From the Journal of Joshua Fryfogle
Liberty, Liberally Volume I - Issue V
May, 2021
Stems & Stalks
Alaska
Music As Culture
Cultivating cannabis for hemp fiber can be traced back throughout recorded history, and has only stopped under coercive threats from government agencies, empowered to arbitrarily prohibit this otherwise fundamental cultivar crop . Hemp grows high, but it won’t get you high. Hemp is not a cousin to cannabis, it is the same plant. The only real and natural variations of that plant are Cannabis Sativa, Cannabis Indica, and Cannabis Ruderalis. Cannabis Sativa is used for hemp production, and is native to hotter, equatorial regions of the earth. Cannabis Indica is a shorter plant that is native to the more moderate climates of the planet. Cannabis Ruderalis is a rare plant that is found in mountainous regions. Cannabis Ruderalis is rarely involved in any human consumption, for two reasons, two lacking attributes that make the Indica and Sativa plants practical for human consumption. Cultivation Is Not Natural
grows taller. That’s why Cannabis Sativa was cultivated, because taller stalks meant longer, stronger strings of hemp fiber with which to make sails and ropes. Cannabis Sativa can also be cultivated for psychoactive effect, but to cultivate longer hemp fibers, the plant must be cultivated to vegetate rather than flower, which reduces potential potency. It is the flower of the Cannabis plant that contains the preponderance of psychoactive cannabinoids. The Cannabis Indica plant, however, is not preferable for hemp fiber production. Short stalks equal short fibers, which yields less of that long, strong fiber to with which to weave. In short, short fiber makes shotty fabric. But it’s great for flowering purposes. It naturally flowers lower to the ground, making it easier for small-scale cultivation. Cannabis Indica and Sativa both have the potential for psychoactive and medicinal potency through their flowers, but original strains of either plant are much less potent than the multitude of artificial variations that have been shaped by human hands.
Cannabis Indica was traditionally developed and distilled as a medicine, until it was outlawed and replaced with patentable , profitable pharmaceuticals. This 1914 $10 dollar bill was made of 100t hemp fiber, and even memorialized the importance of the cannabis plant to pre-industrial society, depicting hemp cultivation and industry on the back. Humanity cultivates certain plants into more useful crops, increasing the yield through horticulture and agriculture. The cultivation of the Cannabis plant is no different. Humanity hasn’t found much use for the Cannabis Ruderalis plant, but for the Indica and Sativa plants we’ve discovered their worth. Canvas = Cannabis canvas (n.) "sturdy cloth made from hemp or flax," mid-14c., from Anglo-French canevaz, Old North French canevach, Old French chanevaz "canvas," literally "made of hemp, hempen," noun use of Vulgar Latin adjective *cannapaceus"made of hemp," from Latin cannabis, from Greek kannabis "hemp," a Scythian or Thracian word (see cannabis). Seriously, hemp made world travel possible. Those huge sails, that first made trans-Atlantic travel possible what do you think those were made of? Right. Hemp. The word ‘cannabis’ and the word ‘canvas’ are simply separate pronunciations of the same linguistic root. The canvas sails that captured the wind and cruised the waves were woven of hemp fiber - the strongest and most abundant fiber in the ancient world. The Cannabis Sativa plant has been artificially cultivated, building on it’s natural attributes of growing tall and stalky. The stem of the plant, as compared to Cannabis Indica variety,
The list of possible combinations and cultivations that have been (and might be) attempted by horticulturalists is endless - both amateur and professional. All in pursuit of a more potent flower, with which to treat various ailments or to create the desired psychoactive effect. Putting aside the controversy surrounding cannabis consumption for so-called ‘recreational’ use, the reality is that cannabis can and has been cultivated to that end with great success. Just as the Cannabis Sativa plant once was widely used to explore the world, the Indica plant along with Sativa have been widely used to explore inner worlds - physical and metaphysical. This is not to stoke controversy that this information is included in this essay, but to acknowledge how this plant has been utilized by humanity in the past. “Marijuana” Is Made Up It’s important to note that the word ‘marijuana’ is a made up word. It’s a propaganda term, used to describe just the flowers of what was likely the Cannabis Sativa plant. The Cannabis Sativa plant was equatorial, and likely did exist in North America long before anyone called it North America. The newspapers of 80 years ago - which were likely made of hemp, mind you - began to propagate this new word - which sounded very... Mexican. It served twofold purpose, this propaganda. One, the word ‘marijuana’ wasn’t in the English dictionary at the time. It wasn’t a synonym for Cannabis, it wasn’t commonly associated with Cannabis like Hemp. By referring to the flowers of the Cannabis plant by this new name, ‘marijuana’, they effectively hid that word from the populace, who likely used hemp products daily. Hell, the
Auditus (Hearing), Cornelius Cort after Frans Floris, 1561. It’s new, really. The idea that we have about how music works, in a financial, professional sense. Technological developments, like electricity, and broadcast - and now the internet - have made music easily available to people. The click of a button, or opening an app on your phone, will lend instant access to the world of music, spanning across time and space. It is truly magnificent. But we’ve also lost something, and that something is quite the important something, too. The musician. Before all this technology gave us music on demand, we had to have a real musician provide music. There was no way around it, music required musicians. In this way, there was a cultural connection to the people in a community. All music was local music, even if they were playing compositions from other musicians who lived elsewhere. The musicians in a community created the sound of that community’s culture. They created the feeling of that place. Going back to the beginning of time, music and musicians always went hand in hand, and as a result, musicians were an integral part of any community. They weren’t ‘wannabes’ trying to ‘make it’ out of their communities. They were valued culture creators, within their own community. And it was good. I’m not saying that I don’t enjoy the music that I have access to; I’m a glutton for music, any way I can get it. I soak in it, I let it pour into my soul. I use this modern tech to create a constant flow of music in my life. Blue tooth speakers are probably the most used technology in my home, next to the phone that connects to them. However, what we’ve lost in our community is an appreciation for the musicians’ role as culture creators in our community. I’m not lamenting or complaining. This is simply a reminder. Musicians can put their hands on an inanimate object and change the chemicals in your brain, so that you
feel... different. That is a valuable skill set. That is how culture sounds.
It never hurts to stop and consider this. Where would music be, and how would musicians function, in a world that wasn’t connected by technology?
We would be in a central location somewhere, surrounded by our community, making music for them to enjoy - that they couldn’t get elsewhere. If they recognized the songs, it would be because the local musicians had made them familiar - not because some corporation piped it into the community over the radio or mass media. That norm, of corporate influence over local cultures, local communities, is a one-way street. It’s not reciprocal, it’s not communal. How can it be? They aren’t here, how could they play our soundtrack? How could they possibly?
The question is, how do we re-establish that? How do we get musicians and the communities they live in to work together, organically? It won’t be through a rejection of technology or convenience, that’s for sure. People aren’t giving up music streaming, radio, or electricity. I’m not suggesting that we live like the Amish. But I am wondering, and thinking a lot lately, about how music fits into our culture minus all the professional and financial ambition that is directed at the corporate music industry. I’m thinking a lot about how, as a musician, I can create music without it becoming the means to an end.
Music is a completion of culture. It is the background, and sometimes the foreground of our lives - even now because culturally that’s what it’s always been. The reason we like music so much is because music has been an inherent part of our culture for millennia. We all would benefit by keeping in mind that the musicians in our community are valuable to that community, making us feel how the community feels. They are masters of empathy, empaths absorbing the emotions of others, and creating a sound that communicates that consensus.
Music, when culturally considered, makes us act as one, tapping our feet
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From the Journal of Joshua Fryfogle