MIGHT DELETE LATER E-CATALOGUE

MIGHT DELETE LATER

Maddison Woodward Instagram: tokyoskiies Website: https://manndm03.wixsite.com/mdphotography E-mail: mannmaddie03@gmail.com

My project, being based around the everyday moments of life, is full of imperfections, quite intentionally. All clips are filmed on my phone, they’re fast and not beautifully composed, because it’s about just pulling my phone out in the moment, something which is accessible to me, and taking time to capture those moments before moving on.

I started looking at places of home and familiarity. I wanted to explore the peace you find in those small moments at home. Inspired by Rinko Kawauchi’s work, I knew I wanted to approach the project in a more detailed way, which is how I knew I wanted to ‘zoom in’ on those smaller moments. Rather than looking at physical spaces and locations that were important to me, I wanted to look at the idea of home, and how those moments of peace collaborate to create it. I wanted to create a moving image compiled of many small moments throughout my day. I felt it was important to have a lot of the clips taken from my daily life, rather than going out with a camera and trying to purposefully shoot them. I slowed the second half of the video down with a single longer video, which forces the viewer to contemplate and observe their own moments of peace.

FROZEN FLOWERS Frozen Flowers explores young peoples views of global warming and the growing desperation for action and change which our generation doesn't necessarily have the power to do. Frozen Flowers is my own interpretation of this experience, how we've spent so long trying to preserve something beautiful and comfortable, but now we are witnessing the ice slowly melt and break away foreshadowing the possible flowers death.

This project challenges environmental issues and the idea of perspective, do we look at the flowers? the melting ice? or the modern development beyond the window?

William Friend Unseen

“Unseen is a project about exploring the sentimentality of light and what it means to each person, using key objects and individual creativity I created my own perception of their interests.”

EL BROWSE An intimate exploration into the layers of ‘vulnerability’ the bed holds. Gaining an understanding that you can create landscapes out of a variety of different spaces.

Embracing the four ‘things’ the bed entails.

The bed is a personal and private place but what if that was exposed?

Your Future Leaders

by Charlotte Self

Insta:

@charlotteselfphotos

Web:

www.charlotteself.com

My project, titled ‘Your Future Leaders,’ aims to explore youth culture and the many complex ways in which we express our identities. Through documenting clothing choices, tattoos, accessories, our choice of friends, and the intimate details of our lives such as our bedrooms, personal belongings, and scars, a narrative emerged — a narrative that tells to story of the lives we lead, and the choices we make and what it says about us as people.

Originally my project was a far more structured photo series but as I went about taking the photos I found myself capturing moments within my friends’ spaces, revealing the intimate aspects of their lives — moments that occur when they believe no one is watching.

This photobook aims to narrate a story. ‘Your Future Leaders’ is a candid portrayal of me and my friends, revealing the truth of who we are, the intricacies that shape us, and the collective identity of youth today who will eventually become our future leaders.

OLI This photography project captures Oli’s courageous journey as a transgender individual. It’s a raw and intimate portrayal of the challenges he faces, yet it’s also a testament to his resilience and the hope that prevails. Each image aims to tell a story of struggle, strength, and the unwavering belief that everything will turn out okay.

Skye Colquhoun @captured.moments.by.skye

@robertwi1son my first time using film, this project is a short series of photography taken using the Hasselblad medium format camera, and is documenting my explorations of the areas surrounding Bristol, in particular the towns of Bath and Weston-super-mare

F A M I L I A R T O M

W A R M T H

F R A N K L I N

A reflection of my identity through images of my family and home environment, both of which have inevitably influenced who I am as a person.

Moment of Stillness

By Ruby O’Sullivan

This project is about nature and those who find solace within it. A collection of medium format high contrast black and white photos. Looking at people’s connection to the natural world and how it helps bring them peace and a moment of stillness when everything gets too much.

@rubyos.photography

BEAUFORT Connie Whitham

This series of portraits were taken in the council estate in which I grew up. Beaufort captures the juxtaposition between masculinity and femininity, growing up torn between the binary, searching for a way to break off from the place you have called home.

Instagram: @constance__dylan

Colette Craig What once was

What Once was is a series of images that document an abandonned office space. The remains that are left behind give us a glimpse of what once exsisted. Abandonned spaces like these hold so much history that’s left to be forgotton. I intended “What once was” to rediscover these neglected spaces and shine them in a new light.

Representation of identity through

Possession

BY LOUIS BOYCE

Context can be taken for granted within imagery.

Starting with the familiar and taking that to an unfamiliar context.

Removing the framework, stripping the image down to its basic function of presentation.

The Silent Generation

a project by molly locke My project ‘The Silent Generation’ looks at the change and contrast in British society and Britain’s humane landscape between my generation and the silent generation (ages 78-95). I reflected on how our communities have evolved over the past decades, regarding cultural, historical, political and social events. I asked myself how has life changed? And what do our eldest generation have to say about it? I went to several events and spoke to many people collecting their thoughts and opinions, all of which contributed to my final project and the images presented in ‘The Silent Generation’.

@mollylockephotos mollylocke.co.uk

Ashlyn Smith

Insta- @Briannajasminephotography

“Moments of Solitude” is a photographic exploration of serene landscapes, born out of my need for solitude. These natural surroundings unexpectedly transformed into refuges from the chaos of daily life. What started as a photographic endeavour transformed into a collaborative journey between me and the landscapes. Stripping away distractions, I immersed myself in these environments, cultivating a deep connection. Nature, in turn, became a guiding force on a personal level, shaping not only the process but also the essence of my work. This guidance resulted in imagery that captures not only scenes of solitude but also the intricate relationship between humanity and the Earth.

Dylan Dehane My book ‘untitled’ is an exploration of the differences between group and idividual identity.

Through the subjects depiction of personal style and activity this project became and was quite a personal journey & depiction of people - who mean dearly to me - who surround me on a day to day.

The pictures felt organic, as the came to me quite naturally.

@dyldehane

Janey Hills Love Unlocked

D o

I

f i n d

c o m f o r t

h e r e ?

This series is focussed on home and place, what that means to myself as well as the wildlife around us. Home can not only be seen as literal, but a feeling that you carry with you; this has been the focus in my image making for this project.

J a k e

G o d d a r d

Blake Goold ‘Out the door’

This project is a dive into the activity of hiking and the desire a lot of us have to escape from city life to connect with nature and get out doors. @blakegoooold

Jamie Ball ‘Untitled’ This piece of work was made to create an unsettling feeling, a feeling as though you are being watched. Dark and blurry imagery used to create a sense of discomfort and unknowing. @jamieball.photos

ROUTE X

By Danny Frisby

A series of photographs exploring people on the bus,. I wanted to create a film/ moody atmosphere with my images. I focused on capturing the unique physical characteristics and expressions that contribute to someone’s identity or how they are feeling.

PASSPORT 23

BY SCARLETT SIMMS

Instagram @scarlettsimmsphotos

PASSPORT 23 is my photobook project exploring the identity of people I have met since coming to university. I did this through analysing passports - the internationally recognised official identification document. I compared these alongside studio portraits taken in both a passport and more traditional style.

Labradorite

This project consists of a set of darkroom prints that create a narrative and explore the idea of the modern day witch. The images portray some of the key themes in Wiccan belief: altars, spell casting, and connection with the Earth.

The lack of characters and stereotypical symbols in the images allow room to imagine your own story and take a look at what spirituality may mean to you.

Charlie Grant @crumble.pics

Who am I to you?

‘Who am I to you?’ is a moving image piece exploring the stereotpyes women face troughout their life. From birth to death. Within this short flm you’ll see the reality of a girl’s life challenging the standards woman are brought up to be. Confined to be ‘feminine’. But what is femininity? Traditionally girls are told to like the colour pink, viewwd a weaker/lesser gender, seen as dramatic and appzrently only care what thye wear or how they look. However, femininity is not something that can be categories to one box, as we move further and further away from these ideas, the word and attributes of feminism means something different every person.

Izzy

Mai

@picsby.iz

My project is devoted to discovering more about the plethora of diversity within Bristol’s creative music scene. My project involves understanding how the personality of a place is shaped and moulded through the influence of creating memories. I have taken study by dividing my project into sections looking specifically at music, music venues and architectural photography.

The Unity Of Nature

By Eloise Brewis @eloise_brewis

My work is a series of images exploring the relationship between nature and people. I wanted to explore how people felt safe and comfortable when in nature and how they use it to express themselves. I also explored how they used this safe space to bond with others in their life whether that be with family or friends.

George Hill Instagram - @ghllphotos

Up N’ Coming is a photo-book showcasing fresh talent in the music scene. From rap artists to DJs, I have tried to capture their essence and presence and document it within my photos.

The Dead of Winter

By Carla Mabb

My work is centred around the grief that I have faced in the past few months after losing my Dad. The contrast between moving to a big city away from my family, and that of my small hometown captures the isolation which has been enhanced with my circumstances. I wanted to portray my own emotions throughout this journey, but also create a hommage to my Dad.

Jess Walker “ Don’t Tell my Mother ” This project explores interioir spaces in homes, specifically bedrooms, and people’s intimate relationships with them. It dissects the safety, comfort and personality that emulates from these spaces. This project focuses on a singular model, Marnie, in her bedroom, and her emmotional connection to the space. @jesswalkerfoto

Grace Dorsey

grace10.dorsey@gmail.com

‘Between Tracks’ is based on the journeys we take and where they lead us. This project is a series of short clips made into a 2 minute film inspired by my own experiences traveling; the times a journey felt important as well as all the ways a journey can be beautiful in its mundane.

This moving image is an exploration of the sights and sounds of travel. I wanted my work to capture the feel of a train journey as well as alluding to the idea that the audience can travel along with me.

THE OCTOPUS The Octopus is a book that explores identity through landscape. I wanted to express the idea of a place having its own identity and creating my own contrived and stilted world.

I lived in the countryside for my whole childhood, and now returning there from time to time, it is easy to realise how landscape can come to form a person. It has been strange also to experience how ficticious our perception of these places can be, and therefore, I use this idea and express the sense of place in a ficticious way, as if dreamt of and

LUCA LAWSON lost again amomgst the subconscious, framing the place that I grew up in as it’s own character, creating what I call a ‘fictional landscape’.

The book explores how easily memories of a place can be corrupted and constantly effected by external and internal events, therefore everyone’s landscape is personal and subjective. Mine explored within the book is overlooked by the character of an octopus, a sort of antagonist to my subconscious landscape. instagram @lucat.lawson

As a Japanese student, I believe it is one of the most important tasks to express the beauty of Japan through my

photography.

Among

them, the capital of Tokyo has a special meaning for me.

I have grown up there since my childhood. Recalling my past days, I took pictures of impressive Tokyo scenes.

Taiyo Fujiwara @tf_350

As a Japanese student, I believe it is one of the most important task to express the beauty of Japan through my photography.

They Said It’s Mall Over

This project showcases the slow demise of Bristol’s shopping centre, The Galleries. A series of photos taken during shopping hours in October and November. The outcome of the project is a finished photo book bound by myself.

Baxter Fletcher

@baxter.photo_

Untitled

by Mia Rodgers

My exploration into the relationship between femininity and nature. @_mimithief

SAFEGUARD

@verisimiliis

An intimate exploration into the family unit, delving into deep rooted emotions that are never truly expressed, and are instead hidden by humor; SAFEGUARDED by our own subconscious and only remembered through pockets of memory.

Memory is subjec tive, constantly shiftin g and changing without us even being aware, so how do we remember th ings? This is whe re the family album com es in, the founda tion of every grandparen ts loft or mantle , they help us remembe r times we don’t, or even ones that aren’t ours.

So when I think of memories, I do n’t see them in crystal cl ear vision, I see them in whatever form at was used to ca pture those memories, and in this case, fo r my childhood, it was VHS.

Joseph Malin-Palmer

FOR SHUN is a work which disorientates the viewer and the terrain. It centers around ideas of hostility, settlement and disruption.

FOR SHUN engages with a territory that has been settled in, a place that has been deeply touched by personal experience, where the ‘footprints’ of those experiences are all that I have to commune with. Within this settlement there is disruption and reappropriation of space and material towards human needs both domestic and obscure.

I engaged with this location by repeating the cycle of disruption, leaving disembodied ‘footprints’ of personal experience for the viewer to encounter without access to the connotations which form meaning for me as creator. My hope for this project is that the viewer’s disorientated experience of the work will mirror my experience of the terrain and in this way the project will become layered with repetitive meaning.

Tess Foley

@ p h o t o . t e s c o

MY PEOPLE

BY LIBERTY HORTON @liberty_boo

In this project I explore my relationship with the people closest to me. I did this through translating feelings into images. As for this I came up with a words to describe how I feel/ see the relationship then I asked them to do the same. I then created them into images. As well as this I included a polaroid of them, as from me polariods reminds me of family albums, and I felt this was a great way of showing the people I care about the most.

hghg

Isaac Smallwood The Wombles My project was a tribute to a group called the witchurch Wombles who are situated up near where I live. I wanted to look into them as I have been influenced into portraiture concealing the face and the effects it has on the viewer. I took an interest into multiple mediums when researching such as album covers by Storm Thorgerson and paintings from Rene Magritte.

Underground, overground, wombling free Underground, overground, wombling free The wombles of Wimbledon Common are we Making good use of the things that we find Things that the everyday folks leave behind

@Isaac_Idsc

DUAL LANDSCAPES JIANUAN XU

Dual Landscapes is a photobook project about Chinese takeaway restaurants in Bristol. I documented Chinese takeaway restaurants also sell English food, these are a unique cultural landscape because it is between the two cultures. Not only does this show that Chinese restaurants need to make some changes to fit in the UK, but it also forms a special landscape in society.

Instagram: @nuannx_ https://jianuanxu.com

Jake Armand Osborn

‘escape the urban’ exploring the natural world and the benefits escaping to rural locations can have on mental health.

LOVE, SWEAT AND GEAR My project documents youth culture in Bristol: the fashion, lifestyle and relationships of the people around me.

- Olly Wright/@ollysarchive

Ishan Maheshwari @whoframedishan

Echoes of South Bristol

In this photographic series, I explore the often overlooked landscapes of South Bristol, delving into its architectural and historical essence. As a newcomer to this side of the Avon, this journey was not just a creative endeavor but a path to acclimatization and f o r m i n g a b o n d w i t h t h e c i t y. T h r o u g h t h i s s e r i e s , I t r a n s i t i o n e d f r o m a n o u t s i d e r ’s p e r s p e c t i ve t o a m o r e i n t i m a t e u n d e r s t a n d i n g of the place and its people. This collection is a testament to the profound connections and insights I gained, offering a unique l e n s t h r o u g h w h i c h t o v i e w B r i s t o l a n d i t s v i b r a n t c o m m u n i t y.

TIES Ties is a heartfelt project that delves into the rich tapestry of my relationship with my beloved grandparents, capturing moments that mirror the passage of time and the enduring bond that shaped my life. Through this visual narrative, I aim to celebrate the profound impact my grandparents had on me and the solace they provided during challenging times. This piece serves as a visual memoir of my challenges and the healing impact of their continual presence.

The project develops into a beautiful exploration of shared laughter, calm moments, and tender wisdom passed down through generations. In times of sadness and uncertainty, my grandparents were pillars of strength, providing comfort, understanding, and a feeling of stability that helped me traverse life’s challenges.

Yasmin Lavik @yasminlavikphotography

Herbie Hocking How Grand is the manor?

The idea of the grand manor painting amuses me greatly all the pomp and pageantry, making a caricature of yourself, all just to show off. So I created caricatures of my family and friends and shot portraits of them in this style to poke fun at the inherent absurdity in the genre. :@herbie_hocking_photography

Daisie Coates ‘Bag of Nails’

My work reflects on intimate moments shared with friends, or self. With my personal experiences preserved and protected through the photo book ‘Bag of Nails’. These diaristic photographs effectively communicate my photographic identity, through their journal like form.

Instagram @daisiebartoncoatesphoto

‘A Letter In War’ ‘A Letter In War’ explores the impact World War II had on Bristol and its residents, focusing on the years of the Blitz. The Photobook stems from a letter written in December 1940 by a resident of Bristol, describing the events of the worst bombing raid to hit the City. Using descriptions in the letter alongside archival images, I could revisit the exact locations, searching for any physical indication to their history, and exploring how one interacts with a landscape once they know the full sobering history.

Andrew Roberts @a_drew_photography

INTERSECTION: LEVELS OF PERMISSION Intersection is a photobook I have been working on for my first semester of university.

It talks about permission - and why minority groups, trans people in this instance, often don’t want to be photographed. I look at it being because of someone personally not liking how they look; because of safety; or because of distrust - all of which are equally valid. I take pictures of four different trans people through this, myself included. I say ‘regarding’ because faces are not that frequent amongst these photos, face portraiture is a weak way of capturing someone’s ‘essence’ - which is often described as the goal for portraits. I used pictures of people’s spaces, the back of them, the things they do in order to capture these peoples ‘essence’.

Calli Cornish calli-cornish.com

Tilly Pizza ‘Between Spaces’ ‘Between Spaces’ explores Tilly’s mixed emotions of transitioning from home to university, represented through the juxtaposition of liminal spaces and youth culture around Bristol. Tilly intends to create a thought-provoking and eye-catching atmosphere with her photography, contrasting the feelings of loneliness with the great social aspect of university. website: https://www.instagram.com/tpfolio/

Ella Hemsworth @hemsphoto_

- Traces A series of work that looks at the impact that human touch can have on places and the way that society is shaped by human interactions.

‘Jean’ A series of honest portraits, still life and true depictions of the domestic life of Jean.

Step inside Jean’s home and digest the photographs which define her authentic self.

Learn for yourself, who Jean truly is.

Jessica O’Brien

Tobias Cleghorn - @tobias.cleg A project study of Catholic practices, rituals and beliefs that form the core of Catholic life for millions globally, whilst also personally exploring concepts of atheism vs agnosticism.

Shot medium format 6x6 and darkroom printed.

Instagram - @tobias.cleg

Olivia O’Connor Throughout my project i wanted to showcase, the working areas of fishing towns, Focusing on Hastings, Littlehampton and Portishead.

“The ghost o

I’m lost up in m

I’m caught in

You promised

But you let me

The Ghost of You EMMA SWAIN Processing my break up was something that had been taking up a lot of my headspace since the summer so I decided to use this project as an outlet. Using my emotions to create art, I explored self-portraiture, phototherapy, and medium-format photography. My project started with the influence of song lyrics from one of my favorite artists ‘The Kid Laroi’ and the concept of my bed with its connotations of comfort and vulnerability.

From there, it evolved into a body of work that is more representative of my healing journey. My initial ideas of music and bed remained central to the narrative of my work throughout.

of you still floats around my room...

my head again,

nside myself

d that it wouldn’t end

e, you let me down.”

@SWAIN.SHOTS

Sam Cockram Liminal Bristol

This short series of 4-8 B&W photos showcases themes of liminal space and street photography within the familiar scenery of various Bristol areas. There is a subtle essence of human life littered throughout this series of photos to further emphasise the uncanny atmosphere felt within the surface of this piece of work.

The Decay Of The Angel Finlay Niall Sturrock

“ESCAPISM” This image dictates the microcosm of society that we live in today, due to the overpowering nature of the male gender as seen in this photo. It shows how there are no women visible, unless you pay full attention to which you can only see parts of them. In turn this construe’s the social theory that women only show a side of themselves to appease others.

@ MONET ELLIE WATSON

DYSPHORIA by Lydia Rumney I wanted my work to resignate with the majority of individuals. Most men feel they must display a strong, emotionless front- yet another social norm which society has forced upon us. Women may be perceived as always having to look a certain way or to be ‘put together’. When underneath it all, men and women, battle with their mental health, various insecurities and the development of their identity. This work aims to show my perspective on how society, displayed through Barbie, affected me as a women and how fantasies such as her implode on one’s self-esteem and self-worth.

traces of us, sanaa lee

using my diary as prompts, i looked at the traces you leave behind in a relationship. all the good things, all the bad, i wanted to capture the unspoken whispers you leave behind.