LAMES AL-KEBSI
Bachelor of Science in Architecture University of Maryland, College Park
Dar Al Hajar | Sana’a, Yemen
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Bachelor of Science in Architecture University of Maryland, College Park
Dar Al Hajar | Sana’a, Yemen
Studio IV | Professor Tilghman Individual Work | Fall ‘18 | 6 Weeks
Historic Ellicott City has suffered multiple flash floods over the recent years, causing irreparable damage to many of its 200 year-old buildings. The project recognizes Howard County’s proposal of demolishing 10 vulnerable buildings, subsequently it proposes a 60,000 s.q. ft. biorentention park and civic center situated below ground.
Instead of coming up with design solutions to resist the water, the project Adapting plays with typography to guide the water through the site. The design responds to the direction of flood currents, the site’s typography, and the adjacent urban blocks.
As a response to the county’s proposal to demolish 10 buildings, this project rehabilitates the buildings’ walls and repurposes them according to the users’ needs. Situated above metal tracks, these walls are intended to create makeshift spaces with a simple push. Furthermore, crevices are made to join the outside world with the heritage inside.
In the heart of Baltimore lies Mt. Vernon, a fashionable neighborhood filled with the city’s finest institutions and monuments including The Peabody Institute and Library, The Walters Art Museum and the original Washington Monument. The task at hand was to design a music school and a performance center that serve upcoming artists as well as the local audience.
The project reinvent the wheel is inspired by looking no further than one building for inspiration. In this case, that building is Le Corbusier’s Mill Owners’ Association, assigned by instructor from an earlier precedent study.
The Mill Owners’ Association building dabbles with prominent curvilinear spaces as well as the relationship of interior and exterior spaces through its facade. Consequently, it inspired the translucent polycarbonate facade, a modern take to connect the outside with the inside while still retaining some privacy. Additionally, it highlights the most dominant space of the building, the concert hall.
MOUNT VERNON, BALTIMORE
MOUNT VERNON, BALIMORE
ARCH402: Studio III | Professor Gabrielli
ARCH405; FALL ‘17; 8 WEEKS
Individual Work | Spring ‘18 | 6 Weeks
The goal of this project is to provide a series of apartments to house the neighborhood’s young and diverse population while taking into consideration site obstacles including a joint parti wall and a narrow alley.
In the heart of Baltimore lies the Mt. Vernon, a fashionable neighborhood filled with the city’s finest institutions and monuments including The Peabody Institute and Library, The Walters Art Museum and the original Washington Monument.
diverse population while taking into consideration site obstacles including a joint parti wall and a narrow alley.
The goal of this project is to provide a series of apartments to house the neighborhood’s diverse population while taking into consideration site obstacles including a joint parti wall and a narrow alley.
| Micro Unit | 340 sq. ft.
| 1 Bed 1 Bath | 640 sq. ft.
| 1 Bed 1 Bath | 640 sq. ft.
| 2 Bed 1 Bath | 640 sq. ft.
| 2 Bed 1 Bath | 640 sq. ft.
| 2 Bed 2 Bath | 950 sq. ft.
| 2 Bed 2 Bath | 950 sq. ft.
The building’s program is a result of studying what gives a sense of home and community within a site. The building’s facade also contributes to the infamous redbrick profile of Monument Street. The design oriented towards strengthening the sense of community within and around the site, as well as contribute to the infamous red-brick street facade of West Monument Street.
The design oriented towards strengthening the sense of community within and around the site, as well as contribute to the infamous red-brick street facade of West Monument Street.
BLAGDEN ALLEY, WASHINGTON D.C.
ARCH401: Studio II | Professor Matthews
Individual Work | Fall ‘17 | 10 Weeks
Just steps away from the Convention Center lies the historic Blagden Alley that dates over two centuries. Today, the alley is home to trendy restaurants and ageing artists at risk of eviction due to high rents. The task was to enhance the placemaking condition of this hidden, sketchy alley by adding a plaza and later a cafe with an art gallery. The addition of a Makerspace is a personal decision to enhance the building’s program, reflecting back on the community’s character.
The design approach taken was to preserve the alley’s authenticity and relation to art, keeping in mind the local community’s interest and the use of local materials. Inspired by the idea of intersecting the built environment with art, the project plays around stacking interlocking layers of materials bound by art.
Given the option to choose the plaza’s site within the alley’s four quadrants, the southwest corner was chosen due to it being the quietest and least circulated out of the four corners. Although the site is accessible through 10th street, it is determined that its sketchy entrance with a “CAUTION” sign and an abandoned lot makes it the least approachable and thus the biggest factor to its unpopularity.
The plaza’s design is derived by taking a large, unused portion and breaking it into fragments providing areas for social interaction. Local materials rise from the ground to create organic mats, benches, canopies and artboards.
The building’s program comes from an individual study of what the alley is lacking. Originally consisting of a sandwich shop and an art gallery, a makerspace is later added, blending both programs and providing a space for artists and residents alike.
The building’s program comes from an individual study of what the alley is lacking. Originally consisting of a sandwich shop and an art gallery, makerspace is later added, blending both programs and providing a space for artists and residents alike.
Keeping the concept of interlocking as both a design factor and a parti, the floors are split into four with a sculptural artwork piercing through the middle.
UNIV. OF MD, COLLEGE PARK Architectural Designer Group Work | Began Spring ‘18 | Completed Fall ‘21
UNIV. OF MD, COLLEGE PARK
Since 2001, the Muslim Student Association has been renting a 2000 sq. ft. room inside the unrenovated side of Cole Field House. Formerly a women’s locker room, there have been rising health issues including pest infestation, environmental issues and overpopulation.
Since 2001, the Muslim Student Association has been renting a 2000 sq. ft. room inside the unrenovated side of Cole Field House. Formerly the women’s locker room, there has been rising health issues including pest infestation, environmental issues and overpopulation.
Project Tarmeem consists of an architecture student, a civil engineering student and an environment science student. The $200,000 approved proposal intends to renovate and expand the space in response to the rising Muslim student population, solve environmental and health issues and provide a space equipped for proper Muslim prayer. All photos and illustrations are my own work.
Inspired by Solar Decathlon, Project Tarmeem intends to renovate the space to respond to the rising Muslim student population, solve environmental and health issues and provide a space equipped for proper Muslim prayer.
BEFORE
BEFORE PROPOSED
AFTER
The project also aspires to expand the current square footage by acquiring abandoned rooms as well as demolish any unnecessary walls. The project also aspires to expand the current square footage by aquiring abandoned rooms as well as demolishing any unnecessary walls.
With the Muslim population on campus exponentially rising, there has been a large demand of a fitting venue to host daily prayers and activities. Project Tarmeem aims to demolish tiled, locker-room walls to provide a larger space for the community.
With the Muslim population on campus exponentially rising, there has been a large demand of a fitting venue to host daily prayers and activities. Project Tarmeem aims to demolish tiled, locker room walls to provide a larger space for the community.
Another issue Project Tarmeem is looking into is providing better access to natural light and ventilation. This includes expanding the entrance for better navigation and access to light from the entrance windows.
Independent Research Fall ‘18 - Current www.destofheritageinyemen.com
This research aims to visualize the effects of the war on Yemen’s cultural heritage by using local professionals’ lists of destroyed sites documented from March 2015 to late 2016- giving each confirmed site its deserved place on the map. While most sources online are found in the form of numbered lists, providing the same factual data through mapping and subsequent visual analysis can lead to discussions and conclusions lists cannot achieve.
Heritage is an inexcusable yet expected casualty of war; however, deliberate and systematic erasure can be mistaken for collateral damage. Thus, this project runs the retrieved data through queries generated in GIS, searching for geospatial and temporal factors to reveal visual patterns.
CONTINUOUS LINE DRAWING | 10 MIN. SAINT JOSEPH ORATORY, MONTREAL, QC
ANALYTIQUE | ARCH445 | 45 MIN. NAVY YARDS, WASHINGTON, DC
SKETCH | 15 MIN. NOTRE-DAME BASILICA, MONTREAL, QC
Bachelor of Science in Architecture University of Maryland, College Park