不存在⋯的 The Inexistence... 節目場刊 House Programme

主辦 Presented by

一場關於存在、虛無與生命瞬間的劇場體驗。以 2023 年劇場作品 《不存在的人》作為藍本，探索如何用沉浸式體驗勾出觀眾自身的想 像與故事。 這場劇場體驗以「不存在…的」為核心，通過沉浸式的環境、互動和 深刻的哲思，讓觀眾在「存在」與「不存在」之間找到屬於自己的答 案。每個人在離場時，都會帶著對生命的全新理解，重新審視自己如 何在當代環境裡，面對孤獨，從內在發掘與世界共存的反思。 這種劇場形式，將文字的哲思轉化為一種身臨其境的體驗，讓觀眾在 藝術中找到屬於自己的感動與意義。 A Sensorial Theater Experience on Existence, Nothingness, and the Moments of Life.

The title “The Inexistence...” is filled with poetic and philosophical depth, echoing the exploration of “existence” and “non-existence” while leaving an open imaginative space for the theater experience.

This sensorial theatrical experience centers around “The Inexistence...” using immersive environments, interactive elements, and profound philosophical reflections to guide the audience in finding their own answers between “existence” and “non-existence.” As they leave, each person will carry a renewed understanding of life, re-examining their own existence and solitude.

This form of theater transforms the philosophical essence of text into a vivid, immersive experience, allowing the audience to find their own sense of meaning and emotion through art.

演出地點 上環文娛中心六樓展覽廳 演出日期及時間 18.04.25（五）-- 19:30 / 21:00 19.04.25（六）-- 11:30 / 14:00 / 15:30 / 17:00 / 19:30 / 21:00 20.04.25（日）-- 11:30 / 14:00 / 15:30 / 17:00 25.04.25（五）-- 19:30 / 21:00 26.04.25（六）-- 11:30 / 14:00 / 15:30 / 17:00 / 19:30 / 21:00 27.04.25（日）-- 11:30 / 14:00 / 15:30 / 17:00

Venue Exhibition Hall (6/F), Sheung Wan Civic Centre Show Date and Time 18.04.25 (Fri) -- 19:30 / 21:00 19.04.25 (Sat) -- 11:30 / 14:00 / 15:30 / 17:00 / 19:30 / 21:00 20.04.25 (Sun) -- 11:30 / 14:00 / 15:30 / 17:00 25.04.25 (Fri) -- 19:30 / 21:00 26.04.25 (Sat) -- 11:30 / 14:00 / 15:30 / 17:00 / 19:30 / 21:00 27.04.25 (Sun) -- 11:30 / 14:00 / 15:30 / 17:00

製作團隊 PRODUCTION TEAM 主辦 方外無式 主創 張學良 導演 / 劇場構作 / 監製 張學良 計劃顧問 范可琪 平面設計顧問 張惠淳@atVis 執行監製 / 製作經理 李浩賢@L Square 聯合創作 許英邦 孫詠君 陳焯威 陳詠杰 陳家濠（排名不分先後） 演出 余可悠 陳昊霆 舞台監督 馮舒凝 執行舞台監督 杜玲鋒 總電機師 陳麒匡 燈光助理 伍詠珊 余曉澄 音響工程及編程 劉家鳴 蘇浩文 錄像控制 林耀洪 錄像助理 許康年 盧文康 楊承熹 舞台助理 施鎮宇 李國生 羅永駿 陳家傑 前台 温尹婷 Presenter K.O. The Box Lead Creator Rick Hok-leung Cheung Director / Dramaturg / Producer Rick Hok-leung Cheung Project Consultant Kattie Fan Graphic Design Consultant Terrenz Chang@atVis Deputy Producer / Production Manager Lawrence Lee@L Square Co-creators James Xu Vanessa Suen Chan Cheuk-wai Chan Wing-kit Gary Chan (in no particular order) Performers Hannah Yee, Chan Ho-ting Stage Manager Fung Shu-ying Deputy Stage Manager Hermia To Production Electrician Kieran Chan Electricians Shanna Ng Sarah Yu Sound Engineer and Programmer Lau Ka-ming So Ho-man Video Operator Eric Lam Video Crew Hui Hong-nin Lo Man-hong Yeung Shing-hei Stage Crew Sze Chun Yue Lee Kwok Sang Leo Law Shark Chan Front of House Cathy Wan

分場 Scene Breakdown 一）

《開始：死亡》

二）

《記憶 》

三）

《自由 》

四）

《日記》

五）

《時間》

六）

《選擇》

七）

《重來 》

八）

《一直 ⋯還好》

對生命的思考， 是從第一次接近死亡，還是從每一口呼吸，或是決 定重新出發的那個時刻開始？

在記憶的深處，一些細節、一些畫面、片言隻語之間，有甚麼被勾 起，有多少被遺忘，還有幾多被重新塑造？

關上一道門，另一扇窗卻未打開，等著等著，迫不得已，思想就這 樣放空，飄離到遠方去了。

並沒有活在當下這回事，說出口的話是過去，準備就緒是未來。緊 緊握著拳頭，打開看看掌心，那個被捉住的「現在」又回不去了。

在流金的歲月裡，落花陪伴著流水而過，流年顯現於似水的掌紋。 在萬古的歷史洪流裡，誰流芳，誰髒髒？

條條大路，放射出無限個平行時空。假如現在的這個「自己」，遇 見另一端的那個「自己」，盼你能說一句：「我很好，你呢？」

後悔是一種信念，一種相信沒有選擇的路比現在的好。一秒鐘後， 讓你重新來過。所有分岔路都走另一端，一定就美好一點了。一定 是這樣，你覺得呢？

世界變了樣 血液還是在流 經濟變差了 白血球依然頑強地戰鬥 需要誰來安慰 血小板正為傷勢封口 不需要冥想占卦 你要記住一直還好

主創的話 我想我會把這個作品稱為「不存在系列」。 無論是2023年的劇場作品 -《不存在的人》，還是現在的感官體驗劇場 -《不存在...的》，都是很 微妙的存在，都來自原本不存在的意圖。希望日後，還可以順著命運 的安排，持續發展這個「系列」。 2020年，忘了是第幾波疫情了，我跟阮煒楹在一個下午約好到貝澳海 邊開會。當整個世界停下來，逼迫自己重新創作應該可以讓我拾回一 點生命力，而經過了2019/20，最需要的是可以信任的伙伴。那個時 候，她還沒有當上全職演教員；我還沒有開始讀書。然後，一跳到了 2022年，碩士班收了我，她進了愛麗絲劇場實驗室工作。 從第一次 坐下來談計劃、然後申請資助、到真正排練，我們已經經歷了口罩 令、隔離令、「關口」重開、口罩令解除⋯⋯ 「世界變了樣」，都不只 一次了。很多事情，想說的，不能說了；躁動過的，冷卻了；感受到 的，麻木了。話說回來，世界變得快也不是第一天的事了，何必大驚 小怪。 《不存在⋯的》除了是2023年的《不存在的人》的延伸外，還是我修 讀香港演藝學院戲劇藝術碩士課程（主修劇場構作）的畢業論文實踐 項目。以論文題目「從經驗設計之內，超越劇場構作之外」 (“Experience Design Within and Beyond Theater- Making - The Pursuit of New Dramaturgical Perspectives of Spectatorship through the Expanded Mode of Performances.”)， 叩問如何在瞬息萬變的世界裡，讓劇場這 種「時基媒體」（Time-based media）與時並進。 究竟從一個時間點 到另一個時間點，一個劇場作品需要怎樣進化與擴展才能貼近最當代 的語境。

張學良

LEAD CREATOR’S NOTE I want to call this project The Inexistence Series. Whether it is the 2023 theatrical piece All Is Calm or the current sensorial experience theater The Inexistence..., they existed or happened due to a series of coincidences, and seemingly, they all occur under fate’s arrangements. In the future, I will keep my faith in time and possibilities, believing that the series will keep on growing and developing.

In 2020, during one of the waves of the pandemic, I arranged to meet Grace Yuen one afternoon at the beach in Pui-O. As the entire world came to a halt, forcing myself to re-enter the mode of creating should help me regain a bit of vitality.

After the events of 2019/2020, what I needed most was a trustworthy partner. At that time, she had not yet become a full-time actor-teacher, and I had not started my studies yet. Then, in 2022, I was accepted into the MFA program at HKAPA, and she began working at the Alice Theater Laboratory. From our first initial conversation about the project to applying for funding or to actual rehearsals, we experienced dramatic changes in the world, including mask mandates, quarantine orders, the reopening of borders, and the lifting of mask mandates...

Everything changes in a blink of an eye. Many things originally to be said no longer allowed; what once stirred us has cooled; feelings turn into numbness.

That said, the rapid changes in the world are not a new phenomenon, so do not fuss about that, I told myself.

The Inexistence... is not only an extension or an epilogue of All Is Calm (2023) but also serves as the praxis for my graduation thesis in the MFA in Drama at the Hong Kong Academy for Performing Arts, majoring in Dramaturgy. The thesis, titled "Experience Design Within and Beyond Theater-Making - The Pursuit of New Dramaturgical Perspectives of Spectatorship through the Expanded Mode of Performances," explores how to keep Theaters, a "time-based" media, relevant in an ever-changing world. It interrogates what is required for a theatrical work to evolve and expand from one moment to another in order to resonate with contemporary contexts.

Rick Hok-leung CHEUNG

主創 / 導演 / 劇場構作 / 監製 Lead Creator / Director / Dramaturg / Producer

張學良 Rick Hok-leung Cheung

張氏先於香港演藝學院「舞蹈學院」畢業，主修音樂劇舞；並從2022年至今，修讀戲劇藝術碩士課程（主修劇場 構作）。 張氏曾參與編演香港舞蹈年獎得獎作品 -《六翻自己》，並以方外無式的《原塑》（The Shape of Things）榮獲第六屆 小劇場獎「最佳男主角」；以中英劇團的《巴打修女騷一show》獲提名第二十六屆香港舞台劇獎「最佳男配角 （喜/鬧劇）」。 2023年，張氏首次公開自編自導自演作品 - 《不存在的人》，與一眾著名設計師及創作演員阮煒楹一同創作及演 出。《不存在的人》公演後得到正面迴響，獲得 IATC（HK）2023劇評人獎「年度演員」、第十五屆香港小劇場獎 「最佳劇本」、「優秀女演員」、「最佳整體演出」等多項提名；並奪得第十五屆香港小劇場獎「最佳舞台美學設計」 及「「最佳男主角」。 張氏曾赴澳洲為P&O遊輪作長期演出。回港後曾分別於製作公司擔任Show Manager及Creative Producer，合作品牌 包括BNP Paribas、 Societte Genearale、 Mercedes Ben、Adidas等。 2012 － 2014期間為香港電視合約藝員。亦曾參 與電影《得閒炒飯》及《華麗上班族》拍攝工作。 參演作品包括：香港話劇團 x 西九文化區 《大狀王》,飾演馬富；文化交談有限公司《利瑪竇音樂劇》，飾演馬堂； 香港話劇團《四川好人》，飾演神仙乙；愛麗絲劇場實驗室《暴風雨》，飾演愛麗兒；；一條褲製作《猥褻－三審王 爾德》，飾演Lord Alfred Douglas；前進進《後殖民食神與愛情》，飾演史提芬；Metroholik 《突然獨身》，飾演Daniel 等。 舞蹈及形體作品包括：香港演藝學院《夏夜夢之頌》；演戲家族《男湯》音樂劇讀劇；香港藝術節青年之友《如果 青春是旅行》；騎士製作《我愛足球》；一條褲製作《2047的上下半場》；CCDC《慾望西九》；台北藝術節香港週 《城雙成對》等。 音樂會包括：《Rick X Ronan Reverse Concert》@ Backstage Livehouse & Restaurant ; 《MARGARET CHEUNG & Friends Musical Project with Lost Stars》@ Lost Stars Livehouse Bar and Eatery。 編劇與導演作品包括：張學良作品《不存在的人》、方外無式《剎那》、及一桌兩椅慈善基金《翻開天空》、《留堂 會。不是樓台會》及《周瑜都篤撐》。 擔任劇場構作作品包括：《女僕》、《終曲》及《狐狸先生去咗邊？》 Rick Hok-leung CHEUNG Born in Hong Kong, Rick graduated from the Hong Kong Academy for Performing Arts (HKAPA) School of Dance, majoring in Musical Theatre Dance. In 2013, Rick won acclaim for his role as Adam in The Shape of Things and received his first Hong Kong Theatre Libre Award for Best Actor in Leading Role for his performance. He also claimed the 26th Hong Kong Drama Award nomination for his role as Sister Mary Leo in Nunsense A-men for Best Male Actor in Supporting Role.

In 2023, Rick debuted his first self-directed and written play, All Is Calm. He was also one of the devising actors, creating the theater alongside the creative team, including Grace YUEN, the devising actress. All Is Calm received numerous recognitions, including multiple nominations, such as the IATC(HK) Critics Award for Performer of the Year 2023, The 15th Hong Kong Theater Libre for Best Script, Distinctive Actress, and Best Production. Furthermore, this production earned him awards, such as Best Male Actor in Leading Role and Best Stage Aesthetics at the 15th Hong Kong Theatre Libre Award.

Aside from his role as a theatermaker, Rick has demonstrated his versatility in the creative industry. He has served as a full-time performer in Australia P&O Cruises, the Show Manager at ASAP Creative & & Communication Ltd. in 2008, and the Creative Producer at Clearwater Communications in 2019, respectively, taking charge of creative proposals, production, and events planning for brands including BNP Paribas, Societte Generale, Mercedes Benz, AIA, Sunlife Insurance, etc.

Thereafter, he played Ariel in The Tempest, Hunter in Title of Show, Lord Alfred Douglas in Gross Indecency: The Three Trails of Oscar Wilde, Stephen in Postcolonial Affairs of Food and the Heart, and Daniel in Suddenly Single. Rick also participates as a choreographer and movement director, creating physical and dance works. The program winner of the Hong Kong Dance Awards 2011, Positioning Dance Series was one of them. Moreover, Rick debuted his first concert as a singer-songwriter in 2011 and started his LIVE singing career. During 2012 – 14, Rick is contracted with HKTV as a TV artist.

Besides the remarkable milestones, Rick is a constant learner. He is currently pursuing a Master of Fine Arts degree major in Dramaturgy at the School of Drama, The Hong Kong Academy for Performing Arts.

執行監製 / 製作經理 Deputy Producer / Production Manager

李浩賢 Lawrence Lee Ho-yin

李氏於香港中文大學獲得文化管理碩士學位，並在香港演藝學院科藝學院取得舞台管理榮譽學位。1995 至 1997 年期間，連續三屆獲得校內成龍慈善基金獎學金。1997 年，他獲得成龍慈善基金（海外）訓練獎學金，前往美國 紐約實習，擔任 American Opera Projects, Inc. 的舞台監督，並於 2001 年榮獲第十屆香港舞台劇的「優秀青年舞台 管理獎」。 他曾參與多個本地及海外表演團體的製作，擔任策展、監製、製作總監、製作經理、舞台監督及執行舞台監督， 其中包括任白慈善基金的《西樓錯夢》、《帝女花》、《再世紅梅記》及《蝶影紅梨記》，Kearen Pang Production 的 《月球下的人》三度公演及《失憶【諒解】備忘鹿》擔任製作經理。此外，曾任香港演藝學院科藝學院的駐院藝 術家。 李氏為香港電影資料館設計了多個展覽，並在陳奕迅的《The Easy Ride》演唱會中擔任意念編排，以及曾擔任 《剎那的烏托邦》的助理導演、佈景及服裝設計。在 2022 年和 2024 年擔任香港舞台技術及設計人員協會主辦的 《科藝藝術節》的聯合策展人及製作經理。 近年參與的製作包括為文化交談有限公司的《利瑪竇》音樂劇 2024 擔任監製及製作總監，為香港話劇團的《白湖 映像》擔任佈景設計，為香港粵劇藝術團的《蝶影紅梨記》以及英皇娛樂的容祖兒《ANOTHER SIDE ...... JOEY . MY SECRET . LIVE》擔任製作總監。 目前，李氏現為自由工作者，並擔任香港舞台技術及設計人員協會的主席。 Lawrence Lee obtained a Master of Arts in Cultural Management from The Chinese University of Hong Kong and an Honours Degree in Stage Management from the School of Technical Arts at The Hong Kong Academy for Performing Arts.

From 1995 to 1997, he received the Jackie Chan Charitable Foundation Scholarships for three consecutive years. In 1997, he was awarded the Jackie Chan Charitable Foundation (Overseas) Training Scholarship to intern in New York, where he served as a Stage Manager at American Opera Projects, Inc., and in 2001, he received the "Best Youth Stage Management Award" at the 10th Hong Kong Drama Awards.

He has participated in productions for various local and overseas performing groups, serving as Curator, Producer, Production Director, Production Manager, Stage Manager, and Deputy Manager. His notable works include "Dream of the West Chamber," "Princess Cheung Ping”, "The Reincarnation of Red Plum" and "The Butterfly and the Red Pear Blossoms" for the Yam Kim Fai and Pak Suet Sin Charitable Foundation, as well as Kearen Pang Production's "Laugh Me to the Moon" (3rd Run) and "Oh Deer …". He has also served as an Artist-in-residence at the School of Theatre and Entertainment Arts at The Hong Kong Academy for Performing Arts.

Lee has designed multiple exhibitions for the Hong Kong Film Archive and served as the Concept Arranger for Eason Chan's concert "The Easy Ride”. He was also the Assistant Director, Set Designer, and Costume Designer for "Utopia, Momentarily". In 2022 and 2024, he was the Co-curator and Production Manager for the "Technical Arts Festival" organised by The Hong Kong Association of Theatre Technicians and Scenographers.

Recent productions include serving as Producer and Production Director for the musical "Matteo Ricci" by Intercultural Dialogue in 2024, Set Designer for the Hong Kong Repertory Theatre's "Lumination of the Forgotten," and Production Director for the Hong Kong Cantonese Opera Troupe's "The Butterfly and the Red Pear Blossoms" as well as Joey Yung's concert "ANOTHER SIDE ...... JOEY . MY SECRET . LIVE" by Emperor Entertainment Group.

Currently, Lee is a freelancer and serves as the Chairman of The Hong Kong Association of Theatre Technicians and Scenographers (HKATTS).

IG: @mickeyhoyin

計劃顧問 Project Consultant

范可琪 Kattie Fan

范可琪為策展人、製作人、藝術節策劃人及教育工作者，致力於媒體藝術、短片、動畫、藝術與科技等跨界領 域。她在2015 年至2023 年間於香港藝術中心擔任ifva 總監，策劃ifva 比賽及影展，並打造多項具開創性的節目， 包括大型戶外藝術活動ifva Everywhere 影像嘉年華、媒體藝術展Cinema 2.0、影像無國界少數族裔影展、VR 影院 等等。 她監製的作品《無舞之間》結合舞蹈、VR虛擬現實和影像裝置，為香港團隊的作品首度入選威尼斯雙年展學院(虛 擬現實單元) ，並在第79屆威尼斯國際電影節首映。 她是非牟利藝術機構 art.ware 的共同創辦人，她共同編輯的《電影後電影》回顧橫跨十三年的媒體藝術展覽 CINEMA 2.0，探討電影與科技文化之間的關係，包括監控、演算法、後人類及遊戲等各種議題。 目前范可琪在多所大學兼任講師，分享她在媒體藝術策展、新媒體戲劇構作、藝術管理和沉浸式敘事方面的經驗 及知識。 Kattie Fan is a curator, creative producer, festival organiser, and educator specializing in film, media arts, culture, and technology. From 2009 to 2023, she held a pivotal role at the Hong Kong Arts Centre, directing the ifva Awards and Festival during its 20th to 28th editions (2014-2023). Under her leadership, the festival grew to a premier platform for filmmakers, animators, and media artists in Hong Kong and Asia, expanding the festival's reach and impact through innovative initiatives such as the outdoor media art festival "ifva Everywhere Carnival," the media art exhibition "CINEMA 2.0," the ethnic minority film festival "All About Us," and the pioneering "VR Cinema," which explored the intersection of virtual reality and the cinematic experience.

Kattie's produced work, "Chroma 11," which integrates dance, virtual reality, and film installation, made history as the first Hong Kong VR project selected for the Biennale College Cinema VR at La Biennale di Venezia, premiering at the 79th Venice International Film Festival.

She co-edited the book Cinema After Cinema, which reviews the 13-year media art exhibition "CINEMA 2.0” and discusses cinema as a curatorial method, addressing contemporary issues in technology and media culture.

Kattie also teaches at multiple universities, sharing her expertise in media art curation, new media dramaturgy, art management, and immersive storytelling with the next generation of creators.

聯合創作 Co-Creator

孫詠君 Vanessa Suen Wing-kwan 畢業於香港演藝學院藝術學士(榮譽)學位課程，主修舞台及服裝設計，在學期間獲頒多個獎學金。曾任香港演藝 學院設計系數任駐校藝術家，自2016 年起於該學系擔任客席講師。2024年憑《不存在的人》榮獲第十五屆香港小 劇場獎之最佳舞台美學設計，憑《薄伽梵歌》榮獲 「IATC(HK)劇評人獎」之年度舞台科藝及美術獎。2018年憑 《培爾·金特》榮獲第二十七屆香港舞台劇獎之最佳舞台設計。其他獲提名獎項作品包括: 本年度憑《一樓一會》 提名香港舞台劇獎最佳舞台設計。2023年度憑《大狀王》提名香港舞台劇獎最佳服裝設計及最佳化妝造型。2019 年憑《此地他鄉》獲提名「IATC(HK)劇評人獎」年度舞台美術獎。 Vanessa Suen graduated from The Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts (Honours) degree, majoring in set and costume design. She received multiple scholarships during her studies. She has been teaching as a part-time lecturer at The Hong Kong Academy for Performing Arts Department of Theatre Design since 2016 and was the Artist-in-Residence in 2020, 2022 and 2024In 2024, she won the Best Stage Aesthetic Design at the 15th Hong Kong Theatre Libre for All is Calm and Scenography of the Year at the IATC(HK) Critics Award for Bhagavad Gita. In 2018, she won Best Set Design at the 27th Hong Kong Drama Awards for Peer Gynt.Other nominated works include Best Set Design (2025) at the Hong Kong Drama Awardsfor Fleeting Moment, Best Costume Design and Best Makeup and Styling (2023) at the Hong Kong Drama Awards for The Impossible Trial – a musical, Scenography of the Year (2019) at the IATC(HK) Critics Award forForeignLand.

聯合創作 Co-Creator

陳焯威 Octavian Chan Cheuk-wai 先後畢業於香港中文大學物理系及香港演藝學院戲劇學院導演系（一級榮譽）。獲2009年香港藝術發展獎藝術新 秀獎（戲劇）。與好友合作編導作品《三個麻甩一個騷》獲得第三屆香港小劇場獎最佳劇本提名，《康橋的告別式》 獲得第五屆香港小劇場獎最佳導演提名、《是沙也是你和我》舞台及燈光設計獲得第五屆香港小劇場獎最佳舞台效 果提名、風車草劇團《米線女戰士》獲第二十九屆香港舞台劇獎最佳燈光設計提名、英皇娛樂《最後禮物》獲第 三十一屆香港舞台劇獎最佳導演提名。 Octavian Chan has been actively participated in various fields such as theatre directing and lighting design. He was awarded Award for Young Artist from HKADC in 2009, and then has been nominated for best director and lighting designer by Hong Kong Drama Awards and The Hong Kong Theatre Libre, including his recent directorial work of “One Last Gift”.

聯合創作 Co-Creator

陳家濠 Gary Chan Ka-ho 陳家濠畢業於專業教育學院，修讀創意媒體。現為自由身劇場工作者，以擔任錄像設計師為主。劇場影像設計合 作團體包括樹寧現在式單位，香港影視劇團，DGhouse，中英劇團，影話戲，Banana Effect，前進進戲劇工作坊， 芳芳劇藝，iStage，大細路劇團，普劇場，城市當代舞蹈團，香港舞蹈團，香港話劇團。為劇場注入創新視覺語 言。陳氏熱衷於探索劇場影像的無限可能，運用多媒體技術與劇場美學融合，創造獨特的視覺體驗。展現多元創 作風格。 Gary Chan is a freelance theater practitioner specializing in video design, holding a degree in Creative Media from the Hong Kong Institute of Vocational Education. He has collaborated with prominent companies, including Shu Ning Presentation Unit, Chung Ying Theatre Company, Cinematic Theatre, Banana Effect, On & On Theatre Workshop, Fong Fong Projet d’Art, iStage, Jumbo Kids Theatre, Pop Theatre, City Contemporary Dance Company, Hong Kong Dance Company, and Hong Kong Repertory Theatre.Passionate about pushing the boundaries of theatrical visuals, Gary blends multimedia techniques with stage aesthetics to create innovative and immersive visual experiences, showcasing a versatilecreativestyle.

聯合創作 Co-Creator

陳詠杰 Chan Wing-kit 陳詠杰於2005 年畢業於香港演藝學院音響設計。熱愛聲和音及表演藝術，透過聲頻振動引進非意識。近期參與的 設計作品包括風車草劇團《Di-Dar》、《回憶的香港》；英皇娛樂 《最後禮物》、舞台劇版《短暫的婚姻》首演；黃 詠 詩 詩 人 黑 盒 劇 場 《 胎 Story 》 首 演 及 重 演 等 曾 於 多 個 國 際 級 樂 手 音 樂 會 負 責 技 術 統 籌 ， 包 括 《EsperanzerSpalding》、《Roberto Fonseca》、《Buena Vista Social Club》、《PinkMartini》等。 Chan Wing Kit has almost 20 years of experience in the sound design and production management industry.After graduating with a major in sound design and music recording in 2005, Kit has involved in many major works of sound design, consulting and audio education. Recent works involved with Windmillgrass Theatre, Chung Ying Theatre, Zuni Icosahedron, Drama Gallery, etc. Apart from drama performance, Chan’s also get involved in concerts and installation work.Kit also deepened her knowledge of sound in the field of therapy and actively practices the use of sound and vibration as a healing tool. Through deep listening and discovery of the inner self, she believes one can make better art and improve the quality of life.

聯合創作 Co-creator

許英邦 James Xu Yingbang 畢業於重慶大學，主修戲劇影視表演。2022年至今修讀香港演藝學院戲劇學院碩士課程，主修導演；亦在舞台與 製作藝術學院獨立研究展演空間設計。創作方向聚焦於多樣文本的當代劇場表達，以編作、紀錄劇場等形式探索 戲劇與社會的聯繫。導演作品包括有香港演藝學院x中英劇團《狐狸先生去咗邊？》、《海風中遺散的舊夢》、《女 僕》、《美狄亞》、《網》等，作品曾受邀展演於深圳南山戲劇節、武漢新青年大學生戲劇節、廣州大學生戲劇節 等。近期作品《終曲》獲北京鼓樓西劇場舉辦之第二屆國際獨角戲劇節多項提名，包括最佳導演、最佳女演員及 最佳劇目。亦以演員身份參與《海達•高布樂》、《偽君子》、《陽台》等演出。 A theatre director and performer whose work explores contemporary performance through diverse texts, devising,and documentary theatre. He graduated from Chongqing University with a major in Drama, Film, and television Acting, and since 2022, has been pursuing at the Hong Kong Academy for Performing Arts. Healso conducts independent research on spatial design at the School of Theatre and Entertainment Arts. His directing credits include Foxfinder, Or Not (a collaboration between HKAPA and ChungYingTheatre), A Lost Dream in the Wind, The Maids, Medea, and The Net. His works have appeared at the Shenzhen Nanshan Theater Festival, Wuhan New Youth Theater Festival, and Guangzhou University Theater Festival.

平面設計顧問 Graphic Design Consultant

張惠淳@atVis Terrenz Chang@atVis 張惠淳 視覺傳達設計師，曾在多個劇場項目中提供平面設計作品，合作單位包括香港戲劇協會、香港演藝學院、香港藝 術節、香港話劇團、進劇場、愛麗絲劇場實驗室、一條褲製作、浪人劇場、前進進戲劇工作坊、中英劇團、香港 戲劇創作室、劇場工作室、再構造劇場、藝堅峰、不加鎖舞踊館，和加藝劇院（加拿大）。 Terrenz Chang Terrenz is a visual communication designer who has created graphic design works for various theatre projects. She has collaborated with several organisations, including the Hong Kong Federation of Drama Societies, The Hong Kong Academy for Performing Arts, Hong Kong Arts Festival, Hong Kong Repertory Theatre, Theatre du Pif, Alice Theatre Laboratory, Pants Theatre Production, Theatre Ronin, On & On Theatre Workshop, Chung Ying Theatre Company, Hong Kong Dramatists, Drama Gallery, Reframe Theatre, Art Peak Theatre Works, Unlock Dancing Plaza, and Gateway Theatre in Canada.

演出 Performer

陳昊霆 HoHo Chan Ho-ting 現為香港自由身演員，畢業於臺灣藝術大學戲劇系。陳氏於2022獲ADC批發新苗基金演出其個人劇《演員招募》， 並於2023年自負盈虧創作《演員再招募》。2024年創作的獨劇《Give me a Shot》更被邀請到吉隆坡演出。現每年 都會製作一個獨角戲。演員之外，是健身教練、痛症治療師。歡迎加我IG : hohohoo.rauv Freelance actor from Hong Kong.Department of Drama, Taiwan University of Arts.He received the Emerging Artists Development Grant of HKADC for his solo play “Audition For ...”. In 2023, he created solo play "Audition Again" on his own.The one-man play "Give me a Shot" created in 2024 was even invited to perform in Kuala Lumpur.Now a one-man show is produced every year.In addition to being an actor, he is also a fitness personal trainer and pain therapist.Welcome to add me on IG:hohohoo.rauv

演出 Performer

余可悠 Hannah Yee Ho-yau @_hannahatnight

幕前為自由舞者兼人體模特兒。幕後主要為音樂演出和影像項目作統籌。畢業於香港中文大學哲學系。小時曾習 芭蕾舞，大學時轉至鋼管舞及當代舞。現時主要課題為即興創作，並向不同舞種及形體演出取材。 A freelance dancer and figure model for both painting and photography while working behind the scenes as a project manager for concerts and visual projects. Graduated from the Department of Philosophy at The Chinese University of Hong Kong.Trained in ballet as a child, later transitioning to pole dance and contemporary dance during university.

Currently focused on improvisational creation, drawing inspiration from various dance styles and physicalperformance.

舞台監督 Stage Manager

馮舒凝 Cherry Fung Shu-ying 曾參與多個表演團體的制作，包括：香港藝術節, 任白慈善基金、雛鳳鳴劇團、劇場空間、香港戲劇協會, 劇場工 作室, 荃灣有爵樂、樂.誼國際音樂節等。 Fung’s works of theater production include: Hong Kong Arts Festival, Yam Pak Charitable Foundation, Chorfung, Theatre Space, Hong Kong Federation of Drama Societies, Drama Gallery, Theatre Space , jazz in the neighborhood , MusicusFest.Etc.

執行舞台監督 Deputy Stage Manager

杜玲鋒 Hermia To Ling-fung 現為自由身舞台工作者。先後畢業於香港演藝學院舞台及製作藝術（榮譽）學士課程 (主修舞台及項目管理) 及 香 港中文大學文學碩士課程 (主修文化管理)。 近期製作包括：《電影的聲音》 、《哈哈哈哈姆雷特》、劇毒《荷里活有單大生意》、Dimension Plus《維度漫步》、 ProjectPlayaround《再媒體重奏》、三色豆劇團《野戰》、鄧樹榮戲劇工作室：香港國際莎劇節 《馬克白夫人》、香 港音樂劇藝術學院《会社人間》、劇場方程式《塵落無聲》, City Chamber Orchestra of Hong Kong ‘Shark Symphony’, Face Productions ‘Be More Chill’, ‘Wizard of Oz’.

Theatre freelancer. She graduated from the Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts (Honours) Degree in Theatre and Entertainment Arts (majoring in Stage and Event Management) and the Chinese University of Hong Kong with a Master of Arts (majoring in Cultural Management).

Recent productions include: ‘Sound of Film’, ‘Hahahahamlet’, Dimension Plus ‘Dimension Flâneur, Project Playaround ‘Remediation Ensemble’, Hong Kong International Shakespeare Festival ‘Lady Macbeth’, City Chamber Orchestra of Hong Kong ‘Shark Symphony’, Face Productions ‘Be More Chill’, ‘Wizard of Oz’.

鳴謝 Acknowledgement

特別感謝我所有的創作伙伴、製作經理、幕後工作人員把這個空間從構 想變成真實的每一位。 我常常感到很抱歉，一個劇場，已經有很多觀眾 心裡面「不存在的人」，作為常常於幕前享受掌聲的我，我的感受不能 以文字和語言準確地表達。這一個計劃，就像我前生收來的福份。 感謝 你們！

排名不分先後： 香港演藝學院戲劇學院 香港演藝學院戲劇藝術碩士課程體（劇場構作）全體導師 馮程程 Vee Leong 葉澍陪 Oscar Ip 盧萬悅 Michelle Lo 阮煒楹 Grace Yuen（*承蒙愛麗絲劇場實驗室批准參與） 阮韻珊 Melody Yuen 曲飛 簡淑明 劉天明 榞劇場 Radix Troupe 一路青空 Radiant Theatre 中英劇團 Chung Ying Theatre 音樂劇作 Musical Trio 劇場工作室 Drama Gallery 再構造劇場 Reframe Theatre 尚制作 ONEᴠᴇɴᴛ Productions Limited Espectro Limited Insync Audio Limited L Square Design Management Limited La Strada Ltd. VaB#Production Wavincity

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香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。 Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council.