Out of the Blue, Into the Black by Paul Lebedev Visions of new possibilities, of new ways for man to grow and dominate, and great expanses and exciting horizons; this is what is evoked when the word “frontier” is used. Out of the blue and into the black, that yawning abyss bespeckled with the dreary light of far off stars, and with that outward expansion man becomes hopeful once more. Hopeful that he may overcome himself. Hopeful that he may have finally been able to shatter that cage which by this point had engorged itself so as to overtake the entire Earth. Yes, man is looking into the eternal night of outer space with the feverish dream of “getting things right” this time. Perhaps it is only natural that he dreams of these celestial pastures greener than those past and envisions a superior man wandering among them. Why else would he have left if not to recover from some past mistake or otherwise to secure his own future rather than his certain demise? This hope should come with no small amount of foreboding, however. Modernity’s ills are not so easily cured by a mere change of scenery, and should the antinomian seeds of our decaying world stow away on our gleaming metal ships, then they will sprout again to overtake us, and space is much less hospitable than Earth ever was. Man becomes himself when he acts upon his environment. An inactive thing is a dead thing, an unknowable thing. An inactive man, an inert man, would be one which one could know nothing about, as outside of ourselves we have no access to the minds of others and may only evaluate them based on what they do in the world. The essence of man, his soul, is that which plays upon the environment which he is born into. That is to say that his nature, immutable, is that which shapes the mutable world around him. The material and metaphysical aspects of his environment play off of this essence as he interacts with it as well, and understanding arises out of this holistic testing of one’s abilities and storage of data as memories both conscious and unconscious. Man as an acting being is constantly comparing and contrasting; the tools by which we systematize the infinite complexity of reality into understandable chunks. This comes at a price, however, because the understanding of man is both imperfect and limited, and if reality is infinitely complicated, and man cannot understand its totality, then any systematization is by necessity a reduction. This may be seen when we examine the nature of words. The construction of a sentence will be used as an example, and may be compared in any form to the performance of any action as follows: When a word is selected, already the previously dizzying amount of words available to us is reduced. This myriad of possibilities, will be referred to as multiplicities. As these multiplicities narrow in range, the sentence draws further and further to completion, as each word serves to further encapsulate the thing expressed by the sentence itself until the sentence arrives at its conclusion. Further, the sentence is an interval in what may be described as a linguistic regression. Sound designated by later makes word makes a word-pair makes a phrase makes a clause makes a sentence makes a paragraph makes a page makes a text. Each of these regressions may be considered static, but do not necessarily have to be understood as such. A sentence may be a larger part of a whole, as any of the individual components listed contribute to the other interchangeably. As previously stated this contrast allows for categorization. This categorization facilitates acquiring knowledge. Complexity of thought cannot exist without language. Language enables us to maintain an ordered awareness of the world around us. What we learn we learn by action and passive experience, but we may only be completely aware of this process when it is encoded in the form of language. Each and every conscious thought, every spoken word, and every written concept is a condensed version of reality. This condensation is not a lossless process. There is much that lies outside the realm of language, and much that lies outside the realm of mere human conception. Each linguistic representation of something is less of a true reflection and more akin to a cheap copy. No matter how well an apple is described, or how eloquently it is written about, it will only ever remain a description of the thing itself. When this apple is read of, it flies into and through the mind of