Classic Oils, Watercolors, Etchings & Prints

CLASSIC

OILS, WATERCOLORS, ETCHINGS & PRINTS

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An exquisite auction awaits the discerning collector of classic works of art. Delve into a diverse selection featuring various mediums, styles, and renowned artists, promising a captivating experience for art enthusiasts.

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Arron Rimpley

Nicholas Leach Production & Design Management

Nick Suarez Marketing & Media

Vova Tomenko Photography & Videography

Ana Garcia Photography & Production

Matteo Cesari Photography

Juan Pablo Rojas Graphic Design & Layout

TERMS AND CONDITIONS

(Updated 07/17/23)

There are several options for you to bid at our Auctions. You can bid by registering on our own platform at bid.lionandunicorn.com, or at third-party bidding platforms, including but not limited to liveauctioneers.com, invaluable.com or bidsquare.com. You may also bid as a phone call bidder, an absentee bidder or in person on the day of the auction at Lion and Unicorn, LLC (“Lion and Unicorn”) located at 200 Oakwood Lane Suite 200, Hollywood, FL 33020. If you would like to register as a telephone bidder or leave an absentee bid, please call (954) 866-8044 in order to make arrangements with one of our staff. We are here to assist you and can answer any questions you may have.

1. All lot items are sold “as is”, and neither Lion and Unicorn, nor the auctioneer or the consignor makes any warranties or representation of any kind or nature with respect to the lot item, and in no event shall either be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property, and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed to be such a warranty of representation or an assumption of liability. In no event shall Lion and Unicorn, LLC or the auctioneer be responsible for the correctness, nor deemed to have made any representation or warranty of description, genuineness, attribution, provenance or condition of any lot item and no statement by anyone or in the catalog, in any advertisement, or which is made at the sale, in the bill of sale or invoice, or elsewhere, shall be deemed such a warranty or representation or an assumption of liability. Without in any way waiving the foregoing, any complaint regarding authenticity, genuineness, attribution or provenance must be received by Lion and Unicorn, in writing within seven (7) days of the day of sale or bidder agrees that any such complaint shall be deemed waived. All bidders acknowledge their right to have made or requested a full inspection of any and all lot items prior to the sale and agree to be charged with all matters such inspection may have disclosed or indicated.

2. Inspection of the lot items is always available prior to the scheduled auction by visiting our auction gallery (200 Oakwood Ln. Suite 200, Hollywood, FL 33020) from 10 AM to 5 PM, Monday through Friday, or by appointment on weekends. Please note that certain items may be stored in a secure off-site facility, so please contact us at least a day prior to arrival if there are any specific items you would like to inspect in-person.

3. Lion and Unicorn reserves the right, in its sole and exclusive discretion, to withdraw any lot items from the sale at any time before the fall of the hammer.

4. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the published catalog. Lion and Unicorn reserves the right to determine any and all matters regarding the order, precedence, appropriate increment of bids or the constitution of lots.

5. The highest bidder acknowledged by the auctioneer at the fall of the hammer shall be deemed the purchaser. In the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re-offer and resell the item in dispute. If any dispute arises after sale, Lion and Unicorn’s sale record shall be conclusive in all respects. All bidders must meet Lion and Unicorn’s qualifications to bid. Any bidder who is not a client in good standing of Lion and Unicorn may be disqualified at the auctioneer’s sole option and may not be awarded any lots. Such determination may be made by the auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the auction. The auctioneer reserves the right to exclude any person from the auction.

Bidders understand and acknowledge that on the day of the auction the auctioneer accepts bids from various sources, including but not limited to numerous online platforms and applications, telephone, mail, email, fax, the auction hall floor, absentee bidders, and registered clients. Competitive bids, especially those generated on internet platforms, must be placed timely. Lion and Unicorn shall not be responsible for any internet latency or data lag which results in a delay in receiving a bid posted through the internet.

6. Upon the fall of the hammer or the close of any lot, future title to any offered lot or article shall pass to the highest qualified bidder as determined in the exclusive discretion of the auctioneer. The auctioneer has sole and exclusive discretion to retract any hammer in order to reopen the bidding and accept any additional bids. Auctioneer also

has the sole and exclusive right to withdraw any lot from the auction, at any time. Title and ownership of the lot shall not transfer to the successful bidder, until Lion and Unicorn has confirmed that the bidder has met all identification and registration procedures and requirements, and that Lion and Unicorn has received full, clear and undisputed payment of all amounts due, even in circumstances where the lot has already been released. The bidder thereupon agrees to assume and accepts the transfer of full risk and responsibility for the lot when any third-party or carrier takes possession of the lot on behalf of the bidder or where the bidder personally takes possession of the lot, whichever occurs first. The bidder agrees to pay the full purchase price, including but not limited to any taxes, commissions, premiums surcharges, or fees, upon such terms as Lion and Unicorn, LLC may require. All lot items purchased must be paid for upon receipt of the Lion and Unicorn invoice which shall be issued within approximately 48 hours after the day of the auction. Lion and Unicorn may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the total amount due on any invoice that remains unpaid fifteen (15) days after the invoice is issued.

It is the sole responsibility of the successful bidder to arrange for either the pick-up or shipping of the purchased lot(s) within 30 days of the issuance of the invoice from Lion and Unicorn. Bidder acknowledges and understands that Lion and Unicorn has limited storage availability. Lot items that have not been scheduled for shipping or have not been picked-up by the bidder within 30 days of the issuance of the invoice shall be subject to storage and moving charges starting on the 31st day. At that time, a $100 administrative fee shall accrue, and daily storage charges shall be charged in the amount of $50 for each large item (measuring 60” and above or weighing 50lbs or more); $25 for each medium item (measuring 24” and above or weighing 15lbs or more); and $10 for each small item (measuring 23” and less or weighing 14lbs and under). All daily storage charges shall accrue per individual lot item and shall accrue at a rate determined by the higher of either the size or weight of each item. Additional charges may be assessed if the lot item must be moved to another location. In the event that the lot items are not removed within 90 days from the date of the issuance of the invoice, the bidder acknowledges that Lion and Unicorn may offer and list the lots for sale, without reserve in any upcoming auction, to recover any past due storage and moving fees, in addition to a 50% seller’s commission from Seller. Any excess funds recovered after the payment of the fees and commissions shall be returned to bidder.

7. Receipt of undisputed full payment is a precondition to removal of any lot item. Payment may be made by cash (inhouse only with acceptable documentation as required by Lion and Unicorn), money order, Visa, MasterCard, American Express, certified check or similar bank draft, or PayPal. Personal checks will be acceptable only if credit has been established with Lion and Unicorn or if a bank authorization has been received guaranteeing a personal check. Lion and Unicorn reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Lion and Unicorn a handling charge and processing fee of $75.00 for any check dishonored by the drawee. Lion and Unicorn may charge monthly interest in the amount of 1.5% on any balance remaining fifteen (15) days after the issuance of the invoice.

8. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Lion and Unicorn may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

9. In no event will the liability of Lion and Unicorn to any purchaser or bidder with respect to any item exceed the purchase price actually paid by such purchaser for such item.

10. Shipping and/or pick-up of each lot item is ultimately the responsibility of the purchaser. As a convenience for certain lot items, Lion and Unicorn will include a quote for available in-house shipping on each invoice. Shipping quotes are based on volume and size of the items, in addition to distance. If purchaser wishes to arrange their own shipping or pick-up of the lot item(s), such arrangements must be arranged and confirmed to Lion and Unicorn within the time period outlined in Paragraph 6 above. With respect to

lot items for which Lion and Unicorn does not provide an in-house shipping quote, upon request we will provide the purchaser with a list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species and subject to CITES regulations. Import restrictions from foreign countries are subject to these same governing laws and CITES regulations. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the purchaser. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

11. Unless the sale is specifically and explicitly advertised and announced as “without reserve”, each lot is offered subject to a reserve and the Auctioneer may implement such reserves by bidding through its representatives on behalf of the Consignors. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Lion and Unicorn, below which the lot may not be sold. Bidder acknowledges that a set reserve may not be relative to the estimates. A representative of Lion and Unicorn, including the Auctioneer may execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, unless the auction is advertised or announced as “without reserve”, the auctioneer may reject any bid or raise which is not appropriate with respect to the value of such lot.

12. Florida State and County sales tax shall be applied and collected accordingly. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of a State of Florida sales tax exemption prior to the start of the auction, for which they are bidders.

13. A buyer’s premium equal to 25% of the final bid price, to be paid by the buyer as part of the purchase price, will be added to the hammer price. This buyer’s premium is nonrefundable under any circumstance including in the event of a cancellation or a return of any lots purchased for any reason. Any presale bids must be left in writing and approved by Lion and Unicorn via our email at auctions@lionandunicorn. com. The Company’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and the Company shall not be held responsible for any failure to execute any presale bid.

14. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

15. Lion and Unicorn and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Any such rights generally remain with the copyright holder and/or the artist. Lion and Unicorn expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Lion and Unicorn relating to a lot, including the contents of any catalog or listing, is, and shall remain at all times, the sole intellectual property of Lion and Unicorn and shall not be used by the purchaser, nor by anyone else, without prior written consent.

16. These terms and conditions of sale shall be construed in accordance with the laws of the state of Florida. The purchaser and/or bidder agrees and consents to submit to the personal jurisdiction in the state and federal courts located in the venues of Broward County, Florida, United States. The prevailing party to any dispute in court related to or otherwise arising out of this agreement will be entitled to recover reasonable attorney’s fees and court costs both at the trial and appellate level.

17. Lion and Unicorn reserves the right to reject any registration of a potential bidder prior to or during any sale. Lion and Unicorn also reserves the right to disable or deactivate any bidder’s account at any time, either before, after or during a sale.

18. Lion and Unicorn reserves the right to update these Terms and Conditions at any time without notice. It is the responsibility of the bidder/user to review the Terms and Conditions for any updates or revisions.

This

state

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Starting Bid: $20 Est: $200 - $800

PAUL CEZANNE (AFT.) DRYPOINT ETCHING ON CREAM PAPER

antique second

drypoint etching on paper

after French Post-Impressionist artist Paul Cezanne’s original Guillaumin au Pendu (Portrait of the Artist Guillaumin with the Hanging Man.)

Housed in a dark brown wood with silver color and cyan borders and a black velvet mat. Artwork dimensions: 8”L x 8”H. Frame size: 14.50”L x 14.50”H x 1”W.

Artist: Paul Cezanne (French 1839-1906) Issued: c. 1873

Issued:

Dimensions: 8.25”L x 10.25”H

Starting Bid: $10

Est: $10 - $200

ANTHONY VAN DYCK (AFTER) ANTIQUE ORIGINAL ETCHING ON PAPER

Original etching on paper entitled Portrait of Jan de Wael after the original by Flemish Baroque Master Anthony van Dyck.

Artist: After Anthony van Dyck (Flemish 1599-1641)

20th century

Issued: Early 19th century

Starting Bid: $20

Est: $200 - $800

ANTHONY VAN DYCK (AFT.) ANTIQUE ORIGINAL ETCHING ON PAPER

Beautiful antique black and white etching on paper after Anthony van Dyck’s 1641 original painting William II Prince of Orange and his Bride Mary Stuart, engraved by French artist Charles

Baude. On top of plate: Planche LXXIV (74.) Housed in an imposing gilt and black frame. Sight size: 10”L x 13.50”H. Frame size: 18”L x 21”H x 1.75”W.

Artist: Charles Baude (French 1853-1935) after Anthony van Dyck (1599-1641)

a

Issued: c. 1970

ORIGINAL ETCHING ON THICK PAPER, WOMAN WITH FLOWER, SIGNED

Original etching on thick paper that represents

Classically dressed woman who looks at a single flower she holds in her hand. Signature on lower left: illegible. Housed in deep wooden frame with a light grey linen mat. Sight size: 5”L x 6.25”H.

Frame size: 9.50”L x 11.25”H x 1.75”W.

Starting Bid: $20

Est: $200 - $800

GUIDO RENI, ORIGINAL ETCHING ON PAPER, LA TOILETTE DE VENUS

Original etching on paper after Baroque artist Guido Reni’s 17th century monumental painting

The Toilet of Venus. It depicts the Greek goddess of love with her female attendants and her son Cupid standing by her side with his bow and arrows. On lower left: Guido Reni Pinx. On lower

right: Christophonis ab aqua Vicentinus sculptit 1773 (engraved by Vicente.) Housed in a gilded frame and a burgundy mat with a white border. Sight size: 15.75”W x 20”H. Frame size: 25.75”W x 30”H x 1”W.

Artist: After Guido Reni (Italian 1575-1642) Issued: 1773

JACQUES VILLON, ORIGINAL ETCHING ON PAPER, FETE CHAMPETRE

Fete Champetre by French Cubist Jacques Villon represents a gendarme listening to an outside concert at the Turn of the Century Paris. Before creating the Cubist influenced Golden Section Group in 1912, Villon contributed multiple illustrations for Parisian newspapers made

in a Japonisme influenced style such as this composition. Unsigned and undated. Site size: 13.65”L x 9”H. Frame size: 16.50”L x 20.70”H x 0.75”W.

Artist: After Jacques Villon (French 1875-1963) Issued: c. 1940

Starting Bid: $10

Est: $10 - $200

ORIGINAL

COLOR ETCHING ON LAID PAPER, MIDNIGHT BALLET SIGNED

Original color engraving on laid paper entitled Midnight Ballet that depicts an elongated woman who levitates toward a bright ceiling light. She wears a patterned evening dress that reveals

her heavy cleavage partially covered by striped material. Title and edition number in graphite on lower center: Midnight Ballet 60/75. Signature: illegible.

Issued: c. 1970

Dimensions: 8”L x 15”H

Starting Bid: $10

Est: $10 - $200

AUGUSTE BROUET, ANTIQUE ORIGINAL ETCHING ON WOVE PAPER

Issued: c. 1920

Dimensions: 17.25”L x 13”H

Starting Bid: $10

Est: $10 - $200

Antique original etching on wove paper entitled Marche aux Puces (Flea Market) by French Realist Auguste Brouet who represents the lowest rabble of Parisian society. On lower left: Le Marche aux

Puces. On lower center: Chalcographie du Louvre with blind stamp for the Musee du Louvre. On lower right: Eau-forte Auguste Brouet.

Artist: Auguste Brouet (France 1872-1941)

TOULOUSE-LAUTREC (AFT.) COLOR LITHOGRAPH ON WOVE PAPER

Color lithograph on wove paper entitled Circus Clown Animal Trainer after French Symbolist artist Henri de Toulouse-Lautrec’s original 1899 pencil and crayon drawing At The Circus that depicts a clown with a thin whip training a horse and a mandrill. Toulouse-Lautrec’s monogram in plate.

Artist: After Henri de

Issued: c. 1950

Dimensions: 9.50”L x 12.25”H

Starting Bid: $10 Est: $10 - $200

Toulouse-Lautrec (French 1864-1901)

Starting Bid: $10

Est: $10 - $200

KADAR JANOS MIKLOS, ORIGINAL ETCHING ON WOVE PAPER, SIGNED

Entitled Trojan Fish, this awesome etching on wove paper by Hungarian artist Kadar Janos Miklos depicts a Surrealist scene in a style reminiscent of Hieronymus Bosch. Housed under

an off-white mat. Sight size: 16”L x 13”H. Mat size: 20”L x 16”H. Signature and date in pencil on lower right: Kadar Janos Miklos 69. Title and location on lower left: Trojai hal, Parizs 1969 Nov.

Artist: Kadar Janos Miklos (Hungarian b.1939) Issued: 1969

J.E. RIDINGER, 18TH CENTURY HAND-COLORED ETCHING ON BOARD

This large 18th century hand-colored etching on board by German Rococo Master Johann Elias Ridinger depicts a splendid black horse that practices the trot with a standing cavalier by his

side. Written in French, German and Latin below plate: Le Trot a la Corde a Gauche. On lower right below plate: Joh. El. Ridinger inv. des. et exc. A V.

Artist: Johann Elias Ridinger (German 1698-1767) Issued: c. 1750

Dimensions: 17.75”L x 22”H

Starting Bid: $20

Est: $200 - $800

J.E. RIDINGER, 18TH CENTURY HAND-COLORED ETCHING ON BOARD

This large 18th century hand-colored etching on board by German Rococo Master Johann Elias Ridinger depicts a cavalier mounted on a splendid horse performing a croupade. Written in French,

German and Latin below plate: Croupade a gauche. Crouppade lincks. Croupada ad sinistram. On lower right below plate: Joh. El. Ridinger inv. des. et exc. A V.

Artist: Johann Elias Ridinger (German 1698-1767) Issued: c. 1750

Dimensions: 18”L x 22.25”H

Starting Bid: $20

Est: $200 - $800

J.E. RIDINGER, 18TH CENTURY HAND-COLORED ETCHING ON PAPER

Starting Bid: $20

Est: $200 - $800

Large antique 18th century hand-colored etching on board by German Rococo Master Johann Elias Ridinger who depicts a cavalier training a splendid horse. This etching is from Scenes of Dressage in Le Nouveau Manege Representant Un Homme

de Cheval Parfait dans touts les Exercices. Text in French, German, and Latin on lower part. The etching is attached to the front of a mat. Sight size: 13”L x 18.25”H. Mat size: 18”L x 23.50”H.

Artist: Johann Elias Ridinger (German 1698-1767) Issued: c. 1750

Original pastel drawing on rugged board of a pensive female sitter whose face is partially covered by the veil of her soft orange color hat.

Issued: c. 1940

Dimensions: 12.50”L x 18.50”H

Starting Bid: $10

Est: $10 - $200

ORIGINAL PASTEL DRAWING ON RUGGED BOARD, PORTRAIT

a

Issued: 1968

Starting Bid: $10 Est: $10 - $200

LARGE ORIGINAL INK DRAWING, PORTRAIT OF MARIE SCHEUCK SIGNED

Large original China ink drawing on paper made in a Realist style that portrays

wrinkled skin woman drown in her thoughts. Ink signature, title and date on lower right: Marie Scheuck? Broening? 69. Artwork dimensions: 12”L x 17”H.

Mat size: 16.50”L x 22”H.

Original Expressionist ink drawing on thick paper that depicts a shepherd shearing a flock of sheep. Signed on lower left: N.

Artist: Dagan Issued: c. 1980

Starting Bid: $10

Est: $10 - $200

DAGAN, ORIGINAL INK DRAWING ON PAPER, SHEPHERD, SIGNED

Dagan (?) On verso, it includes a crossed out sketch of a man shearing a

sheep and an illegible ink writing. Housed under a light blue mat. Artwork dimensions: 10”L x 12.50”H. Mat size: 15”L x 19.50”H.

JAM, ORIGINAL CHARCOAL ON PAPER, UP TO NO GOOD, SIGNED

on verso:

Starting Bid: $20

Est: $200 - $800

Large original charcoal on paper entitled Up to No Good that Jam made as an illustration for the book The Green G. It depicts a young boy stepping on the back of an adult who is helping him jump into an open window illicitly. Labeled

for the book The Green G. Signed and dated on lower left: JAM 1912. Sight size: 13.50”L x 18.50”H. Frame size: 19.50”L x 24.50”H x 0.75”W.

Artist: Jam (American early 20th century) Issued: 1912

Issued: c. 1900

Dimensions: 10.75”L x 15”H

Starting Bid: $10

Est: $10 - $200

J. W. ALEXANDER, ANTIQUE ART NOUVEAU ENGRAVING ON PAPER

Beautiful original antique Art Nouveau engraving after American Symbolist artist John White Alexander’s original 1897 oil painting Isabella or The Pot of Basil. Signature below plate on lower left: Alexander. Title on lower right: The Pot of Basil.

Artist: After John White Alexander (American 1856-1915)

ANTIQUE ORIGINAL PASTEL ON PAPER, REALIST MALE PORTRAIT

Issued: Late 19th century

Starting Bid: $20

Est: $200 - $800

Antique original pastel on paper artwork made in a Realist style. An unseen light source highlights the features of the bearded man as well as the white collar of his shirt against a dark background.

Housed in chestnut color wood frame. Artwork dimensions: 9.50”L x 11.50”H. Frame size: 12.50”L x 14.50”H x 0.75”W.

JOHN

COLOR ENGRAVING ON PAPER

Starting Bid: $20 Est: $200 - $800

RUSSELL (AFTER), ANTIQUE

Antique color engraving on paper after Royal Academician John Russell’s artwork The Favorite Rabbit. It depicts a beautiful young child dressed in a Neo-Classical dress feeding her grey hair rabbit in a hutch. Housed in an antique gilded and dark caramel color wood frame with a ribbon

bow and a beige mat. Inscribed in pencil on lower right: Engraved and printed (?) in colors from painting, illegible signature. Embossed on lower left: GD. Sight size: 12.50”L x 10.50”H. Frame size: 18”L x 18.25”H x 1”W.

Artist: John Russell (British, 1745-1806) Issued: Early 19th century

HERBERT BOURNE, ANTIQUE ORIGINAL ENGRAVING ON PAPER, PURITY

Antique original engraving on paper by Master printmaker and engraver Herbert Bourne after an original artwork by Pre-Raphaelite painter Henry O’Neil who represents an idealized woman with lilies to symbolize her purity. Published by Gebbie & Barrie. Includes an original description on verso.

Issued:

Starting Bid: $10

Est: $10 - $200

On lower right: H. Bourne Sculpt. On lower left: H. O’Neil A.R.A. Pinxt. Title lower center: Purity. Housed in a copper color gilded frame with a marbleized hunter green mat. Sight size: 9”L x 13”H. Frame size: 18.50”L x 22.50”H x 0.50”W.

Artist: Herbert Bourne (British 1813-1889) after H. O’Neil (British 1807-1880)

c. 1864

JAMES CHARLES ARMYTAGE, ANTIQUE ORIGINAL ENGRAVING ON PAPER

Starting Bid: $10

Est: $10 - $200

Antique original engraving on paper by Master engraver James Charles Armytage after an original painting by Sir John Gilbert. Published by Gebbie & Barrie. Includes an original description on verso. On lower right: J.C. Armytage Sculpt. On lower left: J. Gilbert Pinxt. On lower center:

Christiana at the House of Gaius. Housed in a gilded frame with a beige and brown mat. Sight size: 13”L x 9”H. Frame size: 22”L x 18.50”H x 0.50”W.

Artist: James Charles Armytage (British 18021897) after Sir John Gilbert (British 1817-1897) Issued: 1867

ROBERT THEW, ORIGINAL HAND-COLORED ENGRAVING ON PAPER

Original antique hand-colored engraving on paper by Robert Thew after the Neo-Classical original painting by Royal Academician John Opie (British 1758-1802.) Based on Shakespeare’s Timon of Athens, this engraving was published by J & J Boydell for the renowned Shakspeare (sic) Gallery

Artist: Robert Thew (British 1758–1802) Issued: 1799

Starting Bid: $10

Est: $10 - $200

on Pall Mall in 1799. On lower left: Painted by John Opie R.A. On lower right: Engraved by Rob Thew Engraver to H.R.H. The Prince of Wales. Housed in a gilded frame with a black color glass border and a light green linen mat. Sight size: 24”W x 20”H. Frame size: 35.50”W x 30.25”H x 1.75”D.

ANTIQUE ORIGINAL COLOR ENGRAVING ON PAPER, EARL OF MORTON

Remarkable original color engraving on paper

a

Starting Bid: $10 Est: $10 - $200

featuring

portrait of Scottish nobleman James Earl of Morton by Dutch artist Jacobus Houbraken. Inscribed on lower part of lunette: James Earl of Morton, 1581. Below the plate center: In the Possession of the Rig.t Hon the Earl

of Morton. On lower right: J. Houbraken Sculpts. Amst. 1740. Impensis I & P Knapton Londini 1741. Housed in a ornate gilded wood frame with a warm grey mat. Sight size: 9.25”L x 14.75”H. Frame size: 15”L x 23”H x 2”W.

Artist: Jacobus Houbraken (Dutch, 1698-1780) Issued: 1741

CHARLES BURDICK, ORIGINAL INK & WATERCOLOR ON BOARD, SIGNED

Outstanding original ink, watercolor and gouache artwork on paperboard that American painter Charles Burdick divided in lunettes with GrecoRoman mythological episodes. Made with a brown-rust, indigo and dark brown palette,

Burdick traced with loose lines heroes and queens, bulls, Pegasus and wild horses that he set by the sea, the heavens and Classical buildings in an energetic and expressive style. Ink signature on lower right: Burdick.

Artist: Charles Edward Burdick (American 19242016)

Issued: c. 1970

Dimensions: 20”L x 26”H

Starting Bid: $20

Est: $200 - $800

ANTIQUE WATERCOLOR & INK ON PAPER, FRENCH DANCE CERTIFICATE

Original antique watercolor and ink on paper of a French dance certificate. It depicts two dancing couples on a Neo-Classical theatre stage with a landscape background. Amour, Gloire a Dieu, Honneur a Terpsichore, and Folies are written on

the columns and between angels. Below the four dancers, a partial signature, 39eme regiment de Ligne, Brevet de Prevot de Danse. Housed under a beige mat. Artwork dimensions: 14.75”L x 11”H. Mat size: 18.75”L x 16”H.

Issued: c. 1790

Starting Bid: $20 Est: $200 - $800

VIC DONAHUE, ORIGINAL WATERCOLOR ON LAID PAPER, SIGNED

Quarter Horse and Foal is an original watercolor on laid paper by American Western genre and animal painter Vic Donahue. Includes a business card, personal letters with biographic elements, others addressed to his long-lost sweetheart, and photographs. These items are placed in an envelope with Vic Donahue’s caricatural self-

portrait on the back of the frame. Inscription on verso: Quarter Horse and Foal (accepted plate design for Bradford Exchange Inc) 3/20/91. Signature on lower right: Vic Donahue. Housed in a wood frame with a circular off-white mat. Artwork dimensions: 9.50”L x 9.50”H. Frame size: 15”L x 15.50”H x 1”W.

Artist: Victor Paul Donahue (American 1918-2008) Issued: 1991

Starting Bid: $20

Est: $200 - $800

MANNER OF CUZCO SCHOOL, ORIGINAL RELIGIOUS OIL ON CANVAS

This original oil on canvas applied to board is made in the manner of the Cuzco School. It represents Archangel Gabriel holding a cornucopia filled with flowers as he points to the heavens while looking at the viewer. The artist used warm orange and red tones to convey an

ethereal world and a rich golden color for the intricate details of the Archangel’s robe. Housed in dark wood frame. Artwork dimensions: 11.50”L x 15.50”H. Frame size: 14.50”L x 18.50”H x 0.50”W.

Issued: 20th century

Starting Bid: $20

Est: $200 - $800

FRENCH ANTIQUE ORIGINAL HAND-COLORED LITHOGRAPH, MADONNA

French antique original hand-colored lithograph after the votive painting of the biblical Madonna by the Master of Amiens that was offered to the city for Christmas 1519. The lithograph is

extremely detailed and the colors are vibrant. Published by Lemercier Benard et Cie, Paris France. Housed in a gilded frame with an offwhite mat. Sight size: 9.50”L x 17.75”H. Frame

size: 16.50”L x 24.75”H x 1”W.

Issued: c. 1850

Starting Bid: $20

Est: $200 - $800

AFTER WHEATLEY, ORIGINAL COLOR LITHOGRAPH, CRIES OF LONDON

Issued:

Dimensions: 12”L x 15”H

Starting Bid: $10

Est: $10 - $200

Original color lithograph after English Royal Academician Francis Wheatley series’ Cries of London, entitled Old Chairs to Mend (Rempailleur de Chaises.)

Artist: Francis Wheatley (British 1747-1801)

19th century

Limited edition serigraph on paper. Artist signed and numbered on bottom.

Treby Issued: c. 1990s

Dimensions: 30.25”W x 18.75”H

Starting Bid: $10

Est: $10 - $200

JANET TREBY (BRITISH, B.1955) SERIGRAPH, ELYSIA DAYS IV

Artist: Janet

GAINSBOROUGH (AFT.) ANTIQUE HAND-COLORED LITHOGRAPH, MRS. ROBINSON

Issued: c. 1920

Dimensions: 15”L x 23”H

Starting Bid: $10

Est: $10 - $200

Antique hand-colored lithograph entitled Portrait of Mrs. Robinson (Perdita) after the original painting by Royal Academician Rococo portraitist and landscape artist Thomas Gainsborough.

On lower center below title: From the Picture at the Wallace Collection, London. On lower left: Painted by Thomas Gainsborough R.A.

Artist: After Thomas Gainsborough (British 17271788)

Issued: c. 1980

Dimensions: 13.50”L x 19.50”H

Starting Bid: $10

Est: $10 - $200

RICARDO TOMMASI FERRONI, ORIGINAL AQUATINT ON PAPER, SIGNED

Original aquatint on wove paper by Italian PostWar artist Ricardo Tommasi who has represented a Classical nude entwined in organic forms. Signed in pencil on lower right: Ricardo Tommasi F. Numbered on lower left: II/XXX.

Artist: Ricardo Tommasi Ferroni (Italian 19342000)

G. PURTSCHER-KALLAB, ORIGINAL WATERCOLOR ON

This large original watercolor and crayon on grey paper depicts a white Spitz dog that Austrian illustrator Gertrud Purtscher-Kallabserene beautifully rendered in a Realist style. Signature on lower center: G. Purtscher-Kallabserene. Graphite tracing of a dog’s head on verso.

PAPER, SIGNED

Artist: Gertrud Purtscher-Kallab (Austrian 1913-?)

Issued: c. 1950

Dimensions: 25”L x 19.50”H

Starting Bid: $20 Est: $200 - $800

COLOR LITHOGRAPH ON PAPER

Dimensions:

Starting Bid: $20

Est: $200 - $800

J. S. HILL (AFT.) ANTIQUE ORIGINAL

Large antique original color lithograph on paper by Sarony, Major & Knapp featuring A Bevy of Quails after an original by British artist James Stevens Hill. On lower center: A Bevy of Quails,

New York, Published by W. Schaus, 749 Broadway. Lith. of Sarony, Major & Knapp, New York. On left: Painted by J.S. Hill.

Artist: After James Stevens Hill (British 1854-1921) Issued: c. 1880

26.50”L x 22”H

EDOUARD MANET (AFTER) ORIGINAL COLOR LITHOGRAPH, FIFER

Starting Bid: $20 Est: $200 - $800

Large original color lithograph entitled Le Fifre (The Fifer) after French artist Edouard Manet’s original 1866 oil painting made in a Realist style influenced by Diego Velazquez’s artworks. Signature in plate: Manet. Signature in graphite

on lower right below plate: A. Beniard? Housed in a copper gilt color wooden frame with a white mat. Sight size: 12”L x 20”H. Frame size: 21.50”L x 29.50”H x 1”W.

Artist: After Edouard Manet (French 1832-1883) Issued: c. 1950

VINTAGE COLOR PHOTOGRAVURE

Starting Bid: $10

Est: $10 - $200

TOBY E. ROSENTHAL (AFTER) LARGE

Large vintage color photogravure after the original painting by 19th century German artist

Toby E. Rosenthal entitled Das Portrait des Kardinals (The Cardinal’s Portrait.) Signature in plate: Toby E Rosenthal Munich 1896. Below

image: Berlin Photographic Company London & New York; Societe Photographique Rue Vivienne Paris. Photogravure applied on board. Image size: 22”L x 19”H. Board size: 25.25”L x 22”H.

Artist: Toby E Rosenthal (German 1876-1917) Issued: c. 1950

Original Victorian hand-colored engraving on paper published by newspaper The Graphic, 11 December 1869. It depicts five golf scenes at the oldest Golf Club in England, the Royal Blackheath Golf Club. Housed in a copper gilt color wooden frame with a dark green mat. Sight size: 12”L x 15.50”H. Frame size: 19.50”L x 24.75”H x 1”W.

Issued: 1869

Starting Bid: $20 Est: $200 - $800

ORIGINAL ENGLISH VICTORIAN HAND-COLORED WOODCUT, GOLFING

BOURKE-WHITE, ORIGINAL 1941 PHOTOGRAPHS ALBUM SOVIET PEOPLE

First edition of the folio photography album Meet Some of the Soviet People shot by Margaret Bourke White. The first American woman war photojournalist, Bourke-White spent weeks photographing the Soviet people in a positive light instead of negative war propaganda. This

album of 12 black and white original photographs was published by the Russian War Relief, the largest American agency for foreign war relief in order to raise funds in 1941, one month after Germany’s attack on Russia.

Artist: Margaret Bourke White (American 19041971)

Issued: 1941

Dimensions: 14.25”L x 20.25”H

Starting Bid: $20

Est: $200 - $800

WLADIMIR PETROFF, ORIENTALIST OIL ON BOARD, SIGNED

Original oil on linen glued to board by Orientalist Russian painter Wladimir Petroff who immigrated to Turkey after the victory of the Bolsheviks. Petroff depicts an interior view of the Sultan Ahmed Mosque (The Blue Mosque) renowned for its perfect symmetry and richly decorated tiles.

Signature and date on lower left side: W. Petroff. Housed in a gilded wood frame with an off-white mat. Artwork dimensions: 8”L x 12.50”H. Frame size: 12.75”L x 17.50”H

Artist: Wladimir Petroff (Russian, 1880-1935) Issued: 1929

Starting Bid: $200 Est: $2000 - $3000

x 0.75”W.

VAN DER MEIDE, ORIGINAL OIL ON CANVAS, GRAND CANAL, SIGNED

This original oil on canvas panoramic view is painted by Dutch artist Jacobus Leonardus van der Meide, internationally renowned for his Romanticism style with splendid sunsets. Van der Meide painted The Grand Canal in Venice at Dusk with the evening sun that diffuses a warm orange glow on the gentle waves and the gondolas,

dimensions: 35.50”L x 33.75”H. Frame size: 31.50”L x 28.50”H x 2”W.

Artist: Jacobus Leonardus van der Meide (Dutch 1910-2002) Issued: c. 1950

Starting Bid: $200

Est: $800 - $2000

on Basilica Santa Maria della Salute and on the Byzantine architectural buildings that still border the canal. Signature on lower right: J.L.V.D. Meide. Housed in a partially gilded carved wooden frame with a beige linen mat. Artwork

ORIGINAL PANORAMIC SIZE OIL ON BOARD, PACIFIC OCEAN SEASCAPE

This original oil on canvas depicts a panoramic view of the Pacific Ocean seen from a rocky coast. The artist used a palette of browns, blues, and white to paint the eroded rocks, the crashing waves and foam, and the sea and sky that blend

in the far distance. Housed in a carved wooden frame with a mat gilt border. Artwork dimensions: 23.75”L x 9”H. Frame size: 29.50”L x 15”H x 2.50”W.

Issued: c. 1970

Starting Bid: $10

Est: $10 - $200

ORIGINAL OIL ON CANVAS, PICTURESQUE VENICE CANAL VIEW SIGNED

oil on canvas painted in an Expressive style that represents a picturesque

a

Issued: 20th century

Starting Bid: $10 Est: $10 - $200

Original

view of San Marco’s Basilica from the Venetian Basin canal. Signed on lower right side: illegible. Housed in

metallic frame. Artwork dimensions: 10”L x 6.50”H. Frame size: 11”L x 7.25”H x 1.50”W.

E.

IMPRESSIONIST OIL ON CANVAS, SIGNED

Starting Bid: $60 Est: $200 - $800

L. BRYANT, ORIGINAL

This original oil on canvas is made in an Impressionist style by American landscape artist Everett Lloyd Bryant, a student of Herkomer and Loudan in London, and later with Thomas Couture in Paris. Bryant depicts a lumber farm on a bright Summer day with verdant trees by a river edge.

Signature on lower right: E. L. Bryant. Housed in a gilded wooden frame. Artwork dimensions: 29.50”L x 24.50”H. Frame size: 33.50”L x 28.50”H x 2”W.

Artist: Everett Lloyd Bryant (American 1864-1945) Issued: c. 1930

EDUARD HILDEBRANDT, CHROMOLITHOGRAPH ON BOARD, CAIRO MARKET

This chromolithograph was made with the collotype photography method. Entitled Bazaar in Cairo, it is one of 2000 prints on publisher board made from the original painting by German artist

Artist: Eduard Hildebrandt (German 1818-1868) Issued: c. 1868

Starting Bid: $20 Est: $200 - $800

Eduard Hildebrandt. Housed under an off-white mat. Sight size: 10.50”L x 14”H. Mat size: 16”L x 20”H. Signature in plate on lower right: E. Hildebrandt. Title on lower left: Kairo Mous Kock

Starting Bid: $20 Est: $200 - $800

MAXFIELD PARRISH, FRAMED ANTIQUE PRINT ON PAPER, STARS

Stars is a gorgeous antique print on paper by American artist Maxfield Parrish after his original 1926 painting for Reinthal & Newman, and later distributed as a print by the House of Art, New York. Signature in plate on lower right: Maxfield Parrish. Publisher name on lower left of plate:

House of Art N.Y. Original label affixed to verso: Stars by Maxfield Parrish. Housed in a gilt frame with an ecru mat. Sight size: 6”L x 10”H. Frame size: 13”L x 16.75”H x 1”W.

Artist: Maxfield Parrish Issued: c. 1927

LONG, ORIGINAL OIL ON CANVAS, MOUNTAIN LANDSCAPE, SIGNED

Original oil on canvas of a winter landscape where a central mountain is covered with snow and tall pine trees border a lake. Long used a range of cool blues, hunter greens, and warm yellows to convey the freshness and clarity of the air. Frame made in Belgium with sticker for G & A van den

Issued: 20th century

Starting Bid: $20

Est: $200 - $800

Bogaerde Ltd. Ghent- Belgium. Signature on lower right: Long. Housed in heavily gilded ornate frame. Artwork dimensions: 19.50”L x 15.50”H. Frame size: 30”L x 26”H x 3”W.

AUGUSTINE,

ORIGINAL OIL ON CANVAS, GRAND CANAL, SIGNED

Monumental oil on canvas after 18th century Venetian School master Canaletto’s original painting Grand Canal Looking East. It features a microcosm of Venetian life taking place on the Grand Canal that artist Augustine painted in a miniaturist style without atmospheric perspective.

Artist: Augustine Issued: 20th century

Starting Bid: $80 Est: $200 - $800

Signature on lower right: Augustine. Housed in a gilded copper carved wooden frame. Artwork dimensions: 47.50”L x 35.50”H. Frame size: 55”L x 42”H x 2”W.

ORIGINAL

OIL ON BOARD, MEDITERRANEAN SEASCAPE, SIGNED

Issued: 1967

Dimensions: 20”L x 16”H

Starting Bid: $10 Est: $10 - $200

Original oil on board of a Summer Mediterranean seascape painted with warm pinks, reds, greens and browns against a deep blue sea and purple mountains. Signature on lower right: Illegible. On verso in ink: Vienna Schull ? Dec. 1967.

Large original oil on canvas painting by Danish genre scene artist Soren Bjulf who specialized in fish market scenes in the 1920-30s. This painting depicts in a Realistic snapshot effect the fish market at Gammel Strand, Copenhagen on a splendid cloudy day. Each figure is individualized

as a cross-section of sellers and visitors frequenting the market. Signature on lower right: Bjulf. Housed in a gilded bronze color frame. Artwork dimensions: 39”W x 31”H. Frame size: 44.25”W x 36.25”H x 1.50”D.

Artist: Soren Christian Bjulf (Danish 1890-1958) Issued: c. 1930

Starting Bid: $20 Est: $200 - $800

SOREN BJULF, ORIGINAL OIL ON CANVAS, GAMMEL STRAND, SIGNED

JOHN

that

Starting Bid: $50 Est: $200 - $800

BRANDON SMITH, ANTIQUE ORIGINAL OIL ON CANVAS, SIGNED

Antique original oil on canvas by 19th century British Romantic artist John Brandon Smith who specialized in depictions of nature’s awe inspiring wilderness. Smith painting this outstandingly detailed waterscape on a sunny day in South Wales. He focused on the river’s rushing waters

crash on rocks framed between lush green trees and billowy clouds. Signature and date on lower left: J.B. Smith 1872. Housed in the original gilded plaster on wood frame. Artwork dimensions: 15.50”L x 11.75”H. Frame size: 20.75”L x 16.75”H x 2”W.

Artist: John Brandon Smith (British 1848-1884) Issued: 1872

ANTIQUE PASTORAL OIL PAINTING ON CANVAS

Starting Bid: $80 Est: $800 - $2000

A beautiful and serene landscape painting depicting a boy fishing in the river and livestock on a dirt path. Housed in a gilded wooden frame with ceramic acanthus moldings. Frame size: 42.5in W x 32.5in H x 3.75in D. Sight size: 29.5in W x 19.5in H.

ANTIQUE ORIGINAL OIL ON BOARD, NAIVE FOLK ART LANDSCAPE

Issued: c. 1900

Starting Bid: $20 Est: $200 - $800

Antique original oil on board painted in a Naive Folk Art style. It depicts two men standing in a bark who look straight at the viewer. They are placed on a large body of water from where a

quaint cityscape appears behind a wooded area. Housed in an elaborate plaster gilt wood frame. Artwork dimensions: 18”L x 12”H. Frame size: 22.25”L x 16”H x 2.25”W.

ANTIQUE ORIGINAL OIL ON BOARD, PICTURESQUE LANDSCAPE, SIGNED

Original oil on board that depicts an isolated cottage partially hidden by trees in full bloom. The artist painted with thick specs of paint a leading path and a bark on a peaceful body of

water. Signature on lower right: illegible. Housed in an ornate gilded wooden frame. Artwork dimensions: 12”L x 6.50”H. Frame size: 15”L x 9.75”H x 2”W.

Issued: c. 1950

Starting Bid: $10 Est: $10 - $200

ORIGINAL OIL ON CANVAS, IMPRESSIONIST STYLE PARK SCENE

This original oil on canvas is a preparatory painting that represents two couples seating closely by trees in a park during Summer months. It is painted in an Impressionist style with sweeping brushstrokes that give a vibrancy to the

central group that appears to blend in the natural space. Housed in a gilded frame. Frame size: 29”L x 25”H x 1”W. Artwork dimensions: 23.50”L x 19.40”H.

Issued: c. 1970

Starting Bid: $20 Est: $200 - $800

LASZLO NEOGRADY, ORIGINAL OIL ON CANVAS, LANDSCAPE, SIGNED

Large original oil on canvas that depicts an Alpine range covered with snow by Hungarian Naturalist landscape painter Laszlo Neogrady. This outstanding composition is made with impasto and Neogrady used atmospheric colors to render the depth of the mountains cutting through the

blue sky. In the foreground, snow covered pine trees partially hide a frozen stream. Signature on lower right: Neogrady Laszlo. Housed in an elaborately carved wooden frame with an ecru linen mat. Artwork dimensions: 29.50”L x 23.50”H. Frame size: 36.50”L x 31”H x 2”W.

Artist: Antal Laszlo Neogrady (Hungarian 18961962)

Issued: c. 1940

Starting Bid: $200

Est: $2000 - $3000

ANDRIEUX, ORIGINAL GOUACHE ON BOARD, PARIS SCENE, SIGNED

Original Post-Impressionist gouache on light brown board entitled Paris, Pont St-Michel. The painter focused on the boulevard with books sellers by the river Seine and the facade of Notre-Dame in the background. Signature on

Starting Bid: $10

Est: $10 - $200

lower right: M. Andrieux? Housed in a carved gilded wood frame with a beige mat. Artwork dimensions: 11”L x 8.50”H. Frame size: 16”L x 13”H x 1.50”W.

Artist: M. Andrieux (French 20th century) Issued: c. 1970

ON PAPER

Artist: David Roberts (Scottish 1796-1864)

Issued: c. 1846

Dimensions: 24.50”L x 17.50”H

Starting Bid: $20

Est: $200 - $800

DAVID ROBERTS, ANTIQUE HAND-COLORED LITHOGRAPH

Beautiful large Orientalist hand-colored lithograph by Scottish Romantic artist David Roberts who represented the Convent of the Terra Santa Nazareth. Title, date and signature in plate: Convent of the Terra Santa Nazareth, April 21st 1839. David Roberts R.A.

signature in plate: Nablous Ancient Shreken, April 7, 1839 David

Below plate: London Published by F. G. Moon Threadneedle St. Sept 2nd 1844.

Artist: David Roberts (Scottish 1796-1864) Issued: 1844

Dimensions: 24”L x 17”H

Starting Bid: $20

Est: $200 - $800

DAVID ROBERTS, ANTIQUE HAND-COLORED LITHOGRAPH ON PAPER

Beautiful large Orientalist hand colored lithograph by British Romantic artist David Roberts who represented one of the oldest cities in Palestine, Nablous Ancient Shreken. Title, date and

Roberts.

Outstanding original hand colored aquatint on wove paper entitled Battle of Trafalgar, Van Division after a painting by Robert Dodd. This large work depicts British and French ships at the Battle of Trafalgar,1805. Inscribed below

Issued: 1843

Dimensions: 37.75”L x 26”H

Starting Bid: $20

Est: $200 - $800

ROBERT DODD, ORIGINAL HAND COLORED AQUATINT ON WOVE PAPER

plate: Painted by Robert Dodd. In plate on lower right: R.D. On lower center below text: London, published 1843 by J. W. Laird, 1 Leadenhall Street.

Artist: Robert Dodd (British 1748-1815)

Original watercolor on paper of a stormy sea that reflects beautifully the sunlight that passes through threatening clouds above ships and sailboats. Made with mauves, a wide range of steel greys and browns.

Issued: c. 1970

Dimensions: 13.25”L X 9.25”H

Starting Bid: $10 Est: $10 - $200

ORIGINAL WATERCOLOR ON PAPER, STORMY SEA WITH SHIPS

Issued: c. 1950

Starting Bid: $10

Est: $10 - $200

ORIGINAL WATERCOLOR ON PAPER, TRINITA DEI MONTI ROME, SIGNED

Beautifully painted original watercolor on laid paper of the Church of Santissima Trinita dei Monti in Rome from the Spanish steps filled with light pink and white Summer flowers. Signature on lower right: Dario ? Signature, location and

title in graphite on verso: Rome, Trinita dei Monte, illegible Dario. Housed in a dark wood picture frame with a silver color border. Artwork dimensions: 7.50”L x 5.50”H. Frame size: 12.50”L x 10”H x 0.50”W.

Large original watercolor on paperboard of a landscape with an arch bridge over a tranquil river that the artist painted delicately with a brown, green and blue palette.

Issued: c. 1950

Dimensions: 21”L x 14.50”H

Starting Bid: $10 Est: $10 - $200

LARGE ORIGINAL WATERCOLOR ON PAPERBOARD, RIVERSCAPE

ORIGINAL DOUBLE-SIDED WATERCOLOR ON PAPER, PRIOR LAKE

Original double-sided watercolor on paper that depicts Summertime views of Prior Lake, Minnesota. Both watercolors include locations and dates written in graphite on lower left: Aug. 99, Prior Lake from Grainwood.

Issued: 1999 Dimensions: 10”L x 7”H

Starting Bid: $10 Est: $10 - $200

Original watercolor on paper that represents the Doge’s Palace and Piazza from the San Marco Basin in Venice, Italy. Housed under an off-white mat. Signature in ink on lower right: illegible.

Artwork dimensions: 5.50”L x 3.75”H. Mat size: 10”L x 8”H.

Issued: c. 1970

Starting Bid: $10 Est: $10 - $200

ORIGINAL WATERCOLOR ON PAPER, VENICE SAN MARCO BASIN, SIGNED

Original watercolor on paper of London’s StGeorge Hanover Square with a bustling scene of pedestrians, red buses, and vehicles that reflect on the street puddles left from the rain.

Issued: c. 1950

Starting Bid: $10 Est: $10 - $200

ORIGINAL WATERCOLOR ON PAPER, LONDON CITYSCAPE, SIGNED

Signature on lower left: illegible. Housed in a silver brushed frame with a deep gold color mat. Artwork dimensions: 5”L x 3”H. Frame size: 11”L x 12.25”H x 0.50”W.

IMPRESSIONIST STYLE ORIGINAL WATERCOLOR ON PAPER, SIGNED

Beautiful original watercolor on paper in an Impressionist style of a Spring landscape with white flowers and greenery reflect on a pond. Entitled Fascination of Spring. Housed in a mat

Issued: c. 1920

Starting Bid: $10

Est: $10 - $200

gild wood frame with an off-white mat. Sight size: 13.50”L x 10.25”H. Frame size: 21”L x 18”H x 1”W. Signature on lower right: Illegible.

VICENTE PAREDES (SPANISH,

1845-1903),

Color lithograph of a group noblemen and women strolling in the park of Fontainebleau, France. This Rococo scene is based on the painting by Vicente García de Paredes. On upper part: “Entered according to Act of Congress in the year 1904 by M.F. Abeles and Comp. in the Office of the

FONTAINEBLEAU

Librarian of Congress in Washington.” On lower center part: “Copyright 1904. Published by M.F. Abeles & Comp. London, Vienna & Hamburg. Printed in Vienna.” On lower right: “Promenade in Fontainebleau.” Sight size: 20.65”L x 14.50”H. Frame size: 28.60”L x 23”H x 1.75”W.

Artist: Vicente García de Paredes Issued: 1904

Starting Bid: $10

Est: $10 - $200

VICTORIAN ANTIQUE ORIGINAL WATERCOLOR ON PAPER MUSEUM VISIT

This

a

Issued: c. 1880s

Starting Bid: $20

Est: $200 - $800

antique watercolor study on paper depicts a woman and child dressed in dark Victorian clothing. The artist used bursts of ultramarine and pale green to represent plants and trees set in a formal space reminiscent of museums. Housed in

plaster gilt on wood frame with a natural color woven straw mat. Picture frame with stamp: Made in Belgium. Artwork dimensions: 7.50”L x 5.50”H. Frame size: 12.50”L x 10”H x 0.50”W.

DIMARC, ANTIQUE ORIGINAL MINIATURE FRAMED PAINTING, SIGNED

Issued: c. 1900

Starting Bid: $10

Est: $10 - $200

Antique original miniature watercolor artwork framed under curved glass by artist Dimarc after the original painting Napoleon at Ratisbon. Signature on lower right: Dimarc. Housed in a

carved wood frame with a dark brown velvet liner. Artwork dimensions: 5.50”L x 3.75”H. Frame size: 11.25”L x 9”H x 1”W.

Artist: Dimarc (20th century)

Original oil on canvas that follows the French Barbizon School style. It depicts a sunny forest path where the light reflects on parts of the tree trunks, branches and a small path. The artist used a combination of shades of brown and yellowgreens that are applied with loose brushstrokes.

LANDSCAPE,

Issued: Late 19th century

Starting Bid: $20

Est: $200 - $800

S. CARLO, ORIGINAL OIL ON CANVAS, FOREST

SIGNED

Signature on lower left: S. Carlo. Housed in an elaborate gilded wooden frame with an off-white linen border. Artwork dimensions: 15.50”L x 19.75”H. Frame size: 27”L x 31”H x 2.50”W.

RICHARD HART, ORIGINAL OIL ON WOOD, STILL LIFE, SIGNED

This original oil on board by artist Richard Hart depicts a splendid arrangement of vibrant flowers in a blue-green vase and precious objects set on a table. Painted with a Miniaturist approach and made with outstanding observation skills, Hart painted the peonies and red poppies to stand out against the light green background. In a Trompe-

L’oeil effect, a branch filled with red cherries falls towards the viewer from the wooden table. Signature on lower right: Richard Hart. Housed in an imposing and elaborate gilded frame with a light wood border. Artwork dimensions: 7”L x 9”H. Frame size: 16.75”L x 19”H x 3.50”W.

Issued: 20th century

Starting Bid: $20

Est: $200 - $800

FREDERIC TAUBES, ORIGINAL OIL ON CANVAS, FLOWERS, SIGNED

Artist: Frederic Taubes (Polish-American 19001981)

Issued: c. 1950

Dimensions: 17”L x 20.50”H

Starting Bid: $20

Est: $200 - $800

Original oil on canvas by painter and author Frederic Taubes who depicted a bunch of flowers that include pink tulips and amaryllis set in resplendent greenery. Signature on lower right: Taubes.

ORIGINAL WATERCOLOR ON LAID PAPER, TULIPS AND IRISES

Original watercolor on beige laid paper painted in an elongated vertical that represents vibrant orange-yellow tulips and soft pink irises with green stems and leaves that rise from a pale orange bulbous vase. Housed in a natural

Issued: c. 1970

Starting Bid: $10

Est: $10 - $200

color wood frame with an indigo mat. Artwork dimensions: 7”L x 29”H. Frame size: 14”L x 37”H x 1”W.

Issued: c. 1950

Starting Bid: $10

Est: $10 - $200

ANTON SCHUTZ, ORIGINAL MIXED MEDIA DRAWING ON PAPER

Large original gouache, crayon and wax sticks drawing on thick brown paper by founder of the New York Graphic Society, Anton Schutz has depicted a basket of autumn fruits in a NeoClassical style. Housed under an off-white mat.

Sight size: 19”L x 16”H. Mat size: 26”L x 23.50”H. Purchased directly from the estate of Anton Schutz in Scarsdale, New York.

Artist: Anton Friedrich Josef Schutz (German/ American 1894-1977)

MEDIA DRAWING ON PAPER

Large original gouache, graphite, and wax sticks drawing on thick brown paper by founder of the New

in a Classical style. Graphite tracing around the composition. Purchased directly from the estate of Anton Schutz in Scarsdale, New York.

Artist: Anton Friedrich Josef Schutz (German/ American 1894-1977)

Issued: c. 1950

Dimensions: 25”L x 19.75”H

Starting Bid: $10

Est: $10 - $200

ANTON SCHUTZ, ORIGINAL MIXED

York Graphic Society, Anton Schutz who has depicted a basket of Summer and Fall fruits

Issued: c. 1950

Dimensions: 25.15”L x 19.75”H

Starting Bid: $10

Est: $10 - $200

ANTON SCHUTZ, ORIGINAL MIXED MEDIA DRAWING ON PAPER

Large original gouache, graphite, and wax sticks drawing on thick brown paper by founder of the New York Graphic Society, Anton Schutz who has depicted a still life of luscious fruits set on a basket. Purchased directly from the estate of Anton Schutz in Scarsdale, New York.

Artist: Anton Friedrich Josef Schutz (German/American 1894-1977)

under an off-white mat. Sight size: 18.50”L x 17.50”H. Mat size: 25.50”L x 25”H. Purchased directly from the estate of Anton

Artist: Anton Friedrich Josef Schutz (German/ American 1894-1977)

Issued: c. 1950

Starting Bid: $10

Est: $10 - $200

ANTON SCHUTZ, ORIGINAL MIXED MEDIA DRAWING ON PAPER

Large original gouache, crayon and wax sticks drawing on aged pink paper by founder of the New York Graphic Society, Anton Schutz who has depicted a basket of berries, grapes, plums and tropical fruits on a round glass coupe. Housed

Schutz in Scarsdale, New York.

ORIGINAL LITHOGRAPH ON PAPER, UNTITLED, SIGNED

Large Expressionist lithograph on paper made in a combination of sweeping gestures and minute details. Number in pencil on lower left: 5/25. Written: entrances fui por calle, calle, Machu Picchu, Signature and date in pencil on lower right: Burchard? 75.

Issued: 1975 Dimensions: 19.50”L x 25.25”H

Starting Bid: $10 Est: $10 - $200

NUTTING (ATTR.) ORIGINAL B&W ENGRAVING ON PAPER, SIGNED

Original black & white engraving on paper attributed to American photographer, artist, and antiquarian Wallace Nutting. It depicts a polished grandfather clock set between thick curtains and a wooden staircase that Nutting published originally in The Clock Book in 1924. Signature in graphite

on lower right: illegible. Edition number

lower left:

Artist: Wallace Nutting (American 1861-1941) Issued: c. 1940

Starting Bid: $10 Est: $10 - $200

on

34/175. Housed in a dark brown wooden frame and an ecru linen mat with a gold border. Artwork dimensions: 13.50”L x 23.50”H. Frame size: 25.50”L x 35.50”H x 1.75”W.

Starting Bid: $10

Est: $10 - $200

DUFZA, ORIGINAL ETCHING ON PAPER, PARIS CITYSCAPE SIGNED

Original etching on paper by artist Dufza featuring the Parisian Church St-Pierre with the SacreCoeur Basilica in the background. Signature in graphite on lower right: Dufza ? Written in plate:

Montmartre Eglise St-Pierre. Burin Original. Housed in a dark metal frame. Sight size: 6”L x 9.25”H. Frame size: 6.75”L x 10”H x 0.50”W.

Artist: Dufza (French, 20th century) Issued: c. 1970

RUDOLPH BLEYER (AFT.) BLUE INK ENGRAVING ON PAPER, SEASCAPE

Handsome impression in blue ink of an engraving on wove paper after Rudolph Bleyer that depicts a nautical scene with sailboats on a semi-cloudy day. Includes Bleyer’s artist stamp below the plate on lower left.

Artist: After Rudolph Bleyer (American 1859-1951)

Issued: c. 1950

Dimensions: 15”L x 12.75”H

Starting Bid: $10

Est: $10 - $200

KELLY, ANTIQUE FRENCH ORIGINAL ETCHING ON LAID PAPER, SIGNED

class interacts. Signature in graphite on lower right: Kelly. Title and date in plate on lower

Artist: Andre de Szekely known as Kelly (Hungarian 1870-1940)

Issued: 1925

Dimensions: 15.25”L x 13”H

Starting Bid: $20

Est: $200 - $800

Original antique etching on laid paper by Realist Andre de Szekely (Kelly) that depicts the Gothic Notre-Dame Cathedral from the banks of the river Seine where a microcosm of Old Paris working

left: Paris 1925.

Starting Bid: $10

Est: $10 - $200

DANIEL GRAVES, ORIGINAL ETCHING ON PAPER, VENEZIA, SIGNED

Original etching on paper by Contemporary Realist and Founder and Director of The Florence Academy of Art Daniel Graves who represents a quaint view of a canal in Venice, Italy. Signature in plate and in graphite on lower right: D. Graves. Edition number on lower left: ED 200. Title in

lower center: Venezia. Housed in a gilded and black frame with an ecru mat. Sight size: 7.50”L x 6.50”H. Frame size: 18”L x 16.50”H x 0.75”W.

Artist: Daniel Graves (American b. 1949)

DANIEL GRAVES, ORIGINAL ETCHING ON PAPER, LANDSCAPE, SIGNED

Starting Bid: $10

Est: $10 - $200

Original etching on paper by Contemporary Realist and Founder and Director of The Florence Academy of Art Daniel Graves. This detailed miniature landscape represents a view of quaint farms set in the distance of a bridge. Signature in plate and in graphite on lower right: D. Graves.

Edition number on lower left: AP 200. Housed in a gilded and black frame with an ecru mat. Sight size: 6.50”L x 3.50”H. Frame size: 17”L x 15”H x 2”W.

Artist: Daniel Graves (American b. 1949) Issued: c. 1990

Starting Bid: $10

Est: $10 - $200

DANIEL GRAVES, ORIGINAL ETCHING ON PAPER DOOR KNOCKER SIGNED

Original etching on paper by Contemporary Realist and Founder and Director of The Florence Academy of Art Daniel Graves. He represents an outstandingly detailed antique door knocker with a fierce lion and grotesque figures. Signature in plate and in graphite on lower right: D. Graves.

Edition number on lower left: AP. Housed in a gilded and black frame with an ecru mat. Sight size: 4”L x 5”H. Frame size: 14.75”L x 15.75”H x 2”W.

Artist: Daniel Graves (American b. 1949) Issued: c. 1990

CHARLES COUSEN, ANTIQUE ORIGINAL ENGRAVING ON PAPER, VENICE

Issued: c.

Starting Bid: $10

Est: $10 - $200

Antique original engraving on paper by Master engraver Charles Cousen after Royal Academician painter Edward William Cook’s historical painting of ex. King of Greece Otto I’s vessel arriving in the Lido of Venice after his abdication. Published by Gebbie & Barrie. Includes an original description

on verso. On lower right: C. Coursen Sculpt. On lower left: E. W. Cook R.A. Pinxt. Title lower center: Venice-The Arrival. Housed in a marbleized gilded and frame with a black mat.

Sight size: 13”L x 9”H. Frame size: 23.25”L x 19”H x 0.50”W.

Artist: Charles Cousen (British 1813-1889) after E. W. Cook (British 1778-1855)

1880

WOODCUT ON PAPER

Starting Bid: $10 Est: $10 - $200

UTAGAWA HIROSHIGE, ORIGINAL UKIYO-E COLOR

Original ukiyo-e color woodcut on paper by Japanese master Hiroshige. This woodblock is the central image of an incomplete tryptic entitled Crossing the Oi River. Housed in a gilded wood frame with a light grey mat. Sight size: 8.50”L x 9.75”H. Frame size: 16.50”L x 18.50”H x 1.75”W.

Artist: Utagawa Hiroshige (Japanese 1797-1858) Issued: c. 1840

UN’ICHI HIRATSUKA, ORIGINAL COLOR WOODBLOCK ON PAPER, SIGNED

Original color woodblock on paper by Japanese Modern Master printmaker and wood cutter Un’ichi Hiratsukaby. In Nera-Misaki Izu (Mera Headland), Hiratsuka has depicted Cape Mera, Izu Peninsula, in the south of Mount Fuji with soft yellows that he typically used for both seas and the sky. Seal UN on lower right. Pencil signature on lower center: Un-ichi Hiratsuka. Japanese

characters on lower left. Artist’s stamp on left margin and on the right margin of this collection’s print. Exhibited at the Art Museum of Chicago’s 2001 Modern Master retrospective and illustrated in the exhibition catalogue, page 51. Housed in a museum mat. Artwork dimensions: 13”L x 10”H. Mat size: 25”L x 16”H.

Artist: Un’ichi Hiratsuka (Japanese 1895-1997) Issued: 1929

Starting Bid: $80

Est: $800 - $2000

UN’ICHI HIRATSUKA, COLORED WOODBLOCK ON PAPER, SIGNED

Original color woodblock print on paper of Yamanaka-Ko Lake by Modern Master printmaker and wood cutter Un’ichi Hiratsuka, leader of 20th century’s artistic movement Sosaku Hanga (Creative-Print.) Brown seal signature on lower

right. Japanese characters on right side of margin: printed in Kanji. Housed in an off-white mat. Artwork dimensions: 16.50”L x 12.75”H. Mat size: 22”L x 18”H.

Artist: Un’ichi Hiratsuka (Japanese 1895-1997) Issued: 1946

Starting Bid: $80 Est: $800 - $2000

SET OF 2 ORIGINAL GRAPHITE JAPANESE DRAWINGS ON PAPER

Set of two drawings on cream paper of Japanese figures made with minimal lines, one reminiscent of samurai and poet Minamoto no Yorimasa. The second artwork depicts two fully covered figures strolling. Both artworks framed in gilded frames

with beige mats. Large artwork dimensions: 6”L x 9.50”H. Frame size: 10”L x 13.25”H x 0.75”W. Small artwork dimensions: 5”L x 7.75”H. Frame size: 9”L x 11.50”H x 1”W.

Issued: 20th century

Starting Bid: $10

Est: $10 - $200

ORIGINAL CHINESE INK & GOUACHE PAINTING, SIGNED

Original color inks and gouache accents on beige linen that depicts a serene Chinese landscape. The artist depicts two scholars crossing a bridge to reach a path leading to a waterfall set by

splendid mountains. Signature and red

upper

Issued: 20th century

Starting Bid: $20 Est: $200 - $800

seal on

left side. Housed in a metallic gold frame with a light kaki mat. Artwork dimensions: 10.25”L x 14.25”H. Frame size: 18.50”L x 22.50”H x 1”W.

Issued: c. 1950

Starting Bid: $10

Est: $10 - $200

ORIGINAL CHINESE NEEDLEWORK EMBROIDERY PANELS ON SILK

Three original framed Chinese needlework embroidery panels on silk with refined compositions of butterflies and birds with cherry blossoms set in the center of round brocade

borders. Housed in a gilded wooden frame with a linen backing. Each silk mat: 8” dia. Frame size: 32”L x 13”H x 1”W.

Artist: Leon Israel (Lola) (Russian-American 18871955)

Issued: c. 1915

Starting Bid: $20

Est: $200 - $800

LEON ISRAEL, ANTIQUE ORIGINAL JUDAICA KETUBAH ON PAPER

Antique original Ketubah by Leon Israel (Lola). This Jewish marriage contract includes a central illustration of a wedding with a rabbi above a Hebrew text set in between Classical columns with stars of David and a menorah placed on the pediment. On lower left part of Kebulah:

Copyright 1915 Hebrew Pub. Co. N.Y. On lower right: Lola. Housed in a black frame with a white mat. Sight size: 10.50”L x 13.50”H. Frame size: 14.25”L x 18.25”H x 1”W.

ORIGINAL HAND DRAWN & GILDED LATIN ANTIPHONARY LEAF PAPER

applied

Issued: c. 20th century

Starting Bid: $10

Est: $10 - $200

Beautiful original hand drawn and

gold leaf on vellum paper of a Latin antiphonary music sheet: Commune Sanctorum (Communion of Saints.) Housed under a light blue mat. Artwork dimensions: 17.50”L x 24.25”H. Mat size: 20”L x 27.75”H.

25PC POPULAR SHEET MUSIC, MID 20TH CENTURY

This collection features mostly standard-sized sheet music measuring 9”W x 12”H, alongside a few titles in smaller sizes to conserve paper. These include Comical Songs of Long Ago (6”W x 9”H, circa 1938), New Jersey Fire Equipment Corporation Song Book (4”W 7.5”H), and Melody Fun for Singing and Playing with the Tonette (7”W x 9.5”H, 1938). Additionally included, in the standard sizes, are Marianne (c. 1929), A Smile Will Go a Long Way (c. 1923), I’ve Got a

Feeling I’m Falling (c. 1929), Everyone’s Mating in Springtime (c. 1920), Stein Song (University of Maine) a new Arrangement by Rudy Vallee (c. 1930), Something Old, Something New (c. 1946), Just Another Day Wasted Away (c. 1927), I’m Getting So Now I Don’t Care (c. 1923), I Want You Dear Heart to Want Me (c. 1923), Four Songs booklet in English and German including Two Hearts (c. 1930), Give Me One Hour (c. 1928), Are You Lonesome To-Night? (c. 1927), Blue BonnetYou Make Me Feel Blue (c. 1926), I Love You Just

the Same Sweet Adeline (c. 1919), My Mama Says, No No (1944), Give Me All of You (c. 1927), Wait and See (c. 1929), Just a Girl That Men Forget (c. 1923), Irving Berlin Collection of Songs of Yesteryear (17 songs, c. 1923), Moonlight Bay (c. 1912), and The Good n’Easy Series-Birthday Party (c. 1954).

Dimensions: 9”W x 12”H

Starting Bid: $10

Est: $10 - $200

Original two-sided painted wood panel advertisement sign for an antiques shop. It depicts a 19th century style black silhouettes design similar to Shadow Theatre with two disparate male figures sitting at a table with Antiques written in Gothic style fonts. The

composition is similar on both sides. The panel includes a beige border with two chains for hanging. Panel dimensions: 31.50”L x 21”H x 2.25”W. Each chain: 29”L.

Issued: c. 1950

Starting Bid: $20 Est: $200 - $800

ORIGINAL 2-SIDED PAINTED WOOD PANEL SHOP SIGN ANTIQUES

TIFFANY STYLE LARGE CHANDELIER LEADED AND STAINED GLASS

Issued: 20th century

Starting Bid: $20 Est: $200 - $800

Large Tiffany style chandelier made of leaded and stained glass. The upper part glows with a light caramel-butter shade and the lower part is made with botanical designs of scarlet red, hunter green, orange, lavender, and light beige. The chandelier glows with one central light holder.

Chandelier dimensions: 15”H x 24 dia. Chain length: 14’ft. Cord length: 19’ft.

ANTIQUE ORIGINAL VICTORIAN STAINED GLASS WINDOW PANEL

Large antique Turn-of-the-Century stained window glass panel that comes with its original wooden frame. The center is composed of an oval made with clear glass held by lead. A blue garland of flowers that ends with bows on each side divides the oval. Glass stained in multiple shades of

pink, ochre and caramel are ornamented with additional stylized flowers and bows that allows a diffused lighting to emanate. The panel frame is made of solid wood with all original parts. Stained glass dimensions: 9”L x 7”H. Wood panel size: 12.75”L x 11”H x 1.50”W.

Issued: Late 19th-early 20th century

Starting Bid: $20

Est: $200 - $800

ORNATE CARVED EMPIRE STYLE GILDED PLASTER & WOOD MIRROR

Starting Bid: $20

Est: $200 - $800

Issued: 20th century

Dimensions: 21”L x 17”H x 1.5”W

Gorgeous Empire style mantle/hall mirror with an ornate and elaborate gilded plaster design with carved gilt and black wood accents.

walnut enhanced by gilded brass elements.

Artist:

Issued: c. 1940

Dimensions: 34”L x 16”W x 30”H

Starting Bid: $80

Est: $800 - $2000

ALDO TURA, ART DECO STYLE LACQUERED GOATSKIN BAR CART

Outstanding Art Deco inspired bar cart on wheels by mid-century Modernist Italian furniture designer Aldo Tura. Made with an elongated twotiered oval shelves design, Tura used his signature materials of lacquered goatskin with a loosely based marbleized pattern of rich browns and

Aldo Tura (Italian 1909-1963)