Architecture Graduate Portfolio - Lily Kuik Sheffield School of Architecture Part I

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L I LY K U I K

Architecture Portfolio S e l e c t e d Wo r k s [ 2020 ]

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About Me Lily Kuik is currently in her final semester of RIBA accredited Part I Architecture (BA Arch) course at Sheffield School of Architecture and will be graduating with a predicted first class degree in the Summer of 2020. She has also attained a Diploma in Architecture (DipArch) from Singapore Polytechnic in 2017.

She is passionate about sustainable and inclusive architecture and s h e ke e p s h e r s e l f a b r e a s t o n c u r r e n t a f f a i r s . S h e s t r o n g l y b e l i e v e s t h a t d e s i g n h a s a n i m p o r t a n t r o l e i n s o l v i n g m a n y o f t h e w o r l d ’s major issues.

In her free time, Lily is a potter in training, enjoys viewing marine wildlife and runs a small food blog on instagram [ @lilynomnom ]

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LK

LK LILY KUIK

LILY KUIK

Architecture Graduate

Architecture Graduate

Lily Kuik

Education

Languages

Education

26 August 1997 Bachelors in Art - Architecture (withinHonors) Bachelors Art - Architecture (with Honors) Singapore, Singapore University of Sheffield, Sheffield School of Architecture University of Sheffield, Sheffield School of Architecture Sheffield, United Kingdom 2017 - 2020 2017 - 2020 +44 7568647324 Lilykuikx@gmail.com Diploma in Architecture Diploma in Architecture linkedin.com/in/lilykuik Singapore Polytechnic Singapore Polytechnic 2014 - 2017 2014 - 2017

English (Native Competency)

Wildlife Reserves Singapore Wildlife Reserves Singapore Guest Experience Officer Guest Experience Officer April 2017 - August 2017 (5 Mths Part-Time) April 2017 - August 2017 (5 Mths Part-Time) June 2018 - September 2018 (32018 Mths-Part-Time) June September 2018 (3 Mths Part-Time)

Mandarin (Professional Competency)

References

GCSE O’Levels GCSE O’Levels Peirce Secondary School Peirce Secondary School Lily Kuik is currently finishing 2010 -up 2014 2010 - 2014 her final year of Bachelors of Art, Architecture at the University Workof Experience Work Experience Sheffield. She is passionate about Architecture and its relevance to Arup Singapore Arup Singapore current affairs, the natural world University Intern in Advisory Planning and in Design Department University Intern Advisory Planning and Design Department and inclusivity. She is a highly July - September 2019 (3 July Months) - September 2019 (3 Months) motivated individual who actively participates in architecture - Produced Building Plan -submission set for the optimization a MRT station Produced Building Plan submissionofset for the optimization of a MRT station competitions as well as serving as on the Jurong Regional Line through the use of REVIT modelling (BIM). on the Jurong Regional Line through the use of REVIT modelling (BIM). faculty representative to the Produced diagrams, renders and other 3D visualisation in addition Produced diagrams, renders and other 3Dto visualisation in addition to undergraduate student body. compiling an optimization report. an optimization report. compiling - Assisted in producing staff flow optimisation diagrams and drawings for - Assisted in producing staff flow optimisation diagrams and drawings for In her personal time, Lily enjoys Airport Terminal in Singapore Airport Terminal in Singapore reading about history, geology - Produced photorealistic-renders, drawings, 3D visualisation for various Produced photorealistic renders, drawings, 3Durban visualisation for various urban and culture. Her charms stems design and masterplanning projects the Southeast projects Asia Region in Southeast addition Asia Region in addition design and in masterplanning in the from an authentic personality and to compiling reports and to assisted in final submission package. compiling reports and assisted in final submission package. sunny disposition. As a resourceful - Involved in the Stage 2 Urban Design concept of aconcept mobilityvisualisation of a mobility - Involved in the Stagevisualisation 2 Urban Design young lady, she always has a plan corridor in Singapore corridor in Singapore through any tight situation.

- Prepared international benchmarking research packages for various projects - Prepared international benchmarking research packages for various projects

Profile

Mr Ian Hicklin Senior University Teaching Fellow Co-Director Level 2 Architecture University of Sheffield The Arts Tower Western Bank Sheffield S10 2TN +44 (0) 114 222 0399 i.hicklin@sheffield.ac.uk Mr Simon Chadwick Undergraduate Programme Director Year 3 Leader University of Sheffield The Arts Tower Western Bank Sheffield S10 2TN 0114 222 0311 07977 009 229 simon.chadwick@sheffield.ac.uk

University of Glasgow University of Glasgow Masterplanning Intern in Masterplanning Estates and Planning InternDepartment in Estates and Planning Department May - July 2016 (2 Months) May - July 2016 (2 Months) - Worked on the University’s campus masterplanning team under - Worked onexpansion the University’s campus expansion masterplanning team under the head of space planning the head of space planning - Prepared Design Proposals and Meeting - Prepared Designdocuments Proposals and Meeting documents - Prepared Presentation materials forPresentation meetings with University stakeholders - Prepared materials for meetings with University stakeholders - Organised site drawings-and relevant information for architects bidding for for architects bidding for Organised site drawings and relevant information the project the project 3

- Managed Guest relations- Managed through effective communication, quick thinking Guest relations through effective communication, quick thi and working in a team. and working in a team.

- Ensured problems are effectively efficiently through working with - Ensuredand problems are solved effectively and efficiently solved through work multiple departments such as Corpdepartments Comms, Ticketing and Park Operations. multiple such as Corp Comms, Ticketing and Park Operat Upholding the hospitalityUpholding standards of award winning attraction in theanhospitality standards of an award winning attraction in Singapore.

Singapore.

Skills

Skills

Autodesk Revit Adobe Photoshop Adobe Illustrator Adobe Indesign

Autodesk Autocad Autodesk Revit Google Sketchup Adobe Photoshop Hand Sketching Adobe Illustrator Creative Thinking / Design Thinking Adobe Indesign

Volunteering

Volunteering

Play Therapy Volunteer Play Therapy Volunteer 2017-2018 (9 Months) 2017-2018 (9 Months) Conducted weekly play therapy sessions for aplay 5 year old child with for mild Conducted weekly therapy sessions a 5autism year old child with mild through using various mediums of art, drawing and creative games to improve through using various mediums of art, drawing and creative games to his personal and social skills. his personal and social skills.

Scout Leader Volunteer Scout Leader Volunteer 2014-2017 (3 Years) 2014-2017 (3 Years) Organised and executed scouts training to teach Organised andcamps executed scoutsoutdoor trainingskillsets. camps to teach outdoor skillse Involved in the planning of multipleinoverseas goodwill trips. overseas goodwill trips.

Involved the planning of multiple Received Outstanding Leadership for my contributions to the ReceivedAward Outstanding Leadership Award forTriace my contributions to the Tr Scout Troop Scout Troop

Miss Lorain Kok Adjunct Lecturer Singapore Polytechnic Previously Employed at Fosters+ Partners

Competitions

+65 81280297 lorain_k@yahoo.com

Top 50 Commendation - Amsterdam Pavillion Top 50 Commendation - Amsterdam Pavillion Amsterdam, Netherlands Amsterdam, Netherlands

Competitions

Winning Entry - Regent Court Student Innovation Hub Pavillion Winning Entry - Regent Court Student Innovation Hub Pavillion University of Sheffield, Department of Computer Science University of Sheffield, Department of Computer Science Project to be built - Collaborations Hawkins/Brown Architects Project towith be built - Collaborations with Hawkins/Brown Architects

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I II III IV V

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Design Project - Social Housing in Sheffield, England

5 - 8

2.

Design Project - Public House in Edinburgh, Scotland

10 - 13

3.

Design Project - Mid Size Cabaret Theatre in Liverpool, England

15 - 16

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Competition Entry - Amsterdam Pavillion

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5.

Competition Entry - University of Sheffield, Regent Court

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H a n d D r a w i n g - P e n c i l a n d Wa t e r c o l o u r

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M o d e l M a k i n g - 1 : 1 0 S e c t i o n a l Fa c a d e M o d e l

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8.

Model Making - 1:50 Sectional Model

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9.

Dissertation Exerpts

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10.

Construction Detailing - Public House

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Construction Detailing - Social Housing

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Te c h n i c a l M o c k B u i l d i n g P l a n S u b m i s s i o n

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13.

Installation - Beans to Greens

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14.

Personal Creative Pursuits - Pottery / Cooking

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15.

Personal Creative Pursuits - Wildlife Photography

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I Design Projects 5

Design Project / Social Housing Sheffield, England

Integrate: Closing the social-spatial gap in housing Integrate seeks to address the growing class divide in housing through the integration of young families of different class status in Burngreave, Sheffield. This projects r e s e a r c h e s u p o n t h e v a r i o u s c h a l l e n g e s i n t e g r a t i n g d i f f e rent social groups and the considerations needed in planning s p a c e s f o r r e l a xe d , o c c a s i o n a l i n t e r a c t i o n .

The housing project consists of 1-3 bedroom apartments i n t e g r a t e d a n d r a n d o m l y m i xe d t o f o s t e r t h e n e i g h b o u r l y relationship between families of different income levels.

It considers the corridor as an opportunity for interaction and has been designed to encourage connectivity physically a n d v i s u a l l y.

A community scouts den have been designed facing Ellesmere street to provide a space for existing Burngreave Scout groups to plan and organise activities. Through the integration of this community space, it encourages the youths of Burngreave to participate in positive and empowering activities. / Main Street View

/ Render of interaction between neighbours in the shared corridor space 6

/ 1:200 Model in Context depicting approach and mass on site

/ Elevation from Clun Street: Ve r t i c a l i t y i n f a c a d e c o n t r a s t i n g the floor plan layout to reduce judgement of unit sizes.

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To p / Elevation on Ellesmere Street

From Left / View of corridor space with sun shading device / Social interaction space / Interior scouts meeting and function room 8

/ Sectional Perspective courtyard scheme and s t r a t e g y.

showing corridor

/ Photo of 1:50 Sectional model 9

Design Project / Public House Edinburgh, Scotland

The Community Pub: Addressing the Loneliness Epidemic in Edinburgh More than 80, 000 people aged 65 and over living in Scotland, said they always or often felt lonely A b o u t o n e i n s i x a g e d 6 5 a n d o v e r i n S c o tland are feeling cut off from society with a q u a r t e r s a y i n g t h e y w o u l d l i ke t o g e t o u t more.

Edinburgh, a city of brilliant history and architecture, one so vibrant that it is the second most visited city in the United K i n g d o m . Ye t i t i s i n t h i s b u s t l i n g c i t y t h a t c a n m a ke i t s i n h a b i t a n t s f e e l i s o l a t e d and alone.

A traditional scottish pub is a place for social interaction, a place for people to catch up on the latest news and gossips.

I t h o l d s a p l a c e i n p e o p l e ’s h e a r t a s t h e cosy community living room where there will always be fresh pints and friendly encounters.

This project seeks to address the loneliness epidemic in Edinburgh by reimagining a pub that brings together two groups of isolated demographic - the older folks living alone and the young students that find themselves living miles away from home in a n e w c i t y. T h e s t a r k c o n t r a s t i n t h e t w o d e m o g r a p h i c s i s e x p r e s s e d i n t h e p r o j e c t ’s facade and spatial configuration and this project explores spatial design that creates opportunities for meaningful interaction.

/ C o u r t y a r d Fa c a d e f e a t u r i n g b e s p o ke t e r r a z o c l a d d e d social pods 10

/ Handdrawing of scheme in the context of Edinburgh focusing on the roofscape integration MO

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/ Lower Ground Floor / Ground Floor / First Floor

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/ Street facade in context expressing relationship with Ramsay Garden Flats

/ Main street elevation in context 12

From Left / View of open-plan social pub space / View of private event room / View from Ramsay Gardens

/ Hand drawn section in pencil exploring interior inhabitation and r e p l i c a t i n g a p u b ’s s o c i a l a m b i e n c e 13

Design Project

/ Mid Size Cabaret Theatre Liverpool, England

T h e Wo m e n ’s C a b a r e t The initial site analysis and neighbourhood study of Ropewalks rev e a l e d a v a s t n e t w o r k o f d o d g y s t r i p c l u b s a n d b a r s . T h e Wo m e n ’s Cabaret thus seek to bring a balance back to the Ropewalks through providing a space for women to be empowered, explore their sensuality and build their confidence.

It serves as a cabaret club most nights while the space will be used as a dance studio for performers to sustain a day job of teaching dance classes. A cafe and outdoor seating space have been designed t o a l l o w t h e u s e r s t o r e l a x a n d c o n v e r s e a f t e r c l a s s e s a n d b e f o r e p e rformances.

W i t h S t r i p c l u b s i n t h e a r e a o f t e n a p p e a r s e c r e t i v e a n d c l o s e d o f f, T h e Wo m e n ’s C a b a r e t s h o u t s f o r a t t e n t i o n . I t ’s f o l d e d m e s h f a c a d e have been designed to appear closed in the daylight. With the interior activities exposed at night when the building lights up.

Left / View of main entrance treshold from street Below / I n t e r i o r v i e w o f m a i n c e l e b r a t o r y c i rculation space

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/ Sectional perspective exploring primary and secondary entrances into the theatre

From Left / Ground Floor Plan (entrance foyer) / First Floor Plan (cafe & studio) / Second Floor Plan (theatre space) 15

II Competition Entries 16

Competition Entry / Amsterdam Pavillion To p 5 0 C o m m e n d a t i o n 2019 Elevation, 1:500mm Elevation, 1:500mm

Light Rain in Springtime T h e b u i l d i n g ’s f o r m w a s d e r i v e d f r o m s a t e l l i t e f i l m s t i l l s o f C y c l o n e F r i e d e r i ke , a c o m p a c t b u t d e a d l y E u r o p e a n windstorm that swept through several regions in Eastern Europe in January 2018. Intersections of each diagram then formed the shapes of the individual shapes, which w e r e e x t r u d e d t o d i f f e r e n t h e i g h t s , a l l o w i n g p o c ke t s o f light to penetrate the pavilion while giving it a playful appearance.

Elevation, 1:500mm

Site Plan, 1:500m

E

RK

Plan, 1:50m

Site Plan, 1:500m

Plan, 1:50m

ental aces. t, for

TSite h i sPlan, n a 1:500m vigational agency reflects our individual capacity t o c o n f r o n t c l i m a t e c h a l l e n g e s i n o u r o w n u n i q u e w a y, w h e t h e r t h r o u g h r e c y c l i n g , b u y i n g l o c a l l y, o r t a k i n g public transport.

NGTIME

as a VONDELPARK ising leaders ave a in environmental generous green spaces. filled hard truth that cannot, for hant

Diagrams of renewable systems

LIGHT RAIN IN SPRINGTIME

of climate change as a ages er temperatures and rising the too slowly to have a esses mble ple in a shared space filled mate ainstchange, the elephant

The playfulness of the experience provides a hopeful glance into the future where the fight against climate change can be as much of a daunting challenge as an exciting adventure, with innovations in renewable energy technologies, bio-based materials, and carbon sequestration techniques representing small milestones in our endeavour towards a more sustainable planet.

Diagrams of renewable systems

A NEW PAVILLION ABOUT CLIMATE IN VONDELPARK

The city of Amsterdam prides itself as one of the world leaders in environmental

ng labyrinthine passages citing with plenty of hardy cyclists pedalling through its generous green spaces. varying heights blursustainability, the exits, ated white, also resemble eper Yet climate catastrophes continue to threaten this vibrant city, a hard truth that cannot, for gency of the battle against mate long, be ignored. ublic here he bewildering but exciting fined entrances and exits, citing The pavilion, as such, aims to convey the insidious nature of climate change as a eand walls to venture deeper apacity phenomenon that finds its way into our daily lives through warmer temperatures and rising ards to confront climate

ing locally, or taking public ance into the future where challenge as an exciting

sea levels, but is ever-so easy to dismiss as something that progresses too slowly to have a

Its light and seemingly weightless appearance is contrasted with the bewildering but exciting experience of navigating its interiors. In the absence of clearly defined e n t r a n c e s a n d e x i t s , v i s i t o r s a r e i n v i t e d t o m a ke r a n d o m , transient perforations in the walls to venture deeper into the pavilion.

Diagrams of renewable systems

significant impact on us in our lifetime. By bringing together people in a shared space filled ding, bio-based materials, and This in our endeavour towards with imagery, the pavilion hopes to spark conversations about climate change, the elephant he a in the room in our discussion about 21st century challenges.

at the heart of the building, of light from above. This and ontemplation amidst the a oles,

Compositionally, it comprises a cluster of stilted shades, creating labyrinthine passages shaped by permeable walls of thread. Soft thresholds and varying heights blur the ets, and the shades boundaries and between enclosure and exposure. The shades, coated white, also resemble d into sheets and poles, erms fragments of the melting polar ice cap, a visual reminder of the urgency of the battle against ow-VOC (volatile organic Upon global warming. ocks,

ganic

ological lding impact in terms e widely recycled. Upon products, such as socks, reused in other building

Its light and seemingly weightless appearance is contrasted with the bewildering but exciting experience of navigating its interiors. In the absence of clearly defined entrances and exits, visitors are invited to make random, transient perforations in the walls to venture deeper into the pavilion. This navigational agency reflects our individual capacity to confront climate challenges in our own unique way, whether through recycling, buying locally, or taking public transport. The playfulness of the experience provides a hopeful glance into the future where the fight against climate change can be as much of a daunting challenge as an exciting adventure, with innovations in renewable energy technologies, bio-based materials, and carbon sequestration techniques representing small milestones in our endeavour towards a more sustainable planet.

To p / V i e w o f p a v i l l i o n f r o m t h e p a r k ’s footpath From Left

The visitor’s journey through the pavilion culminates in the arrival at the heart of the building, mpact one Friederike, a compact rope where a small bench is nestled, illuminated by a single shaft of light from above. This egions idual in Eastern Europe e shapes of the individual proverbial eye of the storm serves as an area of respite and contemplation amidst the a e the

/ View of reflection space in the center of the pavillion

ets of light to penetrate the

playful, larger-than-life sculpture.

Materiality: The threads are crafted from discarded fishing nets, and the shades and structural supports are made from reclaimed steel hot rolled into sheets and poles, then CNC-cut into required sizes and shapes and coated in low-VOC (volatile organic compounds) white paint to minimize heat absorbance.

Life cycle: The lightweight construction has a minimal geological impact in terms

/ View of interior spatial experience 17

Competition Entry / Winning Entry Regent Court University of Sheffield

Data Cubes A play on a simple CS concept: A data cube refers to a three dimensional (3D) (or higher) range of values that are generally used to explain the time s e q u e n c e o f a n i m a g e ’s d a t a . I t i s a d a t a a b s t r a c t i o n t o e v a l u a t e a g g r e g a ted data from a variety of viewpoints.

This proposal for a student innovation hub in the heart of Regent Court seeks to create a configurable working space that includes solo, group and presentation spaces to serve the undergraduates of the computer science department . Through the development of the scheme, it is clear that the design would need careful considerations to maintain an interestinf visual connection for the offices facing the courtyard.

In addition, the facade has been designed with the ones and zeroes of the b i n a r y c o d e i n m i n d . Tr a n s l a t i n g A l a n Tu r i n g ’s ( t h e f a t h e r o f m o d e r n c o m puting) name into binary code. Architecturally represented by vertical louvers on the main facade of the building.

M y i n v o l v e m e n t i n t h i s p r o j e c t e x t e n d e d i n t o a m o n t h ’s p a i d p l a c e m e n t a t Hawkinss/Brown architects in Manchester to further develop the project into RIBA Stage 2. The project is aimed to be completed by Summer 2021.

To p / View of project in the courtyard context of Regent Court Left / Eye-level view of the proposed building mass 18

III Drawings / Model Making 19

H a n d S ke t c h i n g

/ P r o j e c t O n e : A P a r a g l i d e r ’s S h e d B l a c k a M o o r, P e a k D i s t r i c t N a t i o n a l P a r k

From Grounding Landscapes to Unpredictable Clouds, A j o i n t P r o j e c t w i t h P a t r i c i a S a n g a l a n g , w e h a v e d e s i g n e d t h e p a r a g l i d e r ’s s h e d through understanding the processes paragliders go through. The shed sits on a s i t e i n b e t w e e n t h e c a r p a r k a n d t h e t a ke o f f / l a n d i n g p o i n t . S e r v i n g a s a s p a c e for safety briefings, maintenance and view point.

These drawings are drawn with pencil and lightly watercoloured.

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Model Making / Elbphilharmonie 1 : 1 0 Fa c a d e M o d e l

Hand Crafted Model Fa c a d e R e s e a r c h G r o u p P r o j e c t A s t u d y o f H e r z o g D e M e u r o n ’s E l b p h i l h a r m o n i e i n H a m b u r g . L o o king into the unique individually blown glass facade and structural consideration.

This model is made with a hand moulded clay balustrade and hand d o t t e d f a c a d e d e t a i l s . C o m p o n e n t s a r e c u t w i t h a l a s e r c u t t e r.

/ Va r i o u s V i e w s o f t h e m o d e l 21

Model Making

/ T h i r d Ye a r D i p l o m a P r o j e c t C o - Wo r k i n g O f f i c e i n S i n g a p o r e 1:50 Sectional Model

Hand Crafted Model A Rustling of Leaves A 1:50 sectional model exploring the integrated green spaces in the proposed office complex. This project looks into effective ways to reduce o f f i c e d i s t r a c t i o n s b y r e p l a c i n g w a l l s w i t h g r e e n e r y.

T h i s m o d e l i s h a n d - c r a f t e d w i t h t h e a s s i s t a n c e o f a l a s e r c u t t e r.

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MONSIEUR GUSTAV’S ROOM & PRISON CELL

Dissertation Exerpts

/ F i n a l Ye a r S p e c i a l S t u d y - 5 0 0 0 Wo r d s

As it moves between the outside and inside, film pictures the architecture of the interior,writing the history of private life. Many films participate in this writing, but some do it intensely and primarily by way of architecture. 25 If an interior living space is to tell the history of private life, Monsieur Gustav’s room would tell little at face value. There are no family picture frames or personal items with the exception of a couple of classical music CDs on a small shelf. This humble quarters greatly contrasts the colourful character that we have seen throughout the scene. His vibrant personality and love for the finer things in life are not reflected in his personal space. This scene seems to indicate the character’s feelings of loneliness. In the official screenplay, this shot was preceded by scenes of his fellow hotel staff having quick meals in a small staff dining room. Instead of joining them, he chooses to take his own dinner alone in his room.

The second key space that Monsieur Gustav inhabit in this film signify a turning point in the plot.

It descends darker from now and the reflection of the prison cell space is key to bring that point across. The loneliness of his personal room melted away into a tiny communal space he was to share with 5 other inmates. The strategy, consistent with the whole film of using colours and textures to establish status is used in this frame. The grey, dirty textures of the walls in addition to the rusty, broken metals of the bed is direct in displaying the state of the character. This interior living space, with the photos and tiny window plastered on walls tells much about the lives of the inmates.

Figure 33: Drawn analysis over film screengrab of Mister Gustav’s private bedroom

MR. MOUSTAFA (V.O.) His own dinner, he took alone in his room.

CUT TO: M. Gustave seated at a folding table in a room nearly identical to Zero’s but with a connecting sitting room and kitchenette. He wears his uniform trousers and a white undershirt. He eats a bowl of cereal while listening to classical music on a radio-set. There are approximately twenty-five identical bottles of cologne on a shelf above the sink in the background. Each is labelled L’air de Panache, Pure Musk.26

25 Giuliana 26

Figure 34: Drawn analysis over film screengrab of Prison Cell that is shared between Mister Gustav and 5 other inmates

Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film (Boston: Verso Books , 2018), p. 85.

‘The Grand Budapest Hotel Screenplay , dir. by Wes Anderson (Fox Searchlight Pictures, 2014 ) p. 12.

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49

THE HOTEL LOBBY In the 1920s segment of the film, wealth and grandeur are represented in the luxury of negative space. A clear line of sight and passageway leads the hotel guests to the reception concierge, in this specific scene, a singular concierge and lobby boy are situated strategically; their purpose clear. In comparison, the screengrab taken from the 1980s segment shows the previously luxurious negative space filled with plain, sickly orange lounge chairs. The job of the lobby boy no longer exists - leaving guests no choice but to use the excessive wayfinding signs to navigate the hotel.

Ornamental chandeliers and lamps that created a diverse lighting quality across the room have been replaced with functional casement lighting boxes. The glamorous marble interior finish of the hotel has also been replaced with plastic orange panels. The decline is obvious. Beauty has been replaced with functionality and this decline is intricately expressed in all the architectural elements of the space.

The other clear indicator of transition is the use of colour. The hotel in its heyday featured playful pinks and imperial reds. These colours reaffirmed the quality of wealth compared with the neutral orange and greens of the hotel years later. The implementation of colour in an image creates certain psychological responses in the brain, causing viewers to relate colours to specific objects and emotions 15

/ Architecture as a tool for storytelling in film A n a l y s i n g s p a t i a l s e t t i n g s i n We s A n d e r s o n ’s T h e G r a n d B u d a p e s t H o t e l My interest in this particular topic is sparked by my everlasting love for cinema as a momentary escape from reality, on this note, the films that interest me are ones that explore the art of world-building.

Some, set in galaxies far far away embodies our desires for exploring the unknown whilst others, such as Game of Thrones engage with our desire to understand the past (with dragons and ice zombies of course). Both examples of world-building in film or television have the luxury of sequels, seasons and years of engaging the audience with complex and elaborate set designs. In contrast, The Grand Budapest Hotel managed to achieve building an unforgettable fictional country and fictional hotel in less than 2 hours.

In this film, Wes Anderson toes the line between fiction and actuality, through the use of architecture and space. What is most interesting however, is that the main character is the hotel itself. The stories that unfold are facilitated by the hotel and arguably would be meaningless without it. This makes for an extremely interesting question of how fictional architecture plays a role in world-building and positively contributes to the experience of film.

This project seek to analyse and break down the strategies applied in the film; The Grand Budapest Hotel through an intuitive study of significant frames that uses architectural elements to express historical, social, emotional and ideological contextualization.

Drawn annotations are done intuitively with the assistance of some volunteers architecture students who have not seen the film to aid in the research of perception of spatial settings. Additionally, references are drawn from real life architectural precedence.

Original Screenplay exerpts have been extracted to reemphasize the integration of architectural elements in the production of the film.

Lighting and colour temperature also play a large role in establishing a mood or tone in the film.

Zettl also relates colour energy as it applies to the juxtaposition of light and colour, thus rendering aesthetic energy that elicits psychological responses based on colour 16. For example, Zettl states that the over-presence of red can create a sense of excitability among viewers or a feeling of desire. The over-saturation of reds can be observed in the hotel lobby in the 1930s segment - perhaps eliciting a sense of yearning to personally experience the space. In contrast, the dull orange, browns and greens reduce the space into a functional one. Not dissimilar to an ordinary living room of the 1980s.

Figure 15: Annotated film screengrab of Hotel Lobby in 1920s

“To be frank, I think his world had vanished long before he even entered it -- but i will say: He certainly sustained the illusion with a marvelous grace!” 17

15

A. Vaughn Vreeland, ‘Color Theory and Social Structure in the Films of Wes Anderson’, Undergraduate Thesis , , (2015), 35-44 (p. 36).

16 Ibid.

17

(p. 37)

‘The Grand Budapest Hotel , dir. by Wes Anderson (Fox Searchlight Pictures, 2014 ).

Figure 16: Annotated film screengrab of Hotel Lobby in 1960s

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IV Te c h n i c a l S k i l l s 24

Construction Detailing

/ Public House in Edinburgh Concrete construction, rooflights and cantilever pods

1:10 CONSTRUCTION DETAIL 1. ROOF STRUCTURE TO ROOFLIGHT UPSTAND DETAIL

5. CANTELEVER STRUCTURE TO WINDOW DETAIL OUTSIDE

ERRAZO RECYCLED GLASS

A study into the construction and enviromental strategies implemented in the pub. Thoroughly looking into effective weays to bring light into the space and an in-depth consideration of m a t e r i a l i t y.

INSIDE

LAID TO

FALL

SOANE MUSEUM - LONDON INTERIOR SPATIAL QUALITY PRECEDENCE

OR FINISH CARPET

Raised skylight in the direction of sun path brings diffused light into the interaction pods. Openable skylight promotes natural ventilation during summer months

RCH

LADDING

Public House in Edinburgh

1:20 CONSTRUCTION SECTION

Integrated Recessed uplight shines a warm feature light onto the large aluminium cladded skylight.

2. ROOF STRUCTURE (EDGE) TO CANTILEVER PODS DETAIL

KYLIGHT

RIOR

PRAHRAN HOTEL FEATURE MODERN PODS PRECEDENCE

SCOTTISH PARLIAMENT FEATURE INTEGRATED SEATINGS PRECEDENCE

6. FOUNDATION AND GROUND FLOOR DETAIL

Pendant lights onto bar counter brings the focus to the interaction between service and served

Top Hung awning window allows for natural ventilation during summer months and double glazed window keeps heating in and reduces energy consumption

3. CANTILEVER PODS ROOF TO WINDOW DETAIL

Cove lights integrated into the ceiling brings a warm diffused and friendly ambience to a cosy space

Integrated under seat heating system located in the pods

mary structural s, Reinforced nd integrated floor concrete

elements of the egrated steel I orce concrete o the reinforce

4. INDOOR CORRIDOR TO R.C CONCRETE WALL DETAIL

Recessed downlight used in service areas such as the toilets / entrance to toilets. Suspended ceiling allows for a seamless service zone for electricals.

25

Construction Detailing

/ Social Housing in Sheffield, England Brick cavity wall and intensive roof garden detail

Integrate - Social housing project Construction and Environmental Study T h i s p r o j e c t l o o k s s p e c i f i c a l l y i n t o t h e i m p o r t a n c e o f p r i v a c y, t h r e s h o l d a n d i n d i v i d u a l i t y i n public housing. Simple implementation of cavity wall construction and concrete construction to reduce the monetary cost of the project.

26

CROSS STREET 37mBFIRE ENGINEC ACCESSWAY ON D CROSS STREET E (NCAT) E1

TS0 6- 00 4 06 A

TS0 8- 00 2 48 C

A 8400

TS0 4- 00603 A

TS04-00 6 05N N

TS0 4- 00617 A

5

9

8400

Mock Building Plan Submission

01 sheet of 09

BUILDING AND CONSTRUCTION AUTHORITY APPROVED UNDER SECTION 5 /SECTION 5A OF THE BUILDING CONTROL ACT (CAP 29) Project Ref No. : A8795-007-2016-BP01

FOR COMMISSIONER OF BUILDING CONTROL

500MM CONCRETE SEATING ON PLANTER AT 700MM HEIGHT WITH TIMBER FINISH

/ T h i r d Ye a r D i p l o m a P r o j e c t C o Wo r k i n g O f f i c e i n S i n g a p o r e

0 .40 0 103 0.98 10

25MM THK LAMINATED TEMPERED LOW E GLASS TO FULL HEIGHT

1050MM CLEAR WIDTH ALUMINIUM FRAMED EXIT DOOR WITH 1 HOUR FIRE RATING

TS03-00320V

T 0 4-

BRIDG 0051 E ROAD 0P

S0

0

103.400 100.655

103.500

89 1T

E1A IL: 103.200 TL: 103.500

1

15450

SLAB ABOVE

TS03-00513P

WEEN

8400

2

1400

5000

8400

3

EXIT

250 22.45

8400

43.2m EE N ST AIRC

4

CE DIST AN AL ON DIAG

8400

5

FFL 104.700 C.SCREED N/V

R 229 18.14

1200

1000 1300

300MM HIGH PLANTER PARAPET WALL

4M CLEAR WIDTH FOR ESS MAINTENANCE

9000

150MM THK REINFORCED CONCRETE PARAPET WALL

3300

25MM THK FULL HEIGHT GLASS AT 1500 HEIGHT 300MM HIGH PLANTER PARAPET WALL E1F IL: 102.787 TL: 103.500

TENURE OF LAND : LEASEHOLD

20

CREST LEVEL 150MM HIGH

300MM WIDE CONCRETE DRAIN WITH METAL GRATING

FH

5 .24 5 103 1.44 10

MOHAMED ALI LANE

0 .50 5 104 2.29 10

5 .48 5 104 2.29 10

PERSONS 88 15 145 9 201 458

AREA (M2) 263 146 218 45 302

OCCUPANCY LOAD FUNCTIONAL SPACES 3.0 RECEPTION AREA 10.0 OFFICE WORKING SPACE 30.0 STORAGE AREA WAITING AREA/ VISITORS LOUNGE 3.0 1.5 RESTAURANT / CAFE 5.0 SHOP 1.5 EVENTS SPACE

INTUMESCENT PAINT ADOPTED AS FIRE PROTECTION SYSTEM FOR BUILDING STRUCTURAL SYSTEM

I, Miss Kuik Yik Ming, hereby declare that -

ROAD LINE

(a) I am not the owner(s) of the land within the meaning of the term "owner" as defined in Section 2 of the Planning Act 1998; and (b) I have shown this plan to the owner(s) of the land, and have obtained the consent of the said owner(s) to submit this plan to the Competent Authority under the Planning Act 1998.

I, Miss Kuik Yik Ming , confirm that the road reserve lines, the category of the proposed and existing roads and other related road information as shown in the layout plan is in accordance with the current information provided by the LTA.

LOKI ARCHITECTS 16 Asgard Street

SINGAPORE 139651

I, Miss Kuik Yik Ming , hereby certify, subject to any waiver/ under section 6A of the Building Control Act

modification granted (Cap 29), that –

(a) the preparation of these building plans are in accordance with the Building Control Regulations; and (b) the buildings / building works shown on these plans are in accordance with the provisions of the Building Control Regulations and the acceptable solutions in the Approved Document.

MISS KUIK YIK MING LOKI ARCHITECTS REGISTERED ARCHITECT, QP NO: 8919

PROJECT TITLE

I, Miss Kuik Yik Ming, confirm that the drainage details as shown in the layout plan are in accordance with the current information provided by the Chief Engineer, Central Building Plan Unit, NEA.

OWNER'S CONSENT

I, Miss Kuik Yik Ming , NRIC/Passport No. S9728688D , being a qualified person, hereby certify that the building works and fire safety works as shown on these plans have been designed in accordance with the provisions of the Code of Practice for Fire Precautions in Building 2013, including all amendments applicable up to date of this submission, the Fire Safety Act and its Regulations, the relevant Code of Practice or Design Guideline, subject to waivers granted under Section 27 of the Fire Safety Act.

PROPOSED NEW ERECTION OF AN OFFICE BUILDING WITH COMMERCIAL ACTIVITIES ON 1ST STOREY ALONG CLUB STREET ON LOT TS03-98432P

SEWERAGE INTERPRETATION

OCCUPANCY LOAD 1 2 3 4 5 6 6

R 31 229 .49

ET RE

R 14 152 .33

CA

3300

R 152TO CAPTURE RAINWATER 15.95

5 .13 5 103 1.08 10

T)

E1G IL: 102.681 TL: 103.500

)

TH OT

FO

AD GR MP RA FFL 104.100 C.SCREED N/V

(N

8400

R 229 15.11

5 .32 5 103 1.25 10

5 .27 5 103 1.65 10

6M WIDE TWO-WAY DRIVEWAY

0

.40

103

0

.50

104 500MM THK RETAINING WALL FOR BASEMENT

100MM THK FIRE RATED BRICK WALL WITH PLASTER AND PAINT

E6 IL: 102.904 TL: 103.500

(N CA T

IC5 IL: 102.706 TL: 103.500

OF

4000

R 229 22.56

9

FFL 104.200 C.SCREED M/V

PA

T1 :8.3

3000

IEN

8400

700MM DIA CONCRETE COLUMN TO ENGR DTL

100MM THK FIRE RATED BRICK WALL WITH PLASTER AND PAINT

10

TS03-00658M

MR BENEDICT CARLTON CHIEF OPERATING OFFICER OWNER'S SIGNATURE

150MM THK REINFORCED CONCRETE PARAPET WALL

E5 IL: 102.939 TL: 103.500

33 M

FIRST STOREY PLAN 10

6600

3300

6160

SCALE 1:200

5

0 1 2

TS03-00657C

OWNER'S NAME & ADDRESS: CUMBERBATCH-HIDDLESTON ENTERPRISE 221B BAKER STREET SINGAPORE 112358

5000

FFL 104.200 C.SCREED M/V

5 .12 5 103 1.61 700MM DIA CONCRETE 10

TS03-00655X

0

.60

104

ELECTRICAL SUBSTATION

COLUMN TO ENGR DTL

ALL DIMENSIONS ARE IN mm ALL STRUCTURAL COLUMNS ARE 700 MM IN DIA / OTHERWISE STATED ALL LOAD BEARING WALLS ARE 200MM THK / OTHERWISE STATED ALL SCUPPER DRAIN ARE 100MM WIDTH / OTHERWISE STATED ALL SCUPPER DRAIN ARE 1:200MM IN GRADIENT / OTHERWISE STATED ALL RAINWATER OUTLET ARE 50 mm / OTHERWISE STATED ALL RAINWATER DOWNPIPE ARE 150 mm / OTHERWISE STATED ALL BASEMENT RETAINING WALLS ARE 500MM THK / OTHERWISE STATED

25MM THK FULL HEIGHT GLASS AT 1500 HEIGHT

600MM DEPTH WATER FEATURE

FD

01

150 mm 50 mm 100 mm

FFL 104.720 TIMBER TILES A/C

FFL 105.520 TIMBER TILES A/C

6230

150MM THK REINFORCED CONCRETE PARAPET WALL

EVENTS SPACE

STAGE

200MM THK CONCRETE RETAINING WALL FOR FIRE ESCAPE

8

TS03-00654N

A

E1E IL: 102.898 TL: 103.500

FFL 104.100 WATER FILTRATION N/V

TS03-00660C

150 150 150 150 150 150

FFL 104.100 WATER FILTRATION N/V

BIOSWALE POND

8400

0.450 0.046 0.087 0.450 0.414 1.051

1 2 3 4 5 6 7 8

FFL 104.100 WATER FILTRATION N/V

BIOSWALE POND

FFL 104.720 C.SCREED N/V

2200

7

TS03-00653K

PIPE SIZE (mm)

OUTDOOR MEETING SPACE

E5 IL: 103.120 TL: 103.500

5 .12 5 103 1.91 10

EXIT

N

= HOSEREEL = URINAL TRAP = INSPECTION CHAMBER = MECHANICALLY VENTILATED = NATURALLY VENTILATED = RAINWATER DOWNPIPE = RAINWATER OUTLET = VENT PIPE

BIOSWALE POND

EXIT

EXIT

BIN CENTER

HR UT IC M/V N/V RWDP RWO VP

VOID ABOVE

8400

A 8400

6

TS03-00652A

NOTE

= AIR-CONDITION = BREECHING INLET = CEMENT SCREED = CERAMIC TILES = DRY RISER 150 mm = DISCHARGE STACK = DETAIL = 1 HOUR FIRE RATED DOOR = FIRE EXTINGUISHER 150 X 150mm = FLOOR TRAP 100 X 100mm = FLOOR WASTE = CAST IRON GT W/ ALUM ALLOY STRAINER BUCKET

E1D IL: 102.963 TL: 103.500

FFL 104.700 TIMBER TILES N/V

EXIT

TS03-00656L A/C BI C.SCREED C.TILES DR DS DTL FD FE FT FW GT

URBAN CORRIDOR

VOID ABOVE

DROP (M)

LEGEND

EXIT

103.050 103.004 102.917 103.050 102.706 101.655

EXIT

103.500 103.500 103.500 103.500 103.500 103.500

FFL 104.100 TIMBER TILES N/V

EVENTS SPACE FOYER

TS03-98410L

This is an indepth exercise on understanding local (Singapore) fire escape, drainage and occupancy loads regulations. Using my diploma final year project to study the technical considerations of a building and ensuring the compliance of local codes and regulations.

T h i s m o c k b u i l d i n g p l a n ( B P ) s u b m i s s i o n i s p r o d u c e d w i t h a u t o c a d . A d d i t i o n a l l y, I a m a l s o experienced with using Revit to amend and advance a similar output.

URBAN CORRIDOR

4000

TOP LEVEL

4.20 7.86 37.32 4.42

50MM DIA VENT PIPE

IC4 IL: 103.05 TL: 103.500

FD

DISTANCE (M)

1:90 1:90 1:90 1:90 1:90 1:90

500MM CONCRETE SEATING ON PLANTER AT 700MM HEIGHT WITH TIMBER FINISH

FT

EXIT

EXIT

FFL 104.720 TIMBER TILES

FFL 104.720 STONE TILES A/C

EXIT

GRADIENT

IC 1 IC 1 - IC 2 IC 2 - IC 3 IC 3 - MH IC 4 - IC 5 IC 5 - MH

FFL 104.100 C.SCREED N/V

PRINTING SHOP

1050MM CLEAR WIDTH ALUMINIUM FRAMED EXIT DOOR WITH 1 HOUR FIRE RATING

CONNECTION POINT (S)

00

450MM X 450MM CONCRETE SUMP

CONCRETE PLANTER WITH 600MM SOIL DEPTH

5 .10 6 103 7.77 9

11

TS03-98409M

250 27.96

WS

FFL 104.720 STONE TILE A/C

FW

FW

EXIT

CALCULATION OF SANITARY DRAINAGE (IC INVERT LEVELS) INVERT LEVEL

30

150 150 150 150 150 150 150 150 150 150 150 150 150 150 150

62

PIPE SIZE (mm)

0.150 0.045 0.097 0.025 0.063 0.181 0.035 0.150 0.150 0.082 0.048 0.107 0.0645 0.111 0.106

20

DROP (M)

103.350 103.305 103.208 103.183 103.120 102.939 102.904 103.350 103.200 103.118 103.070 102.963 102.898 102.787 102.681

18

INVERT LEVEL

103.500 103.500 103.500 103.500 103.500 103.500 103.500 103.500 103.500 103.500 103.500 103.500 103.500 103.500 103.500

IT

.5m : 63

TOP LEVEL

9.00 19.30 5.00 12.60 36.20 7.01 30.13 16.34 9.65 21.47 12.90 22.20 21.10

EX

ATE R PL

DISTANCE (M)

FFL 104.720 HOMOGENEOUS TILE A/C

CAFE SEATING

FFL 104.720 STONE TILE A/C

FFL 104.100 WATER FILTRATION N/V

E4 IL: 103.183 TL: 103.500

1:200 1:200 1:200 1:200 1:200 1:200 1:200 1:200 1:200 1:200 1:200 1:200 1:200 1:200 1:200

FT

100MM DIA DUCTILE IRON PIPE

CAFE SEATING

FW

BIOSWALE POND E3 IL: 103.208 TL: 103.500

GRADIENT

90

FLOO

2550

0

22

STORAGE

75MM DIA H.D.C.I PIPE

FT

EXIT

EXIT

FFL 104.100 TIMBER TILES N/V

.30

103

FT

WS

FT

URBAN CORRIDOR

CALCULATION OF SURFACE DRAINAGE (IC INVERT LEVELS) E1 E2 E3 E4 E5 E6 E7 E1 E1A E1B E1C E1D E1E E1F E1G

1400

ON

500 FALL

500MM CONCRETE SEATING ON PLANTER AT 700MM HEIGHT WITH TIMBER FINISH 00

FT

FFL 104.720 HOMOGENEOUS TILE A/C

700

700

5000

CE AN

2000

1340 FALL

00

00

12 FT

2700

CAFE

MALE WC

FFL 104.720 STONE TILES A/C 700

450

30 00 10 IT 26

12

1600

2700

900

900

900

FT

1400

500 900

IC2 IL: 103.05 TL: 103.500

FFL 104.720 STONE TILES A/C

DIST

900

48

AL ON

EXIT

68

EX

LIFT CORE

AG

900

900

1400

FFL 104.720 STONE TILES A/C

50

1600

DI EST

FALL

CONCRETE PLANTER WITH 600MM SOIL DEPTH

CONNECTION POINT (S)

E1C IL: 103.070 TL: 103.500

VOID ABOVE 2700

2700

1440

FT

FEMALE WC 900

900

IC1 IL: 103.05 TL: 103.500

TS03-00513P

PROPOSED GROSS FLOOR AREA 6915.1 40.0 BUILDING COVERAGE

ATRIUM

FFL 104.720 STONE TILES A/C

LARG

RC PRECAST STAIRCASE TO ENGR'S DTL

CONCRETE PLANTER WITH 600MM SOIL DEPTH

FFL 104.100 TIMBER TILES N/V

28.3m

14900

200MM THK CONCRETE RETAINING WALL FOR FIRE ESCAPE CONCRETE PLANTER WITH 600MM SOIL DEPTH

OCCUPANCY LOAD 7291

ASE:

VOID ABOVE

2500

4050

TS03-00513P

20

FFL 104.500 MOSIAC TILES A/C

STAIRC

BE TW

0M

TS 02 - 9997

TS0 2-002 42 L

CE BET

0 40 10

DISTAN

4000

E2 IL: 103.305 TL: 103.500

URBAN CORRIDOR

WATER FEATURE

4000

NAL

500

1900 1400

PLANNING DATA SITE AREA ALLOWABLE GROSS FLOOR AREA

DIAGO

8040

1200

1200

10

5

1100

1200

1050MM CLEAR WIDTH ALUMINIUM FRAMED EXIT DOOR WITH 1 HOUR FIRE RATING

SCALE 1:5000 0 1 2

1400

TS03-00513P

LOCATION PLAN

N

SLAB ABOVE

1000

3 .79 0 102 0.21 10

500MM CONCRETE SEATING ON PLANTER AT 700MM HEIGHT WITH TIMBER FINISH

8400

900

CONCRETE PLANTER WITH 600MM SOIL DEPTH

1050MM CLEAR WIDTH ALUMINIUM FRAMED EXIT DOOR WITH 1 HOUR FIRE RATING

TS02- 99 9 73 P

W

P

TEL

TS03-00638X

TS03-00635A

ELEC

-

N

LAN

TS03-00625L

TS03-00624X

masterplan A

DR/HR

(NCAT)

TS03-00623N

TS03-00094L TS03-00093X

TS03-00721V

ST

R 229 18.14

104.485 102.295

TS03-99784N

8400

STREET

104.500 102.295

R 229 29.41

106.135 104.285

TS03-99840A

FD

R 229 31.49

FH

40059 6X TS 04 -0 06 TS 76 03 V -9 8758

TS03-99032V

EXIT

CLUB

FOOTPATH

TS03-00619K

TS03-00620T

TS03-99841K

TS03-99838K TS03-99839N

TS 0

TS03-00636K

1000

103.625 101.925

TS03-00618A

TS03-99895W

0

.50

103

FAP

EXIT

TS03-99029V

102.865 100.165

R 229 31.00

R 229 26.14

UB

250 22.45

idor urba n corr

TS03-00660C

wide

1000

103.425 101.450

FOOTPATH 103.455 101.615

E1B IL: 103.118 TL: 103.500

FAP

2600

103.425 101.295

12m

R 229 22.56

0

.50

103

103.500

limit

103.700

104.500

TS03-99814C

limit

2300

TS03-99897P

TS0 4-00 5 94K

upper

lower

103.275 101.655

(NCAT)

MV

5.79

R 152 14.33

103.245 101.445

TS03-99896V

SUMMIT E1 IL: 103.350 TL: 103.500

FH

T

103.400 100.980

102.925 100.335

R

ALI 15.95152 LANE

CL

00

103.500

104.600

MOHAMED

43960

3-

103.300 103.105 97.776

103.125 101.915

103.400 103.135 101.085

FD

TS 0

TS03-98409M

103.125 101.615

R 229 15.11

TS03-00076X TS03-99903C

AS E:

CROSS

(NCAT)STREE 250 27.96

TS03-98410L

TS03-00652A

TS03-00653K

103.325 101.255

NW

SOUTH

TS 06 -

9K 64

FH

102.793 100.210

103.040 97.025

TS03-00654N

TS03-00658M

R 229 17.98

TS03-99902L

EAD

04

TS03-00320V

TS03-00513P

TS03-00513P

TS03-00513P

TS03-00513P

800

TS03-00655X TS03-00656L

TS03-00657C 103.185 97.165

TS0 6-00 2 88P

FAD

TS

-0

05

8400

250MM THK RC LOADBEARING LIFT SHAFT WALL TO ENGR'S DTL LIFT CORE TO ENGR'S DTL 250MM THK RC LOADBEARING LIFT SHAFT WALL TO ENGR'S DTL

700MM HEIGHT WITH TIMBER FINISH

48 A 400 6

TS 0

8400

25MM THK FULL HEIGHT GLASS AT 1500 HEIGHT

0 .40 5 103 0.65 10 500MM CONCRETE SEATING ON PLANTER AT

TS0 4- 00 6 47 T

TS06-005 05 W

MAJOR PROJECT

DRAWING TITLE

1ST STOREY PLAN

DRAINAGE INTERPRETATION

I, Miss Kuik Yik Ming, confirm that the drainage details as shown in the layout plan are in accordance with the current information provided by the Chief Engineer, Central Building Plan Unit, NEA.

SCALE

1:100

DRAWN

DATE

DEC 2016

CHECKED KYM

KYM

DRAWING NO:

FP 01

ALL DIMENSIONS IN MM

A0-SIZED PAPER

MAJOR PROJECT 02 sheet of 09

BUILDING AND CONSTRUCTION AUTHORITY APPROVED UNDER SECTION 5 /SECTION 5A OF THE BUILDING CONTROL ACT (CAP 29) Project Ref No. : A8795-007-2016-BP01

FOR COMMISSIONER OF BUILDING CONTROL

TS0 6- 005 05 W

GFA CALCULATIONS

TS0 4- 00617 A

AD

RO

GE

60

05

10

P

GFA M2 78.8 906.7 1657 1450 900 1138 800 12.4 6915.9

RID

TS

03

1

0

0

EAD FAD

W TEL

ELEC LAN

ED

PARA M HEIGHPET

GRAD

TO

FALL

TO

340

6

103.500 103.400 100.980

RW

O

LIGH

TWE

IGH

FFL T MET C.SC 131.1 REED 00 AL ROO

FIRE

500M

PLAN M CON TIMB TER CRET AT CON ER FINIS 700M E SEAT SOIL CRET M HEIG ING H DEPT E PLAN HT ON H WITH TER WITH 600M M

ESC

FFL APE C.SC 132.1 REED 00 STA

IRS

F

GRAD

IENT

1:50

T

SCRE

ED

0

AN

FALL

200MM

TO

TO

FALL

200MM WALL THK TO CONC 1000M RETE M HEIGH

FALL

PARA

PET

R 18. 229 14

T

500M PLAN M CON TIMB TER CRET ER AT FINIS 700M E SEAT M HEIG ING H HT ON WITH

C 0660 03-0

8

340

0

upp

TS

0

er

500M PLAN M CON TIMB TER CRET ER AT FINIS 700M E SEAT M HEIG ING H HT ON WITH

25MM TEMP THK GLAS ERED LAMIN S TO LOW ATED FULL E HEIGH T

0

R 229 22.5 6

340

LE

104.100 FILTRA N/V TION

103.425 101.295

D

low

A

REIN

FORC

ED

CON

er

CRET

E PARA

R 15. 229 11

PET

TS

03-9

150 mm 50 mm 100 mm

R 152 14.33

103.275 101.655

R 2294 26.1

103.625 101.925

104.500

R 2299 31.4

03-9

9895

TS TS

03-9

03-9

TS

NOTE

03-9

0620

T

N

)

X 0638

TS03-99032V

TS03-00625L

-

TS03-00635A OWNER'S NAME & ADDRESS: CUMBERBATCH-HIDDLESTON ENTERPRISE 221B BAKER STREET SINGAPORE 112358

TS03-00624X

MR BENEDICT CARLTON CHIEF OPERATING OFFICER OWNER'S SIGNATURE

104.485 102.295

TS03-00623N

9841

TENURE OF LAND : LEASEHOLD

K R 2291 29.4

9838

9839

CLU

104.500 102.295

03-0

W

R 229 31.00

103.455 101.615

CAT

T (N

REE

B ST

TH

TPA

FOO

TS03-00619K

V

TH

TS03-00636K

103.700

(NCAT)

TS03-00618A

FH

TS

TS03-99029V

102.865 100.165

FOO

R 152

15.

95 LI LA NE 103.245 101.445

C

P

it TPA

DA

TS 03-0

ME

9903

9897

814C

03-9

9896

TS03 -99

TS

103.425 101.450

102.925 100.335

HA

03-9

lim

WAL

L

104.600

103.400

MO

TS03-00076X

TS

103.500

PON

M THK

103.135 101.085

it

SWA

150M

TS03-99902L

lim

BIO

WATERFFL

10

103.325 101.255

PET

FFL COR TIMB 104.1 RID ER OR TILES00

1:50

0

IENT

PARA

URB

SCRE

103.125 101.915

340

7

T 1:50

GRADIEN

200MM

103.125 101.615

340

9

T

E

M

200MM WALL THK TO CONC 1000M RETE M HEIGH

LIN

0658

MV

T 1:50

GRADIEN

RY

03-0

C

DR/HR

250 22.

45

340

4

F

DA

L

0657

ROO

UN

TS

R 17. 229 98

N

X

0656

03-0

103.185 97.165

0654

0655

03-0

TS

100 X 100mm

AL

LIFT

FFL COR C.SC 132.1 E REED 00

BO

150 X 150mm

T MET

FFL 131.100 C.SCRE N/V ED

FFL COR C.SC 132.1 E REED 00

THK 103.105WALL CONC 97.776 TO 1000M RETE

THK WALL CONC TO RETE 1000M PARA M HEIGHPET

ET

500M 700M M CON

25MM M HEIG CRET E GLAS THK HT E SEAT S TO LAMIN WITH FULL ATED TIMB ING HEIGH TEMP ER ON PLAN ERED FINIS T TER LOW H AT

IGH

CE

1:50

03-0

03-0

E TO ENG 250M R'S SHAF M THK DTL T WAL RC L TO LOAD ENG BEAR R'S ING DTL LIFT

TWE

NAN

LIFT

A

COR

LIGH

F MAI

1:50

A

K

LIFT

PARA PET

IENT

TS

TS

CU

FFL C.SCRE132.100 ED

ROO

1:50

IENT

52

53

TS

FOR

T

GRAD

-006

IR

200MM WALL THK TO CONC 1000M RETE M HEIGH

GRAD

03

03

-006

STA

NTE

IENT

103.300

T

TS

TS

EXIT

FFL C.SC 133.3 REED 00

T

0 5

L

CU

FFL C.SCRE132.100 ED

GRAD

340

10

FIRE

THK WALL CONC TO RETE 1000M PARA M HEIGHPET

M

03

150 mm

PE

200MM

M

09

-984

NW

2

TER

H

-984

250M SHAF M THK T WAL RC L TO LOAD ENG BEAR R'S ING DTL LIFT

AT

1:50

E PLAN

03

F

IRE 00 B ENGINE AC CE 34 TS 00 C SSWAY 03 -0 ON 08 CR 91 34 T 00 D OSS ST CRO RE SS ET 34 ST 00 E RE IENT

P

CRET

WITH SOIL 600M DEPT

TS

250 27.9 6

TS

TS

I, Miss Kuik Yik Ming , NRIC/Passport No. S9728688D , being a qualified person, hereby certify that the building works and fire safety works as shown on these plans have been designed in accordance with the provisions of the Code of Practice for Fire Precautions in Building 2013, including all amendments applicable up to date of this submission, the Fire Safety Act and its Regulations, the relevant Code of Practice or Design Guideline, subject to waivers granted under Section 27 of the Fire Safety Act.

K 106.135 104.285

TS03-00094L

TS03-00093X

9840

A

LOKI ARCHITECTS 16 Asgard Street SINGAPORE 139651

ALL DIMENSIONS ARE IN mm ALL STRUCTURAL COLUMNS ARE 700 MM IN DIA / OTHERWISE STATED ALL LOAD BEARING WALLS ARE 200MM THK / OTHERWISE STATED ALL SCUPPER DRAIN ARE 100MM WIDTH / OTHERWISE STATED ALL SCUPPER DRAIN ARE 1:200MM IN GRADIENT / OTHERWISE STATED ALL RAINWATER OUTLET ARE 50 mm / OTHERWISE STATED ALL RAINWATER DOWNPIPE ARE 150 mm / OTHERWISE STATED ALL BASEMENT RETAINING WALLS ARE 500MM THK / OTHERWISE STATED

02 5

I, Miss Kuik Yik Ming , hereby certify, subject to any waiver/ under section 6A of the Building Control Act

TS03-99784N

(a) the preparation of these building plans are in accordance with the Building Control Regulations; and (b) the buildings / building works shown on these plans are in accordance with the provisions of the Building Control Regulations and the acceptable solutions in the Approved Document.

MISS KUIK YIK MING

LOKI ARCHITECTS REGISTERED ARCHITECT, QP NO: 8919

masterplan A

SITE PLAN SCALE 1:500 10

modification granted (Cap 29), that –

N TS03-00721V

20

PROJECT TITLE

PROPOSED NEW ERECTION OF AN OFFICE BUILDING WITH COMMERCIAL ACTIVITIES ON 1ST STOREY ALONG CLUB STREET ON LOT TS03-98432P I, Miss Kuik Yik Ming, confirm that the drainage details as shown in the layout plan are in accordance with the current information provided by the Chief Engineer, Central Building Plan Unit, NEA.

OWNER'S CONSENT

INTUMESCENT PAINT ADOPTED AS FIRE PROTECTION SYSTEM FOR BUILDING STRUCTURAL SYSTEM

0 1 2

CON

37m

34

103.400 100.655

500M 700M M CON M HEIG CRET HT E SEAT WITH TIMB ING ON ER FINISPLAN H TER

103.500 103.500

102.793 100.210

GRAD

9

-005

103.040 97.025

03-9

N

P

03

TS

1 2 3 4 5 6 7 8

E PLAN TER WITH SOIL 600M INIUM DEPT M 1 HOU FRAM H R FIRE ED RATI EXIT NG1050MM FRAM ED CLEA INIUM EXIT R WIDT 1 HOU FRAM DOO H R FIRE ED 1050 RC R WITHALUM PREC INIUM RATI EXIT FRAM MM FIRE 1 HOU AST NG ED CLEA STAI EXIT R WIDT RATI R NG RCAS DOO H 200M IL: 103.305 RC R WITHALUMTL: 103.500 E TO M THK PREC INIUM ENG CON FIRE 1 HOU AST R'S WAL CRET STAI RATI R DTL L FOR E RCAS NG RETA 200M FIRE E TO INING M THK ESCA ENG R'S CON PE DTL WAL CRET L FOR E RETA FIRE INING ESCA

0

0

FH

CRET

340

TS

80

CON

P

CLEA

340

-005

P

CLEA

R WIDT DOO H ALUM R WITH

13

R WIDT DOO H ALUM R WITH

13

5.7

HR UT IC M/V N/V RWDP RWO VP

A

13

MM

MM

03

= AIR-CONDITION = BREECHING INLET = CEMENT SCREED = CERAMIC TILES = DRY RISER = DISCHARGE STACK = DETAIL = 1 HOUR FIRE RATED DOOR = FIRE EXTINGUISHER = FLOOR TRAP = FLOOR WASTE = CAST IRON GT W/ ALUM ALLOY STRAINER BUCKET = HOSEREEL = URINAL TRAP = INSPECTION CHAMBER = MECHANICALLY VENTILATED VENTILATED = NATURALLY = RAINWATER DOWNPIPE = RAINWATER OUTLET = VENT PIPE

-005

1050

-005 1050

TS

13

A/C BI C.SCREED C.TILES DR DS DTL FD FE FT FW GT

V

03

03

LEGEND

-003

20

TS TS

3

OTHERS 78.8 722.7 200 200 170 170 145 TOTAL

TS 0

WORKSPACE 184 1081 905 452 768 527 -

HB

CORRIDOR 376 345 278 200 128 -

STOREY BASEMENT 1ST STOREY 2ND STOREY 3RD STOREY 4TH STOREY 5TH STOREY 6TH STOREY ROOF

SO UT

1 2 3 4 5 6 7 8

I, Miss Kuik Yik Ming, hereby declare that -

(a) I am not the owner(s) of the land within the meaning of the term "owner" as defined in Section 2 of the Planning Act 1998; and (b) I have shown this plan to the owner(s) of the land, and have obtained the consent of the said owner(s) to submit this plan to the Competent Authority under the Planning Act 1998.

ROAD LINE

I, Miss Kuik Yik Ming , confirm that the road reserve lines, the category of the proposed and existing roads and other related road information as shown in the layout plan is in accordance with the current information provided by the LTA.

DRAWING TITLE

1ST STOREY PLAN

DRAINAGE INTERPRETATION I, Miss Kuik Yik Ming, confirm that the drainage details as shown in the layout plan are in accordance with the current information provided by the Chief Engineer, Central Building Plan Unit, NEA.

SCALE

1:100

DRAWN

DATE

DEC 2016

CHECKED KYM

KYM

DRAWING NO: FP 01

ALL DIMENSIONS IN MM

A0-SIZED PAPER

27

V Other Creative Pursuits 28

Urban Installation / Beans to Greens

Space Hacking Raising awareness on the number of disposable coffee cups used in the U.K in one minute. Additionally giving people an interactive o p p o r t u n i t y t o r e p u r p o s e a n d b r i n g h o m e a c o f f e e c u p h e r b p l a n te r. T h i s i n s t a l l a t i o n w a s s u c c e s s f u l i n p e a k i n g p e o p l e ’s c u r i o s i t y through the eye-catching coffee cup domes placed strategically around the courtyard shopping square.

29

Pottery

/ Personal exploration into the art of wheel-thrown ceramics Exploring functional pots and form

Ceramics M y i n t e r e s t i n c e r a m i c s h a v e l o n g s t e m m e d f r o m a l o v e f o r b e s p o ke h a n d - m a d e pots that i collect around the house. An opportunity to pursue the art of wheel throwing alongside my final-year studio design project led to my personal e x p l o r a t i o n i n t h e a r t o f c e r a m i c s a n d g l a z i n g t e c h n o l o g y. T h r o u g h a 1 2 week course, i have produced 19 various forms of mugs, pots, bowls and o t h e r f u n c t i o n a l p i e c e s . A d d i t i o n a l l y, g a i n i n g a n u n d e r s t a n d i n g a b o u t developing glazes and firing in an indoor kiln.

I have also processed my own blue-slipper clay through collecting raw beach clay on the Isle of Wight (southern england) and using it as a means to produce massing models for the final year project.

Home Cooking and Food Blog

/ Exploring my passion in home cooking and recording my progress on an instagram food blog [ @lilynomnom ]

Home Cook A s a n a v i d l o v e r o f h o m e c o o ke d m e a l s , m y i n d e p e n d e n t l i v i n g a s a n i n t e r n a t i o n a l student led me to explore affordable home cooking and baking. I enjoy cooking new inventive dishes with an asian style and photographing them for the food blog.

30

Wildlife Photography

/ Documenting my independent travels to untouched wildlife havens

Lover of Wildlife I enjoy various outdoor pursuits, primarily to remote corners of the world to view wildlife in its natural environment. These travels include visiting a seabird colony during t h e i r a n n u a l n e s t i n g s e a s o n o n t h e Fa r n e I s l a n d s o f f t h e coast of Northumbaland and sailing in the arctic circle for t h e s e a r c h o f K i l l e r W h a l e s i n t h e n o r t h e r n f j o r d s o f N o r w a y.

/ P h o t o g r a p h y o f t h e Fa r n e I s l a n d s

From Left / P u f f i n C o l o n y o n t h e Fa r n e I s l a n d / Guillemot Colony nesting on the edge o f a c l i f f n e a r t h e Fa r n e I s l a n d s / F j o r d s o f S k j e r v ø y, N o r t h e r n N o r w a y - Killer Whale Expedition trip 31

.

End 32