GNIMAG Issue 73

GNIMAG

Matt Terry

A decade from x-factor and he is just getting started!

- Zayn Malik - Shane Lynch - Kevin Clifton - Lara Lee - The Big Day - Reviews & Travel

DJ’s Dylan Gibson | Gareth woods \ Robert brown

Credits

Daniel May

Editor & Director

daniel@gnimag.com

Pauline Fitzpartick Commercial Executive

Tony Day Design

Columnists:

Gary Campion / Danny Malone / The Gourmet Boys / Martin Murray / Peter Irvine / Paul McAllistar / Gavyn Andrews / Alexa Moore / Dr Bryan and Michael Maloney

Thanks to:

Matt Terry, Zayn Malik, Kevin Clifton, Lara Lee, Nathan Martin, Clark Samuel, Shane Lynch, Robin Elliott, John Stein, Matt Blanco, Sherryann and Emma, Jeff Dorta, The Grand Opera House, The Mac, Kabosh, Sporting Pride, Hannon Transport, Belfast Operatic Company, Sammy, Smoke BBQ, Ten Square Hotel, Project Publicity, 1 Vision PR, Chuff Media, Halestorm PR, Hassan Rasul and all those who submitted content.

Meet our columnists

Danny Malone Gavyn Andrews

Gary Campion Gourmet Boys

Paul McAllistar

Martin Murray

Dr Murphy

Peter Irvine

Michael Maloney

Alexa Moore

There is something quite chaotic about putting a magazine together. Not the glamorous Devil Wears Prada chaos, more the “who moved page 74 and why is there suddenly a gap where fashion used to be” kind. And yet, somehow, here we are. Issue 73. Polished, packed, and only mildly held together by caffeine and blind optimism.

AN INTRO FROM THE CHIEF

First things first, a huge thank you to Gary for guest editing our last issue. Handing over the reins is never easy (control freak? me?) but he absolutely smashed it. The feedback from you, our readers, was incredible, and it is always nice to be reminded that fresh eyes can bring something really special to the table. Gary, you are welcome back anytime.

Now, onto this issue, and what a mix we have for you. Our interview lineup is stacked. We catch up with Matt Terry, Zayn Malik, Kevin Clifton dive into life and music with Lara Lee, and chat to Nathan Martin about his impact on theatre in Northern Ireland. There is also brilliant features with Shane Lynch , Peter Corry, Guys & Dolls..

As always we tackle conversations that go beyond the surface such as Weight Loss, Online Dating, Trans Life in Northern Ireland and Does God Hate Gays.

Expect honesty, a few surprises, and maybe one or two moments that will make you spit out your tea.

Elsewhere, we are bringing you everything from Northern events to Sporting Pride, proving once again that our community shows up everywhere and in every space. There is a strong mix of voices across the issue too, with columns from familiar favourites like Dr Bryan, Gavin, Gary and Peter, alongside fresh perspectives that keep things interesting.

Fashion is having a moment in this issue. Actually, several moments. From an into with creator Clark Samuel, to a full spread on his brand Sammy Men’s Wear, we are serving eye candy opinions, and just enough attitude to make you reconsider your beach wardrobe and underwear choices. You have been warned.

Foodies are not forgotten either. The Gourmet Boys and Smoke BBQ review will either inspire you or make you immediately book a table. Possibly both.

And then there is the BIG DAY feature, which spans multiple pages and brings a bit of joy, celebration, and maybe even a tear if you are that way inclined.

As always, this magazine is a reflection of our community. Diverse, loud, proud, and occasionally a little bit messy in the best possible way.

Thank you for sticking with us, for reading, sharing, and supporting. Now go on, dive in. Issue 73 is waiting.

Daniel May Editor

MATT

terry

By Daniel May

Matt Terry: Unfiltered, Unapologetic, and Finally Free

There is something refreshing about speaking to Matt Terry in 2026. Gone is the polished pop star carefully navigating expectations. In his place stands an artist who has weathered the highs, the setbacks, and the silence in between, and come out the other side with clarity, confidence, and just the right amount of not caring. From candid conversations about love and identity to the reality of rebuilding after The X Factor, Matt is open, self aware, and quietly defiant. As he steps into a new era with music like Skittles and upcoming single Karma, one thing is clear. He is no longer chasing the industry. He is finally moving on his own terms.

I asked readers for questions and… let’s just say they were very bold. You should be flattered.

Matt: I always get the same one, whether I am a top or a bottom. I usually just say, “Well… wouldn’t you like to know?”

Your voice is undeniable. I have compared you to a male Jessie J, an incredible vocalist who does not always get the recognition they deserve. How does that feel?

It is something I deal with every day. People constantly tell me I should be winning Grammys or performing at the Brits. I even had someone come up to me recently and say they were shocked I was not bigger.

But that is not my reality right now, and I have had to accept that. I cannot measure my worth against those things because it would just make me unhappy. If I did that, I would end up feeling like I have failed, and I do not believe that is true.

I try to look at what I do have instead. I feel lucky. I feel protected in a way. If all of that had happened earlier in my career, I do not think I would have handled it well. Stepping away gave me a different perspective on the industry and on myself.

Now I have a happy, normal life. I sing every day, I have a home I love, and I am genuinely content. That is how I measure success.

Do you ever feel like you have to tone your vocals down to fit the industry?

In the past, definitely. I have gone into sessions thinking I need to hold back, because the industry does not always prioritise vocals. It is more about vibe, energy, and a catchy song.

But it never really worked for me when I tried to force that. When you are creating something real and telling a story, you cannot fake it.

Now I just go into the studio and create whatever comes naturally. That is how songs like Skittles happen. It is very honest. It comes from real experiences, like navigating dating and realising that the person you are into has already had all these experiences, while you are still holding onto this idea of love that maybe does not exist.

That is the heart of the song. That feeling of loving someone but also realising you are just one part of their story.

Where did Skittles come from?

It actually started as a joke. I was texting a friend who is also a songwriter, and we were talking about dating. I just replied, “Skittles, love,” and he asked what I meant.

When I explained it, he immediately said, “We are writing that song.” It was one of those moments where you know you have something.

There is definitely a glow up happening. Is this a reinvention or a carefree moment?

It feels like a carefree phase. I have been in that mindset for about a year now. I just want to do what I want and not follow any rules. I think rules are boring.

It is not even a big planned reinvention. It is just me feeling more comfortable in myself and making choices that feel right.

You are in incredible shape. What is the secret?

It has been a long process, about five or six years. Around lockdown, I was in a

really low place. I had been dropped by my label, I had left my team, I lost family members, and I was just not in a good place mentally or physically.

My habits were all over the place. I would not eat properly, then I would eat late at night, and I was just unhappy. You could see it.

In 2021, I made a decision to change, and I have been on that journey ever since. This last year feels like the final stage where everything has clicked.

For me, it is about sustainability. I focus on a calorie deficit and getting my steps

“I feel like I am one of the lucky ones. I have a happy life, and that is enough for me right now.”

in. I do train, but not obsessively. I find if I rely too much on the gym, it throws everything else off.

Now it is just part of my life. I will check my steps and think, right, I need a few more, and I will take my dog out. It is simple, but it works.

Where should people listen to Skittles for the first time?

Windows down on a motorway, that kind of drive. Or in a club when it really

hits.

Is being independent freeing or stressful? Both. It is very freeing, but it comes with a lot of responsibility.

I am very hands on with everything. I like structure, I like being organised. I have spreadsheets, plans, budgets. I am involved in every part of it.

There are moments where you wish you had someone else to take the pressure off, especially

with the more technical or business side. But at the same time, I would not want to go back to a situation where people are controlling everything.

This version of me would not exist if I did.

What does musical theatre give you that music does not?

It feels like an escape. As a solo artist, everything revolves around you. Every conversation, every performance, everything is about you.

After a while, that can become exhausting. With theatre, I get to step into something that is not about me. I am part of a cast, part of a bigger story.

It takes the pressure off and lets me enjoy performing in a completely different way.

What happened with The Greatest Lover?

As far as I know, it is cancelled. We were about three weeks into rehearsals and most of the show was there.

What made it harder was that it was really good.

“If I measured myself against Grammys and charts, I would just be unhappy.”

The music, the choreography, everything was strong. When it does eventually happen, it will be incredible.

But the producers came in and explained they were losing money and had to stop it. It was a shock. We found out shortly before it went public, and then we all

Looking back at The X Factor, would you change anything?

No, I would not change anything. It changed my life and gave me so many opportunities, but it also came with challenges.

One of the hardest things was how it affected how I saw myself. I lost confidence and respect for myself for a while. I was not really equipped to deal with everything that came with it.

But I have done the work to rebuild that. I feel like I have come full circle. I respect myself again, I take care of myself, and I feel strong.

I feel pretty bulletproof now, to be honest. Has your idea of success changed? Completely. Of course, I still have big goals. I know I have the ability to achieve incredible things. But I am much more focused on the journey now. I can only control what I do. If something bigger is meant for me, it will happen.

Right now, I am happy. I am doing what I love. That is enough.

As an openly gay man, did you face any backlash?

Honestly, no. The only thing people really said was, “We already knew,” which I do not love as a response.

For me, it was never about making a big announcement. I just released a song about a man I loved. That was my truth, and people took from it what they wanted.

What is the craziest fan encounter you have had?

I once had a van aggressively trying to pull me over while I was driving. I genuinely thought I was about to get into a fight.

Then two young girls jumped out and just wanted a photo. It went from terrifying to completely wholesome in seconds.

Any unexpected celebrity messages?

Ricky Martin messaged me after my first release. I could not believe it.

What are you listening to right now?

Mostly demos of my upcoming music. Once a song is released, it does not feel like mine anymore, it belongs to the listeners.

But I have also been listening to Leanne’s new album a lot. There is a section in the middle I keep going back to.

Do you still feel like you have something to prove?

Less than before. There is always that pressure coming from a show like The X Factor. If you are not at a certain level, people assume you have failed.

But I have let go of that. It is funny, people now talk about me like I am nostalgic, like they grew up with my music, and I am only 30.

In a way, it feels like I am just getting started again.

What is next?

A lot of content, because that is just the reality now. Social media plays a huge role.

The next single is Karma, out April 17. It is more storytelling, more falsetto, more focused on vocals.

What advice would you give new artists?

The industry has changed massively. Shows like The X Factor do not have the same impact anymore. If I am honest, platforms like TikTok are where things are really happening now.

We have to ask, are you single? No, I am not. I have always been quite open, but I think some things are better kept private.

When something really matters to you, you do not always want to share it with the world.

Will we see you in Northern Ireland soon?

Hopefully. I have actually just been asked to play a club there.

My boyfriend is Irish, and Ireland is one of my top streaming countries. I would love to come over, so stay tuned.

You have been a joy as always. Thank you so much. We won’t leave another 7 years till the next time we speak and I wish you all the best with Skittles and the new single Karma. Thank you. Thanks for having me.

Interview with Daniel May

Zayn

A powerful new single, an ambitious fifth album and his biggest tour yet

ZAYN Reclaims His Narrative with KONNAKOL, ‘Die For Me’ and a Tour That Promises Everything.

A new era has arrived for ZAYN. With a powerful new single, an ambitious fifth album and his biggest tour yet, the global superstar steps into a phase defined by identity, vulnerability and control, proving once again why he remains one of pop’s most intriguing and quietly revolutionary figures.

For many LGBTQIA+ fans, ZAYN has always occupied a unique space in pop culture. He has never been the loudest voice in the room, nor the most traditionally “pop” in his presentation, yet there has always been something undeniably resonant about him. Perhaps it is the softness in his delivery, the emotional openness in his lyrics, or the way he has consistently chosen authenticity over expectation. Whatever it is, it has built a loyal audience who see something of themselves reflected in his journey.

That journey takes a striking new turn with his fifth studio album KONNAKOL, arriving on April 17, 2026. This is not just another release in an already impressive catalogue. It feels like a statement of identity, a reclamation of self, and a deeper exploration of heritage than ever before. For an artist who has spent much of his career navigating fame, scrutiny and reinvention, this moment feels particularly significant.

From the outset, ZAYN has been an artist determined to do things his own way. Since stepping away from One Direction at the height of their global dominance, he has carved out a solo career that resists easy categorisation. His debut album Mind of Mine broke records and reshaped his image overnight, led by the era-defining “PILLOWTALK.”

But where some artists might have stayed within that safe, commercially proven lane, ZAYN has continually pushed himself into more introspective,

experimental territory.

KONNAKOL feels like the culmination of that exploration. The title itself references a form of vocal percussion rooted in South Indian classical music, a nod to his heritage that runs deeper than surface-level aesthetics. In his own words, it represents something that exists before language, something instinctive and deeply human. For an audience that often connects with music on an emotional and identity-driven level, that idea alone carries weight.

There is something profoundly queer in the act of searching for where you belong, of unpicking who you are versus who the world expects you to be. While ZAYN has never explicitly positioned himself within LGBTQIA+ narratives, the themes that run through his work — isolation, longing, self discovery and emotional honesty — have long resonated within the community. With KONNAKOL, those themes feel more grounded, more assured, and more intentional than ever.

The lead single “Die For Me” sets the tone beautifully. It is a return to the lush pop and R&B blend that first defined his solo success, but with a maturity that only comes from lived experience. Vocally, he remains one of the most distinctive voices in modern pop, effortlessly moving between vulnerability and power. There is no sense of chasing trends here. Instead, it feels like ZAYN leaning into what he does best and refining it.

The accompanying music video, directed by Frank Borin and Ivanna Borin, mirrors that emotional depth. Moving through a series of visually rich environments, ZAYN becomes a figure navigating intensity, desire and devotion. It is cinematic without being overblown, intimate without feeling small. Much like the song itself, it draws you in rather than demanding attention.

This era has not appeared out of nowhere. It builds on the momentum of 2024’s critically acclaimed Room Under the Stairs, an album that saw ZAYN at his most introspective and stripped back. That project, followed by his first ever solo tour, allowed fans to reconnect with him in a more immediate and personal way. For many, it felt like the beginning of a new chapter.

Since then, he has continued to expand his reach. His collaboration with Jisoo on “Eyes Closed” was a global success, blending different musical worlds in a way that felt organic rather than calculated. Its chart performance and award recognition only reinforced what many already knew: ZAYN is still a force, even when he is not constantly in the spotlight.

Perhaps one of the most telling moments leading into this new era was his Las Vegas residency. For an artist who has often been perceived as elusive, stepping into a residency format could have felt like a risk. Instead, it became a triumph. Critics praised not only the performances themselves but

the sense of confidence and presence he brought to the stage. It was a reminder that ZAYN is not just a studio artist, but a performer capable of commanding attention in a live setting.

That confidence now carries into The Konnakol Tour, his largest live venture to date. Beginning in Manchester in May 2026, the tour will travel across the UK and beyond, including a major date at The O2. For fans, particularly those in the UK who have followed him from the beginning, these shows feel like a moment of celebration as much as anticipation.

There is something powerful about seeing an artist grow into themselves in real time. For LGBTQIA+ audiences, that journey often mirrors our own experiences in ways that are difficult to articulate but instantly recognisable. Watching someone move from uncertainty to confidence, from searching to understanding, carries a kind of emotional resonance that goes beyond music.

ZAYN’s story is not a traditional pop narrative. He has never been about constant visibility or predictable releases. Instead, he appears when he has something to say, and when he does, it tends to matter. That approach has only strengthened his connection with fans who value authenticity over algorithms.

Beyond the music, his willingness to engage with real world issues adds another layer to his appeal. His advocacy for expanded free school meals in the UK demonstrated a commitment to using his platform for tangible change. It is a reminder that influence, when used thoughtfully, can extend far beyond charts and streams.

As KONNAKOL approaches, there is a sense that ZAYN is entering a new level of clarity. Each previous album has peeled back a different layer of his identity. Icarus Falls explored duality, Nobody Is Listening offered introspection, and Room Under the Stairs delivered raw vulnerability. This new project feels like a synthesis of all those elements, brought together with a stronger sense of self.

For an LGBTQIA+ audience, that idea of synthesis, of finally understanding the different parts of yourself and how they coexist, is deeply relatable. It is not about perfection or resolution, but about acceptance and growth.

The imagery surrounding the album reinforces this idea. The snow leopard featured in the artwork, a symbol deeply rooted in South Asian culture, represents strength, independence and quiet power. It is a fitting metaphor for an artist who has often operated outside of the traditional pop spotlight yet continues to leave a lasting impact.

There is also something refreshing about

the timing of this release. In a pop landscape that often prioritises speed over substance, ZAYN’s approach feels deliberate. He has taken his time, allowed space for growth, and returned with a project that feels considered rather than rushed. That patience is evident in every aspect of this era so far.

As the release date draws closer, anticipation continues to build. Fans who have followed him from his early days, through the highs and the quieter moments, are now being invited into what could be his most fully realised era yet. New listeners, meanwhile, are discovering an artist who offers something different, something more introspective and emotionally grounded than much of mainstream pop.

Ultimately, what makes this moment so compelling is not just the music, the visuals or the scale of the

tour. It is the sense of alignment. ZAYN appears to know exactly who he is, what he wants to say and how he wants to say it. That kind of clarity is rare, and when it happens, it tends to produce work that resonates far beyond its initial release.

With KONNAKOL, “Die For Me” and a global tour set to bring this new era to life, ZAYN is not simply returning to the spotlight. He is redefining his place within it. For fans, especially those within the LGBTQIA+ community who have long found comfort in his honesty and vulnerability, this feels like more than just a comeback. It feels like a moment worth celebrating.

You can pre order the album, get Merch, watch videos and much more via this link www.inzayn.com

KEVIN CLIFTON

Treading the boards...

Best known for his years as a professional dancer on BBC’s Strictly Come Dancing, Kevin Clifton grew up as a competitive ballroom and Latin dancer. Post-Strictly, he’s been crossing off his dream roles in musicals, like Cosmo Brown in Singin’ in the Rain, and delighting his goth-era younger self by performing in Rock of Ages. Most recently, he’s been touring with 2:22 A Ghost Story with his partner and Strictly co-champion, Stacey Dooley. He is now taking on the role of Tick, and drag alter-ego Mitzi, for the 30th anniversary tour of Priscilla, Queen of the Desert.

Were musicals a big part of your life growing up?

Yeah, massively. I remember early on, when me and my sister were kids, we went on a trip from Grimsby to London when mum and dad took us to see Cats. It felt like this massive thing. Apart from pantos, I think that was the first big musical theatre show I’d seen. My mind was blown. I couldn’t believe what was happening. The flamboyance of it all, with the cats coming through the audience. I wanted the book of all the lyrics to the songs and the soundtrack. I just wanted more of it. The next one was Joseph and the Amazing Technicolour Dreamcoat. It felt like the whole country was talking about it and I remember falling in love with it.

What did you love about musicals?

For me, everything was about ballroom and Latin competitions. My mum and dad were dancers so they were training us when we were kids. My dad would talk a lot about the technique and stuff you have to practice, but he would always drill into us that the most important thing is that you have to affect people emotionally. That’s the whole point of what we do. It’s not just a display of technique. You’ve got to go out and make people excited, or make them want to cry, inspire them or entertain them. His way of demonstrating that to us was to take us to musicals. He’d say, how do you feel when you’re watching this? When you’re carried away with a character and a story or a dance? So that’s always been how I approached my dancing.

How did that translate to Strictly?

I used to say to my celebrity partners, I’ll take any technical mistakes, it’s not going to be perfect. But we’ve got to tell a story. We’ve got to create a piece that’s going to affect people in some way. So we’d always dive into every number like it was a musical, thinking about our characters and the story we were telling. And then musicals week, honestly, was always my favourite week.

You’ve been stacking up musicals over the last few years, with Singin’ in the Rain, Cabaret and Everybody’s Talking About Jamie. What’s the best thing about performing in them?

I love being part of a team. In a competition, you’re against each other. You have to be as good as you can be, and you have to be better than the person next to you. Whereas what I love about musicals and theatre is that you go out as a team to do something together, and you’re helping each other out, playing off each other.

What’s the trick to keeping up momentum and stamina when you’re on tour?

I’ve sort of been on tour my whole life. Once Minnie was born, it got harder. I really miss her and Stacey. But you hear stories about people living rock ‘n’ roll lifestyles on tour. That’s not me! I’m very nerdy about looking after my voice and my energy, so I’m a bit of a hermit. Tea and honey, all that stuff.

What drew you to Priscilla?

When my agent first asked if I was interested in auditioning, I didn’t know whether I was the right person for it. But then they sent me the scene where my character, Tick, is talking to his son and he doesn’t know how he’s going to be received. He’s worried about how he’s gonna be judged by his own son. I think that scene they have together is really beautiful, because kids are not jaded by divisiveness or politics. They just see what’s in front of them. And I thought, I’d love to play this part.

Then we did the photoshoot, in the whole drag get-up as Mitzi, and I showed a picture to my daughter, who’s two. The picture was the three of us, me, Nick [Hayes] and Adèle [Anderson], and Minnie pointed straight to me and went, ‘That’s you, dad!’ I thought I looked completely different in

this costume and makeup. But I said ‘That’s right, yeah, what do you think?’ And she went, ‘You look brilliant, dad.’ No judgement, just, ‘I like your hair.’

Priscilla is a story of resilience against transphobia and homophobia. Why are you proud to be a part of the show?

I think we need it more than ever. There’s so much divisiveness now. I can’t open Instagram without some politician having a go at some minority, whether it’s trans people or immigrants. It does my head in.

On a more personal level, my uncle, who is no longer with us, was gay, and I think it’s something he always struggled with and had demons about. I can’t relate to what it’s like to be judged for your sexuality. But we can all relate to being an outsider. I grew up in Grimsby and my thing was ballroom dancing. I had to wear bottled fake tan for competitions, and I’d come into school with an orange neck. Everyone knew that while they were all hanging out and playing footie on the weekend, I was doing ballroom dancing with my sister. She was a bit taller than me so I had to have a perm to make myself look taller. I was that kid! It was that feeling of being different and being laughed at.

I’ve never been the most confident person. Being on stage is the safe bit. So I relate to Tick when he, as his drag character Mitzi, can be anything he wants to be, whereas he’s got all this conflict when he’s just himself. I’ve always felt for people who feel they’re on the outside. I hate the attack on the trans community. Priscilla is not my story, but if I can play any part in this story, then yeah, I’m proud of that.

You can see Kevin and the cast of Priscilla Queen Of The Desert at Belfast Grand Opera House from 1st June 2026. Tickets available via goh.co.uk

lara lee

Becoming Lara: A Journey of Truth, Music and Freedom

There are some people who pass through your life for a season, and others who reappear years later transformed, braver and more themselves than ever before.

I first knew Lara Lee long before the name, long before the music, long before the self reclamation. Back then, they were navigating life under a different identity, and while our relationship was never meant to last, what did remain was respect. There has never been animosity, only growth. Today, I am proud to call them a friend.

Many across Northern Ireland’s LGBTQIA+ scene will recognise them as Fefe Geisha, or Fefe Versace, a bold and unapologetic presence who always commanded a room. But now, Lara Lee is stepping forward in a new way. Not just as a trans woman embracing her truth, but as an artist carving out space in the music industry while continuing a deeply personal journey of self discovery.

From leaving toxic relationships, to relocating to England, to navigating family dynamics as a parent, sibling and child, Lara’s story is layered, raw and powerful. With new music out now, more on the way, and a Pride tour in motion, this is a chapter defined by courage.

This is not just a conversation about transition. It is about rebirth.

For those who knew you in Northern Ireland as Fefe Geisha or Fefe Versace, how would you describe the evolution from that chapter of your life to becoming Lara Lee today? Ah Daniel, that intro got me quite emotional. Very sweet! Thank you! I think your the only ex partner ive remained in contact with haha!

Fefe was a major part of my life, but having two personas was quite exhausting when i was in public. People where confused as to what to call me. So I thought why not just embrace who I am entirely and be me, Lara Lee.

You and I go back many years. Looking at your life now, what would you say to the person you were back then who perhaps did not yet have the language or confidence to live authentically? Gosh it’s been 20 odd years hasn’t it? Back then I had little to no confidence. I felt alien. I knew I had feelings for being trans but fought with myself which led to attempted suicides and just not loving myself. If I could go back and say anything. I’d simply say “one day you will be that person you always wanted to be.

Take your time. Life can be beautiful and so can you!”

Ive actually just finished a song about talking to my former self that im recording in may. So im excited for that coming out.

Transition is often described as both liberating and challenging. What has been the most unexpected emotional shift for you since embracing your identity fully?

Ive never felt more alive before, it’s an amazing feeling to feel free and just allow myself to be happy in my own skin. It came with so many challenges, about a year ago I was listening to all of the anti trans posts and the gender bathroom issues. I reverted and fleed home to Ireland and locked myself in my bedroom for a good few months. But I worked hard on myself and now I feel like a phoenix risen from the ashes, unstoppable and unapologetic of who I am.

You have spoken openly about leaving toxic relationships. How did stepping away from those environments impact your self worth and your ability to step into your truth?

Yeah, i think back then i just wanted someone to love me, but i looked in all the wrong places. I dont wish any ill will upon anyone. But i do wish them well. As without those experiences i wouldnt be who I am now. My last relationship was when i finally admitted to them that i was trans and although having to step away from a love that didnt accept me. Ill always look back with kinder eyes. Not everything is meant for you and i believe i will find whats meant for me.

Moving from Northern Ireland to England is a huge change. Was that move about geography, survival, opportunity, or reinvention — or all of the above?

oh wow! The difference is wild! I think it was for all of thee above. I absolutely miss my Mum and my entire family and friends so much. But ive an amazing network of friends who are like family, where I reside now. Everyone over here in somerset only know me as Lara. So it feels more comfortable too.

As a parent, how has your journey affected your relationship with your son? What conversations have been important in helping him understand your transition?

Haha, my son and I have an amazing relationship! He can sometimes joke over how stylish his ‘dad’ is and we have great banter together. But he’s happy im living authentically and I couldn’t be prouder of the man he has turned out to be. Hes an amazing father now too. Making me a grandmother before 40 wasn’t in my wishlist. But my granddaughter is just like me! A pure DIVA! haha

Family dynamics can shift dramatically during transition. How have your siblings and parents responded, and what has that process been like for you emotionally?

you know it was really tough. Not for what I was. But some of my family struggled with losing their only son or brother. But now through time, they have gotten used to the process and accept and love me. I have an amazing family. They supported me through so much. First being gay, then a drag queen to then flip the table as trans. But we all have each others backs.

Do you feel there is a noticeable difference in how trans people are treated in Northern Ireland compared to mainland UK?

Where do you feel most seen and safe — and where do you feel change is still urgently needed?

Funny enough, I had my first trans slur on st. patricks day in belfast on the way home on the train. I got on and heard “is that a tranny” and giggles. I turned my heel. Walked right up to him and his mates and replied “what? You wanna repeat that to my face?”

To which he soon shrunk down! Haha. Yano there are good and bad people no matter where you go. I live in the countryside atm so all I see are deer and squirrels. But I do believe the fight for trans rights are still urgently needed. Seeing my trans siblings posting about recieving physical and vocal abuse angers me so much. And if I get anywhere with my career and platform. I intend to use my voice to do what I can to protect my trans family!

The climate for trans people right now can feel intense and politicised. How do you protect your mental health while still existing visibly and proudly?

It really is, I was talking to one of my trans friends about doing a workshop with pride. When I came out I hadn’t the foggiest about what to do. I’d experience in make up etc. But I feel we need starter packs for those unsure. Information about trans helplines, gender clinics, help on style, make up, wigs for those who need it. All of this I think will help mentally to boost someone’s confidence to be on the outside Who they truly are inside.

Let’s talk music. What inspired you to step into this new chapter as a recording artist, and how does your sound reflect where you are in life right now?

Honestly , I never thought of music being a career. I always joked I was the victoria beckham when it came to vocals. But I was part of a television show which is still pending and it had music involved. So I recorded where is my mirror to kind of jest that I may not be Whitney Houston. But music can be fun.

Your new single is out now, with more in the pipeline and a Pride tour underway. What message are you hoping listeners take from this era of your music?

It is after a year of holding onto the song and pausing the intended release date to focus on my mental health. I’ve an album worth songs written and im in the recording studio in may time and ive a ‘Pride bop’ coming out. Basically about living your authentic self. I’ve quite a few prides im appearing at. Unfortunately I cant make belfast this year as ive been booked elsewhere. But im in talks of doing something with belfast during that week. (Watch this space)

Hopefully listeners will take inspiration to be themselves in my music. Push through everyday. Live your true life and always remember we are a community and need to stand together. Ain’t no LGB without the T! (QIA+)

So many of our readers are on their own journey of self discovery. If someone is reading this quietly, unsure, afraid or questioning, what would you want them to know?

I’d say, feel all your feelings. Good and bad and when your ready and feel safe to do so. Reach out to someone you know you can trust. My inbox is always open to anyone who needs any advice or support along the way. (@laraleeofficial on all socials)

Although my journey hasn’t been peachy. I’ve never been happier and thats all I want for our beautiful community. To feel themselves and to be loved and supported with no judgement.

“Lei vive sempre la sua versione più autentica.” - “She always lives her most authentic version.”

Lara Lee’s journey is not neat, nor is it finished. It is unfolding in real time, in lyrics, in healing, in parenthood, in chosen family, and in courage. What stands out most is not simply the transition from one name to another, but the refusal to live half a life.

In a world where trans voices are too often debated instead of heard, Lara is choosing visibility, creativity and truth. And whether you first knew them as Conor, Fefe, or are only discovering Lara Lee now, one thing is undeniable: this is someone finally living out loud.

For many of our readers navigating their own becoming, that kind of honesty is more than inspiring. It is necessary.

nathan martin

I caught up with Nathan Martin, a powerhouse in the Northern Irish theatre scene whose work as an actor, writer, and Artistic Director of Dark Forest Theatre has become synonymous with bold, inclusive storytelling. With a career built in the grassroots of Belfast’s creative community, Nathan has consistently championed representation and high-stakes drama. This May, he brings his unique vision to the Grand Opera House with a highly anticipated production of Alice in Wonderland. We’re sitting down with Nathan to discuss the magic behind this reimagining, the mission of Dark Forest Theatre, and what it takes to bring a ‘Wonderland’ to life in one of Belfast’s most iconic venues.

Alice in Wonderland is a story that has been told in countless ways. What is the specific “Dark Forest Theatre” DNA that you’ve injected into this reimagining for the Grand Opera House?

For me as a creative I want to make something that is beautiful and speaks to the audience making theatre that is an experience, an escape from the everyday world. For my reimagining of the classic and beloved tale I have leaned away from previous iterations of the story to bring something totally new, seeing these classic characters in a completely different light, having Alice return to Wonderland allows me the freedom to indulge in that world whilst being respectful to the story that so many people love. Dark Forest Theatre often plays with classical themes and subverts and twists them, creating a world for the audience that can be at both times incredibly familiar and utterly unknown.

Staging a show in the Studio at the Grand Opera House is a prestigious milestone. How does the intimacy of that space influence the way you want the audience to experience the “Wonderland” you’ve built?

The audience of the Grand Opera House are unique in that the building and its history can lend itself to creating a feeling of wonder for any show that plays within its walls. When one goes to that venue you can already feel a sense of excitement so that coupled with such a gorgeous story as ‘Alice in Wonderland’ I think is already influencing my audience. The studio space itself being intimate can allow the audiences to feel almost immersed in that show, in my previous show held there ‘Marjorie’s Dead’ we began with interacting with our audience as if they were being welcomed to

a wake, using the space to allow audiences to feel they could reach out and touch the world I am creating is really a magical thing.

You’re working with a close-knit creative team, including Heather Martin as Assistant Director. How does that collaborative dynamic help shape the visual and emotional world of the play?

Heather Martin has officially come on board now as associate director of Dark Forest Theatre meaning she will be actively involved in every production we create going forward. Having worked with Heather on ‘I, She, Medusa’ was a wonderful experience, Heather has a wonderful eye for detail, flow and emotional resonance and for seeing things in a production that I would not. Having her on board for ‘I, She, Medusa’ which was a very difficult production for me personally allowed me space to breath and to focus on elements I felt needed more of my attention. Her voice in the creative space is one that I trust immensely, and I know that voice will lend itself to the world I am creating here for Wonderland.

Your previous work often deals with heavy social themes like LGBTQIA+ representation and femicide. Are there underlying modern messages or “hard-hitting” elements within your version of Alice?

I think all classical literature deals with heavy themes, even in children’s literature and fairytales, often children are depicted as orphans or have to overcome some tragedy to get their happy ending. Alice is no different, though in this version I will be dealing with more feminist themes and what it means to be a woman and a woman in power. Alice will see the Queen of Hearts in a different light now she is no longer a child, she herself is losing parts of her innocence to enter the adult world and with that loss Wonderland will also suffer. One of the overall themes of the play is saying goodbye and the concept of loss and the loss of childhood ideology when we are faced with the reality of the world we live in.

Having founded Dark Forest Theatre out of a desire to see more diverse casting and representation in Northern Ireland. How does Alice in Wonderland further that mission of giving opportunities based on talent rather than just a resume?

In all my productions I do an open casting call, Alice was the exact same and, in that casting, I had over 300 actors submit themselves for an audition and of that 300 I auditioned 25. There

is a huge creative pool here but with very little opportunities in comparison, giving opportunities it is something I am passionate about and treating actors and their time and talent with respect. I often have no real idea of what I want my characters to be visually so in the audition process it is often the actors themselves that bring those characters to life for me, and Alice has been no different to that, the only difference this time was the sheer amount of talent that submitted but the actors we have on board for this show are really incredible and I cannot wait to see what they do with their roles.

You’ve mentioned before that you didn’t want your practice to become “stagnant or predictable.” What is the biggest risk you’ve taken as a director with this specific production?

Music and movement I would say. I always like to challenge myself in my work, although the work is distinctively in my own voice and aesthetic I do not want to focus solely on one genre or theme and with Alice, the story itself allows for mass creativity, so I have challenged myself by incorporating a musical number and choreography to this particular production and allowing myself a huge amount of artistic freedom. Alice comes with the idea of madness and strangeness attached to it, so I have allowed myself to lean into that and make something that can be very strange, nonlinear and poetic.

You’ve worked on queer retellings of classic stories before (like The Fall of a Dragon). Does your Alice explore any queer subtext or themes of identity that resonate with the LGBTQIA+ community in Belfast?

Alice in Wonderland is incredibly queer coded in its original essence, the idea of a journey of discovery through strange and often dangerous experiences will resonate with many in the LGBTQIA+ community. Alice at times doesn’t understand the world she has fallen into and must navigate that world by herself, often feeling tremendous loneliness and self-doubt, this rendition keeps that essence. As a member of the LGBTQIA+ community all my work will have some essence of that in it as that is how I have experienced and see the world whether it is in something like the Fall of A Dragon which is overt in its themes or even something as simple as navigating a world that is strange, frightening and discovering ones place in that world.

You’ve been vocal about the treatment of the

arts sector in NI. What do you think is the biggest challenge currently facing independent theatre-makers here who want to stage work at major venues?

I think Northern Ireland faces a huge number of issues when it comes to the arts, whether that’s funding the work itself, opportunities, castings or development but one thing I would say is that working with venues themselves, they all want to support the artists, I have found Julie Stewart at the Mac and Andrew Wiggam at the Opera House massive champions of support but with that said venues themselves are also facing their own issues and so what the venues need from the theatre makers is a level of security in staging their work. I think theatre makers need to know that like any business you need to approach venues with a pretty solid proposal, especially if you are making work that is new or you are starting out, venues don’t want to operate at a loss and the major venues need to feel secure in what you are bringing to them and how they can support it.

You’ve held workshops at The MAC to bring “lightness and joy” back to performance. How do you balance the “dark” themes your company is named for with the “joy” of a classic like Alice?

I think we here in the North know exactly what it means to bring joy to dark situations, our humour and our taste as a society are incredibly individual. We find joy in the most macabre and darkest moments of our lives and that is ingrained into our very being. Alice can be joyous and fun and mad and over the top but that’s not all life is and I wish to root this production and its voice very firmly in the community I am showing it too. I also think coming off a production like ‘I, She, Medusa’ which themes were incredibly difficult having something as freeing as Alice allows me as the creator to bring that joy back into the work and have fun with it.

We need to chat more about this production, so it features an Alice who is no longer a child but a young woman on the brink of entering society. How does her age change the stakes of her journey back into Wonderland?

Having Alice as an adult allows me to steer away from the most popular version which would be Disney’s 1951 film. The Alice in my version is a young woman and is about to enter another difficult world of her own, which is the world of society and a woman’s place within that world. I have still set Alice in a Victorian period and what that time meant for being a young woman

who has dreams and ideals. This Alice longs for adventure and discovery and going back to Wonderland makes her come face to face with her own views of the world and its challenges, which is incredibly exciting.

For audiences who think they already know Alice in Wonderland, why should they come and see this version?

I think lovers of a classic tale like Alice in Wonderland what to see that world expanded or investigated which is what this version does. It doesn’t take away from a tale that they love but explores what happens after and what becomes of Alice and Wonderland whilst being respectful of its blueprint. This is a version they will never have seen before and hopefully something that brings them into a world of wonder and will reignite their love for the original tale and even further classical works.

With a busy 2026 ahead, including Alice in May and other projects in the works, where do you see the trajectory of Dark Forest Theatre heading over the next three years? I have my 2027 calendar already penciled in and am in complete shock that this is where I am as a company already. Dark Forest Theatre is only in its third year, and I am in love with what the company and I have achieved in that time. Over the next few years, I want to continue simply on the path I have carved out, continue to make work that I love with creatives I am in awe of and support the arts here in any way that I can. I have such a love for what I do and I simply what that to continue.

“It’s clear that Nathan’s approach to theatre is as much about community and advocacy as it is about the craft itself. By blending the whimsical with the profound, his production of Alice in Wonderland promises to be a standout moment in the 2026 season. We want to thank Nathan for sharing his insights into the creative process and for his tireless work in pushing the boundaries of what Northern Irish theatre can achieve.

Interview with Daniel May

Alice in Wonderland runs at the Grand Opera House this May, be sure to grab your tickets before they disappear down the rabbit hole. Nathan, we can’t wait to see where Dark Forest Theatre takes us next.” Tickets available at goh.co.uk

Cuckoo Land

Cuckoo Land: Dynamic Gig Theatre

Inspired by the NI Women’s Coalition Premieres at the MAC in April 2026

A high-voltage piece of gig theatre that smashes open the story of the Northern Ireland Women’s Coalition will run at the MAC from April 11 to 26.

Cuckoo Land, produced by Kabosh Theatre Company and the MAC, is inspired by the formation of the Women’s Coalition, which demanded fairer representation for women in political and public life.

Kabosh Artistic Director Paula McFetridge, who directs the production, said: “It is an opportunity to look the legacy of the Women’s Coalition in its 30th anniversary year and explore its contribution to gender representation in a political arena that had previously been dominated by men.”

This original piece of gig theatre – blending live, high-energy music with theatrical storytelling – written by playwright and screenwriter Vittoria Cafolla, features songs by composer and songwriter Katie Richardson. Musical performers Jackie Rainey and Cheylene Murphy join actors Maeve Byrne, Caroline Curran, Orla Gormley, Allison Harding, Orla Mullan and Christina Nelson on stage. Set designer Tracey Lindsay and costume designer Enda Kenny saturate the show in a riot of Pop Art colour and attitude, with surreal animation from Fergus Wachala-Kelly inspired by early Monty Python’s Flying Circus.

Set in 1996, the production throws audiences into the birth of a movement built from kitchen tables, community halls and sheer determination. Facing heckling, misogyny and threats, these activists — not career politicians — built a party in six weeks, recruited a hundred candidates, and walked into negotiations with a manifesto grounded in equality, human rights and cooperation.

The Women’s Coalition challenged the male-dominated political climate and played a key role in negotiating the 1998 Good Friday Agreement.

The team behind this new production see it as an opportunity to introduce those impressive women to a new generation, who don’t know their story. Paula McFetridge added: “In terms of scale, it is the largest show Kabosh has ever done. It has a powerful message that courage doesn’t always shout –sometimes it negotiates, collaborates and changes history.”

Julie Stewart, Creative Programmes Manager at The MAC said: “Cuckoo Land is an exciting and dynamic new production that captures a remarkable chapter in our history, and we’re thrilled that audiences will experience its energy, music and storytelling here at The MAC Belfast. We’re delighted to work with Kabosh to bring this important story to the stage and to celebrate the legacy of the Northern Ireland Women’s Coalition with a new generation of audiences.’

Gilly Campbell, Director of Arts Development, Arts Council of Northern Ireland, said: “The Arts Council of Northern Ireland is delighted to support Kabosh and this production. Cuckoo Land has an important story, based on our NI history, to share with audiences, and with such a talented cast and creative team, this will be a ‘must-see’ performance!”

Supported by the Department of Foreign Affairs Reconciliation Fund, the Arts Council of Northern Ireland, Belfast Stories, Belfast City Council and The Unity Theatre Trust, Cuckoo Land explores how peace-building and societal change can only happen when women are at the table and able to call out misogyny and oppression.

Cuckoo Land is loud, bright and long overdue For booking information, visit: https://kabosh.net/productions/cuckooland

“What I love most about this show is that it lets us step right into a moment in history, almost like we’re time travelling, but with better music. The Women’s Coalition formed exactly 30 years ago and revisiting that energy feels electric. There’s a real sense of momentum, courage, and sheer determination in their story, and bringing that to life on stage is an absolute joy. It’s history, yes, but it’s history with a pulse, vibrant, surprising, and full of personality. I think audiences will feel like they’re right there in the room as it all unfolds”

Allison Harding, Cast – May Blood

“It’s part of our lived history told in a new, fresh and exciting way. There’s something for everyone, it’s gig theatre and the music is class. We’ve had so much fun rehearsing this piece, and I think the audience will have just as much fun watching it. What we’re sharing on stage feels both deeply personal and completely universal: it celebrates where we’ve come from while shining a light on the stories that shape us. It’s bold, vibrant, and unapologetically full of heart, the kind of show that invites people in and sends them out buzzing.”

Caroline Curran, Cast – Pear Sagar

“The Northern Irish Women’s Coalition has often been overlooked when it comes to recognising the scale of their contribution to the Good Friday Agreement. This production offers a rare chance to hear their story and to step behind the scenes of the challenges, pressures, and personal sacrifices they faced along the way. It’s an opportunity to understand the human side of a pivotal moment in history, and to appreciate the determination and collaboration that shaped it. While the piece is undeniably educational, it’s also engaging, accessible, and full of energy. I believe everyone who sees this show will come away with a new insight, a fresh perspective, or a deeper understanding of the people at the heart of this chapter of our shared history.”

Orla Mullan, Cast – Bronagh Hinds

“I think that people should come and see this production for so many reasons, it’s energetic, insightful, and brought to life by the most amazing team of artists! It also has something for everyone. It’s gig-theatre, which, if you aren’t sure what that is, it basically means it’s a piece of theatre where there’s a live band on stage (and our band are class!) and there’s the narrative and storytelling of a play, with songs and the energy of a gig. The performers act, sing, move and tell the story all at once (I’m absolutely in awe at how good they are at doing all of this in one show while making it look easy!). So, if you aren’t necessarily someone who is always going to the Theatre, but enjoy going to gigs, it’s for you, and equally, if you’re somebody who loves the theatre, but don’t really go to gigs, then it’s also for you. Even if you don’t regularly do either, it bears witness to stories that have often been overlooked in the history books, so if you’re a history enthusiast, a political activist, or someone that just wants something a bit different to do for a night out, Cuckoo-Land is for you! The team have put together a production full of heart, energy and vivacious storytelling, and I think that anyone who comes to see it will come away having learned a bit more about a part of our history that has so often not been written in! All’s to say, get your tickets now; we can’t wait to see you there!

Ronan McManus, Executive Producer of Kabosh

Sporting Pride launches 2026 LGBTQ+ Sports Clubs Directory, rallies ‘Team Ireland’ for the Gay Games, and expands Inclusion Training

DUBLIN & BELFAST – Sporting Pride has announced the launch of the 2026 edition of its LGBTQ+ Sports Clubs Directory, a comprehensive guide to LGBTQ+ inclusive sports clubs across the island of Ireland.

Organised by province and supported through the Department of Foreign Affairs & Trades’ Sport for All: Empowering LGBTQ+ Participation and Inclusion Across the Island initiative, the directory is the only all-island resource dedicated to helping LGBTQ+ people find safe and welcoming sporting environments. Since its launch in 2022, the number of listed clubs has grown by more than 133%, highlighting a significant expansion of inclusive sporting opportunities nationwide. The directory will be distributed widely across Ireland through both print and digital channels. A total of 4,500 copies will be inserted into the Spring edition of GCN magazine, Ireland’s largest

LGBTQ+ publication. In Ulster, the directory will feature in a printed article in GNI magazine, reaching an additional 2,000 readers. Both publications will also promote the directory through their online editions and social media channels. Sporting Pride will further distribute 1,000 additional copies at events and community outreach initiatives throughout the year.

By presenting clubs from every province together, the directory encourages participation and connection beyond county and jurisdictional boundaries. It supports collaboration and travel between sports communities North and South and has become a trusted resource for individuals seeking inclusive sporting environments, promoting wellbeing and social integration within the LGBTQ+ community.

Join Team Ireland: The Road to Valencia 2026

In addition to local club

participation, Sporting Pride is calling on athletes and supporters to join Team Ireland for the XII Gay Games in Valencia (27 June – 4 July 2026). While joining the “team” doesn’t change an individual’s tournament registration, it is about building a community for those heading to Spain.

Benefits of joining include a dedicated WhatsApp group for travel coordination, the “Mingle Factor” for those travelling alone to find a “cheer squad,” and planned social events and photo calls.

“Ultimately, we just want to make sure no one feels like they’re attending in isolation,” says Aidan Walsh of Sporting Pride. “It’s going to be a fantastic experience, and it’s always better when you have a team behind you! We’d love you to sign up to Team Ireland where you can network with others from all over the country who are also travelling to Valencia.”

If you would like to register to join the team, please email gaygames@ sportingpride.ie for more information.

Education & Awareness Training

To further support inclusive environments, Sporting Pride is highlighting its LGBTQ+ Awareness Training & Workshops for 2026. These sessions provide coaches and volunteers with the tools to improve LGBTQ+ inclusion within their own clubs.

Clubs and individuals interested in upskilling are encouraged to visit the news section on the Sporting Pride website for more details.

For more information on getting involved in making sport more inclusive and welcoming to LGBTQ+ participants, visit the Sporting Pride website or contact info@ sportingpride.ie.

Photo credit Debbie Hickey

LGBTQ+ Sports Clubs Directory 2026

Safe and welcoming spaces for LGBTQ+ community members, their friends and allies.

CONNACHT

Teach Solais Multisport @teachsolaislgbt

LEINSTER

Bravo Volleyball Volleyball @bravo.volley

Dublin Devils Soccer @dublindevilsfc

Dublin Frontrunners Running @dublinfrontrunners

Dublin Lacrosse Club Lacrosse @dublinlacrosseclub

Emerald Warriors Rugby @emeraldwarriors

Flaming Feathers Badminton @flaming_feathers_bc

Gay Cycling Club Cycling gay-cycling-club

In4Squash (Dublin) Squash @in4squash

Midlands LGBT Project Multisport @midlandslgbt

Monthly Cycles Cycling @monthlycycles

Na Gaeil Aeracha GAA @nagaeilaeracha

Out & About Hiking (ROI) Hiking @outandabouthiking

Out in Wexford Hiking @out_in_wexford

Out2Golf Golf @out2golfireland

Out2Tennis Dublin Tennis @out2tennis

Phoenix Tigers Soccer @phoenixtigersfc

Pink Ladies+ Hockey @pinkladieshc

Paddle with Pride SUP / Paddle Boarding & Kayaking @paddlewithpride

Queer Adventures: For LGBTQ+ Women and Non-binary People Multisport lgbt-girls-health-and-fitness

Find your community. Get involved.

CONNACHT

MUNSTER

Shamrock Sioga Basketball @shamrocksioga

Splash Out Swimming @splashoutdublin

Stoneballerz

Softball @lgbtsoftball

United Swimmers Swimming @unitedswimmerss

Wet & Wild Multisport Wet & Wild

Cork

Limerick

Tipperary

Clare

Galway

Roscommon

Mayo

Sligo

Kerry

(Contact details and web links correct at 1st January 2026.)

ULSTER

LEINSTER LEINSTER

Frontrunners & Briskwalkers Cork Running @frontrunnerscork

Gay Project Multisport @gayprojectirl

Na Laochra Aeracha GAA @na_laochra_aeracha

MUNSTER

Cork Hellhounds

Rugby @corkhellhounds

Cork Racketeers Badminton @corkracketeers

Cork Ramblers Hiking @corkramblers

Cork Rebels Soccer

@corkrebelsfc

Deise Pride Soccer @deisepridefc

LINQ Ireland Multisport @linq_ireland

Queer Bike Rides Cork Cycling @QBRCork

Racket Rebels Badminton @racketrebelscork

Sarsfield RFC Rugby @sarsfieldsrugby

Soccer Sisters Soccer @soccersistersennis

ULSTER

Aeracha Uladh GAC Gaelic Football @aeracha_uladh_gac

Belfast Azlans Rugby @belfastazlans

Belfast Blaze FC Soccer @belfastblaze.f.c

Belfast FrontRunners Running @belfastfrontrunners

Belfast Roller Derby Roller Derby @belfast_roller_derby

Donegal Gay Walking Club

Walking Group Donegal Gay Walking Group

Dykesketball Basketball @Dykesketball

In4Squash (Belfast) Squash @in4squashbelfast

Out & About Hiking NI Hiking @outandabouthikersni

Out On Court Belfast Tennis @outoncourt

Queens Of The North Softball @queensofthenorthsoftball

Sporting Pride is Ireland’s recognised LGBTQ+ sports association, working to make sport welcoming, visible and accessible for all.

We work in partnership with Sport Ireland, National Governing Bodies, Local Sports Partnerships, third-level institutions and LGBTQ+ clubs nationwide to:

• Increase LGBTQ+ participation in sport and physical activity

• Support clubs to become inclusive and welcoming

• Improve wellbeing through regular participation in fitness and exercise

• Strengthen visibility of LGBTQ+ people across all levels of sport

We support sporting organisations to develop inclusive programmes that remove barriers, grow participation and ensure sport in Ireland is safe and welcoming for LGBTQ+ players, coaches, officials, volunteers and supporters.

PRODUCED WITH SUPPORT FROM:

SHANE LYNCH

Boyzone star Shane Lynch opened new menswear store in Lisburn city centre

A new menswear store has officially opened in Lisburn city centre, with a celebrity appearance drawing hundreds of fans to Market Square.

Lynch, best known

of Phats & Small

store in the heart of Lisburn.

Located at 40–42 Market Square, the new shop specialises in men’s suits and occasion wear, expanding the retail offering within the city centre. The store will also stock a wide selection of budget-friendly perfumes and aftershaves from the Amen Inspired By fragrance range.

Shane Lynch described Amen as “the people’s brand”, with the store carrying more than 80 different “Amen Heaven Scent” fragrances for men and women.

Hundreds of Boyzone fans turned out for the official opening, giving them the chance to meet Lynch and Ofoedu and receive free samples of the new fragrances.

The launch was also attended by the Mayor of Lisburn

Mayor Grehan said it was encouraging to see new businesses choosing to locate in the

“It was a pleasure to attend the opening of Bank Menswear today,” she said. “It is encouraging to see new businesses choosing to locate in Lisburn City Centre. I wish the team every success in their new venture.”

Councillor Kemp, Chair of the council’s Regeneration and Growth Committee, said new businesses help strengthen the vibrancy of the city centre.

“I was delighted to attend the opening and to welcome Bank Menswear to Market Square,” she said. “New businesses play an important role in strengthening the vibrancy of our city centre and it is great to see continued investment in Lisburn.”

Shane

as a member of Boyzone, joined Ben Ofoedu

to launch the new Bank Menswear

& Castlereagh Amanda Grehan and Claire Kemp, who welcomed the new addition to the local retail sector.

city centre.

THE RAINBOW PROJECT LAUNCHES NEW FOYLE LGBTQIA+ CENTRE IN THE HEART OF THE MAIDEN CITY

The Rainbow Project has officially launched its new Foyle LGBTQIA+ Centre in Derry/Londonderry, marking a significant step forward in expanding vital services and support for LGBTQIA+ people across the North-West.

The new centre will provide a dedicated, inclusive space where LGBTQIA+ people can access a wide range of health, wellbeing, and support services - including sexual health services, counselling, peer support, cancer support, community programmes, and youth services. Since moving in before Christmas, we’ve been working hard to make the space welcoming and able to meet the needs of those who use it, ensuring those communities accessing our services feel fully at home in our new home.

Located in the heart of the city, we hope the Foyle LGBTQIA+ Centre will be a safe, welcoming environment where individuals can access support without barriers, connect with community, and feel affirmed in their identities.

The expansion of our space in Foyle represents a value that we seek to fulfil in all of our work: that LGBTQIA+ people deserve to be themselves, see themselves, and find community wherever they’re from, wherever they live, anywhere in Northern Ireland. LGBTQIA+ people shouldn’t feel like they need to move to Belfast – or even a city – to be safe and comfortable in their communities, to see themselves represented in public, to access vital community services and support in a way that meets their needs.

We want this LGBTQIA+ Centre to be a hub for communities in the region, and a base for our outreach work across the West and North-West. Our Rainbow Youth, Cancer Champions and training teams reach beyond the city, including to Strabane, where we host a Rainbow Youth group; to Enniskillen, where our Cancer Champions team will host another Death Café in July in collaboration with the All-Ireland Institute of Hospice and Palliative Care; and across the whole of the North-West, where we continue to reach out and deliver training to help make workplaces, services, community groups, and so many other spaces in the region more welcoming and inclusive of LGBTQIA+ communities.

It’s also a space other community groups and organisations, LGBTQIA+-specific or not, can use and be welcomed into. With multiple studios, meeting rooms, and flexible spaces available for hire, it supports a wide range of activity, from art exhibitions and dance events to community gatherings, games, and formal events such as meetings, conferences, and AGMs, bringing together organisations, businesses, and community groups from across the region.

The opening of the new centre is a full-circle moment for The Rainbow Project, which first began in Foyle as a group of volunteers working together to deliver sexual health information and materials in response to the HIV/AIDS crisis. From those early beginnings, the organisation has grown to become Northern Ireland’s largest LGBTQIA+ charity - and this new space reflects both that journey and a renewed investment in the community where it all started.

What we hear on the ground, not just in the North-West but across Northern Ireland, is that the services and support that Rainbow delivers are needed now more than ever. We’ve seen demand growing consistently over the past few years, all the while the climate gets more hostile, and the charity sector as a whole gets squeezed for funding. Demand particularly for our Co-Cultural Counselling service has grown and grown in recent years, and we’ve been working hard to ensure that those who need support get it as quickly as possible.

We do all of this because we know that in the current moment, when the hardwon rights of all LGBTQIA+ communities are under consistent attack both here and across the world, it’s so vital that services like Co-Cultural Counselling, like Rainbow Youth, and spaces like the Foyle LGBTQIA+ Centre exist. They build community, they connect people, they reduce isolation, they provide a space for people to safely and freely be themselves and be welcomed for that. They provide an avenue for dealing with the challenges that can come from being LGBTQIA+ in a society that isn’t built to include us.

But ultimately, we don’t want to be a sticking plaster, supporting people through discrimination or isolation without addressing the root causes of that discrimination. Rainbow’s mission is to work for a better Northern Ireland for LGBTQIA+ people and their families – we do that by both changing lives through our services, which mitigate the impact of discrimination, but importantly also by changing society through our campaigns and our policy work.

We envision a world where services like ours don’t need to exist, one where there is full social and legal equality for LGBTQIA+ people, one where mainstream services can fully meet the needs of LGBTQIA+ communities. We envision a society that embraces LGBTQIA+ identities, experiences and lives, that sees us as one vital part of the rich diversity that exists in the world. That vision might feel very far away, especially right now, but that doesn’t mean we shouldn’t continue to imagine the world that we are all working towards.

For now, though, while these services are so needed and in demand, while LGBTQIA+ communities are crying out for a change in how our society treats us, we are so proud to continue working with and alongside LGBTQIA+ people across Northern Ireland to try to improve this place for us all. We’re proud to be expanding our space and our work in Foyle; we’re proud of the incredible team in the North-West who have put so much into this big move and into delivering the support that truly changes lives; and we’re especially proud to be one part of the incredibly vibrant and resilient LGBTQIA+ communities in Foyle and across Northern Ireland working together for a better future.

You can keep up to date with what we’re doing in Foyle and across Northern Ireland by following us on Instagram or Facebook @therainbowprojectni, or by signing up for our newsletter at rainbow-project.org

Why Losing Weight Is Harder Than You Think

And Why It’s Not Your Fault

For most of my career, I believed weight loss was simple: eat less, move more, burn more calories than you consume. It’s advice we’ve all heard, and as a doctor, I repeated it to patients without question. Then my perspective changed. As an ENT surgeon, I treat many patients with obstructive sleep apnoea, a condition where weight is a major factor. When GLP-1 receptor agonists became available, I began prescribing them to help patients lose weight and improve their sleep. The results were striking. But what surprised me most was the science behind why these medications work. It challenged everything I thought I knew about weight loss.

Your Body Is Working Against You

Your body doesn’t naturally want you to lose weight. Evolution wired us to store fat, it was essential for survival. Today, life has changed, but our biology hasn’t. When you cut calories, your body interprets it as a threat. Hormones kick in to increase hunger, slow metabolism, and drive you back toward your previous weight. This isn’t willpower failing, it’s biology.

Hormones That Control Hunger

Ghrelin, the “hunger hormone,” tells your brain to eat. Dieting makes ghrelin surge, which is why hunger feels almost unbearable after a few weeks. Insulin regulates blood sugar and stores fat. Chronically high insulin can cause insulin resistance, making it easier to gain weight and harder to lose it. GLP-1, produced in the gut after meals, slows stomach emptying, signals satisfaction, and helps insulin work properly. In people struggling with weight, GLP-1 signalling is often blunted, so they don’t feel naturally full.

Why Diets Often Fail

When you restrict calories, ghrelin rises, metabolism slows, and your brain’s reward centres make highcalorie foods feel irresistible. Willpower alone can’t overcome millions of years of evolution. The familiar “calories in, calories out” advice doesn’t explain why eating less feels impossible for some people. The answer usually lies in hormones.

A New Approach

GLP-1 receptor agonists, such as Mounjaro and Wegovy, have transformed weight management. They mimic or enhance the body’s natural GLP-1 signals, helping reduce appetite, improve insulin response, and rebalance the hormones that make losing weight so hard. Patients often describe the constant “food noise”

disappearing. Cravings quieten, and for the first time, they feel in control. These medications are powerful and require medical supervision, careful dosing, and ongoing monitoring.

Why Medical Oversight Matters

The internet makes it easy to buy weight loss medications anonymously. But starting at the wrong dose, missing health risks, or facing side effects alone can be dangerous. Having a doctor who knows your history, monitors progress, and adjusts treatment makes a huge difference. It keeps you safe, confident, and more likely to succeed.

Simply Slimmer

Seeing how life-changing these medications could be, I founded Simply Slimmer, a fully regulated remote prescribing service in Northern Ireland. I personally oversee every patient’s journey. Doses are adjusted, progress is monitored, and support is always available. That personalised care sets Simply Slimmer apart from anonymous online

pharmacies.

It Starts With Understanding

If there’s one thing I hope you take away, it’s this: struggling with your weight does not mean you’ve failed. Your body’s hormones may be working against you in ways willpower alone cannot overcome. If you’re considering medical support, have that conversation with your GP or someone like me. No one should fight this battle alone.

Dr Turlough Farnan is a GMC-registered doctor based in Belfast with nearly 30 years of medical experience. He runs Simply Slimmer, a regulated remote prescribing service for medically supervised weight loss throughout Northern Ireland.

To book a free consultation, visit www. simplyslimmer.co.uk

Dr Turlough Farnan | GMC: 4261564 | Simply Slimmer

TURLOUGH FARNAN

Medical Director at Simply Slimmer

As a fully qualified doctor, Dr Farnan oversees all Simply Slimmer treatments to ensure they are safe, clinically approved, and tailored to Because your health comes firstExplore our doctor-led approach, today: www.simplyslimmer.co.uk

“Not Bullsh*t, But Bruises: Gay Catholics Rise Up!”

Recently, during my missionary travels, I had the opportunity to meet a lovely Catholic bishop. As we were chatting, my friend Seamus told him about the ministry we have with the LGBT community. He was over the moon and, with a broad smile, exclaimed, “That’s marvellous!”

As the conversation continued, we explained what our ministry involves: visiting gay venues, speaking with people about God, about the Catholic Church, and listening to their stories. I mentioned that it can be quite exhausting at times, hearing the same painful beliefs repeated over and over, especially the idea that God hates Gay people.

Jokingly, he responded, “Yes, listening to their bullsh*t!”

To be clear, he meant this in a very positive sense, that it is complete and utter “bullsh*t” to believe that God hates gay people or that it is somehow their fault for being gay, or that they must repent and become straight, etc.

Still, it left me thinking. “Bullsh*t”, though it may be, these beliefs remain widespread within the gay community, and I don’t often ( if ever) hear many Catholic priests or even bishops, for that matter, publicly preaching or teaching otherwise.

And so, with this in mind, let me now take

you back to last year when I received a charming phone call from a lady named Patricia. She contacted me as she had seen my own testimony on “Shalom World TV” (a catholic TV station) and she desperately wanted me to fly to Ireland to be part of another TV show that Shalom World were doing, this time about suicide!

Delighted with the opportunity to raise more awareness and the growing openness in the Catholic environment, I immediately said yes!! A few weeks later, I flew to Ireland, where I participated in the show. I was one of about 12 people interviewed, each of us with different stories relating to suicide, ranging from the after effects of abortion, to bullying to racism etc.

The format of the show was that each person would be interviewed with Patricia while there would be two other people on a little panel to ask questions! In my case, they consisted of a Catholic priest and a Catholic psychiatrist!

Expecting Patricia to ask me about the struggles of growing up in a Catholic family and then coming to terms with my gay orientation, I was very disappointed that somehow, she was skirting around it! Somehow, I was being interviewed about being suicidal earlier in my life, while omitting to ask me about the main underlying cause – my sexuality and the Church!!!

I did what I could in some of the other questions to slip it in, but in all honesty, it was minimal. I went away wondering if the TV show was really about reaching out to suicidal people, or was it more about making the Catholic Church look good.

Patricia, a charming lady in her own right, invited me to Ireland again to spend Christmas (2024), and during that week, we got to talk further about LGBT issues. What saddened me the most was the lack of understanding, compassion and heart that many of these mature Catholics had when it came to the hurt of the gay community and their pastoral needs, not to mention trans!!

I left Ireland feeling quite disheartened, and I said to Jesus as I got to Dublin Airport, “If I never set foot in this country ever again, that would be just fine, but it’s up to you!!”

A year passed by, and I heard nothing from Patricia or, indeed, anyone else involved in the TV series, and then suddenly, just a little while ago, in January 2026, I happened to see on social media that the series had come out!!

I was a little nervous as to how I would appear and what backlash I might get from some, but I had nothing to fear!! I had nothing to fear because I had been

TOTALLY AXED from the series!! The episode dedicated to my story was cut, and I had been skilfully edited out of another episode where I had a minor role as a panellist!

I was horrified, not only that I had been axed but that nobody had contacted me, nobody had explained why and between priests, reporters and psychiatrists, all working in the area of mental health, nobody had the heart or the decency to even tell me. Seemingly, keeping up appearances was more important than the suicides and mental health of LGBT people.

Of course, this isn’t the first time that my story was AXED because it does not flatter the Catholic majority. Shalom World TV, which came to London and made a show about my testimony (the one Patricia saw before she called me), suddenly pulled my story from YouTube last year, and when I emailed them in the kindest possible way, I got no reply!!

Similarly, in Medjuroje, where I have had problems with several gay priests, my complaints were repeatedly ignored, and I was left to just ‘suck up’ abusive sermons and homilies, some of which specifically targeted me while others targeted LGBT people in general in a cold, cruel and judgmental way.

And so, coming back to the present and to my dear friend, the bishop! Yes, it does get very tiring at times listening to the hurts and woes of the gay community but what is even more tiring and drastically more hurtful, is what I have to put up with in the Catholic community and how when push comes to shove, the majority of Catholics love and mercy for LGBT people is mere lip service and only skin deep – in all honesty, that is the real ‘bullsh*t’.

In my humble opinion, every Catholic priest and bishop all over the world should go out of their way to preach and teach publicly from the pulpit that God loves LGBT people and that the age-

old prejudices should be squashed. The stories of LGBT people should also be shared on Catholic media, regardless of whether they are flattering or not to the church. A humble church needs honesty and vulnerability more than flattery.

Furthermore, the church should actively engage in LGBT outreach, not waiting for a wounded LGBT person to drift into the church but actually running out to help those in the LGBT community struggling with all sorts of addictions and afflictions, many of which are the consequence of Church “bullsh*t” which has rejected, shamed and silenced and ignored the hurts of LGBT people for centuries and as you have read, it continues to happen right now in 2026.

So, let’s be strong folks! As LGBT people, we are just as loved and precious to God as everybody else. The Church needs us, God needs us, future generations of gay people need us, so let’s rise in prayer and in dignity and take our place at the table, whether the “Patricias and Shalom Worlds” of this world like it or not!

We are loved!

Michael Maloney

Scentame Fragrances - Mixed by Gary, Tried by the team

gni tries

Air Kitto Travel hoodie and neck pillowSleep Hoodie tried by Gary, Neck Pillow tried by the team

May. I hope they release more colors as I could see myself using these not just for travel but for everyday wear.

Imagine being able to mix your own personal fragrance; you can do exactly that with Scentame Fragrances.

They are a luxury fragrance brand that creates personalised perfumes just for you. Using a simple quiz and scent technology, you can mix up to five different scents to create something unique that matches your personality or someone special. Each bottle is hand-mixed in London and designed to feel personal and meaningful.

You can also name your perfume and even add a message. There are over 600,000 possible blends, making every fragrance feel rare and special. Available in different bottle sizes from 15ml to 100ml.

Gary got to mix 3 fragrances for the team. These are the scent profiles, all with insane sillage, as they are all Eau De Parfum:

Gary’s Groove is a mix of Violet, Lime, Pine, Sandalwood, and Jasmine Sambac, a complex, fresh-woody-floral scent with a luxurious and invigorating vibe. It would bridge the gap between a sun-drenched floral garden and a cool, tranquil forest.

Vibe: Sophisticated, exotic, tranquil, yet radiant.

Daniels Dance is a mix of Honey, Pomegranate, Peony, Guaiacwood, Vetiver, a sophisticated scent that balances dark fruity sweetness with deep, smoky woods and airy florals. A niche scent that combines “dirty” earthiness with “clean” sugary notes.

Vibe: Sophisticated, moody, and warm.

Tarty Tony is a mix of Cinnamon, Cardamom, Musk, Blackcurrant, and Patchouli, a warm, sophisticated, and fruity-spicy oriental blend. Intoxicating and sensual, balancing a sweet, tart fruity opening with an earthy, woody, and musky dry-down.

Vibe: Rich Oriental, fresh and earthy.

You can explore and create your scent at www.scentame.com and follow them on Instagram @scentame.”

Nick, the founder, grew up in a travel-loving family that moved from South Africa to Germany, then to Ireland, and finally to Jersey. At 31, he has visited 87 countries and all seven wonders of the world, driven by a passion for diverse cultures and cuisines.

His experiences inspired several innovative solutions: The Securitee, a t-shirt with a secure passport pocket, emerged after a missed flight due to a stolen bag; The Tap Cap, featuring a hidden pocket for valuables, was born from a machete attack in Zambia; the Carry-On Neck Pillow addressed frustrations with traditional neck pillows; and the Sleep Hoodie was inspired by a long flight. Air Kitto, named after his late grandmother Ann, emphasises seizing travel opportunities and encourages others to explore the world.

The “Sleep Hoodie” is perfect for travellers wanting comfort on long journeys. It features a built-in neck support, block-out hood, and a convenient passport pocket, making it ideal for flights, road trips, and layovers. Made from 100% breathable cotton blends weighing 330 GSM, it offers warmth without overheating. The fleece-lined hood and kangaroo pockets add extra comfort.

Gary’s thoughts: This sleep hoodie has the perfect weight to keep me comfortable while travelling. Its neck pillow and passport pocket are brilliant features. It covers all my travel essentials in one stylish design, and I can’t wait to try it on my night flight to Crete in

The Carry on Travel Pillow features a hidden storage compartment that holds up to 5 T-shirts or 10 litres of clothing. Made from smooth satin fabric, it offers comfort during long trips.

Included with the pillow is a waterproof travel bag made of durable Oxford fabric, along with a carabiner clip for easy attachment to backpacks or luggage. Ideal for frequent flyers, backpackers, and holiday travellers, this innovative design lets you travel lighter while staying comfortable.

Simply fill the pillow with lightweight items and use it for support during your journey. Its luxurious satin exterior provides a soft, breathable surface for restful sleep. This neck pillow is a smart travel accessory that no traveller should be without.

Team collective thoughts: This neck pillow would be great for city breaks and perfect for carry-on travel. It keeps essential items (pants, socks, t-shirts) safe if your checked bag is delayed. The soft exterior is luxurious to lie on, and the adjustable strap allows it to be worn as a crossbody or attached to a suitcase. Plus, the waterproof travel bag keeps it dry when not in use.

Both are available at www.airkitto.com. Prices start from £22.00, GNI readers can get 15% off store-wide with promo code GNI15 until the end of May 2026 (whilst stocks last)

Oatco Superbites: Tried by the team.

Oatco Superfuel is redefining the food-to-go category with functional snacks designed for busy lives. Unlike protein-only brands, Oatco offers a balanced range, including Super Bite Energy Balls and Overnight Oats, which provide sustained energy from oats and fibre, avoiding spikes and crashes.

Now available in over 800 UK and Ireland locations, including Tesco and Spar, Oatco gained attention on Dragons’ Den, where they accepted investment from Steven Bartlett.

Oatco Super Bites are convenient, healthier snacks perfect for powering through slumps or quick bites between meetings, available in seven delicious flavours, with each pack containing two energy balls for sustained energy.

Gary loved the caramelised biscuit flavour because it reminded him of one of his favourite biscuits, but in a healthier, more energy-sustainable way. He probably carries a packet of them in his backpack every day, the one he is never without, which always seems to contain everything he needs!

Daniel, being a fitness enthusiast, loved the pistachio crisp flavour, which is a perfect balance of nutty, creamy indulgence for his afternoon pint of tea, both at home and in the office.

Since Tony is diabetic, we would only let him try the low-sugar flavours; he wasn’t able to choose between the Caramel Crisp and the Peanut Butter Crisp flavours. Both packets were gobbled down in one afternoon. RRP £2.30 www.oatco.co.uk

PUNCH: Tried by the team

Life is busy, and PUNCH aims to simplify how you elevate everyday meals while supporting your body, no fuss and no unnecessary wellness jargon. Born from a collaboration between a chef-nutritionist and a biologist-turnedbrand expert.

They offer high-quality, Supercharged Food Toppers made from chefcrafted, fibre-rich blends of seeds, nuts, herbs, and functional mushrooms, transforming any dish from mediocre to magnificent in just seconds. Packed with nutrient-rich ingredients, no fillers or artificial additives, PUNCH is designed for those who live life to the fullest and want maximum benefits with minimal effort.

Available in 4 different varieties and with over 30 servings per pot, PUNCH effortlessly elevates your meals for weeks as a little really does go a long way with these little pots of magic.

Healthy eating Daniels favourite was the Punch Your Eggs: The Spicy One, which added a bold kick to his daily eggs, featuring chilli, cumin, and pink peppercorns, plus lion’s mane for gut health.

Garys sweet tooth loved the Punch Your Porridge: The Chocolatey One, which brought crunch to his overnight oats with cacao-coated nuts and seeds, sweetened with dates and maple syrup; they are also high in fibre. He also loved Punch Your Yoghurt: The Fruity One, transforming his afternoon yoghurt with superfruits, nuts, seeds and beetroot powder for his pre-Sunday swim boost to get the lengths in.

Pauline was all over the Punch Your Salad: The Savoury One, a crunchy blend of corn, nuts, and seeds with herbs, boosted with lion’s mane for gut benefits, which went down a treat for her vegetarian diet.

Each pot costs £8.99, there are plenty of multi-buy combination discounts, and you can also get 20% off your first order if you sign up to their newsletter

Trans Life in 2026 : Beyond the Headlines

How trans lives, resilience, community and futures are flourishing in Northern Ireland and Ireland even amid political controversy over healthcare

In 2026, trans people in Northern Ireland and across Ireland are living boldly in a world that is both more visible and more complex than ever. For many, this is a time of hope, packed with creative achievement, cultural presence and strong community connections. But it is also a moment shaped by debate over healthcare access, political decisions and what it means to grow up trans today.

Trans people here are not a footnote. We are neighbours, colleagues, friends and family. We are artists, activists, students, professionals and parents. Trans women, trans men, non binary and gender diverse people contribute to life in Belfast, Derry, Galway, Cork and beyond. Our stories are not only about struggle. They are about joy, purpose, resilience and community success.

In early 2026, Northern Ireland’s Health Minister announced a pause on participation in the UK wide puberty blockers trial, citing ongoing legal challenges. The decision has become a focal point for conversations about medical care, evidence, politics and young trans lives, showing both progress and obstacles for the community.

The Puberty Blockers Trial Pause

In February 2026, the Minister confirmed that Northern Ireland would not take part in the UK wide clinical trial assessing puberty blockers until legal challenges are resolved. This trial, known as the Pathways trial, was set up to evaluate the effects of puberty suppressing medication for children and young people experiencing gender incongruence. Its aim was to provide better evidence on safety and effectiveness, an issue debated across the UK and internationally.

The trial involves careful study of physical, psychological and social outcomes over several years. Recruitment was aimed at children from age ten through mid teens. Participation in Northern Ireland would have offered local access to evidence based care within a framework aligned with UK clinical standards.

Plans were paused within days of confirmation, due to ongoing legal proceedings and regulatory concerns. This comes against a backdrop of long standing restrictions on puberty blocker prescriptions. Since late 2024, emergency measures limiting routine prescriptions to under 18s outside research settings have become indefinite. While blockers remain an option in authorised research trials, they are not available as routine care.

Responses to the pause were mixed. Some leaders called for evidence-based healthcare guided by clinicians. Others supported the caution, highlighting gaps in current research and prioritising child safety. The issue has sparked public debate, showing how trans lives are entangled with politics, law and public opinion.

Trans Lives Beyond the Headlines

While the conversation around puberty blockers is loud, it does not tell the full story of trans life. Daily life is filled with ordinary and extraordinary moments that are not about controversy but about community, creativity and human experience. Culture and Visibility

Across Ireland and Northern Ireland, trans people are increasingly visible in arts and culture. Theatre festivals, literary events, art shows and drag performances celebrate gender diverse voices. Trans creators are producing work that challenges stereotypes, expands narratives and reshapes inclusion on stages and in galleries.

In Belfast, community art shows and performance nights highlight trans stories and aesthetics. Festivals in Cork and Galway feature queer and trans performances. Dublin’s publishing scene champions trans voices in memoir, poetry and fiction. These examples show that trans identity is not a single issue but a rich cultural contribution.

Community Networks

Local organisations play a vital role in connection, support and advocacy. Groups offer peer support, youth programmes, counselling, social meetups, workshops and networking opportunities. These spaces provide belonging, especially for those in socially isolated areas.

Urban hubs host discussion groups, screenings and art exhibitions welcoming audiences of all genders. In smaller towns, online and informal networks create vital links for those distant from larger queer communities. These networks demonstrate that trans people thrive beyond healthcare debates, enriching everyday life.

Education, Work and Public Life

Support for trans students is growing, though uneven. Schools, colleges and universities increasingly adopt inclusive policies such as chosen names, flexible uniforms and safe bathroom access.

Trans professionals work across sectors from healthcare and law to tech, hospitality and the arts. Many find acceptance not from policy alone but from daily acts of respect and allyship. Advocacy groups, trade unions and inclusion initiatives continue to promote visibility and participation.

Families and Relationships

Trans people are forming families with partners, children and chosen family networks. Parenthood is growing beyond narrow narratives of transition. Some navigate legal

recognition and parental status, while others build blended families. Parenthood intersects with policy, healthcare and social acceptance but is first about love, care and everyday life.

Health and Well Being

Beyond hormone treatment, trans health includes mental health support, community services, therapy and social connection. Access to affirming counselling, peer networks and safe spaces has a significant impact on well being. These forms of care are fundamental to community resilience.

The Debate and Its Impact

The pause on the puberty blockers trial highlights a tension between evidence, politics and lived reality. UK wide policy shifted in recent years after reviews found existing evidence for under 18 use limited. Emergency restrictions were introduced and trials like Pathways were designed to gather robust data.

Clinical trials aim to produce evidence before adopting treatments widely. But the debate has become political, with legal challenges framing the trial as controversial. Families and young trans people face uncertainty, while critics argue that political caution has overridden clinical judgment.

The pause affects how young people see their futures, how families navigate education and wellbeing, and how society recognises trans youth as full human beings.

Looking Forward : Trans Futures

Despite controversy, the lived reality of trans people is expansive, dynamic and deeply human. Key areas shaping trans futures include :

• Community Innovation – Peer support, creative arts projects, education programmes and wellbeing networks continue to grow.

• Intersectional Visibility – Greater representation across race, class, ability and age brings richer inclusion.

• Policy Engagement – Advocacy, civic engagement and collaboration with experts help shape evidence based, rights affirming policy.

• Cultural Representation – Film, theatre and publishing showcase trans stories as part of the national narrative.

• Resilience and Joy – Friendship, art, family, career and community form the core of everyday visibility.

Trans lives in Northern Ireland and Ireland in 2026 are richer, more visible and confident

than ever, even as political debates continue. The trial pause reflects tensions in policy, evidence and public perception, but it does not define trans people or diminish their joy, resilience or contributions.

Trans futures are not a single issue story. They are the sum of relationships, culture, hope and the ongoing fight for dignity and recognition. In 2026, trans life here is vibrant, expanding and full of possibility, a testament to strength that goes well beyond headlines.

Black, Queer, and in Love:

‘Almost

By John Stein

With humor, chemistry, and heart, Almost Us explores what happens when desire collides with power—and when love becomes inseparable from legacy and community survival.

Premiering April 17 on Watch VIM, the new romantic comedy from filmmaker Anthony Bawn opens with a fiery one-night stand between Darren, a closeted and politically connected real estate developer, and Jason, an openly queer and charismatic community organizer.

What begins as a moment of passion soon becomes far more complicated when Darren’s luxury redevelopment project threatens the Baldwin Cultural Center, a beloved sanctuary and organizing hub for Phoenix’s marginalized communities.

“There are awkward run-ins and plenty of laughs along the way,” says Bawn, who also stars as Jason. “The connection between Darren and Jason forces them to face what they’ve both been avoiding: the difference between

wanting someone and being willing to be seen with them.”

Speaking from his Phoenix-based studio, Bawn shared more about the film, his streaming platform, and the personal experiences that helped shape Almost Us.

What inspired you to launch your own streaming platform, Watch VIM?

Anthony Bawn: What inspired me to launch Watch VIM was the need for ownership and access. I got tired of creating stories and always feeling like we had to wait for permission from someone else to be seen. I wanted to build a home for original content, independent films, and voices that don’t always get prioritized

by the larger platforms. Watch VIM became bigger than just streaming. It’s about creating opportunity, visibility, and a space where our stories can live on our own terms.

How extensive is the Watch VIM catalog right now?

AB: We have a growing catalog of films and series, and a strong portion of that content comes directly from my own productions and projects developed under VIM. A lot of what’s on the platform reflects the kind of stories I care deeply about telling: character-driven, emotional, bold, and rooted in communities that deserve more screen time. At the same time, the goal is to keep expanding so the platform becomes a home for other filmmakers who need a place to showcase their work.

What inspired the story behind Almost Us?

AB: Almost Us was inspired by the emotional gray areas in love—relationships that feel real, deep, and meaningful but still somehow never fully become what you hoped they would. I wanted to explore timing, vulnerability, fear, and connection, especially through the lens of Black queer men, in a way that felt honest but still entertaining. It’s a romance comedy, but underneath there’s a lot of heart. It’s really about the tension between what we say we want and what we’re actually ready for.

The Baldwin Cultural Center plays an important role in the film. What do spaces like that mean to you personally?

AB: Community centers represent safety, connection, and possibility. They’re places where people can show up as they are, find resources, build relationships, and feel seen. That’s especially important in communities where people may not always feel supported at home, at work, or in society in general. Including that in the film was intentional because those spaces really do matter. They can be the beginning of healing, growth, friendship, and even love.

At its core, the film asks what people are willing to risk for love. Is that something you personally relate to?

AB: Absolutely—100 percent. There are so many moments in life where you know what you want, but going after it means being honest, vulnerable, and sometimes risking comfort, relationships, or the version of yourself people are used to. As a creative, as a business owner, and just as a person, I’ve had to make decisions that required faith and courage. So that theme is very personal to me.

Have you ever dated someone like Darren—or do you see a little bit of him in yourself?

AB: I think most people have either met a Darren, loved a Darren, or at some point been a little like Darren themselves. Fortunately for me, my husband was the first guy I dated—and I married him! (Laughs.) That’s a whole other story. What makes Darren interesting is that he’s layered. He may care deeply, but he’s also dealing with his own fears, walls, and emotional timing. I can understand parts of that because none of us are perfect when it comes to love.

What do you hope audiences take away from the film?

AB: More than anything, I hope audiences walk away feeling something real. I want them to laugh, reflect, and maybe even see themselves in the story. I hope the film reminds people that love is complicated, timing matters, and honesty with yourself is just as important as honesty with someone else. On a bigger level, I hope Almost Us shows that Black queer love—along with the joy, confusion, and vulnerability that come with it—deserves to be centered on screen in a full and honest way.

Almost Us premieres April 17 exclusively on Watch VIM.

Three Nights. Three Unforgettable Experiences

The summer concerts at hillsborough castle

This summer, the historic grounds of Hillsborough Castle will once again come alive with music, as Peter Corry Productions presents a dazzling programme of open air concerts. Set against one of Northern Ireland’s most picturesque backdrops, the 2026 Summer Concerts promise three nights of completely distinct entertainment, each designed to celebrate music in all its forms.

Hillsborough Castle, the official royal residence in Northern Ireland, is no stranger to grandeur. Its sweeping gardens, manicured lawns and historic charm make it a truly magical setting for live performance. There is something uniquely special about experiencing music beneath an open sky here, where heritage and artistry blend seamlessly to create an atmosphere unlike any traditional venue.

The weekend of music begins with a celebration of Irish culture as the The Celtic Tenors take to the stage for Ceili at the Castle. Known worldwide for their rich harmonies and powerful interpretations of both traditional and contemporary songs, the trio bring a sense of warmth and familiarity that perfectly suits the setting. This lively evening will be filled with the energy of céilí rhythms, live folk performances and a strong sense of community spirit. It is a night designed not just to be watched, but experienced, with audiences encouraged to immerse themselves in the music and, quite possibly, join in the dancing.

The following evening introduces a completely different tone with Hillsboroughton, a vibrant and theatrical soirée hosted by local favourite Claire McCollum. Bringing together a mix of storytelling and song, the event explores themes of love in all its forms, from heartbreak to joy, with a touch of wit and elegance throughout. Audiences will be treated to performances from exceptional local talent, alongside acclaimed West End performer Norman Bowman, whose stage presence and vocal power add a touch of theatrical brilliance to the evening. With its festival style atmosphere, Hillsboroughton promises an enchanting blend of music, humour and charm, lighting up the castle grounds with a sense of celebration and connection.

Closing the series is the highly anticipated Thank You for the Musicals 2, led by

Northern Ireland’s own Peter Corry. A celebrated tenor and one of the region’s most respected producers, Corry has built a reputation for delivering large scale musical events that combine world class talent with a distinctly local heart. His productions, including the long running Belfast Proms in the Park and previous Thank You for the Musicals concerts, have consistently drawn audiences from across the UK and Ireland, cementing his status as a leading figure in Northern Ireland’s live entertainment scene.

This closing night is set to be a spectacular finale, featuring iconic songs from some of the world’s most beloved musicals. With soaring vocals, powerful ensemble performances and moments of pure theatrical nostalgia, it is an evening designed to leave audiences uplifted and inspired. Under the summer sky, with the castle as its backdrop, the magic of musical theatre takes on a whole new dimension.

Across all three nights, the emphasis is on creating a complete experience. Guests are invited to relax and soak in the surroundings, with food and refreshments available on site, making it easy to turn each concert into a full evening out. Whether attending with friends, family or as a special occasion, the setting encourages audiences to slow down, unwind and enjoy the moment.

What sets this concert series apart is not just the quality of the performances, but the care and vision behind it. Peter Corry Productions has a long history of championing local talent while bringing internationally recognised performers to Northern Ireland stages. This balance is evident throughout the programme, offering audiences both familiarity and discovery across the weekend.

With three nights, three unique themes and one extraordinary location, the Summer Concerts at Hillsborough Castle are shaping up to be a highlight of the 2026 cultural calendar. From traditional Irish celebration to theatrical storytelling and musical theatre spectacle, there truly is something for everyone.

26–28 June 2026

To book tickets, visit www.petercorryproductions.com

GUYS & DOLLS at the Grand Opera House

Belfast Operatic Company has officially launched its next major production, the musical comedy classic, Guys and Dolls, which will take to the stage at the Grand Opera House this May.

Following a landmark year which saw the company make history with the amateur premiere of Les Misérables, and a spectacular performance at Royal Albert Hall, Belfast Operatic Company is now inviting audiences to swap the barricades for a touch of Broadway glamour in a vibrant new production of Guys and Dolls.

The production will be directed by Kerry Rodgers, who returns to the Grand Opera House after helming a series of acclaimed large-scale productions with the company.

“After the emotional weight

and intensity of recent shows, Guys and Dolls feels like a celebration,” said Rodgers. “It’s witty, stylish and full of heart and what I love about it is that is really reminds you just how joyful musical theatre can be.

“Rehearsals are well underway and we are having an absolute blast, it’s really good for the soul to be involved in such a fun production and I don’t doubt that feeling will be evident for the audience also when it comes to show time! “

Set in the colourful, fast-talking world of 1950s New York, Guys and Dolls follows gamblers, showgirls and unlikely romantics as their lives collide in a whirlwind of dice rolls, dance numbers and unforgettable songs. Featuring iconic numbers including “Luck Be a Lady” and “Sit Down, You’re Rockin’the Boat”, the musical remains one of Broadway’s most beloved classics.

For the cast, the production marks an exciting shift after a year dominated by darker, dramatic material.

“This show is pure fun,” said Naomi Smyth who takes on the role of Sarah Brown, the earnest missionary, “It’s fast, funny and bursting with energy. Audiences are in for a real treat.” Sky Masterson, the shows high rolling, smooth talking and very suave gambler is portrayed by Dessie Havlin who says the talent in rehearsals is ‘off the scale’, “I’ve been with Belfast Operatic Company for two years now and I am still blown away by the professionalism and sheer talent of my colleagues, there is a real work ethic underpinned with true passion and

joy, we all are enjoying every minute of rehearsals and truly thankful for every opportunity Belfast Operatic Company has brought us.”

With a reputation for delivering ambitious, high-quality productions on Northern Ireland’s biggest stages, Belfast Operatic Company continues to raise the bar for amateur theatre, combining local talent with professional-level production values.

Guys and Dolls runs at the Grand Opera House, Belfast, Tuesday 12th May – Saturday 16th May with tickets priced from £24.50. Book now at www.goh.co.uk/whats-on/guysand-dolls

Summer of God’s love!

As some of you may already know, Medjugorje LGBT Ministry is a Catholic ministry based in London, dedicated to bringing the love and acceptance of Jesus & Mary to the LGBT community. This summer, we are delighted to report that our ministry took another giant step by marching independently at London’s Gay Pride!

With careful prayer and discernment, we decided that the theme of our march should be ‘God’s army of love’ and so with the help of a very generous sponsor, we purchased a giant banner, printed posters, and most importantly, dressed up as ‘warriors of love’!!

In Catholic tradition, St. Michael is known to be the leader of God’s army of angels to fight evil, and so Michael, the leader of the ministry and his namesake, fittingly dressed up as St. Michael! However, this time it was St. Michael with a twist because it was St. Michael fighting homophobia and unfair discrimination against gay people rather than St. Michael keeping LGBT people out of the church as many catholics would like to think!!!

Our day started in London’s Notting Hill, where a group of about 10 of us attended mass at 12 pm. We were very touched by many of our catholic mass-going friends who were around us to pray and support us on our mission. Next was a quick lunch and getting into our costumes before jumping on the bus and already having the craic with other passengers who were highly amused to see us!!

Some 30 minutes later, we arrived in central London, where we were given a specific meeting point by the parade organisers so we could collect our lollipop stick! How amazing it was to see our ‘Medjugorje LGBT Ministry’ printed out by the parade organisers, and as we collected it, we couldn’t help but think of the joy of Jesus when He picked up the cross. There was the excitement of reaching out in love to so many LGBT people, and yet the knowledge of the inevitable persecutions from others who would look on our endeavours with disgust!

Delighted, we joined the parade, and at this stage, there were about 12 of us. We were full of zeal, and thanks to our friend Stephen, we had hundreds of rosaries and other religious items to hand out. It was overwhelmingly encouraging to see the interest and the joy from other LGBT people on the march. Everyone wanted pictures taken with us and were extremely curious to learn about this funny word ‘Medjugorje’ and hear of Our Lady’s apparitions !!

The next 3 or so hours were utterly amazing! With our sound system blasting, we sang, we danced, and we distributed hundreds of fliers to bystanders at the parade who were over the moon to see us and interact with these ‘angels’ of love, sent from heaven to love and defend them!! Seamus was particularly on fire with the Holy Spirit, no stranger to singing and dancing, and dressed to kill. He

interacted with countless people and brought smiles and sometimes even tears of love to their faces!

As the march drew to a close, exhausted but still full of beans, we grabbed a few beers and continued to interact with others around us! It was really amazing, and what was so touching was that throughout the entire day, not one of us received any negative comments - a lesson that love wins because God is love and God loves all LGBT people and understands more than anyone, how unfairly we have been treated down through the centuries.

Now you might be surprised to read that we did not stay out till the early hours of the morning! We were so exhausted and hungry that we joyfully headed home at a sensible hour. We were elated by the success of the day and were also very keen to share with all our friends and contacts on social media, especially those living in places where they are marginalised and ostracised and have never been able to attend an event with other gay people so openly.

What were the fruits, you may ask? Well, that’s the thing about evangelisation - often you don’t know until some time afterwards, sometimes years!!! It is where we have to trust in God because how God touches people’s hearts and lives is largely unquantifiable by human standards.

In the weeks following the parade, we continued our street ministry in London’s Soho! Again, we printed a large sign with “Medjugorje LGBT Ministry” and, accompanied by our speaker, we reached out to people through a mixture of streetpreaching, karaoke, and just talking to people as they passed by! Again, we experienced many profound conversations and happy faces, pleased to hear that the Catholic Church is finally beginning to love LGBT people!

Empowered by our success, we hit the Karaoke bars! Firstly, London’s oldest gay bar, ‘The City of Quebec’, where we have since become regular karaoke queens! The drag queens call us ‘the gay church’ and even the word ‘Medjurogje’ has become part of their vocabulary! We don’t go with an agenda, we simply go to sing, to love on people, and when or if the opportunity arises, to witness about the love of Jesus for all. Again, we have met lots of beautiful people and have often been moved to tears by the harrowing pain that some have been through in their lives. This passage from the Bible comes to mind:

‘When they had finished breakfast, Jesus said to Simon Peter, “Simon, son of John, do you love me more than these?”

He said to him, “Yes, Lord; you know that I love you.”

He said to him, “Feed my lambs.’

What is the food, you may ask?! The food that so many of us LGBT people are yearning for is a banquet of love! Love, acceptance, compassion, understanding, dignity, listening,

healing….

However, we didn’t stop at that! We then headed for other karaoke venues, including the famous Admiral Duncan pub, which was bombed many years ago, the Village, and we also hit some of the bars and clubs of Soho such as GAY, Ku bar, Heaven, and last but not least, the famous all-night dance club in Vauxhall - fire!!!

Now, as I draw this article to a close, a final summer event worth mentioning is ‘Black Pride’, something that we didn’t even know existed until we got a last-minute invitation!! We were bowled over to see that the event had a Christian chaplaincy where songs of praise and worship were being sung and where prayers for love, peace, and to end discrimination were being prayed! When we think of some of the persecutions that still happen in many African countries and even the ongoing racial discrimination that many black people still experience in cities such as London, our hearts can only be moved by love and compassion for the black LGBT community all over the world.

So yes, we have had an amazing ‘summer of love’ and we are sure that we are going to have an autumn and winter of love too! We are extremely grateful for all the prayers and support we have received, and we encourage all readers out there to pray and to get to know and experience the healing love and acceptance of God for yourselves! Remember, YOU are loved, you are wanted, you are unique, and you are special, and we pray for God’s fatherly love, blessings, and protection over all of your lives!

To get in touch, www.medjugorjelgbtministry. com

SAMMY Brings the Miami Heat

By Matt Blanco

Miami may be the birthplace of SAMMY, but its confident, body-conscious aesthetic is fast finding an audience far beyond the sun-drenched shores of South Florida. For Spring/Summer 2026, the rising menswear label sharpens its identity with a collection that feels both more daring and more refined—an evolution driven directly by its growing global fanbase.

Founded by Clark Samuel, SAMMY has built its reputation on a simple but striking premise: “Men’s essentials, without limits.” This latest offering delivers on that promise with expanded swimwear and underwear cuts, new fabrications, and a bold injection of colour that pushes the brand’s signature sensual minimalism further than ever before.

At the heart of SAMMY’s appeal is its focus on the male form; not through fleeting trends, but through precise, anatomical design. Samuel’s frustration with traditional menswear led him to create pieces that balance fit, comfort and confidence. “I want a guy to put on a SAMMY piece and feel like it was made just for him,” he says. That ethos resonates throughout the new collection, where silhouettes are sharper, coverage is more minimal, and the overall mood is one of understated self-assurance.

Swimwear remains a cornerstone of the brand, now refreshed with limited-edition colourways across its most popular styles. From low-rise Brazilian cuts to sculpting briefs and barely-there G-strings, each piece is engineered to enhance and support while maintaining a consistent, reliable fit. The result is what Samuel describes as “same fit, new energy”: a familiar foundation elevated by a vibrant seasonal palette.

Underwear, however, sees the most significant expansion. New Brazilian and G-string options arrive in both sheer and opaque fabrics, featuring adjustable waistbands and lower rises that frame the body with deliberate precision. The designs strike a careful balance between restraint and allure, offering a quietly provocative take on everyday essentials.

The collection also marks a subtle expansion into tops, with micro-rib baby tees and streamlined bodysuits joining the lineup. Tailored through the torso and clean across the shoulders, these pieces are designed to create a natural V-shape, reinforcing SAMMY’s commitment to enhancing the male silhouette without sacrificing comfort.

Colour plays a defining role this season, unfolding in what Samuel calls “three worlds of escapism.” Earthy tones such as mahogany and sage evoke a sense of quiet luxury, while tropical brights channel Miami’s heat and vibrancy. A striking red, reserved for underwear, introduces a more intimate, unapologetic edge.

Despite its increasingly daring designs, SAMMY remains grounded in craftsmanship. Peruvian Pima cotton, Italian performance fabrics, and Colombian production expertise ensure each garment delivers on durability as well as design. As Samuel puts it, “millimetres matter”—and in this collection, that precision is exactly what sets SAMMY apart.

Visit sammymenswear.com

Available at sammymenswear.com

Available at sammymenswear.com

Robin Swann MP visits new HANNON Steel premises at former RAF Nutts Corner site

Robin Swann MP visited the new HANNON Steel premises at Nutts Corner, meeting the team and viewing the company’s purpose-built facility as the business begins a phased move into the site.

The visit provided an opportunity to see first-hand the HANNON Group’s investment in the HANNON Steel facility, part of the group’s wider redevelopment of the former RAF base at Nutts Corner.

The new premises have been developed to better serve HANNON Steel’s customers, providing increased stockholding capacity, improved processing areas and walk-in customer facilities. The investment allows the business to hold a broader range of materials on site while improving operational efficiency and supporting continued growth.

HANNON Steel supplies mild steel products to customers across Northern Ireland including engineering firms, fabricators, farms, construction contractors and manufacturing businesses who rely on quick access to steel for projects and day-to-day operations.

An important part of the service is the company’s daily delivery operation across Northern Ireland. Using its own fleet, HANNON Steel delivers steel products directly to customers’ premises every day.

Adrian Hannon, Managing Director of HANNON Steel, said:

“Our customers depend on being able to access the steel they need quickly for their projects and operations. Increasing our stockholding capacity and improving how we process and dispatch orders allows us to continue building on the service we already provide.”

The development at Nutts Corner also forms part of the HANNON Group’s longer-term plans for the site, including a £22 million pharmaceutical logistics and warehousing facility for HANNON PharmaLink.

Robin Swann MP welcomed the continued investment at the Nutts Corner site and the positive contribution it will make to the local economy.

“It was a pleasure to visit Nutts Corner and see first-hand the HANNON Group’s ambition for this site. I very much appreciated the invitation and the opportunity to see these impressive new facilities.

This level of private investment is exactly what we want to see in South Antrim, showing confidence in the area and providing job opportunities for the local community. I welcome this expansion and look forward to seeing the positive impact it will continue to have on our local economy.”

PETER

Are you still hanging on that cliff?

Haha. In the last issue I teased a secret project I could not talk about at the time, promising to reveal all in this issue. If you already follow me on Instagram @thewhitehome, then how could you not know by now? I have created my very own collection of rugs.

It still blows my mind. From my wee kitchen in my wee home in Belfast, designing away, to seeing a full product range come to life. It truly feels like a dream realised. My brand new rug collaboration with Irish brand Kukoon is now available online and in stores.

True to my style as a designer, and my passion for supporting local companies through The Salvage Squad, this collection is fully sustainable, right down to the cotton label. And speaking of labels, anyone who wore skinny jeans in the 2010s, girls, gays or theys, will remember the iconic ‘Joni Jean’. It became a staple of high street fashion and helped pave the way for naming products in a more personal way.

At Kukoon, they name their rugs, which I love. I was so honoured to name each design after women who have influenced and touched my life. My mum inspired two designs, named after her nickname Annie Oakley, giving us Annie and Oakley. There is Kaya for my niece, Alma for my great aunt, Saria, and my personal favourite, Callie, inspired by cherished memories with friends.

The entire collection is handcrafted, soft, timeless and beautiful, though I may be a little biased. It is made entirely from jute, a material that brings a sense of calm to a space. It works just as beautifully in a cosy cottage style home as it does in a light, modern new build. A true all rounder.

I have been working on this since October 2024, almost my entire time with GNI. I wanted to create something that made my natural design aesthetic accessible, without compromising who I am as a designer. From the very beginning, I made it clear in meetings with Kukoon that anything less than one hundred percent natural fibres was not something I wanted to pursue. I am so grateful they supported that vision.

The support I have received has been incredible. From loved ones to social media followers, from press to complete strangers stopping me in the street to say they have one in their home. It has been nothing short of magical.

You can explore the full collection at www.

kukoonrugs.com

Interiors Trends for 2026

Moving away from personal milestones, let’s talk interiors.

I have said it before, and I will say it again. Nostalgia is dominating how we style our homes. The era of sterile, show home interiors is fading. People are craving spaces that feel lived in, layered and full of personality.

One of my most trusted ways to create individuality is simple. Do not match everything.

Choose one of each. One cushion. One lamp. Let pieces complement rather than copy each other. Of course, your curtains can match if they must, but avoid creating a room that looks like it has been lifted straight from a catalogue. When every item is identical, a space can feel flat.

Instead, create depth. Let your eye move around the room, discovering each piece as it goes. This applies just as much to furniture as it does to soft furnishings. Your coffee table does not need to match your sideboard. An armchair should complement your sofa, not replicate it.

It may sound obvious to some, but for others, it can completely transform how they approach design.

The Rise of Tapestries

As we move further away from cold interiors, warmth and comfort are taking centre stage.

So let me ask you, do you want your home to feel cosy in a way that reflects you? Of course you do.

While colour and paint play a role, one unexpected trend gaining traction is the use of tapestries and wall

hangings.

Do not worry, we are not talking about something from Henry VIII’s bedroom. Not entirely, anyway.

Textile wall pieces such as vintage fabrics, quilts, or even rugs can completely transform a space. They add softness, texture, and a subtle sense of history. They are also a refreshing

alternative to traditional frames or feature walls.

A deep Bordeaux toned rug, like one from Ruggable, could even double as a striking headboard when hung behind a bed.

Or why not create your own? An old item of clothing you love but no longer wear can be repurposed into a meaningful wall hanging. Patchwork pieces can add even more personality, and remember, not all tapestries need to be large.

Artist Joanne Mooney has used punch needle techniques to transform a simple Ikea rug into a vibrant piece of art, and even created a portrait of the iconic Iris Apfel.

Art is entirely subjective. If it makes you happy in your home, that is all that matters.

If only everything in life were that simple.

Joanne also runs punch needle workshops for anyone looking to try something new. Visit www. joannemooney.ie for more information.

Until next time, Thanks for reading.

Peter x

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations

Why Smoke, Soul and Seriously Good Eating: A Night at Smoke BBQ

There are meals you enjoy, meals you remember, and then there are meals that transport you somewhere else entirely. My visit to Smoke BBQ in Carryduff fell firmly into that final category. From the moment the food hit the table, I was no longer in Northern Ireland. I was back in Texas, sitting in a traditional smokehouse, surrounded by the unmistakable aroma of low and slow cooking, where flavour is king and patience is rewarded in every bite.

And it wasn’t just the food that set the tone. The restaurant itself was alive with energy. Couples tucked into cosy corners, families gathered around generous platters, and groups of friends leaned in over tables, eagerly awaiting their feast. There was a real buzz in the air, one of excitement and anticipation, that only grew louder when the platters began to arrive. Heads turned, eyes widened, and you could feel that shared sense of “we ordered well” ripple across the room.

At Smoke BBQ, each table is given a 90 minute dining slot, and honestly, it is more than enough. Whether you are a slow grazer or, like us, someone whose eyes are significantly bigger than their belly, the pace feels just right. And if you do overindulge, which you absolutely will, takeaway boxes are not just available, they are encouraged. We left with a generous stash, and I can confirm my leftover brisket made for a next day lunch that was every bit as satisfying as the night before.

We opted for the five meat platter, which, for anyone visiting for the first time, is quite honestly the only way to do it. It is generous, indulgent and brilliantly curated, offering a full tour of what Smoke BBQ does best. Our selection included beef brisket, chicken, burnt ends, smoked sausage and ribs, accompanied by corn on the cob, frickles and beans. A feast, in every sense of the word.

Let’s start with the star of the show, at least for me: the beef brisket. This was, without exaggeration, some of the best brisket I have had in years. Tender to the point of collapse, with that perfect pink smoke ring and a depth of flavour that only comes from hours of careful smoking, it was rich without being overwhelming. Each bite melted effortlessly,

carrying that signature balance of smokiness and seasoning that defines truly great BBQ. Even the portion I couldn’t manage on the night didn’t go to waste. Reheated the next day, it was devoured just as quickly, which tells you everything you need to know.

Close behind were the ribs and burnt ends, both of which deserve their own standing ovation. The ribs were everything you want them to be. Sticky, succulent and falling clean off the bone without losing their structure. There is an art to getting ribs just right, and Smoke BBQ has mastered it. The glaze added just the right level of sweetness, complementing the smoky meat without overpowering it.

Then there are the burnt ends. Often considered a delicacy among BBQ lovers, these bite sized pieces of brisket heaven were rich, caramelised and deeply satisfying. Slightly crisp on the outside, impossibly tender on the inside, they delivered that intense hit of flavour that makes you immediately reach for another piece.

The smoked sausage brought a different texture to the table, offering a satisfying snap with each bite and a well seasoned, juicy interior. It balanced the platter beautifully, cutting through the richness of the other meats with its slightly spiced profile. Meanwhile, the chicken proved that BBQ is not just about beef and pork. Moist, flavourful and far from the dry afterthought it can sometimes be elsewhere, it held its own among some very strong competition.

What impressed me most was that there was not a single weak link on the plate. Every element had clearly been given the same level of care and attention. It is rare to find a place where everything is done this well, but Smoke BBQ manages it with ease.

Of course, no BBQ experience is complete without sides, and here too, they absolutely deliver. The corn on the cob was sweet, juicy and perfectly cooked, providing a fresh counterpoint to the richness of the meats. The frickles, crispy fried pickles, were an unexpected highlight. Crunchy, tangy and completely addictive, they added a playful twist to

the meal and quickly became a table favourite. The beans, slow cooked and deeply flavoured, rounded everything off beautifully. This is comfort food at its finest. Warm, hearty and packed with flavour, they tied the whole experience together and reinforced that authentic smokehouse feel. And then there are the sauces, which deserve a special mention. Five bottles are placed on each table, inviting you to experiment and personalise every bite. My personal favourite was the Louisiana Chipotle, which delivered a smoky heat that elevated everything it touched. Close behind was the Cherry Cola, a surprisingly addictive blend that added a sweet, tangy kick. Each sauce brought something different to the table, and together they enhanced an already outstanding meal.

One of the standout aspects of the experience was just how generous everything was. The portions are substantial, making it ideal for sharing and perfect for groups. It is also incredibly cost effective, especially considering the quality on offer. In a time when dining out can often feel like a compromise between value and experience, Smoke BBQ delivers both in abundance.

Beyond the platter, the wider menu offers plenty to get excited about. From loaded fries piled high with indulgent toppings to rich, comforting mac and cheese options, there is something for everyone. Families are well catered for too, with dedicated kids options, while those looking for meat free offerings will not feel left out. Add in a tempting selection of milkshakes and desserts, and it is clear this is a place designed to please every kind of diner. Speaking of desserts, we couldn’t resist trying the baked cheesecake. A New York classic and an American staple, this version was light, delicate and beautifully made in house. It provided the perfect ending to an already indulgent meal, offering just the right balance of sweetness without feeling overly heavy.

What makes Smoke BBQ particularly special is its ability to evoke that sense of place. As someone who has experienced traditional smokehouses in Texas, I can honestly say this comes remarkably close. The flavours, the textures, the attention to detail, it all feels genuine. This is not a watered down version of BBQ. This is the real deal, done

with passion and respect for the craft. And yet, there is still so much more to explore. The cornbread is already on my list for next time, having heard nothing but glowing reviews, and I am particularly keen to try the smoked turkey option. If the standard we experienced is anything to go by, I have no doubt they will be just as impressive. It is also worth highlighting just how social the entire experience is. The sharing platters are designed to bring people together, to be passed around, discussed and enjoyed collectively. There is laughter, there is mess, and there is that shared joy of discovering something delicious together. It is dining at its most fun and most memorable. For readers of GNI Magazine, always on the lookout for standout experiences across Northern Ireland, this is one to add to your must visit list immediately. Whether you are a seasoned BBQ enthusiast or simply someone who appreciates great food done well, Smoke BBQ in Carryduff delivers on every level.

In a world where dining trends come and go, there is something reassuring about a place that focuses on doing one thing exceptionally well. Smoke BBQ is not chasing gimmicks or shortcuts. It is rooted in tradition, driven by quality and executed with skill. So here is my advice: gather your friends, come hungry and order the platter. Take your time, try everything, play with the sauces and soak up the atmosphere. And when you inevitably can’t finish it all, take it home and enjoy it all over again the next day.

Because when food is this good, one visit simply is not enough.

You can find out more on their insta, TikTok and website https://smoke-bbq.co.uk

Review by Daniel May

Make the first step in changing your life, visit www.carlislehouse.org

2-4 Henry Place, Clifton Street, Belfast, BT15-2BB Tel: 028 9032 8308, Email: carlislehouse@pcibsw.org

Six Sensational Sips! Gourmet

This month, we thought we’d chat about some terrific local tipples we’ve enjoyed recently, from delicious drams and sophisticated spirits, to nonalcoholic options, with a few cocktail recipe ideas to try for good measure. Sláinte!

Yeats Irish Whiskey.

Last month, we had the absolute pleasure to attend the launch of Ireland’s newest whiskey, Yeats Irish Whiskey, in no better location than The Abbey Theatre, having been founded by W.B. Yeats himself, and Lady Gregory in 1904.

This unique celebration of Irish whiskey, theatre, and heritage began with a Yeats Irish Whiskey duo of cocktails; the old fashioned “Maud Gonne Wilde” with Yeats Whiskey, charred pear, bitters, & gold leaf, and the refreshing “Lake Isle Iced Tea” with Yeats Whiskey, roasted coconut, soda water, and green tea cordial.

We enjoyed a backstage tour of the stunning Abbey Theatre; what a privilege to immerse ourselves in Ireland’s National Theatre and to walk in the footsteps of literary and theatrical history.

And what of the whiskey itself?

FIRE & 5TH

Whiskey has a grain base, finished in Ruby Port casks, with warm vanilla & honey sweetness, mingling with toasted oak and hints of red berries from the port finish.

Yeats Irish Whiskey is as complex and refined as the poetry that inspired it, transporting us to the mystical Lake Isle of Innisfree.

Fire & 5th.

Recently, we met the delightful Mary, founder of “Fire & 5th” aperitivo-style alcohol free drinks, at the Belfast Flavours Live event, and she slipped us a couple of samples to try out at home.

Created using natural fruit and botanical extracts, with no alcohol and no artificial additives, each variety is flavourforward and unapologetically adult.

As Mary says, “We’re all becoming more health conscious and aware of the negative impact of booze,” and she believes these drinks are a game changer for those who’ve been so often let down by the inferior non-alcoholic options

YEATS IRISH WHISKEY

available, so she wanted to create something unique and fun, yet sophisticated and layered.

There are three varieties; “Chilli & Blood Orange”-a bold aperitif made for those who like their flavour with a bit of fire, “Mint, Cardamom & Blackberry”- a herbal, dark-fruited blend, and “Rhubarb & Grapefruit”bittersweet, complex, and tart, with a hint of honeyed sweetness.

We created our own Fire & 5th Gourmet Boys Cocktails. Why don’t you give them a go?

“Spiced Ginger Cooler”

Chilli & Blood Orange Fire & 5th, topped with Longbridge Belfast Ginger Ale, garnished with orange.

“Cardamom Gimlet”

Mint, Cardamom & Blackberry Fire & 5th, shaken with Jackson Roze Still Ginger Lemonade and Crushed Cardamom pods, garnished with a twist of lemon.

“Smokey Caravan”

Rhubarb & Grapefruit Fire & 5th, shaken with Suki Russian Caravan Tea and Sliabh Aughty Smoked Honey.

Strangford Zero Bramble. A refreshing alcohol-free take on the gin-based favourite, our version of the classic Bramble uses “Spirit of Strangford Lough”, an artisan zero-alcohol spirit, crafted on the shores of Strangford Lough by Tracey’s Farmhouse Kitchen. Packed with botanicals inspired by the locality, such as juniper and sea aster for a salty-sweet coastal flavour, this

cocktail captures the essence of the Co Down landscape.

Ingredients:

2 parts Spirit of Strangford Lough

1 part lemon juice

Teaspoon of bramble jam

Fresh blackberries

Sugar syrup to taste

Method:

Muddle some blackberries, jam, and sugar syrup in a cocktail shaker. Add ice, Spirit of Strangford Lough, and lemon juice and shake. Strain into a rocks glass with lots of crushed ice and garnish with a couple of blackberries.

Long Meadow Cider.

STANGFORD ZERO BRAMBLE

For many years, the orchard in The Long Meadow was known locally for the quality of its Bramley apples and is part of the farm owned by the McKeever family for three generations. Growing a mix of varieties, and using different planting processes to further refine the apples used, each generation has passed on different methods and traditions to the next.

Their delicious cider is pressed, fermented and produced naturally at Long Meadow Farm. The big sellers are the Medium, Blossom Burst, Rhubarb & Honey and Berry Blast, but we were

impressed by the small batch Oak Aged Cider which has been traditionally crafted in Irish oak barrels for maturity. There’s also a recently launched Alcohol Free Cider: crisp, dry and refreshing.

We would also thoroughly recommend the Long Meadow Cider tour in the company of the McKeever family, to see the whole cider process from start to finish; enjoy an orchard walk and witness first-hand how their apple farming business has evolved and changed over the generations. And of course, no visit with the McKeever Family would be complete without tasting their award winning craft ciders and apple juice: a fascinating interactive experience set in the heart of the Orchard County.

McDaid’s Football Special.

A 4th generation family soft drinks business, McDaid’s of Donegal has been quenching thirsts with the legendary Football Special for decades.

Originally created to help celebrate the success of local sporting events, McDaid’s uses only the finest Irish water and a secret mixed-fruit formula to

produce that unique foamy head.

The winning taste of Football Special is available in bottles, cans, and is part of a range of Retro Classics including Smooth Banana, American Orange Cream, American Cream Soda, and Classic Cola.

Let McDaid’s Football Special brighten your day with fizz, flavour, & great memories.

Boatyard Double Gin

The Boatyard Distillery, taking its name from the disused Boatyard on which it’s built, is situated on the banks of Lough Erne, and was founded in 2013 by Joe McGirr. Organically produced wheat spirit is macerated for 18 hours with 8 different botanicals, resulting in a gin perfect for

juniper to stand up in a Gin & Tonic. This sustainable Irish gin is being used by many of the finest bartenders around the world.

The ‘double’ in Boatyard Double Gin refers to the purist’s approach of placing juniper at both the start and end of the distillation process resulting in a more pronounced juniper flavour. This delicious gin is definitely one of our favourites, and makes an amazing Martini, especially a “dirty” one with a little olive brine!

The range is phenomenally good, and also includes a gorgeous, fruity “Sloe Boat”, but our go-to has to be the “Old Tom”, which is slightly sweet & rounded, due to the Pedro Ximénez casks. A deliciously rich, velvety, smooth spirit.

Follow @thegourmetboys.com website, also LinkedIn, Facebook, Instagram, Twitter, TikTok, & YouTube Email - hello@thegourmetboys.com If you have any restaurant recommendations send us a message & we’ll get right back to you.

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

BOATYARD DOUBLE GIN

BIG DAY

Tell us how you met, were you single for a long time before you started dating?

I first met my wife when she started at the office. At first, it was just casual work chats, offering help and sharing small moments. But soon, our conversations grew longer, covering life, interests, families, and little things that made us laugh. There was a natural ease between us, a friendship that felt familiar from the start. Over time, that friendship deepened into something more. We knew each other’s quirks, supported one another, and eventually fell in love. What began as colleagues has now grown into a marriage built on trust, laughter, and shared memories.

How long after you started dating did it take to pop the question , was it an immediate yes ? And who asked who?

It was a year in and I knew she was the one. I knew

no one else could make me laugh the way she does and I knew I couldn’t love anyone else the way I loved her. I popped the question on Christmas day in the rabbit hotel in Belfast and she said YES.

Tell us about the BIG DAY , location, amount of guests etc.

We had originally planned to marry at Lusty Beg Island, a place we loved, but family circumstances meant moving our ceremony to Belfast City Hall on 31st January 2025. The setting was beautiful, our officiant warm and attentive, and the day felt just right.

Afterwards, we celebrated at Ten Square Hotel in the Flax Suite. Later, on 20th June, we held our main wedding with extended family and friends. The day was hot, joyful, and full of emotion, with stunning décor and careful attention to every detail. Mohammed, who looked after us throughout, was

professional, friendly, and full of humour, while the food, rooms, and penthouse balcony provided perfect memories.

Though bittersweet with the absence of Emma’s father, who passed just four weeks prior, the love from family, friends, and Ten Square’s team made the day unforgettable. We are so grateful for the memories and the people who helped make it all possible.

What about the food and drink?

The food was absolutely outstanding and exceeded all expectations. As someone with a gluten allergy, I was initially nervous, but the team were incredibly accommodating, ensuring every dish was safe without compromising on flavour. From a specially prepared vegetable soup to perfectly cooked chicken and a wide dessert selection, I felt completely included. Guests were equally impressed, praising both taste and presentation. Every course was served fresh and beautifully

prepared, making the food a memorable highlight of our day.

Were there any hiccups or did all go to plan?

The only thing was the aircon wasn’t working in the rooms in Ten Square but as they always do they sent staff to the shops and bought a number of fans for everyone in the bedrooms that to me is fantastic service.

Have you been on or are you going on honeymoon?

We spent our honeymoon on a royal Caribbean cruise around the Mediterranean. It was beautiful, beautiful weather, beautiful food. We can’t thank Hayes travel enough for sorting that for us.

In your daily lives what do you do for work ? What interests do you share and have that are different ?

Caring for others is something that connects us both. Emma works as a Band 6 nurse with the Belfast Health and Social Care Trust, and I’m a Senior Nursing Assistant studying to become a

qualified nurse through the Open University. Sharing the challenges and rewards of our work, supporting each other through long shifts, and celebrating the small wins together makes it even more meaningful.

It’s a big part of who we are, both individually and as a couple, and it continues to shape our journey together.

Do you do everything together in terms of socialising, travel ?

We spend most of our time together, whether exploring new places, enjoying gigs, or just taking spontaneous drives. Emma keeps active at the gym, which I admire even if fitness isn’t my strong point, and we balance each other with small compromises—like going to the cinema or joining adventures we wouldn’t usually choose. Our pug, Peaches, is always along for the ride, making these simple moments of music, laughter, and shared experiences even more special.

Have you a family, is this something on the plan for you?

We don’t have a family at present but we have 5 nieces and one nephew. We love to take them away and spend time with them.

Tell us who made your day possible in terms of rings, flowers, photographer, cars etc, who would you like to thank and recommend?

We have to thank so many people, Chloe and the

team at Ten Square.

Angel wedding cars are just so lovely. Victoria whiting photography , Andrew McKenna photography , Cornelia Tweedie make up, Verona bridal Belfast , Jenna at Jenuine moments, content creator m Gerard Creighton, videographer , Holly Sax, saxophonists, Charm wedding studio, Rachel’s bakes wedding cake, Watsons flowers , Little cravings, Glutenfree cake , Forever occasions, Freddie hatchet mens clothing, Declan Blaney Piper.

Has anything changed since you said I DO ?

Getting married hasn’t changed everything, it’s just made things feel more solid. I feel more sure of where I stand, and that’s made me more confident in myself and our relationship.

Your Love Story Beautifully Styled

Craving More Than a Swipe

Are gay men in Northern Ireland rethinking hookup culture and searching for deeper connection in 2026?

On a cold Saturday night in Belfast, the Cathedral Quarter is buzzing. Music spills from doorways. Heels click against cobblestones. Laughter cuts through the winter air. Inside the bars, conversations spark quickly and sometimes end just as fast. Outside, phones glow in hands as men scroll, tap, and refresh.

For more than a decade, hookup culture has been part of the fabric of gay male life. Apps like Grindr transformed how men meet. Geography stopped being a barrier. Rural isolation softened. Desire became immediate and accessible.

But in 2026, many gay men across Northern Ireland and Ireland are quietly asking a different question.

Is this still enough?

For years, the swipe culture felt revolutionary. In smaller towns across Tyrone, Armagh or Donegal, it meant not feeling alone. It meant knowing there were others nearby. It meant validation in a world that did not always provide it.

Yet something has shifted.

“I used to open the app out of habit,” says Conor, 29, from Newry. “Even if I wasn’t looking to meet anyone. It was like checking the weather. You just did it.”

That habitual scrolling, he says, eventually began to feel empty.

Across Ireland, conversations about mental health have become more open. Therapy is less taboo. Emotional intelligence is increasingly valued. And with that shift has come a reassessment of how gay men connect with one another.

Hookup culture is not new. Before smartphones, men met in bars, clubs, cruising areas and private parties. The difference now is speed and scale. The app never closes. The options never end. The validation is constant, and so is the rejection.

Northern Ireland carries its own specific context. For many men now in their thirties and forties, coming out happened in a society that still felt conservative and cautious.

Marriage equality in the Republic of Ireland arrived in 2015. In Northern Ireland, same sex marriage only became legal in 2020. These milestones were huge, but cultural shifts often move more slowly than legislation.

For some, hookup culture was a form of liberation. A way to explore identity quickly and freely after years of suppression. For others, it became a default setting that was never fully examined.

Patrick, 35, from Derry, describes it as “the conveyor belt.”

“You match. You chat. You meet. Sometimes you repeat. Sometimes you ghost. It becomes transactional.”

Transactional intimacy can work for some. There is nothing inherently wrong with consensual casual sex. Many men still enjoy it, and for good reason. It can be affirming, exciting, freeing.

The emerging issue is not sex itself. It is burnout.

A growing number of gay men say they feel exhausted by the performance that app culture demands. The curated photos. The filtered torsos. The endless comparisons. The pressure to respond instantly or risk disappearing from someone’s radar.

The design of apps encourages quick judgments. Height. Weight. Preferences. Roles. Statistics become shorthand for identity.

In cities like Dublin and Belfast, the sheer volume of users can create a paradox of choice. With so many options, commitment feels less urgent. Why invest deeply when someone “better” might be one swipe away?

And yet, beneath that logic, loneliness persists. Community organisers in Belfast note that attendance at queer hobby groups has increased over the past two years. Running clubs. Board game nights. Film collectives. Sober social events. These spaces offer something apps cannot replicate: sustained presence.

At a weekly queer walking group in the Mourne Mountains, conversations unfold slowly over miles rather than messages. People talk about work stress, family dynamics, ageing parents, and yes, dating fatigue.

“There’s something grounding about meeting without an agenda,” says Eoin, 32, from Bangor. “No one is scanning you up and down. You’re just walking.”

That shift toward slower connection reflects a broader generational change. Younger gay men, especially those in their early twenties, grew up with social media already embedded in their lives. For them, digital spaces are natural. But they are also more literate about boundaries, mental health, and self worth.

Older millennials and Gen X men are reflecting too. After years of navigating app based intimacy, some are recalibrating.

Therapists across Ireland report that discussions about dating anxiety and rejection sensitivity are increasingly common among gay male clients. Ghosting, breadcrumbing, and non committal communication can erode confidence over time.

In Northern Ireland, where social circles can feel small and interconnected, the emotional stakes can be even higher. You might match with someone on Tuesday and see them in The Kremlin on Saturday. You might date someone casually only to discover your friends know their ex.

The proximity intensifies everything. There is also a growing conversation about ageing within gay culture. In a community that has historically prized youth and aesthetics, men in their forties and fifties can feel sidelined on apps. Some describe it as becoming invisible overnight.

Yet those same men are often seeking companionship more than novelty.

Interestingly, the rethinking of hookup culture does not necessarily mean a return to traditional relationship models. Instead, many gay men in Ireland are exploring what intentional dating looks like for them.

Some are deleting apps entirely. Others are setting clearer boundaries. No late night impulsive messages. No endless chatting without meeting. No accepting disrespect in the name of attention.

There is also a subtle shift toward transparency. Conversations about expectations are happening earlier. Men are more likely to say, “I am looking for something long term,” without embarrassment.

This evolution mirrors broader cultural shifts. Queer representation in mainstream media has expanded. Shows like Heartstopper have presented softer, emotionally open queer male relationships to global audiences. While fictional, such portrayals influence how younger men imagine intimacy.

Back home, the impact is quieter but tangible. In Belfast cafés and Dublin wine bars, first dates increasingly resemble those of any other couple. Less coded. Less clandestine. More hopeful.

There is also a rise in men choosing sobriety or moderation in nightlife spaces. The link between alcohol and impulsive hookups has long been part of gay culture. As wellness trends grow, some men are exploring what dating feels like without that buffer.

This is not a moral panic about casual sex. Nor is it a rejection of sexual freedom. For many in our community, sexual liberation was hard won and deeply meaningful. The point is choice.

Are we choosing our patterns consciously, or simply repeating them?

In rural parts of Ireland, apps still play a crucial role. They remain lifelines for men who may not have visible queer communities nearby. The conversation is not about abandoning digital tools. It is about using them intentionally.

For Daniel, 27, from Enniskillen, the shift came after what he calls “a year of almosts.”

“I had loads of almost relationships. Almost boyfriends. Almost connections. But nothing stuck. I realised I was afraid to slow down.” He deleted the apps for three months. Joined a local gym not for aesthetics but for routine. Reconnected with friends. When he eventually returned to dating, he approached it differently.

“I ask better questions now,” he says. “And I answer honestly.”

Perhaps that is the core of the shift. Honesty.

Honesty about what we want. About what we are tired of. About the difference between validation and connection.

Northern Ireland has always been a place of resilience. Our LGBTQIA plus community has navigated political uncertainty, cultural conservatism, and slow legislative change. We built spaces when none existed. We created a family where blood ties fell short.

Now, in a more visible era, the challenge is subtler. It is not simply about being allowed to exist. It is about how we choose to live.

Hookup culture will not disappear. Nor should it. It has offered freedom, exploration and pleasure. But alongside it, a parallel movement is growing. One that values depth. One that prioritises mental health. One that asks whether constant accessibility is truly intimacy.

In Belfast, in Derry, in Cork, in Galway, the glow of the app screen still lights up faces in darkened rooms. But increasingly, so does candlelight across café tables. So does laughter during daytime walks. So does conversation that stretches beyond midnight without expectation.

We are not abandoning desire. We are redefining it.

In 2026, gay men across Northern Ireland and Ireland are not rejecting hookup culture outright. We are simply questioning whether it serves us, or whether we have been serving it. The swipe will always be there. The option will always exist. The real evolution lies in our willingness to pause, look up from the screen, and decide what kind of connection we truly want to build.

Hot Hits & Celeb Bits

Gary Campion

It’s finally spring...

Hey, it’s finally spring, which means longer, brighter days, the flow of new music releases, tour announcements and the gay world’s annual musical party of camp and madness, EUROVISION!

The Pussycat Dolls are back with new music and a tour, but this time as a 3-piece, so effectively Nicole and 2 backing singers/dancers. I remember working their Doll Domination tour and Lady Gaga being first introduced to the UK and Ireland as their support act. The girls were amazing, but a star was definitely born from that support slot! (see what I did there?)

Olivia Dean is sweeping up awards left, right and centre while also exploding on the worldwide music scene and rightly so, name me one bad song of hers!! The demand for her Dublin dates was so high that she changed the venue for both to Marley Park, making an extra 32,000 tickets available for each night. Did you get one? I plan to be there!

Enough of my babbling, let’s get stuck in….

Top 5 Eurovision of All Time (in my humble opinion)

Gina G - oh ah just a little bit: The eternal Eurovision track that should have been a winner and could still give this year’s entries a run for their money. I wonder what ever happened to Gina after her album with 6 singles? YES 6 Singles off an album!

Loreen - Euphoria: The 1st of two entries for the Swedish queen of Eurovision, it is hard to believe that this was the winning song of 2012, but it is still as big now as it was then. You should have seen how the crowd reacted to this one at Mighty Hoopla last summer.

Blue - I can: I remember hearing the lads perform this for the first time and thinking it has a great chance of doing well, with the added bonus that the lads are big in Europe. If it hadn’t been for the jury votes, this would have come in 5th, but they had to settle for 11th place.

Wild Youth - We are One: Shockingly, this track didn’t make it to the live final. Believe it or not, I’ve heard a version that features one of my favourite up-and-coming Irish music stars, Sophie Lennon, singing in Gaelic and harmonising with the band. I think we should petition to get it released!

Loreen - Tattoo: Her Eurovision comeback that launched her back into the charts, playing sold-out festivals across Europe and even her own tours. She is the only female to win the contest twice, being second only 2nd to Ireland’s Johnny Logan.

Album Review: Holly Humberson - Cruel World...

Release:10th April, 26

Holly Humberstone has officially stepped into her own with her latest album. It’s a captivating journey through the intricate labyrinth of love, nostalgia, and identity. If you’re a fan of richly layered storytelling paired with atmospheric alt-pop, this release is made for you!

Standout tracks like “Die Happy” offer a gothic twist on falling in love, channelling a Dracula-inspired vibe with its hauntingly beautiful melody. It captures that head-overheels feeling mixed with a hint of danger, leaving you both exhilarated and longing for more. Then there’s “Cruel World,” which dives deep into the anxiety of long-distance relationships. Its soaring pop tones and lush production wrap around you like a cosy blanket, effortlessly whisking you away into the emotional whirlwind of yearning and connection.

What’s truly impressive is how Holly’s songwriting has evolved since her debut, “Paint My Bedroom Black.” She’s taken her keen observational prowess, that forensic, diary-like writing style we’ve come to love and injected a new level of confidence and maturity. She explores a richer tapestry of love, intertwining romantic, platonic, and familial themes. This album is not just about heartbreak; it’s about growth, acceptance, and reclaiming solidarity among women, reflecting her lived experience in a fresh light.

Sonically, the album captivates with its moody and atmospheric soundscapes. The synth-heavy production strikes a perfect balance between emotional depth and an upbeat, self-assured vibe. This shift marks a new chapter in her journey, showcasing that she’s more than just a diary-like storyteller; she’s a full-fledged sonic architect weaving together complex emotions with a touch of playful magic.

Visually, Holly has crafted an enchanting universe alongside her sister Eleri and creative director Silken Weinberg. Inspired by childhood trinkets and gothic fairy tales, she’s created a compelling image that pulls you deeper into her world. You can almost see the ballet shoes and Alice in Wonderland books shimmering in the backdrop of her performances, echoing her exploration of the past while looking forward.

“Cruel World” is Holly’s emphatic declaration of who she is now: a confident artist unafraid to delve into the darker, fancier corners of love and life. In this genteel yet exhilarating odyssey, she invites us to explore intimacy with her, leaving us eager for every new twist and turn, not just capturing hearts; she’s building a universe where we can all find our place in the beautifully chaotic story of life.

Albums to watch out for...

ZAYN - KONNAKOL: Release: 17th April, 26

Multi-platinum recording artist, songwriter, producer, and philanthropist ZAYN is set to release his highly anticipated fifth studio album, titled “KONNAKOL.” This album is ZAYN’s most culturally inspired project to date. With a pop-forward sound, it expands on the style fans first experienced in his record-breaking debut album, “Mind of Mine.” The album cover features a snow leopard, a significant symbol in South Asian culture, reflecting how deeply his heritage has influenced the music. This one will be an interesting listen from the one I often call the “John Lennon” of One Direction.

I have to mention the new S couting for Girls album, “These Are the Good Days, ” which is now available! This album was created during one of the most challenging periods of lead singer Roy’s life, but it ultimately became a celebration of hope, joy, and the journey toward finding the light again. It features 10 brand-new songs that embody everything Scouting for Girls represents: fun, heart, love, nostalgia, and a dose of happiness when we all need it most during these crazy times we are living in.

Songs that I Just Can’t Stop Listening To!

Raye - Lifeboat: Euphoric and cathartic, I just can’t explain it any other way. Definitely one of the best tracks on the album. It also marks the change of pace from the cinematic 1st half to the mid-tempo 2nd half, it’s an absolute cry while dancing song.

Harry StylesAperture: The lead single off his 4th Studio album. A throbbing piece of dance music with Styles’ signature romantic overtones ot its full live debut at this year’s Brit Awards.

Calvin Harris, Kasabian - Release the Pressure:

This track is deffo made with the clubs, festivals and big DJ sets in mind. More of a Calvin Harris style track than Kasabian, but showing Kasabian’s huge range, venturing into a different genre.

SombrHomewrecker:

This is the perfect amount of catchy, silly, vulnerable; he’s definitely starting to really entrench in the formatting of his style/image. Exactly what a popular male artist needs: a defining sound/ genre that’s reliable for fans, radio and live touring.

Jessie WareAutomatic: If there is a nightclub in heaven, it would play this song every single night! Shaping up the new album beautifully, appearing to balance the uplifting daytime essence of “That! Feels Good” with the vibrant energy of “What’s Your Pleasure.” Creating a musical trilogy!

MARTIN M

Sport is often described as something universal, something that belongs to all of us. It’s tied to our health, our communities, and even our sense of identity. But the reality is, access to sport has never been equal and for transgender people in particular, that gap is not just visible but deeply felt.

The new TENI policy framework on transgender inclusion in sport is trying to address exactly that. What stands out immediately is that it doesn’t just rehearse the same tired arguments about biology and fairness. Instead, it takes a step back and asks a more important question: who gets to participate in sport, and why?

acknowledges that performance in sport isn’t just about biology. It’s about access to training, quality coaching, financial resources, mental health, and whether you’re in an environment that supports you or pushes you out.

Transgender people face higher levels of discrimination, poorer mental health outcomes, and greater financial pressures, particularly during transition. When those realities are considered, the idea that sport is a level playing field starts to fall apart.

Because when you look beyond elite competition and headlines, the issue becomes less about podium finishes and more about who has access, who feels safe walking into a changing room, who is welcomed onto a team, and who quietly drops out before they ever get the chance.

Participants often speak about the anxiety of simply using changing rooms and spaces most people take for granted. For some, it got to the point were going to the gym or playing sport just wasn’t worth the stress. Others traced their disengagement back to school, where early experiences of exclusion left a lasting mark. Those shape whether someone feels like sport is “for them” at all.

The policy highlights something that often gets overlooked in public debates: the everyday reality of being visibly different in public spaces. For many transgender people, sport isn’t just about physical activity; it’s about navigating scrutiny, fear of being outed, or simply feeling like they don’t belong. Over time, those pressures build, and people walk away.

Of course, the question of fairness in competition hasn’t gone away. It’s still the issue that dominates headlines, particularly when it comes to transgender women competing in women’s categories. Concerns about strength, endurance, and testosterone levels are often presented as clear-cut reasons for exclusion. But the policy treats this with more nuance. It

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

That’s why one of the most important aspects of this policy is its focus on sociocultural factors. It

points out that the science in this area is still developing, and that much of the existing research has significant limitations. At the same time, there is evidence that hormone replacement therapy leads to measurable changes in muscle mass, bone density, and overall physical performance.

More importantly, it reminds us that variation exists across all athletes. Not all cisgender women are the same, just as not all transgender women are the same. Sport has always involved differences in size, strength, and ability and that’s part of what makes competition what it is.

What this policy does is shift the conversation away from absolutes. Instead of asking whether inclusion is “fair” in a vacuum, it asks how fairness can be understood alongside inclusion, rather than in opposition to it.

Another strength of the framework is that it doesn’t treat all sport as the same. It makes a clear distinction between recreational and competitive sport, which feels long overdue. At a community level, where the focus is on participation, enjoyment, and wellbeing, the case for inclusion is straightforward. The policy encourages flexibility allowing people to participate in line with their gender identity and promoting mixed-gender activity where appropriate.

At more competitive levels, it acknowledges that things can be more complex. But even here, it pushes back against blanket exclusions or policies that are so restrictive they effectively shut transgender people out. Instead, it calls for sport-specific approaches that are grounded in evidence and tailored to the realities of each discipline.

There’s also a strong emphasis on who gets to shape these policies in the first place. For too long, decisions about transgender

participation in sport have been made without meaningful input from transgender people themselves. This framework challenges that, recommending working groups that include trans athletes alongside coaches, officials, and medical experts. Policies are always stronger when they’re informed by lived experience, not just theory.

The legal context adds another layer. In Ireland, the Gender Recognition Act 2015 allows individuals to change their legal gender, and the Equal Status Acts prohibit discrimination. But those systems are far from perfect. Non-binary people, for example, are still not recognised in law, and young people face additional barriers in accessing legal recognition.

These gaps filter directly into sport, where categories, documentation, and eligibility rules often depend on legal definitions. The policy doesn’t solve those issues, but it does acknowledge them and encourages organisations to go further than the minimum required by law.

What comes through most clearly is that inclusion isn’t just about letting people in but making sure they can stay. That means addressing bullying and harassment, setting clear expectations for behaviour, and creating environments where transgender athletes feel safe and respected.

Because ultimately, the goal here isn’t just participation. It’s belonging. If sport really is for everyone, then that must include transgender people. Not as an exception, not as a problem to be managed, but as participants and perhaps the most important thing this policy does is remind us of that.

Thank you to TENI Sport Inclusion CoOrdinator James Curry and all who contributed to the policy which you can find on TENI website https://teni.ie/resources/ sports/

dr bryan

Spring Skin Reset; But what’s the best.....?

As the days stretch longer and certainly I, as I’m sure many of you do too, switch jeans for shorts and hoodies for t-shirts, I also contemplate my sun-protective seasonal skincare. If I could put tokens on how many times a day I get asked about what and which products are the best to use, I’d certainly not be short of a prize teddy or cotton candy at the fair. My reply is normally a reassurance that skincare can be, and for many of us is, as unique as you. I know the brands my skin likes, and what it doesn’t. I do not spend a fortune on labelled brands of sunscreen because their marketing pulls me in. There’s no single “correct” routine or brand to use. What matters is finding an approach that works for your skin and fits comfortably into your routine. Two of the most common things I’m asked about; moisturisers and sunscreen.

What is the best moisturiser?

My honest answer: there isn’t one. Skin varies enormously from person to person, and even for the same individual it can change with seasons, stress, body part, hormones, and environment. A product that feels perfect in winter may feel heavy or irritating by spring.

Did you know that moisturisers are typically made up of three main components? Depending on the product you choose, some will have more of one or more types of ingredients than others, potentially making it more or less thick, heavy or greasy.

Humectants

Ingredients such as glycerin and hyaluronic acid draw water into the skin. They’re excellent for hydration but some find that they work best when applied to damp skin.

Emollients

Ceramides, squalane and other emollients smooth and soften the skin, improving texture by filling in microscopic gaps between skin cells.

Occlusives

These create a barrier to prevent water loss. Best for those with much drier, exfoliative skin, for example, with atopic eczema or psoriasis. Ingredients like petrolatum are highly effective but can feel heavy or greasy. One must also remember that on sunny days, avoid using too oily a moisturiser if you are planning to be outdoors, as this could lead to your skin burning from the sun. Keep the greasy product until you are safely back indoors for the evening lighter moisturiser for during the day.

Most products combine these elements in different proportions. The “best” moisturiser depends on what your skin needs, how well you use it and what feels right on your skin. If you find your preferred product, then it is more likely that you’ll actually use it consistently.

In those with already oilier or acne-prone skin, applying a heavy occlusive layer can lead to congestion and breakouts. I also see cases where excessive occlusion contributes to periorificial dermatitis - a condition causing redness, small bumps, and irritation around the mouth, nose, or eyes. This is often triggered by overuse of heavy products or topical steroids and can be bothersome to treat.

In short, slugging is not “good” or “bad.” I see why people think it can help them, but make sure you understand how it can go wrong if you are considering it. Social media promotes the craze and hype for such trends but think twice before jumping on the bandwagon.

Texture, finish, and personal preference

Beyond function, moisturisers also play a role in how skin looks and feels day-to-day.

Some people prefer a completely matte finish, meaning no shine and no residue. Others are embracing a more luminous look, influenced by Korean skincare trends that favour hydrated, “glassy” skin.

Skin is part of how we present ourselves, and for many, its appearance ties into confidence and identity. I see lots of patients with various skin complaints, both medically and aesthetically, who say their self-confidence is affected by how their skin looks. Whether you prefer understated or radiant, your moisturiser can support that.

A note on “slugging”

One skincare trend that comes up increasingly in consultations is “slugging.” This involves applying a thick layer of an occlusive product over the skin as the last step in a night-time routine, with the aim of ‘locking in moisture’.

Lightweight gels or oil-free lotions tend to suit those who dislike shine, while richer creams offer a more dewy finish. Ointments tend to be the greasiest the formulations. The key finding your ‘perfect balance’ between comfort, practicality and “drying time”, for example when rushing to get ready in the morning whilst also satisfying the needs of your skin health and any underlying dermatological conditions.

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

As I had mentioned earlier, occlusive moisturisers are very effective at reducing water loss and supporting the skin barrier for those with eczema, however, slugging is not suitable for everyone.

What is the best sunscreen?

Where moisturisers are about maintaining the skin barrier, sunscreen is about protecting it - and it’s one of the most impactful steps in any routine. If there is one reasonably cheap way of preventing skin cancer and keeping your skin “looking

young,” it’s regular use of a decent sunscreen. So, my next ‘if you could guess how many times a day I get asked’ question is “what should I look for in a good sunscreen?”

Mineral vs chemical sunscreens

Sunscreens are broadly divided into two types: Mineral (physical) sunscreens

These use ingredients like zinc oxide or titanium dioxide to reflect ultraviolet (UV) radiation. They are usually well tolerated by sensitive as those who are rosacea-prone, but can leave a white residue, particularly on darker skin tones. Formulations are improving, however, with many available with a tint.

You might read on product labels that some sunscreens now include protection against visible light. These may be helpful for those prone to conditions like melasma or post-inflammatory hyperpigmentation for those with a darker skin colour.

My take on “once daily” sunscreens

Chemical sunscreens

These absorb UV radiation, are typically lighter and thus more cosmetically acceptable, however, some chemical sunscreen ingredients can irritate. I have met patients who have developed a contact dermatitis to such ingredients, for example. Both types of sunscreen are very effective, however, like moisturisers the choice usually will come down to your skin type, sensitivity, and personal preference.

What does “broad spectrum” mean?

Broad spectrum sunscreens protect against both UVA and UVB radiation.

• UVB causes sunburn.

• UVA penetrates deeper, contributing to skin ageing and increasing skin cancer risk. Did you know that UVA can penetrate through glass and windscreens?

For adequate protection, both need to be covered for so look for a factor 30+ broad spectrum sunscreen when making your choice.

Beyond UV: visible light and blue light

There is increasing awareness of the role of protecting the skin from visible light, particularly in conditions like rosacea, lupus, and hyperpigmentation.

Products marketed as “once daily” are, in my view, optimistic and somewhat misleading. Throughout the day, sunscreen is gradually removed through sweating, touching or wiping your face, and by natural oil production diluting its effect. Even without obvious activity, protection diminishes. Reapplication matters, perhaps every 2-3 hours when abroad or particularly if you’re outdoors and exposed to daylight for extended periods. Most people actually apply far less sunscreen than the amounts used in lab testing, meaning real-world protection is often lower than expected. So, my ‘top tip’ is to keep ‘topped up’!

Seasonal use: spring and beyond

From March through to September, sunscreen should be a routine part of your morning skincare. UV levels rise through the day but can be much higher throughout ‘very sunny’ days with little to no cloud cover. For cancer prevention, sunscreen is advisable when the UV index (you’ll find this out via the forecast) is greater than 2.

Many people use sunscreen yearround to reduce UVinduced free radical damage on their skin which can lead to earlier ‘signs of ageing’. In winter, combination products (such as moisturisers with SPF) may be sufficient, depending on lifestyle and occupational exposure, but from March to September, a standalone sunscreen should be chosen.

diagnosis, lots of people experience irritation from fragrance, preservatives, or overcomplicated routines.

Skin sensitivity can fluctuate with weather, stress, and age. If your skin suddenly becomes reactive, even to a moisturiser or sunscreen product that you have “always” used yet it now is causing problems, I often suggest that my patients simplify their routine rather than adding more steps.

Bringing it all together

Skincare doesn’t need to be complicated, but you should consider your products and personalise them to you:

• Choose a moisturiser that suits your skin type, routine and aesthetic preference

• Be cautious with trends like slugging - what works for one person may not work for you

• Use, at least, a broad-spectrum SPF 30+ sunscreen daily during sunnier months

• Apply enough, and reapply when needed

• Keep your routines simple, especially if your skin is sensitive

Skin is personal. Whether your preference is matte or luminous, minimal or multi-step, the goal is the same: healthy, comfortable skin that helps you exude confidence.

Spring offers a natural time to reset. The clocks have just done it, so why not take your ‘leap forward’ into understanding what and why you are using a product on your skin, then embrace a new personalised skincare regime.

Dr Bryan

Dr Bryan Murphy is a Consultant Dermatologist practicing at Cathedral Dermatology Clinic in Belfast, Northern Ireland. https://dermdocni.co.uk/

Sensitivity, allergies, and changing skin

A significant number of patients describe their skin as “sensitive.” Conditions like eczema or rosacea can increase reactivity, but even without a formal

EXPERIENCE EXCEPTIONAL

Stay - Spa - Golf - Conference

PAUL

The Mirror of Judgment: What We See in Others, We Carry Within

A while ago, I wrote something on social media that stirred a lot of reaction:

“Some people should stop offering healing. Full stop.”

It travelled further than I expected. And while there is still a part of me that stands by the intention behind those words, around; safety, integrity, and the real harm that can happen when people work beyond their capacity, I have come to see something deeper.

That post was not only about others. It was also about me. Because judgment, when we really look at it, is rarely one-directional. It doesn’t just point outward, it reflects inward.

And if we’re honest, truly honest, it often reveals the very places within ourselves that feel the most fragile, the most burdened, or the most unresolved.

In the queer community, judgment is a complex thing. Many of us have grown up being judged; for who we love, how we express ourselves, how we move through the world, how we exist in our bodies. We have felt what it is to be scrutinised, misunderstood, rejected, or made “other.”

And yet, despite this, we are not immune to judging each other. In fact, sometimes we do it with even greater intensity. We judge how “out” someone is. How “healed” someone appears. How they navigate sex, relationships, identity, politics, embodiment. We judge people for being too much, not enough, too visible, too hidden, too loud, too soft, too sexual, too reserved.

And often, we justify it.

We call it discernment. We call it standards. We call it protecting the space. And sometimes, it is those things. But sometimes… it is something else.

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

For me, this became clear when I began to look honestly at my own patterns. I noticed that some of my strongest judgments came from a place of deep internal pressure. A pressure to be responsible. To be safe. To get things right. To not cause harm. To hold it all together.

This isn’t random. It comes from my life, my training, my experiences; from being shaped within systems where mistakes can have serious consequences, where vigilance is rewarded, and where responsibility is not just expected, but demanded. But when that internal pressure is not acknowledged, it doesn’t just stay inside. It gets projected outward. And suddenly, the world looks full of people who are “doing it wrong.”

Sometimes, it is a mirror. A mirror reflecting the parts of ourselves that don’t yet feel safe to exist. The parts we have had to suppress in order to belong. The parts we were told were “too much” or “not acceptable.” The parts we learned to control, perfect, or hide in order to be loved.

So when we see someone else embodying what we have exiled within ourselves, something in us tightens. And that tightening can quickly become judgment. Not because the other person is wrong but because something in us feels exposed.

This is the uncomfortable truth: The harsher we are in our judgment of others, the harsher we often are with ourselves. The standards we impose externally are often the same standards we are silently suffocating under internally. And in queer spaces, where so many of us are already navigating shame, rejection, identity, and belonging, this dynamic can become even more amplified.

We don’t just want to belong. We want to belong safely. So we monitor. We assess. We critique. We compare. Because somewhere along the line, we learned that being accepted is conditional.

But what if there is another way to meet this? What if, instead of immediately acting on judgment, we paused and asked:

What is this bringing up in me? What part of me feels activated right now? Is this about them, or is something in me asking to be seen?

This doesn’t mean abandoning discernment. Boundaries still matter. Safety still matters. Integrity still matters. But it invites a different relationship to our reactions. One that includes self-awareness. One that softens the reflex to project. One that allows us to take responsibility not just for how we see others but for how we relate to

ourselves.

Because ultimately, the work is not to become people who never judge. That’s not realistic. The work is to become people who are aware of our judgments. People who can recognise when something is being mirrored back to us. People who can meet that reflection with curiosity rather than immediate condemnation.

In a community that has known so deeply what it is to be judged, there is something powerful in choosing to meet both ourselves and each other differently. Not perfectly but more consciously and honestly. With a little more compassion. Because when we soften the judgment we hold toward ourselves, something shifts. And from that place, the way we see others begins to change too.

Not because they have changed.

But because we have.

Paul McMaster - Soul Script

FB: soulscript.pm

E: soulscript.pm@gmail.com

W: www.soul-script.co.uk

F New York Yes, Why not?

or years New York has been a huge draw for Irish tourists for the value for money, VFR (Visiting Friends & Family) or the renowned nightlife scene it offers.

Globally travel has changed dramatically since the very recent war in Iran and since Donald Trump became the President of the United States of America for the second time. Some things however have not changed to much and that the USA is still very well served flight wise from Ireland both Ex Dublin and Shannon airports.

So why would you want to travel to New York in 2026 my simple answer is why not? New York is a global light of the LGBTQ scene offering amazing nightlife from the West Village to trendy new offerings in Hells Kitchen and beyond. New York is home to Stonewall and I think every GAY man should at least experience this place at least once in a life time. It may not be close to us here in Ireland but the peoples history and stories are still so important today within the LGBTQ community globally.

June is mainly Pride month in New York and the city becomes even more colourful if that is possible. The main thing that hits me about New York any time I go is how diverse it is from how people look, dress, speak and even the food they eat. Don’t get me wrong the city itself can seem like a concrete jungle but really personally it offers beauty all around in many ways no other city could ever. (So Open Your Eyes and Heart to NYC)

As a general tourist you will never be short

for things to see and do. For years it was the Empire State building or the Rockafella Centre for the amazing views of the city but for me in 2026 it has to be NYC Summit One Vanderbilt simply because it offers so much more than just a view of the cities one off skyline even though they are pretty amazing.

No trip to New York would be complete without the 9/11 Memorial which for many is just completely heart wrenching and so visual. The space offers reflection for all of those lives lost but also peace making you feel cold as you walk though the museum peaces.

Broadway is one for he main reasons I like New York because it has some of the best shows I have ever scene and of course its theatres are just something else some of which are so full history that they make the experience even better, Shows like Lion KIng, Moulin Rouge, Chicago and even Stranger Things First Shadow are popular this year.

You will of course have your own personal reason to want to maybe go to America and or New York and for me as I watched movies as a child it always filled me with excitement especially films like Home Alone showcasing Central Park during Christmas time. Whatever your reason for wanting to go all I will say is embrace the 24 hour madness that it offers.

The obvious way for most of us Northern Irish travellers is to fly ex Dublin with the likes of Aer Lingus or some of the Amercian carriers. You can obviously ex Belfast and connect out of London or Manchester also some times direct or via the likes of Iceland.

Personally when I travel I like it to do the most simple way so Point to Point is best and the flight is only around 6 hours . If your departing Dublin and or Shannon you can do pre clearance meaning no long immigration queue when you land into the USA.

I like to stay in the heart of things and so for 2026 I would suggest you look at the following areas as gay travellers. Hells Kitchen, Chelsea, The West Village/ Greenwich Village. These ares offer you the best for being in and around all things

that are gay however you can stay outside of these areas and enjoy New York in some of the more traditional none Queer specific areas.

I have stayed in many different accommodations from Hostels to international 4 & 5 star hotels and really it comes down to your own individual needs and tastes not to mention budgets. Some recommendations would be the Pod Times Square which is a bright and light budget option, Arlo Williamsburg more upmarket with roof top pool and vibrant bars and dinning options.

If its Key Luxury and well we all know that the Gays love some Luxury then it has to be the Standard Hotel in the Meatpacking area no pun intended lol. Chelsea area offers some brilliant choices like Chelsea Pines Inn or the Walker Hotel Greenwich Village.

As you can imagine the nightlife can be so in your face but try it all however I think some stand out venues below are good to try.

Eagle New York is a must for a night out and often rates at one of the top hotspots which offers weekly and monthly events and with such an iconic up and down past it sure to give you a real American welcome.

No trip would be right without the purely entrenched Stonewall Inn due to its history, Story Telling and over all atmosphere I’m telling you it will make you emotional even if your not the type to be overcome with emotions normally. One thing about this place is that no matter who you are or where you have come from they will embrace you and welcome you with open arms and hearts and they cant wait to share its history with you so get supporting the grassroots.

The city offers multiple venues for you to adventure in and out of but personally I think its all about trail and error and some of the venues can be hugely busy and so its best not to be disappointed if the one you want to go to isn’t an option.

Hells Kitchen is good spot day or night mixing social with madness of the late night

community bar and club life.

If your an avid reader of my travel columns you will know I love to visit a Gay sauna or mens wellness centre when experiencing a new city.. New York has had a very rough past with Gay Saunas or Bathhouse due to the past HIV/Aids driven stigma but I am happy to say the scene is doing well and the city offers many different types of establishments .

I would recommend visits to the likes of Bathhouse Williamsburg offering thermal pools , Saunas steam rooms in a very sleek modern space even a roof top pool. AIRE Ancient Baths New York is defo a must for those who like to indulge from Spa treatments in a Tranquil and calming atmosphere with a drink or two along way.

New York really offers everything and more you could possible ever want from a Gay Destination city break and you can visit on as low or high a budget as you want. My advice is to set your budget and this will help you plan whats possible and whats not. Remember if you don’t see an attraction you want this time around then do that next time.

Pride Month, St Patricks Day and Christmas are Key visitor times for New York so if its these times your thinking note prices can often be higher and attractions can often be very very busy so pre booking tickets is often the best especially if your like me you hate waiting.

I would say try booking a 3 or 4 night taster to New York to see if its for you and then you can always return again in the future maybe combining it with a another city like Boston or maybe beach like Miami or maybe even a Cruise.

Whatever you plan make the most of the time you have but most importantly relax and enjoy it.

Until next time don’t just dream it get experiencing life its waiting for you….

Gavin Andrews

DANNY

Hair that feels like you.

I think hair has changed a lot over the last few years. People don’t just come in asking for a colour or a cut anymore they want hair that actually feels like them. Something that suits their style, works for their day-to-day life and makes them feel good when they leave the salon.

That’s the part of hairdressing I love most.

For me, it’s never just about following trends or doing what everyone else is doing. I always think the best hair is hair that suits the person wearing it. Something fresh modern and flattering but still easy to wear and easy to manage.

A lot of people now want hair that looks effortless but still

Soft bright blondes, glossy coppers, beautiful healthy-looking colour and cuts that have shape and movement to them. Hair that catches your eye, but still feels natural and wearable.

That’s always what I try to create with my clients.

I especially love doing blondes and coppers because they can completely change someone’s whole look and confidence. A bright blonde can make everything feel fresher and more lifted, and a copper can add so much warmth, shine and personality. I also love cutting hair just as much, because I think a good cut changes everything. It gives the hair shape, movement and makes it sit properly, which makes such a difference.

Sometimes people think they need a massive change, but even small changes can make such a big impact. A brighter front, a richer tone, a softer shape around the face or just taking the cut back into the hair properly can completely refresh someone without it feeling too much.

I think that’s what I enjoy most making people feel like the best version of themselves without it ever feeling overdone.

For me, the salon should always feel relaxed and comfortable too. I want people to feel like they can come in, be themselves, talk through what they want, and leave feeling better than when they walked in. Hair is such a big part of confidence and when it feels right, you really do carry yourself differently.

I love that this industry is always moving and changing. There’s always new ideas, new trends and new ways of doing things, but I still think the most important thing is keeping it personal. Good hair should suit you, not just a picture on Pinterest.

If you’re someone who’s been thinking about changing your hair, freshening up your colour, or even just finding a stylist that gets what you like, sometimes that alone can make all the difference.

it’s all about creating hair that feels modern, effortless and confidence-boosting and most importantly still feels like you.

And if you are looking for a new stylist, I’m always happy to welcome new clients into my chair . For more information contact me on Instagram theunderdogdm or email theunderdogdm@outlook. com

By Danny Malone

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

SMART QUIZ

SEAN MCKEE

MICROFUN

G & T KARAOKE

GLENN AND TINA LEGGS 4-7PM 9-12PM

TRUDY SCRUMPTIOUS 9-12AM

ROXY AND THE SHOWGIRLS 7-10PM 9-11 PM

SHOW GIRLS

BINGO BITCH

ROXY DOMINO AND SIN 7-9PM

ABSOLUTE FRIDAYS

CHRISSY,BECCA & TASTY 9-12PM

SWITCH UP 10-12AM

PARFUL SUNDAYS

TRUDY & CHRISSY 9-11AM

LIVE MUSIC FRIDAYS 7-9PM & SATURDAYS 6-8PM AND 10PM -12AM SUNDAYS 6-8PM