen Birch + Maria Cruz + Mikala Dwyer, Michael Lett Gallery, Auckland 4mal, Prettydog Gallery, Sydney The Shangri-La Collective, Artspace, Sydney I’m Only Sleeping, Hamish McKay Gallery, Wellington

2002

Fieldwork: Australian Art 1968–2002, Ian Potter Centre, National Gallery of Victoria, Melbourne Helen Lempriere National Sculpture Award, Werribee Park, Melbourne Objections, Sarah Cottier Gallery, Sydney Hamish McKay Gallery, Wellington Super Group, Hamish McKay Gallery, Wellington

2001

Artful Park, Centennial Park, Sydney Good Work: The Jim Barr and Mary Barr Collection, Dunedin Public Art Gallery, Dunedin; City Gallery, Wellington Unnecessary Invention, Artspace, Sydney

2000

Objection, Physics Room, Christchurch Monochromes, The University of Queensland Art Museum, Brisbane Plastika, Govett-Brewster Art Gallery, New Plymouth Bonheurs des Antipodes, Musee de Picardie, Amiens, France

1999

Contempora5, Ian Potter Museum of Art, Melbourne Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection, Auckland Art Gallery, Auckland Avant-Gardism for Children, The University of Queensland Art Museum, Brisbane; Monash University Museum of Art, Melbourne Brainland: The Believers: Mikala Dwyer, Maria Cruz, Anne Ooms, Art Gallery of New South Wales, Sydney

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The Organic and the Artificial: Reinventing Modernist Design, Plimsol Gallery, Hobart 9 Lives, Casula Powerhouse, Sydney


Nostalgia for the Future, Artspace, Auckland 1998

Opening Exhibition, Sarah Cottier Gallery, Sydney Body Suits, Perth Institute of Contemporary Art, Perth The Infinite Space: Women, Minimalism and the Sculptural Object, Ian Potter Museum of Art, University of Melbourne, Melbourne Close Quarters: Contemporary Art from Australia and New Zealand, Australian Centre for Contemporary Art, Melbourne; Monash University Gallery, Melbourne; Institute of Modern Art, Brisbane; Canberra School of Art Gallery, Canberra; Govett-Brewster Art Gallery, New Plymouth; Auckland Art Gallery, Auckland Verve, S.H. Ervin Gallery, Sydney Beauty 2000, Institute of Modern Art, Brisbane

1997

The Believers: Mikala Dwyer, Maria Cruz, Anne Ooms, CBD Gallery, Sydney; Artspace, Auckland

1996

Objects and Ideas: Revisiting Minimalism, Museum of Contemporary Art, Sydney Nostalgic, Monash University Museum and Gallery, Melbourne Aerphost, Debtor’s Prison, Dublin Raindrops on Roses, Sarah Cottier Gallery, Sydney Chartwell Collection: A Selection, Auckland Art Gallery, Auckland

1995

Orientation, Istanbul Biennale, Istanbul A Night at the Show, Field, Zurich Monash University Art Prize, Monash University Art Gallery, Melbourne please nota bene the other rules on the following page, David Pestorius Gallery, Brisbane Octette, Eva Breuer Gallery, Sydney

1994

Paperwork, Sarah Cottier Gallery, Sydney True Stories, Artspace, Sydney The Aberrant Object: Women Dada and Surrealism, Museum of Modern Art at Heide, Melbourne Aussemblage, Auckland City Art Gallery, Auckland White, Sarah Cottier Gallery, Sydney Familiarity, Plimsoll Gallery, Hobart Family Portrait (with Stephanie Dwyer) So ware Project Series, Selenium, Sydney

1993

Australian Perspecta 1993, Art Gallery of New South Wales, Sydney Fi h Melbourne Sculpture Triennial, West Melbourne Primary School, Melbourne Decor, Peppers Bistro, Canberra Residence #3, home of Vincent Butron and Janet Shanks, Sydney Rad Scunge, Karen Lovegrove Gallery, Melbourne Residence #1, home of Vincent Butron and Janet Shanks, Sydney Naked, Black Gallery, Sydney Monster Field, Ivan Dougherty Gallery, Sydney 1992

Shirthead, Mori Annexe, Sydney Primavera: The Belinda Jackson Exhibition of Young Artists 1993, Museum of Contemporary Art, Sydney

1991

Wish Hard, Biennale of Sydney, Wollongong City Gallery, Woollongong First Dra , Sydney (with Maria Cruz) Disonnance: Frames of Reference, Pier 4/5, Sydney Discrete Entity, Canberra School of Art Gallery, Canberra Microcosm, Gary Anderson Gallery, Sydney

1990

First Dra , Sydney Installed and Temporal Works, Tin Sheds, Sydney

1989

Exploring Drawing, Ivan Dougherty Gallery, Sydney

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Victory Over the Sun, First Dra , Sydney Fresh Art, S.H. Irvin Gallery, Sydney


1988

Eevy, Ivy, Over, (with Belinda Holland), First Dra , Sydney

1987 1986

In the Shadow of Amnesia, 338 Gallery, Sydney Certain Versions, City Artist Gallery, London

1983 1982

ANZART, Hobart APMIRA Land Rights Exhibition, Paddington Town Hall, Sydney

PUBLIC COLLECTIONS Artbank, Australia Art Gallery of New South Wales, Sydney, Australia Chartwell Collection, Auckland Art Gallery, Auckland, New Zealand Cruthers Collection of Women’s Art, University of Western Australia, Perth, Australia Gri ith University Art Collection, Brisbane, Australia Heide Museum of Modern Art, Melbourne, Australia Michael Buxton Collection, Australia Monash University Museum of Art, Melbourne, Australia Museum of Contemporary of Art Australia Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand Museum of Old and New Art, Hobart, Australia National Gallery of Australia, Canberra, Australia National Gallery of Victoria, Melbourne, Australia RMIT University Art Collection, Melbourne, Australia The University of Queensland Art Museum, Brisbane, Australia Waikato Museum, Hamilton, New Zealand PUBLIC COMMISSIONS 2021

Phantom, Ian Potter Sculpture Court, Monash University Museum of Art (MUMA), Melbourne Apparition, City of Melbourne and RMIT University, University Square, Melbourne

2012 2011

Egg Swing, Royal Hospital for Women Park, Paddington (Commissioned by Woollahra Council), Sydney Windwatcher, Central Park, Sydney

2010

A Lamp for Mary, Mary’s Place, Surry Hills, Sydney

2005

IOU, Docklands, Melbourne

SELECTED STUDIOS 2019-21 Gertrude Studios, Gertrude Contemporary, Melbourne 2017

The Clothing Store Artist Studios, Carriageworks, Sydney

2015 Artspace, Sydney 2014-15 IMMA Residency, Irish Museum of Modern Art, Dublin 2012 2006

TEKSAS , Graested, Denmark OMI Residency, OMI International Arts Center, Ghent, New York

1991

200 Gertrude Street, Melbourne

2016 2015

NAVA Visual Arts Fellowship 2016 Redlands Konica Minolta Prize

2014

Melbourne Art Foundation Artist Commission

2005

Deakin University Contemporary Small Sculpture Award Anne & Gordon Samstag International Visual Arts Scholarship

2005

National Sculpture Prize Exhibition, National Gallery of Australia, Canberra

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SELECTED SCHOLARSHIPS AND PRIZES


2003

Woollahra Small Sculpture Prize

2002

Helen Lempriere Sculpture Prize (commended)


CV

Helen Smith Solo Exhibitions 2002-21 Australian Centre for Concrete Art (AC4CA) 2012 Lecturer Curtin University of Technology 2000 Curtin University of Technology - Bachelor of Arts, Art, First Class Honours 1988 Curtin University of Technology - Bachelor of Arts, Design 2021 Blue Highway, Gallery9 Darlinghurst, Sydney 2020 A False Baroque, Gallery There at Stephen McLaughlan Gallery, Melbourne 2019 Nightfill, PS Space Amsterdam NL 2018 Blue Highway, Art Collective WA, Perth 2016 Sub Rosa, PSAS Art Space, Fremantle – with Trevor Richards 2015 WA Focus, Art Gallery of Western Australia, Perth Sydney Contemporary ‘15, Carriage-works, Sydney 2013 Zwei Waende, Institut Fur Alles Mogliche, Neukoelln, Berlin 2010 ‘Do you want the truth or something beautiful’ GoddarddeFiddes Gallery with Jan van de Ploeg 2009 Portobello Split, Hebel_121 Gallery, Basel, Switzerland - with Jeremy Kirwan-Ward Wallworks, Art Gallery of Western Australia - with Jeremy Kirwan-Ward 2007 Soft Edge, Hard Edge, Goddard de Fiddes Gallery, West Perth 'Making Space' MOP Gallery Redfern, Sydney - with Jeremy Kirwan-Ward 2006 SNO, Marrickville, Sydney - with Jan van de Ploeg, Bordello Series, PIAF, Perth Concert Hall 2005 Paintings for Houses, Goddard de Fiddes Gallery, West Perth 2004 Stichting Chiellerie Gallery, Amsterdam - with Jan van der Ploeg The Golden Apple, Perth Institute of Contemporary Arts, Northbridge, Perth Ho Jo, Winston Hotel, Amsterdam 2003 Gesso Paintings, Goddard de Fiddes Gallery, West Perth Gesso Paintings, MOP Projects, Redfern, Sydney - with Pam Aitken 2001 Paintings and Photography, Perth Galleries, Subiaco, Perth 2021 Fremantle Biennale Australian Centre for Concrete Art Project 2020 Nnotations SNO168, Sydney Non Objective Sydney Spin Cycle, Stephan McLaughlan Gallery Melbourne Concrete Expanded Holmes a Court Gallery @ no 10, West Perth 2019 20 Jahre Hebel_121, Accrochage und Katalogue, Basel


SNO159, Sydney Non Objective, Sydney Casula Power House Project, Sydney Non Objective, Sydney Conkret Painting, Holmes a Court Gallery, Margret River 2018 SNO 149 Objective Photography Leichhardt, Sydney, Slow Moves, Stutzpunkt Teufelsburg, Institut Fur Alles Mogliche, Berlin, The Mobile Post Card Show, Institut Fur Alles Mogliche, Berlin SNO149, Sydney Non Objective, WA Unlimited, Art Gallery of Western Australia, Perth 2017 SNO 136, Budapest Art Market, Budapest, weep for painting, MARS gallery, Melbourne 2016 Paint + Object, Annadale Galleries, Sydney, SNO 125, Sydney Non Objective, Marreckville Sydney Assemblage, John Curtin Gallery, Curtin University, WA 2015 Shimmer and Pool, Annadale Galleries, Sydney 2014 One Place After Another, AC4CA Perth Institute of Contemporary Art, Northbridge SNO 108, 30/30 Image Archive Project, Marrickville, Sydney 2013 Bliss, Lawrence Wilson Art Gallery, University of Western Australia 2012 Australian Centre for Concret Art @ FABRIKculture, Hegenheim, France AC4CA Print Port Folio, Paris Concret, Paris SNO@BHO, Ballhaus Ost, Berlin 2011 Konkrete 2, Goddard de Fiddes Gallery, West Perth 2010 ”painthing (as one)” Australian Experimental Art Foundation, Adelaide 2008 'Non Objektiv' Gesellschaft fur Kunst und Gestaltung, Bonn Germany 2007 Pink, Perth Institute of Contemporary Arts 2006 Take Off, Hebel_121 Gallery, Basel, Switzerland,Non Objective Sud 06, La Barraliere, France AC4CA 2006, G & A Gallery, Surrey Hills, Sydney, FotoFreo International Photographic Festival, Summer Exhibition, Arc One Gallery, Melbourne, ABN AMRO Emerging Artists Award, Sydney 2005 Wall Power, Art Gallery of Western Australia, Perth, Flux 2, Lawrence Wilson Art Gallery,University of Western Australia, ARCO Artfair, Madrid, ABN AMRO Emerging Artists Award, Sydney,


Collectie Chiellerie in Hotel Winston, Amsterdam 2004 Conversations, Art Gallery of Western Australia, Konkrete, Goddard de Fiddes Gallery, West Perth Nikon Summer Salon, Centre for Contemporary Photography, Fitzroy, Melbourne 2003 Red Light District - Images of Desire 3, Artwalk, Staatsliedenbuurt, Amsterdam Christian Boltanski’s Fax Project, Independence, South London Gallery, London Opening Show, MOP Projects, Redfern, Sydney 2002 Painting and Phenomenology in Perth, Goddard de Fiddes Gallery, West Perth 2018 Artizan Editions Residency, Gloucestershire UK 2014 Point B Residency - New York 2013 Institut Fur Alles Mogliche Residency, Neukoelln, Berlin 2012 Artsource, Residency - New York 2012 City of Albany, National Art Prize (winner) and Residency 1999 Outstanding Achievement Award, Graduating Student - Painting, Curtin University Leigh Robb, Julian Goddard, Hubert Besacier One Place After Another, published PICA, 2014 Sally Quin Some thoughts on Beauty and Bliss, Westerly 58:2, 2014 Jenepher Duncan Wall Power, Artists in Focus, Art Gallery of Western Australia, 2005 Selected group Exhibitions Research Residencies Awards Bibliography Selected National Gallery of Australia, Artbank - National Collection, Art Gallery of Western Australia, Daimler Art Collections Collection Berlin, Australian Embassy Madrid, Louis Vuitton Collection, John Curtin Gallery - Curtin University of Technology, Lawrence Wilson Art Gallery Collection - University of Western Australian & various private collections


EDUARDO SANTOS BIOGRAPHY:

Eduardo Santos works with gravity the way other artists work with oils or ink. Gravity guides the line and pins down his disparate materials of sand, earth, paint, and varnish. Each layer accretes like sediment. The dense dry texture of sand and the lumpen rivulets formed by earth mixed with paint generate a haptic experience something like standing inside a river cave or being pinned beneath the glassy swell of a wave. Santos credits his relationship to visceral, highly textural-materials to a childhood spent in the north of Brazil, in a terrain “where the river meets the ocean” and experiences with his grandfather, an indigenous Amazonian potter, Santos would mimic in the clay of the rive's edge. The humility of simple materials; a conflation of the natural and the ‘found’; the tactility of hand-made and rough-hewn things and, ultimately, primal landscapes, all play a role in the artist’s work. This series is also imbued with a strong sense of place. This is not painting about painting, but an invocation of earth, sky, and water influenced by desert journeys in Morocco, South America, and the Antipodes. This new work marks a radical departure from a body of extremely minimal photographic work. “I have been painting for over two decades. The work was always parallel with other creative practice. Be it a self-imposed apprenticeship or simply a trait of secrecy, the painting has taken the longest of all to release, or consider complete.” Santos does not underpin his works with a literal or historic narrative. The paintings allude to landscape in a manner that is more palpable than literal. A single work might contain several possible horizon lines and shifting diagonals so that anchoring our place is at times difficult. The palette of cold metallic and mineral blues and greys and earth tones seems deeply aquatic and terrestrial at the same time. This is not landscape as scene but nature as elemental drama. This is not abstraction as diffusion but full-frontal encounter, and also, in contrast, there is a sense of Repose the dwells in the tonality and metallic frost of his palette. The contemplation is also there: namely in the span of time involved in the artist’s labour-intensive process and in the many layers that constitute each work. These are paintings of tremendous presence and they are visually demanding. It is not quiet work. But the generosity and pent-up energy of every marking serve their own rewards.


CATHERINE NELSON Born in Sydney, Australia Education and Work Experience 1996 Graduated from the NSW College of Fine Arts , Australia 1996 – 2008 Digital Artist in the film industry https://www.imdb.com/name/nm1224543/ Solo Exhibitions 2020 ‘Future Memories 2020’ Michael Reid Gallery, Sydney, Australia ‘Future Memories 2020’ Gallerysmith, Melbourne, Australia 2018 ‘EveryNothing', Gallerysmith, Melbourne, Australia 2016 ‘Submerged', Gallerysmith, Melbourne, Australia ‘Submerged', Michael Reid, Berlin, Germany 2014 ‘Expedition', Michael Reid Gallery, Sydney, Australia ‘Expedition', Gallerysmith, Melbourne, Australia 'Future Memories', M Contemporary, Sydney, Australia 2013 ‘Other Worlds', Gallerysmith, Melbourne, Australia 'Other Worlds', Julie Saul Project Space, New York, USA 'Other Worlds', Michael Reid Gallery, Sydney, Australia 'Other Worlds', Michael Reid Gallery, Berlin, Germany 2012 'Other Worlds', Gallerynow, Seoul, South Korea 2011 'Future Memories', Galerie Paris-Beijing, Beijing, China Future Memories', Gallerysmith, Melbourne, Australia 'Future Memories', Dominik Mersch Gallery, Sydney, Australia 'Future Memories', Galerie Paris-Beijing, Paris, France 'Creation', Australian Centre of Photography, Sydney, Australia Group Exhibitions 2021 Return To the Beginning, Horsham Regional Gallery, Victoria, Australia 2020 Ravenswood Women’s Art Prize, Sydney, Australia Waterhouse Science Prize Finalist Exhibition, Adelaide, Australia 2019 Noorderlicht 30 Jaar, Groningen, The Netherlands Lightyears 1999-2019 Michael Reid Gallery, Sydney, Australia Lightyears 1999-2019 Perth Centre Of Photography, Australia 2018 Waterhouse Science Prize Finalist Exhibition, Adelaide, Australia ‘This Wild Song’, Melbourne, Australia ‘Is It Real’, Jeonju International Photo Festival, Jeonju, South Korea ‘IN VIVO’. Noorderlicht Photography Festival, Groningen, The Netherlands ‘Natural/Unnatural: Paardenstallen, Kortrijk, Belgium 2017 ‘Wall Power : Contemporary Australian Photography’, Cologne, Berlin, Paris ‘Just Arrived’. Rademakers Gallery, Amsterdam, The Netherlands ‘Hyper-Botanica’. Gallerysmith, Melbourne, Australia 2016 ‘Life Aquatic”, Monash Gallery of Art, Melbourne, Australia ‘Divine Abstraction’, Justin Art Museum, Melbourne, Australia ‘Eclectica’, Frensham Fellowship Art Prize, Mittagong, Australia 2015 Non Existing Reality, Jennifer Kostuik Gallery, Vancouver, Canada Summer Show, Jennifer Kostuik Gallery, Vancouver , Canada ‘Wall Power:Significant Australian Contemporary Photography', Michael Reid Gallery, Sydney, Australia


2014 ‘Human + Graphy’, Ulsan International Photography Festival, Ulsan, South Korea ‘The Colonial To the Personal’, Michael Reid @ Peter Walker Gallery, Adelaide, Australia ‘The Colonial To the Personal’, Michael Reid @ Christ Church Grammar, Perth, Australia Mandorla Prize, Finalist Exhibition, Perth, Australia 2013 Moreton Bay Art Awards, Moreton Bay, Queensland, Australia 'Realiteit', Capture Photography Festival, Vancouver, Canada 'The Poetry of Earth is Never Dead', Gallerysmith, Melbourne, Australia Australian Landscape : Present in the Now', Michael Reid Gallery, Berlin, Germany 'Digital Generation', Galerie Paris-Beijing, Brussels, Belgium 'Preview', Gallerysmith, Melbourne, Australia 2012 Heyson Prize for 'Interpretation of Place', Hahndorf Academy, South Australia 'Murr-ma', Michael Reid Gallery, Berlin, Germany 'Terra Cognita', Noorderlicht Photography Festival, Groningen, Netherlands 'Space Oddity'. S Cube Gallery, Laguna Beach, CA, USA 'Legends' La Trobe Regional Gallery, Victoria, Australia 'Digital Darkroom' Slideshow event, The Annenberg Space for Photography, LA, USA ‘Eclectica’, Frensham Fellowship Art Prize, Mittagong, Australia 'South of the Border', Queensland Centre of Photography, Brisbane, Australia 'Out of the Darkness', Gallerysmith, Melbourne, Australia 'Flipside: Australian Photography'. Project A7, Sarah Lee Artworks ad Projects, LA, USA 2011 Royal Bank of Scotland Emergind Artist Award Exhibition, Sydney, Australia Bowness Photography Prize Finalist Exhibition, Melbourne, Australia 'New Worlds', Hanmi Photography Museum, Seoul, South Korea Hyper Realistic', Dominik Mersch Gallery, Sydney, Australia Magic Spaces', Today Art Museum, Beijing, China ‘Plus One’, Dominik Mersch Gallery, Sydney, Australia 2010 'Lake', Lake Macquarie Regional Gallery, Australia Royal Bank of Scotland, Finalist exhibition for Emerging Artist Award, Australia Blake Director’s Cut Exhibition, Australia 2009 Future Artist, Nikon Next online exhibition, Japan Awards 2020 Finalist, Ravenswood Women’s Art Prize, Sydney, Australia Finalist, Waterhouse Science Prize Finalist Exhibition, Adelaide, Australia 2018 Finalist, Waterhouse Science Prize Finalist Exhibition, Adelaide, Australia 2014 Finalist, Mandorla Prize, Finalist Exhibition, Perth 2013 Finalist, Moreton Bay Art Awards, Moreton Bay, Queensland, Australia 2012 Winner Gallery NOW Artist Award, Seoul, South Korea Finalist Heyson Prize for 'Interpretation of Place', Hahndorf Academy, South Australia 2011 Winner 'Eclectica' 2011, Frensham Fellowship Art Prize, Mittagong, Australia Finalist Bowness Photography Prize , Melbourne, Australian Finalist, Royal Bank of Scotland Emerging Artist Award, Sydney, Australia 2010 Winner Royal Bank of Scotland Emerging Artist Client Choice Award, Australia Collections Parliament House Australia, Microsoft, Hyatt Regency Amsterdam, Lucas Holding Singapore, University of South Florida, Morgan Stanley NYC, Sydney City, Artbank Australia, Australia Club, Daryl Hewson Collection Australia, various private and institutional collections in Europe, USA, Asia and Australia


Commisions 2021 MPark, Stockland, Sydney, Australia 2020 Silky Oaks Lodge , Mossman Gorge, Queensland, SelectedReviews Dee Swann, Washington Post InSight, 08/2016, ‘Hundreds Of Photos Create Other Worlds’ Alasdair Foster, Photo World, China, 12/2015, ‘Distilling the Essence of Landscaoe’ Simona Venezia, Gente Di Fotografia, 10/2013, 'La Monade Del Mondo' Hallie Sekoff, Huffington Post, 10/2012, Catherine Nelson's 'Future Memories' are Imaginative Landscapes’ Christopher Jobson, Slate, 10/2012, Miniature Worlds Digitally Assembled from Hundreds of Photographs Rafaele Oriani, Corriere Della Sera, 10/12, Quattro (Pre)visioni Sul Mondo Jakob Schiller, Wired, Raw File, 01/2012, Bizarre Micro-Planets Made From Hundreds of Landscape Photos Mike Peters, China Daily, 12/2011, Worlds Apart Michael Gold, Global Times, 11/2011, Wonder From Down Under Heather Jacobs, Australia Unlimited, 10/2011, Painting With Technology


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