Sake Letisya Polat Portfolio

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SAKE LETISYA POLAT Rhode Island School of Design B.Arch, 2024 SELECTED WORKS

RESUME

GOAL

To seek a professional experience where I can apply my extensive design skills by bringing back small yet insightful thoughts into project designs. And to represent a story behind each design while being exposed to the professional industry.

Learned and created feasibility analysis, proposal drawings, permit set applications, neighborhood and client presentations. Started working on multiple new projects with other teammates and was in charge of doing the proposed plans, elevations and sending the permit sets to the clients for approval. Projects ranged from small scale housings to large urban projects as well as in different phases of design.

In charge of the design of the worldwide expositions where the company introduces its products. Took responsibility of the organization of the booths by proposing drawings of what could the space be.

Istanbul Tower 205_SOM Architects, Experienced the environment of a large scale project and observed meetings between the firm and contractors, and asking questions. Assisted with the organization of floor plans and gained a better understanding of the overall thought process of planning and design a high rise building.

EDUCATION

GPA: 3.5

B.Arch, BFA

Concentration in Nature-Culture-Sustainability (NCSS)

Context | Architectural Internship | Boston, United States Adobe

Pre-College Architecture - Architecture Course: A, Foundation Course: A

LANGUAGE SOFTWARE

Rhode Island School of Design
Photoshop Pratt
| Architectural Internship
TURKISH Adobe Illustrator ARMENIAN Adobe InDesign FRENCH Rhino 2019-2024 2022 Climate Studio 2018 2019 Native Enscape Conversational Fluency AutoCAD Intermediate Fusion 360 Design
Institute Metal Yapi
Istanbul, Turkey
| Exhibition Designer |
2020-2021 CONTENT Study of Waves Fall 2022 PROVIDENCE BOATHOUSE 01 Fall 2023 FLOWER FARM 02 Exploration of Double Void Space Spring 2022 THOTCHKE PLATE FACTORY 03 Fall 2021 PLAYSCAPE 04 21 Planet Street, Providence, RI Phone 860-772-7771 letisyapolat8@gmail.com letisyapolat.com WORK EXPERIENCE 06 PRINTS 07 OYSTER HOUSE 05 Spring 2023
EXPRERIENCES
GPD
Istanbul, Turkey
WORK

The boatbay utilizes a dynamic building skin which translates the time-lapse motion of the waves of the river into an architectural form, providing visual interest by occurring in the building in different scales. The dynamic of the influenced movement alters the shape of the building and its relation to the surrounding landscape. The building plan is heavily influenced by the flowing movement of the grid, resulting in a radially organized structural grid. The boathouse is dually oriented toward the river which follows the curving spine of the it, connecting the users to the water.

PROVIDENCE BOATHOUSE Fall 2022
studies interference patterns facade studies matrix
wave
1/32’’ study model 1/8’’ section model section longitudinal 1/32’’ study model
1st floor plan 2nd floor plan

WHAT CHEER FLOWER FARM Fall 2023

Collabators: Hong Wei, Crescent Feng

Project Location: 63 Magnolia Street, Olneyville Providence, RI

New construction of 3-story building as expansion of What Cheer Flower Farm is distributed into two wings strategially. The facade, features a modular system, offering an immersive control of sunlight.

1:1 wall assembly facade studies structural axon egress and zoning isometrics
foundation detail window detail axon window detail section wall detail axon wall detail section structural 1st floor plan roof detail axon roof detail section

THOTCHKE PLATE FACTORY: Exploration of Double Void Space

Spring 2022

The core intent of the Tchotchke Plate Factory is to act as a vessel which creates a connection between the voids interacting with other programs and the tertiary spaces formed as an outcome of this. It is designed for manufacturing tchotchkes plates, a limited collection every month with prints on top designed by renowned artists. The factory invites people to engage with the screen printing process of the manufacturing plates while providing a vast outdoor terrace and courtyard that introduce a welcoming sense of space and light that can flow through the factory. In the structural concept, the voids blur the boundary of interior-exterior spaces, enabling the creation of a field of vision in the whole form. While these voids act as courtyards, they also configure the factory’s workflow. The grand production happens on the first floor, while other floors serve for more social interaction with its screen printing workshop and gallery space.

production space model shot double void ceramic explorations
site oblique
process of mold making
gallery space model shot
screen
printing space
gallery space model shot
terrace model shot

PLAYSCAPE: Adaptable Re-use

Collabrator: Aanya Arora

Considering the 420,000 children in foster care in the United States, the project proposes a new way of living in West End, Providence, evaluating the need to learn and interact of the children in Rhode Island. Playscape adaptively reuses the existing mill building on the site. The mill is currently built on a grid plan with equally spaced columns inside. The play landscape incorporates a system of curved lines that either obey or resist the existing grid system according to the program. The responsive system of curves dictates the circulation of the space and creates a dynamic child-friendly environment.

site analysis 1/32’’ model site plan
Fall 2021
unit
interactive
interactive net
drawings
walls

OYSTER HOUSE

Spring 2023

Designed as a series of Oystercrete monoliths that push the boundaries of monumental architecture across various scales, the project investigates how these Oystercrete monoliths can redefine the concept of monumental architecture through their distinctive materiality, embracing the material’s inherent qualities, exploring its visual and tactile potential to evoke a strong sense of connection, scale, and depth. What unique experiences can arise when these monoliths are spaced further apart? How do they interlock and interact with each other?

The project establishes a harmonious relationship between the oystercrete monoliths and the surrounding landscape, forging an intimate bond with the environment. It enables visitors to witness the production process, bridging the gap between consumption and production spaces, and inviting them to appreciate the intrinsic connection between architecture and materiality. With the same effort, the movement of people exploring these structures involves time and scale, so the interactive connection with the membrane of

design process
PORTLAND CEMENT WATER COARSE AGGREGATE: OYSTER SHELLS FINE AGGREGATE: SAND
exhibition of the monoliths process
the open-air storage
concept development on-site data collection site axon view to
exterior view illustration production space ground floor plan transversal section

ISTANBUL TOWER 205

Company: Metal Yapi Konut

Istanbul, Turkey, 2019

Experienced the environment of a large scale project by speaking up in the meetings between the firm and contractors and assisting with the general organization of the floor plans. Also, highly involved in the constctuction by visiting the site in daily basis.

Istanbul Tower 205, designed by Skidmore, Owings & Merrill, rises 52 floors above ground level, and has an above-ground roof height of 220 meters. The project complies with LEED Platinum quality standard and was constructed in an entirely environment friendly manner.

sketches

CONTEXT, a collaborative design workshop

Boston, US, 2022

Created feasibility analysis, proposal drawings, permit set applications, neighborhood and client presentations. Started working on multiple new projects with other teammates and was in charge of doing the proposed plans, elevations and sending the permit sets to the clients for approval. Projects ranged from small scale housings to large urban projects as well as in different phases of design.

PRINTS

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