LA Metro Magazine - Winter 2022 Issue

LA

METRO WINTER 2022

MAGAZINE

HONOR FLIGHT MAINE Where heroes soar Page 37

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MAINE ART GLASS The world through rose colored glass

SAFE VOICES Hope & dignity in a new space

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SO MUCH MORE! Grab your copy

Straight A’s for Patient Safety!

FALL 2021 FALL 2021

NATIONALLY RECOGNIZED

FALL 2018

SPRING 2021 SPRING 2021

FALL 2018

FALL 202 1

SPRING 2019 SPRING 2019 FALL 2019

FALL 2019

FALL 2020

FALL 2020

SPRING 2020 SPRING 2020

For the 7th consecutive time, Central Maine Medical Center has achieved a prestigious ‘A’ rating—the highest grade given from the Leapfrog Group, an organization dedicated to patient safety.

We are proud of our team members, who strive every day to deliver compassionate care for our patients and are committed to keeping our community safe and healthy.

207- 795-0111 | www.cmhc.org 11/2021 ©CMH

W here the locals eat!

Come try any one of our salads, entrees, sandwiches or burgers.

Shown here: Cool Ranch Cobb Salad Mixed greens with beef & chicken, veggies, boiled egg, almonds, mushrooms, & raisins served with Ranch dressing.

Mac’s Grill | 1052 Minot Avenue, Auburn | 207-783-6885 | MacsGrill.com

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LA METRO MAGAZINE | WINTER 2022

º Flowers º Edibles º Concentrates º Topicals º

editor’s note PHOTOGRAPHY BY JOSE LEIVA

Happy New Year, everyone! The start of a new year is a good time to reflect on the prior year’s experiences – the good and the bad – and take the opportunity to try to make the changes to make the new year better than the last. As you may remember, I stepped away from the editor’s seat here at LA Metro Magazine (LAMM) right before the Autumn 2021 issue was published. It seemed like the right time to try something new and to experience a different type of career. Almost immediately, I felt a void, almost like a homesickness.

My career has spanned over 25 years in the graphic design field. My passion is, and has always been, supporting and promoting local businesses within the Lewiston Auburn area. Working for LAMM gave me the outlet to do both every day. I didn’t realize how much I loved what I did here until I didn’t do it anymore.

There have been countless times when I have been approached by people who have learned something, have been touched by, or have tried a new experience because of LAMM – and that is an amazing feeling. Jimbo often says we are “part of something bigger than ourselves,” and he couldn’t be more on point. This resource is so important to this community. I invite LA area business owners to join our family of advertisers to help improve our community reach.

As I said in my Autumn 2021 issue editor’s note, Jimbo has been a dear friend for many years.

I was lucky to maintain our friendship through my time away and even luckier that this seat was still available for me to return to. I’m thrilled to be back here and excited to do my part to help continue the magazine’s mission to entertain, inspire, and inform.

Be kind and well, everyone.

TYLA DAVIS

Returning Editor-in-Chief And just like that, she’s back. Welcome home, Tyla!

While it was like riding a bike for me to be back in the editor’s seat, I am so glad to have Tyla Davis back on staff. This is truly where she belongs!

I am a firm believer that things happen for a reason. When I think about this hiatus without an official editor, it may have been a necessary exercise we had to go through to realize what a solid team we have – so that tells me it was worth it.

Incidentally, the story of the series of events that brought our team together is quite interesting, but too long to share here. I’d love to share the story with anyone who is interested, maybe over an adult beverage at one of our local watering holes!

We hope you enjoy our Winter Issue. With lots of help from our Editorial Director, Toby HaberGiasson, our awesome contributors, and our returning editor-in-chief, we believe this issue might just knock your socks off.

Jimbo Marston Out of the editor’s saddle

LA Metro Magazine is proudly printed in Lewiston, Maine at

8 Lexington Street, Lewiston 4

LA METRO MAGAZINE | WINTER 2022

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c o n t r ib ut o rs Toby hails from the bustling New York City media world, where she promoted live events like pay-per-view boxing, and published album reviews in Creem and Audio magazines.

In LA, she coordinates events for First Universalist Church of Auburn, hosting the monthly Pleasant Note Open Mic, and staging their annual “Vagina Monologues” benefit against domestic violence.

TOBY HABER-GIASSON editorial director & writer

A native of Lewiston, Peggy began writing creatively as a child growing up in a FrenchCatholic neighborhood. A graduate of Bowdoin College, she began her career in journalism at PC Week in Boston, where she was the ghostwriter for the industry gossip columnist, Spencer the Cat. She has also worked locally as an English teacher and public relations consultant. A resident of Auburn, she recently finished her first novel.

PEGGY DEBLOIS writer

A construction worker by day as well as a freelance writer, Matt dabbles in diverse genres ranging from medieval history to fantasy.

His love for literature and written language began at a young age.

Matt has also worked as an audio transcriptionist, a voice-over actor, and copyeditor. Born and raised in Maine, he enjoys exploring the woods with his dogs and growing his own vegetables.

MATT BELIVEAU writer

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LA METRO MAGAZINE | WINTER 2022

Brewster was raised in Waterford, Maine, attended Oxford Hills High School, then graduated from Colby College. He became an English teacher at Oxford Hills Comprehensive High School, where he has remained since 1988.

Christmas of 2012, he received his first camera, and quickly developed a love of the lens. Brewster freelances for some Maine newspapers and local magazines. He resides in Hebron, with his wife and two children.

BREWSTER BURNS photographer

On his eighth birthday, David’s favorite aunt gave him a camera. She couldn’t have known that, from that day, photography would grow into a passion, a career, and a ticket to experiences he would otherwise only have dreamed of.

Fifty years later, David is a successful filmmaker, photographer, and creative director working for national and local advertising agencies, businesses, and educational and government clients. It was, as things have turned out, the perfect gift.

DAVID FULLER photographer

T.S. is a native of Lewiston who first aspired to become a writer during her sophomore year at Lewiston High School. She has written for a variety of local Maine newspapers and publications since 2006.

Community and growth are of particular interest to this local music aficionado, and she enjoys fitness, beachcombing, whiskey and wine tastings, as well as travel and time with family and friends.

T.S. CHAMBERLAND writer

contri butors Michael is a freelance writer and musician from Auburn.

He graduated from the University of Maine at Presque Isle in 1999 with a Bachelor of Fine Arts.

He has submitted stories and articles for various publications, and performs throughout New England as a solo guitarist and bassist.

Michael enjoys traveling, hiking, and spending leisure time with family and friends.

MICHAEL KRAPOVICKY writer

A Maine native, Donna has dedicated much of her career to assisting families as they navigate the world of eldercare. Her philosophy is, “Create good by approaching all things with an open mind and a generous, honest heart;” it has served her well, personally and professionally.

Writing is her happy place and her family is her heart.

DONNA ROUSSEAU writer

Sara is a “County” transplant enjoying life on the Androscoggin River. Most days she can’t be found, hiding away in the woods or mountains, enjoying the quiet peacefulness of the outdoors. A musician and actress, she enjoys the many diverse cultural opportunities offered in the LA area.

She writes, she runs, pats all the dogs, loves beer, and plays the ukulele...badly.

SARA POULIN writer

Jose started his photography career while in the Air Force during Vietnam. He moved to Maine in the late 1980s and retired from the Sun Journal a few years ago. He now works as a freelance photographer and exhibits his art locally.

Jose lives in Lewiston, Maine, with his wife, Linda. Together they have six adult children, and four grandchildren who are a source of photographic inspiration.

JOSE LEIVA photographer

A Pennsylvania native, Jillian moved to Maine from Dallas, Texas, with her husband and two toddler daughters in August of 2020.

Her lifelong love of the written word began with writing short stories and poems at the age of six, eventually leading to the creation of her own company, EleGrant Writing Services. Jillian is a business development specialist for Androscoggin Home Healthcare + Hospice by day and enjoys live music, books, and creative writing.

JILLIAN NETHERLAND writer

Nicole can’t remember a time when she did not have a camera in her hands. Her passion for photography started when she was little, working with her uncle who ran his own studio.

She graduated in 2015 with a degree in photography and digital workflow. Shortly afterwards, she opened her own portrait studio, Creativeones Photography.

Her passion is to show the beauty that is within everyone. She is constantly learning new and inventive ways to capture moments that will last a lifetime.

NICOLE RAND photographer

LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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CORE

Our

Crew

PUBLISHER & CEO

Jim Marston jim@LAMetroMagazine.com

EDITOR-IN-CHIEF

Tyla Davis editor@LAMetroMagazine.com

Jim Marston Publisher & CEO

Jim@LAMetroMagazine.com

ADVERTISING SALES Ryan Jones Jim Marston Steve Simard

PRODUCTION MANAGERS Tyla Davis Jim Marston

EDITORIAL DIRECTOR

Tyla Davis

Editor-in-Chief/Graphic Design editor@LAMetroMagazine.com

Steve Simard Sales

Steve@LAMetroMagazine.com

Toby Haber-Giasson

WRITERS

Matt Beliveau T.S. Chamberland Peggy DeBlois Toby Haber-Giasson Michael Krapovicky Jillian Netherland Sara Poulin Donna Keene Rousseau

PROOFREADERS Keith Davis Kayla Marston

PHOTOGRAPHY Brewster Burns David Fuller Jose Leiva Nicole Rand

Ryan Jones Sales

ryan.jones@LAMetroMagazine.com

COVER

Vice Chairman of the LA Veterans Council, Charlie Paul, at the Veterans Day Ceremony Photographer: Jose Leiva LA Metro Magazine is published four times each year by LA Metro Magazine, LLC Editorial and subscription info: Call 207-783-7039 email: info@LAMetroMagazine.com 9 Grove Street, Auburn, ME 04210

Stephanie Arsenault Bookkeeper

billing@LAMetroMagazine.com

Opinions expressed in articles or advertisements, unless otherwise noted, do not necessarily reflect the opinions of the publisher or staff. Every effort has been made to ensure that all information presented in this issue is accurate, and neither LA Metro Magazine nor any of its staff are responsible for omissions or information that has been misrepresented to the magazine. No establishment is ever covered in this magazine because it has advertised, and no payment ever influences our stories and reviews.

Copyright ©2022 LA Metro Magazine, LLC. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission, in writing, from the publisher.

Printed in Lewiston, ME, USA.

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LA METRO MAGAZINE | WINTER 2022

content volume seven | issue one | winter 2022

cover story

quick reads

10 15

37

27

Honor Flight Maine

32

features

44 48

20

Maine Art Glass

58

Safe Voices

53

FunZ Trampoline Park

Eats: Kristi’s Cafe Health & Wellness: WolfPack Fitness

The Return of WLAM

Rogue Life Maine

Social Hour: Splittin’ Wood Axe Throwing

Sound Check: Brazen Cane

LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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Exercise and Fu

Olivia Norris laughs after jumping into the ball pit.

un... All In One! Written by Jillian Netherland | Photography by Nicole Rand

S

eeking a place for family fun, friendship, energy, and exercise? Look no further. FunZ Trampoline Park (often referred to as FunZ), in Lewiston, is LA’s one-stop shop for the young and young at heart.

Formerly known as Aero Air Park, FunZ has a new name and a new brand.

Manager Rose Robinson monitors the foam block obstacle course.

Meant to be “I completely fell into this job almost on accident – and I love it!” says FunZ Manager Rose Robinson. Her face lights up with a contagious energy when speaking of FunZ. Robinson, who has a proven track record in commercial management, knew it was time for a career change. She began seeking a new line of work that would better accommodate her family’s needs – preferably something allowing her to work with children. That’s when she joined the FunZ team.

All FunZ birthday parties include pizza, special jumping socks to wear on the trampolines, a private, decorated room with two hours of party time, and a special, glow-in-the-dark T-shirt for the birthday child. A child who returns to FunZ on a Tuesday or Thursday wearing their glow shirt can enjoy a 50% discount on jump time.

Never too old to play

“I first came onboard as a party coordinator, then quickly worked my way up through the other positions,” Robinson explains.

“When the former general manager moved on to her next endeavor, she handed the reigns over to me – and I dove right in!”

Although FunZ is incredibly popular among children, make no mistake, the park is enjoyed by people of all ages and truly has something for everyone. Hosting college mixers, as well as smallgroup and private events before and after closing, is important to FunZ. It provides a chance for everyone to burn off some energy and join in on the fun.

Enjoyment for the entire family

This theme of inclusivity in providing an outside-the-box solution is seen through a number of FunZ’s events. Monthly Home

For families looking for a unique and enjoyable way to burn off energy, FunZ has it all.

“It’s the best form of exercise without having to do too much, especially during the winter months,” explains Robinson. Familyfocused features offered at FunZ include Ultimate Dodgeball, a jungle gym, basketball hoops, and a new movie-style crash pad, made of inflatables and air bags.

Perhaps what families like the most is the open atmosphere they experience immediately upon entering the park. This layout provides the choice of interacting with other families or keeping to themselves – something appreciated by many since the onset of COVID-19.

Birthdays the FunZ way As a safe, open, indoor space where children can run, jump, and be free to be kids, it comes as no surprise that birthday parties at FunZ are a huge hit. These all-inclusive parties take the planning, cooking, and cleanup out of the process for families, allowing them to focus solely on enjoying the party.

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LA METRO MAGAZINE | WINTER 2022

Callen Cummings smiles from the ball pit.

By Jillian Netherland | Photography by Nicole Rand | FunZ Trampoline Park School Nights give home-schooled students the opportunity to experience “gym time” while socializing with peers. At weekly Toddler Time, the park is open only to toddlers and parents, giving them free run of the full park in addition to the designated toddler court. Each Friday during All Ages Glow Night, the regular overhead lights are replaced by black lights and disco balls to create a unique atmosphere where all are welcome.

Teen-tested, parent-approved For Lewiston Auburn area teens, places that are both safe and fun to hang out are limited. Recognizing this, FunZ’s Saturday Teen Glow Night was born.

“We really pride ourselves on being a place where teens can go, have a good time, and get some exercise in a safe environment,” says Robinson. Teen Glow Nights mostly mirror Friday’s All Ages Glow Night with a few teen twists: only guests age 13+ are permitted and they have their choices of music to be played.

What parents appreciate most about these weekly events is the on-site security, patrolling for the full duration of the event.

Tristyan Ortiz

A place for everyone Keeping its guests safe without limiting the fun is something the FunZ staff values. To honor this, each area of the park is designated to be appropriate for certain ages or all ages: a play area for children 10 and under, a rock wall, and parkour course (an elevated, fast-paced obstacle course) for guests age 13 and over, and two dodgeball courts, one for toddlers only, and one for all ages. Although the zipline, another FunZ favorite, does not have

Michael & Benjamin Chalifoux

Reece Tyler

Braylon Lafond (top) and Tristyan Ortiz (bottom) climb the rock wall.

Paisley Perry LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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a set age restriction, it is limited to guests 46-inches in height or taller, to ensure they can reach the handlebars on their own.

Other areas appropriate for all ages include the Ninja Course, Bumper Ball Court, and Nerf court – a $15 add-on to regular jump time for groups of 2-8 players, offering 30 minutes of unlimited play with tactical Nerf guns through an Army base-style setup.

A new look for a new name In maintaining safety along with a new name brand, FunZ Trampoline Park is in the process of completing major upgrades that will eventually complete a full park renovation. The first of these upgrades was the arcade, which has all new games and a new prize counter. Next to be added was an antimicrobial zip cover for the crash pad area, upgrades to the playground area for FunZ’s youngest guests, and improvements to the parkour section, which will soon undergo renovation.

Family at the heart of everything What truly makes FunZ the place to be is the family-oriented atmosphere, inside and out.

“The staff is my family,” says Robinson, when speaking of her team. “We run as a team – we run it as a family, for the families.”

In creating such a positive environment, Robinson has truly gotten to know her guests – the regulars, as well as the newcomers.

“I truly care about the kids in our community, and I want them to have a place where they can come, and their parents can feel safe,” says Robinson. “Without it, a lot of these kids wouldn’t have a place to go.”

FunZ Trampoline Park 40 East Avenue, Lewiston • www.funzlewiston.com

120 Center Street Auburn 207-241-2356

Maine Mall South Portland 207-274-2539

Ashley Ward slides with her son, Lennox Kenney.

123 Main Street Freeport 207-885-0900

449 Forest Ave Portland 207-221-2363

Wishing you a blessed new year!

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LA METRO MAGAZINE | WINTER 2022

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HALLMARKS OF QUALITY Written by Michael Krapovicky | Photography by Jose Leiva

I

t’s a typical day at Kristi’s Cafe. Despite the hustle and bustle of a near-capacity crowd, the staff is affable and attentive. Delectable offerings entice customers searching for a respite breakfast or lunch.

Helming the ship is Kristi Norcross, who greets the patrons of her eponymous cafe with a winning smile. Cleanliness, convivial service, and quality meals are hallmarks of Kristi’s Cafe.

“I’m a go-getter; I’m going to work my hardest to make my ventures succeed,” asserts Norcross.

Norcross is always mindful of employee concerns, and will cover shifts as necessary.

“I’ll come in and work for them, if they need a day off,” Norcross acknowledges. “My daughters are also willing to come in and work if I need them to.”

The Norcross’ three daughters, Kory, Makayla, and Piper, were a big part of helping to set up the restaurant, and take on waitressing shifts as needed.

Smiling service Kristi’s Cafe has 15 employees at present. Although service workers are in short supply, Kristi’s has managed to retain employees with a cordial demeanor. As an example, Cindy Wardwell was the first waitress hired by Norcross, and is still with the restaurant five years later.

“I truly think our staff is amazing – kind, caring, easygoing,” says Norcross. “We all care about the business, and each other – like a family.”

Quick turnover of parties is expected at Kristi’s Cafe, yet each customer is always treated in a courteous and respectful manner.

Owner Kristi Norcross

“We are focused on getting food out to the people quickly, so they can enjoy their meal and get to their business,” says Norcross. “But we always want to make them feel welcomed and relaxed.”

Silva lining

A laid-back, fun business environment is one Norcross has always sought to implement.

Before establishing Kristi’s Cafe in 2017, Kristi Norcross had a very diverse employment history. She was a social worker and an accountant at Electrical Systems of Maine with her husband, Craig, and she is currently a real estate agent.

“I care and have respect for all my employees, and they feel the same way,” says Norcross. “I don’t think anyone here has ever yelled at anyone, even in the kitchen!”

When her husband and his boss, David Tassinari, purchased the property on Minot Avenue in Auburn, Norcross became acquainted with Chuck Silva, the owner of Silva’s Restaurant, located there. Upon hearing of Silva’s plans to retire and sell the business, Norcross decided to become a restaurateur.

“I’m always excited to try new things. Owning a restaurant was a challenge and an adventure for me,” says Norcross, who worked as a waitress in her younger days. “Also, I was excited to meet new people and form new friendships.”

New look Norcross purchased Silva’s kitchen equipment, and began a complete renovation of the restaurant. Norcross added table seating, replaced a wall and carpeting, as well as the bar, fashioning the space with the ambiance of a pleasant hometown diner.

“We replaced the all-booth seating with some tables, to give customers more options,” says Norcross. “I wanted a warm and cozy atmosphere.”

At her cafe, Norcross wears many hats – cooking, waitressing, and bussing tables – doing whatever is required to get through the day with order and efficiency.

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LA METRO MAGAZINE | WINTER 2022

Cook and manager Joe Ambrose prepares a fried fish plate.

The Kristi’s Cafe Team: Nate Davis, Nikole Dubois, Kory Norcross, Gina Biron, Zeny Ouellette, Kristi Norcross, Megan Cullins, Zack Levesque, Karen Johnson, Connor Ullrich, & Joe Ambrose

Linchpins

What’s on the menu?

The right cooking staff is imperative for maintaining the cafe’s high standard of service. Joe Ambrose has been a linchpin of the Kristi’s Cafe kitchen since 2018. Ambrose, who worked at Rolandeau’s Restaurant for 23 years, applies a fine-dining sensibility to the cafe’s format.

Ouellette relates some of the customers’ favorite dishes.

“You have to time things just right, setting up the workflow with ticket items that take longer to cook – things you learn with experience,” explains Ambrose. “I had a customer say once, ‘I’ve been cooking for 35 years – that’s the best omelette I ever had,’ which was a nice compliment.”

“The corned beef hash is a recipe we’ve had since we opened, and it’s one of our most popular items,” says Norcross. “We start it cooking at 5 a.m., and the potatoes cook right with the meat, it’s amazing.”

Zeny Ouellette, waitress manager at Kristi’s Cafe, has nearly 30 years’ experience in the service industry.

“I’m very happy here at Kristi’s,” says Ouellette. “I have a family, so I like the morning hours, and I really love the regular folks that come in, every morning.”

Norcross considers Ouellette a highly valued asset to the organization, for her positive attitude and singular work ethic.

“Zeny is a wonderful help to me,” says Norcross. “She will stay late to make sure tasks are completed for the day, always going the extra mile.”

“Our chicken cordon bleu sandwich is a big seller,” Ouellette says.

“The Big Daddy Breakfast is popular as well.” Big Daddy includes another staple of Kristi’s Cafe: homemade corned beef hash.

Ambrose has put his stamp on the chili served at Kristi’s Cafe, and has made signature modifications to traditional meatloaf ingredients.

“I might add steak sauce or minced garlic, and use milk to tenderize it,” he explains.

Recipe for success Many factors have contributed to the prosperity Kristi’s Cafe has enjoyed in their tenure. The cafe’s Minot Avenue location is central to many different towns here in Maine, and customers find it well worth making their way there.

LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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Server Zeny Ouellette refreshes Axel Escobar’s coffee.

“We have customers from all over Maine: Gray, Greene, Turner, Mechanic Falls, all the outlying areas of Lewiston and Auburn,” Norcross maintains.

Keeping good relationships with local suppliers promotes a sense of community. Dennis Paper and Food Services, out of Bangor, and Blackie’s Farm Fresh Produce, located on Minot Avenue, supply much of Kristi’s Cafe’s fare.

“We buy a lot of our produce from Blackie’s,” says Norcross. “We like to keep things local as much as we can.”

Norcross outlines the formula she adheres to, simple goals that have fostered the success of Kristi’s Cafe.

“I just want a clean restaurant, extremely friendly staff, and really good food,” Norcross states. “We are doing fantastic – I think it will just get better.”

Kristi’s Cafe 767 Minot Avenue, Auburn • kristiscafe.com

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LA METRO MAGAZINE | WINTER 2022

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19

THE WORLD THROUGH

A fused glass character hangs in the workshop

ROSE COLORED GLASS

Maine Art Glass Written by Donna Keene Rousseau | Photography by Jose Leiva

Y

ou enter the basement of the old St. Cyril and Methodius Catholic Church in the Main Street neighborhood of Lisbon Falls, Maine.

In the center of the room are long, white workbenches.

From the ceiling hangs a sampling of small, stainedglass suncatchers, a reflection of who and what breathes new life into an old historical structure.

Welcome to the studio at Maine Art Glass.

In loving color On this Wednesday night, a typical class night at the studio, a gentle thrum belies creative minds at work. Students in their third week of classes are puzzling glass, comparing patterns, working on project “blueprints,” and preparing projects for fusing and soldering.

Hunched over one bench is studio owner and artist Jim Nutting, collaborating with students on a project design.

Nicole Keaney, of Lisbon, Katelyn Payne, of Portland, and her sister Emily Payne, of Lewiston, are all new to the art of stained glass. After their first class focused on safety and cutting glass, they are now in various stages of designing their first projects.

From start to finish, Nutting supports them, answering questions, problem-solving, and guiding them with their designs. At a back workbench, Jennifer McGuiness, of Lisbon Falls, works on a reimagining of an old stained-glass window she brought from her home. She is replacing green and red glass with more muted colors, foiling the panes and preparing the project for soldering.

Many students have caught “stained-glass fever.” Jennifer and Matthew Drotter have spent five years looking forward to their “night out” at the studio with Nutting; they now have their own workshop and kiln at home. Their projects have included lampshades, suncatchers, and Christmas items, to name a few.

In the midst of the gentle thrum comes a piercing sound like an alarm. Nutting walks to a far corner, returning with Polla, an Afri-

can Congo gray parrot. This mascot of sorts, mimicking an alarm and other sounds, is just another of the many curiosities that reside in this kaleidoscope world of colored glass.

Art of teaching As a teacher, Nutting especially enjoys introducing classes of newbies to the art of stained-glass and helping those who believe they have no artistic ability to explore and discover their talent.

He starts by talking about safety, introducing the tools and techniques for cutting glass, grinding, foiling, soldering, and finishing stained glass. He then follows his students through one or more projects.

After learning basic copper foil technique, students can progress to other processes such as lead came construction (joining cut pieces of art glass by using lead came strips), fusing (melting pieces of glass together), slumping (bending pieces over a form or mold), sandblasting, mosaics, lampworking (torch forming), and painting on glass.

Nutting says some of his students have been with him for 19 years and have completed countless projects; many continue to enjoy coming to classes for the socialization with friends while creating art.

“We offer eight-week stained glass classes in four time slots a week,” explains Nutting, “Wednesdays, morning and evening;

Studio owner and artist Jim Nutting inspects a lead glass window restoration project while Polla, his African Congo gray parrot, looks on.

Thursday afternoons, and Saturday mornings. Fused-glass class is offered Mondays in the late afternoon, and a mosaic class is held Saturday afternoons.”

Nutting says all classes cost $125 per 8-week session and starter kits for beginners cost $65. Glass and materials for larger projects are available ”as needed” and can be purchased at the studio.

Glass Nutting’s students enjoy access to one of the largest inventories of glass in Maine, some that cannot be found anywhere but Maine Art Glass. With thousands of colors and textures of glass, all the tools, supplies and extensive lines of clear and colored bevels, sundries, glass beads and pressings, there is something to spur every artistic imagination.

“We work on larger restorations together,” says Nutting. “Matt handles quoting jobs all over the state and does most of the off-site removals, installations, and repairs. I do most of the glass repairs in the studio. It’s working out great.”

Their major restoration clients include the Peter J. Gomes Chapel at Bates College, The First Universalist Church of Auburn, The Maine Jewish Museum in Portland, Chebeague Community Church, and the Christ Episcopal Church in Gardiner.

“We have five or six churches scheduled for work,” comments Nutting. “Plenty of work to keep us busy for years.”

With the skills volunteer associates Deb Hinds and Whitney Holloway have developed over the years, they now assist Nutting with restoration projects. These former glass students fell in love with the art since they began taking classes (in 2015 and 2012, respectively), and have never left.

Says Hinds, “In the beginning, I just wanted to learn about working with stained glass because I have a natural curiosity about ‘how to’ art. I love it!” Now, after taking multiple sessions over the years, she prepares church windows for delivery. “I have learned so much from Jim.”

Suited for artistry This sign, a tribute to Maine’s famous drink, sits over the main entrance door.

One of Nutting’s favorite materials is Youghiogheny (yok-uh-geynee) glass, a valuable stipple glass that features a translucent quality; when colors are streaked through, it can take on a 3-D effect. Whether you’re a student looking for inspiration or a customer looking for a decorative statement for their home, the studio maintains an extensive library featuring thousands of patterns and can custom design projects for reasonable prices.

While Nutting loves to talk about art, stained glass, student projects, and studio classes, he is less interested in talking about himself. It is interesting to note that this artist, for many years, was part of the corporate scene.

He began working for Central Maine Medical Center (CMMC) as a dishwasher while in college, graduating in 1976 with a biology

Restoration Commissioned restoration and custom stained-glass jobs are becoming a larger part of the studio’s life blood. In a high-end workshop, Nutting and his volunteers breathe life into restoration projects for churches, chapels, synagogues, mausoleums, private homes, and public buildings. Nutting believes the increased call for restoration work is due to a shortage of skilled craftsmen.

He recently restored 200 year-old windows for a church in Gardiner. Nutting says some original glass can be reinstalled, while other projects require new glass. Throughout the workspace, smaller commissioned work awaits his gifted hands. One such beauty is a priceless Baltic amber chandelier from Europe.

With an uptick in large-scale restoration projects, Nutting has developed an informal partnership with contractor Matt Kendall, owner of Vintage Glassworks. Kendall’s experience with restoring old houses has proven complimentary to Nutting’s skill set.

Lois Knight of North Yarmouth proudly shows off a recently-completed glass starfish design.

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23

during a consolidation of churches in the area.

Interestingly, Nutting and Bernard were the team hired to remove stained glass from the closed churches, including all the glass from St. Cyril, later reinstalling it in the new church space that resulted from the consolidation.

“We were able to purchase the building at a reasonable price and added a floor, expanding the space to 12,000 square feet. We added kilns, torches, sandblasting equipment, a wood shop, library, and a larger classroom for specialized classes,” says Nutting. When Nel Bernard retired about 12 years ago, Nutting bought out the Bernards’ portion of the business so he could continue with his dream. Though Nutting is now the sole proprietor, he has associates like Bernard, who volunteer time to help while he teaches classes or needs studio coverage in exchange for full, unlimited studio space.

Original owner Nel Bernard

Photo courtesy of mainearts.maine.gov

degree from Bates College. He worked his way up the ladder at CMMC, finally becoming the director of their annual fund before trading his corporate fundraising suit in 1998 to become “a starving artist.”

Nutting took his first stained-glass class in 1977 with Nel Bernard, who then owned Maine Art Glass Studio on Lisbon Street in Lewiston.

“I was instantly hooked on the art form,” says Nutting, who joined Bernard and his wife, Denise, as a partner in the business in 1997.

They quickly outgrew their space and a few years later purchased St. Cyril and Methodius Catholic Church, which had been closed

Color, flutter, and crawl The larger facility allowed Nutting the freedom to pursue another lifelong passion, that of collecting and displaying butterflies and insects. He even raises some of his own exotic insects and arachnids – including his own live tarantula. He is licensed by the Maine Department of Inland Fisheries & Wildlife to keep and exhibit live tarantulas, scorpions, and other exotic invertebrates.

A butterfly collector since the age of five, Nutting began importing from all over the world about 40 years ago. His collection includes some of the largest insects and butterflies, both tropical and local, from around the world.

Two floors above the workshop, Nutting shares his passion for both stained-glass art and all things buggy in the Butterfly Exhibit & Insect Museum at Maine Art Glass. From floor to ceiling, the space is appointed with display cases and shadow boxes of all shapes and dimensions, adorned with stained glass. Nutting de-

Nutting shows off a display in the studio’s Butterfly Exhibit & Insect Museum.

By Donna Keene Rousseau | Photography by David Fuller | Maine Art Glass signed it to reflect the environments in which his specimens might be discovered in their natural habitat.

Nutting’s museum has become wellknown, attracting not only families but school and scout groups, summer camps, and youth and adult service organizations. He conducts tours and sometimes takes his show on the road, doing talks and live insect and arachnid demonstrations.

Nutting carefully selects materials not only for aesthetics, but for durability and resistance to mold and his lit boxes show his collections at their finest. The butterflies, whose colors rival that of the stained-glass artwork hung throughout, share a natural partnership in this space where light and color bounce and play, dancing across the surfaces.

Here too, all manner of insects await close-up exploration.

Nutting has current displays at the Maine State House. He also designed a piece for the Coastal Maine Botanical Gardens in Boothbay, which features native moths and butterflies with a base fashioned in large, stained-glass pine cones.

Through the glass And everywhere are Nutting’s works illustrating his love of wildlife, nature, and the rich colors and textures of the glass with which he works. In a lifetime, he has created hundreds of largescale stained-glass works and thousands of smaller works of art.

“I have always been fascinated by the richness of the colors and transparency of glass, being such a hard, rigid material, yet when heated can flow like liquid,” claims Nutting.

Spoken like a man of science with eyes that view the world through colored stained glass, with hands for creating masterpiece magic, but, more importantly, with a heart for teaching others to discover the artist and explorer living within themselves.

Maine Art Glass Studio 51 Main Street, Lisbon Falls www.facebook.com/MaineArtGlassStudio

Colorful interpretations Nutting enjoys displaying the work of studio associates and other artists. Touring the museum, you’ll find work by his daughter, Rachel Nutting, also a stained-glass artist. Her work favors bright colors, movement, and flow; many of her pieces are functional – picture frames, jewelry boxes, and lanterns.

A large mosaic by Carrie Bracker, who teaches mosaic classes, graces one wall. Large, richly-colored stained-glass panels depict famous beloved children’s books, Bambi and Where the Wild Things Are. Commanding its own corner is “Farmer Jim,” a 3-D stained-glass replica of a family member created by artist Doreen Jordan.

A leaded glass lampshade made with some of Nutting’s collection of sea shells.

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Written by Sara Poulin | Photography by Nicole Rand

W

olfPack Fitness is an outdoor gym that specializes in group strength training. It’s a fitness experience like no other; adults and kids alike enjoy fun and unique workouts. WolfPack Fitness is also a platform for friendships and community, as well as personal growth. Many members see a

change in their mental state as well as their physical state, finding more confidence and feeling more comfortable.

LA Metro Magazine sits down with owner Luke Robinson and his “pack” to learn more about this “alternative gym” and what it’s all about.

From a low berm, Robinson assesses his group. With a mischievous twinkle in his eyes, he quickly demonstrates a choreographed dance to “Get Outta My Dreams, Get Into My Car,” by Billy Ocean. The group laughs, beeping pretend horns as they practice their dance moves and warm up on a chilly November morning. A small speaker pumps out the tunes as the group begins to loosen their muscles. Robinson demonstrates the workout for the group. It’s a typical start to a WolfPack workout and, based on the laughter and smiles, the members love it.

Taking things outside Robinson opened up WolfPack Fitness in 2011. As a Certified Nutrition Specialist and Fitness Trainer through the International Sports Sciences Association, with a bachelor’s degree in business management from the University of Southern Maine (coupled with a concentration in marketing), Robinson was in a good position to create an alternative to the “rise and grind” style gyms that most people are familiar with.

The catalyst for developing his unique workouts came one snowy winter morning. With his vehicle stuck in his gravel driveway, Robinson had to create a workout for himself using what he had in his barn and workshop. He was struck with the idea that he could train his members in an outdoor setting, just like in one of his favorite movies, Rocky IV. Offering real life activities and challenges with the benefit of building muscles and having fun, Robinson has created an alternative to traditional fitness and gym memberships.

Playing with the pack WolfPack Fitness owner Luke Robinson

Leader of the pack It’s a brilliant fall day, and the sun glitters on the Androscoggin River, which runs along Luke Robinson’s property. Keeley, a large brown hunting dog with soulful eyes, greets people as they begin to trickle in for the Sunday morning WolfPack Fitness class. There are individual stations set up for each member; bricks, sledgehammers, buckets of rocks, along with cinder blocks and wooden window weights spread out around the outdoor training space.

Robinson leads a class.

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The workouts at WolfPack Fitness are geared around everyday items. Robinson doesn’t believe that you need a fancy facility, equipment, or machines to get a good workout. He has developed an outdoor fitness routine that is designed for total beginners. His 100+ members range from ages 16 to 65. Robinson’s philosophy is that it shouldn’t feel like work and he attempts to bring a sense of fun and adventure to every workout.

Robinson applies what he refers to as “the platinum rule” to his training, a concept he learned from many of his own teachers: treat people how they want to be treated. It’s his way of really customizing the fitness experience.

“I meet my members where they are at,” Robinson explains.

“I greet members how they want to be greeted, put out the weight they request or tailor the exercises to work for them.” He embraced this concept not long after opening his gym along with what he describes as “making fitness feel more like playing outside with friends.”

While carrying buckets, dragging tractor tires and rattling big chains are fun, these amount to only 5% of the exercises you might expect to encounter. “The other 95%,” Robinson says, “are the foundations of strength training.”

With the low overhead cost of the equipment, and the workout space being on Robinson’s property in Auburn, there is no need to charge outrageous prices. Most members pay a drop-in rate for classes. WolfPack uses community boards and a Facebook group page to communicate with clients and pre-register for the classes. This keeps the class size manageable, ensures plenty of space for social distancing, and helps Robinson to set up spaces that are customized to the members who will be attending.

Come as you are Robinson considers his workouts “organic;” his members can be their authentic selves and leave expectations and judgments behind them.

“I think we all come here feeling out of our comfort zone in the beginning” member Stacey Michaud says. “We’re all scared, but then we get here and it’s so much fun. Luke makes it so interesting and easy, you end up loving it.”

Meagan Dubé, a fitness instructor herself, enjoys Luke’s classes.

Dubé says, “He uses all best practices and is constantly learning.” Michaud and Dubé both like the way Robinson enthusiastically shares any new information that he learns.

Nola Comingore has been a member at WolfPack Fitness for eight years.

The tools of the trade “It’s the only fitness program I’ve ever stuck with,” she says.

Comingore has lost a considerable amount of weight working out with Robinson, but it isn’t just about the weight loss. She has a sense of community and feels much more confident in her abilities. The workouts, along with the nutrition piece, have been a game changer for her.

What does a wolf eat?

Robinson considers nutrition to be integral to a healthy fitness program. His research on emotional disorders like anxiety, depression, and insomnia has shown him a natural correlation between these disorders and a person’s diet.

He shows members certain foods that can provide missing nutrients, improving their mental health along with their physical health. Addressing the whole person strengthens the ability to be yourself and be a member of the community.

Part of the pack “I picked the name ‘WolfPack’ because a wolf is a strong, fierce, beautiful creature that can absolutely survive on its own, but thrives in a pack,” Robinson shares. “Since we specialize in group fitness and community, it felt like a perfect fit.”

With his positive attitude and energizing approach to fitness, Robinson is adding to people’s gratitude and happiness. It is a gift that he consistently shares with his members – teaching, offering encouragement, and participating in the growth of the community.

WolfPack Fitness 432 East Waterman Road, Auburn www.facebook.com/WolfPackWorldWide

Meagan Dubé enjoys her workout.

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LA METRO MAGAZINE | WINTER 2022

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The Return of

WLAM’s iconic towers on Washington Street in Auburn

LA’s new Memories Station Written by Toby Haber-Giasson | Photography by David Fuller

I

ndisputably, WLAM-AM 1470 was Lewiston Auburn’s most popular radio station for over 40 years. Launched in 1947, the station built a loyal audience by offering a mix of local news and sports, and lots of music. As the radio business – and society at large – changed, the station also went through many changes that saw its popularity ebb.

Now, radio industry veteran Bob Bittner has relaunched the station to echo the sounds of yesteryear – but without advertising.

His gambit is bringing smiles to a grateful audience hungry for the music that many in LA grew up listening to.

WLAM owner Bob Bittner

Music on the menu “I regard WLAM as a music service that cannot be found anywhere else,” says the station’s new owner, Bob Bittner. Typically, commercial radio eschews the music of yesteryear, he explains, since that genre’s older audience isn’t appealing to advertisers.

Determined to broadcast this musical niche, he runs a lean operation and relies on listener support.

WLAM’s Memories Station format is a combination of Adult Standards and Oldies. Just how old? Songs span the 1940s through the 1970s. The station boasts a 15,000-song library, with 40 categories of music including standards, pop hits, big bands, and instrumentals.

“WLAM was on the radio all the time,” recalls Nel Meservier of Auburn, who started listening in 1950. “They kept up with the music of the day. No one talked about genres – it was all music.”

And today? “The radio in the car is on LAM 24/7,” says Meservier. “I don’t change stations.”

Dan Cote, Sr., has a special relationship to the radio station. His family business, The Cote Corporation, specializes in moving transmitter towers. But he’s a loyal WLAM listener, too. ”I’ve rediscovered it,” says Cote. “When I tuned in five years ago, I heard Bob’s voice and thought, ‘Wow! This is my kind of thing.’

“I’m offering something artistic, yet dependable,” Bittner reveals.

“Some songs are beautiful, others bring memories. It’s emotional, and that’s what I like about it.”

Bittner curates a “golden” sound under the watchwords “Melody first; lyrics second.” He researches the Billboard charts to ensure each song’s popularity. He devises the formula for each category’s “rotation,” and automated software generates a daily music log of songs that listeners hear.

You can set your clock to the sound of Kate Smith belting out “God Bless America” at 9 a.m. daily. You’ll hear the station’s original 1960s jingles throughout the day. Bittner himself offers tasty quotes and live talk-ups on Sundays from noon to 4 p.m.

On Saturdays, it’s “old-school” country and honky-tonk music in the mornings, and “Crooners & Big Bands” in the evenings.

Boomers OK Baby boomers typify the station’s demographics. We asked some devoted WLAM listeners why they love the new station.

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LA METRO MAGAZINE | WINTER 2022

Nel Meservier has been listening to WLAM for over 70 years.

By Toby Haber-Giasson | Photography by David Fuller | The Return of WLAM

The original AM transmitter (left) still powers the automated station.

Now LAM is programmed in my vehicle and my home radio; it’s good background music, plus it’s commercial free.”

“Today’s LAM is an escape, because you’re not bombarded with ads,” echoes Bob Perry. A former WLAM on-air host in the 1980s, Perry is now a broadcast engineer servicing several of Bittner’s Memories Stations. He also hosts their annual All-Holiday music show and will orchestrate the 75th Anniversary show in September 2022, with legacy WLAM hosts sharing cameos.

In this region, Perry reports, WLAM is considered a legendary station, having launched so many talented people in the radio industry.

Miss WLAM “It was a fluke.”

That’s how Laurie Ann Maloney became the one and only “Miss WLAM” back in 1962. A casual chat between her father, John J. Maloney, Jr., and station founder F. Parker Hoy, revealed the fledgling station and Maloney’s daughter shared the same initials and birth date: September 1947.

“I weighed 63 pounds, bubble hairdo, braces,” Maloney cringes.

“I was so shy – if anyone called me ‘Miss WLAM,’ I was mortified!”

As she and WLAM turn 75 years old, she embraces the station’s return. “It’s like being reunited with old friends. Every song brings back a memory – I can tell you which boyfriend I was crying over!”

Talking tech WLAM-AM 1470 pushes out a mighty 5000-watt directional signal over LA from its transmitter station on Washington Street in Auburn.

Bob Perry maintains the WLAM transmitter.

Engineer Perry explains, “And the two towers double the power electronically.”

By day, WLAM can be heard throughout most of Central Maine; by night, it reaches across Eastern Maine, Atlantic Maritime Canada and even Europe.

Listener-supported Bittner has been called the “black sheep of the broadcasting industry” for designing his business model to be funded by listener support.

Each year, he sets a modest fundraising goal to cover his operating costs – about $20,000 annually – and solicits donations “on the air.” When the goal is reached, the campaign ends. Since 2016, listener support has funded WLAM with donations averaging $50 each.

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MISS WLAM... THEN

NOW

“Miss WLAM” in 1962 for the station’s 15th anniversary

Today, Laurie Ann Maloney reminisces how each song brings back a memory

“It works,” says Bittner. “If the station didn’t have an audience, I wouldn’t be here.”

stations on “scan,” and they offer a higher fidelity sound. WLAM’s “repeater,” W247DK-FM 97.3, was christened in June 2020.

Behind the mic

Bittner’s Blue Jey Broadcasting Co. operates ten Memories Stations from his broadcasting headquarters in West Bath. Five AM stations and five FM “repeaters” draw from his enormous music library, which is comprised of listener-donated albums.

Bob Bittner started in radio in 1970, spinning discs on the overnight shift at WCMF-FM in Rochester, New York. For 20 years, he worked as disc jockey, and as a program and music director at radio stations in the Boston area, as well as WVOR-FM Rochester, and WHOA-AM in San Juan, Puerto Rico.

In 1991, Bittner expanded on his long tenure in radio by becoming an owner. He bought several stations and programmed them with “music of yesteryear.” He kept the most successful ones: WJIB-AM 740 in Cambridge, Massachusetts, and WJTO-AM 730 in Bath, Maine, purchased in 1997. Bittner added WLAM to his portfolio in 2016, when he learned that it was available.

Golden memories Bittner cues up an album cut on the turntable.

“If I ran this like a ‘regular’ radio station,” he chides, “it wouldn’t be fun.”

WLAM 1470 www.facebook.com/TheMemoriesStations

Recently, Bittner acquired several low-powered FM stations to simulcast his AM programming. Listeners can more easily find FM

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LA METRO MAGAZINE | WINTER 2022

HONOR FLIGHT

MAINE

Written by Jillian Netherland Photography by Jose Leiva

H

ow do you define a memory? These snippets of knowledge that aid in crafting our personal attributes and traits serve the fundamental role of reusing past and present experiences to form individual character, as well as helping to ensure continuity between what was and what will be. Reflecting upon the past provides different groups and generations the unique opportunity to empathize with one another through shared memories that have created a deep and lasting impact on their identity.

It is within this basis of shared memories, honoring the past and present as one, that Honor Flight Maine seeks to serve local LA veterans.

Honor Flight Network founder Earle Morse, a retired Air Force pilot and physician’s assistant, saw many World War II veterans as patients. Upon hearing their stories, Morse felt a pull to help these veterans make the trip to D.C. before health issues and age prevented them from traveling. Morse tapped into his own network, asking fellow pilots to donate their planes and their time to make this dream become a reality. The enthusiastic response led to the first Honor Flight trip on May 21, 2005, bringing 12 veterans to the D.C. memorials. By the end of that first year, 126 World War II veterans had made the trip, thanks to Honor Flight.

From Ohio to Maine, a chapter is born In 2013, Morse accepted a job opportunity that led his family to relocate from Ohio to Vinalhaven, Maine. It was there that Morse first crossed paths with Laurie Sidelinger, now Honor Flight Maine Board Chairperson and trip lead, with deep roots in Vinalhaven and a passion for honoring veterans.

Honor Flight founder Earl Morse

Photo courtesy of News Center Maine

History in the making Honor Flight Maine, a member of the national Honor Flight Network, was founded under the mission to honor America’s veterans for all their service and sacrifice. This is achieved by transporting our nation’s heroes to Washington, D.C. to tour, experience, and reflect at their respective memorials, free of cost to the veterans.

While deeply moving for all in attendance, this experience is increasingly urgent for World War II veterans, many of whom are now sole survivors of this war, visiting the memorial for their own remembrance, but also as representatives on behalf of their friends – a “bucket list” item for many veterans from all eras.

Honor Flight Maine Board Chairperson Laurie Sidelinger 38

LA METRO MAGAZINE | WINTER 2022

“Vinalhaven was a second home to me growing up,” Sidelinger recalls, explaining that her father’s construction business required him to be there during the week for work. Sidelinger and her mother would join him there on weekends. Growing up around her father’s friends in Vinalhaven, two of which were Navy veterans, left a lasting impression on Sidelinger.

“Hearing stories from these veterans made my father’s friends my heroes as a child, and they continue to be my motivation today – to honor them and make them proud. I never want to disappoint a veteran.”

Although Sidelinger’s home is in Turner, Vinalhaven has remained a large part of her adult life. In 2013, she found herself once again making weekend trips to the town, this time to play the pipe organ for a local church service. As fate would have it, Morse was the guest speaker at the same church one Sunday morning, sharing his story and his mission to make Maine a hub for Honor Flight. A mutual friend introduced Sidelinger to Morse and soon after, she was welcomed as a volunteer to Honor Flight Maine.

By Jillian Netherland | Photography by Jose Leiva | Honor Flight Maine

Granite bench, dedicated on Veterans Day 2021, honoring all veterans of the Vietnam War in Veterans Park in Lewiston “I was so emotionally moved, hearing the passion in his voice when speaking of the veterans he was caring for, and the urgency of connecting with veterans to offer this wonderful trip of a lifetime before it’s too late,” Sidelinger remembers fondly.

Although she had only learned about Honor Flight that day, Sidelinger began strategizing with her fiancé during their car ride back to Turner. Upon their return, Sidelinger hit the ground running to build Honor Flight Maine’s presence throughout Central Maine. Through planning the first Honor Flight Maine fundraiser and building as many connections as she could, it wasn’t long before applications from veterans wishing to join trips began rolling in.

“I have never felt so strongly about anything as I did about the commitment that needed to be made to veterans in our state,” Sidelinger explains.

72 hours and 30,000 feet While many Honor Flight chapters complete their trips in one day, Honor Flight Maine has always opted for three-day trips, to ensure all in attendance are able to get ample rest and thorough-

ly enjoy the experience. Onboard, veterans and their accompanying guardians – typically a family member or a matched volunteer attending for a $500 donation – enjoy many tributes, from the time the flight takes off for D.C. right up through landing back at the Portland airport at the culmination of the trip. Key components of each Honor Flight trip include witnessing the Changing of the Guard and placing a wreath on the Tomb of the Unknown Soldier in Arlington National Cemetery, paying homage at the war memorials, and enjoying delicious meals while sharing stories and camaraderie.

In keeping with tradition of honoring our nation’s heroes, each trip concludes with a warm “Welcome Home” ceremony at the airport with bagpipes and drums. This farewell is off-limits to the media, in order to preserve the surprise for the veterans returning home.

Team work makes the dream work When it comes to finding veterans in our community, Honor Flight Maine relies heavily on connections and word-of-mouth.

In 2016, when News Center Maine became a media partner and hosted a telethon, a surge of applications from veterans wishing to go on a flight followed.

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39

“Everything we are able to do is because of the generous residents of Maine,” explains Sidelinger. “Families of veterans who have gone on a trip will spread the word, wanting a friend or other family member to have the same experience.”

American Legion posts throughout the state have also been pivotal in outreach, inviting Sidelinger to speak, as well as teaming up with other veteran-focused nonprofit organizations, such as Quilts of Valor, Wreaths Across America, and Patriot Guard Riders, to connect with veterans. Donations from these same organizations, and from families, make it possible for Honor Flight Maine to provide these trips at no cost to the veterans.

Honor, legacy, and safety Honor Flight Maine has a waiting list of veterans wishing to go on a trip. Maine boasts the nation’s second highest rate for enlistment and drafting per capita, and many of these veterans still reside in the state. This makes it absolutely essential to have a prioritization process in place.

At the very top of the list is terminal illness. Thanks to Honor Flight’s TLC program, named for “Their Last Chance,” any terminally ill veteran can go on the very next flight out of any hub with their accompanying guardian. Next in priority is World War II veterans, followed by Korean War veterans, then Vietnam War veterans. For veterans who cannot participate due to medical reasons, Honor Flight Maine offers “Flightless Honor Flights” where veterans receive a boarding pass and lanyard, in addition to goggles to witness the memorials in virtual reality.

In the wake of the COVID-19 pandemic, all Honor Flight trips were temporarily suspended, with the next anticipated flight scheduled for April, 2022.

“Safety is our main focal point,” says Sidelinger, speaking of plans for the first flight in more than a year. “We, of course, want it to be an enjoyable trip, but we need to make sure our heroes return home safe and healthy.”

Safety protocols for upcoming trips include having sufficient hand sanitizer and masks, as well as COVID-19 tests on hand if needed. In the event of hospitalization, someone from Honor Flight Maine will stay with the veteran until a family member or loved one is able to join. Provided all boundaries are open, Honor Flight Maine has additional plans for a second flight, also in the spring of 2022, one exclusively to honor Vietnam War veterans, many of whom never received a warm welcome home.

Del Gendron, who enlisted in the Navy in 1943, reminisces about his Honor Flight experience in 2019.

The experience of a lifetime “It was a once-in-a-lifetime experience,” says Robert Pacios, Lewiston resident and World War II Army veteran, who went on a trip with Honor Flight Maine in July 2016 with his grandson attending as guardian.

Pacios enjoyed a dedication at the Portland Jetport before boarding his flight, and was greeted by a fire truck salute upon landing. After being escorted to their hotel by a group of servicemen and women, Pacios and the other veterans from his flight visited Fort Meade, where they were welcomed by the General in charge who joined them for a meal before visiting the D.C. memorials and monuments.

“This portion was especially meaningful and triggered a feeling in my heart,” shares Pacios. “The World War II memorial is a group of soldiers walking across a field – they all had the same uniforms and carried the same equipment that we had during the war.”

The heart and soul At the heart of every nonprofit organization is its volunteers, and Honor Flight Maine is no exception to this rule. Matthew Manke, current treasurer and dedicated volunteer to Honor Flight Maine, fell into his role almost by accident when his uncle, a Korean War veteran, received a last-minute phone call notifying him of an available seat on an upcoming trip departing in just a few days.

“When my uncle learned he would be going on an Honor Flight trip, he was asked if he had a guardian to accompany him. He enthusiastically shared that I would be happy to go with him.

After hanging up the phone with Honor Flight Maine, he called to tell me to pack my bags for the weekend,” Manke recalls with a chuckle.

Robert Pacios 40

LA METRO MAGAZINE | WINTER 2022

The trip proved to be life-changing for both of them. “Joining my uncle on the trip to D.C. is what made me want to get involved

By Jillian Netherland | Photography by Jose Leiva | Honor Flight Maine and volunteer. I love being of service to veterans and saying ‘thank you.’ I knew this is how I wanted to give back.”

In addition to administrative duties, Manke is an instrumental volunteer in helping to plan and implement Honor Flight Maine engagement events, something that has always been vital to the organization, but now holds even deeper importance since flights have been postponed. Events ranging from drive-by birthday celebrations, to fundraisers, to visits with Honor Flight “alumni” veterans in nursing homes, serve as additional gestures of gratitude, letting our local veterans know that their service is never forgotten and always appreciated.

“Seeing that their sacrifice will always be cherished, always be remembered, that what they and their friends have endured will never be forgotten – that is our goal,” says Sidelinger. She adds, “For many of our veterans, it’s a ‘bucket list’ item to see their war memorial before they die. We’re doing everything we can to see to it that they have that opportunity.”

Honor Flight Maine P.O. Box 1770, Portland • www.honorflightmaine.org

Charlie Paul and Paul St. Pierre present a wreath honoring all branches of the military at the Veterans Day ceremony in Veterans Park.

Honor Flight Maine board members: Gary St. Laurent, Laurie Sidelinger, and Matthew Manke LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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The Honor Flight Experience (Photos courtesy of Honor Flight Maine)

71 South Main St, Auburn • 207-782-1118

SERVING AMERICA

Veterans, Military, & Community Be Part of the Legacy.

Share the Vision Contact us and ask how you can become a member

AMERICAN LEGION ACT

Veterans who were honorably discharged but whose service did not fall into previous defined war era’s may now join the American Legion immediately. The eligibility now spans from Dec. 7, 1941, until a time when the U.S. is no longer at war, as determined by Congress.

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Too often, survivors are told what they should do, instead of being asked what they need.

At Safe Voices, we listen.

You’re invited to join The Blueprint, a $1 million campaign to empower survivors of domestic violence and sex trafficking to live the lives they want, without fear of abuse and violence.

Learn more.

www.giving.safevoices.org

GOING ROGUE Written by Peggy L. DeBlois | Photography by Jose Leiva

T

here’s a surprising retail experience waiting for you right in Lewiston. Rogue Life Maine, on Westminster Street, has a full selection of casual clothing items for men, women, and children, along with bags and accessories. And they’re all made locally. You can’t get a more local shopping experience than Rogue Life Maine.

jackets, canvas tote bags with local artists’ designs, accessories such as hats, gloves, scarves, and of course, packs of all sorts and sizes.

Although the family business has been around since 1969, Rodrigue says people don’t realize that it has evolved into a retail storefront selling Maine branded clothing and accessories.

“It’s truly a local shopping experience,” says Rodrigue. “We do it all in-house, the printing, and the embroidery. The bags are all cut and sewn in our Lewiston location. Everything in the showroom has been worked on right here, by local people.”

Rodrigue knew he needed help to bring Rogue Life Maine to fruition. In 2018, he hired his lifelong friend for marketing and brand development. Judy Hall brings depth in retail experience, and also manages the wholesale division of the brand, selling items to small retail shops such as Cool As A Moose. The Rogue Life Maine brand can be co-branded with other corporate logos as well.

“Mark and I are fortunate to have grown up together,” says Hall, “making our creative and design ideas blend well. Because of our history, I am able to create an image for Rogue Life Maine replicating a true Maine outdoor lifestyle.”

Hall goes on to explain that the outdoor adventure lifestyle is true to the entire Rodrigue family, which is why she uses Rodrigue, his wife, daughters, and grandchildren as models in their marketing.

The adventure begins

Owner Mark Rodrigue

Shop for adventure seekers Mark Rodrigue has spent his whole life in his family apparel business. By 2009, he wanted a new venture under the umbrella of the family company. He designed and produced a backpack, which he named for his first grandchild: the Benny Backpack.

That success eventually inspired him to start his own brand that reflects a passion for life and adventure.

Rogue Life Maine produces apparel, bags, and accessories for people seeking adventure, whether that’s for a weekend or a lifetime. The retail store includes sweatshirts, flannels, vests and

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LA METRO MAGAZINE | WINTER 2022

Family has always been at the heart of the company for Rodrigue – it’s how he grew up. From the time he was five, he was playing in the original shop on Lisbon Street while his mother, aunt, and grandmother were stitching banners, jackets, and awards.

Rodrigue’s father, Lionel “Rod” Rodrigue, was a gym teacher, football coach, and driver’s education instructor in Lewiston when he purchased American Awards in 1969, renaming it RodCo. By the mid-1970s, RodCo expanded into screen printing, from the basement of the family home. Many local people will remember the company with two names under the RodCo umbrella: Maine Awards and Rogue Wear.

The company’s biggest pivot came in the early 1980s when RodCo purchased a bag company. He worked with future hockey legend Shawn Walsh to design a hockey duffel bag. Now, Rogue Wear hockey and lacrosse bags can be found in the locker rooms of the country’s most prestigious collegiate programs. The bags carry a slogan, “Nothing holds up like a Rogue hockey bag,” and are the only ones in the industry to offer a no-questions-asked five-year warranty.

By Peggy L. DeBlois | Photography by Jose Leiva | Rogue Life Maine

The adventure continues Rogue Life Maine employs 18 local people, and its employees have longevity. A recent retiree had been with the company for 40 years, and there are still people on staff with 28-30 years of experience.

“It’s a priority to me to provide a good place to work, and to make a good product so my team can take pride in their work,” says Rodrigue. “That’s what keeps me interested to come up with new items, products, and avenues to sell.”

Rogue Life Maine will continue to produce custom companybranded materials, as that business is what keeps the lights on, according to Rodrigue. Some of the company’s longest and largest accounts are the marina’s and gift shops, Bath Iron Works, and contractors.

However, seeing how the business can expand the Rogue Life Maine brand is what excites Rodrigue. He is constantly thinking about what can be added to the brand line, with home goods being a strong contender. Furthermore, he and Hall intend to prove out the concept right here in Lewiston before moving to other locations. That move might include other Rogue Life Maine locations in the state, or even an expansion of the brand to Rogue Life Florida.

Local adventure Judy Hall

The adventure takes a turn By watching his parents run the business, Mark Rodrigue learned that if you work hard enough, things will work out. It was a lesson he would rely on heavily when the pandemic hit in 2020.

Whatever direction Rogue Life Maine takes next, Rodrigue is committed to staying in Lewiston.

“I do feel like this community is committed to doing business locally,” says Rodrigue. “Oftentimes people think they can get something better somewhere else; I like to surprise them and show them what we can do.”

Rogue Life Maine 9 Westminster Street, Lewiston • shop.roguewear.com

“During the pandemic, work just ended for us,” recalls Rodrigue.

“All my employees looked at me, asking, ‘What do you want us to do?’ We had to make changes within the framework that we have.”

The first pivot was to get into mask making, even though they had to learn how to produce them, where to get supplies, and how to distribute them. The goal was to keep people working.

And work they did. The company produced about 50,000 masks during the pandemic that were shipped across the United States.

The second pivot was based on a national fundraiser called The Tee Shirt Project. Rogue Life Maine started producing tee shirts screen printed with artwork from local restaurants. It launched a website and sold the shirts for $20 each – giving the restaurant $10 for each sale. Rogue Life Maine managed the whole project, from production to fulfillment.

Beyond local restaurants, many other small businesses that were also closed due to the pandemic, such as daycares, dog daycares, and hairdressers, got on board. Rogue Wear gave back about $25,000 to 50 local companies.

“It was a win-win for us,” says Rodrigue. “I was able to keep my staff working, and it leaves a mark on you when you are able to help the local community.”

Betty Lebel works on tote bag assembly LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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SOCIAL HOUR Highlighting great places to go and things to do in our communities.

Not Yer Mama’s

DATE NIGHT

Written by Matt Beliveau | Photography by Brewster Burns

B

ored by the same-old-same? Endlessly searching for something exciting and new? Look no further, because tucked inside the Lewiston Mall is a groundbreaking addition to LA’s social establishments.

Splittin’ Wood Axe Throwing provides rustic charm and casual atmosphere in a radical alternative to traditional outings.

Whether you’re looking for a unique date night, competitive throwing leagues, or just want to practice hitting a bullseye, there’s something interesting waiting for you here.

The pits at Splittin’ Wood Axe Throwing

Unlike any other When you first walk through the front door to Splittin’ Wood Axe Throwing (SWAT), you know that you’re in for something special.

Above the upbeat music that fills the room, the satisfying sound of thwacks – as axes hit wooden targets – is accompanied by excited voices proclaiming their bullseyes.

Patrons will find myriad types of throwing axes at the front desk.

Rental selections range from traditional wood splitters to modern tactical options. Should patrons want to practice at home, they can purchase a variety of throwing axes, knives, and shuriken (throwing stars or ninja stars) at the front desk. Bringing your own axe is also allowed, as long as it passes an inspection by the staff.

Extensive lanes The axe throwing lanes, eleven in total, stretch nearly the length of the venue, running down the left side of the room. The tops of the lanes are secured with poultry wire, for safety purposes, but allow ample views to spectate. High-top tables and stools positioned behind the pits give throwing patrons a place to sit and enjoy a drink or a bite to eat.

A longtime coach of both children’s and adult’s sports leagues, Nichols knows a thing or two about games, and the proper etiquette surrounding them.

“I’ve coached softball for middle school, and I’ve run my own adult softball team for years.” Nichols continues. A championship winner in activities ranging from kickball to volleyball and basketball, Nichols utilizes his experience as both player and coach when teaching others the fine art of the axe throw.

From childhood hobby to business “I’ve been chopping wood all my life for a wood stove. When you get done, you’re like, ‘Bet I can hit that tree over there,’” chuckles Nichols.

Nichols started thinking about his childhood hobby as a potential business endeavor when his wife, SWAT co-owner Julie Nichols, surprised him with a date night like no other. Beginning the night with a Walker Hayes concert, it culminated with a session at an axe throwing establishment in Portland. For Nichols, this date set the gears of inspiration in motion.

Patrons who aren’t throwing can enjoy a variety of food options including pizza, nachos, and hot dogs. Canned beverages – both hard and soft – are available. A digital jukebox on the back wall lets patrons pick their favorite songs.

The cost of reserving a lane is $20 an hour per person, while league nights are priced at $12 per person.

Safety coaching At SWAT, coaches show patrons the proper throwing techniques and safety measures before they can throw. Each of the three coaches has been specially mentored and trained by Christopher Nichols, owner and operator of SWAT. If you’re throwing, prepare yourself for a two-beer maximum. Safety is the name of the game, but just because they’ve got safety covered, doesn’t mean you’ll have an employee hovering over your every move.

“We’ll coach you,” Nichols says, “give you a few tips, then we actually leave you alone.”

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Owner Chris Nichols

By Matt Beliveau | Photography by Brewster Burns | Splittin’ Wood Axe Throwing of three.” Staff brackets winners and losers on a display board.

Though competitive, there is an atmosphere of merriment surrounding the events.

“As we were opening, we saw people who were hitting fours and bulls-eyes a lot and we said they might want to think about the league,” Nichols says. “That’s how it started; their love for it brought them back.”

It isn’t just about the competitive matches themselves, or payouts for the top two competitors, but about people meeting each other and finding connection through shared interest. The friendly – if not dispassionate – competition spurs people to try harder, but is ultimately about having a good time.

“You just keep playing somebody new and people become friends,” Nichols explains. Matches are rotating, meaning that throwers are playing against different people each round, and playing “best out of three” means you get a chance to win even when you lose an initial match.

Daniel Wright aims to throw That first time, he found the perfect pairing for his talents and business aspirations. Nichols, a self-described blue-collar worker, has discovered that his true passion is coaching and providing others the opportunity for a great time.

“I am a person who entertains people, and that’s what I love doing,” Nichols sums up.

“In axe-throwing,” as Nichols puts it, “you’re always getting another chance to win.”

A cut above In the end, SWAT is a unique choice, a chance to visit a social establishment that stands out from the standard fare. SWAT is the only one of its kind in the LA area. Though a relatively new trend in the arena of social sports, axe throwing itself is seeing wider popularity with Americans, with championships even being filmed for the ESPN cable network.

“Axe throwing is the bowling of the future,” Nichols says.

Besides axes, shuriken can also be thrown.

Unorthodox stress relief

As Nichols sees it, “Everybody in America loves choices, especially Mainers.” Now Mainers have the opportunity to expand the scope of their social outings, and just perhaps pick up a new passion.

Whether you’re in it for the love of the game, or just to try something new, SWAT provides a wholesome and invigorating atmosphere to enjoy with friends, family, or that special someone.

Splittin’ Wood Axe Throwing 20 East Ave, Lewiston • www.splittinwoodaxethrowing.com

There’s an enchanting quality to the act of axe throwing. There is a palpable sense of comfort and community at SWAT. Rather than tension hanging in the air, smiles and cheers fill the room.

“It really is therapeutic,” chuckles Nichols. “People that come in here unsure, shaking – after a half-hour that shaking is gone.

They’re a whole different person.”

Nichols has helped some of the younger patrons to calm their nerves. Fifteen years of age is the minimum requirement for throwers (except for private events).

“I took this kid aside. He was jumping around, energetic, I taught him how to throw an axe, and he was a whole other kid by the end of it,” Nichols says.

League of the thrown League nights – held on Wednesdays starting at 6 p.m. – are an exciting opportunity to square off with friends and acquaintances.

The league matches are two-game eliminations, with “best out

Caitlin Moran and Rachael Burns cheer on their friends.

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More than a bank.

Part of a movement.

Androscoggin is now B Corp™ certified.

We’re committed to delivering as much value as possible to you while creating stronger, more equitable communities and a healthier environment. Learn more about what this means for you at www.AndroscogginBank.com/jointhemovement.

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Written by Michael Krapovicky | Photography by Brewster Burns

B

razen Cane makes a strong onstage impression for a three-piece band – four, if you count their lighting engineer, Darren St. John. The band brings its “brazen,” well-amplified sound to audiences in clubs, pubs, or private events, catering to an extraordinarily wide range of tastes.

The band deftly infuses cover material with improvisation, while retaining the songs’ familiar hooks.

Both visually and sonically, Brazen Cane shows maintain a high standard of performance.

Scott Turner of Brazen Cane

Rhythm section Drummer Jeff Webber began playing percussion at around 14 years of age, banging on tin cans and playing along to music on cassette tapes, records, and the radio. He later played drums in local bands such as Little Sister and Stronghold.

“I auditioned for the guys at Andy’s house,” states Webber. “I got a call back a couple days later, and I was hired.”

Turner had played with bassist Chad Cummings previously, in several bands.

“Scott had called me about joining the band on the day of my 40th birthday party, on Halloween of 2011,” Cummings recalls.

“That year we got an unusually early snowstorm, dumping a foot of snow on the area – it was quite memorable.”

Cummings is a member of the faculty at Mountain Top Music Center in Conway, New Hampshire, teaching private and group lessons for 18 years. He plays guitar and keyboards, as well as bass guitar.

Jeff Webber

Musical pedigree Scott Turner has been playing guitar since he was barely out of grade school. His first instrument was viola, but he switched to guitar as he found bowed instruments were less prevalent on the radio. He became involved with numerous bands throughout Maine.

While between groups, Turner answered an ad for a fledgling rock band, placed by guitarist Andy O’Connell. Feeling immediate chemistry, O’Connell and Turner shared guitar duties, with Turner taking the lion’s share of the vocals. They went through a few different permutations of the group before assembling the core members that still play together 11 years later.

Able Wisecracks At a loss for what to name the new group, the members put their initials into a computer program that would choose potential band names from those letters. None of them particularly liked the computer’s choices, but among the examples were ‘Cain and Abel,’ and ‘Brazen Wisecracks.’

“I said to the guys, ‘Why don’t we take Brazen from Brazen Wisecracks, change the spelling of Cain, and call ourselves Brazen Cane?’” remarks Turner. “That was our name moving forward.”

Pride in performance With O’Connell leaving the band in 2011 to relocate, Brazen Cane chose to continue as a ‘power trio,’ playing songs by favor-

LA METRO MAGAZINE WINTER 2022 54 Fun lights and Animal, the| Muppet, are part of the Brazen Cane experience.

By Michael Krapovicky | Photography by Brewster Burns | Brazen Cane Playing live music outdoors during the pandemic was cathartic for many of the band’s friends in Auburn.

“My wife and I have an annual Pond Party on Taylor Pond, inviting people to view our band from their kayaks, jet skis, and boats,” says Webber. “The outdoor gigs were a hit while bars, pubs, and clubs weren’t having entertainment.”

Brazen Cane gigs attended by Cummings’ family were always special ones for him.

“My grandmother came to a gig at the Mill House Pub in Mechanic Falls on her 89th birthday,” Cummings relates. “The entire club joined us in singing ‘Happy Birthday’ to her. She stayed till closing time!”

Originals Brazen Cane writes and records original music, despite busy touring schedules, family life, and day jobs.

The writing process for Brazen Cane is fairly democratic, with one member bringing an idea for a basic structure for the others to amplify.

Chad Cummings ite artists, including Johnny Cash, Godsmack, Incubus, Allman Brothers, and Cream, all with a bold yet danceable groove.

“We do the standard stuff people expect, but you might hear something off-the-wall that you wouldn’t normally hear a bar band play,” says Turner. “We take pride in our playing, striving to improve with every performance.”

“Like three chefs working on one recipe, one of us has the idea for the meal, and the others add our spices to flavor things up,” Turner describes. “It’s all a team effort; we try to contribute however we can.”

“We have a single out, ‘Perfect Pickup Line,’” Turner shares.

“Chad came up with the idea, and we all added our pieces and parts.”

The band uses their ability to play well to both accentuate cover material, and give it a signature Brazen Cane stamp.

“People’s musical tastes are vast nowadays,” agrees Cummings.

“We found that if you can travel through different musical genres and mix it up, you’ll have a better chance of keeping a crowd.”

Interplay Brazen Cane’s members feel their onstage interaction and offstage friendship are strong facets of their appeal.

“I always make it a point to visit the other zones of the stage,” says Cummings. “I’ll visit Jeff behind the drum set, working my way over to Scott’s side of the stage and groove out beside him many times during the show.”

“I can’t imagine myself playing in any other band,” says Webber.

“I feel very blessed to be surrounded with such talented musicians. Not only do I consider these guys my friends, they also are my family.”

Special gigs “Playing the Great Falls Balloon Festival and seeing the hot air balloons taking off while we were playing was a cool event,” recalls Turner. “We really enjoyed playing a community festival, a family atmosphere.”

Scott Turner LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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Brazen Cane plays for a packed house at the Olde Mill Tavern in Harrison.

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By Michael Krapovicky | Photography by Brewster Burns | Brazen Cane

Perils of playing Though playing shows may seem easy and fun, there are hardships to face.

“It takes a lot of work to be successful,” Turner decries. “People have no idea how much time you spend, working on equipment and travel, booking gigs and accommodations, to have everything you need for the show.”

“We need to support each other to coexist,” Turner insists.

“There’s no need to put other bands down to get ahead. We need to work together to create a successful entertainment industry.”

Brazen Cane www.brazencane.com

The recent pandemic has both venues and musicians seriously considering the risks that can ensue from live performances.

“COVID has decimated the music business. Outside venues are doing OK, but people still aren’t feeling comfortable congregating inside,” says Turner. “The last thing we want to do is put anyone at risk.”

Turner attributes having solid familial support to being able to overcome obstacles as a band.

“Our wives are very supportive – they enjoy going out on the road with us, to dance, and meet new people.” Turner adds, “Before booking a show, I always check with the guys, and our families too, to see if they are feeling comfortable about performing.”

Cohesive community Brazen Cane is mindful of the cohesion necessary between acts here in New England’s music community.

Super fan Leifann Higgins enjoys the show.

LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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Hope & digni in a new spac Written by T.S. Chamberland | Photography by Nicole Rand

Executive Director Elise Johansen, and Director of Development Victoria Stanton

ity ce S

afe Voices, formerly known as the Abused Women’s Advocacy Project (AWAP), was established in 1977 and currently provides services to survivors of domestic abuse and violence, and sex trafficking in three counties: Franklin, Oxford, and Androscoggin.

Since its inception, the agency has evolved in its role as part of a movement to end domestic violence, providing access to safety, support and other resources to all survivors, regardless of gender identity. The evolution has created a more “sophisticated” organization, according to Executive Director Elise Johansen, where staff undergo “robust training” and have established strong relationships with community partners.

The agency’s new location is undergoing renovations to better accommodate its mission and the people it serves by creating a comprehensive resource center. The Blueprint is a $1 million capital campaign, the first in the agency’s 45-year history, and the largest ever for a domestic violence organization in Maine.

Safe Voices in Lewiston

Bursting at the seams

New space

Safe Voices (SV), one of eight domestic violence agencies in the state, has provided shelter and services to survivors, fostered community partnerships through specialized training and education, and held numerous awareness activities. Director of Development and Engagement Victoria Stanton explains SV also provides a “tremendous amount of civil and criminal court advocacy.” The agency also facilitates an offender accountability program.

The new building, at 100 Lisbon Street in Lewiston, is four times larger than their previous location and will include three major spaces: a program hub, a free boutique, and a training center, in addition to staff offices and meeting rooms. It takes the agency and its work “out of the shadows” by being centrally located, which will hopefully invite more open conversations, and help eliminate the stigma around domestic abuse and violence.

SV works with other area agencies to ensure that it isn’t duplicating services and is providing the most well-rounded approach to support and assistance possible, while maintaining a safe and secure environment.

Serving 1,500-2,000 unduplicated survivors in their catchment area each year, the organization has doubled its staff and expanded programs since 2015, making the old location feel as though it was “bursting at the seams.”

“The reason we outgrew our former space was that we were meeting the needs of survivors based on what they were telling us they needed, so we added more staff and created new programs,” Executive Director Elise Johansen explains.

“The whole ethos of the space is to attend to the long-term needs and the wrap-around needs that survivors have postcrisis,” Stanton adds.

The 12,000 sq. ft. resource center is currently under renovation.

Though much of the space is still raw, the trauma-informed designs include a program hub on the main floor where survivors will have access to computers and technology, a family lounge area where they can attend support groups and film screenings, as well as a kitchen area. According to Stanton, the agency was mindful of the space they wanted to create, one that “would facilitate healing and community building” and bringing food into it was part of that.

SV has resource centers in Rumford, Farmington, South Paris, and Lewiston, as well as numerous shelters and transitional housing.

Knowing what that potential and opportunity could mean to the community and the survivors served, Johansen says she knew the agency had to find a new location.

Safe Voices’ work takes resources, community, choices, awareness, and attention to the reality of domestic violence and sex trafficking – all of these things need to be present, in order to create a community where people can all be safe at home.

Johansen thought about how the new space could make the domestic violence center feel like “a center full of resources.” A building “checked off every box on the list” of what she said the agency wanted.

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The lounge area

By T.S. Chamberland | Photography by Nicole Rand | Safe Voices “This work to end domestic violence – the supporting of survivors of domestic violence – started around kitchen tables,” Johansen shares.

The lower level will include the free boutique, with items from clothing to furniture and home goods. The items will be displayed in sets and by sizes on racks and shelves, allowing survivors to shop as much as they would in any other store.

“People will be able to find what they need with dignity,” Stanton says. “Because what’s happened to them is through no fault of their own.”

Completing this level will be a fully tech-enabled center ideal for trainings, and will provide the flexibility for in-person and virtual attendance. The space will be separate from the rest of the resource center with its own entry, so the agency can make it available for use as flexible community meeting space via key code access.

“We do a tremendous amount of training in any given year,” Stanton details. “We do school-based, age-appropriate education, but also a lot of specialized training with different providers in the community.”

Surviving is just the beginning Noelle Coyne and her daughter, Alyssa, are survivors of domestic abuse and violence. Both women credit their large support system and access to a variety of channels from law enforcement to legal for Alyssa being alive and well today. Their belief that all survivors deserve access to support and resources prompted them to join Safe Voices’ staff.

The women recognize that their experience is a privilege that few survivors ever get. With the support of family, friends, and financial means, Noelle was able to help Alyssa leave her abusive ex-boyfriend 10 years ago. While on the phone with Alyssa on the day she was trying to leave the relationship, Noelle saw a Safe Voices flyer. Though she didn’t call the agency then, she was committed to being part of something bigger once her daughter was safely home.

“Because of the fact that she was able to get out and survive, I wanted to give back to others,” explains Noelle, who has been with the agency for nine years and serves as the director of shelter and housing services.

Statistics show that the first 72 hours after fleeing abuse is the most dangerous and lethal time for a survivor, according to Will Averill, author of “8 Things You Should Know About Domestic Violence and 5 Things You Can Do to Help.” On average, it takes someone seven times to leave an abusive relationship for good.

There are many reasons for that, and both Noelle and Alyssa are passionate about shifting focus away from why a person “doesn’t just leave.”

“It doesn’t just end once you get out the door, it doesn’t stop at that point,” explains Alyssa, who now serves as volunteer/intern program manager.

When survivors leave an abusive relationship, they often leave with little more than the clothes on their backs. Their abusers, in many cases, have taken their identification and important documents from them. Survivors often find themselves without a phone or access to money; some are even forced to leave their jobs because their abuser knows where they work, and many

Alyssa & Noelle Coyne experience food insecurity. Leaving is by far the most dangerous and difficult thing survivors do, Noelle explains. Without support in place, leaving can become so overwhelming they sometimes return to the abusive relationship.

“There’s so many obstacles they have to overcome after they leave,” Noelle explains.

It takes a community SV received a 24% increase in helpline calls statewide at the onset of the pandemic. This increase has shined a brighter light on the issue of domestic violence and the overwhelming need for support resources. Whether people are only just realizing the scope and severity of the problem or have been longtime supporters of the agency and the cause, there is a willingness of people in the community to make domestic violence and the new resource center a priority.

“This project is something that people can lean into,” Stanton conveys.

Jim Pittman, a new Safe Voices supporter and donor, is “leaning in.” He says he’s seen mental, verbal, and physical abuse in his lifetime, and described witnessing the domestic abuse of a family member as “very painful” and “terrible.” He was unaware of the agency’s existence until recently.

LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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Helpline:

1-800-559-2927

The Boutique

The Hub

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The Training Center

By T.S. Chamberland | Photography by Nicole Rand | Safe Voices “I didn’t realize there was anyone to call. I had no idea. If there had been a Safe Voices in her community, it would have been a totally different story,” Pittman elaborates.

It wasn’t until he was contacted by Better Homes and Gardens - the Masiello Group about a potential lease of the building on Lisbon Street that Pittman became aware of the agency. He ultimately sold the building to the agency and says he didn’t hesitate in becoming a donor. As for what might prompt others to give, he says it’s different for everyone.

“With recognition will come donations,” Pittman says. “People like me are going to be moved, realizing something like this is available.”

He wants people to be aware of the prevalence of domestic abuse situations going on around them and he wants them to know there’s someone for them to call, to talk to, and who can help them get out of that abusive situation. The awareness of the agency and all it offers motivated him to get involved.

“I don’t think most people in our area have a clue there’s someone there to help them,” Pittman explains. He says of Safe Voices, “They’re unsung heroes. It’s totally amazing what they’re doing.”

The Blueprint campaign Getting the word out on SV’s capital campaign, The Blueprint, has been a multi-faceted process. From a radiothon to video town-hall style meetings, social media posts, email campaigns, and numerous tours of the new location, Johansen says they’re using every opportunity to talk about domestic violence and sex trafficking, and all that Safe Voices does to serve the survivors of these crimes and our community.

When people hear the words “capital campaign,” Johansen says it’s common for them to believe that it’s strictly about large donations. The agency wants to dispel that thinking by encouraging anyone who can donate to do so. Regardless of how big or small, any amount matters.

“Every single dollar really does count,” Johansen explains. “Survivors deserve for all of us to be ‘all in.’”

Donations can be made as a one-time gift or they can be made on a monthly, quarterly, biannual, or annual basis, and can be gifted in honor or memory of someone. Pledge options are also available, meaning you can spread your donation out with equal payments over a two-year period.

The pandemic created a surge in pricing for supplies and construction materials around the world, affecting cost projections dramatically. Some of the materials needed to build out the new resource center have increased anywhere from 17% to 100%, meaning that $1 million won’t go as far as it would have before the pandemic.

The issue touches everyone Today’s reality is that the issues of domestic abuse and violence and sex trafficking have far-reaching effects. Statistics show that 1 in 3 women, and 1 in 4 men, have been abused in a relationship, so there is no denying it is a community-wide problem, says Johansen. The main focus is nearly always on the survivors, yet for every survivor there is also an abuser. This skewed perception is one that needs to be seen and responded to by the community as a whole.

“Domestic abuse and violence affect all of us,” Johansen says.

The stigma and “in the shadows” treatment of domestic abuse and violence and sex trafficking have long been akin to blinders; if it isn’t acknowledged, it isn’t happening. But it is happening, and to people from every walk of life and demographic.

“It’s not somebody ‘over there’ who has this type of problem, it’s not a certain type of person or certain group of people. It can literally happen to anybody,” Stanton explains.

Safe Voices 100 Lisbon Street, Lewiston • safevoices.org

LA METRO MAGAZINE digital edition @ LAMetroMagazine.com

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LA METRO MAGAZINE | WINTER 2022

The Chapman House has private rooms available for residents, aged 65 and older, that need assistance with bathing, medications, and meals.

We provide a warm and comfortable home for our residents

41 Pleasant Street Auburn

207-783-0961