music
Concise Cadence Compendium A Systematic Overview of Cadence Types and Terminology for 18th-Century Music Pieter Bergé, Nathan John Martin, Markus Neuwirth, David Lodewyckx, Pieter Herregodts
pieter bergé is Professor of Music History, Analysis and Theory at the University of Leuven. nathan john martin and markus neuwirth are postdoctoral researchers at the University of Leuven. david lodewyckx and pieter herregodts are doctoral researchers at the University of Leuven.
Indispensable pocket guide for music theorists and students of 18th-century music This compendium provides a systematic list and description of cadence types in 18th-century music. It includes Latin, Italian, French, German and English terminology, both from historical and contemporary sources. For each cadence type, the compendium presents a short definition, a textbook example, and some basic information on its historical context. As such, it is indispensable for music theorists and students of 18thcentury music. ‘The [Leuven Cadence Compendium] project represents the first systematic attempt to provide a comprehensive compendium of concepts and terminology associated with cadence, a project from which the scholarly community should benefit enormously.’ David Sears in Eighteenth-Century Music By the same author
Dies irae. Kroniek van het requiem Pieter Bergé € 24,50, isbn 978 90 5867 880 5, paperback Musical Form, Forms & Formenlehre. Three Methodological Reflections William E. Caplin, James Hepokoski, James Webster Pieter Bergé (ed.) € 24,90 / £21.90, isbn 978 90 5867 822 5, paperback n
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€ 19,90 / £17.00 isbn 978 90 5867 948 2 April 2013 Paperback, 10 x 15 cm ca. 250 p. English
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