lh american and european art
NO.441
AMERICAN AND EUROPEAN ART
lh
Wednesday 25 May 2016
PREVIEW FRIDAY 20 MAY | 10AM – 5PM SATURDAY 21 MAY | 10AM – 3PM SUNDAY 22 MAY | 12PM – 4PM MONDAY 23 MAY | 10AM - 5PM TUESDAY 24 MAY | 10AM – 5PM AUCTION WEDNESDAY 25 MAY I 10AM AMERICAN ART | LOTS 1 – 141 EUROPEAN ART | LOTS 142 – 379 WORKS ON PAPER | LOTS 380 – 466 PROPERTY PICK UP HOURS MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale. Lots marked with an asterisk (*) are tax exempt as permitted by law.
BID LIVE ONLINE
www.lesliehindman.com Cover: Lot 79 Birger Sandzen (American, 1871-1954), Pacific Coastline, 1950
© Leslie Hindman Auctioneers, Inc. 2016
CHICAGO, ILLINOIS ILLINOIS AUCTION FIRM LICENSE NUMBER 444-000295
P R O P E R T Y F R O M T H E E S TAT E S O F Alling C. Brown, Lake Forest, Illinois Joan Peters Caro, Chicago, Illinois William Davenport, Bloomfield Hills, Michigan Sergei Denham, New York, New York Ann T. Downey, Palm Beach, Florida John Goodridge, Hinsdale, Illinois Marjorie J. Hagstrom, Kansas City, Missouri Rita Dee Hassenfeld, Palm Beach, Florida Allen Lasky, St. Louis, Missouri Mr. John Lawler, Orland Park, Illinois Denise Selz, Chicago, Illinois Robert Stolz, St. Louis, Missouri
PROPERTY FROM THE COLLECTIONS OF The Braverman Family, Highland Park, Illinois Michael Burny, Los Angeles, California Ellen Byington, Chicago, Illinois Sally Smith Carlson, Chicago, Illinois Neil Cox, Edgerton, Wisconsin Aurora Donnelly, Chicago, Iliinois Paul Elfenbein, Poughkeepsie, New York Edith Scala Hampson, Chicago, Illinois John Jacobs, Chicago, Illinois Paula Johnson, St. Paul, Minnesota Pamela G. Johnson, Kansas City, Missouri Richard Jones, Oak Brook, Illinois Kenneth Lamm, Urbana, Illinois Peter and Ann Lamoureux, Wheaton, Illinois Allen Nahman, Nahman Gallery, Edgewater, New Jersey Kelly Richter, Libertyville, Illinois Pearl Siegel, Hollywood, Florida Oksana Stashis, Chicago, Illinois Daniel Swan, Round Lake Beach, Illinois Carl and Virginia Ziegler, Coffeyville, Kansas The Avery Coonley School, Downers Grove, Illino
Opposite: Lot 110 Ralston Crawford (American, 1906-1978), Smith Silo, Exton, 1936-7
CONTENTS
Opposite: Lot 417 Marc Chagall (French/Russian, 1887-1985) L’ arche portée à par David a Jérusalem, 1955-56
AMERICAN ART
LOTS 1 – 141 6
EUROPEAN ART
LOTS 142 – 379
44
WORKS ON PAPER
LOTS 380 – 466
100
ARTIST INDEX
126
GLOSSARY OF TERMS
129
AUCTION INQUIRIES
132
CONDITIONS OF SALE
134
TELEPHONE / ABSENTEE BID FORM
136
American Art | Lots 1 – 141
Opposite: Lot 6 George Inness (American, 1825-1894), Sunset
1
3
4
5
1
2
4
Charles Harold Davis
William Baptiste Baird
Charles Haydon
(American, 1856-1933) Afternoon Shade, Summer oil on canvas signed C. H. Davis (lower left) 25 x 30 inches. Provenance: William McBeth, New York (label on verso) Exhibited: Gerald Peters, New York, NY, The Intimate Landscape of Charles Harold Davis, October 11th - November 10th 2007 $6,000-8,000
(American, 1847-1899) Country Landscape with Cattle and Sheep oil on canvas signed Baird (lower right) 13 x 18 inches. Provenance: Guarisco Galler Ltd., Washington, DC, April 7, 1998. $200-400 3
Edward Herbert Barnard
(American, 1855-1909) Chatham Locust Forest oil on canvas signed Edward Barnard (lower right) 20 x 27 1/4 inches. Provenance: Vose Galleries, Boston, Massachusetts $1,500-2,500
8
AMERICAN AND EUROPEAN ART
(American, 1856-1901) Cows by the River oil on canvas signed C. H. Haydon (lower right) 17 x 21 inches. Provenance: Vose Galleries, Boston, Massachusetts (label on verso) $800-1,200 5
William Keith
(Scottish/American, 1839-1911) Landscape oil on canvas signed Wm Keith S.F. (lower left) 22 x 28 inches. $2,000-4,000
6
George Inness
(American, 1825-1894) Sunset oil on canvas signed G. Inness (lower right) 36 x 52 inches. Provenance: The artist Acquired directly from the above by Elizabeth C. Franklin’s father in 1881 Thence by descent to Elizabeth C. Franklin Thence by descent to Abraham Brody in 1941 Thence by descent to Wayne F. Palmer in 1958 Thence by descent to present owner Note: Please contact us for the authentication report completed by Michael Quick auther of George Inness: A Catalogue RaisonnÊ, New Brunswick, New Jersey, 2007. $100,000-150,000
6
9
7
10
7
9
11*
Hermann Hartwich
Mathias Joseph Alten
Hy (Henry) Sandham
8
10
George Smillie
Walter Blackman
(American, 1853-1926) Train in the Marshes, 1893 oil on canvas laid to board signed H. Hartwich (lower left); titled and dated (verso) 10 x 15 1/2 inches. $800-1,200
(American, 1840-1921) The Homestead oil on canvas signed Geo. H. Smillie A. A. (lower right) 14 x 20 inches. Provenance: R. H. Love Galleries, Chicago, IL (label on verso) $1,500-2,500
10
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AMERICAN AND EUROPEAN ART
(American, 1871–1938) Horses, 1909 oil on board signed M. Alten and dated (lower right) 9 x 12 inches. $2,500-3,500
(American, 1847–1928) The Naughty Monkey oil on canvas signed Walter Blackman (lower left) 32 3/4 x 21 3/4 inches. $3,000-5,000
(Canadian, 1842-1910) Peasants on Cathedral Steps, 1906 oil on canvas signed Hy. Sandham and dated (lower right) 19 1/4 x 13 inches. Property from the Estate of William Davenport, Bloomfield Hills, Michigan $2,000-4,000 12
Howard Helmick
(Canadian/American, 1845-1907) Warming Fire, 1875 oil on canvas signed H. Helmick and dated (lower right) 18 5/8 x 16 1/2 inches. $1,500-2,500
13
15
17
Artist Unknown
Edward James Dressler
Walter Lofthouse Dean
14
16
18
Carducius Plantagenet Ream
Oliver Kemp
William Trost Richards
(American, 19th Century) Portraits of a Man and Woman (a pair of works) oil on canvas laid to board Each: 33 1/2 x 26 inches. $800-1,200
(American, 1837-1917) Portrait of a Woman oil on canvas signed C. P. Ream (lower right) 13 1/2 x 10 1/2 inches. $1,000-2,000
(American, 1859-1907) The Thoughtful Fisherman oil on canvasboard signed E.J.Dressler (lower right) 24 x 30 inches. $600-800
(American, 1854-1912) Sailboats at Dusk oil on canvas laid to board signed Walter L. Dean (lower left) 8 x 11 1/2 inches. $600-800
(American, 1887-1934) Tangled Lines oil on canvas signed Oliver Kemp (lower right) 21 1/2 x 30 5/8 inches. $7,000-9,000
(American, 1833-1905) Waves oil on board signed Wm.T. Richards (lower left) 7 1/2 x 14 inches. $4,000-6,000
15
16
18
11
19
23
19
21
23
25
George Ames Aldrich
Edmund Charles Tarbell
Frank Virgil Dudley
Albert Krehbiel
20
22
24
Allen Tucker
Frank Virgil Dudley
Leon Lundmark
(American, 1842-1941) The Marketplace, Honfleur oil on canvas signed G. Ames Aldrich (lower right) 36 x 29 1/2 inches. $4,000-6,000
(American, 1866–1939) Young Woman in a Pink Dress, 1916 oil on canvas signed Allen Tucker and dated (lower center) 24 x 20 inches.
(American, 1862-1938) Portrait of George Dempsey, 1929 oil on canvas signed Tarbell and dated (lower right) 30 x 25 inches. $2,000-4,000
(American, 1868-1957) Spring Landscape oil on board signed Frank V. Dudley (lower left) 12 x 15 3/4 inches. $800-1,200
Provenance: ACA Galleries, New York (label on verso) $1,500-2,500
12
AMERICAN AND EUROPEAN ART
(American, 1868-1957) A Truant Cloud oil on canvas signed Frank V. Dudley (lower right) 20 1/4 x 22 inches. $3,000-4,000
(American, 1875-1942) Red Rocks from Presque Isle oil on canvas board signed Lundmark (lower left) 13 x 17 1/2 inches. $300-500
(American, 1873-1945) Winter Scene (a group of four works) oil on canvas each signed Albert Krehbiel (lower center) Each: 10 x 14 inches. $3,000-5,000
26
John Henry Twachtman (American, 1853–1902) Normandy Inn, ca. 1884 oil on canvas 13 1/2 x 15 inches.
Provenance: Alden Twachtman, the artist’s son, Greenwich, Connecticut By descent in the family Signature Galleries, Chicago (label to verso) R. H. Love Galleries, Inc., Chicago (label to verso) Private collection acquired from the above in 1974 Private collection to the present owner Exhibited: possibly--J. Eastman Chase’s Gallery, Boston, Paintings and Pastels by John H. Twachtman, January 19-30, 1886, no. 10 (as Courtyard in Honfleur). This painting will be included in the forthcoming catalogue raisonné of the work of John Henry Twachtman by Lisa N. Peters, Ph.D. and Ira Spanierman. We would like to thank Dr. Peters for her help cataloguing this work. $10,000-15,000
26
13
27
28
30
32
John Henry Twachtman
Paul Strayer
Walter Emerson Baum
Eugene Edward Speicher
(American, 1853-1902) Winter Scene oil on board signed J. H. Twachtman (lower left) 6 3/4 x 9 1/2 inches. Provenance: Kristal Family Collection, Florida Sold: Leslie Hindman Auctioneers, September 24, 2013, lot 38 Acquired by the present owner at the above sale $6,000-8,000
(American, 1885–1981) Bear in Winter Cabin Scene, 1928 oil on canvas signed Paul Strayer and dated (lower left) 26 x 20 inches. $1,500-2,500 29
Robert Strong Woodward
(American, 1885-1957) A Winter Day, Buckland, MA oil on canvas signed Robert Strong Woodward (lower left) 25 x 30 inches. $4,000-6,000
(American, 1884-1956) Landscape with Pond oil on canvas signed W. E. Baum (lower right) 12 1/2 x 14 1/2 inches. $700-900
(American, 1883–1962) Waterfront oil on canvas signed Eugene Speicher (lower left); titled (stretcher) 16 x 20 inches. $2,000-4,000
31
Eugene Edward Speicher
(American, 1883–1962) Waterfall oil on canvas signed Eugene Speicher (lower right) 19 x 22 inches. $2,000-4,000
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28
29
14
AMERICAN AND EUROPEAN ART
33
33
35
Gustave Cimiotti
Alphonse T. Toran
(American, 1875-1969)Â Forever Bridge oil on canvas signed Cimiotti (lower left) 24 x 30 inches. $800-1,200 34
John Ellsworth Weis
(American, 1892-1962) Rocky Shore, 1933 oil on canvas signed J. E. Weis and dated (lower right) 14 3/4 x 17 1/14 inches. $1,500-2,500
35
(American, 1896-1965) Still Life of Peonies, 1943 oil on canvas signed A.T. Toran and dated (lower right) 36 x 36 inches. $1,000-2,000 36
Charles Galt
(American, b. 1884) Ballerina oil on canvas signed Galt (lower right) 16 x 20 inches. $800-1,200
36
15
37*
John George Brown
(American, 1831-1913) Girl with a Parasol and Grandmother, 1875 oil on canvas signed J.G. Brown and dated (lower right) 24 1/2 x 17 inches. Property from the Estate of Alling C. Brown, Lake Forest, Illinois Note: We believe this to be a second version of A Sunny Day (The Broken Parasol) sold by Christie’s, New York on November 30, 2011, lot 133. We would like to thank Ms. Martha Hoppin for her help reviewing this work. $10,000-15,000 37
16
AMERICAN AND EUROPEAN ART
39
40
42
38
39
41
Walter Clark
Ralph A. Blakelock
Alexander Helwig Wyant
Provenance: Acquired from the artist Estate of Eliot Clark RH Love Galleries, Chicago, 1978 Acquired from the above by the present owner
Provenance: Newhouse Galleries, New York Signature Galleries, Chicago, 1974 Acquired from the above by the present owner $2,500-3,500
Exhibited: Rahr-West Museum, 1980 RH Love Galleries, Walter Clark and Eliot Clark, A Tradition in American Painting, 1980 $800-1,200
40
(American, 1848-1917) Village Hillside oil on canvas signed Walter Clark (lower left) 14 x 18 inches.
(American, 1847-1919) Indian Encampment, c. 1875 oil on panel signed R. A. Blakelock (lower right) 6 x 14 inches.
William Sonntag
(American, 1822-1900) Landscape oil on canvas signed Sonntag (lower left) 31 x 47 1/2 inches. $5,000-7,000
(American, 1836–1892) Landscape oil on canvas signed A. H. Wyant (lower left) 16 x 20 inches. $2,000-4,000 42
Henry Pember Smith
(American, 1854-1907) Venice Scene oil on canvas signed Henry P. Smith (lower right) 14 x 17 1/2 inches. $2,000-4,000
17
43
45
Caleb Arnold Slade
Attributed to John Joseph Enneking
(American, 1882–1961) Village by the Sea oil on canvas board signed C. A. Slade (verso) 15 1/2 x 12 3/8 inches. $800-1,200 44
(American, 1841-1916) Sunset oil on canvas 12 1/4 x 16 3/4 inches. $600-800 46
Joseph Lyman
(American, 1843-1913) Sunset on the Main Coast, c. 1890 oil on academy board signed J. Lyman (lower right) 5 x 8 1/2 inches.
Gregory Orloff
(American/Russian, b. 1890) Michigan Dunes oil on canvasboard 20 x 24 inches. $400-600
Provenance: Thaler Collection, New York, 1975 Signature Galleries, Chicago Acquired from the above by the present owner $600-800
43
18
AMERICAN AND EUROPEAN ART
46
47
47
Abraham Manievich
(American/Russian, 1883-1942) Autumn Landscape, 1937 oil on canvas signed Manievich and dated (lower right) 24 x 26 inches. Provenance: Dr. Joseph Stern, Montreal By descent to a grandchild of Dr. Stern Acquired from the above by Mr. Krim, present owner This work is accompanied by a letter of authenticity from Alan Pensler. $20,000-30,000
19
48
50
51
Charles Paul Gruppe
Charles Paul Gruppe
Emile Albert Gruppe
(American, 1860-1940) Landscape with Sheep oil on canvas signed Chas P. Gruppe (lower left) 25 x 30 inches. $1,500-2,500
(American, 1860-1940) Fischerbactum Strande oil on canvas signed Chas. P Gruppe (lower left) 22 3/4 x 28 3/4 inches. $1,500-2,500
49
(American, 1896-1978) Eucalyptus Tree, St. Petersburgh, Florida oil on canvas signed Emile A. Gruppe (lower right) 24 x 20 inches. $4,000-6,000 52
Charles Paul Gruppe
Emile Albert Gruppe
(American, 1860–1940) Cutting Wood oil on canvas laid to board signed Chas. P. Gruppe (lower left) 11 3/8 x 14 3/4 inches.
(American, 1896-1978) Harbor Scene oil on canvasboard signed Emile A Gruppe (lower right) 11 1/4 x 13 1/4 inches. $1,500-2,500
Provenance: Campanile Galleries, Inc., Chicago (label on verso) $800-1,200
48
51
53
20
AMERICAN AND EUROPEAN ART
54
53
55
56
58
Cullen Yates
John Barber
John Barber
Claude Buck
Provenance: John Barber Estate Margaret DeRonde Barber, 1965 Signature Galleries, Chicago, 1975 Acquired from the above by the present owner
Provenance: John Barber Estate Margaret DeRonde Barbern, 1965 Signature Galleries, 1975 Acquired from the above by the present owner
Exhibited: Retrospective Exhibition, Signature Galleries, 1975 Prairie State College, Christopher Art Gallery, Hidden Treasures: An Exhibition of Contemporary Art from Chicago Southland Private Collections, June 2000 $600-800
Exhibited: Retrospective Exhibition, Signature Galleries, 1975 $400-600
(American, 1866-1945) Midsummer oil on canvas signed Cullen Yates (lower right) 12 x 16 inches. $2,000-4,000 54
William Chadwick
(American, 1879-1962) Rocky Shore, c. 1922-23 oil on canvas signed W. Chadwick (lower right) 20 x 24 inches. Provenance: Private Collection, Chadwick Estate O’Connell Collection, CT RH Love Galleries, Chicago, 1978 Acquired from above by the present owner Exhibited: Chicago, William Chadwick: An American Impressionist, RH Love Galleries, 1978 $5,000-7,000
(American, 1898-1965) Women at the Market Wagon, 1930-31 oil on canvas estate stamped (verso) 15 x 18 inches.
(American, 1898-1965) Portrait of Rita Barber oil on canvas signed John Barber (lower right) 15 x 12 inches.
57
Moses Soyer
(American, 1899-1974) Portrait of a Couple oil on board signed M. Soyer (lower right) 17 1/2 x 24 inches. $1,000-2,000
(American, 1890-1974) Woman With Bird (painting of nude on verso) oil on canvas signed Claude Buck (lower left) 30 x 20 inches. $1,000-2,000 59
Edward Chalmers Leavitt
(American, 1842–1904) Still Life with Grapes and Peaches, 1879 oil on canvas signed E. C. Leavitt and dated (lower right) 16 x 24 inches. Provenance: Berry-Hill Galleries, New York (label on verso) $2,000-4,000
21
60
60
61
62
Myron Barlow
Dines Carlsen
Olive Parker Black
(American, 1873-1937) Peasant Sewing oil on canvas signed Barlow (lower right) 40 x 40 inches. $8,000-12,000
22
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AMERICAN AND EUROPEAN ART
(American, 1901-1966) Still Life with Porcelain and Flowers oil on canvas signed Dines Carlsen (lower right) 22 x 18 inches. $2,000-3,000
(American, 1868–1948) Landscape oil on canvas signed Olive P. Black (lower left) 14 x 20 inches. $800-1,200
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65
63
65*
Robert Addison
Adam Emory Albright
(American, 1924-1988) Church Spires gouache on board signed R. W. Addison and dated (lower left) 26 1/2 x 19 1/2 inches. Property from a Private Collection to benefit Providence Life Services Resident Assistant Fund $2,000-4,000 64*
Adam Emory Albright
(American, 1862-1957) Children Sawing Firewood, 1901 oil on canvas signed Adam Emory Albright and dated (lower right) 18 x 18 inches. Property from the Collection of Richard Jones, Oak Brook, Illinois Provenance: R.H. Love Galleries, Chicago $3,000-5,000
66
(American, 1862-1957) Boy Chopping Firewood with Dog, 1901 oil on canvas signed Adam Emory Albright and dated (lower right) 16 x 20 inches. Property from the Collection of Richard Jones, Oak Brook, Illinois $3,000-5,000 66*
Adam Emory Albright
(American, 1862-1957) Boy Returning on Fishing Trip oil on canvas signed Adam Emory Albright (lower right) 25 1/2 x 18 inches. Property from the Collection of Richard Jones, Oak Brook, Illinois Provenance: R.H. Love Galleries, Chicago $4,000-6,000
23
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70
67
Harriet Randall Lumis
(American, 1870-1953) Along the River, c. 1923 oil on canvas signed Harriet R. Lewis (lower left); initialed HL (verso) 24 x 28 1/2 inches. Provenance: R.H. Love Galleries, Chicago Exhibited: Springfield, Missouri, Springfield Art Museum, Harriet Randall Lumis, An American Impressionist, December 4, 1977-January 1, 1978 The Butler Institute of American Art, Lumis Exhibit, 1978, cat. no.3 Chicago, Illinois, American Impressionist, 1870-1953 October 27-November 20, 1989 $6,000-8,000
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AMERICAN AND EUROPEAN ART
68
Harriet Randall Lumis
70
Harriet Randall Lumis
(American, 1870-1953) Study of Trees oil on canvas initialed HL (verso) 21 x 26 inches. $800-1,200
(American, 1870-1953) Composition oil on canvas signed Harriet R. Lumis (lower right); initialed HL (verso) 21 x 40 inches. $2,000-4,000
69
71*
Harriet Randall Lumis
Ida Marie Perrault
(American, 1870-1953) Early Morning Sunlight oil on canvas signed Harriet R. Lumis (lower right); initialed HL (verso) 24 1/2 x 28 1/4 inches. $600-800
(American, 1872-1929) Two Children Playing, 1905 oil on canvas signed I. Marie Perrault and dated (lower left) 24 x 18 inches. Propery from the Collection of John Jacobs, Chicago, Illinois $800-1,200
72
72*
Jessie Willcox Smith
(American, 1863-1935) I Love Little Pussy charcoal, gouache, watercolor and oil on board signed Jessie Willcox Smith (lower left) 23 1/4 x 17 inches. Property from the Collection of The Avery Coonley School, Downers Grove, Illinois $25,000-35,000
25
73
75
77
78
Jessie Arms Botke
Harriet Randall Lumis
Harriet Randall Lumis
Harriet Randall Lumis
(American, 1883-1971) Untitled (Medieval Fantasy) oil on board signed Jessie Arms Botke and dated (lower right) 19 x 14 inches. $4,000-6,000
(American, 1870-1953) November Evening oil on canvas 18 x 22 inches. $1,000-2,000
(American, 1870-1953) Old Maple (Study of Trees) oil on canvas 18 x 22 inches. $800-1,200
(American, 1870-1953) Overlook Cummington, circa 1921 oil on canvas signed Harriet R. Lumis (lower right) 24 x 28 inches.
76
Provenance: Academic Artists of Springfield, MA Signature Galleries, Chicago Acquired from the above by the present owner, 1977
Harriet Randall Lumis
74
Harriet Randall Lumis (American, 1870-1953) Summer Shower oil on canvas initialed HL (verso) 21 x 26 inches. $1,000-2,000
(American, 1870-1953) Swamp Brook oil on canvas initialed HL (verso) 18 x 12 inches. $600-800
Exhibited: Traveling Exhibition, Harriet Randall Lewis, RH Love Galleries, 1977-1978 Literature: Harriet Randall Lewis, exhibition catalogue, RH Love Galleries, no. 45, pg. 43, illustrated $6,000-8,000
73
74
78
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AMERICAN AND EUROPEAN ART
79
79*
Birger Sandzen
(American, 1871-1954) Pacific Coastline, 1950 oil on board signed Birger Sandzen (lower right) 22 1/2 x 28 inches. Property from the Estate of Marjorie J. Hagstrom, Kansas City, Missouri Provenance: Konstverk Gallery, Lindsborg, Kansas $50,000-70,000
27
80
Gayle Hoskins
(American, 1887-1962) Call of the Wild oil on board signed Gayle Hoskins (lower left) 30 x 20 inches. Provenance: Signature Galleries, Chicago Acquired from the above by the present owner $1,000-2,000 81
Anne Carleton
(American, 1878-1968) The Toilers oil on canvas signed Anne Carleton (lower right) 22 x 30 inches.
81
Provenance: Sold: Sotheby’s, New York, September 23, 1988 $1,500-2,500 82
Jean Adams
(American, 1884-1972) Vase of Flowers oil on canvas signed Jean Adams (lower right) 23 1/2 x 17 1/2 inches. $600-800 83
Ada Shulz
(American, 1870-1928) Picking Flowers, c. 1910 oil on canvas signed Ada R. Shulz (lower right) 16 x 20 inches. Provenance: R. H. Love Galleries, Inc., Chicago (label on verso) $8,000-12,000
83
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AMERICAN AND EUROPEAN ART
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Mervin Jules
(American, b. 1912) The Portrait oil on masonite signed Jules (lower left) 13 7/8 x 15 1/8 inches. Provenance: ACA Galleries, New York (labels to verso) $600-800
85
86
87
George Josimovich
George Josimovich
Gifford Beal
(American, 1894-1986) Portrait (Frieda Kraines), c. 1929 oil on canvas signed G. Josimovich (upper right) 30 x 25 inches. Provenance: Robert Henry Adams Fine Art, Chicago (label to verso) $2,000-4,000
(American, 1894–1986) Housekeeper, 1929 oil on canvas signed G. Josimovich and dated (lower right) 24 x 20 inches. Provenance: Robert Henry Adams Fine Art, Chicago (label to verso) $2,000-4,000
(American, 1879-1956) The Prow oil on canvas signed Gifford Beal (lower left) 36 x 48 inches. Provenance: Robert Henry Adams Fine Art, Chicago $8,000-12,000
29
88
89
90
91
Charles Webster Hawthorne
Eliot Candee Clark
Eliot Candee Clark
John Rettig
(American, 1872–1930) Summer of 1927 at Provincetown oil on canvas signed Charles W. Hawthorne and titled (verso) 26 x 22 inches. Property from the Collection of Edith Scala Hampson $2,000-4,000
(American, 1883-1980) Chadd’s Ford oil on canvas 20 x 16 inches. Provenance: Estate of the artist RH Love Galleries, Chicago, 1978 Acquired from the above by the present owner
(American, 1883-1980) Provincetown Dunes oil on canvas signed Eliot Clark (lower right) 30 1/8 x 49 1/2 inches. $1,500-2,500
(American, 1860–1932) The Nautilus, Provincetown Pier, Cape Cod, 1924 oil on board signed John Rettig and dated (lower right) 12 1/2 x 15 3/4 inches. $600-800
Exhibited: Rahr-West Museum, 1980 Chicago, RH Love Galleries, Walter Clark and Eliot Clark, A Tradition in American Painting, 1980 $1,000-2,000
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90
91
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AMERICAN AND EUROPEAN ART
92
93
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96
William Wendt
Janius Allen
No Lot
Edna Hibel
(American, 1865-1946) Landscape with Dappled Sunlight oil on canvas signed W. M. Wendt (lower left) 11 3/4 x 16 inches. $8,000-12,000
(American, 1898-1962) Passaic River Boats oil on canvas signed Junius Allen (lower right) 20 x 24 inches. Provenance: Private Collection RH Love Galleries, 1979 Acquired from the above by the present owner $2,000-4,000
(American, b. 1917) Woman with Child oil on silk laid to masonite signed Hibel (lower right) 29 1/4 x 18 1/2 inches. $500-700
95
Francesco J. Spicuzza
(American, 1883-1962) Bather oil on canvas signed F. Spicuzza (lower right) 26 x 21 1/2 inches. $2,000-4,000
92
93
31
97
98
99
97
99
Seymour Fogel
Jon Legere
Provenance: Thomas McCormick Gallery, Chicago, IL $2,000-4,000
100
(American, 1911-1984) Still Life, c. 1941 oil on canvas signed Fogel (lower right) 48 x 36 inches.
98*
Guy A. Wiggins
(American, 1920) A Feast of Blue Points oil on canvas signed Guy A. Wiggins (lower right) 20 x 16 inches. Property from the Collection of the Braverman Family, Highland Park, Illinois $2,000-4,000
32
AMERICAN AND EUROPEAN ART
(American, 1944-1996) The Park, 1973 oil on canvas signed Jon Legere and dated (lower left) 16 1/8 x 22 1/8 inches. $1,000-2,000
Johann Berthelsen
(American, 1883–1972) Washington Square oil on canvas signed (lower right); titled (verso) 25 x 30 inches. Note: The authenticity of this work has been confirmed by The Johann Berthelsen Conservancy. $5,000-7,000
100
101
102
103*
Robert Kipniss
Robert Kipniss
Robert Kipniss
(American, b. 1931) Winter Storm oil on canvas signed Kipniss (lower right) 34 x 36 inches. $4,000-6,000
(American, b. 1931) Tree Lined River oil on board signed Kipniss (lower left) 14 x 19 1/2 inches. $2,000-4,000
(American, b. 1931) Tree Row Near the Berkshire Foothills oil on canvas signed Kipniss (lower left) 40 x 48 inches. Property from the Collection of Paul Elfenbein, Poughkeepsie, New York $4,000-6,000
101
102
103
33
104
105
104
105
106
John Storrs
Helen Hamilton
Gordon Phillips
(American, 1885-1956) L’Automne III, 1948 oil on canvas titled and dated (verso) 24 x 30 inches. Provenance: Robert Henry Adams Fine Art, Chicago $8,000-12,000
34
106
AMERICAN AND EUROPEAN ART
(American, 1889-1970) The Old Mill Near Silvermine oil on canvas signed Helen Hamilton (lower right) 25 x 30 1/2 inches. $3,000-5,000
(American, b. 1927) The Beacon oil on canvas signed Gordon Phillips (lower left) 21 x 30 inches. Provenance: J. N. Bartfield Galleries, New York (label on verso) $4,000-6,000
107
108
109
Aaron Bohrod
Joyce Wahl Treiman
James Penney
(American, 1907-1992) Orleans Street, Chicago, 1933 oil on board signed Aaron Bohrod and dated (lower left) 22 x 26 inches. Provenace: Edwin A. Ulrich Museum of Art, Wichita, Kansas Sold: Bunte Auction Services, Elgin, Illinois, November 28, 2004, Lot 1277 $5,000-7,000
(American, 1922–1991) Anemones and others, 1990 oil on canvas board signed Treiman and dated (lower left); titled (verso) 20 x 16 inches. $500-700
(American, 1910-1982) Studio West 58th Street, 1936-37 oil on canvas signed Penney (lower right) 48 x 36 inches. $800-1,200
107
108
109
35
One of the most prestigious American painters of the early 20th Century, Ralston Crawford is best known for his Precisionist artworks. Like many American artists during the early 1930s, he was searching for a distinctly American artistic vernacular in an environment that was increasingly impersonal, mechanized and industrial. The Precisionist style emphasized planar shapes, smooth texture and flat colors, tenets borrowed from the Cubist vocabulary, to depict the life of the American city. Crawford gravitated toward the style, having been introduced to Cubism and purist compositions while in Paris. By the early 1930s, his paintings of architectural and industrial subjects reveal the simplification and refinement of form and color that exemplify the modern style. From 1934 to the early 1940s, Crawford’s compositions rely on massed geometric forms that reduce his architectural subjects to flat planes and cylinders devoid of humanity. In search of intriguing industrial and agricultural material, the artist worked in Chadds Ford and Exton Pennsylvania from 1934 to 1939. It was here that he executed Smith Silo, Exton. Painted with geometric simplicity and clarity, in Smith Silo, Exton, Crawford used a vibrant color scheme to depict the rust red and straw yellow barn and silo, set against a cloudless blue sky. The color areas and adjoining planes are distinct, sharply divided from each other by the artist’s precise lines. The diagonal shapes of the roof barn and walls thrust the structure forward, giving it a commanding physical presence. The distillation of forms into flat angular planes to create a work of incredible visual power testifies to Crawford’s extraordinary skill in merging abstraction with recognizable imagery.
36
AMERICAN AND EUROPEAN ART
110
110
Ralston Crawford
(American, 1906-1978) Smith Silo, Exton, 1936-37 oil on canvas signed Crawford (lower right); signed, titled and dated (stretcher bar) 30 x 36 inches. Provenance: Gift from the Artist to Mr. Henry Hotz, Jr., Dean of Arts, Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania Gifted to Mr. Stanley Smith, Philadelphia, Pennsylvania Thence by descent to Ms. Dorothy Wells, Cincinnati, Ohio Thence by descent to present owner $300,000-500,000
37
111
Matilda Brown
(American, 1869-1947) Untitled oil on canvas signed Matilda Brown (lower right) 10 1/2 x 13 1/2 inches. $1,000-2,000 112
Artist Unknown
(20th century) Train Scene oil on canvas signed illegibly (lower right) 16 x 24 inches. $600-800 113
Lawrence Adams
(American, 1905-1985) Crossing the Tracks oil on canvas signed L. Adams (lower right) 12 x 16 inches. $200-400 114
Tillman Goodan
(American, 1896-1958) The Outlaw oil on canvas signed Till Goodan (lower left) 24 x 20 inches. $4,000-6,000 115*
Ray Swanson 114
(American, 1937-2004) The Sheepshearers oil on canvas signed Ray Swanson (lower right) 23 1/2 x 35 inches. Property from the Estate of Allen Lasky, St. Louis, Missouri $5,000-7,000 116
Walter Lawrence
(American, 20th century) Kansas Landscape oil on canvas signed W. Lawrence (lower right) 22 x 28 inches. $300-500
115
38
AMERICAN AND EUROPEAN ART
117
Karl Albert
(American, 1911-2007) Desert Scene oil on canvas signed Karl Albert (lower left) 23 1/4 x 17 1/2 inches. $500-700 118
Karl Albert
(American, 1911-2007) Edge of Morning oil on canvas signed Karl Albert (lower left) 23 1/4 x 17 1/2 inches. $500-700 119
Lawrence Adams
(American, 1905-1985) Men Sitting, c. 1935 oil on canvasboard signed L. Adams (lower right) 14 1/2 x 10 1/4 inches. Provenance: The collection of Thoma Hart Benton and Rita Piacenza Benton Aaron Galleries, Chicago $200-400
117
120
Morris Broderson
(American, 1928-2011) Standing Boy, c. 1940 oil on canvas signed M. Broderson (lower right) 40 x 30 inches. $800-1,200
118
39
121
124
123
121
122*
123
124
William Clusmann
Frederick D. Ogden
Joyce Wahl Treiman
J.J. Enwright (Hjalmar Amundsen)
(American, 1859–1927) Chicago Harbor oil on canvas signed W. Clausmann (lower left) 30 x 24 inches. $2,500-3,500
(American, 1892-1948) Riverscape oil on canvas signed Frederick D. Ogden (lower left) 24 x 36 inches. Property from the Collection of Daniel Swan, Round Lake Beach, Illinois $500-700
(American, 1922-1991) Venice California, Ducks II, 1977 oil on canvas signed Treiman (lower left) 50 x 59 3/4 inches. Provenance: Sold: Christie’s, New York, July 17, 2012 , lot 243 $1,000-2,000
40
AMERICAN AND EUROPEAN ART
(American, 1911-2001) Harbor Scene oil on canvas signed J.J. Enwright (lower right) 28 x 38 inches. Provenance: Frank Gruberman Collection; Estate of Lillian Gruberman Thence by descent to the present owner $800-1,200
125
126A*
128
131
Michael Coleman
Andrew Loomis
Macena Alberta Barton
Macena Alberta Barton
(American, b. 1946) 3 1/2 Fathom Hudson Bay Canoe oil on panel signed Michael Coleman (lower right); titled (verso) 12 x 24 inches. Provenance: J. N. Bartfield Galleries, New York (label on verso) $4,000-6,000 126*
Albert Hampson
(American, 1911-1990) Sufer Girl oil on masonite signed Albert Hampson (lower right) 16 x 20 inches. Property from the Collection of Edith Scala Hampson, Chicago, Illinois $1,000-2,000
(American, 1892–1959) Family Man, 1939 oil on canvas signed Andrew Loomis (lower right); signed and dated (verso) 32 x 32 inches. Property from the Collection of Edith Scala Hampson, Chicago, Illinois Lot note: This illustration was featured in a 1939 issue of Ladies’ Home Journal. $2,000-4,000 127
Denver Gillen
(American, 1914-1975) Floating Gardens of Xochimilco Mexico, 1965 oil on board signed Denver L. Gillen and dated (lower left) 28 x 21 3/4 inches. $500-700
(American, 1901–1986) Still Life with Fruit oil on canvas signed Macena Barton (lower right) 20 x 24 inches. $600-800 129
Macena Alberta Barton
(American, 1901–1986) Still Life with Bust, 1946 oil on canvas signed Macena Barton and dated (lower left) 30 x 34 inches. $300-500 130
Macena Alberta Barton
(American, 1901–1986) Still Life with Basket of Peaches, 1967 oil on canvas signed Macena Barton and dated (lower right) 18 x 24 inches. $300-500
(American, 1901–1986) Still Life with Purple Pitcher, 1970 oil on canvas signed Macena Barton and dated (lower left) 28 x 30 inches. $600-800 132*
Chaim Gross
(American, 1904-1991) Mother and Child bronze signed Chaim Gross (lower back) Height 12 1/4 inches. Property from the Collection of Pearl Siegel, Hollywood, Florida Provenance: Harry N. Abrams, Inc. New York City, New York $1,000-2,000
125
126A
126
41
136
137
133
135
137
Gabriel Spat
Gabriel Spat
André Gisson
(American, 1890-1967) La Famille oil on canvas signed Spat (lower left) 10 1/4 x 5 1/8 inches. Property from a Private Collection, Ocala, Florida $400-600
(American, 1890-1967) Pope Pius XII oil on canvas signed Spat (lower left) 18 x 14 inches. Property from a Private Collection, Ocala, Florida $400-600
134
136
Gabriel Spat
André Gisson
(American, 1890-1967) Course a Longchamp oil on board signed Spat (lower left) 5 3/4 x 8 inches. Property from a Private Collection, Ocala, Florida $400-600
42
138
AMERICAN AND EUROPEAN ART
(American, 1921-2003) L’Arc de Triomphe oil on canvas signed Andre Gisson (lower right) 24 x 30 inches. $1,500-2,500
(American, 1921–2003) Floral Still Life oil on canvas signed Gisson (lower right) 24 x 30 inches. $1,000-2,000 138
André Gisson
(American, 1921-2003) Landscape with Figures oil on canvas signed A. Gisson (lower left) 9 x 12 inches. $600-800
139
140
141
Henry Bacon
Charles Hoffbauer
Henry Scott
(American, 1839-1912) Paris, 1889 oil on canvas signed Henry Bacon and dated (lower left) 20 x 30 inches. $4,000-6,000
(French/American, 1875-1957) Taking of the Bastille oil on canvas signed Hoffbauer (lower left) 20 1/2 x 29 1/2 inches. $2,000-4,000
(American, 1901-1989) Clipper Ship “City of Adelaide,” c. 1976 oil on canvas signed Henry Scott (lower right) 29 3/4 x 50 inches. $1,200-1,800
139
140
141
43
European Art | Lots 142 – 379
Opposite: Lot 333 Edouard Léon Cortès (French, 1882–1969) The Flower Market
143
144
146
142
144
146
After Gills van Tilborgh
After Gerard Thomas
Circle of Jacob van Ruisdael
143
145
Manner of Cornelis de Vos
Attributed to Abraham van Beyeren
(Flemish, ca. 1635-1678) Three Figures in an Exterior oil on canvas 20 1/2 x 15 inches. $800-1,200
(Flemish, 1585–1651) Portrait of a Man oil on canvas 44 x 33 inches. $2,000-4,000
46
AMERICAN AND EUROPEAN ART
(Dutch, late 17th century) Alchemist’s Lab oil on canvas 24 x 29 inches. $1,000-2,000
(Dutch, 1620-1690) Still Life with Knife and Goblet oil on panel 12 x 9 inches. $1,000-2,000
(Dutch, 17th Century) Landscape with Ruins oil on panel signed Bremberg/No.14 (verso); faint trace of a triangular stamp 12 x 17 5/8 inches. $2,000-4,000
147
149*
151*
Jacob Eduard Heemskerck van Beest
Willem van den Berg
Willem van den Berg
(Dutch, 1828-1894) Amsterdam Harbor oil on canvas signed v. Heemskerck (lower right) 33 x 54 inches. $8,000-12,000 148
Cornelis Bouter
(Dutch, 1888-1966) Mother Feeding Children oil on canvas signed Cor. Bouter (lower right) 25 1/4 x 30 inches. $2,000-3,000
(Dutch, 1886-1970) Portrait of a Woman oil on panel signed (lower right); signed and titled (verso) 5 3/8 x 8 3/4 inches. Property from the Collection of Sally Smith Carlson, Chicago, Illinois $500-700
(Dutch, 1886-1970) House at the Harbor oil on panel signed Willem van den Berg (lower right) 7 1/2 x 10 5/8 inches. Property from the Collection of Sally Smith Carlson, Chicago, Illinois $800-1,200
150*
Willem van den Berg
(Dutch, 1886-1970) Portrait of a Man oil on panel signed (lower right); signed and titled (verso) 6 x 8 1/2 inches. Property from the Collection of Sally Smith Carlson, Chicago, Illinois $500-700
147
148
47
152
152
Johannes Helder
(Dutch, 1842–1913) The Fisher’s Hut oil on canvas laid to board signed Johs. Helder (lower left) 32 3/4 x 37 inches. $10,000-15,000
48
AMERICAN AND EUROPEAN ART
153
157
154
153
155
157
159
Bernardus Johannes Blommers
Niek van der Plas
Niek van der Plas
Jacob Dooijewaard
154
156
158
Cornelis Vreedenburgh
Niek van der Plas
Niek van der Plas
(Dutch, 1845-1914) Village Scene oil on canvas signed Blommers (lower right) 22 1/2 x 26 inches. $4,000-6,000
(Dutch, 1880-1946) Fisherman oil on canvas signed C. Vreedenburgh (lower right) 23 x 25 inches. $3,000-5,000
(Dutch, b. 1954) Beach oil on panel signed van der Plas (lower right) 10 x 12 inches. $1,200-1,800
(Dutch, b. 1954) Beach oil on panel signed van der Plas (lower right) 11 x 17 inches. $1,500-2,500
(Dutch, b. 1954) Beach oil on panel signed van der Plas (lower right) 16 x 24 inches. $2,000-4,000
(Dutch, b. 1954) Beach oil on panel signed van der Plas (lower right) 16 x 20 inches. $1,500-2,500
(Dutch, 1876-1969) Standing Woman and Boy with Guitar oil on panel signed J. Dooijewaard and dated (top left) 13 1/2 x 9 1/2 inches. $600-800 160
Willem van Nieuwenhoven
(Dutch, 1879-1973) Warming by the Fire, 1906 oil on canvas signed Willem van Nieuwenhoven and dated (lower left) 17 x 13 1/4 inches. $800-1,200
49
161
163
165
167
Willem van den Berg
Willem van den Berg
Henk Bos
Jacob Dooyewaard
(Dutch, 1886-1970) Man with White Cap, 1966 oil on board initialed W. and dated (lower center) 15 3/4 x 11 3/4 inches. $1,000-2,000 162
Willem van den Berg
(Dutch, 1886-1970) Landscape oil on board signed Willem V.D. Berg (lower lefr) 4 3/8 x 11 3/4 inches. $800-1,200
(Dutch, 1886-1970) Vase of Flowers oil on panel signed Willem van den Berg (lower right) 28 x 19 3/4 inches. $1,000-2,000
(Dutch, 1901-1979) Picture with Onions oil on canvas signed Henk Bos (lower right) 13 1/2 x 14 inches. $600-800 166
164
Willem van den Berg
Henk Bos
(Dutch, 1886-1970) Portrait of a Man oil on board signed Willem van den Berg (lower left) 8 3/8 x 6 inches. $1,500-2,000
(Dutch, 1901-1979) Still Life with Apples oil on canvas laid to board signed (lower right) 13 x 11 1/2 inches. $600-800
163
50
AMERICAN AND EUROPEAN ART
(Dutch, 1876-1969) Snowy Evening, 1940 oil on canvas signed J. Dooyewaard and dated (lower left) 23 1/2 x 21 1/2 inches. $1,000-2,000 168
Evert-Jan Ligtelijin
(Dutch, 1893-1975) Seated Woman Near Fire oil on board signed EJ Ligtelijin (lower left) 19 3/8 x 15 1/2. $1,000-2,000
167
173
169
174
169*
171
173
Jan Rijlaarsdam
Wilhelm Arnesen
Peder Mork Monsted
172
174
Wilhelm Arnesen
Charles Kvapil
(Dutch, 1911-2007) Arles oil on canvas signed Rijlaarsdam (lower right) 32 x 40 inches. Property from the Collection of Sally Smith Carlson, Chicago, Illinois $1,500-2,500 170
Wilhelm Arnesen
(Danish, 1865-1948) Sailboat off the Coast, 1908 oil on canvas signed Wilh Arnesen and dated (lower left) 24 x 34 inches. $500-700
(Danish, 1865-1948) Coastal Scene, 1889 oil on canvas signed Wilh Arnesen and dated (lower left) 26 x 41 inches. $800-1,200
(Danish, 1865-1948) Sailing the Open Seas, 1890 oil on canvas signed Vilh Arnesen and dated (lower left) 37 1/2 X 55 1/2 inches. $3,000-5,000
(Danish, 1859-1941) Sunset over the Vik, 1897 oil on canvas signed P Monsted and dated (lower left) 23 3/4 x 13 1/4 inches. $10,000-15,000
(Belgian, 1884-1957) Flowers, 1938 oil on canvas signed Kvapil and dated (lower left) 18 1/4 x 24 inches. Property from a Private Collection, Ocala, Florida $2,000-4,000
51
175
176
175
177
179
Charles Kvapil
Johann Georg Trautmann
Louis Ammy Blanc
(Belgian, 1884-1957) Flowers oil on canvas signed Kvapil 25 5/8 x 28 3/4 inches. Property from a Private Collection, Ocala, Florida $2,000-4,000 176
Herman Gustav Simon
(German, 1846-1997) Tending the Garden, 1887 oil on canvas signed H. Simon and dated (lower left) 16 x 20 inches. $1,500-2,500
52
179
AMERICAN AND EUROPEAN ART
(German, 1713-1769) Market in the Castle, 1756 oil on canvas signed J. G. Trautman and dated (verso) 14 x 17 1/2 inches. $1,000-2,000
(German, 1810-1885) Woman at Her Bath oil on canvas signed LA Blanc (lower right) 23 1/2 x 14 inches. $1,000-2,000
178
Alfred Thielemann
Carl Ludwig Fahrbach
(German, 1835-1902) Woman in Forest, 1889 oil on canvas signed C. L. Fahrbach and dated (lower right) 18 x 26 inches. $400-600
180 (German, 1851-1927) Hohenschwangau, Herbst, 1922 oil on canvas signed A. Thielemann and dated (lower right); titled (verso) 15 x 23 inches. $400-600
181
183
Gustav Mesmer
Jacob Alt
182
184
Anton Braith
Eugene de Blaas
(German, b. 1865) Ducks in Pond oil on canvas signed G. Mesmer (lower right) 19 x 29 1/2 inches. $200-400
(German, 1836-1905) Cows oil on canvas signed A. Braith (lower right) 22 3/4 x 37 inches. $3,000-5,000
(Austrian/German, 1789–1872) Ruins Landscape oil on canvas signed Alt Roma (lower right) 19 1/2 x 34 inches. $4,000-6,000
(Austrian, 1843-1932) Overwhelmed by Emotion oil on canvas signed Eug. o de Blaas (lower right) 34 1/4 x 17 inches. Provenance: Sold: Christie’s London, South Kensington, September 10, 2015, lot 139 Acquired by the present owner from the above sale $8,000-12,000
182
183
184
53
185
187*
189*
191
Oskar Gross
Alexander Pock
Zivko Zic
Janos Viski
(Austrian, 1871-1963) Fiddler with Dog oil on canvas signed Oskar Gross (lower left) 27 18/2 x 19 3/8 inches. $1,000-2,000 186*
Georg Geyer
(Austrian, 1823-1912) Estate Garden oil on board signed lower right 16 1/2 x 20 1/2 inches. Property from the Estate of William Davenport, Bloomfield Hills, Michigan $800-1,200
(Austrian, 1871–1950) Calvary Officer, 1929 oil on board signed Alexander Pock (lower right) 12 x 9 1/2 inches. Property from the Collection of Michael Burny, Los Angeles, California $1,500-2,500 188
Leopold Till
(Croatian, b. 1924) Children in the Park, At the Beach, The Park Bench, and Reading the Newspaper (four works) oil on panel each signed Z. Zic (lower right) Largest: 9 3/4 x 13 1/4 inches. Property from the Collection of Sally Smith Carlson, Chicago, Illinois $800-1,200 190
(Austrian, 1830-1893) A Hero’s Retreat, 1879 oil on canvas signedTill Leopold and dated 16 1/4 x 19 3/4 inches. $800-1,200
Janos Viski
(Hungarian, 1891-1987) Les Chevaus oil on canvas signed J. Viski (lower right) 19 1/2 x 25 3/4 inches. Property from a Private Collection, Ocala, Florida $600-800
(Hungarian, 1891-1987) Les chevaux oil on canvas signed Viski J. (lower right) 45 1/4 x 65 inches. Property from a Private Collection, Ocala, Florida $800-1,200 192*
Celesztin Pallya
(Hungarian, 1864–1948) Woman at Village Market oil on panel signed Pallya. C (lower right) 5 3/4 x 8 3/4 inches. Property from the Collection of Michael Burny, Los Angeles, California $700-900
188
190
191
54
AMERICAN AND EUROPEAN ART
197
198
199
193
195
197
199*
Janos Viski
Gustav Adolph Mordt
Charles Kvapil
Eugène Rémy Maes
(Hungarian, 1891-1987) Les checaux au gallop oil on linen signed Viski J. (lower right) 13 1/8 x 21 7/8 inches. Property from a Private Collection, Ocala, Florida $500-700 194
Svend Svendsen
(Norwegian, 1864-1945) Snowy Path oil on canvas signed Svend Svendsen (lower right) 24 1/4 x 18 1/4 inches. $600-800
(Norwegian, 1826-1856) Moonlight oil on canvas signed G.A. Mordt (lower right) 8 1/2 x 10 3/4 inches. $800-1,200 196
Svend Rasmussen Svendsen
(Norwegian/American, 1864-1944) Church in Sweden oil on canvas signed Svend Svendsen (lower right) 26 x 36 inches. $800-1,200
(Belgian, 1884-1957) Nu, 1932 oil on canvas signed Kvapil and dated (lower right) 46 x 35 1/4 inches. Property from a Private Collection, Ocala, Florida $3,000-5,000
(Belgian, 1849-1931) Sheep oil on canvas signed Eu. van Sluys (verso) 23 7/8 x 31 3/4 inches. Property from the Collection of Carl and Virginia Ziegler, Coffeyville, Kansas $4,000-6,000
198*
Eugène Rémy Maes (Belgian, 1849-1931) Sheep in a Barn oil on panel signed indiscernibly (upper left) 10 1/2 x 14 1/8 inches. Property from the Collection of Richard Jones, Oak Brook, Illinois $1,500-2,500
55
200
200
Alfred von Wierusz-Kowalski (Polish, 1849-1915) Water Break oil on canvas signed A Kowalski (lower right) 20 3/4 x 17 inches. $10,000-15,000
56
AMERICAN AND EUROPEAN ART
201
203
Wladyslaw Wankie
Arnold Lakhovsky
(Polish, 1860-1925) Beach at Deauville oil on canvas signed Wladyslaw Wankie (lower right) 17 1/2 x 30 inches. $2,000-4,000 202
Isaac Pailes
(Ukrainian, 1895-1978) Bouquet de Fleurs, 1920 oil on canvas signed I. Pailes (lower right) 18 x 15 inches. Property from a Private Collection, Ocala, Florida $1,500-2,500
(Ukranian, 1888-1937) Paysage De Neige oil on canvas signed Arnold Lakhovsky (lower right) 23 5/8 x 28 1/2 inches. Property from a Private Collection, Ocala, Florida $4,000-6,000 204
Arnold Lakhovsky
(Ukranian, 1888-1937) Le village, 1915 oil on canvas signed Arnold Lakhovsky and dated (lower right) 26 3/4 x 32 inches. Property from a Private Collection, Ocala, Florida $4,000-6,000
201
203
204
57
204A
205
206
Abraham Walkowitz
David Davidovich Burliuk
Boris Izrailovich Anisfeld
(American/Russian, 1878-1965) The Bathers oil on canvas signed A. Walkowitz (lower right) 40 x 26 inches. Provenance: David Barnett Gallery, Milwaukee, Wisconsin Acquired by the present owner from the above $6,000-8,000
(American/Ukranian, 1882-1967) Still Life with Flowers on the Shore, 1953 oil on canvas signed Burliuk and dated (lower left) 27 x 17 3/4 inches. This work is accompanied by a certificate of authenticity from the Burliuk Committee and will be included in catalogue raisonné of the artist’s work. $6,000-8,000
(Russian, 1879-1973) Horses at the Stream, 1934 oil on board signed Boris Anisfeld and dated (lower right) 20 x 25 inches. The present work had been authenticated by Boris Anisfeld’s grandson and recognized expert on the artist, Charles Chatfield-Taylor, and is accompanied by a letter of authenticity from Shepherd Gallery. $7,000-9,000
204A
205
58
AMERICAN AND EUROPEAN ART
206
207
208
209
207
208
209*
Helena Adamoff
Mikhail Aleksandrovich Kokin
Vasili Dimitrievich Polenov
(Russian, b. 1906) Le jour de mariage, 1970 oil on canvas signed Helena Adamoff (lower right) 15 x 21 5/8 inches. $500-700
(Russian, 1921-2009) After the Rain oil on canvas signed M. Kokin (lower right) 25 5/8 x 19 5/8 inches. $700-900
(Russian, 1844–1927) Wooded Landscape oil on canvas laid to board signed (lower left) 9 x 13 inches. Property from the Collection of Oksana Stashis, Chicago, Illinois $10,000-15,000
59
210
211
210*
211*
Vladimir Egorovich Makovsky
Lev Felixovich Lagorio
(Russian, 1846–1920) The Letter, 1912 oil on canvas laid to board initialed and dated (lower left) 8 1/4 x 8 1/2 inches. Property from the Collection of Oksana Stashis, Chicago, Illinois $3,000-5,000
60
AMERICAN AND EUROPEAN ART
(Russian, 1827–1905) Shoreline oil on paper laid to board signed (lower right) 3 3/8 x 5 3/8 inches. Property from the Collection of Oksana Stashis, Chicago, Illinois $3,000-5,000
212*
213*
Illarion Mikhailovch Pryanishnikov
Aleksandr Aleksandrovich Kiselev
(Russian, 1840-1894) Wooded Landscape oil on panel signed (lower right) 10 1/4 x 16 1/4 inches. Property from the Collection of Oksana Stashis, Chicago, Illinois $3,000-5,000
(Russian, 1838-1911) Summer Landscape, 1884 oil on canvas signed and dated (lower right) 11 3/4 x 21 inches. Property from the Collection of Oksana Stashis, Chicago, Illinois $8,000-12,000
212
213
61
214*
216
218
Konstantin Alexeievitch Korovin
Nicola Simbari
Alex Tschernjawski
(Russian, 1861–1939) Paris at Night oil on board signed Konstatin Korovin (lower left); stamped on verso 13 x 16 inches. Property from the Estate of Sergei Denham, New York, New York $8,000-12,000 215
Itzchak Tarkay
(Israeli, 1935-2012) Women Sitting at Table oil on canvas signed Tarkay (lower right) 32 x 28 inches. $3,000-5,000
(Italian, 1927-2012) Woman by a Tree oil on canvas signed Simbari (lower right) 24 x 20 inches. $1,500-2,000 217
(American/Yugoslavian, b. 1933) Portrait oil on canvas signed A. Tschernjawski (lower right); signed (verso) 36 x 18 inches. $700-900 219
Nicola Simbari
(Italian, 1927-2012) Piazza Del Popolo oil on canvas signed Simbari and dated (lower right) 24 x 28 inches. $3,000-5,000
Sarkis Katchadourian
(Iranian, 1886–1947) Genie, c. 1932 mixed media on board signed S. Katchadourian and stamped (lower right) 19 x 15 3/4 inches. Exhibited: Expostition au Musee Guimet des Fresques d’Ispahan, Paris, February 25-April 25, 1932, no. 65 (label to verso) $1,000-2,000
214
215
217
62
AMERICAN AND EUROPEAN ART
220
220*
Mai Trung Thu
(Vietnamese, 1906-1980) Trois enfants couches, 1964 oil on silk signed Mai Thu and dated (lower right) 12 7/8 x 19 1/2 inches. Property from the Collection of Sally Smith Carlson, Chicago, Illinois $20,000-30,000
63
227
228
221
223
226*
228*
Yasushi Ikeda
Ignacio Alcérreca y Comonfort
Pietro Gabrini
Giuseppe Costantini
(Japanese, b. 1955) Untitled oil on canvas signed Y. Ikeda (lower left) 18 1/4 x 25 1/2 inches. Property from a Private Collection, Ocala, Florida $200-400 222
Manuel Ortiz de Zárate
(Chilean, 1886-1946) Nu a la fleur oil on canvas signed Ortiz (upper left) 32 x 25 3/4 inches. Property from a Private Collection, Ocala, Florida $2,000-4,000
64
(Mexican, 1869-1939) Atardecer con piramides oil on canvas signed I. Alcérreca y Comonfort (lower right) 15 x 27 inches. $1,000-2,000 224
(Italian, 1856-1926) The Ardent Suitor oil on canvas signed P. Gabrini (lower right) 20 1/2 x 14 inches. Property from the Estate of Alling C. Brown, Lake Forest, Illinois $800-1,200
No Lot
227
225*
(Italian, 1914–1961) Still Life with Pears, 1957 oil on canvas signed Barnabé (lower right) 23 3/4 x 32 inches.
Pietro Torrini
(Italian, 1852-1920) Beggar oil on canvas signed P. Torrini (upper right) 14 x 9 3/4 inches. Property from the Collection of Richard Jones, Oak Brook, Illinois $600-800
AMERICAN AND EUROPEAN ART
Duilio Barnabé
Provenance: R. S. Johnson Fine Art, Chicago (label to verso) $4,000-6,000
(Italian, 1844-1894) The Pipe Lighter, 1879 oil on canvas signed G Costantini and dated (center bottom) 7 x 4 inches. Property from the Estate of Alling C. Brown, Lake Forest, Illinois $3,000-5,000
229*
230
231
232
Silvestro Valeri
Eugenio Zampighi
Eugenio Zampighi
Mosè di Giosuè Bianchi
(Italian, 1814-1902) The Water Vendor oil on canvas signed S. Valeri (lower right) 18 1/2 x 12 inches. Property from the Estate of Alling C. Brown, Lake Forest, Illinois $3,000-5,000
(Italian, 1859–1944) The New Pet oil on canvas signed E. Zampighi (upper right) 22 x 30 inches.
(Italian, 1859-1944) Storytime oil on canvas signed E. Zampighi (lower left) 22 1/4 x 30 1/4 inches. $8,000-12,000
(Italian, 1840-1904) Milano sotto la neve oil on canvas signed Mosè Bianchi (lower right) 7 x 9 inches. $6,000-8,000
Provenance: Acquried from Wally Findlay Galleries, Chicago, IL $8,000-12,000
229
230
231
232
65
233
Giuseppe Palizzi
(Italian, 1812-1888) Donna e Bimba oil on canvas signed Palizzi (lower left) 13 x 7 1/2 inches. $10,000-15,000 233
66
AMERICAN AND EUROPEAN ART
234
234
Angelo Morbelli
(Italian, 1853-1919) Terrazzzo sul lago oil on panel signed A. Morbelli (lower left) 13 x 19 inches. $12,000-18,000
67
235*
236
237*
Llewelyn Lloyd
Francesco Albani
Nino Caffè
(Italian, 1879-1950) L’Wlba oil on board signed Llewelyn Lloyd and dated (lower left) 11 x 14 1/2 inches. Property from the Collection of Peter and Ann Lamoureux, Wheaton, IL $1,500-2,500
(Italian, 1578-1660) Ecole Bolonaise oil on board 13 x 5 inches. $5,000-7,000
(Italian, 1908-1975) Cardinals Playing Tennis oil on canvasboard signed Caffè (lower center) 5 1/4 x 7 3/4 inches. Property from the Estate of Joan Peters Caro, Chicago, Illinois $800-1,200
236
235
68
AMERICAN AND EUROPEAN ART
237
238
238
Giovanni Boldini
(Italian, 1842-1931) Portrait of a Woman oil on canvas signed Boldini (lower left) 7 7/8 x 7 1/4 inches. $10,000-15,000
69
239
240
239
241
George Romney
Wilfred de Glehn
240
242
George Morland
Robert Walker Macbeth
(British, 1819-1916) Portrait of a Woman oil on canvas signed George Romney (upper left) 12 1/2 x 8 1/2 inches. $8,000-12,000
(British, 1763-1804) The Fisherman’s Wife, 1791 oil on canvas signed S. Morland and dated 19 x 23 inches. $3,000-5,000
(English, 1870-1951) Le Parc oil on canvas signed W. de Glehn (lower right) 21 1/4 x 28 3/4 inches. $6,000-8,000
(British, 1848–1910) River Landscape with Boats oil on canvas signed R. Macbeth 18 x 25 1/2 inches. Provenance: Schillay & Rehs, New York (label on verso) $2,000-4,000
241
70
AMERICAN AND EUROPEAN ART
243
244
245
246
Walter Hunt
Samuel Joseph Clark
Attributed to John Frederick Herring, Jr.
John Frederick Herring, Jr.
(British, 1861–1941) The Three Friends, 1919 oil on canvas signed W. Hunt and dated (lower left); titled (label on verso) 20 x 30 inches. Property from the Collection of Gary Cooper, Wood Dale, Illinois Provenance: Findlay Galleries, Chicago (label on verso) $6,000-8,000
(British, 1834–c. 1912) Returning the Work Horses oil on canvas signed S. J. Clark (lower right) 20 x 30 inches. The work is in stable condition; minor craquelure and stretcher mark to top of canvas; Under UV, evidence of varnish overall and minor spots of retouch in throughout sky. Framed: 26 x 35 1/2 inches. $2,000-4,000
(British, 1820-1907) Logging Scene, 1879 oil on canvas signed J.F. Herring and dated (lower left) 24 x 37 inches. Provenance: Dixon & Dixon of Royal, New Orleans, Louisiana, March 9, 1997.
(British, 1820-1907) Farmyard Scene oil on canvas signed J. F. Herring (lower left) 20 x 30 inches. Provenance: Arthur Ackermann & Son, Ltd., London, July 01, 1980 (label on verso) $6,000-8,000
$2,000-4,000
243
244
246
71
247
John Frederick Herring, Sr.
(British, 1795-1865) The Farmyard and The Timber Wagon, 1840 (a pair of works) oil on canvas each signed J.F. Herring and dated (lower center) 22 x 27 inches. Provenance: 247
Collection of Sir John Tuck, London, England from Collection of Mr. Herbert B. Shaw, “The Plains”, Warrenton, VA from Collection of Mr. Anthony Morgenthau, Baltimore, Maryland from Pink House Antiques, New Hope, Pennsylvania James Gregory (agent for Mr. Morgenthau), purchased in 1979 $15,000-25,000 248
Thomas Sydney Cooper
(British, 1803-1902) A Flock of Sheep Sheltering in a Pasture oil on canvas signed T. Sydney Cooper (lower right) 30 x 42 inches. Provenance: Frost & Reed, Ltd., London, England, March 9, 1997 (label to verso) $8,000-12,000 248
72
AMERICAN AND EUROPEAN ART
249
249
John Frederick Herring, Sr.
(British, 1795–1865) London to York Carrier, 1856 oil on canvas signed J.F.Herring Sen. and dated (lower left) 18 x 24 inches. Provenance: Guarisco Gallery, Washington D.C (label on verso) This painting is accompanied by a letter of authenticity from Messrs. H. & P. de Casseres, London (on verso). $20,000-30,000
73
250
251
254
257
Montagu Barstow
George Paice
Walter Biddlecombe
John Bagnold Burgess
Provenance: The Cooling Galleries, London (label on verso) Sold: Sotheby’s New York, May 24, 1996, lot 544 Guarisco Gallery, Washington, DC, January 31, 1998 Acquired by the present owner from the above
252
(British, fl. 1897-1916) Curiosity, 1895 oil on canvas signed Montagu Barstow and dated (upper right) 20 x 16 inches.
$1,000-2,000
(British, 1854-1925) Poughkeepsie Mare, 1887 oil on board signed G. Paice and dated (lower right) 9 x 12 1/4 inches. $600-800
George Paice
(British, 1854-1925) Cassandra, 1887 oil on board signed G. Paice and dated (lower left) 9 x 12 inches. $600-800 253*
Charles Neal
(British, b. 1951) View in Normandy oil on canvas signed C. Neal (lower right) 32 x 40 inches. Property from the Collection of Kelly Richter, Libertyville, Illinois $1,000-2,000
AMERICAN AND EUROPEAN ART
255
Joshua Mann
(English, 1849-1884) Wedding Morning oil on canvas signed J.H. Mann and titled (verso) 24 x 20 inches. $800-1,200
(British, 1830-1897) The Chaparone oil on board initialed (lower right) 11 1/2 x 9 1/4 inches. $2,000-4,000 258
David Bates
(British, 1840-1921) Man Outside Cottage oil on canvas signed David Bates (lower right) 15 3/4 x 23 1/2 inches. $1,500-2,500 259
No Lot
256
Charles Sillem Lidderdale
(British, 1831-1895) The Girl Groom oil on canvas monogrammed CSL (lower right) 29 1/2 x 19 1/2 inches. $2,000-4,000
250
74
(British, 1856-1938) La halte sous les arbres, 1900 oil on canvas signed Walter Biddlecombe and dated (lower right) 24 1/2 x 32 inches. Property from a Private Collection, Ocala, Florida $200-400
256
260
260
261
Francis Holman
Alfred de Breanski
(British, 1729-1784) Harbour View, 1791 oil on canvas signed F Holman and dated (lower left) 25 3/4 x 40 1/2 inches. A Private Collection, Hickory, North Carolina $10,000-15,000
(British, 1852-1928) A Garden on the Upper Thames oil on canvas signed A. de Breanski (lower left), titled (verso) 21 3/4 x 15 1/2 inches. $2,000-4,000
261
75
262
262
Montague Dawson
(British, 1890-1973) Searching the Seas - H.M.S. Victory oil on canvas signed Montague Dawson (lower left) 39 1/4 x 65 1/2 inches. Property from a Corporate Collection, Chicago, Illinois $20,000-30,000
76
AMERICAN AND EUROPEAN ART
263
William Stephen Coleman
(British, 1829-1904) Feeding the Ducks oil on canvas signed W.S. Coleman (lower right) 24 x 35 inches. $3,000-5,000 264
William Watson
(British, 19th century) Cows Grazing oil on canvas signed W Watson and dated (lower right) 23 1/2 x 35 1/2 inches. $1,000-2,000 265
William Shayer
(English, 19th Century) Cattle and Sheep in Landscape, 1846 (together with a matching work, unsigned) oil on canvas signed and dated Provenance: Campanile Galleries, Chicago, Illinois $600-800 266*
Nicolas Baudesson
(French, 1611-1680) Floral Still Life oil on canvas 23 3/4 x 29 3/4 inches. Property from the Estate of John Goodridge, Hinsdale, Illinois We are grateful to Mr. Fred Meijer at the RKD in The Hague for suggesting the attribution to Nicolas Baudesson, on the basis of photographs. $10,000-15,000
266
77
267
269
271
After Jean Raoux
George Michel
Attributed to Gustave Courbet
270
Provenance: Dr. and Mrs. Isador Berman Santa Barbara Museum of Art, Santa Barbara, California, gifted from the above, 1979 Sold: Butterfield & Butterfield, San Francisco, California, March 13, 1987, Lot 3075 Acquired from the above sale by the present owner $3,000-5,000
(French, 1677-1734) Le silence, ou femme à la fenêtre soutenant un rideau oil on canvas 22 x 18 1/4 inches. $1,500-2,500 268*
Attributed to Nicolas-Antoine Taunay
(French, 1755-1830) Walking the Ruins oil on canvas signed Taunay (lower right) 15 x 21 3/4 inches. Property from the Collection of Aurora Donnelly, Chicago, Illinois $800-1,200
(French, 1763-1843) Country Road with Windmill oil on panel 12 1/2 x 16 1/4 inches. $8,000-12,000
François-Louis Lanfant
(French, 1814–1892) The Disagreement oil on canvas signed Lanfant (lower right) 10 x 7 3/4 inches. $800-1,200
(French, 1819-1877) Effet de Neige, c. 1870 oil on canvas signed G Courbet (lower left) 16 1/2 x 14 3/4 inches.
269
267
78
AMERICAN AND EUROPEAN ART
271
272
272
ThĂŠodore Rousseau
(French, 1812-1867) Landscape oil on canvas signed Th. Rousseau (lower left) 12 1/2 x 18 3/4 inches. $15,000-25,000
79
273
275
273*
274
276*
Workshop of Rosa Bonheur
Simon Simon-Auguste
Paul Emile Pissaro
(French, 1822-1899) Ploughing Scene oil on panel 8 1/4 x 13 1/2 inches. Property from the Collection of Carl and Virginia Ziegler, Coffeyville, Kansas Provenance: Henry Schultheis, New York Howard Young, St. Louis Mrs. A.C. Stitch, acquired from the above in December, 1915 Thence by descent to the present owner Lot note: This painting, the mirror image of Ploughing Scene currently in the collection of The Walters, Baltimore, was probably created as a model for engraving reproductions. We would like to thank Dr. AnniePaule Quinsac for her assistance in cataloguing this work. $2,000-4,000
80
276
AMERICAN AND EUROPEAN ART
(French, 1824-1909) Personnages oil on canvas signed Simon Auguste (lower right) 21 1/4 x 25 5/8 inches. Property from a Private Collection, Ocala, Florida $600-800 275
Jean-Baptiste Jules Trayer
(French, 1824-1909) Personnages oil on canvas signed J Trayer (lower left) 21 1/4 x 25 5/8 inches. Property from a Private Collection, Ocala, Florida $6,000-8,000
(French, 1844-1972) Village oil on canvas signed Paul Emile Pissarro (lower left) 25 x 21 inches. Property from the Estate of Ann T. Downey, Palm Beach, Florida Provenance: Wally Findlay Galleries, New York (label on verso) $2,000-4,000 277
Emilie Chaese
(French, 19th century) Windfalls, 1891 oil on canvas signed Emile Chaese and dated (lower left) 33 x 28 inches. $1,000-2,000
279
278
278
279
Narcisse Virgile Diaz de la Peña
Narcisse Virgile Diaz de la Peña
Provenance: Sold: Hotel Drouot, Paris, March 4, 1920, lot 38 Kapferer pere collection, February 26, 1929 Tempelaere collection Hazlitt, Gooden & Fox Gallery, London Acquired by the present owner from the above
280
(French, 1807-1876) Clairiere et Mare aux Viperes, Foret de Fontainebleau oil on panel signed N. Diaz (lower right) 7 1/2 x 10 5/8 inches.
280
(French, 1807-1876) Forest Clearing oil on panel signed N. Diaz (lower left) 16 x 20 inches. $10,000-15,000
John Joseph Benjamin Constant
(French, 1845-1902) Portrait of a Young Girl, 1905 oil on canvas signed C. Petit and dated (center right) 15 1/4 x 12 1/2 inches. $3,000-5,000
Exhibited: London, Hazlitt, Gooden and Fox, May 1960, no. 14 Literature: Pierre and Rolande Miquel, Narcisse Diaz de la Pena: catalogue de l’oeuvre peint, Paris, 2006, vol. 2, p. 38, no. 224, illustrated $6,000-8,000
81
281
283
285
Alphonse Marie de Neuville
John Lewis Brown
Charles François Daubigny
282
284
Adolphe Charles Edouard Steinheil
Achille François Oudinot
(French, 1835-1885) Soldier on Horseback oil on board signed A de Neuville (lower right) 10 1/2 x 6 inches. $2,000-4,000
(French, 1850-1908) Actor oil on board signed A. Steinheil (lower right) 12 1/2 x 8 1/4 inches. $500-700
(French, 1829-1890) Boys on Mountain, 1869 oil on canvas initialed B and dated (lower right) 15 x 21 inches. $2,000-4,000
(French, 1820-1891) Cattle in Sunny Meadow oil on canvas signed A. Oudinot (lower left) 13 x 18 inches. Provenance: Sold: Christie’s sale 9612, April 17, 2003, lot 748 Sold: Stair Galleries, Hudson, New York, 2011, lot 322 Acquired by the present owner from above sale $1,000-2,000
281
(French, 1817-1878) Riverscape oil on board signed Daubigny (lower left) 10 x 14 inches. Provenance: Collection of Willie Postar, Boston $10,000-15,000 286
Gasparo Lopez
(Italian, 1650–1732) Classical Italianate Still Life Landscapes, c. 1685 (a pair of works) oil on canvas Each: 13 1/2 x 20 inches. Provenance: Roy Miles, Fine Paintings, London, stock no. 865 Sheraton 614 West 49th Street, New York (label on verso) Acquired by the present owner from the above $20,000-30,000
285
286
82
AMERICAN AND EUROPEAN ART
288
289
287
288*
289
Alexander Fourier
Stanislas Lépine
Charles François Daubigny
(French, b. 1831) Landscape oil on board signed Alex Fourier (lower right) 9 x 12 inches. $1,000-2,000
(French, 1835-1892) River Landscape oil on canvas signed Lépine (lower right) 10 1/4 x 15 7/8 inches. Property from the Estate of William Davenport, Bloomfield Hills, Michigan $4,000-6,000
(French, 1817-1878) Pastoral Scene oil on panel signed Daubigny (lower left) 8 x 10 5/8 inches. $15,000-25,000
83
292
293
296
290
292
294*
296
Antoine Emile Plassan
Émile Antoine Bourdelle
Fernand Lutscher
Jules Dupré
291
293
Alexandre Marie Guillemin
Henri-Joseph Harpignies
(French, 1817-1903) Arranging the Bouquet, 1853 oil on panel signed Plassan and dated (lower left) 10 1/2 x 8 1/4 inches. $800-1,200
(French, 1817–1880) A Moment’s Prayer oil on panel signed A. Guillemin (lower right) 14 x 10 5/8 inches. $1,500-2,500
84
(French, 1861-1929) Masque de Beethoven, 1901 bronze; A. Valsuani Cire Perdue ed. edition IV, inscribed and stamped Height: 29 inches. $6,000-8,000
(French, 1819-1916) Landscape, 1900 oil on canvas signed H. Harpigies and dated (lower right) 17 1/2 x 14 1/2 inches. $5,000-7,000
AMERICAN AND EUROPEAN ART
(French, 1843–1923) Landscapes (a pair of works) oil on canvas both signed illegibly Both: 14 x 25 1/2 inches. Property from the Collection of Kelly Richter, Libertyville, Illinois $700-900 295*
Jean Charles Meissonier
(French, 1848-1917) Sans Souci, 1888 oil on canvas signed Charles Meissonier (lower right) 18 x 14 inches. Property from the Estate of Alling C. Brown, Lake Forest, Illinois $800-1,200
(French, 1811-1889) Farmyard oil on canvas signed Jules Dupré (lower left) 18 1/2 x 16 1/2 inches. $8,000-12,000 297
Jules Leroy
(French, 1833–1865) Playful Kittens oil on canvas signed J. Leroy (lower right) 15 x 18 inches. Provenance: Guarisco Gallery, Washington, DC, January 31, 1998 $500-700
298
300
302*
Jean Louis Lefort
Jean-Charles Cazin
Jules Worms
299
301
Charles H. Clair
Jean-Charles Cazin
(French, 1875-1954) Puppies oil on board signed J. Lefort (lower right) 18 x 24 inches. $1,000-1,500
(French, 1860-1930) The Shepherdess, 1909 oil on panel signed Charles H. Clair and dated (lower left) 45 1/2 x 35 1/2 inches.
(French, 1841-1901) The Mill oil on canvas signed JC Cazin (lower left) 8 1/4 x 10 1/2 inches. $1,000-2,000
(French, 1832-1924) Halt at the Inn oil on canvas signed Jules Worms (lower left) 20 x 24 1/2 inches. Property from the Collection of Paula Johnson, St. Paul, Minnesota $3,000-5,000
(French, 1841-1901) Village at Night oil on canvas signed J.C. Cazin (lower right) 16 1/4 x 11 1/2 inches. $2,000-4,000
Provenance: The Victorian Gallery, Dallas, Texas, May 21, 1997 $700-900
298
302
85
303*
306
308
310
Delphin Enjolras
Lucien Genin
Reine Cabaud Chambon
Pinchus Krémègne
304*
Provenance: European Auction Company (E.A.C.), Luxembourg. Accompanied by receipt. $4,000-6,000
309
311
Leon-Laurent Galand
Marie-Louise Picho
(French, 1857–1945) Odalisque allongée oil on canvas signed D. Enjolras (lower right) 15 x 21 1/2 inches. Property from the Collection of Mr. Kenneth Lamm, Urbana, Illinois $3,000-5,000
Charles Victor Guilloux
(French, 1866–1946) Along the Siene oil on board signed C. Guilloux (lower left) 12 3/8 x 14 1/2 inches. Property from the Collection of Kelly Richter, Libertyville, Illinois $500-700 305
Paul Renard
(French, 1871-1920) Paris oil on panel signed P. Renard (lower right) 20 x 24 inches. $800-1,200
(French, 1894-1964) Paris, Les quais, Île de la Cité oil on canvas signed Lucien Genin (lower right) 15 x 23 inches.
307
Gustave Florot
(French, 1885-1965) Still Life with Lute oil on board signed G. Florot (lower left) 15 x 21 1/2 inches. Provenance: Papillon Gallery, California (label to verso)
(French, 1892-1964) Nature morete au pommes oil on canvas signed R. Chambon (lower right) 18 1/8 x 22 inches. Property from a Private Collection, Ocala, Florida $300-500
(French, 1872-1960) Vase de fleurs, 1940 oil on canvas signed Leon-Galand and dated (lower left) 21 3/4 x 15 inches. Property from a Private Collection, Ocala, Florida $300-500
(French, 1885-1948) Nu allongé oil on canvas signed ML Pichot (lower left) 25 3/4 x 36 1/4 inches. Property from a Private Collection, Ocala, Florida $1,000-2,000
$800-1,200
307
303
306
86
(French, 1890-1981) Les Fleurs oil on canvas signed Krémègne (lower left) 21 7/8 x 15 inches. Property from a Private Collection, Ocala, Florida $3,000-5,000
AMERICAN AND EUROPEAN ART
313
314
318
312
314
316
318
Ernest Pernelle
Maurice Perrot
Julien Gustave Gagliardini
Alphonse LaLauze
313
315
317
Gaetan Dumas
Jacinthe Pozier
Raymond Desvarreux
(French, 1861-1950) Rue a Montmarte oil on canvas signed E. Pernelle (lower left) 32 x 21 1/4 inches. Property from a Private Collection, Ocala, Florida $600-800
(French, 1879-1950) Nu oil on canvas signed Gaetan Dumas (top right) 25 3/4 x 21 1/4 inches. Property from a Private Collection, Ocala, Florida $500-700
(French, 1872-1935) Nu au lapin oil on canvas signed Maurice Perrot (upper right) 36 1/2 x 29 inches. Property from a Private Collection, Ocala, Florida $600-800
(French, 1844-1915) Soliel d’Automne oil on canvas signed J. Pozier (lower left) 21 1/2 x 32 inches. Property from a Private Collection, Ocala, Florida $800-1,200
(French, 1846-1927) Bord de rivière oil on canvas signed Gagliardini (lower right) 19 3/4 x 25 1/2 inches. Property from a Private Collection, Ocala, Florida $800-1,200
(French, 1876-1963) Le départ pour la chasse à courre, 1920 oil on masonite signed Raymond Desvarreux and dated (lower right); titled (verso) 21 1/4 x 28 3/4 inches. Property from a Private Collection, Ocala, Florida $700-900
(French, 1872-1936) Bataille d’Ypres attaque belge, 1930 oil on canvas signed Alph La Lauze and dated (lower left); titled (verso) 25 1/2 x 32 inches. Property from a Private Collection, Ocala, Florida $1,500-2,500 319
Felix Planquette
(French, 1873-1964) Vanches dans un champ oil on board signed Felix Planquette (lower left) 12 3/4 x 16 inches. Property from a Private Collection, Ocala, Florida $500-700
87
320
322
325
328
Louis Ernest Guille
Yolande Ardissone
René Rambert
Jean Salabet
323
326
329
Yolande Ardissone
Jean Salabet
Edouard Léon Cortès
327
330
Jean Salabet
Edouard Léon Cortès
(French, 19th century) Rue de Paris, 1880 oil on canvas signed L. Guille and dated (lower right) 24 1/4 x 18 1/4 inches. Property from a Private Collection, Ocala, Florida $800-1,200 321
Pierre Farge
(French, 1878-1947) Montmartre, 1928 oil on canvas signed P. Farge and dated (lower left) 21 1/4 x 28 3/4 inches. Property from a Private Collection, Ocala, Florida $300-500
(French, b. 1927) Harbor Scene oil on canvas signed Ardissone (lower left) 8 3/4 x 10 1/2 inches. $600-800
(French, b. 1927) Marais en bretagne oil on canvas signed Ardissone (lower left) 11 x 14 inches. Provenace: Findlay Galleries, Chicago (label to verso) $800-1,200 324
Yolande Ardissone
(French, b. 1927) Jardin des Tuileries oil on canvas signed Ardissone (lower left); titled (stretcher) 25 x 25 inches.
(French, 1901-1991) Paris oil on panel signed R. Rambert (lower right) 16 x 12 inches. $700-900
(French, b. 1900) La Madeleine, Paris oil on canvas signed J. Salabet (lower right) 18 x 22 inches. $800-1,200
(French, b. 1900) Notre Dame, Paris oil on canvas signed J. Salabet (lower right) 10 3/4 x 13 3/4 inches. $600-800
(French, b. 1900) Montmarte, Paris oil on canvas signed J. Salabet (lower left) 10 3/4 x 13 3/4 inches. $600-800
(French, 1882-1969) Quai du Louvre oil on masonite signed Edouard Cortès (lower right) 17 1/2 x 21 inches. $10,000-15,000
(French, 1882–1969) Street Scene oil on canvas signed Edouard Cortès (lower right) 10 1/2 x 16 inches. $15,000-25,000
Provenance: Wally Findlay Galleries (label to verso) $2,000-4,000
329
88
AMERICAN AND EUROPEAN ART
330
331
332
331*
332
Antoine Blanchard
Antoine Blanchard
(French, 1910-1988) Paris, rive gauche et Notre Dame oil on canvas signed Antoine Blanchard. (lower left); signed, stamped and titled (verso) 24 x 36 inches. Property from the Collection of Allen Nahman, Nahman Gallery, Edgewater, New Jersey
(French, 1910–1988) Le Moulin Rouge a Montmartre oil on canvas signed Antoine Blanchard. (lower right); stamped 236942 (verso) 20 x 24 inches. $4,000-6,000
Note: This work is accompanied by a letter of authentication issued by Rehs Galleries, Inc., New York, New York on April 4, 2016 $7,000-9,000
89
333
333
Edouard Léon Cortès
(French, 1882–1969) The Flower Market oil on canvas signed Edouard Cortès (lower right) 13 x 18 inches. $20,000-30,000
90
AMERICAN AND EUROPEAN ART
335
337
338
334
336
338
339
Jules René Hervé
Jules René Hervé
Roger Mühl
Michel-Henry
Provenance: David Findlay, New York (label on verso) $1,500-2,500
Provenance: Galerie Raugraff, Nancy, France Acquired by the present owner from the above
(French, 1887-1981) Place de la Concorde oil on canvas signed Jules R. Hervé (lower left); signed (verso) 9 x 10 1/2 inches. $600-800 335
Jules René Hervé
(French, 1887-1981) Park Scene oil on board signed Jules R. Hervé (lower left) 22 1/4 x 27 1/2 inches. $1,500-2,500
(French, 1887-1881) Marche de fleurs oil on canvas signed Jules R. Hervé (lower left) 7 1/2 x 22 inches. $1,000-2,000 337
Suzanne Eisendieck
(French, 1908-1998) Girl Playing Crochet pastel on canvas signed Suzanne Eisendieck (lower right) 36 x 24 inches. $1,000-2,000
(French, 1929–2008) Les grands pins oil on canvas signed Mühl (lower left) 15 x 16 inches.
(French, b. 1928) Festival oil on canvas signed Michel-Henry (lower left) 29 x 24 inches.
Note: Accompanied by original receipt and exhibition catalogue featuring work on cover. $1,000-2,000
91
341
342
342
344
Louis Peyrat
Jean Claude Aujame
Jacques Deperthes
(French, 1911–2001) Saint-Pierre et le Sacré Coeur and Paris - Rue Gabrielle, Montmartre (a pair of works) oil on canvas each signed Louis Peyrat (lower rectos) Largest: 24 x 36 inches. Provenance: Wally Findlay Galleries (label on versos) $1,000-2,000 341
Bernard Lamotte
(French, 1903–1983) Étretat, c. 1930 oil on wood panel signed Bernard Lamotte (lower right); titled (verso) 18 1/4 x 25 1/2 inches. $1,000-2,000
92
344
340
AMERICAN AND EUROPEAN ART
(French, 1905–1965) Figures dans un paysage, 1949 oil on canvas signed Aujame and dated (lower left) 13 1/2 x 16 1/2 inches. Provenance: Wally Findlay Galleries (label on verso) $600-800 343*
Jean Pierre Dubord
(French, b. 1949) Paris, le Rond point des ChampsÉlysées oil on canvas signed JP Dubord (lower right); signed and titled (verso) 22 x 18 inches. Property from the Collection of Kelly Richter, Libertyville, Illinois Provenance: Atlas Galleries, Chicago, Illinois $600-800
(French, b. 1936) Les Deux Maisons, 1969 oil on canvas signed Jacques Deperthes (lower right); signed, titled and dated (verso) 25 1/2 x 21 1/4 inches. Provenance: International Galleries, Chicago, IL (label on verso) $1,500-2,000 345
Jean Vinay
(French, 1901-1978) St. Malo, 1970-71 oil on linen signedVinay (lower right); dated and titled (verso) 24 x 19 5/8 inches. Property from a Private Collection, Ocala, Florida $300-500
346
347
350
346
348
350
Michel Kouliche
Jean Vinay
George Sinicki
347
349
351
Marcel L’Enfant
George Sinicki
Michel Kouliche
(French, b. 1922) Tablette de Fruit oil on canvas signed Kouliche (lower right) 8 7/8 x 12 inches. Property from a Private Collection, Ocala, Florida $300-500
(French, 20th century) Vue de Menton, 1930 oil on canvas signed Marcel L’Enfant and dated (lower left) 25 1/2 x 31 7/8 inches. Property from a Private Collection, Ocala, Florida $600-800
(French, 1901-1978) Ponti Trovaso oil on canvas signed Vinay (lower right) 28 x 35 7/8 inches. Property from a Private Collection, Ocala, Florida $400-600
(French, b. 1910) Table au vase bleu oil on burlap signed Sinicki (lower right) 16 x 13 1/8 inches. Property from a Private Collection, Ocala, Florida $500-700
(French, b. 1910) Nature morte aux fleurs oil on burlap signed Sinicki (lower right) 24 x 19 3/4 inches. Property from a Private Collection, Ocala, Florida $400-600
(French, b. 1922) Fleurs, 1989 oil on canvas signed Kouliche and dated (lower right) 30 x 24 inches. Property from a Private Collection, Ocala, Florida $500-700
93
352
355
358
361
Michel Kouliche
François Gall
François Gall
François Gall
353
356
359
362
Michel Kouliche
Jacques Bouyssou
Clément-Serveau
Simon Simon-Auguste
(French, b. 1922) Journee L’ete oil on canvas signed Kouliche (lower right) 24 x 30 inches. Property from a Private Collection, Ocala, Florida $800-1,200
(French, b. 1922) Un Peu De Neige oil on canvas signed and inscribed Kouliche pour Marion Monty (lower left) 7 1/4 x 9 1/4 inches. Property from a Private Collection, Ocala, Florida $600-800 354
Michel Kouliche
(French, b. 1922) Paris, 1988 oil on canvas signed Michel Kouliche and dated (verso) 20 x 24 inches. Property from a Private Collection, Ocala, Florida $1,000-2,000
(French, 1912-1987) Plage de Cabourg oil on canvas signed F. Gall (lower right) 10 5/8 x 18 1/4 inches. Property from a Private Collection, Ocala, Florida $3,000-5,000
(French, 1926-1997) La Rue Devret oil on canvas signed Jacques Bouyssou (lower right) 39 1/2 x 23 inches. Property from a Private Collection, Ocala, Florida $2,000-4,000 357 (French, 1912-1987) L’attente oil on canvas signed F. Gall (lower right) 10 5/8 x 8 3/4 inches. Property from a Private Collection, Ocala, Florida $600-800
AMERICAN AND EUROPEAN ART
(French, 1886-1972) Nu de dos, 1937 oil on canvas signed Clément Serveau and dated (lower right) 19 3/4 x 25 1/2 inches. Property from a Private Collection, Ocala, Florida $2,000-4,000 360
François Gall
356
94
(French, 1912-1987) Jeune fille a la terrasse de cafe oil on canvas signed F. Gall (lower right) 13 3/4 x 10 3/4 inches. Property from a Private Collection, Ocala, Florida $2,000-4,000
François Gall
(French, 1912-1987) Dans le parc oil on canvas signed F. Gall (lower right) 20 x 24 inches. Property from a Private Collection, Ocala, Florida $3,000-5,000
(French, 1912-1987) Reading in a Field oil on canvas signed F. Gall (lower right) 18 x 13 inches. Property from a Private Collection, Ocala, Florida $3,000-5,000
(French, 1909-1987) Nu au fauteuil oil on canvas signed Simon-Auguste (lower right) 28 3/4 x 23 1/2 inches. Property from a Private Collection, Ocala, Florida $600-800 363
Jean Thomas
(French, 20th century) Église Saint-Germain oil on canvas signed Thomas Jean (lower right) 18 1/2 x 7 3/4 inches. Property from a Private Collection, Ocala, Florida $300-500
360
368
370
364
366
368
369*
Gabriel Dauchot
Gabriel Dauchot
Bernard Buffet
Paul Collomb
(French, 1927-2005) L’homme au violin oil on canvas signed Dauchot (lower left) 46 3/4 x 32 inches. Property from a Private Collection, Ocala, Florida $500-700
(French, 1927-2005) Charlie Chaplin oil on canvas signed Dauchot (lower left) 18 1/2 x 7 3/4 inches. Property from a Private Collection, Ocala, Florida $500-700
365
367*
Henri Hecht Maik
Roger Montané
(French, 1922-1933) Oiseau et lapin, 1967 oil on canvas signed Maik and dated (lower right) 6 1/2 x 7 1/2 inches. $600-800
(French, 1916-2002) Woman in the Orange Sweater oil on canvas signed Montané (lower right) 52 x 64 1/2 inches. Property from the Collection of Sally Smith Carlson, Chicago, Illinois $600-800
(French, 1928–1999) La Coccinelle oil on canvasboard stamped David et Garnier and Lucien Lefebvre - Foinet, Paris (verso) 8 1/2 x 6 1/4 inches. Provenance: Findlay Galleries, Chicago Acquired from the above by the present owner Note: This work is accompanied by a certificate of authenticity from The Findlay Institute. $8,000-12,000
(French, b. 1921) Boy with Apple oil on canvas signed P. Collomb (lower right) 21 1/4 x 29 inches. Property from the Collection of Sally Smith Carlson, Chicago, Illinois $400-600 370
Bernard Gantner
(French, b. 1928) Chalets savoyards sous la neige oil on canvas signed Gantner (lower right) 28 3/4 x 23 5/8 inches. $1,000-2,000
95
371*
372
Michel de Gallard
Marcel Mouly
(French, 1921-2007) La Borde (Yonne), 1960 oil on canvas signed M. De Gallard and dated (upper left); titled (stretcher) 15 x 22 inches. Property from the Collection of Sally Smith Carlson, Chicago, Illinois $800-1,200
(French, 1918-2008) Sailboats at Sea oil on canvas signed M. Mouly (lower right) 21 1/2 x 28 1/2 inches. $8,000-12,000
372
96
AMERICAN AND EUROPEAN ART
373
374
375
373*
374
375
Claude Venard
AndrĂŠ Vignoles
Pierre Bittar
(French, 1913-1999) Harbor oil on canvas signed Claude Venard (lower right) 23 3/4 x 28 3/4 inches. Property from the Estate of Rita Dee Hassenfeld, Palm Beach, Florida $2,500-3,500
(French, b. 1920) Bosquet dans les blĂŠs oil on canvas signed A. Vignoles (lower right); signed and titled (verso) 36 1/4 x 28 3/4 inches.
(French, b. 1934) Neige a Croissy oil on canvas signed Bittar (lower left) 25 9/16 x 21 1/4 inches. $2,000-4,000
Provenance: Wally Findlay Galleries (label on verso) $800-1,200
97
376
377
378
378A
Hughes Claude Pissarro
Claude Gaveau
Laurent Vialet
Noé Canjura
(French, b. 1935) Etude pour le village rose, le petit fils oil on canvas signed H. Claude Pissarro (lower left) 21 x 25 inches. Provenance: Aspen Fine Art Gallery, Colorado Acquired by the present owner from the above $8,000-12,000
(French, b. 1940) Au Fil des Milles oil on canvas signed Gaveau (upper left) 39 1/2 x 39 1/2 inches. $800-1,200
(French, b. 1967) Paysage à Châteaulin oil on canvas signed Vialet (lower left) 15 x 21 3/4 inches. $1,000-2,000
376
377
378
98
AMERICAN AND EUROPEAN ART
(Salvadoran, 1922-1970) Les Marguerites oil on canvas signed Carijura (lower right) 24 x 18 1/4 inches. $2,000-4,000
378A
379
379
Le Pho
(French/Vietnamese, 1907-2001) Black Eyed Susans oil on canvas signed Le Pho in English and Chinese (lower right) 32 x 40 inches. Property from the Estate of a Lady, Milwaukee, Wisconsin $15,000-20,000
99
Works on Paper | Lots 380 – 466
Opposite: Lot 441 Jane Peterson (American, 1876–1965), Palm Beach
380
384
380
381
382A
384
Attributed to Cornelis van Spaendock
Gerke Henkes
Constant Troyon
John Faulkner
382
383
Willem van den Berg
Willem van den Berg
(Dutch, 1756-1840) Still Life: Bouquet of Flowers in a Vase on a Ledge watercolor on paper signed C. Van Spaendock (lower left) 14 3/4 x 11 1/4 inches. Provenance: Sold: Sotheby’s, London, July 8, 2015, lot 194 Acquired by present owner at the above sale $7,000-9,000
(Dutch, 1844-1927) Seated Woman watercolor on paper signed G Henkes (middle left) 23 x 15 1/4 inches. $600-800
(Dutch, 1886-1970) Young Girl ink on paper signed Willem van den Berg (lower right) 9 x 4 1/2 inches. $500-700
102 A M E R I C A N A N D E U R O P E A N A R T
(French, 1810-1865) Woman with Child and Livestock charcoal on paper signed C. Troyon (lower left) 20 x 16 inches. $800-1,200
(Dutch, 1886-1970) Man in Chair graphite on paper initialed WD and inscribed (lower left) 9 x 11 inches. $500-700
(Irish, 1835-1894) After a Heavy Blow watercolor on paper signed John Faulkner and titled (lower left) 18 1/2 x 38 1/4 inches. $800-1,200 385
George Grosz
(German, 1893-1959) Portrait of a Man ink on paper estate stamped (lower right) 6 x 4 inches. $2,000-4,000
386
387
388
George Grosz
Giuseppe Ferrari
RenĂŠ Gruau
(German, 1893-1959) Man Brushing Teeth ink on paper signed Grosz (lower right) 20 x 15 inches. $8,000-12,000
(Italian, 1840-1905) Woman with Lion watercolor on paper signed Ferrari (lower right) 23 x 18 inches. $3,000-5,000
386
(Italian, 1909-2004) Le Bord Noir gouache on paper signed G (lower left) 8 1/2 x 12 inches. $4,000-6,000
387
388
103
389*
391*
393
395
Frederick Daniel Hardy
William Russell Flint
Frank Dadd
Frank Dadd
Provenance: Findlay Galleries, Chicago (label on verso) $2,000-3,000
394
(British, 1826-1911) Family at Home oil on paper laid to board signed Hardy (lower left) 7 3/4 x 10 inches. Property from the Collection of Michael Burny, Los Angeles, California $700-900 390*
William Russell Flint
(Scottish, 1880–1969) Lounging Nude conte crayon on paper signed W. Russell Flint (lower right) 7 1/2 x 11 inches. Property from the Collection of Ellen Byington, Chicago, Illinois Provenance: Findlay Galleries, Chicago (label on verso) $2,000-3,000
(Scottish, 1880–1969) Nude with Skirt conte crayon on paper signed W. Russell Flint (lower right) 14 x 8 3/4 inches. Property from the Collection of Ellen Byington, Chicago, Illinois
392*
After Edward Burne-Jones
(British, 1833-1898) Head of a Lady, 1889 graphite on paper signed E. Burne-Jones and dated (lower left) 12 1/2 x 8 3/4 inches. Property from the Estate of Denise Selz, Chicago, Illinois $2,000-4,000
104 A M E R I C A N A N D E U R O P E A N A R T
(British, 1874-1949) Bringing Home the Christmas Tree, 1912 pen, ink and gouache on paper signed Frank Dadd and dated (lower left) 10 1/2 x 14 1/2 inches. $600-800
Frank Dadd
(British, 1874-1949) The Yule Log, 1910 pen, ink and gouache on paper signed Frank Dadd and dated (lower left) 10 1/2 x 14 1/2 inches. $600-800
(British, 1874-1949) Oh! Here’s a Jolly Christmas, 1903 pen, ink and gouache on paper initialed FD and dated (lower left) 10 1/2 x 14 1/2 inches. $600-800 396
Frank Dadd
(British, 1874-1949) Ah! Happy Years!, 1903 pen, ink and gouache on paper initialed FD and dated (lower left) 10 1/2 x 14 1/2 inches. $600-800
393
394
395
396
397
398
397
398
Pierre Antoine Baudouin
Jean-Baptiste Deshays
(French, 1723-1769) Jeune femme assise dans un parc gouache on paper laid to board signed Baudouin (lower left) 13 x 18 inches. $6,000-8,000
(French, 1729-1765) Noah Leading the Animals into the Ark oil on paper laid to canvas 13 x 18 inches. Provenance: Sold: Sotheby’s London, New Bond Street , July 8, 2015, lot 137 Acquired by the present owner at the above sale $10,000-15,000
105
399
400
401
402
Rosa Bonheur
Attributed to Paul Gauguin
Attributed to Aristide Maillol
JosĂŠ Frappa
(French, 1822-1899) Male Figure Study pencil on paper signed Rosa Bonheur (lower left) 17 1/5 x 8 3/4 inches. $600-800
(French, 1848-1903) Self Portrait Study (double-sided Six Heads Study on verso) ink on paper signed Gauguin (lower right) 7 1/2 x 4 inches. Provenance: Kunsthaus Lempertz, Neumarkt 3, Cologne, 1979 Acquired by the present owner from the above $4,000-6,000
399
(French, 1861-1944) Nude Study charcoal on paper monogrammed (lower right) 15 1/4 x 10 3/8 inches.
Provenance: Michael Parkin Fine Art Ltd., London, 1973 Acquired by the present owner from the above $2,000-3,000
400
(French, 1854-1904) Marriage for Money and Marriage for Love (a pair of works) watercolors on paper each signed JosĂŠ Frappa (lower left) Each: 5 1/2 x 7 1/2 inches. $1,500-2,500
401
402
106 A M E R I C A N A N D E U R O P E A N A R T
407
405
409
403
405
407
408
Jehan Georges Vibert
Jules Pascin
Paul Signac
Eugene Galien-Laloue
406
Provenance: Private Collection, Ursala Debski, Evanston, IL Signature Galleries, Steger, Illinois, 1973 Acquired by the present owner from the above
Note: Jacques Lievin is a pseudonym the artist used after a soldier he met during the Franco-Prussian war. $2,000-4,000
(French, 1840-1902) Butterfly Catcher ink on paper signed J.G. Vibert (lower right) 8 x 10 inches. $700-900 404
Jules Pascin
(French, 1885-1930) Untitled pencil on paper signed Pascin (lower left) 10 x 7 3/4 inches. $600-800
(French, 1885–1930) Deux Filles, c. 1928 conte crayon on paper 19 x 11 1/8 inches. $800-1,200
Alphonse LaLauze
(French, 1872-1936) Le Soldat, 1916 gouache on paper signed Alph. LaLauze and dated (lower left) 13 3/4 x 8 1/2 inches. Property from a Private Collection, Ocala, Florida $600-800
(French, 1863-1935) The Three Turks, 1907 watercolor on paper signed P. Signac (lower right) 7 x 11 3/4 inches.
Exhibited: PSC Christopher Art Gallery, Hidden Treasures, 2000 $8,000-12,000
(French, 1854-1941) Paris gouache on paper signed Lievin (lower left) 18 1/2 x 14 1/4 inches.
409
Pierre-Eugène Montézin
(French, 1874-1946) Bords de la Seine a Veneux les Sablons, 1925 oil on paper laid down on canvas signed Montézin (lower right) 16 3/4 x 30 inches. $5,000-7,000
107
410*
412
Raoul Dufy
Jean Dufy
(French, 1877-1953) Champ de courses, Deauville, 1930 (a pair of works) graphite on paper each signed R. Dufy, titled and dated (verso) Each: 4 x 5 1/4 inches. Property from the Estate of Rita Dee Hassenfeld, Palm Beach, Florida Each drawing bears a stamp from Jacques Mathey and is annotated “Mathey certifies the authenticity, Paris, 1949” $1,000-2,000 411
Jean Chaleyé
(French, 1878-1960) Le Vase Vert oil on paper 18 1/16 x 14 15/16 inches. $600-800
411
108 A M E R I C A N A N D E U R O P E A N A R T
(French, 1888-1964) Paysage du Sud pencil on paper signed Jean Dufy (lower right) 24 x 16 inches. $1,000-2,000 413
Jean Lurçat
(French, 1891-1973) Modern Still Life, 1931 gouache on paper signed Lurçat and dated (lower right) 9 x 11 1/2 inches. Provenance: Baker Furniture Company, Grand Rapids, Michigan (label on verso) $2,500-3,500
413
415
416
414
416
Jacques Lipchitz
George Rouault
(French, 1891-1973) Untitled, c. 1945 gouache on paper signed (upper right) 9 1/2 x 12 1/4 inches. Baker Furniture Company, Grand Rapids, Michigan San Francisco Museum of Art $1,500-2,500 415
Jacques Lipchitz
(French, 1891-1973) Untitled, c. 1945 gouache on paper signed Lipchitz (upper right) 14 x 10 1/2 inches. Provenance: Baker Furniture Company, Grand Rapids, Michigan San Francisco Museum of Art $2,000-3,000
(French, 1871-1958) Head of a Man (from Les Fleurs du Mal) grisaille on paper wrapped around cardboard 2 1/2 x 3 1/4 inches. This is one of a series of paintings commissioned by Ambroise Vollard to be reproduced in actual size as illustrations for the projected book Les Fleurs du Mal. Provenance: The collection of Lucien Vollard, until 1946 The collection of David Borowitz Main Street Gallery, Chicago, 1960 Purchased from the above by the present owner $5,000-7,000
109
417*
Marc Chagall
(French/Russian, 1887-1985) L’ arche portée à par David a Jérusalem, 1955-56 gouache, India ink and pencil on paper signed Marc Chagall (lower right); titled and inscribed (verso) 19 1/2 x 12 1/4 inches. Property from the Estate of Rita Dee Hassenfeld, Palm Beach, Florida The authenticity of the work was confirmed by the Comite Marc Chagall, Jean-Louis Prat, Paris, 22 January 2016. The work is accompanied by photo-certificate number 2015090. $60,000-80,000 417
110
american and european art
418
419
420
AndrĂŠ Dunoyer de Segonzac
Marcel Gromaire
Arthur Fillon
(French, 1884-1974) Floral Still Life watercolor on paper signed A Dunoyer de Segonzac (lower right) 22 x 30 inches. $3,000-5,000
(French, 1892–1971) Three Landscapes (a group of three works) pen and ink on paper each signed Gromaire and dated Each: 9 3/4 x 12 3/4 inches.
(French, 1900-1974) Corbeille de Pommes (Basket of Apples), c. 1950 oil on paper mounted on canvas signed Fillon (lower right) 9 1/2 x 14 inches. $400-600
Provenance: R. S. Johnson Fine Art, Chicago (label on verso) $1,500-2,500
418
420
111
The Ballet Russe de Monte Carlo was founded in 1937 as a continuation of the legacy of the Serge Diaghilev’s Ballet Russe (1909-1929), one of the most influential ballet companies of the 20th Century. Sergei Denham served as the artistic director of the Ballet Russe de Monte Carlo from 1937-1978. As with its predecessor, Denham’s ballet company collaborated with many prominent artists for set and costume designs. Among these important artists were Henri Matisse, Salvador Dali, Christian Berard, Eugene Berman and Bernard Lamotte. The expressive color and fluid draftsmanship of Henri Matisse’s art lent itself naturally to the rhythm and movement of dance, and, in 1919, Diaghilev invited him to design the Ballet Russe production of Le chant du rossignol. Almost twenty years later, in 1937, Matisse was again invited to design the backdrop and costumes for the Ballet Russe de Monte Carlo’s production of Rouge et noir. Choreographed by Leonide Massine, the ballet’s score was a dramatic allegory based on Dmitri Shostakovich’s First Symphony. Inspired during a studio visit by Matisse’s mural mockups for The Barnes Foundation’s The Dance, Massine envisioned Rouge et noir as a vast mural in motion. The set design consisted of a space dominated by two arches, and the dancers wore white costumes with bold slashes of color that held allegorical significance: white for man and woman, yellow for wickedness, blue for nature, red for materialism and black for violence. Matisse created mockups for the set and costumes by combining painted cut paper shapes and painstakingly adjusting them until perfect. He even went so far as to pin cutout shapes directly to the costumed ballerina, to see how they would interact while in motion. The costume design for Rose reveals Matisse’s working method, with red wave-like forms strategically placed to enhance the dancer’s graceful body. According to the dance historian Grace Robert in her book The Borzoi Book of Ballets, the combined effect of the set and costumes were “extraordinarily effective scenically…The groups formed and came apart, making wonderful blocks of color like an abstract painting set in motion.” At times in the company’s history, Denham sought funding through the sale of designs by the prominent artists who collaborated with the Ballet Russe de Monte Carlo. Leslie Hindman Auctioneers is pleased to offer several examples, including Matisse’s Rose costume design, as well as works by on behalf of the descendants of Sergei Denham.
112
AMERICAN AND EUROPEAN ART
Sergei Denham and his wife, Valentina
421*
Henri Matisse
(French, 1869-1954) Costume Design for the Ballet Russe de Monte Carlo production of Rouge et Noir, 1938 (a double-sided drawing) pencil, ink and watercolor on paper signed Henri Matisse and inscribed (lower right); Ballet Russe de Monte Carlo stamp (lower left) 10 1/2 x 8 1/4 inches. Property from the Estate of Sergei Denham, New York, New York Note: Rose is one of five variations of the same design. The design for the back of the costume is visible on verso. $15,000-25,000 421
113
423
422
425
424
422*
423*
424*
425*
Bernard Lamotte
Bernard Lamotte
Eugene Berman
Eugene Berman
(French, 1903-1983) Ballet Figure Study for the Ballet Russe de Monte Carlo ink on paper embossed Bernard Lamotte (upper right) 22 x 17 1/2 inches. Property from the Estate of Sergei Denham, New York, New York
(French, 1903-1983) Set Design for the Ballet Russe de Monte Carlo production of The Mikado gouache on paper signed Bernard Lamotte (lower right) 19 3/4 x 29 1/2 inches. Property from the Estate of Sergei Denham, New York, New York $1,500-2,500
Note: This work is accompanied by a Lamotte print dedicated to Sergei from the artist. $600-800
114
AMERICAN AND EUROPEAN ART
(American/Russian, 1899–1972) Set Design for the Ballet Russe de Monte Carlo, 1937 ink and wash on paper signed EB and dated (lower right) 9 1/2 x 12 1/2 inches. Property from the Estate of Sergei Denham, New York, New York $400-600
(American/ Russian, 1899-1972) Costume Design for Danses Concertantes Ballet Russe de Monte Carlo, 1944 gouache on paper signed EB and dated (upper center) 12 1/4 x 11 3/4 inches. Property from the Estate of Sergei Denham, New York, New York $700-900
426*
427*
428*
Attributed to Christian Bérard
Attributed to Christian Bérard
Attributed to Christian Bérard
(French, 1902-1949) Costume Designs for the Ballet Russe de Monte Carlo production of The Seventh Symphony (a group of four works) watercolor and inks on paper first inscribed illegibly (upper right) Each: 10 3/4 x 8 inches. Property from the Estate of Sergei Denham, New York, New York $1,500-2,500
(French, 1902-1949) Costume Design for the Ballet Russe de Monte Carlo ink and watercolor on paper inscribed illegibly (lower left) 10 1/2 x 7 inches. Property from the Estate of Sergei Denham, New York, New York $600-800
(French, 1902-1949) Costume Design for the Ballet Russe de Monte Carlo production of The Seventh Symphony gouache on paper inscribed illegibly (upper left) 14 1/4 x 11 inches. Property from the Estate of Sergei Denham, New York, New York $600-800
426
427
428
115
429*
430*
431
Achille Perelli
Achille Perelli
Winslow Homer
(American, 1822–1891) Nature Morte: Mallard, 1877 watercolor on paper signed A. Perelli N.O. and dated (right center) 23 1/2 x 13 1/2 inches. Property from the Collection of Neil Cox, Edgerton, Wisconsin $5,000-7,000
(American, 1822–1891) Nature Morte: Blue WingTeal, 1877 watercolor on paper signed A. Perelli N.O. and dated (lower left) 23 1/2 x 13 1/2 inches. Property from the Collection of Neil Cox, Edgerton, Wisconsin $5,000-7,000
(American, 1836-1910) Untitled (Man Walking to Church) graphite on paper inscribed drawn by Skeets (verso) 5 x 2 3/4 inches. Proveance: By descent in the family of the artist to the present owner $8,000-12,000
429
430
431
116
AMERICAN AND EUROPEAN ART
436
437
432
433
435
Robert Henri
Robert Henri
Albert Krehbiel
(American, 1865-1929) Self Portrait with Woman, 1916 crayon on paper estate stamped and dated 11 x 8 inches. Provenance: Mr. and Mrs. Staurt P. Feld Sold: The Thirteen Collection: televised auction of art and antiques, New York, 1983, lot 62 Acquired by the present owner at above sale $500-700
(American, 1865-1929) Nude Seated watercolor on paper 11 x 17 inches. Provenance: Sold: Christie’s, New York “East”, December 4, 1992, lot 362 Acquired by present owner at the above sale $700-900 434
Arthur Bowen Davies
(American, 1862-1928) Draped Model pastel on paper signed Arthur B. Davies 13 1/2 x 9 3/4 inches. $500-700
(American, 1873-1945) Three Figures watercolor on paper signed Krehbiel (lower right) 20 x 14 inches. $800-1,200 436
Reginald Marsh
(American, 1898-1954) Portrait of a Lady ink on paper signed Marsh 45 (lower right) 6 3/4 x 4 3/4 inches. $800-1,200 437
Joseph Bolegard
(American, 20th Century) Woman in Repose watercolor and gouache signed J Bolegard (lower right) 14 3/4 x 18 1/4 inches. $1,000-2,000
117
440
441
438
439
440*
441
William Gropper
Isabel Bishop
Jon Whitcomb
Jane Peterson
(American, 1897-1977) Female Resting gouache on paper signed Cooper 18 x 13 inches. Provenance: Aquired through Christies American and European Paintings sale #7369 on December 2, 1992, lot 366. $500-700
(American, 1902-1988) Man in Overcoat ink on paper signed Isabel Bishop (lower left) 4 3/4 x 3 inches. Provenance: Collection of the artist Midtown Galleries, New York Signature Galleries, Chicago, 1976 Acquired from the above by the present owner Exhibited: Chicago, Drawings of Isabel Bishop, RH Love Galleries, 1976 $200-400
118
AMERICAN AND EUROPEAN ART
(American, 1906-1988) Lady with a Green Hat gouache on paper signed Jon Whitcomb (lower right) 11 3/4 x 10 1/4 inches. Property from the Estate of Robert Stolz, St. Louis, Missouri Lot Note: This was an illustration for the May 1948 issue of Cosmopolitan magazine. $500-700
(American, 1876–1965) Palm Beach gouache on paper signed Jane Peterson (lower left); titled (verso) 17 7/8 x 23 7/8 inches. Provenance: Galleries Maurice Sternberg, Chicago (label on verso) $10,000-15,000
442
444*
446
Moses Soyer
Henry Hensche
John Hulse
(American, 1899-1974) Two Nudes sepia and charcoal on paper signed M Soyer 19 x 12 inches. $600-800
(American, 1901-1992) Nude Study graphite on paper signed Henry Hensche (lower right) 6 3/4 x 11 3/4 inches. Property from the Collection of Edith Scala Hampson, Chicago, Illinois $400-600
443
Raphael Soyer
(American, 1899-1987) Nude Study charcoal on paper signed Raphael Soyer (lower right) 10 x 14 inches. $200-400
445
Mary Faulconer
(American, b. 1912) Ginger Beer and Spring Flowers in White Cup (a pair of works) tempera on paper each signed Faulconer (lower right) Largest: 14 x 10 inches. Provenance: Bodley Gallery, New York (label on verso) $600-800
446
(American, 20th Century) Ch창teau de Ternes watercolor on paper signed Hulse (lower right) 39 x 26 inches. $2,000-4,000 447
Marion Kavanagh Wachtelpre
(American, 1870-1954) Mountainous Landscape watercolor on paper signed Marion Kavanagh (lower left) 14 1/2 x 20 3/8 inches. Property from a Private Collection, Battle Creek, Michigan Provenance: Virgina Borden Milbank of Los Angeles, California By descent to the present owner $8,000-12,000
447
119
This suite of 18 World War I watercolor studies for the Fourth Liberty Loan Poster Program is a major discovery. The group exposes an important influence on the work of the celebrated American painter, Walter Ufer, specifically a deep-seated patriotism fueled by nativist attacks on the loyalty of German-born Americans during WWI. At the onset of American involvement in WWI in April of 1917, thousands of German-born Americans, like Walter and Mary Ufer, became subjects of suspicion. By 1918, Ufer’s career was firmly established, best known for his depictions of New Mexico, which poignantly captured the plight of the American Indian. However, despite his success, his candidacy as an associate in the National Academy of Design, whose longstanding mission was to harbor such figure-heads, was aborted, and the couple’s mail was censored by the government, presumably due to the couple’s German ancestry and Ufer’s pre-war adulation of Germany. Walter and Mary countered with numerous patriotic efforts. Throughout 1917, they served America through their work with the American Red Cross, aiding Dr. J. W. Bergman in nursing victims devastated by the Spanish Influenza Epidemic; they purchased war bonds and donated paintings to auction and other fund raising efforts; Walter, at 42, registered for the draft, and, in 1918, joined other members of the Taos Society of Artists in creating large-scale 50 x 70 inch range fighters for indoor rifle training. Mary gave patriotic readings, notably Return from the Front, and created a library for the United War Work campaign. In April 1918, Walter Ufer, having taken significant steps to prove his loyalty, was able to relieve some of his frustrations when he was approached by the Treasury Department to submit studies for a series of posters created for the Fourth Liberty Loan Program. Instructions from the department indicated the posters should reflect “the spirit of grim determination to win the war.” The directive stated that the posters “should be full of action,” while discouraging “grewsomeness [sic]” because it “is sickening and depressing rather than stimulating.” These posters were to “appeal to Americans of foreign birth,” “with a child” and “to farmers.” Besides posters referring to the Army, they were looking for posters “that emphasize the Navy and Aerial service.” R. W. Emerson, Chief of the Division of Publications, announced that the sketches should illustrate some point in connection with this Liberty Loan program, the slogan of which is “Lend the Way They Fight - Buy Bonds to Your Upmost.”
120 A M E R I C A N A N D E U R O P E A N A R T
Ufer had not witnessed the war first hand. His studies for the Fourth Liberty Loan posters actually found their initial inspiration a year earlier, from a letter written by his brother-in-law, Ditlev Frederiksen. One of the artist’s greatest fears was that he would be considered a “slacker” by Ditlev when it came to his involvement in WWI. In a letter dated March 14, 1917, Ditlev admonishes Ufer for not being “on the firing line, painting war terrors…”; the artist had the public’s attention, yet chose Taos as his subject. Ditlev goes on to suggest a menu of mostly graphic subjects Walter could paint. Scenes are described in vivid detail, such as “a dual in the air,” with “smoke effects, fire effects… the air so clear that you can see miles away down to the ground.” “His first bomb” showing “a new recruit on the firing line…showing surprise and fear”; “Three nights out, 50 miles of mud,” depicting “soldiers faces all played out and yet determined after a long trip”; or “What the Germans have left,” featuring “a Sunday morning in France with nothing but black, black, black, war widows going to early morning mass.” He suggests “a few – not too many absolute horrors, bowels hanging out, a man walking with his own bleeding arm on the shoulder, like a gun, severed, or hanging by a few shreds, and then, by contrast, a few barracks scenes showing rest, repose and jollification.” He saved the letter, and Ditlev’s graphic descriptions inspired Walter’s work a year later with paint and brush. The 18 sketches in the present lot measure approximately 2 1/4 x 3 1/2; they are mounted on nine sheets measuring 5 x 7 inches. Titles, Ufer’s signature, “Chicago,” and, per Emerson’s request, a request to buy savings stamps or bonds of the Forth Liberty Loan are found in pencil on the lower margin of each watercolor. In the 18 sketches, Ufer created an explosion of colors and shapes, illustrating the horrible atrocities of war, as though the artist had born witness himself on the front line. Most impressive are Slice the Hun when it hurts with your quarters, Your Gas is not Wanted, and Where it Hurts. Ditlev’s ruined cities are reflected in Remember! Your Boys are Over there; his sweeping skyline, fighter plane and billowing “smoke effects” in For Freedom of the Seas; and prostrate bodies in They Gave Their Life.” Ufer’s own sentiments regarding patriotic participation are reflected in Slackers! Are you One of Them? A casual observer would assume these sketches to be the reflections of a war-weary veteran who had witnessed the atrocities of WWI first-hand.
448
The sketches were sent to R.W. Emerson, who, according to a letter dated May 27, 1918 from Ufer, “marked” two sketches he selected as the basis for the poster designs. Of the sketches in the present lot, three in fact have additional markings: They Gave Their Life is marked with a capital “A”; For Freedom of the Sea is marked “XX”; a third, Money in War Saves Life, showing a high hill with numerous tall crosses, is marked “X.” On September 16, Walter Ufer shipped two posters to New York City entitled Money in War Saves Life That These Dead Shall Not Have Died and For the Safety of our Boys. Ufer was soon informed that the posters, having been accepted by the committee, were to be exhibited “in as prominent a window as possible” on Fifth Avenue. The German-born American was thrilled to finally be able to express publically his patriotism.
448*
*an expanded essay of the above has been prepared by Dr. Dean A. Porter, Director Emeritus, Snit Museum of Art, University of Notre Dame. [It is available to interested parties]
Ufer Papers, University of Notre Dame, gift of Stephen L. Good
Walter Ufer
(American, 1876–1936) Studies for the Fourth Liberty Loan Poster Program (a suite of 18 watercolor sketches on 9 sketchbook pages) watercolor and graphite on paper each signed Walter Ufer and inscribed Each: 5 x 7 inches. Property from the Collection of Pamela G. Johnson, Kansas City, Missouri $4,000-6,000
Literature: Dr. Dean A. Porter. Walter Ufer: Rise, Fall, Resurrection. Oklahoma City: National Cowboy and Western Heritage Museum, 2014 Stephen L. Good. “Ufer: Munich to Taos, 1913— 1918,” in Laura M. Bickerstaff’s Pioneer Artists of Taos. Denver: Old West Printing Company, 1983, 113-173
121
449
450
451
449*
450*
451*
452*
Albert W. Hampson
Albert W. Hampson
Albert W. Hampson
Frank Boggs
Provenance: Collection of the Artist Thence by decent to the present owner
Ref: Cover of The Saturday Evening Post, August 31, 1940
(American, 1911-1990) Kissing the Best Man (Study for Saturday Evening Post), c. 1937 mixed media on illustration board 24 1/2 x 20 inches. Property from the Collection of Edith Scala Hampson, Chicago, Illinois Provenance: Collection of the Artist Thence by decent to the present owner Lot note: This work was a study for a 1937 Saturday Evening Post cover and is accompanied by a copy of the final cover version. $1,000-2,000
(American, 1911-1990) Sink the Navy (Study for Saturday Evening Post), c. 1935 watercolor and graphite on illustration board 17 3/4 x 16 3/4 inches. Property from the Collection of Edith Scala Hampson, Chicago, Illinois
Lot note: This work was a study for a 1935 Saturday Evening Post cover and is accompanied by a copy of the final cover version. $600-800
122 A M E R I C A N A N D E U R O P E A N A R T
(American, 1911-1990) Lunchtime at the Grocery (Study for Saturday Evening Post), c. 1940 color pencil on paper signed Albert W Hampson (lower right) 24 x 18 3/4 inches. Property from the Collection of Edith Scala Hampson, Chicago, Illinois
Provenance: Collection of the Artist Thence by decent to the present owner $800-1,200
(American, 1855-1926) Pont-Audemar-La-Place, 1921 watercolor on paper signed Frank Boggs and dated (lower right) 12 1/2 x 17 1/2 inches. Property from the Estate of Denise Selz, Chicago, Illinois $800-1,200
453*
455
457
Lois Mailou Jones
Saul Raskin
Helen Beccard
(American, 1905-1998) Harbor Scene gouache on paper signed Lois Mailou Jones (lower right) 18 x 23 inches. Property from the Estate of Marjorie J. Hagstrom, Kansas City, Missouri $4,000-6,000 454
William Edouard Scott
(American, 1884–1964) Barney Bono Merchants, 1932 pastel on paper signed W. E. Scott and dated (lower left) 11 1/4 x 18 inches. $300-500
(American, 1878-1966) Landscape watercolor on paper signed Saul Raskin (lower left) 24 x 20 inches. $800-1,200 456
(American, 1903-1994) City Rooftops (triptych) crayon, pencil, and ink on paper signed Helen Beccard Niles (lower right) 14 x 27 inches. $1,000-2,000 458
George Josimovich
(American, 1894-1986) Steel Mills - South Chicago watercolor on paper signed Josimovich (lower right) 14 x 20 inches. Provenance: Robert Henry Adams Fine Art, Chicago $500-700
453
William Schwartz
(American/Russian, 1896-1977) The Paper Mill watercolor on paper signed William Schwartz (lower right) 22 x 30 inches. $2,000-4,000
456
457 458
123
459
460
462
Lawrence Blazey
Peter Helck
Francis Chapin
Provenance: Robert Henry Adams Fine Art, Chicago
461
463
George Copeland Ault
Everett Shinn
(American, 1902-1999) Off the Main Line, 1941 watercolor on paper mounted on artist’s board signed Blazey and dated (lower left) 14 1/2 x 21 1/4 inches.
Exhibited: Seventeenth Annual Ohio Water Color Society Exhibition, October 1941- June 1942, no. 2 $600-800
(American, 1893-1988) ...and multiplies uses of Steel, 1929 ink and wash on illustration board signed Helck and dated (lower right) 13 1/2 x 13 1/2 inches. $600-800
(American, 1891–1948) Cityscape, 1937 gouache on paper initialed G. C. A. and dated (verso) 10 7/8 x 7 1/8 inches. $3,000-5,000
(American, 1899-1965) By the Siding watercolor on paper signed F Chapin (lower right) 18 1/4 x 13 1/2 inches. $400-600
(American, 1876-1953) The Awakening, 1910 pastel on paper laid to board signed E Shinn and dated (lower left) 10 1/4 x 15 1/4 inches. Provenance: Christies, New York “East”, November 20, 1990, lot 321 Acquired by the present owner at the above sale $3,000-5,000
460
461
463
124 A M E R I C A N A N D E U R O P E A N A R T
464
465
466
464
465
466*
Everett Shinn
Gifford Beal
Henry Koehler
(American, 1876-1953) Circus, 1947 gouache on paper signed Everett Shinn and dated (lower left) 7 x 8 inches. $2,000-4,000
(American, 1879-1956) Setting up the Tents watercolor, gouache and pencil on paper titled (verso) 12 1/2 x 18 3/4 inches. Provenance: Kraushaar Galleries, New York Acquired from the above by the present owner $8,000-12,000
(American, b. 1927) Group of Jockeys and A Race, 1982 charcoal and oil on paper laid to canvas each signed Henry Koehler (lower rectos); signed, titled and dated (versos) Each: 18 x 23 inches. Property from the Estate of Ann T. Downey, Palm Beach, Florida $4,000-6,000
125
ARTIST INDEX ARTIST NAME
LOT
Adamoff, Helena
207
Botke, Jessie Arms
73
de Vos, Cornelis (manner of)
143
Adams, Jean
82
Bourdelle, Emile Antoine
292
de Zarote, Manuel Ortiz
222
Adams, Lawrence
113, 119
Bouter, Cornelis
148
Dean, Walter Lofthouse
17
Addison, Robert
63
Bouyssou, Jacques
356
Deperthes, Jacques
344
Albani, Francesco
236
Braith, Anton
182
Deshays, Jean-Baptiste
398
Albert, Karl
117, 118
Broderson, Morris
120
Desvarreux, Raymond
317
Albright, Adam Emory
64-66
Brown, John George
37
Dooijewaard, Jacob
159
Alcerreca y Comonfort, Ignacio 223
Brown, John Lewis
283
Dooyewaard, Jacob
167
Aldrich, George Ames
19
Brown, Matilda
111
Dressler, Edward James
15
Allen, Janius
93
Buck, Claude
58
Dubord, Jean Pierre
343
Alt, Jacob
183
Buffet, Bernard
368
Dudley, Frank Virgil
22, 23
Alten, Mathias, Joseph Alten
9
Burgess, John Bagnold
257
Dufy, Jean
412
Anisfeld, Boris Izrailovich
206
Burliuk, David Davidovich
205
Dufy, Raoul
410
Ardissone, Yolande
322-324
Burne-Jones, Edward (after)
392
Dumas, Gaetan
313
Arnesen, Wilhelm
170-172
Caffe, Nino
237
Dupre, Jules
296
Artist Unknown
13, 112
Canjura, Noe
224
Eisendieck, Suzanne
337
Aujame, Jean Claude
342
Carleton, Anne
81
Enjolras, Delphin
303
Ault, George Copeland
461
Carlsen, Dines
61
Enneking, John Joseph (attributed to) 45
Bacon, Henry
138
Cazin, Jean-Charles
300, 301
Enwright, J.J. (Hjalmar Amundsen)
124
Baird, William Baptiste
2
Chadwick, William
54
Fahrbach, Carl Ludwig
178
Barber, John
55, 56
Chagall, Marc
417
Farge, Pierre
321
Barlow, Myron
60
Chaleye, Jean
411
Faulconer, Mary
445
Barnabe, Duilio
227
Chambon, Reine Cabaud
308
Faulkner, John
384
Barnard, Edward Herbert
3
Chapin, Francis
462
Ferrari, Giuseppe
387
Barstow, Montagu
250
Chase, Emilie
277
Fillon, Arthur
420
Barton, Macena Alberta
128-131
Cimiotti, Gustave
33
Flint, William Russell
390, 391
Bates, David
258
Clair, Charles H.
299
Florot, Gustave
307
Baudesson, Nicolas
266
Clark, Eliot Candee
89, 90
Fogel, Seymour
97
Baudouin, Pierre Antoine
397
Clark, Samuel Joseph
244
Fourier, Alex
287
Baum, Walter Emerson
30
Clark, Walter
38
Frappa, Jose
402
Beal, Gifford
87, 465
Clement-Serveau
359
Gabrini, Pietro
226
Beccard, Helen
457
Clusmann, William
108
Gagliardini, Julien Gustave
316
Berard, Christian (attributed to) 426-428
Coleman, Michael
125
Galand, Leon-Laurent
309
Berman, Eugene
424, 425
Coleman, William Stephen
263
Galien-Laloue, Eugene
408
Berthelsen, Johann
100
Collomb, Paul
369
Gall, Francois
Bianchi, Mose
232
Constant, John Joseph Benjamin
280
355, 357, 358, 360, 361
Biddlecombe, Walter
254
Cooper, Thomas Sydney
248
Galt, Charles
36
Bishop, Isabel
439
Cortes, Edouard Leon
329, 330, 333
Gantner, Bernard
370
Bittar, Pierre
375
Costantini, Giuseppe
228
Gauguin, Paul (attributed to)
400
Black, Olive Parker
62
Courbet, Gustave (attributed to)
271
Gaveau, Claude
377
Blackman, Walter
10
Crawford, Ralston
110
Genin, Lucien
306
Blakelock, Ralph A.
39
Dadd, Frank
393-396
Geyer, Georg
186
Blanc, Louis Ammy
179
Daubigny, Charles Francois
285, 289
Gillen, Denver
127
Blanchard, Antoine
331, 332
Dauchot, Gabriel
364, 366
Gisson, Andre
136, 137, 139
Blazey, Lawrence
459
Davies, Arthur Bowen
434
Goodan, Tillman
114
Blommers, Bernardus Johannes 153
Davis, Charles Harold
1
Gromaire, Marcel
419
Boggs, Frank
452
Dawson, Montague
262
Gropper, William
438
Bohrod, Aaron
107
de Blaas, Eugene
184
Gross, Chaim
132
Boldini, Giovanni
238
de Breanski, Alfred
261
Gross, Oskar
185
Bolegard, Joseph
437
de Gallard, Michel
371
Grosz, George
385, 386
Bonheur, Rosa
399
de Glehn, Wilfred
241
Gruau, Rene
388
Bonheur, Rosa (workshop of)
273
de la Pena, Narcisse Virgile Diaz
278, 279
Gruppe, Charles Paul
48-50
Bos, Henk
164, 165
de Neuville, Alphonse Marie
281
Gruppe, Emile Albert
51-52
126 A M E R I C A N A N D E U R O P E A N A R T
Guille, Louis Ernest
320
Leavitt, Edward Chalmers
59
Phillips, Gordon
106
Guillemin, Alexandre Marie
291
Lefort, Jean Louis
298
Pho, Le
379
Guilloux, Charles Victor
304
Legere, Jon
99
Picho, Marie-Louise
311
Hamilton, Helen
105
Lepine, Stanislas
288
Pissaro, Paul Emile
276
Hampson, Albert
126
Leroy, Jules
297
Pissarro, Hugues Claude
376
Hampson, Albert W.
449-451
Lidderdale, Charles Sillem
256
Planquette, Felix
319
Hardy, Frederick Daniel
389
Ligtelijin, Evert-Jan
168
Plassan, Antoine Emile
290
Harpignies, Henri-Joseph
293
Lipchitz, Jacques
414, 415
Pock, Alexander
187
Hartwich, Hermann
7
Lloyd, Llewelyn
235
Polenov, Vasili Dimitrievich
209
Hawthorne, Charles Webster
88
Loomis, Andrew
94
Pozier, Jacinthe
315
Haydon, Charles
4
Lumis, Harriet Randall
67-70, 74-78
Pryanishnikov, Illarion Mikhailovch
212
Helck, Peter
460
Lundmark, Leon
24
Rambert, Rene
325
Helder, Johannes
152
Lurcat, Jean
413
Raoux, Jean (after)
267
Helmick, Howard
12
Lutscher, Fernand
294
Raskin, Saul
455
Henkes, Gerke
381
Lyman, Joseph
44
Ream, Carducius Plantagenet
14
Henri, Robert
432, 433
Macbeth, Robert Walker
242
Renard, Paul
305
Hensche, Henry
444
Maes, Eugene Remy
198, 199
Rettig, John
91
Herring, Jr., John Frederick
246
Maik, Henri Hecht
365
Richards, William Trost
18
Herring, Jr., John Frederick (attributed to)
245
Maillol, Aristide (attributed to)
401
Rijlaarsdam, Jan
169
Makovsky, Vladimir Egorovich
210
Romney, George
239
Herring, Sr., John Frederick
247, 249
Manievich, Abraham
47
Rouault, George
416
Herve, Jules Rene
334-336
Mann, Joshua
255
Rousseau, Theodore
272
Hibel, Edna
96
Marsh, Reginald
436
Salabet, Jean
326-328
Hoffbauer, Charles
140
Matisse, Henri
421
Sandham, Hy (Henry)
11
Holman, Francis
260
Meissonier, Charles
295
Sandzen, Birger
79
Homer, Winslow
431
Mesmer, Gustav
181
Schwartz, William
458
Hoskins, Gayle
80
Michel, George
269
Scott, Henry
141
Hulse, John
446
Michel-Henry
339
Scott, William Edouard
454
Hunt, Walter
243
Monsted, Peder Mork
173
de Segonzac, Andre Dunoyer
418
Ikeda, Yasushi
221
Montane, Roger
367
Shayer, William
265
Inness, George
6
Montezin, Pierre Eugene
409
Shinn, Everett
463, 464
Jones, Lois Mailou
453
Morbelli, Angelo
234
Shulz, Ada
83
Josimovich, George
85, 86, 456
Mordt, Gustav Adolph
195
Signac, Paul
407
Jules, Mervin
84
Morland, George
240
Simbari, Nicola
216, 217
Katchadourian, Sarkis
219
Morland, George (attributed to)
259
Simon, Herman Gustav
176
Keith, William
5
Mouly, Marcel
372
Simon-Auguste, Simon
274, 362
Kemp, Oliver
16
Muhl, Roger
338
Sinicki, George
349, 350
Kipniss, Robert
101-103
Neal, Charles
253
Slade, Caleb Arnold
43
Kiselev, Aleksandr Aleksandrovich 213
Ogden, Frederick D.
122
Smillie, George
8
Koehler, Henry
466
Orloff, Gregory
46
Smith, Henry Pember
42
Kokin, Mikhail Aleksandrovich
208
Oudinot, Achille Francois
286
Smith, Jessie Wilcox
72
Korovin, Konstantin Alexeievitch
214
Paice, George
251, 252
Sonntag, William
40
Kouliche, Michel
346, 351-354 Pailes, Isaac
202
Soyer, Moses
57, 442
Krehbiel, Albert
25, 435
Palizzi, Giuseppe
233
Soyer, Raphael
443
Kremegne, Pinchus
310
Pallya, Celesztin
192
Spat, Gabriel
133-135
Kvapil, Charles
174, 175, 197
Pascin, Jules
404, 405
Speicher, Eugene Edward
31, 32
L’Enfant, Marcel
347
Penney, James
109
Spicuzza, Francesco J.
95
Lagorio, Lev Felixovich
211
Perelli, Achille
429, 430
Steinheil, Adolphe Charles Edouard
282
Lakhovsky, Arnold
203, 204
Pernelle, Ernest
312
Storrs, John
104
LaLauze, Alphonse
318, 406
Perrault, Ida Marie
71
Strayer, Paul
28
Lamotte, Bernard
341, 422, 423 Perrot, Maurice
314
Svendsen, Svend
194, 196
Lanfant, Francois-Louis
270
Peterson, Jane
441
Swanson, Ray
115
Lawrence, Walter
116
Peyrat, Louis
340
Tarbell, Edmund Charles
21
127
ARTIST INDEX (CONTINUED) ARTIST NAME
LOT
Tarkay, Itzchak
215
Taunay, Nicolas-Antoine (attributed to)
268
Thielemann, Alfred
180
Thomas, Gerard (after)
144
Thomas, Jean
363
Thu, Mai
220
Till, Leopold
188
Toran, Alphonse T.
35
Torrini, Pietro
225
Trautmann, Johann Georg
177
Trayer, Jean-Baptiste Jules
275
Treiman, Joyce Wahl
121, 123
Troyon, Constant
284
Tschernjawski, Alex
218
Tucker, Allen
20
Twachtman, John Henry
26, 27
Ufer, Walter
448
Valeri, Silvestro
229
van Beest, Jacob Eduard Heemsker
147
van Beyren, Abraham (attributed to)
145
van den Berg, Willem
149-151, 161-163, 166, 382, 383
van der Plas, Niek
155-158
van Nieuwenhoven, Willem
160, 160
van Ruisdael, Jacob (circle of)
146
van Spaendock, Cornelis (attributed to)
380
van Tilborgh, Gills (after)
142
Venard, Claude
373
Vialet, Laurent
378
Vibert, Jehan Georges
403
Vignoles, Andre
374
Vinay, Jean
345, 348
Viski, Janos
190, 191, 193
von Wierusz-Kowalski, Alfred
200
Vreedenburgh, Cornelis
154
Wachtelpre, Marion Kavanagh
447
Wankie, Wladyslaw
201
Watson, William
264
Weis, John Ellsworth
34
Wendt, William
92
Whitcomb, Jon
440
Wiggins, Guy A.
98
Woodward, Robert Strong
29
Worms, Jules
302
Wyant, Alexander Helwig
41
Yates, Cullen
53
Zampighi, Eugenio
230, 231
Zic, Zivko
189
128 A M E R I C A N A N D E U R O P E A N A R T
GLOSSARY OF TERMS ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artist and of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.
lh
129
LH
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456 | FINE PRINTS SEPTEMBER 30 | CHICAGO CONSIGNMENT DEADLINE JULY 29
457 | ASIAN MARKETPLACE JULY 20 – 21 | ONLINE ONLY
458 | MILWAUKEE FALL AUCTION NOVEMBER 4 | MILWAUKEE CONSIGNMENT DEADLINE SEPTEMBER 16
Leslie Hindman Auctioneers offers a complete range of appraisal and auction services designed to assist you. If you have property to sell, be it a single item, a large collection or an entire estate, please contact us for a complimentary evaluation at 312.280.1212 or consign@lesliehindman.com.
LESLIEHINDMAN.COM
AUCTION INQUIRIES AMERICAN AND EUROPEAN ART DEPARTMENT
Sarah Wilson Head of Sale sarahwilson@lesliehindman.com
Lauren Carpinelli Account Executive laurencarpinelli@lesliehindman.com 312.334.4228
OFFICE OF THE PRESIDENT Leslie S. Hindman President and CEO 312.280.1212 Adam Spender Executive Assistant 312.334.4201 Craig Dooley COO craig@lesliehindman.com 312.334.4202
ESTATES, APPRAISALS AND BUSINESS DEVELOPMENT Colleen Thielen Director of Estates and Appraisals colleenthielen@lesliehindman.com 312.447.3283 Molly Gron Business Development Manager mollygron@lesliehindman.com 312.334.4235 Katelyn Finn Account Executive katelynfinn@lesliehindman.com 312.447.3297 Katie Matusik Account Executive katelynmatusik@lesliehindman.com 312.334.4224
ADMINISTRATION Accounting Christopher Reimann Director of Finance christopherreimann@lesliehindman.com 312.447.3284 Katherine Russian Manager of Business Operations katherinerussian@lesliehindman.com 312.447.3263 Tara Schlitz Settlement Manager taraschlitz@lesliehindman.com 312.334.4225 Client Services Heather Daum Manager, Human Resources heatherdaum@lesliehindman.com 312.334.4208 Lauren Peartree Auction Coordinator laurenpeartree@lesliehindman.com 312.447.3289
CONSIGNMENT DEPARTMENT Mary Kohnke Director of Consignments marykohnke@lesliehindman.com 312.334.4236
REGIONAL AUCTION HOUSES Fine Art
Marketplace
Zack Wirsum Senior Specialist zachary@lesliehindman.com
Gia Spezia Director gia@lesliehindman.com 312.334.4219
Reed Landin Associate Specialist reedlandin@lesliehindman.com Sarah Wilson Associate Specialist/Cataloguer sarahwilson@lesliehindman.com Lail Marmor Account Executive lailmarmor@lesliehindman.com 312.334.4264 Lauren Carpinelli Account Executive laurencarpinelli@lesliehindman.com 312.334.4228 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Specialist corbinhorn@lesliehindman.com Benjamin Fisher Specialist benjaminfisher@lesliehindman.com Nick Coombs Account Executive nickcoombs@lesliehindman.com 312.447.3292 Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282
Fine Books and Manuscripts Sophie Hammond Hagman sophiehammond@lesliehindman.com 312.334.4231 Mary Kohnke Senior Specialist marykohnke@lesliehindman.com 312.334.4236
Denver
Benjamin Fisher Director benjaminfisher@lesliehindman.com
Milwaukee
Annie Wu Specialist anniewu@lesliehindman.com Clare Brody Account Executive clarebrody@lesliehindman.com 312.447.3290
525 East Chicago Street Milwaukee, Wisconsin 53202 414.220.9200
Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448
Palm Beach Island
Fine Jewelry and Timepieces
125 Worth Ave Palm Beach, Florida 33480 561.833.8053
Alexander Eblen, G.G. Director alexandereblen@lesliehindman.com
West Palm Beach
James Wallace Gemologist jameswallace@lesliehindman.com Meredith Derman Gemologist meredithderman@lesliehindman.com
Elise Moyer Director, LH Exchange elisemoyer@lesliehindman.com 312.447.3261
Hazel Kent Account Executive hazelkent@lesliehindman.com 312.334.4223
Modern Design
Katie Meyer Account Executive katiemeyer@lesliehindman.com 312.334.4213
Cassia Baker Account Executive cassiabaker@lesliehindman.com 312.447.3282
Michael McCarthy Account Executive michaelmccarthy@lesliehindman.com 312.334.4204 960 Cherokee Street Denver, Colorado 80204 303.825.1855
Jamie Henderson Associate Specialist/Cataloguer jamiehenderson@lesliehindman.com 312.334.4226
Benjamin Fisher Specialist benjaminfisher@lesliehindman.com
Vaughn Smith Account Executive vaughnsmith@lesliehindman.com 312.334.4238
Asian Works of Art
Genevieve King Cataloguer genevieveking@lesliehindman.com
Mike Intihar Senior Specialist mike@lesliehindman.com
Jim Sharp Director jim@lesliehindman.com 312.334.4203
Luxury Accessories and Couture Anne Forman Director anneforman@lesliehindman.com 312.334.4222 Mary Shearson Cataloguer maryshearson@lesliehindman.com 312.447.3288
1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053
St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833
Regional Representatives Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811
International Representative Tina Fisher Grow 561.315.9100
GUIDE FOR PROSPECTIVE SELLERS Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are:
$0 - $200 .............................................................. $10 $200 - $500 ............................................................. $25 $500 - $1,000 .......................................................... $50 $1,000 - $2,000 ....................................................... $100 $2,000 - $5,000 ...................................................... $200 $5,000 - $10,000 .................................................... $500 $10,000 - $20,000 ................................................ $1,000 $20,000 - $50,000 ............................................... $2,000 $50,000 - $100,000 ............................................. $5,000 $100,000 - $200,000 .......................................... $10,000 Over > $200,000 ........... Auctioneer’s Discretion
In-House Bidding Live bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.
DRIVING DIRECTIONS/PARKING From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. Parking: Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.
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CONDITIONS OF SALE
LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.
BEFORE THE SALE Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.
AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.
134 A M E R I C A N A N D E U R O P E A N A R T
Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids. Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.
AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.
Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.
Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.
LIABILITY
Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.
Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.
Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:
Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.
a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price
Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.
Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc. 0615
f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate
Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.
lh
e.) to offset against any amount owed
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LESLIE HINDMAN AUCTIONEERS
BID FORM
CHICAGO | DENVER | MILWAUKEE | NAPLES | PALM BEACH | ST. LOUIS
F X 312. 28 0.1 21 1 | B I D@ L E S L I E H I N DMA N .CO M Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.
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NAME SALE NUMBER/NAME
BUSINESS NAME
BILLING ADDRESS
CITY STATE COUNTRY/ZIP
CONTACT NAME
PRIMARY PHONE SECONDARY PHONE
EMAIL FAX
I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website. SIGNATURE DATE
FOR LESLIE HINDMAN AUCTIONEERS, INC.
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ........................................................ $10 $200 - $500 ....................................................... $25 $500 - $1,000 .................................................... $50 $1,000 - $2,000 ................................................. $100 $2,000 - $5,000 ................................................ $200 $5,000 - $10,000 ............................................... $500 $10,000 - $20,000 ........................................... $1,000 $20,000 - $50,000 .......................................... $2,000 $50,000 - $100,000 ........................................ $5,000 $100,000 - $200,000 ..................................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence. A per lot buyer’s premium is added to the final hammer price as per the following: $0 - $100,000 ........................................................... 25% $100,001 - $1,000,000 ........................................... 20% $1,000,001 + ................................................................. 12% Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.
DATE
FIRST TIME BIDDERS PLEASE PROVIDE A VALID CREDIT CARD AND ONE OF THE FOLLOWING: PASSPORT / DRIVER’S LICENSE / NATIONAL IDENTITY CARD LOT NUMBER
LOT DESCRIPTION
ABSENTEE BID
PHONE BID
BACK-UP BID
US DOLLAR LIMIT
PLEASE CHECK
FOR TELEPHONE BIDDERS ONLY
EXCLUDES BUYER’S PREMIUM
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1338 WEST LAKE STREET P H 3 1 2 . 2 8 0.1 2 1 2
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F X 3 1 2 . 2 8 0.1 2 1 1
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C H I C AG O, I L L I N O I S
B I D @ L E S L I E H I N D M A N .CO M
60607 |
L E S L I E H I N D M A N .CO M
L E S L I E H I N D M A N AU C T I O N E E R S
1338 West Lake Street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211 l lesliehindman.com