Page 1

TAS VIENDO Y NO VES FOR STRING QUARTET

Leonardo Prieto 2013


NOTE

The title and parts of the work’s main idea arise within a politically algid moment in our country Mexico, in which it’s clearer to see aspects that in other circunstances might pass unnoticed. In that way, this work intends to play with the fact that some elements can be shown clearly or be hidden by means of development and transformation. Duration: 10 min.


MARKS

Pizzicato with pressure: to be executed with the fingertip over the string exerting the greatest pressure possible, towards the tastiera, sliding the finger along the side of the string resting over the tastiera. The sound to be obtained must be a strong and compact one, like the hit of a rubber band.

Tap left hand: to be executed with the left hand pressing with the finger tip (tap) in the designated note, attempting if possible to play over strings IV and III.

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Tas viendo y no ves Allegro energico

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( :"

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): * " "

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: "

1

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18

G * ! ! * /* * * ,* * * * ,* ,* :" * * * ,* * * * * * * /* * * ,* * * * ,* ,* Vln. I & " * ,* ,* * * * * * p cresc. 116

Vln. II

/* & !"

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( !" 1

*

1

1

1

p cresc.

Vla.

Vc.

*

p cresc.

)! " "*

*

p cresc.

119 ! * * * ,* Vln. I &

/* & * *

Vln. II

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Vc.

"

( *

1

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19

122

Vln. II

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mf

Vln. II

,* .* /* * ,* * * , * . * , * ,* .* /* * $ $ $ ! & !" * ,* .* /* * ,* :" ,$* .$* $* $* $ $ %$ $ $ $ $ $ $ :" $ $ $ " * mf

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Vc.

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20

128 ! ! * * * * *. * * * * * * : * * * * * * * */* $ * /* **: * * * *,* 1 ! ,* Vln. I & " * " % * * * * *,*,* " ,* ,* " * * * * * * *

f

Vln. II

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ff

Vln. II

/* * ,* * * ,* .* $ .*$ $ ,* .* /* $* ,$* $ $$ ! ! : : $ $ $ $ , * , * &" * * %$ $ "$ $ " * * * ,* .* /* " * /* ff

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ff

Vc.

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! ! * /* * Vln. I & " * 136

I

21

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Vla.

Vc.

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! : ,* Vln. I & " 139

Vln. II

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II. 22

q=55

hand) ! %(Tap left 1 0 4 Vln. I & % 2 ,, 141

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p

2 1 0 ,

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4

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arco sul pont.

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Vln. II

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0

1 2 4 , p

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4

pp

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0

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*Tap left hand: to be executed with the left hand pressing with the finger tip (tap) in the designated note, attempting if possible to play over strings IV and III.

! 2 Vln. I & /, 1 2 1 1 2 0 , ,, 145

& 4

Vln. II

(

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Vc.

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1 /,3 2 1 , 1 , 1 /, 3 3 0

1 2 1 2 0 ,, ,


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, ,,

0

, /,

2 1 1 2 1 , ,, , , /, , ,2

1 2 /,2 1 2 1 0 , ,

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1 2 1 2 2 1 ,, , , ,, /,

1

149

0 & 1 2 , ,, ,,

Vln. II

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23

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pizz. 2 ,2 1 2 1 ) 1 1 0 Vc. 2 ,, " / * , , . * ,

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1

mf

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24

157 / * ! 3 1 0 Vln. I &

/* /* 1 3 1 3 4

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p

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4

2 1 ,

< < < < < < < < < 1 $* $ $* $ $* $ $* $ $* $ $* $ $* $ $* $ $* $ 4

161

Vln. II

1

2 ,

arco sul pont.

arco sul pont.

& /,2 1 1 /,2

, 3

2 1 ,

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p

arco

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25

! Vln. I & 4

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1

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0

Vln. II

& 4

0

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1

2 ,

1

0

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1

, 3

1

, 3

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163

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arco (tap and pluck)**

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mp

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J

26

arco (tap and pluck)**

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166 q.=40

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mp

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'

mp

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arco III

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III

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! $ $ $ $ $ $ & < * < * < * < * < * < * 0# * < * < * < * < * < * < 168

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27

arco

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p

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I < < <

III

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IV y III

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alla punta

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p

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IV y III

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28

! Vln. I & 176

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ppp

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III

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K ! < ## Vln. I & (/)*

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184

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ord. alla punta sempre II

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ppp

sul tasto

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p

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mp

2 0# / < /*

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'&> ! * Vln. I & $ $

30

192

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Vln. II

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mf pp

pp

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Vla.

*> *# $ $$ $

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2 0# / < /*

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Vln. II

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ord.

pp

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mp

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seagull effect

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p

pp

sul tasto

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<

<

< < < < < < < < < < < < mp

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31 IV III

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& 0

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Vc.

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IV

mp

mf

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IV III IV III

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f

mf

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32

! Vln. I & 205

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Vln. II

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f

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<

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Vc.

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mf

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f

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mf

f

mf II

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f

mf

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III

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mf

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III

f

mf

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33

! # Vln. I & 4 209

0

2 , < ,* f

IV

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