PORTFOLIO LNAUDIN - EN2023_LANDSCAPE

00 PORTFOLIO_2023_ENG LANDSCAPE ARCHITECTURE EDITION / PUBLICATION COMMUNICATION

LISA NAUDIN

lisa.naudin@hotmail.fr + 41 79 724 42 09 Zurich Switzerland 11 04 89 French nationality B permit - Switzerland

1

00.LIST INDEX

00. LIST 01. CV LANDSCAPE Erneuerung der Gartenstadt Heberschulhqu in Riehen National competition for masterplan, Mendoza School of agricultural education and reserve of the Pampa EDITION/PUBLICATION BULLA / ESCAPE BULLA / BALDIO

MAS - history and culture of architecture and the city From afar it is an island Maps as rhetorical figures

02. ARCHIVES

2

01

02

03 01. Les maisons paysage, Alberto Ponis - 1960 02. When Faith Moves Mountains, Francis Alÿs - 2002 03. Bernard Rudofsky & Costantino Nivola &Nivola House-Garden, Amagansett - 1949–50

3

01.CV Trained as an architect, I currently hold the position of landscape architect in Zurich, Switzerland. For several years, I worked as an editor for publishing houses specializing in architecture, landscape, and urban culture.

I also completed a specialization in landscape planning at the University of Buenos Aires, which allowed me to work as a landscape architect in an office where I also did project management. I am currently studying for a MAS in History and Culture of the Architecture of the City at the University Di Tella in Buenos Aires. I focus my career on editorial and event project management in the field of architecture, urbanism and culture, landscape practice as well as in teaching and research.

EDUCATION 2019-2023_MAS_Buenos Aires MAS in History and Culture of of architecture and the city School of Architecture and Urban Planning University Torcuato Di Tella 2016-2018_MAS_Buenos Aires Specialization in Landscape Design Faculty of Architecture, Design and Urban Planning University of Buenos Aires 2008-2014_Diplôme d’État en Architecture_Toulouse École Nationale Supérieure d’Architecture de Toulouse

PROFESSIONAL EXPERIENCE

LISA NAUDIN Landscape Architecture Edition / Publication Communication

2023_March/November_EDER Landschaftsarchitekte, Zurich In charge of pre-project phases in collaboration with architects for competitions. Research and preparation of communication documents.

2023_Espazium_ REVUE TRACÉS Freelance editor for TRACES magazine, specialized in building culture.

2020_2022_RDR architectes_Lausanne, Buenos Aires In charge of communication, publications, and press relations for the architectural firm RDR architects based in Lausanne, Buenos Aires, and Madrid. I am coordinating and managing the teams and the follow-up of the transversal projects. This consists in preparing the documents of diffusion of the projects, the management of the social networks, and the update of the website. This also includes more ambitious projects such as the realization of a monograph and accompanying the implementation of a communication strategy.

2021_Teaching_Buenos Aires Project_Assistant I, Chair Giusto Work with second year students on the theme of «trans» architecture. From the creation of generic models that correspond to the «undesirable» infrastructures of Buenos Aires, we question the retroactive capacity of architecture and its social and political role.

School of Architecture and Urban Planning University Torcuato Di Tella

2019-2022_BULLA_Buenos Aires

Responsible for the publication/retrospective of the Escape conference cycle (2016-2019) on the notion of territory and its cultural dimension. Escape is a space for reflection and debate on our actions on the landscape as a dynamic and multidisciplinary space.

4

lisa.naudin@hotmail.fr + 41 79 724 42 09 Zurich Switzerland 11 04 89 French nationality B permit - Switzerland

COMPUTER SKILLS InDesign Illustrator Photoshop VectorWorks Sketchup Pack office

LANGUAGE SKILLS French_native Spanish_advanced English_advanced German_B1

PROFESSIONAL EXPERIENCE 2019-2021_NESS Magazine_Buenos Aires Editor for the architecture magazine -NESS NESS 3: WHAT’S AN OBJECT? Lots of Architecture Publishers 2019_Teaching_Buenos Aires Assistant Professor in Project I, Chair Dieguez Faculty of Architecture, Design and Urbanism Universidad de Buenos Aires 2018-2019_Revista PLOT_Buenos Aires Editor for the architecture magazine and web editorial coordination 2018_Teaching_Buenos Aires Assistant Professor in Project I, Chair RED II. Faculty of Architecture, Design and Urbanism Universidad de Buenos Aires 2017-2018_NESS Magazine_Buenos Aires Editor for the architecture magazine -NESS NESS 1: BETWEEN COZY HISTORY & HOMEY TECHNICS Lots of Architecture Publishers 2016-2017_Estudio Bulla_Buenos Aires Specialist in landscape design.

Bulla develops projects of territorial, urban, collective and domestic scale 2016_Estudio Normal_Buenos Aires Estudio Normal develops new spatial struc tures that redefine the way people connect to space, escaping common places and rethinking the notion of space.

2015_Alliance française_Bogotá Cultural coordination assistant and inter preter for the artists of the Galerie Les Filles du Calvaire in residence.

2014-2015_Alliance française _Buenos Aires Cultural Coordination Assistant.

2013_Centre Georges-Pompidou_Paris Internship for the scenography section of events and exhibitions..

ACTIVITIES AND INTERESTS 2022_Fieldwork Week - Cima Città Studying soils, vegetation, trees and other living systems on site, using manuals developed at the Chair Being Alive at ETH Zurich.

2022_Ecrire / Construire. Allers retours Nadja Maillard - EPFL Anthropology. Literary genetics.

Architectural statistics. Epistemology 2017_Morphology workshop_Buenos Aires Laboratori Estudio 2016_Research on urban morphology Supersudaca Investigación Urbana 2011-2012_Exchange program__Rio de Janeiro Faculty of Architecture and Urbanism Universidad Federal de Rio de Janeiro 5

LANDSCAPE 2023_EDER Landschaftsarchitekten

ERNEUERUNG DER GARTENSTADT

/ Camponovo Baumgartner Architekten Zurich Landscape

Das Wohnviertel Steinkluppe besteht aus Reihen von dreistöckigen, giebelgedeckten Gebäuden der typischen Nachkriegszeit, die nach dem städtischen Prinzip der Gartenstadt orthogonal zueinander angeordnet sind. Ihr Grundriss ist einfach und die Wiederholung ähnlicher Häuser untereinander sorgt für eine Homogenität, die den landschaftlichen Charakter der Gartenstadt stärkt. Viele der Gartenstadtsiedlungen werden derzeit neu bewertet und durch massive Neubauten ersetzt, die nur schwer mit den bestehenden Gebäuden um sie herum kommunizieren können. Unser Projekt soll die Koexistenz von Neuem und Altem untersuchen, indem wir versuchen, die bestehende Siedlung zu transformieren und in eine verdichtete Form der Gartenstadt zu überführen.

6

COMPETITION

7

LANDSCAPE 2023_EDER Landschaftsarchitekten / Camponovo Baumgartner Architekten Zurich Landscape

8

ERNEUERUNG DER GARTENSTADT

COMPETITION

9

LANDSCAPE 2023_EDER Landschaftsarchitekten / Valentin Lang Architekt Zurich

WETTBEWERB ERWEITERUNG HEBELSCHULHAUS IN RIEHEN

Landscape

Die Schulanlage im Niederholz Die Schulanlage befindet sich inmitten des von Wohnbauten geprägten Nieder holzquartiers. In der ausgedehnten Ebene der Wiese gelegen, wird das Quartier durch das Trassee der Wiesentalbahn geteilt, welches zusammen mit der Niederholzstrasse, sowie dem Langenlängeweg das Grundstück der Schulanlage als Dreieck begrenzen.

Während das Niederholzschulhaus (1946-50) die Niederholzstrasse begleitet, positionierten Rasser und Vadi die Hebelschule (1951-54) im Zentrum des durch grünten Areals. Beide Schulen fassten als voneinander abgewandte Winkel, mit den Turnhallen als Abschluss, jeweils einen grossen Freiraum.

10

COMPETITION

11

LANDSCAPE 2023_EDER Landschaftsarchitekten / Valentin Lang Architekt Zurich Landscape

12

WETTBEWERB ERWEITERUNG HEBELSCHULHAUS IN RIEHEN

COMPETITION

13

LANDSCAPE 2018_Papa Arquitectos Argentina Landscape

NATIONAL COMPETITION FOR MASTERPLAN, IDEAS AND PRELIMINARY DESIGN OF THE ECOPARK MENDOZA, ARGENTINA. SECRETARY OF ENVIRONMENT AND TERRITORIAL PLANNING - GOVERNMENT OF MENDOZA.

This competition is a collaborative work with the architects of Buenos Aires Papa arquitectos. It was to plan the development and management of the new contribution of native flora in the whole park. This first required knowledge of many variants: climates, vegetation, and irrigation system (endemic to the region of Mendoza).

14

COMPETITION

01

Forest dry or in poor condition Cedar Strict Cypress Horizontal Cypress Cypress Lambertiana Canary Island Pine Aleppo Pine Casuarina Aguaribay Acacia Visco Prosopis Celtis Eucalyptus Ligustrum Mulberry Phoenix Palm White Poplar Poplar Criollo Espinillo Azarero Ash Ombú Ailantus Paradise Acer Sofora China Parasol Jacaranda Prunus Araucaria Linden Thuya Olive tree Vitex

02 01. Zoning by vegetation density 02. Vegetation survey / by species

Zone a - very dense Zone b - medium density Zone c - open or permeable c/ presence of xerophilous vegetation zona d - ausencia de vegetación

15

LANDSCAPE

01

P: Perennial C: Caducous M1: + 25 meters M2: up to 15 meters M3: up to 10 meters Introduced Native Nomenclature

Initially sparsely vegetated area. Planting of droughtresistant perennial species.

The strategy consists of generating protection against wind and noise while consolidating the soil.

Jarilla (Larrea sp.)

Bush Native Coirón (Stipa ichu) Herbaceous Native Acacia visco P/M2 Native Pino de las Canarias (Pinus canariensis) P/M1 Introduced Casuarina (Casuarina cunninghamiana) P/M1Introduced

Eucalipto Casuarina Pino de las Canarias Acacia visco Coirón Jarilla

16

Eucalipto (Eucaliptus sp.)

P/M1Introduced

COMPETITION

It takes advantage of the construction of a new light architecture to reintroduce native plant species from the Mendoza area.

Jarilla (Larrea sp.)

Bush Native Coirón (Stipa ichu) Herbaceous Native Agave (Agave americana) Agavaceae Introduced Laurentina (Viburnum Tinus) Bush Introduced Aguaribay (Schinus molle) P/M2 Native

02

Morera (Morera Alba) C/M2 Introduced Acacia visco P/M2 Native Pino de las Canarias (Pinus canariensis) P/M1 Introduced Coirón Jarilla Aguaribay Laurentina

Casuarina (Casuarina cunninghamiana) P/M1 Introduced Eucalipto (Eucaliptus sp.)

P/M1 Introduced

17

LANDSCAPE

Jarilla (Larrea sp.)

Arbusto Autóctona

Las nuevas estructuras reciben una cobertura vegetal. Permite re introducir especies nativas tipo herbáceas o arbustos. Los techos verdes permiten recibir y filtrar las fuertes lluvia veraniega.

03

Coirón (Stipa ichu) Herbacéa Autóctona Costadera (Cortaderia ridiuscula) Herbacéa Autóctona Pasto salado (Pappophorum sp.)

Herbacéa Autóctona Junquillo (Sporobolus rigens) Herbacéa Autóctona Césped (Cynodon dactylon) Herbacéa Introducida Phoenix palmeras Introducida Aguaribay (Schinus molle) P/M2 Autóctona Acacia visco P/M2 Autóctona

Césped Junquillo Pasto salado Costadera Coirón Jarilla

18

Eucalipto (Eucaliptus sp.)

P/M1Introducida

COMPETITION

01

02 03

01. Cordoba, Argentina - 2014 02. Mendoza, Argentina - 2014 03. Mendoza, Argentina - 2012

19

LANDSCAPE Landscape planning as an urban tool Workshop - rural landscape Teacher: Gómez Salso

SCHOOL OF AGRICULTURAL EDUCATION AND RESERVE OF THE PAMPA REGION. The project is made up of different spaces: crops, vegetable garden, medicinal and floral plants, barnyard and pasture. These spaces can be contemplated and understood by visitors to the establishment and provide knowledge, work and economic income to the students of the school, since the products obtained are sold in the commercial space, located in the public area of the land, making the project sustainable. A very important area is the Undulating and Humid Pampa Reserve, which offers knowledge, enjoyment and contemplation of the native species, from the different paths and observatories.

Regarding the flora and fauna, we can say that the species chosen arose thanks to the search to generate a balance in the biodiversity of the area worked on.

For their location and choice, we considered: what sensations we wanted to generate and how the landscape of the territory would change, as the different seasons of the year as well as the journey through the terrain.

20

PROJECT / FADU-UBA

Corte

03

vv

rte

Co

04

01 v

0 20

100 m

21

LANDSCAPE

02

22

PROJECT / FADU-UBA

03

01. Summer vegetation 02. Spring 03. Fall / Winter

0 20

100 m

23

LANDSCAPE Corte 02 D etalle

5

0

0

5

10

15

,00 +20 20

lle

1 Deta

Corte 0

25

30

24

10

15

20

25

30

35

40

PROJECT / FADU-UBA

AGUARIBAY - P/M°2 Schinus Molle var. Areira ALISO DEL RÍO - P/M°2 Tessaria Integrifolia 45

50

55

CEIBO - C/M°2 Erythrina Crista galli EUCALIPTO MEDICINAL - P/M°1 Eucalyptus Cinerea EUCALIPTO SIDEROXYLON - P/M°1 Eucalyptus Sideroxylon EUCALIPTO MACHO - P/M°1 Eucalyptus globulus GINKGO - C/M°2 Ginkgo Biloba OMBÙ - C/M°2 Phytolacca Dioica ARAUCARIA DE NEUQUÉN - P/M°1 Araucaria Araucana CIPRÉS HORIZONTAL - P/M°1 Sempervirens “Horizontalis” CEDRO DEL ATLAS - P/M°1 Cedrus Atlantica PARAÍSO - C/ M°2 Melia Azedarach SAUCE CABRUNO - C/M°2 Salix Caprea SAUCE LLORÓN - C/M°2 Salix Babylonica TALA - C/M°2 Tala Celtis TIPA - C/P/M°1 Tipuana Tipu TILO - C/M°2 Tilo Moltkei ALAMO NEGRO - C/M°2 Populus nigra CAVEN - C/M°3 Acacia caven PLÁTANO - C/M°1 Platanus hispanica MAGNOLIA - P/M°1 Magnolia Grandiflora

25

EDITION/PUBLICATION 2016-2022_BULLA_Buenos Aires Argentina PART 01 / LIQUID TERRITORY 2016 PART 02 / RESERVE TERRITORY 2017 AS PART 03 / PRODUCTIVE TERRITORY 2018 PART 04 / THE MARINE TERRITORY: COASTS THE MARINE TERRITORY: ARGENTINE SEA 2019 Landscape Editor Event organization Curator

ESCAPE IS A SERIES OF TALKS AND A SPACE WHERE PROFESSIONALS AND SPECIALISTS LINKED TO LANDSCAPE, NATURE, PLANNING AND HABITABILITY OF THE TERRITORY CONVERGE. Escape is understood as an action of escape. An escape to a space that aims to raise and develop new paradigms around the landscape and the disciplines that operate on it.

An alternative space for the socialization of knowledge and collective construction of possible models of planning and design.

Escape is born as a space for exploration, dissemination and articulation of issues that run the limits of the sphere we knew as landscape and its disciplinary scope.

Escape conceives the landscape as a complex system made up of the terrestrial biosphere, its dynamics and flows, which humans actively transform and manipulate (anthropization). The manipulation of the ecological variables of the ecosystem and their intersection with the cultural systems built up to the present day are essential in the contemporary practice of landscape, architecture, engineering and urbanism.

Escape moves towards the construction of a new culture of the link between man and nature.

Responsible for the publication/retrospective of the Escape conference cycle (2016-2019) on the notion of territory and its cultural dimension.

Escape is a space for reflection and debate on our actions on the landscape as a dynamic and multidisciplinary space.

26

BULLA / ESCAPE

27

EDITION/PUBLICATION 2021_BULLA_Buenos Aires Argentina Landscape Editor Event organization Curator

BALDIO #1 IS PART OF A PROCESS WITHIN A PROCESS. BALDÍO RE-EMERGES IN A PANDEMIC CONTEXT, AS A PROCESS OF OCCUPATION OF THE «MEANWHILE».

THIS URBAN PROCESS IS UNDERSTOOD AS A VACUUM OF SPACE AND TIME THAT EXISTS WHILE THE APPROVAL OF A CONSTRUCTION IS PENDING. THIS CONSTRUCTION IS PART OF A COMMUNITY PROJECT OF SHARED HOUSING WITH A STRONG ENVIRONMENTAL AND SOCIAL IMPRINT. Baldío is a botanical occupation of the spontaneous flora that grows on a site that was destroyed. We inquired about this new hybrid flora, global, native and exotic. We monitor it and observe it: we keep a seed bank while cataloguing it in a herbarium. These seeds will then return to the building project.

This autonomous and spontaneous botany that grows in the face of human abandonment functions as an ecological micro-patch that begins to interact with the urban vegetation.

Baldío is a philosophy regarding the relationship we have with the latent ecosystem and the new emerging ecologies in the cities. It manifests itself today in the pandemic occupation of an 8.66 m lot, but it is, in short, a new way of seeing urbanism that can begin to be thought from the ecosystemic.

Baldio or «terrain en friche» follows the cycle of conferences I organized with ESCAPE. It was an opportunity to learn about the wasteland in the city of Buenos Aires and to think about possible transitory occupation.

I was in charge of making the list of speakers and the general management of the event.

28

BULLA / BALDIO

29

MAS From afar it is an island Los mapas como figuras retoricas

“Stones are like small worlds. If you look at them well, you discorver many things: images, stores, strange markings.

And stones become jungles, oceans, meadows, hills. Or the earth – as seen by and astronaut strolling on the beaches of the moon!

Bruno Munari1

Map and territory In his short story “Of Rigor in Science”, Jorge Luis Borges begins the reflection on the mapterritory relationship as an exaltation of the reproduction of reality. The 1:1 map becomes a “simulacrum”, a tarnished and meaningless replica. A map is a model and, therefore, an abstraction or simplification of reality.

In one of the previous phases of the thesis workshop we worked on the idea “The maps is not the territory”, a phrase by Alfred Korzybski2 already taken up on several occasions that allowed us an approach from the “active” difference between representation and territory.

In the conference “The maps is not the territory’’3 the architect and landscape historian Alessandra Ponte4, returns to a series of allusions and references from the discipline about the statement. Ponte’s reflection leads to the following question: if the representation of an object is not the object, then what is it? Taking up Gregory Bateson’s work in “Form, substance and difference”5: “We know that the territory does not enter the map [ ...] What enters the map, in fact, is the difference, whether it is a difference in altitude, a difference in vegetation, a difference in population structure, a difference in surface area or whatever [ ...]”. But what is a difference? If the territory can be reality, then the map tends to be an abstraction of what it seeks to represent.

That difference, gap, between the model and reality, is revealed by the purposes that are inserted there, between the map and the territory. It seems to be able to highlight systems of ideological or disciplinary relations. The cartography could then be revealed as incomplete, inconclusive or, on the contrary, too intentional. However, it responds to systems, methodologies and norms that allow it to be an object of analysis outside the subjective perception of a territory. The lines, points, colors, signs that we find on a map, as a particular syntax of a territory, already draw a projection, a “fond de carte” on which it is projected.

Representation and landscape - a cultural image In their introduction to «The Iconography of Landscape: Essays on the symbolic representation, design and use of past environments» Stephen Daniels and Denis Cosgrove6 discuss the meanings of landscape in the context of contemporary theoretical and methodological debates about culture and society. From a historical and disciplinary perspective, the authors return through fourteen studies from various disciplines to the status of landscape as a cultural image. Through the historical-artistic method of «iconography», the landscape allows to be studied as a human artifact that reveals through its representation and intervention in the territory, social, cultural and political issues. The «informative» role of landscape seems to be above all a question of point of view.

In a more recent text, «Historical perspectives in an age of digital media»,7 Denis Cosgrove examines the cultural, aesthetic and political effects of cartographic techniques in the cultural production fields of art, science and architecture. In recent years, new digital mapping techniques have begun to profoundly alter ways of measuring and representing space.» In «The Agency of Mapping : Speculation, Critique and Invention»8 James Corner9 returns to the notion of the mechanical competence of mapping the creative art of mapping. Although seemingly neutral, mapping allows for the making visible of repressed representations. According to Corner, mappings have their agency because of their analogous character and their abstraction. Maps are active agents of cultural intervention that play a fundamental role in the representation of power relations and spatial hierarchies.

30

History and culture of architecture and the city

Corner describes the techniques of «drift,» «layering,» «game board,» and «rhizomes» as contemporary design and planning practices that open up new possibilities for cartography.

Challenging the traditional conception of static space, Corner aims to return to the original exploratory character of cartography, not physically like the early explorers, but creatively through the mind. Let the map then be an opportunity to explore lines of repressed forces or narratives that once revealed, allow us to «understand» the territory, no longer as a system but as a potential.

Matter and movement In his work as a teacher and researcher, Christophe Girot observes the need to redefine nature in terms of how we relate to it. The «Resilient Design» he proposes, also called «New Topical landscape», aims to reflect on how we can shape our territory in view of the consequences of climatic and social changes. Resilient Design» also integrates cultural differences into the processes of globalization. It is also a commitment to the cultivation of this local uniqueness. It follows on the fact that nature as «fabrication» is not a new idea; both virgin nature, productive agriculture and the garden are as cultural and symbolic artifacts. How then might we think of «cultivating nature» in relation to cybernetics and new modes of representation and modeling. Today, landscape designers are being asked to reinvent forms of nature that respond appropriately to the difficult challenges of climate change, food shortages, etc. This fabrication will require a proactive understanding of ecology and diversity and will undoubtedly produce landscapes that challenge conventional wisdom. The invention of a new «topical» landscape serves to invent landscape forms that can rise to the social and environmental challenges ahead. Designing resilient landscapes requires a significant change in attitude, through the invention of new topologies of terrain that perform better in an environment with changing boundary conditions. Through mapping and technical means of representing the territory, one can finally obtain the impression, the relief, of the imprint of human activity on the land.

1. Bruno Munari, From afar it is an Island (New York: World Publishing Company, 1972).

2. Alfred Korzybski is a Polish-American philosopher and scientist. Korzybski argued that many people confuse maps with territories, that is, they confuse models of reality with reality itself. The relationship has also been expressed in other terms, such as «The model is not the data».

3. Alessandra Ponte, The Map and the Territory, 2015. See: https://www.youtube.com/watch?v=PMlwjpRw8bw 4. Alessandra Ponte is an Italian architect and landscape historian currently teaching in Montreal.

5. Form, substance and difference in Steps towards an ecology of mind (first published, 1972).

6. Denis Cosgrove is an English geographer specializing in cultural geography and author of numerous works on cartography.

7. Denis Cosgrove, Historical perspectives in an age of digital media in Mapping in an Age of Digital (New York, 2003) p. 128.

8. James Corner, The Agency of Mapping: Speculation, Critique, and Invention in Mapping in an Age of Digital (New York, 2003) p. 90.

9. James Corner is an English landscape architect and theorist, who currently heads the New York office Field Operations.

31

02. ARCHIVES CABINET DE CURIOSITÉS | HYBRID AND FRAGMENTED (RE)COLLECTION OF TERRITORIES

01

32

03

Cartographic narratives

02

02 01. Epigenetic Landscape, Sanford Kwinter | assemblage 19 “Assuming that there exists at all levels of nature a principle corresponding to the path of most economic action or least resistance (which is only a misguidedly negative expression of the deeper principle that every action is nonetheless accompanied by its own sufficient conditions), the rivulets and modulations of the epigenetic landscape correspond to built-in tendencies, or default scenarios, that would condition the evolution of forms in the hypothetical absence of supplementary forces acting over time. But one should not be fooled into taking the “form” of the epigenetic landscape as itself “essential,” fixed,or predetermined. For it, too, is only a template, or virtual form. assembled in another dimension, as a multiplicity generated by an extremely complex field of forces.

02. Ephemera | Yucantan Mirror Displacements, Robert Smithson 03. Metaphor | Paisagem II , Adriana Varejão (1997) « El trance es, en ese sentido, proemio, no a un discurso más preciso o científico, conclusivo, sino al lenguaje mismo y a su siempre pertinaz inconsistencia. En la perspectiva del autor, el trance es el relato de un repliegue, doblez del arte en relación a su marco institucional, y desdoblamiento de modos anteriores de postulación estética del mundo como ‘paisaje’, aquello que Andermann llama paisaje in visu y paisaje in situ. El ambiente surge así como una ‘escena’, un conjunto espaciotemporal fluido que no se define por la exterioridad social de sus formas, sino por la dinámica interna de sus fuerzas. En pocas palabras, el trance estudia el paulatino proceso de ausentamiento de la naturaleza en el bioarte contemporáneo, porque comprende que el lugar ya no es forma ni materia y mucho menos una dialéctica mutuamente excluyente entre ambas: la forma y la materia ya no son separables de la cosa (la Cosa), mientras que el trance sí puede serlo. » Back cover, Jens Andermann, “Tierras en trance. Arte y naturaleza después del paisaje” 04. Metaphor | Le Blanc Seing, René Magritte (1965)

33

00 Thank you for reading and for your interest in my application.

If you find that some information is not complete enough to understand the project, please do not hesitate to contact me for more details and/or translations of the text files.

All projects have been developed personally except in the case of a group work and mentioned as such.

LISA NAUDIN Landscape Architecture Edition / Publication Communication

lisa.naudin@hotmail.fr + 41 79 724 42 09 Zurich Switzerland 11 04 89 French nationality B permit - Switzerland

34