17th
L’ORGANO 1979–2019 PICCOLO SPOLETO
2
WELCOME TO L’ORGANO 2019 I would like to extend a warm welcome to each of you as we celebrate forty years of pipe organ music! Since 1979, L’Organo is the only music series that has run through the forty-one years of Piccolo Spoleto in its original form, with the exception of 1990, when L’Organo was cancelled in the aftermath of Hurricane Hugo. Initially, recitalists were mostly drawn from local and regional talent, professors, students, and church musicians; today our well-known organ series attracts talent nationwide. It has provided a platform for some fine young players at the start of their careers and highlighted many seasoned professionals. It is with great enthusiasm that we introduce a choice line-up of recitals including two piano and organ duos with works of impressive virtuosity. Two recitals with other instruments will feature diverse organ music selections accompanied by the trumpet and/or cello. I am pleased to announce the return to the series of St. Philip’s Church and St. John’s Lutheran Church, with its rebuilt console. The anniversary program book contains complete lists with names of indiviuals, groups, venues, events, and sponsors who have been essential for the success of L’Organo. Since our first recital, the series has presented the organ music of over 500 composers from the fourteenth to the twenty-first century–from Abreu to Zipoli, consisted of standard repertoire by the great masters, much unfamiliar literature, transcriptions, avant-garde, and premiered works. The book includes a catalog with names of composers, titles of compositions, and years performed. On behalf of the L’Organo committee, thank you to all of the musicians whose passion and skills will create memories not easily forgotten. Thanks also to the co-sponsors and donors; congregations, clergy, organists, and staff at the host churches and chapel, who so kindly provide the use of their instruments and historic buildings. To our audience, your attendance over many years is greatly appreciated and the generous freewill offerings enable L’Organo to present these quality recitals. Sincerely,
Robert E. Gant, DMA Chair, L’Organo Image: 1979 Piccolo Spoleto program book. Collection of the South Carolina Historical Society, courtesy of the John Bennett Estate-silhouettes. 3
IN APPRECIATION Ellen Dressler Moryl Described as “an artistic whirlwind,” Ellen Dressler became the appointed Director of Cultural Affairs, City of Charleston in 1978. As the newly organized program named Piccolo Spoleto premiered in 1979, she played the central role in developing this city-sponsored festival designed to highlight southeast regional talented artists, performers, and writers. Presented concurrently with Spoleto Festival USA, Piccolo Spoleto provided admission-free events to all neighborhoods of the community, and encompassed varying mediums including art, music, dance, and drama. Upon her retirement in 2013, then Mayor Joseph P. Riley, Jr. called Ellen “part of the creative and artistic heart of the city.” Piccolo Spoleto remains one of her most significant legacies. Ellen is commended for her visionary leadership which has so richly benefitted the arts for the City of Charleston and the State of South Carolina.
William D. Gudger Co-founders William Gudger and Benjamin Hutto organized a Piccolo-sponsored, church-related daily morning series featuring the pipe organs in several downtown historic churches. They named the series “L’Organo: The Organ In Recital.” During the initial years of L’Organo, Bill worked tirelessly to promote the series, ensuring its success for many years to come. He served as a coordinator for a total of sixteen years, and continues as a valuable consultant. His contributions to the musical life of Charleston have extended far beyond L’Organo: as a professor of music, church musician, accompanist for innumerable ensembles, and soloist.
In memoriam W. Benjamin Hutto, III (1947–2015) Charlestonian Benjamin Hutto served on the L’Organo committee for six years and performed or assisted twelve recitals during his stay in Charleston. Ben initiated “Kids meet the King of Instruments”; a program demonstrating the pipe organ for schoolchildren. His efforts to highlight music of the pipe organ as the centerpiece of Piccolo Spoleto’s classical music program has created a greater public awareness and appreciation of the organ in recital and the instruments in Charleston. He later became Organist/Choirmaster at St. John’s Church, Lafayette Square, Washington, DC, and Director of Performing Arts at St. Albans School for boys and the National Cathedral School for girls.
Scott Watson Scott Watson began his tenure as executive director at Charleston’s Office of Cultural Affairs in 2013, where he oversees more than 500 performing, literary, and visual arts events during the seventeen- day Piccolo Spoleto Festival. Other largescale events under his direction include Holiday Magic in Historic Charleston, City Gallery at Waterfront Park, Charleston Farmers Market, and MOJA Arts Festival, to name a few. His efforts are foremost on issues that affect the creative sector and local artists that enrich the community. Scott is an avid advocate for promoting diverse cultural programs as a resource for artists and audiences alike. His passion and knowledge is evident as he continues to fulfill the City of Charleston’s longstanding tradition of artistic excellence. 4
1979 Piccolo Spoleto program book cover design by Laura Katz. 5
RECITAL SCHEDULE Sunday, May 26, 3 p.m., Pamela Meys Kane, Bluffton, SC .............................................. 7 Holy Spirit Lutheran Church, 3075 Bees Ferry Road, West Ashley Monday, May 27, 10 a.m., Lee Kohlenberg, Charleston, SC ............................................ 8 Grace Church Cathedral, 98 Wentworth Street Tuesday, May 28, 10 a.m., Jonathan Schakel, Charlottesville, VA ................................... 9 Cathedral Church of St. Luke and St. Paul, 126 Coming Street Wednesday, May 29, 10 a.m., James F. Mellichamp, Demorest, GA.............................. 10 Cathedral of St. John the Baptist, 120 Broad Street Thursday, May 30, 10 a.m., Richard Gray, Saint Paul, MN ............................................ 11 St. Philip’s Church, 142 Church Street Friday, May 31, 10 a.m., Eli Roberts, Houston, TX ........................................................ 12 St. Matthew’s Lutheran Church, 405 King Street Sunday, June 2, 3 p.m., Yvonne Chen and Yuri McCoy, Houston, TX ........................... 13 Summerall Chapel at The Citadel, 171 Moultrie Street Monday, June 3, 10 a.m., Robert Gant, Damian Kremer, Antonio Marti, Charleston, SC..14 St. Matthew’s Lutheran Church, 405 King Street Tuesday, June 4, 10 a.m., John Walthausen, Philadelphia, PA ........................................ 15 Cathedral of St. John the Baptist, 120 Broad Street Wednesday, June 5, 10 a.m., Seipp / Sheets Duo, Stafford, VA ...................................... 16 First (Scots) Presbyterian Church, 53 Meeting Street Thursday, June 6, 10 a.m., John Nothaft, Vienna, VA .................................................... 17 St. John’s Lutheran Church, 5 Clifford Street Friday, June 7, 10 a.m., Lisa Kiser and David Kiser, Greenville, SC .............................. 18 St. Michael’s Church, 71 Broad Street
L’ORGANO: THE ORGAN IN RECITAL, 1979–2019 1979 L’Organo Program Cover ....................................................................................... 19 Featured Organists ........................................................................................................... 20 Assisting Artists............................................................................................................... 21 Coordinators and Associates, Assisting the Series, Curators, Program Book/Printing .... 22 Churches, Chapels, Synagogue; Recital Sponsors ........................................................... 23 Special Events ................................................................................................................. 24 1979 Image ...................................................................................................................... 25 1984 Midnight Gala Program .......................................................................................... 26 Composers, Composition Titles–Movements, Performance Years .................................. 27
INFORMATION L’Organo Committee, Office of Cultural Affairs Staff, Additional Co-Sponsors/Donors, Program Book, Parking, Cover Artist, 2020 Contact for Application .................... 50 6
Sunday, May 26, 3 p.m.
Holy Spirit Lutheran Church
PAMELA MEYS KANE John READING A Trumpet Air I(1685/6–1764) Johann Sebastian BACH Prelude and Fugue in D major, BWV 532 I(1685–1750) César FRANCK Prélude, Fugue et Variation, op. 18 (1860–62) I(1822–1890) Firmin SWINNEN Longwood Sketches (1927) I(1885–1972) Sunshine (Toccata) Firmin SWINNEN Aria (1952) John Knowles PAINE Concert Variations on “The Star-Spangled I(1839–1906) Banner,” op. 3, no. 2 (ca. 1861) edited by Dale K. Tucker
Pamela Meys Kane received a Doctor of Musical Arts in Organ from the University of North Carolina at Greensboro where she studied with André Lash and Andrew Willis (harpsichord). While at UNCG, she served as a graduate assistant in the keyboard department with responsibilities that included teaching secondary organ and piano, coaching UNCG Opera singers, and accompanying University Chorale, Women’s Glee, and Chamber Singers with whom she recorded several works for Hinshaw Music Publishing. She earned a Bachelor of Music in Organ Performance and a Master of Liturgical Music from The Catholic University of America in Washington, DC, where she studied with Robert Grogan, Conrad Bernier, and George Baker. She has played in master classes with Jean Langlais, Marie-Claire Alain, and Marilyn Mason. While at CUA, she served as an assistant organist at The National Shrine of the Immaculate Conception. Dr. Kane is currently Music Director/Organist at the 10,000-member Saint Gregory the Great Catholic Church in Bluffton, SC. Her musical career includes a tour with Marilyn Mason of Swiss, German, and French organs, being a semi-finalist in the University of Michigan International Organ Competition, and being selected for the Master Teacher Collaborative with the New Jersey Symphony Orchestra. Her dissertation on Firmin Swinnen and the Longwood Sketches is included in the UNCG digital online collection at https://libres.uncg.edu/ir/uncg/clist.aspx?id=7851. Sponsored in part by John-Paul Buzard Pipe Organ Builders. 7
Monday, May 27, 10 a.m.
Grace Church Cathedral
LEE KOHLENBERG C. Hubert H. PARRY Fantasia in G, op. 188 (1912) I(1848–1918) Herbert HOWELLS Psalm Prelude Set II, No. 2 (Ps. 139:11) (1939) I(1892–1983) William MATHIAS Variations on a Hymn Tune, op. 20 (1963) I(1934–1992) George THALBEN-BALL Elegy (1944) I(1896–1987) Herman BERLINSKI The Burning Bush (1957) I(1910–2001) Harold DARKE Choral-Fantasia on Darwell’s 148th, op. 20, no. 2 I(1888–1976) (1919) Marcel DUPRÉ Variations sur un Noël, op. 20 (1922) I(1886–1971)
Lee Kohlenberg retired after 40 years as full-time organist-choirmaster, serving for 18 years at St. Michael’s Episcopal Church, Charleston, SC. Other postions include St. Stephen’s Episcopal, Sewickley, PA; The Cathedral of St. James, Chicago, IL; All Saints, Pawley’s Island, SC; and University Methodist, Austin, TX. He holds a Bachelor of Music in Organ Performance from the University of Texas (Austin) and a Master of Sacred Music from Union Theological Seminary, NYC. Lee has played recitals in Charleston, SC; Atlanta, GA; Austin, TX; the National Cathedral, Washington, DC; St. Thomas, St. Bartholomew's, St. James, and St. John the Divine, New York City; Chicago, Pittsburgh, and Kansas City. He has served as Dean of American Guild of Organists chapters in Charleston, Chicago, and Pittsburgh and served as coordinator for L’Organo (eleven years), Festival of Churches, and Choral Artists Series for Piccolo Spoleto in Charleston. Since retirement, in addition to substitute work, he has served as interim in Charleston at Redeemer Lutheran, Christ our King, St. Mark’s Episcopal, Grace Church Cathedral, First Scot’s Presbyterian; as well as St. Luke’s Lutheran, Summerville, SC; St. Paul’s Episcopal, Nantucket, MA; Christ Church, Charlotte, NC; and First Presbyterian Church, Tyler, TX. He lives in Charleston with his wife, Elsie.
8
Tuesday, May 28, 10 a.m.
Cathedral Church of St. Luke and St. Paul
JONATHAN SCHAKEL Jan Pieterszoon SWEELINCK Fantasia Chromatica I(1562–1621) Heinrich SCHEIDEMANN “Jesus Christus, unser Heiland” I(1595–1663) William BYRD Three Renaissance Pieces (ca. 1540–1623) Callino Casturame The Queene’s Alman La Volta Ad WAMMES Toccata Chromatica (2008) I(b. 1953) Samuel SCHEIDT Bergamasca, SSWV 560 I(1587–1654) Jacques van OORTMERSSEN Chorale Preludes for organ I(1950–2015) Psalm 72 Psalm 77 “Nun ruhen alle Wälder” Dieterich BUXTEHUDE Præludium in D minor, BuxWV 140 I(ca. 1637–1707) Jonathan Schakel is a DMA candidate in performance practice at Cornell University, where he studies with Annette Richards and David Yearsley. He holds a master’s degree in organ and early music from Longy School of Music in Cambridge, MA, where he studied organ and harpsichord with Peter Sykes and continuo with Frances Conover Fitch. He has pursued further studies with Lorenzo Ghielmi, Luigi Ferdinando Tagliavini, and Olivier Latry, and has participated in the summer organ academies in Smarano, Italy; Haarlem, the Netherlands; and McGill University, Montreal. Jonathan has given organ recitals in the Netherlands, Germany, Scotland, and many in the United States, including performances at Harvard; Princeton; Trinity Church, Boston; St Giles' Cathedral, Edinburgh; Ludgerikirche, Norden, Germany; and de Engelse Kerk, Amsterdam. His editions of Renaissance vocal music have been performed in the US, England, and Germany. Jonathan works as an advisor and collaborator with the early music vocal ensemble Zephyrus in Charlottesville, VA. He is currently organist at Westminster Presbyterian Church in Charlottesville. www.jonathanschakel.com 9
Wednesday, May 29, 10 a.m.
Cathedral of St. John the Baptist
JAMES F. MELLICHAMP Felix MENDELSSOHNBARTHOLDY Sonata in C minor, op. 65. no. 2 (1844) (1809–1847) Grave Adagio Allegro maestoso e vivace Fugue: Allegro moderato Johann Sebastian BACH Fantasy in G major, BWV 572 I(1685–1750) (“Pièce d’Orgue”) Nicolas de GRIGNY Messe pour orgue (1699) I(1672–1703) Gloria: Récit de Tierce en taille Claude BALBASTRE Canonnade I(1724–1799) César FRANCK 3 Pièces pour grand orgue, FWV 37 (1890) I(1822–1890) Pièce héroïque Gabriel PIERNÉ Trois Pièces, op. 29, no. 2 (ca. 1892 ) (1863–1937) Cantilène Charles-Marie WIDOR Symphony No. 8, op. 42, no. 4 (1885) (1844–1937) Finale
With a performance career spanning forty-five years, James F. Mellichamp has made prominent appearances as an organist throughout the United States, Canada, Europe, and Asia. His concerts have included solo recitals at such notable venues as the Washington Cathedral, Berlin Cathedral, Dijon Cathedral, Cathedral of Notre Dame in Paris, Moscow Cathedral of the Immaculate Conception, St. Paul’s Cathedral and Westminster Abbey in London. As an organ consultant, he has been responsible for the design of over fifty organs for churches and colleges in the United States. Since 1982, Dr. Mellichamp has been a faculty member at Piedmont College, an independent university in Demorest, GA, where, as Professor of Music, he maintains an active studio of young organists. After years of service as Dean of the College, and later Vice President-Provost, he was named President of the College in 2012. He received a baccalaureate degree in organ performance from Huntingdon College in Alabama, a Diploma from the Hochschule für Musik in Herford, Germany, and a Doctor of Music from Indiana University, Bloomington. www.piedmont.edu/james-mellichamp
10
Thursday, May 30, 10 a.m.
St. Philip’s Church
RICHARD GRAY Gordon JACOB Festal Flourish (1956) I(1895–1984) Craig PHILLIPS Psalm Prelude (Ps. 40:1-3) I(b. 1961) Healey WILLAN 10 Hymn Preludes, Set 1, No. 3 (1956) I(1880–1968) Prelude on “Hyfrydol” Johann Sebastian BACH Toccata, Adagio, and Fugue in C major, BWV 564 I(1685–1750) Jehan ALAIN Variations sur “Lucis Creator,” JA 27 (1932) (1911–1940) Theme Variation I Variation II: Thema fugatum Louis VIERNE Symphony No. 3 in F-sharp minor, op. 28 (1911) (1870–1937) Adagio Final A native of Beaufort, SC, Richard Gray is the newly appointed Director of Music for St. John the Evangelist Episcopal Church in St. Paul, MN. He completed the 2017–18 year as the Inaugural Organ Scholar of St. George’s Episcopal Church in Nashville, TN. He holds degrees in organ performance from Southern Methodist University, Dallas, TX, and Oberlin Conservatory of Music, OH, studying with Stefan Engels and James David Christie, respectively. Additional studies have been at the McGill Summer Organ Academy in Montréal and the 2017 Atlanta Summer Conducting Institute as a Conducting Fellow. During his graduate studies at SMU, he was engaged as an organist at Highland Park Presbyterian Church, as an accompanist for both the Chancel Choir and Highland Park Chorale. Richard has served as Assistant Course Organist for the 2016 Royal School of Church Music Course in Raleigh, NC. He won the prize for Hymn Playing Excellence (Alamo American Guild of Organists Award) in the 2016 William C. Hall Pipe Organ Competition in San Antonio. As a recitalist, Richard has performed concerts in notable venues throughout the United States including Myers Park Baptist Church, Charlotte, NC; National City Christian Church, Washington, DC; The Church of the Covenant, Cleveland, OH; St. Helen’s Episcopal Church, Beaufort, SC; Trinity Church on Copley Square, Boston, MA; Highland Park United Methodist Church, Dallas, TX; and Cathedral Church of St. Luke and St. Paul, Charleston, SC. https://soundcloud.com/grayr3
11
Friday, May 31, 10 a.m.
St. Matthew’s Lutheran Church
ELI ROBERTS Jean SIBELIUS Finlandia, op. 26 (1900) I(1865–1957) transcr. Herbert A. Fricker
Johann Sebastian BACH “Wir danken dir, Gott,” BWV 29 (1731) I(1685–1750) Sinfonia transcr. Alexander Guilmant
Johann Sebastian BACH Prelude and Fugue in D major, BWV 532 Percy WHITLOCK Five Short Pieces (1929) (1903–1946) Folk Tune Herbert HOWELLS Psalm Prelude, Set II, No. 3 (Ps. 33:3) (1939) I(1892–1983) Dan LOCKLAIR Rubrics (A Liturgical Suite for Organ) (1988) I(b. 1949) “The Peace May Be Exchanged” Henri MULET Esquisses byzantines (1914–19) (1878–1967) Rosace Tu es petra et portæ inferi non prævalebunt adversus te (Thou art the rock and the gates of hell shall not prevail against thee)
Eli Roberts serves as Associate Director of Music and Principal Organist at St. John Vianney Catholic Church, a large thriving parish in West Houston, TX. He holds a Bachelor of Music from Utah State University and a Master of Music from the University of Houston. His teachers include Ethelyn Peterson, Dr. Matthew Dirst, and Dr. Robert Bates. Eli has competed and placed in various national and international organ competitions. Recently, he served as the consultant for and oversaw the installation of a new pipe organ for St. John Vianney. Austin Organs, Inc., Hartford, CT, built the instrument of 4-manuals and 62 ranks. In addition to his church duties, Eli composes service music that is used in weekly liturgies and accompanies choirs at local schools. www.youtube.com/organpipe
12
Sunday, June 2, 3 p.m.
Summerall Chapel at The Citadel
YVONNE CHEN and YURI MCCOY Piano and Organ
Robert ELMORE Rhumba (1954) I(1913–1985) Sigfrid KARG-ELERT Romantisch (1915) I(1877–1933) Witold LUTOSLAWSKI Piano Concerto (1988) (1913–1994) I. j = 100 II. Presto III. È = 85 IV. q= 84 Francois COUPERIN Les Barricades mystérieuses (1716–17) I(1668–1733) Johannes BRAHMS Prelude and Fugue in G minor (1887) I(1833–1897) Alexander TSFASMAN Jazz Suite for Piano and Orchestra (1945) (1906–1971) Lyric Waltz Presto Yuri McCoy is currently a doctoral student at the Shepherd School of Music in Houston, TX, where he studies with organist Ken Cowan. In addition to his academic studies, Yuri is also Organist at South Main Baptist Church. He recently performed for the 2016 AGO National Convention under the direction of Dr. Brady Knapp. In the summer of 2015, he traveled to Leipzig to study organ with Stephan Engels at the Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy." Yuri received a Master of Music in piano performance from the University of Hawai'i at Mānoa in 2010 and earned a Bachelor of Fine Arts at Marshall University in 2003, studying piano with Dr. Leslie Petteys. He won the Concert of Soloists Competition, the WVMTA Mountain State Collegiate Piano Competition, and the Belle and Lynum Jackson Competition– Marshall University’s top honor in music. www.yurimccoy.com A native of suburban Washington, D.C., Yvonne Chen received her Bachelor of Music from the Juilliard School studying with Matti Raekallio. After moving to Houston for her Master of Music from Rice University's Shepherd School of Music studying with Brian Connelly, she is currently pursuing her doctorate in Piano Performance while on the faculty of St. John’s School. With a strong interest in new music and entrepreneurship, she took a business class at the Jones Graduate School of Business and subsequently started Loop38, a Houston-based contemporary music collective, where she is pianist and co-director. www.pianistyvonnechen.com Sponsored in part by Cornel Zimmer Organ Builders. 13
Monday, June 3, 10:00 a.m.
St. Matthew’s Lutheran Church
ROBERT GANT
DAMIAN KREMER, cello / ANTONIO MARTI, trumpet Giuseppe TORELLI Trumpet Concerto in D major (after 1705) (1658–1709) Presto–Adagio–Allegro arr. Michael Rondeau
Damian Kremer / Antonio Marti
Johann Sebastian BACH “Das alte Jahr vergangen ist,” BWV 614 (1685–1750) Fugue in E-flat major, BWV 552, 2 (1739) (“Saint Anne”) Robert SCHUMANN Canon in A-flat major, op. 56, no. 4 (1845) (1810–1856)
Sergei RACHMANINOFF 14 Romances, op. 34, no. 14 (1912) (1873–1943) Vocalise transcr. Leonard Rose
Damian Kremer
Dan LOCKLAIR Ayre for the Dance (1984) (b. 1949)
César FRANCK Prélude, Fugue et Variation, op. 18 (1860-62) (1822–1890)
Marcel DUPRÉ Cortège et Litanie, op. 19, no. 2 (1922) (1886–1971)
Percy GRAINGER Irish Tune from County Derry (1911) (1882–1961) arr. Robert Gant
Damian Kremer
James STEPHENSON L’esprit de la trompette (2012/2014) (b. 1969)
Antiono Marti
Robert Gant, now in his tenth year as Chair of the L’Organo series, earned a Doctor of Musical Arts with a Performer’s Certificate from The Eastman School of Music, Rochester, NY. He has taught at the University of Central Arkansas, Conway, and the University of Northern Iowa, Cedar Falls. Church positons include summer organist and choir director at Fifth Avenue Presbyterian Church and Holy Trinity Lutheran Church, NYC. Recitals since 2000 include Notre Dame Cathedral and St. Germain des Près, Paris; Methuen Recital Hall, MA; St. Thomas, Fifth Avenue, and The Cathedral of St. John the Divine, NYC. Damian Kremer, a native of Chapel Hill, NC, has performed throughout the world as a soloist and as a chamber and orchestral musician. He is the Assistant Principal Cello with the Charleston Symphony. Born in Spain, Antonio Marti has held important symphonic positions in Spain, Japan, the USA, and is now Principal Trumpet with the Charleston Symphony since 2014. 14
Tuesday, June 4, 10 a.m.
Cathedral of St. John the Baptist
JOHN WALTHAUSEN Alexandre Pierre François BOËLY 12 Pièces pour orgue, op. 18, no. 6 (1856) (1785–1858) Fantaisie et Fugue en si bémol majeur
I
César FRANCK Pièces posthumes, FWV 24 (1858–63) (pub. 1905) I(1822–1890) Magnificat in re minore Grand Choeur Andantino Quasi Marcia Allegretto Grand Choeur Louis James Alfred LEFÉBURE-WÉLY Boléro de Concert, op. 166 (1865) (1817–1869)
César FRANCK 3 Piéces pour grand orgue, FWV 35 (1878) Fantaisie en la minore Louis VIERNE 24 Piéces en style libre, Livre II, op. 31 (1914) (1870–1937) Berceuse Louis VIERNE 24 Pièces de Fantaisie: Troisième Suite, op. 54 (1926) Carillon de Westminster Born in 1991 in New York, John Walthausen began his musical studies with the piano at the age of eleven and discovered the organ several years later. He earned a Bachelor of Music in Organ from Oberlin College, and a Master of Music mention tres bien (highest honor) from the Conservatoire National Superieur de Paris, where he studied the organ with Olivier Latry and Michel Bouvard. John earned a Master of Music in Historical Performance from the Schola Cantorum of Basel, Switzerland, where he studied harpsichord with Jörg-Andreas Bötticher and organ with Lorenzo Ghielmi. An experienced performer, he has played recitals throughout Europe and the United States in cities including Paris, Chartres, Poitiers, Milan, Innsbruck, Basel, New York, Boston, Cleveland, Albany, and Washington, D.C. He has additionally presented recitals at the Oberlin Messiaen Festival, the Pacific Baroque Festival, Paris-des-Orgues, the Toul Bach Festival, and Internationale Meisterorganisten in Innsbruck. From 2015 to 2016, John served as Organist in Residence at Sapporo Concert Hall, Hokkaido, Japan. He currently serves as Organist and Choirmaster at St. Andrew’s Episcopal Church in Glenmoore, PA and appears regularly as a continuo player in ensembles across the East Coast. www.johnwalthausen.com 15
Wednesday, June 5, 10 a.m.
First (Scots) Presbyterian Church
SEIPP / SHEETS DUO CHUCK SEIPP, trumpet / RANDALL SHEETS, organ George Frideric HANDEL Music For the Royal Fireworks, HWV 351 (1749) (1685–1759) La Réjouissance arr. Chuck Seipp
Antonio VIVALDI L’estro armonico, op. 3, no. 3 (1711) (1678–1741) Allegro–Largo–Allegro arr. David Marlatt 2017
Paul Leddington WRIGHT Frolics for Trumpet and Organ (2016) I
(b. 1951)
Written for Seipp/Sheets Duo
Jean LANGLAIS Pièce pour trompette et orgue (1907–1991) Allegro–Andante–Allegro Jean RIVIER Aria (1971) I(1896–1987) Modest MUSSORGSKY Pictures at an Exhibition (1874) (1839–1881) Promenade I arr. Vincent DiMartino and IL Veccio Castello (The Old Gate) Schuyler Robinson (Promenade IV) Tranquillo Ballet of the Chicks in Their Shells “Samuel” Goldenberg und “Schmuÿle” The Hut on Foul’s Legs (Baba-Yaya) Bogatyr Gate (The Great Gate of Kiev) The Instrument of Kings meets the King of Instruments with trumpeter Chuck Seipp and organist Randall Sheets. Each musician is an accomplished soloist and seasoned performer; together, their artistry fully resonates with the majesty and opulence of their combined instruments. Their performances have included concert series at The West Point Cadet Chapel, NY; Franciscan Monastery, DC; as well as Chicago, Wisconsin, South Carolina, Iowa, South Dakota, and Virginia. Dr. Seipp is Trumpet Professor at Shenandoah Conservatory. Prior to that, he served with The U.S. Army Band. He toured and recorded with Diane Bish–appearing regularly on her television series. Through CJ Seipp Music Publications, he markets his brass arrangements and his Wedding Book proves to be a valuable resource. Dr. Seipp holds degrees from Kansas and the Catholic University of America and is a Yamaha Performing Artist. Dr. Sheets has been the Ceremonial Organist for Arlington National Cemetery for 20 years where he performs over 1,000 services a year in the historic Old Post Chapel. He is also Organist/Music Director at Culpeper Baptist Church and Organist for the First Church of Christ, Scientist, Mount Vernon. He holds degrees from Wittenberg University and the University of Maryland. www.cjseippmusic.com 16
Thursday, June 6, 10 a.m.
St. John’s Lutheran Church
JOHN NOTHAFT Louis VIERNE (1870–1937)
Georg MUFFAT (1653–1704)
Johann Sebastian BACH (1685–1750)
Symphonie No. 3 in F-sharp minor, op. 28 (1911) I. Allegro Maestoso
Apparatus musico-organisticus (1690) Toccata Prima Sonata No. 5 in C major, BWV 529 (1730) Allegro Largo Allegro
Felix MENDELSSOHNBARTHOLDY Sonata in B-flat major, op. 65, no. 4 (1845) (1809–1847) Allegretto William BOLCOM Gospel Preludes, Book 1: No. 1 (1979) (b. 1938) “What a Friend We Have In Jesus!” Marcel DUPRÉ Prélude and Fugue in G minor, op. 7, no. 3 (1914) I(1886–1971)
From Vienna, VA, John Nothaft recently graduated with a Master of Music from The Eastman School of Music, studying with David Higgs. John received a Bachelor of Music from the Indiana University Jacobs School of Music and Hutton Honors College where he studied with Janette Fishell. Former organ teachers include Colin Andrews, and through the Potomac Organ Institute scholarship, Paul Skevinton, and Edward Alan Moore. John has studied sacred music with Bruce Newsick, Marilyn Keiser, Douglas Reed, and Robert Nicholls. In 2017, he was the first place winner of the National Federation of Music Clubs Collegiate Organ Competition and recipient of the NPM Members scholarship. John has recently performed overseas at Truro Cathedral, Cornwall, UK; Chester Cathedral, Chester, UK; St. Mark’s Cathedral, Seattle, WA; and on Pipedreams Live! John is an avid tennis player and United States Professional Tennis Association personal coach. He serves as Director of Music at Lewinsville Presbyterian Church in McLean, VA. In 2018, John authored “Old McHandel & His Musical Farm.” Inspired by Handel’s masterpiece Messiah, the illustrated book teaches all ages about important composers, musical terms, and musical styles. It is available for purchase from online retailers. www.youtube.com/user/lgreenfan 17
Friday, June 7, 10:00 a.m.
St. Michael’s Church
LISA KISER and DAVID KISER Piano and Organ
Camille SAINT-SAËNS Le Carnaval des Animaux (1886) (1835–1921) Introduction et marche royale du lion arr. Lisa and David Kiser Hémiones (animaux véloces) for piano and organ Aquarium Fossiles Le cygne Johann Sebastian BACH Toccata and Fugue in D minor, BWV 538 I(1685–1750) (“Dorian”) Pietro YON Concerto Gregoriano (1920) (1886–1943) Introduzione e Allegro Composer’s arr. Andante religioso for piano and organ Scherzo–Allegro vivace Finale–Allegro giusto David Kiser produces and hosts On the Keys, an hour of keyboard music for South Carolina Public Radio, heard in Greenville, Columbia, and Charleston on Thursday evenings and as a podcast on iTunes. He is an Adjunct Professor of Piano and Organ at Anderson University where he teaches music theory, class piano, private piano and organ lessons, and instructs master’s candidates for the online music education program. He also is the creator of the YouTube Channel OrganHunters. During the 2018-19 season, he is the keyboardist for the Asheville Symphony Orchestra. David obtained a Master of Music summa cum laude from Converse College, Spartanburg, SC, and a Bachelor of Music cum laude in Piano Performance from the University of South Carolina, Columbia. OrganHunters – YouTube.com OnTheKeys: www.southcarolinapublicradio.org/programs/keys Lisa Kiser is the Beth Marr Lee Endowed Chair Principal Keyboardist of the Greenville Symphony Orchestra and is on the music faculty of Anderson University. A graduate of Yonsei University in South Korea, she has completed the coursework for the DMA program at USC. She is a sought-after teacher and performer and is a regular soloist with the GSO. Recent concerto performances include Franz Liszt’s Concerto No. 1 with the Anderson Symphony Orchestra and the Carnival of the Animals with the Greenville Symphony Orchestra. She began her studies at age four under the tutelage of her mother, also a pianist. She made her orchestral debut at ten years old in Daegu, South Korea, performing Chopin’s First Piano Concerto. Lisa students have consistently won state and national competitions. Several students have been admitted to conservatories and colleges such as Princeton University. Lisa Won Jung Kiser, pianist and teacher: https://www.lisakiser.com Sponsored in part by Fox Music House 18
19
L’ORGANO 1979–2019
L’ORGANO: THE ORGAN IN RECITAL, 1979–2019 FEATURED ORGANISTS Ahlstrom, Albert ’99 Alexander, John ’09,’14 Apperson, Richard ’84 Apple, Warren ’91,’95 Archer, Gail ’02,’04,’06,’11 Arcus, David ’87 Armitage, Donald ’94 Arndt, Joseph ’08 Artis, Edward ’84 Bagwell, Deborah K. ’97,’99 Barnard, G. Dene ’92,’08 Batchelor, Paul ’85 Bates, William ’79 Bauer, Anne ’79,’80,’81 Beggs, Sally Cherrinigton ’03 Bell, Joby ’11,’15,’17 Bennett, Scott ’97,’98,’06,’08 Best, Hubert ’01 Bish, Diane ’00 Blackwell, Justin ’04 Blanchard, Paul E., Jr. ’86 Bower, Zach ’17 Bowman, David ’79 Brensinger, David D. ’93,’97 Brisson, Philip ’13 Brown, James Russell ’88 Bruns, Jeremy ’07 Burns, Brandon ’17 Butler, Joseph ’02 Byrd, Andrew ’17 Cain, Kathryn ’79 Callahan, Nancy Mappus ’80 Canonico, Tyler ’17 Capozzoli, Nicholas ’14 Carlson, Sarah ’09 Chalmers, David ’96,’01 Chénault, Raymond ’87 Chénaults, Elizabeth and Raymond (Duo) ’87,’02 Cherrington, Sally ’93 Choi, JeeYoon ’07,’10,’14 Clark, Thomas, III ’80 Clarke, Andrew ’85 Cleghorn, Jack ’09 Cleveland, Douglas ’99 Cleveland, Rodney ’99 Cloninger, Marty ’86 Connor, John ’95 Cooke, Giles ’84 Corzine, Michael ’04 Cotton, A. Christopher ’89 Couch, Leon W., III ’07 Cowan, Kenneth ’11,’13 Craig, Benton ’81 Crane, William C. ’87 Cross, Capers ’84 Cummins, John ’11 Curintzita, Laura ’02
D’Agostino, Gregory ’94,’95 Daniel, Joseph ’06 Darling, James S. ’80 Davis, Alan ’96,’05 Davis, Jolene ’99 Davis, Ted ’93 Davy, Nathan ’16 De Mets, Lee ’79,’10 Demers, Isabelle ’16 Dettra, Scott ’08 Diemer, Emma Lou ’89 Dimmock-Cane, Jane ’97 Dimmock, Jonathan ’89,’97,’05 Distad, Stephen M. ’92,’15 Doty, Shayne ’88 Dubois, Peter ’85 Duckett, Ricky David ’92 Dunbar, Edward ’89,’09 Earnest, Wayne ’81,’88 Eastridge, Carlene ’12 Eaton, David ’99 Ebert, Ray ’86 Ebrecht, Ronald ’87 Ellis, Laura ’05 Emerson, Katelyn ’14 Engels, Stefan ’01 Eubanks, Natalie ’86 Evans, Julie Vidrick ’13 Faber, Trudy ’91 Falk, Richard, Jr. ’82 Felton, Andrae ’80 Ferrell, Graham ’02 Fickley, Todd ’17 Fielding, Thomas ’09,’10 Fishell, Janette ’89 Fleming, Ansley ’04 Foster, Stewart Wayne ’98,’02 Freese, Faythe ’93 Friauff, Deborah ’00 Friddle, David ’17 Gallagher, Robert ’93 Gant, Robert ’92,’96,’00,’05, ’10,’12,’19 Gardner, Jillian ’18 Gerdes, Clara ’17 Gilbert, Mark ’07 Ging, Michael David ’09,’15,’17 Glenny, Bruce W. ’94 Godowns, Steve ’81 Golden, Joseph ’88 Gragson, Rachel ’10 Grant, J. Michael ’85,’96,’07 Gray, Richard ’14,’19 Gronning, Kristin ’85 Gudger, William D. ’79,’86, ’87,’96,’98,’11,’17 Gustafson, Bruce ’85 Hamilton, Cheryl ’84
20
Hamilton, Stephen ’81 Haney, John ’79 Harlow, Julia ’98,’03,’08,’10, ’13,’15,’17 Harper, Monica Alexander ’08 Hawkins, Raymond ’15 Hayler, Andrew ’96 Heindel, Kim ’95 Hell, Felix ’00,’01 Higgs, David ’88,’93 Hill, Jake ’17 Hohman, Frederick ’87,’04 Homza, Gregory ’06,’10 Hood, Ann Longdon ’83 Houston, David ’16 Howard-Jones, Gregory ’84,’89 Hubbard, George ’84,’91,’97,’06 Huff, Harry ’89 Hughley, Brad ’15 Hunt, Eileen ’00 Hunt, Janet ’03 Husey, Mark James ’92 Hutto, W. Benjamin, III ’79, ’82,’85,’86,’91,’12 Jacobson, Christopher ’14 Jenkins, Lawrence ’96 Jennings, Christopher ’12 Jensen, Wilma ’18 Johnson, Calvert ’91 Johnson, Edie ’00 Johnson, James ’94 Johnson, Jeffrey C. ’97,’09 Johnson, Jared ’05 Johnson, Kristin ’79,’81 Jones, Boyd ’05 Jones, James R. ’06 Jonies, David ’08 Jordan, Jeannine ’07 Jowers, Florence M. ’95,’05 Kaminski, Michael ’92 Kane, Pamela Meys ’11,’19 Karr, Stephen ’00 Kennedy, Charles ’92 Kim, Yun Kyong ’12 King, Hazel ’80,’85,’98 King, Robert Burns ’89,’07 Kiser, David ’19 Kittle, Brian ’79 Kline, Frances, Rev. ’92,’95,’00 Kohlenberg, Lee ’88,’95,’98, ’10,’19 Kosnik, James W. ’88 Kreeger, Patrick ’15 Lamlein, Scott ’09 Landart, Esteban ’04 Langrick, Len ’02 Lash, Andre ’92 Lawrie, David ’99
L’ORGANO 1979–2019
Lawrence, Arthur ’85 Leach, Brenda ’12 Lee, Jung-A ’13 Lodico, Michael, Jr. ’13,’18 Long, Larry ’79,’83,’87, ’93,’03 Lord, Robert Sutherland ’06 Lowry, David ’79,’80,’82, ’91,’01,’08 Ludlum, Douglas ’82,’87,’98 Lynch, Colin ’15 Lynch, W. David ’91 Marshall, Peter ’83 Marshall, Thomas ’82 Martin, Sarah ’98 McCoy, Yuri ’19 McCroskey, Lenora ’00 McGhee, Michael ’08 McMahan, Matthew ’11 McPherson, Jennifer ’17 Meixner, Emily ’14 Mellichamp, James F.’19 Meloan, Katherine ’09,’17 Meyer, Russell ’82 Miller, Charles ’95,’01 Miller, Mitchell ’16 Mills, B. Andrew ’13 Mills, William ’91 Mims, George ’92 Mitchener, John ’04 Mitts, J. Thomas ’94 Moeser, Susan D. ’94,’97 Mueller, John S. ’86 Mueller, Margaret ’86 Murray, Thomas ’82 Neswick, Bruce ’01 Norman, Edward ’10 Nothaft, John ’19 O’Meara, William ’00 Oliver, David F. ’94 Olson, Adrienne ’04 Ouzts, David Perry ’91 Pajan, Adam ’07 Papadakos, Dorothy ’98 Parker, Patricia ’05 Parker, Patrick ’18 Parkins, Robert ’79,’07 Parks, Brian ’10 Parrella, Nancianne ’06 Parris, Robert ’82 Paukert, Karel ’93 Pedeaux, Jason ’11,’17 Peek, Richard M. ’93 Peeples, Joseph ’16 Peters, Andrew ’12 Pickering, David ’09 Poellein, Roberta P. ’88 Pollastri, Luca ’10 Polzois, James ’84 Poovey, Robert ’04 Pope, Patrick ’08,’15 Porter, Samuel ’83,’86
Potts, Nigel ’02,’16 Powell, Robert J. ’86 Preston, Simon ’83 Ramsay, Parker ’18 Ramsey, Debra ’83 Redd, David ’83 Reinburg, Peggy ’99,’00 Remington, Emily ’87 Remington, Porter ’80 Rich, Kirk Michael ’18 Ridgell, Robert ’00,’07 Risinger, Andrew ’13 Rispo, Anthony ’13,’18 Rizzotto, Cristiano ’14 Roberts, Eli ’19 Robinson, Schuyler ’81 Rose, John ’86 Rozier, Clair ’88 Runner, David ’02,’12 Russell, Thomas ’15 Sambach, C. J. ’96 Samuel, Christopher ’84 Sansone, Daniel ’14 Sawyer, Weil ’05 Scanlon, Andrew ’13 Schaeffer, John ’79,’83 Schaeffer, Stephen ’80 Schakel, Jonathan ’19 Schelat, David ’95 Schwandt, John ’99 Scott, Patrick A. ’16 Shafer, Keith ’95 Shake, Michael ’11 Shay, Edmund ’83 Sheets, Randall ’19 Shepard, Timothy ’88 Shirer, Louis ’10 Shtegman, Kristina ’15 Simpson, Robert ’83 Smith, Timothy Quay ’93 Smith, Jeffrey ’85 Smith, Preston ’94,’99,’02 Smith-Babbitt, Sherryl ’89 Somerville, Hazel ’80,’18 Somerville, Murray Forbes ’81,’01,’13,’18 Son, JooSoo ’14 Spacht, Thomas ’93 Spritzer, Damin ’12,’18 Stadlin, Vincent B. ’89 Steinbeck, Mark ’12 Sturdy, Carina ’18 Sullivan, Daniel ’06 Sunnarborg, Arlon ’96 Szafron, Brennan ’06,’12,’18 Talley, Susan ’04 Tan, Aaron ’11 Tanner, Richard ’98 Terry, Mickey Thomas ’96 Thévenot, Maxine ’16 Thoene, Marijim ’01,’04 Thomas, Mark ’01
21
Thomas, Paul ’11,’17 Thompson, Randall ’82 Tikker, Timothy J. ’97,’98, ’99,’00,’01,’16 Tipton, Edward ’99 Tompkins, Charles ’87,’07,’16 Trafka, William K. ’95 Turkington, Scott ’12 Vancina, Noah ’17 Walthausen, John ’19 Ward, Beverly Allen ’93 Ward, Rodney ’17 Weadon, David A. ’82 Weaver, John ’84 Webb, Richard ’01,’05 Weber, Paul ’13 Whatley, Guy ’18 White, Thomas ’03 Williams, Anthony ’10,’16 Williams, Steven Alan ’89 Wisniewski, Robert ’91 Wright, Searle ’81 Yau, Jay ’13 Yeargin, Andrew H. ’16 Younker, Sarah ’81
ASSISTING ARTISTS Adler, Samuel: conductor ’00 Allman, Edward: bass ’08 Atwood, Scott: baritone ’11 Atwood, Suzanne: soprano ’01,’11 Bailey, Rev. Lynn: organ ’98 Barnwell, Rhett: celtic harp ’03 Barone, J. Michael: narrator ’97 Batchelor, Jodi: soprano ’85 Bauer, Ann: organ ’80 Bebensee, Mark: bass ’83,’85; organ ’84 Brashier, Susan: oboe ’00 Boyce, Walter: tenor ’10 Chen, Yvonne: piano ’19 Clark, Thomas: organ, ’80,’82 Cleghorn, Jack: 2nd organ ’15 Conner, Kathleen: soprano ’83 Cullinan, Colleen: soprano ’04 Curintzita, Ludwig Esteban Carrasco: violin ’02 Donovan, Catherine: visuals ’97 Dulin, Mark: trumpet ’08 Farmer, John: organ ’85 Falk, Richard: organ ’82,’85; tenor ’85 Fiacco, Arthur: cello ’06 Fleming, Suzanne: soprano ’00 Foster, Stewart Wayne: organ ’00; harpsichord ’00,’02 Free, Van T.: percussionist ’79 French, Allen: french horn ’82 French, Kim: flute ’82 Frick, Sally: flute ’12 Fujii, Noriko: soprano ’93 L’ORGANO 1979–2019
Gangwer, Micah: violin ’17 Gudger, William D.: organ ’80, ’82,’83,’84,’85; conductor ’08 Gronning, Kristin: organ ’80,’85 Hall, Karen: cello ’00 Hall, Kevin: bassoon ’00 Harlow, Julia: harpsichord ’10; 2nd organ ’16,’17 Howard-Jones, Gregory: organ ’83,’84,’89 Hull-Dambaugh, Jessica: flute ’10 Hutto, W. Benjamin, III: organ ’80,’82,’83,’84,’85,’86,’91 Jacobus, Rhea: flute ’12 Jordan, David: media artist ’07 Kathy Gray Dance Theatre ’00 Dancers: Anastasia Aranovich, Jessica Blank, Lisa Johnson, Samantha Karinch, Cathy Malin, Kris Ogozalek, Iantha Hughes Parker, Kelli Summers, and Carrie Wilcox Kim, Seung-lan: organ ’03 King, Jill: viola ’08 Kiral, Peter: viola ’10 Kiser, Lisa: piano ’19 Kline, Francis, Rev.: organ ’97 Kremer, Damian: cello ’17,’19 Langham, Justin: trumpet ’15 LaVallee, Aaron: violin ’10 Lelevich, Mike: double bass ’00 Leonard, Brenda: cellist ’12 Long, Larry: organ ’80,’00 Lovelace, Ellen: violin ’00 Lowry, David: organ ’80 Ludlum, Douglas: organ ’83,’84, ’87,’88; speaker ’01,’10 Lyman, Elizabeth: soprano ’83,’85 Lyren, Del: trumpet ’09 Madden Sheila: viola & violin ’00 Marti, Antonio: trumpet ’19 Masterson, Nick: oboe ’08 Maves, David: snare drum ’80 Miller, Michael: trumpet ’01 Molina, Alan: violin ’08 Moryl, Ellen Dressler: cello ’82,’83 Moryl, Richard: visuals ’97 Newman, Marcia: soprano ’99 O’Malley, Timothy: cello ’08 Ono, Sasha: cello ’18 Ontko, Allan: Webmaster ’02 Osborne, Brian: trumpet ’03 Paulsson, Anders: saxophone ’89 Pedeaux, Jason: 2nd organ ’17 Pekar, Roman: bass ’08 Pelzer, Marie: alto ’83 Price, Brent: violin ’08 Remington, Emily: pianist ’83 Repella, Michelle: soprano ’16 Rhodes, Michael: tenor ’83 Riordan, George: oboe ’00 Savage, Thomas: tenor ’83,’85
Schoonover, Greg: trumpet ’98, ’03 Seipp, Chuck: trumpet ’19 Senft, Esther: baroque violin ’15 Shihoten, Lisa: violin ’13 Simmons, Edith: soprano ’82, ’83,’85 Sloan, Kaye: soprano ’02 Smith, Rebecca: harp ’13,’18 Somerville, Murray: organ ’82 Spear, John: calligraphy ’84 Spoleto Brass Quintet ’79 Carey Donaldson, trombone; Newell Sheridan, trombone; Robert Ford, French horn; Deborah Koch, trumpet; Don Elder, trumpet Stedman, Nancy: mezzo soprano ’87 Stolazzi, Caesar: English horn and oboe ’00 Talley, Stephen: organ ’04 Taylor, Adele: directress ’85 Taylor, Sarah Rose: soprano ’16 Teuber, Claire: soprano ’03 Thomas, Mark: cantor ’04 Tikker, Timothy: organ ’98,’00 Tomorsky, Elizabeth: English horn ’98 Tompkins, Gregory: violin ’16 Treybig, Carolyn: flute ’13 Treybig, Joel: trumpet ’13 Ulaky, Hollis: oboe ’02 Van Cleve, Kristin: violin ’00 Walker, Matt: cello ’99 Weaver, Marianne: flute ’84 Whitehead, Amy: flute ’08 Wiebe, Caleb: trumpet ’17 Wingard, Allan: organ ’82
LeRoy, Edmund ’10–’14 Long, Larry ’95–’97,’99,’02 Loughrey, Gary ’89,’91 Lowry, David ’84,’85,’91 Ludlum, W. Douglas ’85,’86, ’88,’89,’91–’94,’02,’04, ’05,’07–’14 McPherson, Jennifer ’18 Pedeaux, Jason ’12–’19 Phillips, Loving (C) ’88–’91, ’92–’94 Polzois, James ’88 Remington, Emily (C) ’79 Sansone, Daniel ’15–’19 Murray Somerville ’19 Tikker, Timothy ’99,’00 Thomas, Paul ’18
COORDINATORS (bold C) and ASSOCIATES
PROGRAM BOOK and PRINTING
Bagwell, Deborah (C) ’98,’99,’00 Bebensee, Mark ’82–’89 Bradley, Jane ’87 Cleghorn, Jack ’15–’17 Distad, Steven ’08 Foster, S. Wayne ’99 (C) ’00–’03 Gant, Robert ’02,’09 (C) ’10–’19 Godshall, Clara ’16,’17 Gould, Patricia ’19 Gudger, William D. (C) ’79–’83, ’84,’85,’86,’87,’03,’05,’07–’11 Harlow, Julia (C) ’04–’09,’10–’19 Hubbard, George ’08–’10 Hutto, W. Benjamin (C) ’79–’84 King, Hazel (C) ’86,’87, ’92–’94 Kline, Francis, Rev. ’95–’97 (C) ’98,’99,’00,’04 Kohlenberg, Lee ’91 (C) ’92–’97, ’04–’08 Lefter, Nancy ’11–’19
AccuPrint, Mt. Pleasant, SC ’16 Allen, Edward: illustrations, organ images ’16–’18 Cathedral Church of St. Luke and St. Paul, Charleston, SC (printing) ’10 Harlow, Julia: program book design ’04–’15 Layton, Martin L.: program book design/historical research ’16–’19; cover design ’15 Nelson Printing, Charleston, SC ’79–’04 Professional Printers, Inc., Columbia, SC ’17–’19 Second Presbyterian Church, Charleston, SC (printing) ’05–’09,’11–’15
22
ASSISTING THE SERIES American Guild of Organists, Charleston Chapter ’79–’19 Byrd, Andrew ’15–’17 Churches, staff ’79–’19 Daehler-Wilking, Darleen ’02 Davis, Eulalie Adams ’82 Donors (printing) ’16–’19 Gant, Sally ’17,’18,’19 Godshall, Clara ’19 Gudger, William D. ’79–’19 Office of Cultural Affairs staff, volunteers ’79–’19 Quarterman, William, Jr. ’05 Somerville, Hazel and Murray, ’15–’17,’19
ORGAN CURATORS Elliot, Vernon, Jr. ’81–’91 Ontko, Allan ’00–’03 Reed, Brian ’94–’19
L’ORGANO 1979–2019
CHURCHES, CHAPELS, SYNAGOGUE Organ Builder and Year Built, Number of Recitals, Years of Usage (The 1990 L’Organo series was cancelled in the aftermath of Hurricane Hugo, September 1989.)
Advent Lutheran Church, North Charleston (Zimmer, 1978), 1 recital, 1 year. ’83 Bethel United Methodist Church (Schlueter, 2004), 14 recitals, 12 years. ’04–’06, ’10–’18 Cathedral Church of St. Luke and St. Paul (Kney, 1976), 71 recitals, 39 years. ’79–’06, ’08–’19 Cathedral of St. John the Baptist (Bedient, 1986), 34 recitals, 22 years. ’96–’07, ’10–’19 Circular Congregational Church (Hutchings, 1890, restored 1987), 4 rectials, 4 years. ’88,’91,’96,’07 Citadel Square Baptist Church (Austin, renovation 1971), 2 recitals, 2 years. ’82,’07 First (Scots) Presbyterian (Ontko & Young, 1992), 45 recitals, 26 years. ’83,’84’,’89, ’93–’02, ’05–’14, ’17–’19 First Baptist Church (Wicks, 1969, 1990), 4 recitals, 4 years.’83,’92,’93,’00 French Protestant (Huguenot) Church (Erben, 1845), 15 recitals, 15 years. ’79–’88, ’98, ’15–’18 Grace Episcopal Church (Reuter, 1952, with several additions), 66 recitals, 30 years. ’81–’89, ’92–’95, ’97–’99, ’01–’06, ’10,’11, ’13,’14 (In 2015, became) Grace Church Cathedral. ’15–’17, ’19 Holy Spirit Lutheran Church (Noehren, 1963, rebuilt Buzard, 2017), 2 recitals, 2 years. ’18,’19 John Wesley United Methodist Church, Savannah Highway (Möller, 1971), 1 recital, 1 year. ’82 Kahal Kadosh Beth Elohim (Ontko & Young, 1996), 4 recitals, 4 years. ’97,’00,’08,’12 Mt. Pleasant Presbyterian Church (Roosevelt 1886, restored by Andover, 1983), 1 recital, 1 year. ’83 Second Presbyterian Church (Möller, 1953), 4 recitals, 4 years. ’80,’82,’84,’08 St. Andrew’s Episcopal Church, Mt Pleasant (Schantz, 1971), 1 recital, 1 year. ’82 St. Andrew’s Lutheran Church (Austin, 1945), 1 recital, 1 year. ’86 St. Johannes Lutheran Church (Austin, ca. 1940), 1 recital, 1 year. ’02 St. John’s Lutheran Church (Schantz, 1965), 33 recitals, 27 years. ’79–’95, ’97–’02, ’08,’11,’12,’14,’19 St. Matthew’s Lutheran Church (Austin, 1967), 63 recitals, 36 years.’79–’98,’00–’05,’07–’13, ’16–’19 St. Michael’s Church (Jones, 1994), 33 recitals, 23 years. ’95–’02, ’04–’07, ’09–’11, ’13–’19 St. Philip’s Church (Casavant-Frères, 1978), 20 recitals, 13 years. ’79–’88, ’92,’98,’19 St. Philip’s Church, Chapel (Appleton, 1839), 1 recital, 1 year. ’79 Summerall Chapel at The Citadel (Reuter, 1937, Zimmer, 2014–19), 7 recitals, 6 years. ’80, ’15–’19 Trinity United Methodist Church (Hartman & Beaty, 1978), 8 recitals, 8 years. ’79–’82, ’85,’86,’91,’93
RECITAL SPONSORS Anonymous: Kenneth Cowan ’11; Raúl Prieto Ramírez ’14 (Grace Episcopal Church) Buzard Pipe Organ Builders: Anthony Rispo with Sasha Ono, cello ’18; Pamela Meys Kane ’19 (Holy Spirit Lutheran Church) Cornel Zimmer Organ Builders: Isabelle Demers ’16; Wilma Jensen ’18; Yuri McCoy with Yvonne Chen, piano ’19 (Summerall Chapel at The Citadel) First (Scots) Presbyterian Church: David Higgs ’93; Philip Brisson ’13 First (Scots) Presbyterian Church, Fox Music, Gullah Tours, Robert Pringle, Robert Gant: Diane Bish ’00 First (Scots) Presbyterian Church, Mrs. Alice B. Dewalt, Ontko Organs, Ms. Keith Richardson, Mt. Pleasant Presbyterian Church (harpsichord loan), Quattro Canti Interiors: Fort Worth Baroque Organ Concerti ’00 Fox Music House: David Kiser with Lisa Kiser, piano (St. Michael’s Church) ’19 Grace Episcopal Church: Thomas Murray ’82; Simon Preston ’83; John and Marianne Weaver ’84; Karel Paukert with Noriko Fujii, soprano ’93; Frederick Hohman ’04; Kenneth Cowan with Lisa Shihoten, violin ’13 Ontko Organs, Architrave Antiques, Estate Antiques: William O’Meara ’00 (First [Scots] Presbyterian)
Image: 1979 Piccolo Spoleto program book. Collection of the South Carolina Historical Society, courtesy of the John Bennett Estate–silhouettes. 23
L’ORGANO 1979–2019
SPECIAL EVENTS Midnight Recital: David Bowman ’80 Midnight Gala: Anne Bauer, Thomas Clark III, William Gudger, Benjamin Hutto, Kristen Johnson, Larry Long, David Lowry, organ; David Maves, snare drum ’80 Midnight Recital: Ann Bauer and Kristin Johnson, Duo organ ’81 Silent film–improvised organ accompaniment: Hans Richter’s surrealist comedy “Ghosts before Breakfast” (1926) and Mack Sennett’s “Teddy at the Throttle” (1917). Searle Wright ’81 Demonstration–Children’s program for organ: “Kids Meet the King of Instruments.” David Lowry ’82; Paul Batchelor ’84; Benjamin Hutto ’84,’85,’86,’91; Douglas Ludlum ’85,’88; Gregory Howard-Jones ’89 Midnight Recital: “Favorite Transcriptions for the Organ.” Thomas Murray ’82 Midnight Gala: “A Potpourri of Organ Chestnuts.” Thomas Clark III, Richard Falk, William Gudger, Benjamin Hutto, Murray Somerville, Alan Wingard, organ; Edith Teal-Simmons, mezzo-soprano ’82 Pre-Festival Recital: Simon Preston ’83 Midnight Recital: Robert L. Simpson ’83 Midnight Gala: “Nuptial, Nuggets & Nougats, Instrumental, and Vocal.” William Gudger, Benjamin Hutto, Gregory Howard-Jones, Douglas Ludlum, organ; Emily Remington, piano; Michael Rhodes, tenor; Cathleen Conner, soprano; Edith Teal-Simmons, mezzo-soprano; “Chorus”: Mark Bebensee, Elizabeth Lyman, Marie Pelzer, and Thomas Savage ’83 Pre-Festival Recital: John Weaver with Marianne Weaver, flute ’84 Midnight Gala: “Moonlight and Roses.” Mark Bebensee, William Gudger, Benjamin Hutto, Gregory Howard-Jones, Douglas Ludlum ’84 Midnight Recital: Christopher Samuel ’84 Midnight Gala: “Bach’s Music.” Richard Falk, John Farmer, Kristin Gronning, William Gudger, Benjamin Hutto, organ; Edith Teal-Simmons, Jodi Batchelor, Elizabeth Lyman, soprano; Adele Taylor, directress; Richard Falk, tenor; Thomas Savage, tenor; Mark Bebensee, bass; William Gudger, harpsichord ’85 Midnight Recital: “Star Wars Syphonic Suite.” John Rose ’86 Midnight Recital: Elizabeth and Raymond Chenault, Duo-organ ’87 Midnight Recital: David Higgs, ’88,’93 Midnight Recital: Anders Paulsson and Harry Huff, soprano saxophone and organ (Jazz) ’89 Recital: Karel Paukert with Noriko Fujii, soprano ’93 Recital, 11 pm: James Johnson ’94 Recital, 11 pm: “Creatures, Jigs, and Big Pieces.” Gregory D’Agostino ’95 Recital-Lecture for Children: “The Pipe Organ Informance–The Organ and all Its Music.” C. J. Sambach ’96 Lecture: “Pipe Organs in Charleston’s Historic Churches.” J. Michael Barone (host of Pipedreams) ’97 Presentation: “The Stations of the Cross” (Marcel Dupré). Francis Kline, organ; Michael Barone, narrator; Catherine Combier Donovan, visuals; Richard Moryl, visuals ’97 Silent film–improvised organ accompaniment: “Phantom of the Opera.” William O’Meara ’00 Recital: Diane Bish, “First Lady of the Organ,” and host of the TV series “The Joy of Music.” ’00 Concert: Wayne Foster, Timothy Tikker, Larry Long, organ, with the Charleston Symphony Orchestra ’00 Concert: “Favorite Baroque Organ Concerti.” The Fort Worth Early Music Ensemble ’00 Concert: Felix Hell, organ, with the Charleston Symphony Orchestra ’01 Silent film–improvised organ accompaniment: Cecil B. DeMille’s “The King of Kings.” Timothy Tikker ’01 Recital: “SympHohmania!” Frederick Hohman ’04 Demonstration: “What’s Behind Those Pipes–Discovering How a Pipe Organ Works.” Mark Gilbert ’07 Demonstration–Children’s program for organ: “Dr. Bob and His Wondrous Machine.” Robert Gant ’10 Recital: “Mostly Organ.” Robert Gant, Julia Harlow, Greg Homza, organ; Walter Boyce, tenor; Jessica H. Dambaugh, flute; Peter Kiral, viola; Aaron LaVallee, violin ’10 Recital: Kenneth Cowan ’11,’13; with Lisa Shihoten, violin ’13 Recital: Philip Brisson ’13 Demonstration–Lecture: “The Organs of Kahal Kadosh Beth Elohim.” Julia Harlow ’13 Recital: Raúl Prieto Ramírez ’14 Recital: Michael David Ging ’15 Recital: Stephen Distad with Justin Langham, trumpet ’15 Recital: Nigel Potts with Sarah-Rose Taylor, mezzo-soprano ’16 Recital: Isabelle Demers ’16 Recital: Todd Fickley ’17 Recital: Joby Bell, Zach Bowyer, Andrew Byrd, Jake Hill, Rodney Ward ’17 Recital: Anthony Rispo with Sasha Ono, cello ’18 Recital: Wilma Jensen ’18 Television: South Carolina Educational Televison broadcast “The Organs of L’Organo.” David Kiser ’18 Recital: Yuri McCoy with Yvonne Chen, piano ’19
Recital: David Kiser with Lisa Kiser, piano ’19 24
L’ORGANO 1979–2019
Dr. William D. Gudger, L’Organo co-founder, performed his Piccolo Spoleto inaugural recital May 30, 1979, on the oldest organ in Charleston, SC, built by Thomas Appleton in 1839, located in St. Philip’s Chapel. Diapason, September 1979, p. 12. 25
L’ORGANO 1979–2019
26
L’ORGANO 1979–2019
COMPOSERS, COMPOSITION TITLES–MOVEMENTS, PERFORMANCE YEARS 16th
Century. Anonymous. Susanne Van Soldt manuscript (1597 England; Netherlands).’15 18th Century. Anonymous (Mexico). Three Sonatas.’02 th 18 Century. Anonymous. Voluntary.’80 18th Century. Anonymous. Yankee Doodle with Variations.’82 18th Century. English Tune, “My Country, ’Tis of Thee.” ’82 18th Century. Livre d’orgue de Montréal: Magnificent in A (ed. by J. S. Darling).’82 Anonymous. “Frölich Geburtstag zu dir” (“Happy Birthday to You”): 300th Anniversary of J. S. Bach.’85 A Abreu, Zequinha de (1880–1935). “Tico–Tico no Fubá” (1917) (arr. by Ethel Smith).’84 Adler, Samuel (b. 1928). Lux Perpetua for Organ and Orchestra (1999).’00 Adler. Hymnset–Four Chorale Preludes on Old American Hymns for Organ Solo (1983).’88 Åhlén, Waldemar (1894–1982). Värpastoral (1974).’84 Ahlstrom, Albert. The Vision of St. John (1999).’99 Alain, Jehan (1911–1940) (Jehan Alain [JA] numbering as given by Jehan Stefan) JA 027. Variations sur l’hymne “Lucis Creator” (1932).’19 JA 029. Postlude pour L’Office de Complies (1930).’84,’95,’99,’15 JA 071. Le Jardin Suspendu (1934).’84,’00,’07,’17 JA 072. Première Fantaisie (1933).’86,’89,’01 JA 073. Trois Mouvements pour flûte et piano (1935) (transcr. by Marie-Claire Alain [1926–2013]).’08 JA 095A. Vocalise dorienne–Ave Maria, pour soprano et orgue (1937).’99,’04 JA 117. Deuxième Fantaisie pour orgue (1936).’01,’05,’15 JA 118. Variations sur un thème de Clément Janequin (1937).’83 JA 119. Litanies (1937).’81,’82,’84,’99,’05,’13,’16 JA 120A. Trois Danses (1940).’79,’00 Albinoni, Tomasoe. Concerto a 5 in C major, op. 5, no. 6: Allegro (arr. by Brian Kittle).’79 Albrecht, Timothy. “Jesus Christ is Risen Today”; “Evening Prayer”; “Joyful, Joyful, We Adore Thee.” ’99 Albrecht. “Sweet Hour of Prayer.” ’03 Albrechtsberger, Johann (1736–1809). Präludium und Fuge in C major, for Four Hands.’98 Albright, William (1944–1998). Machine Age (1988): Prayer.’09 Albright. Organbook III (1977–78): Fanfare/Echo; Curio I; Scherzo.’88; Jeu (for the Stops); RecitativeChorale; Mountains; Underground Stream.’97,’98; Curio II; Basse de Trompette; Jig for the Feet.’88,’97, ’98; Nocturne.’97,’98; Finale–The Offering.’82,’97,’98 Albright. Sweet Sixteenths (A Concert Rag for Organ) (1975).’91,’92,’93-(2x),’95,’96,’08 Allatt, Jennie (fl. 1874). Loud Organ Voluntary.’07 Ampt, Robert (b. 1949). Concert Etude on an Australian Folk Tune (1991).’12 Anderson, Leroy (1908–1975). Jazz Pizzicato.’89 Anderson. Serenata (arr. by Virginia Carrington Thomas).’89 Arne, Thomas (1710–1788). Sonata VII: Flute Solo.’87,’88 Attaingnant, Pierre (ca. 1494-1551/52). Dances and Chansons of the French Renaissance: Pavane.’09,’17; Galliarde.’09,’17; Jouyssance vous donneray.’17; Tant que vivray.’17 B Bach, Carl Philipp Emanuel (1714–1788). Concerto in G major, Wq. 34.’00 Bach. Fantasy and Fugue in C minor.’85 Bach. Sonata in G minor, Wq. 70/6, H. 87 (1755): Adagio.’14 Bach. Sonata III in F major, Wq. 70/3.’95,’00 Bach. Sonata in A minor, Wq. 70/4 (1755).’16 Bach, Johann Christoph Friedrich (1732–1795). Variations on “Ah, vous dirai-je, Maman.” ’85 Bach, Johann Sebastian (1685–1750) (Bach Werke Verzeichnis [BWV] numbering as given by Wolfgang Schmieder, Leipzig, 1950) Cantatas: BWV 29. Wir danken dir, Gott: Sinfonia.’82,’85,’92,’19 (transcr. by Marcel Dupré).’01,’04 BWV 76. Die Himmel erzählen die Ehre Gottes: Sinfonia.’00 BWV 142. Uns ist ein Kind geboren (Christmas Cantata).’91 BWV 146. Wir müssen durch viel Trübsal in das Reich Gottes eingehen: Aria, “Wie will ich mich freuen.” ’03 BWV 147. Herz und Mund und Tat und Leben: “Jesus bleibet meine Freude” (“Jesu, Joy of Man’s Desiring”).’85 (arr. by Maurice Duruflé).’89,’07 BWV 208. Was mir behagt, ist nur die muntre Jagd: Aria (“Sheep May Safely Graze”).’85,’18 BWV 249. “Kom, Gehet und eilet”: Sinofonia.’00 27
L’ORGANO 1979–2019
BWV 592. Concerto in G major (after Prince Johann Ernst).’99,’11,’12,’15 BWV 593. Concerto in A minor (after Vivaldi, RV 522).’80,’93,’97,’14,’15 BWV 596. Concerto in D minor (after Vivaldi, RV 565).’94,’95,’09,’10,’17 Clavierübung Part III (German Organ Mass) BWV 552/1; 552/2. Prelude and Fugue in E-flat major (“Saint Anne”) (à 5 con pedal pro Organo pleno). ’91,’94,’96,’17 (Fugue, BWV 552/2 only).’82,’88,’99,’00,’02,’05,’10,’12,’19 BWV 669. “Kyrie, Gott Vater in Ewigkeit” (Canto firmo in Soprano à 2 Clav. et Pedal).’86,’10 BWV 671. “Kyrie, Gott heiliger Geist” (à 5 Canto fermo in Basso Cum Organo pleno).’82,’86,’96,’06,’10 BWV 673. “Christe, aller Welt Trost.” ’10 BWV 675. “Allein Gott in der Höh sei Ehr” (small version).’85; Cantus Firmus in the Alto.’92 BWV 676. “Allein Gott in der Höh sei Ehr” (large version).’85,’16 BWV 678. “Dies sind die heilgen zehen Gebot.” ’82,’91,’08,’10-(2x),’11,’12,’13 BWV 679. “Dies sind die heiligen zehen Gebot” (Fughetta super).’82,’91,’94,’10,’12 BWV 680. “Wir glauben all’ an einen Gott” (large version) (in Organ pleno Pedale).’85,’94,’05,’10-(2x) BWV 682. “Vater unser im Himmelreich” (à 2 Clav. et Pedal e Canto fermo in Canone).’94,’96,’10 BWV 684. “Christ, unser Herr, zum Jordan kam.” ’79,’11 BWV 686. “Aus tiefer Not schrei ich zu dir” (large version) (à 6 in Organ pleno con Pedal doppio).’10 BWV 688. “Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt” (large version).’01,’13 Das Orgelbüchlein / Chorale Preludes (“Little Organ Book”) BWV 606. “Vom Himmel hoch, da komm ich her.” ’85 BWV 611. “Christum wir sollen loben schon.” ’79 BWV 614. “Das alte Jahr vergangen ist.” ’12,’19 BWV 622. “O Mensch, bewein dein’ Sünde groß.” ’81,’00,’03 BWV 639. “Ich ruf zu dir, Herr Jesu Christ.” ’94,’02,’11 BWV 642. “Wer nur den lieben Gott läßt walten.” ’79,’83,’03 BWV 643. “Alle Menschen müssen sterben.” ’79,’03 “Leipzig” Chorale Preludes (“The Great Eighteen”) BWV 651. “Komm, heiliger Geist, Herre Gott” (in Organo pleno).’93,’01,’11 BWV 653. “An Wasserflüßen Babylon.” ’11 BWV 654. “Schmücke dich, o liebe Seele.” ’79,’83,’86,’99,’04-(2x),’07,’10,’16,’17 BWV 655. “Herr Jesu Christ, dich zu uns wend.” ’10 BWV 656. “O Lamm Gottes, unschuldig.” ’02,’06,’17 BWV 658. “Von Gott will ich nicht läßen.” ’07 BWV 659. “Num komm, der Heiden Heiland.” ’80,’08,’17 BWV 662. “Allein Gott in der Höh’ sei Ehr’.” ’92,’94,’02,’14 BWV 663. “Allein Gott in der Höh’ sei Ehr’” (à 2 Clav. et Pedale, Canto fermo in Tenore).’83,’92,’99 BWV 664. “Allein Gott in der Höh’ sei Ehr’.” ’83,’89,’92,’95,’00,’02,’14 BWV 666. “Jesus Christus, unser Heiland.” ’79 BWV 667. “Komm, Gott, Schöpfer, Heiliger Geist.” ’79,’95,’04 BWV 668. “Vor deinen Thron tret’ ich hiermit.” ’85 Miscellaneous Chorale Preludes BWV 707. “Ich hab’ mein Sach’ Gott heimgestellt” (J. P. Kirnberger Collection).’01,’05 BWV 709. “Herr Jesu Christ, dich zu uns wend.” ’18 BWV 713. “Fantasia: Jesu, meine Freude” (J. P. Kirnberger Collection).’05 BWV 721. “Erbarme dich mein, O Herre Gott.” ’11 BWV 731. “Liebster Jesu, wir sind hier.” ’79,’95,’14 BWV 734. “Nun freut euch, lieben Christen g’mein.” ’93,’95 BWV 740. “Wir glauben all’ an einen Gott” (Pedale doppio).’82,’85,’99,’00 BWV 1098. “Wir glauben all’ an einen Gott” (Neumeister Collection, Yale University Library).’86 BWV 1102. “Du Friedefürst, Herr Jesu Christ” (Neumeister Collection, Yale University Library).’05 BWV 1103. “Erhalt uns, Herr, bei deinem Wort.” ’02 BWV 1105. “Jesu, meine Freude” (Neumeister Collection, Yale University Library).’86 BWV 1115. “Herzlich lieb hab’ ich dich, O Herr” (Neumeister Collection, Yale University).’86 Organ Sonatas BWV 525. Sonata No. 1 in E-flat major.’97 BWV 526. Sonata No. 2 in C minor.’81,’95,’11,’13 BWV 527. Sonata No. 3 in D minor.’84,’98 BWV 528. Sonata No. 4 in E minor: Adagio.’00,’15; Andante.’00,’15; Un poc’Allegro.’15 BWV 529. Sonata No. 5 in C major. ’93,’08,’17,’18,’19 (Allegro only).’16 BWV 530. Sonata No. 6 in G major.’85,’93,’13-(2x),’15 Prelude and Fugue, Fantasia, Passacaglia, Toccata, middle movement, and/or Fugue BWV 532. Prelude and Fugue in D major.’85,’88,’92,’94,’95,’03-(2x),’04,’09-(2x),’14,’18,’19-(2x)
28
L’ORGANO 1979–2019
BWV 533. Prelude and Fugue in E minor.’84 BWV 534. Prelude and Fugue in F minor.’80,’07,’10 BWV 536. Prelude and Fugue in A major.’91,’96,’05 BWV 537. Fantasia and Fugue in C minor.’85,’11 BWV 538. Toccata and Fugue in D minor (“Dorian”).’11,’19 (Toccata only).’80,’95,’97,’01,’05,’11,’13,’19 BWV 539. Prelude and Fugue in D minor (“Violin Fugue”; “Fiddle”).’86,’87,’15 BWV 540. Toccata and Fugue in F major.’84,’95,’00,’05,’07,’10 (Toccata only).’83,’99,’10,’16,’17 BWV 541. Prelude and Fugue in G major.’79,’83-(2x),’85,’86,’04-(2x),’05,’07 BWV 542. Fantasia and Fugue in G minor (“Great”).’80,’81,’83-(3x),’89,’92-(2x),’93,’99,’04-(2x),’08, ’13-(2x),’14,’15,’17,’18 BWV 543. Prelude and Fugue in A minor.’79,’81,’91,’92,’97,’98,’00,’01,’07,’08,’13,’14,’15,’16,’17 BWV 544. Prelude and Fugue in B minor.’79,’93,’96,’05,’02,’09 (Prelude only).’02 BWV 545. Prelude and Fugue in C major.’85,’88,’07,’17,’18 (Prelude only, arr. by Dewey Owens).’03 BWV 546. Prelude and Fugue in C minor.’93,’96,’99,’00,’07-(2x),’15 (Prelude only).’80 BWV 547. Prelude and Fugue in C major (“9/8”).’79,’85,’89,’93,’95,’02,’04,’10,’14 BWV 548. Prelude and Fugue in E minor (“Wedge”).’84,’86,’95,’99,’00,’09,’13-(2x),’14,’15,’18 BWV 549. Prelude and Fugue in C minor (“Arnstadt”).’86,’09 BWV 550. Prelude and Fugue in G major. ’08 (Prelude only).’17 BWV 561. Fantasia super “Komm, Heiliger Geist” (in Organo pleno).’08 BWV 562. Fantasia and Fugue in C minor.’94 BWV 564. Toccata, Adagio, Fugue in C major.’80,’82,’85,’88,’92,’97,’99,’00,’01,’08,’12,’15,’16,’17,’19 BWV 565. Toccata and Fugue in D minor.’83,’85-(2x),’89,’91,’92,’94,’07,’09 (Toccata only).’17 BWV 566. Toccata and Fugue in E major.’84,’13,’16 (Toccata only).’94 BWV 566a. Prelude and Fugue in C major.’15 BWV 568. Prelude in G major.’00 BWV 572. Fantasia in G major (“Pièce d’Orgue”).’79,’85,’91,’94-(2x),’97,’98,’00,’07,’12,’14,’16,’18,’19 BWV 577. Fugue in G major (“Gigue”).’81,’91,’94,’09,’16,’18 BWV 578. Fugue in G minor (“Little”).’85,’89,’94 BWV 582. Passacaglia in C minor.’79,’80,’85,’95,’08,’10,’17 BWV 656. Toccata and Fugue in D minor.’91 BWV 737. Prelude on “Vater unser im Himmelreich.” ’81 BWV 753. Fantasia super: “Valet will ich dir geben.” ’12 BWV 847. The Well-Tempered Clavier (Book I, No. 2): Fugue in C minor.’85 BWV 1128. Chorale Fantasie: “Wo Gott der Herr nicht bei uns halt.” ’12 Six Schübler Chorales BWV 645. “Wachet auf, ruft uns die Stimme.” ’85,’89,’91 BWV 646. “Wo soll ich fliehen hin.” ’91,’00 BWV 647. “Wer nur den lieben Gott läßt walten.” ’89,’91,’00 BWV 648. “Meine Seele erhebt den Herren.” ’91,’00 BWV 649. “Ach, bleib bei uns, Herr Jesu Christ.” ’89,’91,’00 BWV 650. “Kommst du nun, Jesu, vom Himmel herunter.” ’83,’91,’00 Various Pieces BWV 478. “Komm, süßer Tod.” ’85 BWV 508. “Bist du bei mir” (1725) (“Notebook for Anna Magdelena Bach”).’82,’85 BWV 587. Aria in F major (ca. 1726).’18 BWV 590. Pastorale in F major.’79,’80 BWV 767. Partite diverse “O Gott, du frommer Gott.” ’81,’17,’18 BWV 769. Canonic Variationen on “Vom Himmel hoch da komm’ ich her.” ’85 ,’18 BWV 804. Duetto III.’10 BWV 988. Goldberg Variationen (complete performance).’06 BWV 990. Sarabande con Partite in C major: Partite 1, 2, 3, 6, 7, 10, and 12.’12 BWV 1002. Violin Partita No. 1 in B minor: Courante; Double.’10 BWV 1007. Cello Suite No. 1, in G major: Sarabande; Gigue.’15 BWV 1008. Suite No. 2 in D minor: Prelude.’06 BWV 1029. Trio Sonata in G Major for two Flutes and Continuo.’12 BWV 1034. Flute Sonata in E minor.’82 BWV 1037. Trio Sonata in C major (Johann Sebastian Bach [attrib.] possibly by Johann Gottlieb Goldberg [1727–1756]).’00 BWV 1047. Brandenburg Concerto No. 2 in F major.’97 BWV 1068. Orchestral Suite No. 3 in D major: Air (“On the G String”).’92,’95-(2x) BWV 1080. Die Kunst der Fugue in D minor: Contrapunctus VIII.’95
29
L’ORGANO 1979–2019
End of compositions by Bach, Johann Sebastian. Bach, Wilhelm Friedemann (1710–1784). “Wir danken dir, Herr Jesu Christ”; “Jesu, mein Freud.” ’85 Balbastre, Claude (1727–1799). Canonnade.’19 Balbastre. Where are the Merry Shepherds Going? ’01 Bales, Gerald (1919–2002). Prelude in E minor.’06 Barber, Samuel (1910–1981). Adagio for Strings (arr. by W. Strickland).’93,’08 Barber. Violin Concerto, op. 14 (1939).’13 Barber. Wondrous Love: Variations on a Shape-Note Hymn, op. 34 (1958).’95,’08,’13 Barié, Augustin (1883–1915). Symphonie pour orgue, op. 5 (1911): Intermezzo.’14 Barnby, Joseph (1838–1896). “O Perfect Love” (1889).’83 Barnes, Albert L. (1861–1906). Sonata Chromatique (1899): Scherzo.’18 ; Toccata in B-flat major.’07,’18 Barnwell, Rhett. Ave Maria.’03; Prelude on “Victimae Paschali Laudes.” ’03; Requiem.’03 Bartow, Nevett (1934–1973). Passacalgia (1970).’81 Becker, René Louis (1882–1956). Cantilène, op. 63.’18 Becker. Organ Sonata No. 1 in G major, op. 40 (1912).’12 Becker. Postlude in D minor, ip. 75a (1923).’18 Bédard, Denis (b. 1950). Fantaisie.’06 Bédard. Suite Romantique (2005).’18 Beethoven, Ludwig van (1770–1827). Piano Sonata No. 14 in C-sharp minor, op. 27, no. 2 (1801) (“Moonlight”): Adagio.’84 Beethoven. Serenade, op. 25 (for flute, violin, viola): Tempo ordinairo d’un Menuetto (transcr. by Best).’02 Beethoven. Three Pieces for a Mechanical Clock.’94 Bellini, Vincenzo (1801–1835). Sonata per organo.’97 Bellini. Sonata in G major (ca. 1819-25).’16 Bellini. Concerto in E-flat for Oboe.’02 Benoit, Dom Paul,(1893–1979) (Order of Saint Benedict). Allegro vivo e maestoso (1963).’18 Berlinski, Herman (1910–2001). The Burning Bush (1957).’19 Besard, Jean-Baptiste. Les Campienses Parisennes (arr. by Samuel Milligan).’03 Besozzi, Allesandro (1702–1793). Sonata in C major.’02 Bingham, Seth (1885–1972). Baroques Suite: Sarabande; Rhythmic Trumpet.’03 Bingham. Souvenir de France: “Pastorale.” ’06 Bingham. Toccata on “Leoni.” ’08 Bingham. Twelve Hymn Preludes, op. 38 (1942): BETHANY (“Nearer, My God to Thee”); TOPLADY (“Rock of Ages”); OLIVET (“My Faith Looks Up to Thee”).’11,’17 Bish, Diane (b. 1941). Improvisation: NETTLETON (“Come Thou Fount”); Toccata “Easter Hymn.” ’00 Bitgood, Roberta (1908–2007). On an Ancient Alleluia (1962).’03 Bloch, Ernest (1880–1959). 6 Preludes (1949): Processional; Andante.’80 Bloch. Four Wedding Marches, B. 81 (1950): March No. 1.’13 Bobo, Len D. (b. 1949). Appalachian Prelude (2004).’11 Boccherini, Luigi. Minute in A (transcr. by Edwin Lemare).’04 Bock, Fred (b. 1939). “Praise God from Whom All Blessings Flow.” ’94 Boëllmann, Léon (1862–1897). Suite Gothique, op. 25 (1895): Introduction–Choral; Menuet gothique; Prière à Notre-Dame.’83,’84; Toccata.’13 (complete performance).’89 Boëly, Alexandre Pierre-François (1785–1858). Fantaisie et Fugue en si bémol majeur.’88,’19 Böhm, Georg (1661–1733). Chorale Prelude: “Vater unser im Himmelreich” (ca. 1700).’98,’10,’12,’18 Böhm. Variations on “Freu dich sehr, o meine Seele.” ’83 Böhm. Prelude and Fugue in C.’85 Böhm. Prelude and Fugue in D minor.’84 Böhme, Oskar (1850–1938). Trumpet Concerto in E minor, op. 18 (1899).’17 Bolcom, William (b. 1938). Free Fantasia on “O Zion Haste” and “How Firm a Foundation” (1984).’11 Bolcom. Gospel Preludes: “La Cathedrale engloutie” (“Rock of Ages”); “Just as I Am” (Book 1, 1979).’06; “What a Friend We Have In Jesus” (Book 1, 1979).’19; “Jesus Loves Me” (Book 2, 1981).’14; “Sometimes I feel” (Book 4, 1984).’11 Bolcom. The Black Host, for organ, percussion, and tape (1967, rev. 1970).’79 Bolling Manuscript. Hornpipe and Jig.’80 Bolt, Klass (1927–1990). Variations on “Psalm 43.” ’04 Bonelli, Aurelio (ca. 1600). Toccata “Athalanta.” ’79 Bonnal, Ermend (1880–1944). Basque Landscapes (1930).’87 Bonnet, Joseph (1884–1944). In Memoriam–Titanic, op. 10, no. 1 (1913).’12 Bonnet. Variations de Concert, op. 1 (1908).’15 Borroff, Edith (b. 1925). An American Oilo (“General Ruckus”) (1983).’12 Bossi, M. Enrico (1863–1925). Étude Symphonique, op. 78.’03
30
L’ORGANO 1979–2019
Bossi. Pièce Héroïoque, op. 128 (1907).’10 Bourgeois, Derek (b. 1941). Serenade for organ, op 22 (1965).’16 Bovet, Guy (b. 1942). Ricercare.’08 Bovet. Trois Préludes Hambourgeois für Orgel (1984): Salamanca.’09,’15; Sarasota.’01 Bowen, York (1884–1961). Fantasia.’98 Boyce, William (ca. 1711–1779). Tell Me, Lovely Shepherd.’85 Boyce. Voluntary in D major: Adagio; Allegro.’91; Larghetto.’81,’95; Vivace.’81,’88,’95,’07 Boyce. Voluntary in G major.’82 Boyce. Voluntary No. 4 in G minor.’98 Boyvin, Jacques (ca. 1649–1709). Dialogue de Récits (Messe deuxième ton).’06 Brahms, Johannes (1833–1897) Brahms. Choral: “Herzlich tut mich verlangen.” ’04 Brahms. Chorale Prelude and Fugue on “O Traurigkeit, o Herzeleid,” WoO 7.’96 Brahms. “Deck Thyself, My Soul, With Gladness.” ’95 Brahms. Elf Choralvorspiele, Eleven Chorale Preludes, op. 122 (1896) (posth. 1902): “Mein Jesu, der du mich.” ’06; “Herzliebster Jesu.” ’09; “O Welt, ich muss dich lassen.” ’85,’04,’09,’17; “Herzlich tut mich erfreuen.” ’04-(2x),’09,’14-(2x); “Schmücke dich, o liebe Seele.” ’79,’99; “Es ist ein’ Ros’ entsprungen.” ’79,’09,’12; “Herzlich tut mich verlangen.” ’02,’14 Brahms. Fugue in A-flat minor (1864).’86,’08 Brahms. “O Gott, du frommer Gott.” ’82 Brahms. Prelude and Fugue in G minor, WoO 10.’00,’08,’16,’19 Brahms. Variations and Fugue on a Theme by Handel, op. 24 (1861) (op. 11, 1988, revised 1997, transcr. by Rachel Laurin).’15 Bremner, James (?–1780). Trumpet Air.’07 Brewer, Alfred Herbert (1865–1928). Marche Héroïque (1915).’15 Bridge, Frank (1879–1941). Adagio in E major.’09 Briggs, David (b. 1962). Four Concert Etudes (2005).’17 Briggs. Introduction, Chorale and Fugue on a British Theme.’18 Bristol, Lee H., Jr. (1923–1979). Prelude on Two Folk Hymns; Partita on Tallis’ Cannon.’84 Britten, Benjamin (1913–1976). Simple Symphony: Playful Pizzicato.’81 Brown, Rayner. “Veni Creator Spiritus” (1976).’79 Brown. Organ Sonata for Two Players (1969): Allegro.’79 Brubeck, Dave (b. 1920). Blue Rondo a la Turk.’95 Bruce, Neely (b. 1944). Homage to Maurice.’87 Bruhns, Nicolaus (1665–1697). Präludium in E minor (Kleine Präludium, J. S. Bach, BWV 941).’91,’94, ’09,’10,’12,’18 Bruhns. Präludium in G major.’88,’09,’14,’16 Bruhns. Prelude.’86,’89; Fugue in E minor (complete performance).’81 Bruna, Pablo (1611–1679). Tiento de mano derecho y al medio a dos tiples 1⁰ tono.’92 Buck, Dudley (1839–1909). Chorale Prelude: “Allein Gott in der Höh’ sei Ehr’.” ’88 Buck. Concert Variations: “The Star-Spangled Banner,” op. 23 (1886): Theme.’07; Allegro; Poco vivace; Allegro non Troppo; Minore adagio.’07; Fughetta: Allegro assai.’07; Finale (complete performance).’91, ’93,’96,’98 Buck. Scherzo.’88 Buck. Sonata No. 2 in G minor, op. 77, no. 2; no. 3.’96 Buck. Variations on a Scotch Air, op. 51.’05 Burkhardt, Michael (b. 1957). “Praise to the Lord, the Almighty” (1997).’12 Burton, Daniel (b. 1944). Rex, King of Instruments (1995).’17 Burton/Michael Lodico (b. 1981). “Greensleeves” Variations.’13 Buxtehude, Dietrich (1637–1707) (Buxtehude Werke Verzeichnis [BuxWV] numbering as given by Georg Karstädt, 1974) BuxWV 137. Prelude, Fugue and Chaconne in C.’84,’85 BuxWV 139. Präludium in D major.’89,’94,’09 BuxWV 140. Präludium in D minor.’85,’87,’03,’04,’06,’19 BuxWV 142. Präludium in E minor.’81 BuxWV 146. Präludium in F-sharp minor.’04 BuxWV 148. Präludium in G minor.’07,’14 BuxWV 149. Präludium in G minor. ’00,’06,’08,’15 BuxWV 153. Präludium in A minor.’96,’06,’13 BuxWV 155. Toccata in D minor.’99,’09,’12,’14 BuxWV 157. Toccata in F major.’85,’91 BuxWV 160. Chaconne in E minor.’80,’81,’14
31
L’ORGANO 1979–2019
BuxWV 161. Passacaglia in D minor.’13,’14 BuxWV 163. Präludium in G minor.’83-(2x),’87 BuxWV 174. Fugue in C major (“Jig”).’92,’95 BuxWV 199. “Komm, heiliger Geist.” ’93 BuxWV 208- 209. Chorale Preludes and Magnificats: “Nun bitten wir den heiligen Geist.” ’94,’96,’09,’17 BuxWV 210. Chorale fantasia “Nun freut euch, lieben Christen g’mein.” ’96 BuxWV 220. “Von Gott will ich nicht lassen.” ’06 BuxWV 223. Chorale fantasia “Wie schön leuchtet der Morgenstern.” ’85 Byrd, William (1542–1623). A Fancy.’98,’07 Byrd. Codex Faenza: Benedicamus Domino (ca. 1400); FitzwilliamVirginal Book: Callino Casturame.’19; La Volta.’19; The Carman’s Whistle.’98; The Queene’s Alman.’19 Byrd. Pavana Lachrymae (Dowland): Galliard.’02 C Cabezón, Antonio (1510–1566). Diferencias sobre el canto de “La Dama le dermanda”(ca. 1578).’91 Callahan, Charles (b. 1951). Communion.’02 Callahan. Evensong (1991).’98 Callahan. Partita on “Hyfrydol” (1986).’95 Callahan. Ragtime (premiere performance).’87,’97,’04 Callahan. The Emerald Isle (1994).’02 Callahan. Union Seminary (1988).’13 Calvert, Morley. Suite from the Monteregian Hills (1976).’79 Camidge, Matthew (1774–1874). Concerto No. 2 in G minor: Adagio.’98 Campra, André (1660–1744). Idoménéé (1712): Rigaudon (transcr. from his opera).’09 Carr, Benjamin (1768–1831). Flute Voluntary.’82 Carr. Variations to the Sicilian Hymn.’82 Carr. Voluntary (?1801). Andante; Fugue: Allegro.’79 Carvalho, Joao de Sousa (1745–1798). Sonata in D major.’94 Cavazzoni, Girolamo (ca. 1525–after 1577). Canzon sopra “Il est bel et bon.” ’17 Casanovas, Narciso (1747–1799). Paso in C major.’02 Chadwick, George W. (1854–1931). Pastorale.’96 Chadwick. Ten Canonic Studies, op. 12 (1885). Three Canons in the Octave (E-flat, E-flat, A-flat).’18 Chenault, Raymond (b. 1950). Gregorian Duet (premiere performance).’87 Cherubini, Luigi (1760–1842). Sonata for French horn.’82 Cherwien, D. (b. 1957). SCHMUCKE DICH.’99 Clarke, Andrew (b. 1941). Partita on “A Mighty Fortress” (1991).’12 Clarke, Jeremiah (1670–1707). Come, sweet lass; March; Serenade; King William’s March.’79 Clérambault, Louis-Nicolas (1676–1749). Livre d’ Orgue–Suite de Deuxième Ton (1710): Plein Jeu.’80, ’82,’09,’10; Duo.’80,’10; Trio.’94; Basse de Cromhorne.’09,’10; Flûtes.’82,’09,’10; Récit de Nazard.’82, ’10; Caprice sur les Grands Jeux.’80,’82,’09,’10 (complete performance).’83,’99 Clérambault. Livre d’Orgue–Suite du Premier Ton.’83 Clokey, Joseph (1890–1960). Fireside Fancies.’88 Cocker, Norman (1899–1953). Tuba Tune.’09 Codex Faenza (14th C). Ave Maria, Ave Maris Stella.’01 Coe, Kenton (b. 1930). Hymn-Tune Preludes (premiere performance).’81 Colvin, Herbert (1893–1985). Prelude on PISGAH (“When I can read my title clear”).’09 Conte, David (b. 1955). Pastorale and Toccata.’06 Conte. Soliloquy for Organ Solo (1997).’01,’14 Conte. Songs of Consolation.’99 Convery, Robert (b. 1954). In Paradisum (premiere performance).’96 Cook, John (1918–1984). Fanfare, no. 228 (Psalm 81:1-3) (1952).’84,’99,’01,’17 Cooman, Carson (b. 1981). York Concertato, for two organs (2014).’18 Copland, Aaron (1900–1990). Fanfare for the Common Man (arr. by Dorothy Papadakos).’98 Copland. Symphony for Organ and Orchestra (1924).’00 Corbett, William (1680–1748). Sonata in C, op. 1, no. 12 (1700).’13 Cornell, Garry A. (b. 1940). Procesión Alegre.’08 Correa de Arauxo, Francisco (ca. 1575–1654). Tiento XI de undecimo tono.’92 Corrette, Gaspard (ca. 1670–ca. 1733). Messe de Huitième Ton.’99,’00 Couperin, Francois (1668–1733). Messe a l’usage ordinaire des paroisses (“Mass for the Parishes”). Plein chant de premier Kyrie, en Taille.’95; Dialogue sur la Trompette en la Chromhorne.’95; Dialogue sur les Grandes Jeux.’79; Domine Deus, Rex Coelestis.’82 Couperin. Les Barricades Mysterieuses (1717).’19; (arr. Deborah Friou).’03 Couperin. Les papillons (“The Butterflies”).’94
32
L’ORGANO 1979–2019
Couperin. Messe à l’usage des Couvents (1690) (“Mass for the Convents”): I. Kyrie: Plein Jeu. ’86,’03,’17; Fugue sur la Trompette.’03,’17; Récit de Chromhorne.’17; Trio à dessus de Chromhorne et de basse de Tierce.’17; Dialogue sur la Trompette du Grand Clavier, et sur la Montre, le Bourdon et le Nazard du Positif.’86,’03,’17; II. Gloria: Plein Jeu; Petite fugue sur le Chromhorne; Duo sur les Tierces; Basse de Trompette; Chromhorne en Taille; Dialogue sur la Voix Humaine; Dialogue sur les Tierces et la Basse sur la Trompette.’03; Récit de Tierce; Dialogue sur les Grands Jeux.’05; Offertoire sur les Grands Jeux.’03,’12; IV. Sanctus: Plein Jeu; Récit de Cornet. Elevation–Tierce en Taille.’83,’86,’03; V. Angus Dei: Plein Jeu; Dialogue sur les Grands Jeux.’86,’03; Deo Gratias: Petit Plein Jeu (complete performance).’14 Couperin, Louis (ca. 1626–1661). Chaconne in G minor.’06 Cutler & Johnson’s Church Organ Voluntaries.’07 D D’Agincourt, Franҫois (1684–1758). The Turtle Doves.’94 D’Hardelot, Guy (Helen Guy Rhodes) (1858–1936). Because (1902).’83 Dallier, Henri (1849–1934). Cinq Invocations (1925): Pulchra ut luna; Electra ut sol.’18 Dandrieu, Jean-Franҫois (1684–1738). Les Fifers.’96 Dandrieu. Noëls: A Minuit fut fait un reveil.’83,’97; Allon voir ce divin gage.’83; Bon Joseph, ecoutez moi.’83; Mais on san es alle Nau.’97; Une jeune pucelle.’97; Nöel de Saintonge.’97 Dandrieu. O FILII ET FILIAE (“O Sons and Daughters of the King”).’09 Dàquin, Louis Claude (1694–1772). Le Coucou (“The Cuckoo”).’95 Dàquin. Nouveau Livre de Noëls, op. 2 (1757): Noël Suisse.’93; Noël.’94 Darke, Harold (1888–1976). Elegy.’15 Darke. Choral-Fantasia on Darwell’s 148th, op. 20, no. 2 (1919).’19 Davies, Walford (1869–1941). Solemn Melody.’82 Davies, William (b. 1949). Escapades.’99 Debussy, Claude (1862–1918). Préludes (Book I) (1909-10): La fille aux cheveux de lin.’82 Debussy. The Little Shepherd.’95 Decker, Pamela (b. 1955). Ava Maris Stella (2004).’11 Decker. Flores del Desierto: Tangos for Organ (1998): Albarda.’12 Decker. Toccata (1985).’02 Demessieux, Jeanne (1921–1968). Te Deum, op. 11 (1957-58).’84,’18 Demessieux. Twelve Chorale Preludes (1947): O FILII ET FILIAE (“O Sons and Daughters of the King”), with variations; Rorate Caeli–choral orné; Veni Creator–toccata.’05 Desprez, Josquin (1455–1521). In te Domine speravi.’11 Diemer, Emma Lou (b. 1927). 1. Fantasie (1958); 2. Three Chorale Settings: “Awake, My Heart, with Gladness,” from Suite of Easter Hymns (1984); “O Bread of life from Heaven,” from Celebration (1975); “Christ Jesus Lay in Death’s Strong Bands,” from Suite of Easter Hymns; 3. Little Suite (1985): Prelude, Offertory, Postlude; 4. Folk Hymn Sketches (1987): “All Things Bright and Beautiful” (English); “Thou Hidden Source of Calm Repose” (Russian); “Praise our Father” (Chinese); “O What Their Joy and Their Glory Must Be” (French); 5. Toccata (1967).’89 Diemer. Hymn Setting on HANKEY.’18 Dimmock, Jonathan (b. 1957). Improvisation in the form of a French Symphonie: Allegro (“Te Deum”); Fileuse (“Jesus dulcis memoria”); Adagio (“Ubi caritas”); Toccata (“Veni Creator”).’05 Dinda, Robin (b. 1959). Nibs and Nobs: A Rag for Organ, op. 12.’02 Dinda. Organ Duets, No. 3 (1997): Max Cat Rag.’12 Diogo de Conceicao, Fr. Rogue (17th century). Batalha de Quinto torn.’92 Distler, Hugo (1908–1942). Orgelsonate, op. 18, no. 2 (1939).’80,’17 Distler. Partita “Nun komm, der Heiden Heiland,”op. 8, no. 1 (1933).’17 Doppler, Franz (1821–1883), Karl Doppler (1825–1900). Rigoletto: Fantasie, op. 28 (ca. 1855) (Verdi).’12 Drischner, Max (1891–1971). “Wie schön leuchtet der Morgenstern.” ’83 Dubois, François-Clément-Théodore (1837–1924). Cantilène nuptiale (ca. 1900).’83 Dubois. Douze Pièces Nouvelles: In Paradisum; Fiat Lux.’01 Dubois. Douze Pièces Pour Orgue (1886): Toccata in G major.’92,’99,’18 Dumage, Pierre (1674–1751). Premiér Livre d’Orgue: Plein Jeu; Basse de Trompette; Récit.’84 Dupré, Marcel (1886–1971) Dupré. 3 Préludes et Fugues, op. 7 (1914). No. 1: B major.’85,’96,’05,’07,’13,’14; No. 2: F minor.’05,’14; No. 3: G minor.’97,’05,’11,’14,’15,’19 (complete performance).’91 Dupré. 15 Versets sur les vêpres du commun des fêtes de la Sainte Vierge, op. 18 (1919). Antiphon III: Nigra sum sed Formosa.’87,’04; Magnificat V.’10 Dupré. Ave Maria.’93
33
L’ORGANO 1979–2019
Dupré. Carillon, op. 27, no. 4 (1931).’16 Dupré. Cortège et Litanie, op 19, no. 2 (1921).’81,’84-(2x),’86,’92,’05,’07,’10,’11,’12,’13,’16,’17,’19 Dupré. Évocation, op. 37 (1941).’87,’96,’97,’09 Dupré. Sonata in A minor, op. 60 (1964).’83 Dupré. Suite Brétonne, op. 21 (1921): Spinning Song.’96 Dupré. Symphonie-Passion, op. 23 (1924): Le Monde dans l’attente du Sauveur.’89,’00; Crucfixion: Lento; Resurrection: Allegro moderato.’93 Dupré. Trois Esquisses, op. 41 (1945): C major (discov. 1975).’92; E minor.’92,’05; B-flat minor.’92,’05 Dupré. Trois Préludes and Fugues, op. 36 (1938): No. 2 in A-flat major.’92 Dupré. Variations sur un vieux Noël, op. 20 (1922).’88,’92,’19 Dupré. Zephyrs.’95 Dupuis. Thomas Sanders (1733–1796). Trumpet Voluntary.’80 Dupuis. Concerto No. 3: Gavot with variations.’87 Duruflé, Maurice (1902–1986) Duruflé. Fugue sur le thème du Carillon des Heures de la Cathédral de Soissons, op. 12 (1962).’97,’12 Duruflé. Prélude, Adagio, et Choral varié sur le thème du “Veni Creator,” op. 4.’79,’83,’99,’01,’06,’12 Duruflé. Prélude et Fugue sur le nom d’ALAIN, op. 7 (1942).’81,’83,’88,’00,’04,’05,’11,’14,’15,’17 Duruflé. Prélude sur l’Introït de l’Épiphanie, op. 13 (1961).’02,’12,’18 Duruflé. Requiem, op. 9 (1947): Pie Jesu.’87 Duruflé. Scherzo, op. 2 (1926).’79,’88,’05,’17 Duruflé. Suite pour Orgue, op. 5: Prélude; Sicilienne.’89,’99,’11; Toccata.’88,’89,’99,’00,’08 (complete performance).’13,’16 Dvořák, Antonín (1841–1904). Dvořák. Biblical Songs, op. 99: Slyš, ó Bože! Hospodin jest muj pastýř; Bože! Bože! Píseň novou.’93 Dvořák. Carneval Ouverture (transcr. by Edwin Lemare).’04 Dvořák. Slavonic Dance in G minor, op. 46, no. 8.’81 Dvořák. Symphony No. 9 in E minor, op. 95 (1893): Largo.’18 Dvořák. The Bohemian Forest, op. 68: Silent Woods (arr. by Anthony Rispo for organ/cello).’18 E Eben, Petr (1929–2007). Nedŭlni hudba (1963): Moto ostinato.’86,’89,’95,’03,’15; Finale.’89 Eben. Musica Dominicalis (1958): Moto ostinato.’92,’93 Eben. Okna (1976): The Green Window–Tribe of Issachar.’01 Eberlin, Johann Ernst (1702–1762). Toccata terza e fuga.’83 Ebert, Ray (b. 1937). Improvisation on “Lobe den Herren.” ’86 Edmundson, Garth (1900–1971). Heaven High to Earth I Come: Toccata on “Vom Himmel Hoch.” ’93 Elgar, Edward (1857–1934). Chanson de Nuit, op. 15, no.1 (1889–90).’16 Elgar. Imperial March, op. 32 (1897) (arr. by George C. Martin).’87,’97,’16 Elgar. “Pomp and Circumstance,” March No. 1 in D major, op. 39 (1901).’91,’92 Elgar. “Pomp and Circumstance,” March No. 4 in G major, op. 39 (1907).’00,’12 Elgar. Sea Pictures, op. 37 (1899).’16 Elgar. Sonata in G major, op. 28 (1895): Allegro maestoso.’98; Allegretto; Andante espressivo; Presto (comodo).’01,’11 Elgar. Sonata No. 2 in B-flat, op. 85a.’86 Elgar. Variations on an Original Theme, op. 36 (1898-99) (“Enigma Variations”): Nimrod. ’87,’06,’00 Ellington, Duke (1899–1974). “In a Sentimental Mood”; “The Star-Crossed Lovers”; “Sophisticated Lady”; “Chelsea Bridge”; “A Single Petal of a Rose.” ’89 Elmore, Robert (1913–1985). Fantasy on Nursery Tunes.’89 Elmore. Rhumba (1954).’95,’19 Elmore. Rhythmic Suite.’04 Elmore. Three Meditative Moments Based on Moravian Hymns (1958).’10 Emilio, Manuel (1812–1871). Soft Organ Voluntary.’07 Erbe, Ernst Immanuel (1854–1927). Seventeen Organ Chorales: “Herzliebster Jesu”; “Allein Gott in der Höh’ sei Ehr’”; “Wer nur den lieben Gott läßt walten”; “O Lamm Gottes unschuldig.” ’86 Ernst, Duke Johann (1696–1715). Concerto in G major, BWV 592 (arr. by J. S. Bach).’05,’15 Escaich, Thierry (b. 1965). Cinq versets sur le “Victimae Paschali.” ’09,’10 Eyken, Jan Albert Van (1822–1868). Sonata III, op. 35.’87 F Farnaby, Giles (1560–1640). Rosasolis.’02 Farnam, Lynwood (1885–1930). Toccata on O FILII ET FILIAE (“O Sons and Daughters of the King”).’91 Farrell, Graham (b. 1941). “De las Cantigas de Santa Maria.” ’02 Farrell. Two Hymn Tune Preludes for Violin/Organ: BRADBURY (“Saviour, like a Shepherd Lead Us”); THE SOLID ROCK (“My Hope Is Built on Nothing Less”).’16
34
L’ORGANO 1979–2019
Farrell. Variations on an Old Tune.’02 Farrington, Iain (b. 1977). Fiesta (2003): Celebration.’11 Farrington. Live Wire (2008).’12 Fasch, Johann Friedrich (1688–1758). Trio in C minor: Adagio; Allegro.’96 Faure, Gabriel (1845–1924). Cantique de Jean Racine, op. 11 (1864).’11 Faure. Requiem: In Paradisum (arr. by Marcel Dupré).’93 Fax, Mark (1911–1974). Three Pieces for Organ.’94 Fedak, Alfred (b. 1953). Improvisation on VENI CREATOR SPIRITUS .’18 Finger, Godfrey (1660–1732). Sonata in C.’13 Firestone, Idabelle (1854–1954). “If I Could Tell You” (1940).’83 Fletcher, Percy Eastman (1859–1932). “Fountain Reverie,” (1915).’82,’87 Fleury, André (1903–1995). Deuxième symphonie (1949): Vif et impétueux.’12 Fleury. In Memoriam: Hommage à Jehan Alain (1990).’00 Fleury.Vingt-quatre Pièces pour Orgue (1930-33): Allegro maëstoso.’01; Vif, Comme un scherzo.’01,’05; Andante.’05; Allegretto.’01; Allegro vivo.’05 Foote, Arthur (1853–1937). Prelude, op. 50, no. 5.’96 Four American Folksongs: “Amazing Grace”; “When can I read my title clear”; “Wondrous love” (arr. by D. Wood); “When can I read my title clear” (arr. by Don Hustad).’82 Franck, César (1822–1890) (Franck Werke Verzeichnis [FWV] numbering as given by Wilhelm Mohr) FWV 24. Piéces posthumes (1858-63). Magnificat in D major: Grand Choeur; Andantino; Quasi Marcia; Allegretto; Grand Choeur.’19 FWV 25. Andantino in G minor (1857).’89 FWV 28–33. Six Pièces pour Grand Orgue (1859-62): FWV 28. Fantaisie in C major, op. 16.’00 FWV 29. Grande Pièce Symphonique in F-sharp minor, op. 17 (1860-62).’79,’81,’84 FWV 30. Prélude, Fugue et Variation in B minor, op. 18 (1860-62).’79,’80,’83,’84-(2x),’86-(3x),’87,’93, ’95,’99,’04,’ 09,’15,’16,’18,’19-(2x) FWV 31. Pastorale in E major, op. 19.’84,’99,’07 FWV 32. Prière in C-sharp minor, op. 20.’96,’18 FWV 33. Final in B minor, op. 21.’79,’81,’84 FWV 35–37. 3 Pièces pour grand orgue (1890): FWV 35. Fantaisie in A minor.’79-(2x),’83,’88,’89-(2x),’91,’04,’13,’15,’19 FWV 36. Cantabile in B major.’81,’84,’96,’98,’99,’05,’08,’09,’14 FWV 37. Pièce héroïque in B minor.’88,’95,’04,’14 FWV 38–40. Trois chorales pour grand orgue (1890): FWV 38. Choral No. 1 in E major.’79,’95,’96,’04-(2x),’06,’10,’11,’15 FWV 39. Choral No. 2 in B minor.’80,’93,’96,’05,’07 FWV 40. Choral No. 3 in A minor.’80,’82,’96,’98,’00,’02,’04-(2x),’05,’07-(2x),’09-(2x),’15,’17-(2x),’18 FWV 57. Ave Maria in G minor (1865).’11 Frescobaldi, Girolamo (1583–1643). Fiori Musicali (1635): Toccata per l’Elevatione.’93; Bergamasca.’91, ’93,’15 Frescobaldi. Partite sopra la Follia.’17 Frescoboldi. Toccata Prima (Book II).’93 Frescoboldi. Toccata Quinta, sopra I pedali per l’organo, e senza.’04 Froberger, Johann Jakob (1616–1667). Cappriccio in F.’87 Froberger. Toccata I, FbWV 101.’17 Fuentes, Juan B. (19th/20th centuries). “At the Chapel.” ’02 Fumagalli, Carlo (1822–1907). Messa solenne per organo tratta da opera del celebre Giuseppi Verdi: Versetti per il Gloria da “Traviata,” op. 50, no. 3; Marcia per dopo la Messa da “Aida,” op. 185.’10 G Gabrieli, Andrea (ca. 1515–1586). Canzona.’81 Gabrieli, Giovanni (1557–1612). Sonata pian’e forte.’79 Gabrieli. Canzon Septimi toni a 8.’81 Gade, Niels W. (1817–1890). Tonstueck No. 1, op. 22.’83, Gárdonyi, Zsolt (b. 1946). Mozart Changes (1995).’03,’06,’08 Gawthrop, Daniel (b. 1949). O Jerusalem, A Symphony for Organ.’09 Gawthrop. Three Floral Preludes For Organ (2009).’11 Gershwin, George (1898–1937). Porgy and Bess: “It Ain’t Necessarily So”; “I Loves you, Porgy”; “Oh, Lawd, I’m On My Way.” ’89 Gershwin. Preludes (1926): Andante con moto e poco rubato.’82,’13; Allegro ben ritmato e deciso (arr. by Xiao Lei Salovara).’13
35
L’ORGANO 1979–2019
Gershwin. Three Preludes for Piano (transcr. by Edwin Lemare).’04 Gherardeschi, Giuseppe (1759–1815). Sonata per organo a guisa di banda militare che suona una Marcia.’91 Giazotto, Remo (b. 1910). Adagio in G minor (comp. fr. fragments by Tomaso Albinoni [1671–1750]).’96 Gibbons, Orlando (1583–1625). Four Pieces: Prelude in G; Alman; Lincoln’s Inn Mask; Fantasia in A (for the “Great Double Bass”).’80 Gigot, Eugène (1844–1925). Dix pièces pour orgue (1892): Toccata in B minor.’84,’86-(2x),’92-(2x),’94, ’96,’98,’07,’14,’15; Scherzo in E major.’94,’96 Gigot. Grand Chœur Dialogué.’92,’95-(2x),’96,’01,’04 Gigout. Variations on Noëls.’96 Ginastera, Alberto (1913–1983). Toccata, Villancico y Fuga, op. 18 (1947).’08 Glass, Philip (b. 1937). Mad Rush (Fourth Series, Part IV) (1979); Music in Fifths (1969); Einstein on the Beach (1976): Aria.’01; Dance IV (1979).’01,’12; Satyagraha (Part 3, Act III) (1980): Finale.’01,’02 Glazunov, Alexander (1865–1936). Fantaisie.’97 Glazunov. Prelude in D, op. 159, no. 1.’06 Goemanne, Noel. Solemn Overture.’81 Gounod, Charles (1818–1893)/ Johann Sebastian Bach (1685–1750). “Ave Maria.” ’02 Grainger, Percy (1882–1961). Irish tune from County Derry (1913).’00,’12 (arr. by Robert Gant).’19 Grandjany, Marcel (1891–1975). Aria in Classic Style for Harp and Organ, op. 19 (1921).’13 Greene, Maurice (1695–1755). Voluntary in D minor.’80 Greene. Voluntary in G major: Allegro.’98 Greene, Robert J., Jr. (20th Century). Danza del Espiritu Santo (1991).’11 Gregorian Chant. Salve Regina (arr. by Rhett Barnwell).’03 Grigny, Nicolas de (1672–1703). Premier livre d’orgue: Messe pour orgue (1699). Gloria: Récit de Tierce en taille.’17,’19; 5 Hymns: I. Veni Creator (5 versets) (1699): Veni Creator en taille à 5 (Plein jeu).’99(2x); Fugue à 5.’99; Duo; Récit de Cromorne; Dialogue sur les grands Jeux.’99-(2x) (complete performance).’85,’86,’99,’01,’14; II. Pange Lingua: En taille á 4; Fugue á 5; Récit du chant de l’hymne precedent.’14; IV. Ave Maris Stella-Plein jeu à 5: Fugue à 5; Duo; Dialogue sur les grands Jeux.’11 Gudger, William D. (b. 1947). Petite Sonata on Huguenot Psalm Tunes (2017) (premiere performance).’17 Guerre, Elizabeth-Claude Jacquet de la (1665–1729). Sonata No. 3 in F major (Sonates pour le violon et pour le clavecin, Paris, 1707).’15 Guilain, Jean-Adam (ca. 1680–1739). Suite du second ton: Prelude; Tierce en taille.’07; Duo, Basse de Trompette; Trio de Flutes; Dialogue sure les grands jeux; Petit plein jeu (complete performance).’81,’86 Guillou, Jean (b. 1930). Toccata, op. 9 (1937).’15 Guilmant, Felix-Alexandre (1837–1911). Allegro assai (Toccata), op. 42.’02 Guilmant. Grand Chœur in D major.’95 Guilmant. Marche religieuse sur un thème de Hændel, op. 15, no. 2 (1861).’93,’94,’17-(2x) Guilmant. Paraphrase sur un Chœur de Judas Maccabæus de Hændel, op. 90, no. 15 (1904).’17 Guilmant. Scherzo in F major.’18 Guilmant. Sonata No. 1 in D minor, op. 42 (1855): Introduction et Allegro; Pastorale.’08; Final.’08,’09,’14 Guilmant. Symphony in D minor for Organ and Orchestra.’01 Guilmant. Sonata No. 3 in C minor, op. 56.’87,’03 Guinaldo, Norberto (b. 1925). Toccata and Fugue (1976).’83 H Haan, Raymond (b. 1938). “My Lord, What a Mornin’” (1994).’13 Hafhaimer, Paul (1459–1537). Salve Regina.’98 Hakim, Naji (b. 1955). Hommage à Igor Stravinski.’00 Hakim. Capriccio for Violin and Organ (2005).’13 Hakim. Gershwinesca (2000).’17 Hakim. Rhapsody (1992).’02 Halley, Paul (b. 1952). Outer Hebrides (1999).’16 Hamlin, Carolyn (b. 1937). “Come, Christians, Join to Sing”; “When I Survey the Wonderous Cross.” ’17 Hampton, Calvin (1938–1984). “America, the Beautiful” (1980).’93 Hampton. “Fanfares” (1979).’17 Hampton. Five Dances for Organ (1982): The Primatives.’88,’93,’12; At the Ballet.’88,’93,’03,’12,’16; Those Americans.’03,’12; An Exalted Ritual.’12; Let Everyone Dance.’88,’93,’12 Hampton. “Lullaby” (1982).’17 Hampton. Variations on “Amazing Grace” for English horn and organ (1983).’00 Hancock, Gerre (1934–2012) Hancock. A Fancy for Two to Play (premiere performance).’87,’98 Hancock. A Meditation on “Draw Us in the Spirit’s Tether” (1998).’16 Hancock. Air: A Prelude for Organ (1960).’80,’02
36
L’ORGANO 1979–2019
Hancock. Toccata (2002).’12 Handel, George Frideric (1685–1759) (Händel Werke Verzeichnis [HWV] numbering as given by Bernd Baselt between 1978 and 1986) HWV 40. Serse (“Xerxes”) (1737–38): Largo.’83 (transcr. by Edwin Lemare).’04 HWV 246. Chandos Anthem “O be Joyful in the Lord,” no. 3 (1717): “Be Ye Sure That the Lord He Is God.” ’11 HWV 248. Chandos Anthem “Have Mercy upon Me, O God,” no. 3 (1717): “Wash Me Throughly.” ’11 HWV 289. Concerto in G minor, op. 4, no. 1.’85 HWV 290. Concerto in B-flat major, op. 4, no. 2 (18th century transcription for solo organ) (“The Minuet in Esther”).’79,’93,’08 HWV 292. Concerto in F major, op. 4, no. 4.’83,’08 HWV 293. Concerto in F major, op. 4, no. 5.’85,’89,’91,’08,’17 (ed. by William Gudger).’82 (transcr. by David Fuller).’00 HWV 294. Concerto in B-flat major, op. 4, no. 6: Andante allegro.’80,’12; Larghetto; Allegro moderato.’80 HWV 295. Concerto in F major, no. 13 (1738): Larghetto; Allegro (“The Cuckoo and the Nightingale”).’87; Larghetto; Allegro.’00 (complete performance).’13 HWV 310. Concerto in G minor, op. 7, no. 5.’00 HWV 348. Water Musick, Suite No. 1, no. 9: Hornpipe.’82 HWV 351. Music for the Royal Fireworks (1749): The Rejoicing.’19; Menuet I–Menuet II–Menuet I.’79 HWV 431. Suite in D major.’09 HWV 437. Suite XI in D minor: Sarabande (with two variations).’79 Handel. Voluntary II.’79 Hart, Edward (b. 1965). La Joie de Printemps (“The Joy of Spring”) (premiere performance).’12 Harris, William H. (1883–1973). Flourish for an Occasion (1948).’10,’11 Haydn, Franz Joseph (1732–1809). Pieces for a Flute Clock.’79 Haydn. Five Flute Clocks.’00 Haydn. “O Tuneful Voice”; “She Never Told Her Love”; “Piercing Eyes.” ’02 Haydn. The Song of the Quail.’95 Healey, Derek. Fantasia on the Shape-Note Hymn “Salvation, O the Joyful Sound” (1999).’99 Healey, Willan (1880–1968). 10 Hymn Preludes, Set 1 (1956). Prelude on HYFRYDOL.’19 Heiller, Anton (1923–1979) Heiller. Passacaglia in C (1940–42).’12 Heiller. Variations on “Num Komm, der Heiden Heiland” (1972).’12 Heilscher, Hans Uwe (b. 1945). Variationen über “Amazing Grace,” op. 26 (1987).’13 Herbst, Johannes (1735–1812). Overture (Largo in D major).’86 Hewitt, James (1770–1827). The Battle of Trenton (ed. & arr. by E. Power Biggs).’88 Hewitt, James. Yankee Doodle with Variations.’79 Hindemith, Paul (1895–1963) Hindemith. Organ Sonata No. 1 (1937).’84,’98,’09 Hindemith. Organ Sonata No. 2 (1937).’83,’95,’96,’08,’14 Hindemith. Organ Sonata No. 3 (on old German folk songs) (1940).’84,’86,’91,’08 Hofhaimer, Paul (1459–1537). Salve Regina.’98 Höller, Karl (1907–1985). Partita über den Choral “O wie selig seid ihr doch, ihr Frommen” (1929).’98 Hollins, Alfred (1865–1942). A Trumpet Minuet.’87,’89,’07 Hommann, Charles (? –1857). Voluntary.’88 Honegger, Arthur (1892–1955). Fugue (1917).’08 Hopson, Hal. Traditional Irish, O WALY WALY (“The Gift of Love”); Hymn: “When Love is Found.” ’07 Hovhaness, Alan (1911–2000). Habakkuk, op. 434.’01,’04 Hovhaness. Prayer of Saint Gregory.’06 Hovland, Egil (b. 1924). Job, Suite No. 2, op. 79 (1973): Passacaglia.’91 Howells, Herbert (1892–1983) Howells. Master Tallis’s Testament (1940).’11-(2x),’17 Howells. Rhapsodie No. 1 in D-flat major, op.17 (1915 & 1918).’99 Howells. Saraband for the Morning of Easter (1940).’02,’12 Howells. Three Psalm Preludes Set 1, op. 32 (1915-16): No. 1 (Psalm 34:6) ’82,’94,’98 Howells. Three Psalm Preludes Set 2: No. 1 (1938–39) (Psalm 130:4).’86,’88,’92,’95,’02,’15; No. 2 (Psalm 139:11).’11,’19; No. 3 (Psalm 33:3).’19 Howells. Two Pieces for Organ (1959): Dalby’s Fancy; Dalby’s Toccata.’13 Hurford, Peter (b. 1930). Suite Laudate Dominum (1961).’10 Huston, Scott (b. 1916). Diorama (1968).’80
37
L’ORGANO 1979–2019
Hutchinson, Robert (b. 1970). Remember.’01 Hymn: “America.” ’07 Hyson, Winifred. Eight Light-hearted Variations on “The Jolly Miller.” ’81 I Ireland, John (1879–1962). Miniature Suite: Villanella.’98 Issac, Heinrich (ca. 1445–1517). O esca viatorum.’11 Ives, Charles (1854–1954). Adeste Fidelis in an Organ Prelude (1897).’91,’05 Ives. Fugue in E-flat; Canzonetta in F (unpublished works).’05 Ives. Variations on “America” for Organ (1891).’80,’84,’88,’91,’93,’05,’07 Ives, Grayston (b. 1948). Intrada.’99,’07,’15 J Jacob, Gordon (1895–1984). Festal Flourish (1958).’19 Jackson, Samuel (1818–1885). Voluntary in C.’88 James, Philip (1890–1975). Méditation à Sainte Clotilde (1915).’18 Johnson, David (b. 1978). Dramatic-Lyric.’09 Johnson, Dennis R. (b. 1942). Festive Prelude on “St. Patrick’s Breastplate” (2000).’01 Johnson, James (b. 1942). Iberian Rondo in F sharp major.’94 Jongen, Joseph (1873–1953) Jongen. 2 Pieces for Organ, op. 108 (1938-39).’12 Jongen. 4 Pièces pour orgue, op. 37, nos. 1, 3, 4 (1910-11): Cantabile.’97,’09; Prière.’16; Choral. ’97 Jongen. Aria.’92 Jongen. Petit Prélude.’83,’88 Jongen. Sonata Eroïca, op. 94 (1930).’10,’13,’16 Jongen. Toccata pour Grand Orgue in D-flat, op. 104 (1937).’08,’09,’11,’18 Joplin, Scott (ca. 1868–1917). “Maple Leaf Rag” (1899).’82 K Karg-Elert, Sigfrid (1877–1933) Karg-Elert. 3 Sinfonische Kanzonen, op. 85, no. 2 in C minor (1911).’05 Karg-Elert. 3 Symphonic Chorals, op. 87, no. 2: “Jesu, mein Freude.” ’07 Karg-Elert. 7 Pastels from the Lake of Constance, op. 96, (1923): “Landscape in Mist”; “The Sun’s Evensong”; “Hymn to the Stars.” ’91 Karg-Elert. 10 Charakteristische Tonstücke, op. 86, no.1: Prologus Tragicus.’01 Karg-Elert. Choral-Improvisation for Organ, op. 65: Marche Triomphale on “Now Thank We All Our God”; “Ah, Jesus Christ, with Us Abide” (Trio);“Rejoice Greatly, O My Soul” (Saraband); “All Depends on God’s Blessing” (Fughetta); “Heartfelt Love Have I for Thee, O Lord” (Choral); “Blessed Jesus, How Hast Thou Offended” (in the style of Heinrich Schuetz); “ O God, Thou Faithful God”; “Oh World, I Now Must Leave Thee” (Kanzone).’91; “Nearer, My God to Thee.” ’14 Karg-Elert. Lobet den Herren mit Pauken und Zimbeln schön, “Praise the Lord with Drums and Cymbals,” op. 101, no. 5 (alla Handel).’87,’91,’97-(2x) Karg-Elert. Romantisch (1915).’19 Karg-Elert. Trois Impressions, op. 72 (1909): Harmonies du Soir.’17 Karg-Elert. Valse Mignonne, op. 142, no. 2 (1930).’04,’11 Kellner, Johann Peter (1705–1772). “Was Gott tut, das ist wohlgetan.” ’93 Kerll, Johann (1627–1693). Passacaglia in D minor.’91 King, Larry (1934–1990). Resurrection.’91 Knecht, Justin Heinrich (1752–1817). Fantasie in C minor (mit Laufen und Arpeggien).’94 Knecht. Kleines Hoboeconcert in B-flat major.’94 Korevaar, A. (1866–?). Air–Ancien, op. 14.’02 Korngold, Erich (1897–1957). Much Ado about Nothing, op. 11 (1919): Garden Scene.’13 Kosche, Kenneth; Randall Thompson; Paul Manz. Settings on “Nun Danket alle Gott.” ’04 Krebs, Johann Ludwig (1713–1780). Fantasia in F (Pro Organo pleno); Fantasia in F; Fantasia in G.’14 Krebs. Trio in A minor.’81 Kreisler, Fritz (1855–1962). Variations on a Theme by Corelli (in the style of Tartini) (ca. 1905).’10 L Lachner, Franz (1803–1890). Introduction and Fuge in D minor, op. 62.’98 Lalo, Edouard (1823–1892). Chants Russes.’99 Lang, Craig Sellar (1891–1971). Tuba Tune in D major, op. 15.’93,’02,’03,’07 Langham, Justin (b. 1990). Ages Past and Present (2014) (regional premiere).’15 Langham. Grove Divine (2014): Prelude.’15 Langlais, Jean (1907–1991) Langlais. At Buffalo Bill’s Grave (1929).’87 Langlais. Fête (1949).’92
38
L’ORGANO 1979–2019
Langlais. Hymne d’Actions de graces: “Te Deum” (1933).’92 Langlais. Incantation pour un jour saint.’92 Langlais. Miniature (1958).’92 Langlais. Neuf Pièces, op. 40 (1942-43): Chant de paix.’97,’08,’11,’15; Chant héroïque.’97,’00,’15; Mon âme cherche une fin paisible.’92,’10,’15; Rhapsodie grégorienne.’98 Langlais. Piece for Trumpet and Organ.’19 Langlais. Poèmes Évangéliques, Vol. II, op. 2 (1932): La Nativité.’83,’07,’10 Langlais. Postlude I.’09 Langlais. Scherzo-Cats.’89 Langlais. Suite Brève, op. 54 (1947): Dialogue sur les mixtures. 81,’08; Plainte.’15 Langlais. Suite Franҫaise.’92 Langlais. Suite Médiévale, op. 56 (1947): Prélude (Introit).’92; Tiento (Offertory); Improvisation (Elevation); Méditation (Communion); Acclamations (sur le texte des Acclamations Carolingiennes).’94 (complete performance).’06 Langlais. Triptyque, op. 95 (1956): Trio.’14 Langlais. Trois Paraphrases Grégoriennes, op. 9 (1934): “Ave Maria, Ave Maris Stella.” ’87,’00,’01,’09; Mors et Resurrectio.’89 Lanquetuit, Marcel (1894–1985). Toccata in D major (1927).’15 Larson, Libby (b. 1950). “Blessed Be the Tie that Binds” (2000).’17 Larson. Sonata in One Movement on “Kalenda Maya.” ’08 Larson. “Veni, Creator Spiritus.” ’01 Latrobe, Christian Ignatius (1757–1836). Four Preludes.’86 Laurin Rachel (b. 1961). Étude Héroïque, op. 38 (2004).’13,’16,’18 Laurin. Fantasia for Organ and Harp, op. 52 (2010).’18 Laurin. Symphonic Etude for Solo Pedal, op. 72 (2014): Variations on “That Good Old Baylor Line.” ’16 Lefébure-Wély, Louis James Alfred (1817–1869). Boléro de Concert, op. 166 (1865).’00,’07,’18,’19 Lefébure-Wély. L’Organist Moderne, 9ᵉ Livraison (1867): Scène Pastorale.’96 Lefébure-Wély. Sortie in E-flat.’00 Leguay, Jean-Pierre (b. 1939). Five Verses on “Veni Creator.” ’88 Leighton, Kenneth (1929–1988). Prelude, Scherzo and Passacaglia, op. 41: Scherzo.’93 Leighton. Festival Fanfare (1966).’95,’05,’11 Leighton. Martyrs: Dialogues on a Scottish Psalm-tune, for organ duet, op. 73 (1976).’12 Lemare, Edwin H. (1865–1934) Lemare. Air from County Derry.’87,’08 Lemare. Andantino in D-flat (1892).’80,’84 Lemare. Bell Scherzo, op. 89.’87 Lemare. Concertstücke no. 1 in the form of a Polonaise for organ, op. 80.’87 Lemare. Concertstücke no. 2 in the form of a Tarantella for organ, op. 90.’87 Lemare. Six Picture Scenes, op. 134.’01 Lemare. Toccata di Concerto, op. 59.’04 Lemare. Tristan und Isolde (Richard Wagner): Prelude and Liebestod.’87 Lemmens, Jacques-Nicolas (1832–1881). École d’Orgue: Fanfare (Allegro non troppo) in D major.’82 Lemmens. Sonata No. 2 in E minor “O Filii”: Cantabile.’18 Levy, Ernst (1895–1981). Prelude on “The Sabbath Bride.” ’13 Lewandowski, Louis (1821–1984). Fünf Fest-Präludien, op. 37: Prelude for Rosh Hashanah.’13 Lewis, Leonard Mark (b. 1973). Nocturne Soliloquy, for Trumpet and Organ (premiere performance).’08 Lidon, Josè (1748–1827) Lidon. Sonata de 1⁰ tono para clave o para órgano con trompeta real.’94,’96,’07 Lidon. Sonata in D minor.’02 Linker, Janet (b. 1938). Selections from Theme and Variations on O WALY WALY.’07 Linker. Variations on “Restoration” (2002): The Southern Harmony, 1835.’05 Linley, Francis (1771–1800). Voluntary in G major, op. 6, no. 4.’18 Listok, Ann (b. 1929). Six Variations Using Two Settings of “Yigdal” (1984).’86 Liszt, Franz (1811–1886) (Works of Liszt [S] numbering as given by Humphrey Searle, 1966) S. 139. Études d’exécution transcendante, No. 8 in C minor (Wilde Jagd) (arr. by Raúl Ramírez).’14 S. 172. Consolation in D-flat major.’05 S. 259. Fantasy and Fugue on the chorale “Ad nos, Ad salutarem undam” (1850) (Le Prophèt, Act. I, the opera by Giacomo Meyerbeer).’82,’14-(2x),’92,’15 S. 260. Präludium und Fuge über den Namen BACH (1855-56, rev. 1869-70).’81,’82,’85,’93-(2x),’94,’98, ’04-(2x),’05,’11-(2x),’12 S. 514. Mephisto Waltz No. 1 (“Der Tanz in der Dorfschenke”) (arr. by Raúl Ramírez).’14
39
L’ORGANO 1979–2019
S. 541. Libesträume.’83 Litaize, Gaston (1909–1991). Épiphanie (1984).’18 Litaize. Prélude et Danse fuguée.’84,’92 Locklair, Dan (b. 1949) Locklair. A Spiritual Pair (Diptych for organ) (1994).’16 Locklair. Ayre for the Dance (1984).’86,’92,’05,’12,’19 Locklair. In Mystery and Wonder (The Casavant Diptych) (2004).’05,’12 Locklair. Phoenix Processional (Trumpet & Organ Version) (2011).’06,’18 Locklair. Rubrics (A Liturgical Suite for Organ) (1988): “... ‘Hallelujah’, has been restored…”; “Silence may be kept.” ’07; “… and thanksgivings may follow”; “The Peace may be exchanged.” ’05,’07,’12,’14, ’19; “The people respond–Amen!” ’07,’14 (complete performance).’95 Locklair. Sonata da chiesa (Flute and organ) (1998).’10 Locklair. Windows of Comfort, Organ Book I (1996): “…the heavens were opened…” (Baptism Dance). ’99; “…beside the still waters (Chaconne).’99,’06,’09; Alpha and Omega.’99 Loeillet, Jean Baptiste (1680–1730). Sonata C-Dur.’09 Lord, Robert Sutherland. Improvised Fantasia on a Chorale.’06 Lowry, David Michael (b. 1938). Crucifixus pro nobis (a meditation on the Passion Chorale).’91 Lübeck, Vincent (ca. 1654–1740). Prelude and Fugue in E major.’83 Lucchinetti, G. B. Concerto a due Organi.’81 Lutoslawski, Witold (1913–1994). Lacrimosa.’93 Lutoslawski. Piano Concerto (1988).’19 M MacDowell, Edward. “To A Wild Rose” (1896).’84 MacMillian, Ernest (1893–1973). Cortège Académique (1953).’18 Major, Douglas (b. 1953). Advent Dances (1986).’87 Mage, Pierre du (1674–1751). Livre d’Orgue (1708): Tierce en taille.’15 Marcello, Benedetto (1686–1739). Sonata in E minor.’06 Marchand, Louis (1669–1732). Dialogue–Grand Jeu.’88,’08 Martini, Giovanni Battista (1706–1784). Toccata in D major (trumpet and organ).’09,’15 Mason, Benedict. “8 or 9 Exceptions (?) to ‘Copyright.’” ’01 Massenet, Jules (1842–1912). La Vierge (1911): Act IV. The Last Sleep of the Virgin.’84 Massenet. Thais (1894): Méditation.’82 Masumoto, Kikuko (b. 1937). Three Songs from Medieval Japan: Aware; Cloudspin: Stratus.’93 Mathews, Peter (b. 1944). Crucifer (2005).’18 Mathews. In the Lord, Put I My Trust (Psalm 11:1) (1993).’97 Mathews. Passacaille (2017) (world premiere).’18 Mathews. Windsor (2005).’18 Mathias, William (1934–1992). Processional.’82,’94 Mathias. Jubilate, op. 67, no. 2 (1975).’01 Mathias. Variations On A Hymn Tune BRAINT, op. 20 (1963).’98,’19 Matter, Bert (b. 1935). God Can Nothing Move Me (1985): Fantasy on “Von Gott will ich nicht laßen.” ’02 Maves, David W. (b. 1937). Onomatopoeia for English horn and Organ (1998).’98 Maves. Three Studies for Trumpet and Organ (1998).’98 Maves. Toccata (1995).’98 McCabe, Michael (b. 1941). Fanfares and Flourishes (1982): Fanfare in G.’93 McCabe. Flourish and Chorale (1987).’18 Mendelssohn-Bartholdy, Felix (1809–1847) Mendelssohn. A Midsummer Night’s Dream, incidental music, op. 61 (1843): [Wedding] March.’82,’83 Mendelssohn. Allegro, Chorale, and Fugue in D minor (1844).’17 Mendelssohn. Andante in D major (1844).’11,’17-(2x) Mendelssohn. Athalie: War March of the Priests, op. 74 (1845).’12 Mendelssohn. Lied ohne Worte, op. 109 (1845) (arr. by Anthony Rispo for organ/cello).’18 Mendelssohn. Songs Without Words, Book V, op. 62, no. 6 (1842-44): “Frühlingslied” (“Spring Song”).’82 Mendelssohn. Organ Sonata in A major, op. 65, no. 3 (1844) (Luther’s chorale “Aus tiefer Not”).’83,’85, ’86, ’89,’92,’93,’97,’99,’04,’06-(2x),’08,’09,’10,’13,’17 Mendelssohn. Organ Sonata in B-flat major, op. 65, no. 4 (1845): Allegro con brio; Andante religioso.’91; Allegretto.’17,’19; Allegro maestoso e vivace.’91,’17-(2x) (complete performance).’84,’12,’14,’16,’17 Mendelssohn. Organ Sonata in C minor, op. 65, no. 2 (1844): Grave; Adagio; Allegro maestoso e vivace. ’15; Fuga: Allegro moderato (complete performance).’09,’13,’15,’19 Mendelssohn. Organ Sonata in D major, op. 65, no. 5 (1844): Andante.’83; Andante con moto.’83; Allegro Maestoso (complete performance).’94,’05
40
L’ORGANO 1979–2019
Mendelssohn. Organ Sonata in D minor, op. 65, no. 6 (1845) (Luther’s chorale “Vater unser im Himmelrech”). Chorale and Variations: Andante sostenuto.’05,’09; Allegro molto; Fuga: Sostenuto e legato; Finale: Andante (complete performance).’04,’07,’17,’18 Mendelssohn. Organ Sonata in F minor, op. 65, no. 1 (1844): Allegro moderato e serioso (Chorale “Was mein Gott will”); Adagio; Andante récitative; Allegro assai vivace.’84,’85,’93,’94,’00,’04,’13 Mendelssohn. Prelude and Fugue in C minor, op. 37, no. 1 (1837).’10 Mendelssohn. Prelude and Fugue in D minor, op. 37, no. 3 (1837).’87,’05 Mendelssohn. Prelude and Fugue in G major, op. 37, no. 2 (1837). 92,’94,’10 (Prelude only).’94,’15 Mendelssohn-Hensel, Fanny (1805–1847). Prelude for Organ in G major.’05,’11 Mendelssohn-Hensel. Prelude für Orgel in F major (1829).’12,’17 Menotti, Gian Carlo (1911–2007). Ricecare.’92 Merkel, Gustav (1827–1885). Sonata in D minor for Organ Duet, op. 30 (1858).’79,’81,’97 Messiaen, Olivier (1908–1992) Messiaen. Apparition de l’eglise éternelle (1932).’05 Messiaen. L’Ascension (1932-33): Majesté du Christ demandant sa gloire a Son Père.’98,’04; Alléluias sereins d’une âme qui désire le ciel.’86,’98,’04,’06,’10; Transports de joie d’une âme devant la gloire du Christ qui est la Sienne.’81,’88,’93,’94,’98,’04,’06,’10-(2x),’12; Prièrent de Christ montant vers Son Père.’98,’04 Messiaen. La Nativité du Seigneur: Les anges.’04; Les enfants de Dieu; Dieu parmi nous.’79,’97,’01,’02,’04; Messiaen. Les Corps Glorieux (“The Glorified Bodies”) (1939). Subtilité des Corps Glorieux; Les Eaux de la Grâce; L’Ange aux parfums; Combat de la Mort et de la Vie; Force et Agilité des Corps Glorieux. ’15; Joie et Clarté des Corps.’06; Le Mystèrre de la Sainte -Trinité.’06 (complete performance).’83 Messiaen. Livre d ’orgue (1951): Chant d’oiseaux.’08 Messiaen. Méditations sur le Mystère de la Saint Trinité: God is immense. God is eternal. God is love.’07 Messiaen. Messe de la Pentecôte (1949-50): Communion; Sortie.’18 Michel, Johannes Matthias (b. 1962). Petiti Suite in Blue (2005).’14 Milhaud, Darius (1892–1974). Nine Préludes, op. 231b (Three excerpts).’91 Miller, Aaron David (b. 1949). Folk Prelude on AFTON WATER.’18 Miller, Dan (b.1954). “How Great Thou Art” (2014).’15 Mims, George Ellis (b. 1938). Toccata–Fantasia on “Christ Church.” ’92 Monteverdi, Claudio. Fanfare (arr. by Hubert Best).’01 Moore Philip (b. 1943). Allegro for Organ Duet.’02 Mootz, Corneliu (b. 1975). Engelchen (2011).’13 Morricone, Ennio (b. 1928). Gabriel’s Oboe (1986) (arr. by Justin Langham).’15 (encore performance).’18 Mozart, Wolfgang Amadeus (1756–1791) [Works of Mozart (K) numbering as given by Ludwig von Köchel, 1862] K. 42/35a. Grabmusik, no. 6 (1772): “Jesu, was hab’ ich getan?” (Duetto).’11 K. 165. Exsultate, jubilate (1773): Alleluia.’02 K. 225. Church Sonata No. 8 in A major (1776).’08 K. 244 and K. 245. Church Sonatas (1776): No. 9 in F major; No. 10 in D major.’87 K. 370. Quartet in F major.’89 K. 401. Fugue in G minor (introduction by Sir George Thalben-Ball).’02 K. 594. Adagio und Allegro in F minor for a Mechanical Organ (1790).’91,’02, ’04,’08,’11,’17 K. 608. Fantasia in F minor (1791).’84,’91,’95-(2x),’11,’13 K. 616. Andante in F major.’82,’86-(2x),’88-(2x),’91,’93,’07 K. 618. “Ave verum corpus” (1710).’10 Muffat, Georg (1653–1704). Apparatus musico-organisticus: Toccata Prima.’91,’19 Mulet, Henri (1878–1967). Carillon-Sortie in D major (1911-12).’83,’88,’92,’97,’98,’00,’07,’16 Mulet. Esquisses byzantines: dix pieces pour grand-orgue (1914-19): Vitrail.’03; Rosace.19; In Paradisum. ’80; “Tu es petra et portæ inferi non prævalebunt adversus te.” ’80,’10,’16,’19 Murden, Eliza Crawly (ca.1815). “March Composed for and Dedicated to the U. S. Marine Corps by a Young Lady of Charleston, S. C.” (ca. 1815). ’79 Murschauser, Franz X. A (1663–1738). Aria pastoralis variata.’84 Mussorgsky, Modest (1839–1881). Pictures at an Exhibition (1874) (arr. Vincent DeMartino and Schuyler Robinson).’19 Mussorgsky. Songs and Dances of Death: Trepak (1855); Commander (1877).’10 Müthel, Johann Gottfried (1728–1788). Fantasie in F major.’14 N Near, Gerald (b. 1942). Passacaglia (1965).’08 Near. Prelude and Variations on “Adoro te devote” (1996).’15 Near. Sarabande on LAND OF REST.’18
41
L’ORGANO 1979–2019
Neswick, Bruce. Improvisation: Variations on a Plainchant; Fantasy on an Ave Maria; Aria and Dance; Prelude, Fugue, and Toccata.’01 Nevin. Gordon (1892–1943). Toccata.’10 Nibelle, Henri (1883–1967). Carillon Orléanais.’84 Noble, Ramón (1925–1999). El Flautista Alegre.’05 Noble. Toccatina.’05 Noble. Triptico Mexicano: “La Bamba.” ’97 O Ochse, Orpha (b. 1925). Chaconne (1962).’95 Oldroyd, George. Three Liturgical Improvisations: No. 2.’98 Oortmerssen, Jacques van (1950–2015). Chorale Preludes (5) for organ: Psalm 72; Psalm 77; Nun ruhen alle Wälder.’19 Owen, Barbara (edited). Trumpet Air (James Bremner [d. 1780]); A Fugue or Voluntary (William Selby [1738–1798]).’80 Owens, Dewy (1925–2006). Rhapsodic Poem for Harp and Organ (1979).’13 Owens, Sam Batt (1928–1998). Land of Rest (1997).’13 P Pachelbel, Johann (1653–1706) Pachelbel. Aria Sebaldina.’96 Pachelbel. Canon (arr. by Sylvia Woods).’03 Pachelbel. Canon for 3 Violins and continuo.’00 Pachelbel. Chaconne in F minor, P. 43; T. 206.’88,’16 Pachelbel. Chorale and Six Variations on “Ach, was sol lich Suender Machen?” ’79 Pachelbel. Fantasia in E-flat major.’11 Pachelbel. Nine Variations on the Chorale, “Was Gott tut, das ist wohlgetan.” ’88 Pachelbel. Partita on “Was Gott tut, das ist wohlgetan” (abridged).’79,’11 Pachelbel. Praeludium in D minor.’79 Pachelbel. Variations on “Freu dich sehr, o meine Seele.” ’80 Pachelbel. Variations on “Werde munter, mein Gemüte.” ’80 Paine, John Knowles (1839–1906) Paine. Concert Variations on “Old Hundredth” (ca. 1861).’88 Paine. Concert Variations on the Austrian Hymn, op. 3, no. 1 (1860).’89,’91 Paine. Concert Variations on “The Star-Spangled Banner,” op. 3, no. 2 (ca. 1861).’93,’01,’19 Paine. Fantasia and Fugue in E minor.’01; Prelude in D, op. 19, no. 1.’96,’01; Fantasia on “Ein feste Burg.” ’01; Prelude in C minor.’01 Palma, John (fl. 1757). Lesson.’07 Papadakos, Dorothy (b. 1960). 1940s Music of George Gershwin, Duke Ellington, Glen Miller.’98 Papadakos. Improvisation.’98 Paponaud, Marcel (1893–1988). Toccata (1931).’12 Parker, Horatio (1863–1919) Parker. “Geschwindmarsch” (Quick march), Organ 4-hands (1881).’79,’80 Parker. Organ Sonata in E-flat minor, op. 65: Allegretto.’96 Parker. Pastorale Interlude, op. 32, no. 4.’88 Parker. Postlude.’88 Parker. Triumphal March, op.28, no. 1.’96 Parry, Charles Hubert Hastings (1848–1918). Fantasia and Fugue in G, op. 188 (1877–1913).’06,’14,’19 Parry. Jerusalem (1916).’82 Pärt, Arvo (b. 1935). Annum per Annum.’99,’05 Pärt. Trivium (1976).’17 Pasquini, Bernardo (1637–1710). Partita sopra la Aria della Follia da Espagna.’81,’93 Paulsson, Anders and Harry Huff. Improvisation on an Early American Melody, “Amazing Grace”; Improvisation on a Swedish Folksong, “Varmlandsvisan.” ’89 Paulus, Stephen (1949–2014). King David’s Dance (2002).’17 PDQ Bach (1807–1742? [sic]). Triumphs to Thusnelda: Two Madrigals.’85 PDQ Bach. Toot Suite, S. 212.’81,’85 Peek, Richard (1927–2005). Gigue.’93 Peek. Prelude on “Charlestown.” ’93 Peeters, Flor (1903–1986) Peeters. Aria, op. 51.’94,’99 Peeters. Partita on “Awake, My Heart with Gladness.” ’10 Peeters. Speculum Vitae (Mirror of Life): Morning; Evening.’02 Peeters. Suite Modale, op. 43.’79,’93
42
L’ORGANO 1979–2019
Pelham, Peter (1721–1805). Four Pieces from a Manuscript of Peter Pelham: King George’s March (anon.); Thro’ the wood Laddie (anon.); Minuet (Pelham); Overture from Water Musick (Handel).’02 Pelham. Minuet.’80 Pelz, Walter. A Festive Intrata.’98 Pepping, Ernst (1901–1981). Kleines Orgelbuch (1940): “Ah, dearest Jesus”; “Shall I Not Sing to My God?” ’91 Persichetti, Vincent (1915–1987). Sonata, op. 86: Andante–Allegro.’83; Larghetto.’83; Vivace.’83,’13 Phalèse, Pierre (1545–1629) Suite of Dances (1583).’18 Phillips, Craig (b. 1961). A Song Without Words (2002).’18 Phillips. Fantasy on “Torah Song”: Yisrael V’oraita.’05 Phillips. Psalm Prelude (Psalm 40:1-3).’19 Phillips. Trumpet Tune.’93 Phillips. Victimae Paschali.’03 Piazza, Gaetano (ca. 1725–after 1775). Sonata in F for two organs.’18 Pierné, Gabriel (1863–1937). Trois Pieces, op. 29, no. 1: Prélude.’07; no. 2: Cantilène.’01,’19 Pinkham, Daniel (1923–2006). A Prophecy (1971).’83 Pinkham. First Organ Book (1991).’94 Pinkham. Five voluntaries for organ manuals.’88 Pinkham. Four short pieces for manuals.’80 Pinkham. “Gloria in Excelsis Deo” (1968).’79 Pinkham. Three Odes for English horn and organ.’00 Pinkham. Variations on “Wondrous Love” (1956) (arr. by Daniel Burton/Michael Lodico).’05,’12,’13,’18 Planyavsky, Peter Felix (b. 1947). Toccata alla Rumba.’98,’09 Plog, Anthony (b. 1947). Four Themes on Paintings of Edward Munch (1986).’09 Plog. Jocaan Trio (2010).’13 Porter, Samuel (b. 1939). Sonata quaswi Fantasia.’86 Poulenc, Francis (1899–1963). Concerto in G minor (1938).’87 Powell, Robert J. (b. 1932). Chorale-prelude on SELNECKER (“Awake, my heart”).’86 Powell. Introduction and Passacaglia (1963).’18 Powell. Prelude on “Charleston” (1976).’79 Powell. Trumpet Tune and Ayre.’88 Praetorius, Hieronymus (1560–1629). Magnificant Primi Toni (1611): in Tenor; in Discantu; in Basso.’18 Praetorius, Michael. Spagnoletta (arr. by Samuel Milligan).’03 Preston, Simon (b. 1938). Alleluyas (1965): “At his feet the six-winged seraphim cry Alleluya, Lord most high.” ’80,’95 Prokofiev, Sergei (1891–1953). Lieutenant Kijé, Symphonic Suite, op. 60 (1934): Romance (transcr. by Isabelle Demers).’16 Proulx, Richard (1937–2010). Fantasy on “Veni Creator Spiritus.” ’10 Purcell, Henry (1659–1695) Purcell. Hymn: “Christ is made the sure foundation.” ’82 Purcell. Sonata in D major, Z. 850 (1694): Allegro.’15 Purcell. Sweeter than Roses; If Music be the Food of Love; What Can We Poor Females Do? ’02 Purcell. Timon of Athens, Z. 632.’01 Purcell. Trumpet Tune in C major (arr. by E. Power Biggs).’93 Purcell. Voluntary on “Old One Hundredth.” ’88 Purvis, Richard (1913–1994). Toccata Marina (1969).’17 R Rachmaninoff, Sergei (1873–1943). 14 Romances, op. 34, no. 14: Vocalise (transcr. by Nigel Potts).’02 (transcr. by Leonard Rose). ’19 Radiohead (arr. by A. Walker/J. Harlow). You (“You are…the sun and moon and stars….”).’08 Raison, André (ca. 1640–1719). Livre d’orgue: Messe du Deuxième Ton (1688): Christe-Trio en passacaille.’17 Rameau, Jean-Philippe (1683–1764) Rameau. Le Temple de la gloire: Gavotte (transcr. by Edwin Lemare).’04 Rameau. The Cyclops.’95 Rameau. The Hen.’94 Ravel, Maurice (1857–1937). Le Tombeau de Couperin (1917): Prélude; Forlane; Toccata.’16 Ravel. Pavane pour infante défunte.’10 Rawsthorne, Noel (b. 1929). Hornpipe Humoresque.’98 Rawsthorne. Variations on BACH, for Solo Pedal.’02 Reading, John (1685/6–1764). A Trumpet Air.’11,’19 Reger, Max (1873–1916)
43
L’ORGANO 1979–2019
Reger. 52 Chorale Preludes, op. 67 (ca. 1903): “Schmücke dich, o liebe Seele.” ’86; “Jauchz, Erd, und Himmel, juble.” ’15 Reger. Benedictus, op. 59.’83 Reger. Fantasia and Fugue in D minor, op. 135b.’05 Reger. Fantasie on “Ein feste Burg ist unser Gott,” op. 27 (1898).’11 Reger. Fuge in E major, op. 65. no. 12.’79 Reger. Introduction and Passacaglia in D minor, WoOIV/6 (1899).’79,’04,’18 Reger. Melodia in B-flat major, op. 59, no. 11 (1901).’94,’15 Reger. Monologe, op. 63 (1901-02).’12; Introduction and Passacaglia in F minor, op. 63, nos. 5-6 (1900). ’00,’10,’16 Reger. Phantasie über den Chorale “Straf’ mich nicht in deinem Zorn,” op. 40, no. 2.’07 Reger. Toccata, op. 69, no. 6.’81 Reger. Variationen und Fuge über ein Originalthema in fis-Moll, op. 73.’06 Reger, Max and Karl Straube (1873–1950) (arr. and ed. for organ, 1903). Two-Part Inventions (1723).’16 Reiche, Gottfried (1667–1734). Sonata no. 7 in C minor.’79 Respighi, Ottorino (1879–1936). Prelude on Bach Chorale, “Ich hab’ mein Sach’ Gott Heimgestellt.” ’01 Respighi. Preludio sopra un corale di Bach (BWV 531), “Ho riposte fiducia in Dio.” ’01 Reubke, Julius Friedrich (1834–1858). Trio in E-flat major.’93 Reubke. Sonata on the 94th Psalm in C minor (1857).’81,’84,’97,’09,’13 Rheinberger, Josef (1839–1901) Rheinberger. Intermezzo in F-Dur, op. 98.’07 Rheinberger. Sechs religiöse Gesänge, op. 157, no. 3 (1888): Wenn alle untreu.’11 Rheinberger. Sonata No. 4 in A minor, op. 98 (1876): Tempo.’13; Intermezzo.’92,’13 ; Fuga Chromatic.’13 (complete performance).’18 Rheinberger. Sonata No. 8 in E minor, op. 132 (1883).’05,’17 Rheinberger. Suite for Violin and Organ, op. 166 (1889).’17 Rheinberger. Suite for Violin, Cello, and Organ, op. 149 (1985).’17 Rheinberger. Theme and Variations, op. 150, no. 1.’02 Rheinberger. Two Pieces for Oboe and Organ: Andante pastorale, op. 98; Rhapsodie, op. 27.’02 Rispo, Anthony (b. 1989). Daydream, op. 1.’18 Richter, Hans. “Ghost before Breakfast” (1926).’81 Ridgell, Robert P. Improvisaton.’07 Rimsky-Korsakov, Nikolai (1844–1908). Scheherazade, Symphonic Suite, op. 35 (1888): Festival at Baghdad–The Sea–The Shipwreck (transcr. by Isabelle Demers).’16 Rivier, Jean (1896–1987). Aria (1971).’19 Roberts, Myron J. (1912–2004). Pastorale and Aviary (1969).’93,’96 Roberts. Prelude and Trumpetings (1961).’95 Robertsbridge Codex,. Estampie (ca. 1325).’91 Robinson, McNeil (1943–2015). Chorale Prelude on LLANFAIR (2014).’16 Robinson. Hommage à Messiaen (1981).’16 Roger-Ducasse, Jean-Jules (1853–1954). Pastorale.’04 Ropartz, Joseph Guy (1864–1955). Introduction et Allegro Moderato.’04 Rorem, Ned (b. 1923). A Quaker Reader: “There is a spirit that delights to do no evil.” ’81,’17; “The World of Silence”; “Bewitching attire of the most charming simplicit”; “A Secret Power”; “No darkness.” ’81 Rorem. Organbook I and III (1989): Impromptu (Book III); Episode; Song; Serenade; Reveille (Book I).’16 Rorem. Six Pieces for Organ (1998): To Tallis; The Flight into Egypt.’00 Rorem. Views from the Oldest House (1981).’87 Rossi, Salamone (ca. 1570–1630). Sinfonia (1607): Trio (Andante–Allegro).’13 Rossini, Gioacchino (1792–1868). William Tell: Overture.’82 (arr. by Dudley Buck, op. 37).’93-(2x),’95 Rowley, Alec (1892–1958). Benedictus.’92 Russell, William (1777–1813). No. II of Twelve Voluntaries, Set Two (1812). Voluntary in C: Largo.’18 Rutter, John (b. 1945). Variations on an Easter Theme (1983).’87,’98,’12 Rutti, Carl (b. 1941). Pavane for Violin and Organ (1997).’16 S Sahar, Christopher (b. 1966). Volcano (2008).’08 Saint-Saëns, Camille (1835–1921) Saint-Saëns. Ave Maria, op. 145 (1859).’11 Saint-Saëns. Danse macabre, op. 40 (arr. by Edwin Lemare).’94,’14 (arr. by Ken Cowan).’11 Saint-Saëns. Fantasie No. 1 in E-flat major.’84,’87,’89,’97, ’08,’16 Saint-Saëns. Fantasie No. 2 in D-flat major.’18 Saint-Saëns. Le carnaval des animaux (1886): Introduction et marche royal du lion; Hémiones (animaux Véloces); Aquarium; Fossiles (arr. David and Lisa Kiser).’19; Le Cygne (“The Swan”). ’80,’15,’19
44
L’ORGANO 1979–2019
Saint-Saëns. Prélude and Fugue in E-flat major, op. 99. no 3 (1894).’93,’18 Saint-Saëns. Priére, op. 158.’06 Saint-Saëns. Sept Improvisations, op. 150, no. 7 (1916-17): Allegro Giocoso in A minor.’00,’05,’11 Saint-Saëns. Symphony No. 3 in C minor, op. 78 (“Organ Symphony”) (1886).’00 Salomé, Théodore (1834–1869). 12 Pièces nouvelles pour orgue, op. 59, no. 3 (1894): Églogue.’17 Sampson, David (b. 1951). The Mysteries Remain.’09 Sandresky, Margaret Vardell (b. 1921) Sandresky. Five Sacred Dances: “I will bow down toward your holy temple,” (Psalm 138:2).’04 Sandresky. L’homme armé Organ Mass (1979): Agnus Dei; Credo.’86; Gloria.’04 Sandresky. Three Chorale Preludes: “Jesus makes my heart rejoice.” ’94; “As a chalice cast of gold.” ’94; Moravian Choral “Springs of Salvation” (1982).’86,’94 Sandresky. Wedding March (1982).’86 Sarasate, Pable (1844–1908). Navarra, op. 33 (1889).’12 Scarlatti, Alessandro (1660–1725). Toccata in A major.’10 Scheidemann, Heinrich (ca. 1595–1663). Jesus Christus, unser Heiland II.’19 Scheidemann. Magnificat VII Toni.’02 Scheidemann. Präludium in D minor; Präludium in G.’87 Scheidemann. “Vater unser im Himmelreich.” ’18 Scheidt, Samuel (1587–1654). Bergamasca (SSWV 560).’19 Scheidt. Echo.’88 Scheidt. Variations on the English song “Fortune, my foe.” ’91 Schneider, Norbert Jürgen (b. 1950). Toccata für Orgel “Schlafes Brüder” (Brother of Sleep).’00 Schroeder, Hermann (1904–1984). Sechs Orgelchoräle über altdeutsche geistliche Volkslieder, op. 11 (1934): “In dulci jublio.” ’84; “Christ is erstanden.” ’13; “Nun bitten wir den heiligen Geist.” ’84,’13; “Schöenster Herr Jesu.” ’84,’13 Schroeder. Te Deum Trevirense (1973): Canto arioso.’06 Schumann, Camillo (1852–1946). Präludium in B minor, op. 123, no. 2.’06 Schumann. Recitative and Adagio, op. 9.’06 Schumann, Robert (1810–1856) Schumann, Robert. Etudes (6) in Canon Form for pedal piano, op. 56 (1845): No. 2. A minor.’14; No. 3. E major.’14; No. 4. A-flat major.’11,’12,’13,’19; No. 5. B minor.’88,’93,’94,’11,’13 Schumann. Six Fugues on BACH, op. 60, no. 5, no. 6 (1845): F major.’81,’11; B-flat major.’11 Schumann. Skizzen für Orgel oder Pedalklavier, in F minor, op. 58 (1845): Lebhaft.’04; Moderato e ben marcato.’10; Vivace.’04; Allegretto.’07,’10 (complete performance).’88 Schumann. Studien für den Pedalflügel, op. 56, (1845): No. 2, No. 3.’14; No. 4, No. 5.’13 Schütz, Heinrich (1585–1672). Geistliche Chormusik, op. 11: Der Herr schauet von Himmel, SWV 392.’11 Schwandt, J. (b. 1972). Improvisation (Three movements on three submitted themes).’99 Schytte, Ludvig. “In the Moonlight.” ’84 Scott, Patrick A. (b. 1986). Improvisation on DUKE STREET.’16 Scottish Folk Song, “Skye Boat Song” (arr. by Purvis).’07 Seixas, Carlos (1704–1742). Sonata No. XIV in F-sharp minor (Andante a piacimento); Minuete.’94 Seixas. Toccata in C major.’02 Selby, William (1738?–1798). A Lesson.’93 Selby. Voluntary in A major.’07 Sennett, Mack. “Teddy at the Throttle” (1917).’81 Shaw, Oliver (1779–1848). Rondo.’88 Shaw. Trip to Pawtucket.’88 Shearing, George (1919–2011). Sacred Sounds for Organ Based on Early American Hymn Tunes: “Amazing Grace.” ’93,’02 (arr. by Alan Ridout).’12; “There Is a Happy Land.” ’93,’02,’13,’14; “So Fades the Lovely Blooming Flower.” ’05; “I Love Thee, My Lord” (1977).’05,’14 Shephard, Richard (b. 1949). Eclogue (1991).’02 Shtegman, Kristina (b. 1972) Shtegman. Dream Theatre (2008): State of Grace.’15 Shtegman. Hymn from the Dark Side (2014).’15 Shtegman. Jerusalem (2011).’15 Sibelius, Jean (1865–1957). Finlandia (transcr. by Herbert Ficker).’02;’19 Sibelius. Be Still My Soul (arr. by Rhett Barnwell).’03 Silver, Alfred J. (1870–1935). Jubilate Deo (1910).’93 Simpson, Ralph (b. 1933). Fantasy and Fugue on “My Lord, What a Mourning” (1994).’10 Simpson. Promised Land (2003).’16 Simpson. Two Spirituals for Organ (1993): “Swing Low, Sweet Chariot.” ’94 Sitton, Michael (b. 1958). Scherzo and Trio.’01
45
L’ORGANO 1979–2019
Sixten, Fredrik (b. 1962). Mourning Blues (2005).’12 Slogedal, Bjarne (b. 1937). Fantasy on the name of BACH.’09 Smyth, Ethel (1858–1944). Choralvorspiel und Fuge über “O Traurigkeit, o Herzeleid” (ca. 1882).’16 Sokola, Milos (1907–1987). Passacaglia quasi toccata sul tema BACH.’98,’08 Soler, Padre Antonio (1729–1783) Soler. Seis Conciertos para dos órganos obligados, 1770: No. 1 para dos teclas en Do mayer.’98,’03,’15; No. 3 en Sol mayor (ca. 1770).’17; No. 6 para dos teclas en Do mayer.’03,’16 Soler. Sonata de clarines in A major.’93 Soler. Sonata in B-flat major: Andantino.’94 Soler. Sonata in D minor.’02 Soler. The Emperor’s Fanfare.’96 Sousa, John Philip (1854–1932). “The Stars and Stripes Forever” (1896).’82 (arr. by Elizabeth and Raymond Chenault).’87,’98,’02,’04 (arr. by Robert Gant).’10 Sowande, Fela (1905–1985). “Go Down, Moses” (1955).’80 Sowande. Yorùbá Lament (1955).’16 Sowerby, Leo (1895–1968) Sowerby. Arioso.’06; Carillon.’06; Comes Autumn Time.’95,’06; Fanfare.’06 Sowerby. Hymn Preludes: “St. Patrick.” ’93; “Land of Rest.” ’06; “Were you there?” ’06,’10; “Deus Tuorum Militum.” ’01,’06 Sowerby. Pageant of Autumn, for organ, H. 234 (1931).’88,’93,’95,’98,’13,’14,’15-(2x) Sowerby. Requiescat in pace.’99 Sowerby. Suite for Organ, H. 222 (1934): Fantasy for Flute Stops.’82,’99 Sowerby. Symphony for Organ in G (1930): Fast and Sinister.’97; Passacaglia.’00 Sowerby. Theme and Variations (“Wa–Li–Ro”), H. 472 (1968).’01 Sowerby. Toccata.’79,’02 Sowerby. Whimsical Variations.’95 Speller, Frank (b. 1938). Chorale Prelude on “Veni Creator Spiritus.” ’95 Spicer, Paul (b. 1952). “March” for the Governor of Hong Kong’s Retreat (1997).’02 Stadlin, Vincent (b. 1947). Trés Mystérieux.’89 Stainer, John (1840–1901). The Daughter of Jairus, no. 9 (1859): “Love Divine, All Love Excelling.” ’83 Stanford, Sir Charles Villiers (1852–1924). Four Intermezzi, op. 189, no. 4 (founded upon an Irish Air).’82 Stanford. Sonata in G minor, op. 151.’97 Stanley, John (1712–1786) Stanley. Trumpet Tune in D.’82 Stanley. Voluntary in A major, op. 7, no. 1.’79 Stanley. Voluntary in C major (London, 1748).’80,’15 Stanley. Voluntary in C major, op. 5, no. 1.’98 Stanley. Voluntary in D major, op. 5, no. 5.’79,’82,’98 Stanley. Voluntary in D major, op. 7, no. 5.’16 Stanley. Voluntary in D minor, op. 5, no. 8. ’79,’81,’87,’02 Stanley. Voluntary in D minor, op. 5, no. 9.’18 Stanley. Voluntary in F major, op. 7, no. 6.’83,’17 Steinberg, Ben (b. 1930). Prelude (Shabbat).’13 Stephenson, James (b. 1969). L’esprit de la trompette (2014).’19 Strayhorn, Billy (1915–1967). Lotus Blossom (1945) (arr. by Alec Wyton).’07,’11 Styne, Jule (1915-1967). Gypsy–A Musical Fable (1959): “Everything’s coming up Roses.” ’84 Sullivan, Sir Arthur (1842–1900). “The Lost Chord” (1857).’82,’93 Sullivan. Variations on “St. Gertrude” (arr. by Thomas Clark, III).’82 Sulyok, Imre (b. 1912). “Te Deum” (1938).’06 Sulzer, Salomon (1804–1890). Schir Zion (ca. 1860): 31. Passover; 32. Shavuot; 33. Sukkot. ’13 Sweelinck, Jan Pieterszoon (1562–1621) Sweelinck. 6 Variations on “Mein junges Leben hat ein End,” SwWV 324.’85,’07,’09,’15 Sweelinck. Ballo del Granduca.’91,’04,’07,’09,’14 Sweelinck. Echo Fantasia in A minor.’81,’04 Sweelinck. Fantasia Chromatica.’19 Sweelinck. Four Chorale Variations on “Allein Gott in der Höh’ sel Ehr’.” ’79 Sweelinck. Ricercar.’02; Toccata in C major.’81,’02 Sweelinck. Variations on: “Erbarme dich mein, O Herre Gott.” ’89; “Est-ce Mars?” ’12; “Unter der Linden grüne.” ’94,’18 Swinnen, Firmin (1885–1972). Aria.’19; Longwood Sketches: Sunshine (Toccata).’19 T Tanejew, Sergei (1856–1915). Choral Varié on “Ave Maria.” ’06
46
L’ORGANO 1979–2019
Taylor, Calvin (b. 1948). Spiritual Suite (2001).’10 Taylor, Raynor (1747–1825). Variations on “Adeste Fideles.” ’15 Tchaikovsky, Pytor Ilyich (1840–1893). Nutcracker Suite, op. 71a: “Dance of the Sugar-Plum Fairy,” ’79, ’80; “Waltz of the Flowers” (transcr. by Frederick Hohman).’96 Tchaikovsky. Romeo and Juliet: Fantasy Overture (transcr. by Edwin Lemare).’04 Telemann, Georg Philipp (1681–1767). 12 Marches héroiques, op. TWV 50: No. 1. La Majesté; No. 2. La Grâce; No. 3. La Vaillance.’08 Telemann. Viola Concerto in G major, TWV 51 G9.’10 Thalben-Ball, Sir George (1896–1987). Elegy.’19 (to Hubert Parry) (to Walford Davies).’82 Thalben-Ball. “Variations on a Theme by Paganini,” for organ pedals (1962).’17 Thallander, Mark (b. 1957). Toccata on “Ode to Joy.” ’13 Thayer, Eugene (1838–1889). Second Organ Sonata: A Fugue on “America.” ’93 Thomas Paul Linsley (b. 1929). Prelude on “Cradle Song,” op. 29, no. 1.’12 Thomas, Ambroise (1811–1896). Mignon (1866; revision 1850 Italian): Gavotte.’82 Thompson, Bruce A. (b. 1937). Fantasy on a Wexford Carol.’01 Thomson, Virgil (1896–1989). Variations on Hymn Tunes: “Will There Be Any Stars In My Crown?” ’91 Three Settings on SCHMÜCKE DICH: Johann Sebastian Bach, BWV 654; Johannes Brahms, Opus 122; Hymn No. 506 (arr. by D. Cherwien).’99 Tikker, Timothy J. (b. 1958) Tikker. All-Improvisation Concert: Prelude and Fugue on a Submitted Theme; Variations on a familiar hymn tune, chorale or plain-chant; Free Fantasy on submitted themes; Passacaglia on a submitted theme.’00 Tikker. Three Gregorian Sketches (1994–96).’97 Tikker. Toccata Kopanitsa (2004).’08 Tikker. Variations on AUSTRIA (1988/2015): Hymn.’15; Toccata.’03,’15; Choral orné.’03,’15; Fugato (premiere performance).’15 Tikker. Variations sur un vieux Noël (CHARTRES) (1986-93).’00 Tisserand, Jean (d. 1494). Tune on O FILII ET FILIAE (“O Sons and Daughters of the King”).’91 Togni, Victor (1935–1965). Five Liturgical Inventions: Ave Maria; Laudate Dominum; Alleluia.’16 Tomasi, Henri (1901–1971). Variations Grégoriennes sur Salve Regina.’01 Töpfer, Johann G. (1791–1870). Sonata in D minor (1850).’15 Torelli, Giuseppe (1658–1709). Trumpet Concerto in D major (after 1705) (arr. Michael Rondeau).’19 Tournemire, Charles (1870–1939) Tournemire. Cinq Choral Improvisée: Petite Rhapsodie improvisée.’79,’96’18; Cantiléne improvisée.’18; Improvisation sur le “Te Deum.” ’79,’01,’05,’07,’12; Fantaisie, Improvisation sur “L’Ave maris stella.” ’98,’04; Choral-Improvisation sur le “Victimae Paschali Laudes.” ’88,’97,’04,’09 (Reconstructed by Maurice Duruflé, 1958, from Charles Tournemire’s phonograph recordings in 1930-31.) Tournemire. L’Orgue Mystique: Cycle de Noël, op. 55, no. 7, “Epiphania Domini.” ’99; Cycle après la Pentecôte, op. 57, no. 35, “In Assumptione, B.M.V”: Prélude à l’Introït; Offertoire; Élévation; Communion; Paraphrase–Carillon. ’12 Tournemire. Sei Fioretti, op. 60, no. 1; no. 5 (1932): “St. Francis expresses his unworthiness before God”; “An angel appeared to me with a viol and a bow in his hand.” ’06 Tournemire. Sorti, op. 3 (1894).’13 Tournemire. Trois Poème, op. 59, no. 3 (1932): “Psalm 150.” ’98 Trapp, Lynn. Regina Caeli.’03 Travis, Albert (b. 1940). Toccata on “Rejoice, Ye Pure in Heart.” ’05 Truette, Everett E. (1861–1933). Meditation, op. 29, no. 4.’88 Tsfasman, Alexander (1906–1971). Jazz Suite for Piano and Orchestra (1945). Lyric Waltz; Presto.’19 Tulin. Variations on “Alle war du bist.” ’80 Tunder, Frans (1614–1667). “Komm, heiliger Geist, Herre Gott.” ’80 Tunder (attr.). Canzona in G; Präludium in G minor.’87 Tunder. “Auf meinen lieben Gott.” ’04 V Valente, Antonio (16th Century). La Romanesca con cinque mutanze.’81 van der Horst, Anthon (1899–1965). Partite diverse sopra “O nostre Dieu, et Seigneur amiable” (Pseaume 8): Le chant du pseaume (harmonisé par Claude Goudimel 1565); Bicinium (fugue); Bicinium; Ricercare; Air; Dialogue (Pedale Solo); Toccata; Organum.’98 Vierne, Louis (1870–1937) Vierne. 24 Pièces de Fantaisie: Deuxième Suite, op. 53 (1926-27): Hymne au Soleil.’02,’16; Feux Follets. ’92; Clair de lune.’92,’11,’14,’15,’16,’18; Toccata.’83,’95,’11,’15 Vierne. 24 Pièces de Fantaisie: Première Suite, op. 51 (1926-27): Prelude.’18; Andantino.’93,’18; Intermezzo.’96,’18; Marche nuptiale.’18 Vierne. 24 Pièces de Fantaisie: Quatrième Suite, op. 55 (1926-27): Naïades.’83,’92,’10,’17,’18
47
L’ORGANO 1979–2019
Vierne. 24 Pièces de Fantaisie: Troisième Suite, op. 54 (1926-27): Impromptu.’84,’93,’97; Étoile du Soir. ’18; Sur le Rhin.’12; Carillon de Westminster.’80,’82,’83,’86-(2x),’88,’89,’91,’93,’95,’96,’98,’99,’00, ’01,’10-(2x),’19 Vierne. 24 Pièces en style libre, Livre I, op. 31 (1913): Idylle mélancolique.’92 Vierne. 24 Pièces en style libre, Livre II, op. 31 (1914): Legende.’11; Scherzetto.’96,’99,’05,’06,’11,’15; Arabesque.’12; Lied.’06,’11,’12,’17; Berceuse.’79,’06,’11,’19; Pastorale.’95; Carillon.’79,’11 Vierne. Deuxième Symphonie in E minor, op. 20 (1903): Allegro risoluto.’93,’94,’96,’01,’05,’15,’16,’17; Choral.’94,’01; Scherzo.’83,’89,’01,’11,’18; Cantabile; Final (complete performance).’92 Vierne. Les Angélus, for voice and organ, op. 57 (1930–31).’00 Vierne. Première Symphonie in D major, op. 14, no.1 (1898-99): Prélude.’17; Allegro vivace.’93,’16; Final.’83,’84,’92-(2x),’93,’95-(2x),’99,’16,’17 Vierne. Quatrème Symphonie in G minor, op. 32 (1914): Romance.’89,’92 Vierne. Seizième Symphonie in B minor, op. 59 (1930): Aria.’15; Final.’97,’14,’15 Vierne. Trois Improvisations pour grand orgue (1928): Méditation.’12 Vierne. Troisième Symphonie in F-sharp minor, op. 28 (1911): Allegro Maestoso.’19; Adagio.’80,’95,’96(2x),’97,’99,’07,’10,’17-(2x),’19; Intermezzo.’00; Final.’80,’97,’17,’19 Vivaldi, Antonio (1678–1741) Vivaldi. Concerto for Two Trumpets.’03 Vivaldi. Concerto in A minor, RV 356 (1711) (arr. by J. S Bach).’93,’98,’15 Vivaldi. Concerto in A-flat.’06 Vivaldi. Concerto in B minor (arr. by Johann Gottfried Walther [1684–1748]).’86 Vivaldi. Concerto in D major (ca. 1730) (arr. by Bundock Moore).’13 Vivaldi. Concerto in D minor (arr. by J. S. Bach).’91 Vivaldi. Concerto in E major, R. 269.’95 Vivaldi. Concerto in G, op. 3, no. 3 (arr. by Brian Kittle).’79 Vivaldi. Laudate pueri Dominum (Psalm 112), RV 600: Sit nomen Domini.’11 Vivaldi. L’estro armonico, op. 3: Concerto No. 3 (arr. David Marlatt 2017).’19 Vitali, Tomaso Antonio (1663–1745). Chaconne in G minor.’13 Voluntary No. 18 (from a Chapel Royal manuscript, circa 1750): I. Peter Prelleur (ca. 1705–1741) (Adagio) Diapasons; II. John James (d. 1745) (Vivace) Cornet.’86 von Paradis (attr. Maria Theresa, 1756–1824). Sicilenne (transcr. by Charles Callahan).’09,’12 von Suppé, Franz (1819–1895). Dichter und Bauer (1846): Overture. ’80 (transcr. by Edwin Lemare).’04 W Wagner, Douglas (b. 1952). Toccata.’09 Wagner, Richard (1813–1883) Wagner. Die Meistersinger von Nürnberg, WWV 96: Prelude (transcr. by Sigfried Karg-Elert).’01 (arr. by Edwin Lemare/S. P. Warren).’11 Wagner. Die Walküre, WWV 86B: The Ride of the Valkyries.’80,’97 (transcr. by Edwin Lemare). ’04 (arr. by Clarence Dickinson and Charlotte Mathewson Lockwood, pub. 1929).’12 Wagner. Lohengrin, WWV 75 (1846-48): Act I: Prelude.’10 (transcr. by Isabelle Demers).’16; Act III. Prelude, “Wedding March.” ’83 (arr. by Edwin Lemare).’13 Wagner. Tannhauser: “March” (1845).’88 Wagner. Tristan und Isolde, WWV 90 (1865): Act I: Prelude (transcr. by Nigel Potts).’16 Wagner. Wesendonck Lieder, WWV 91 (1857-58).’16 Walond, William (1725–1770). Cornet Voluntary in G major, op. 1, no. 5 (ca. 1750).’13 Walond. Introduction and Toccata (arr. by E. Power Biggs).’93 Walter, Samuel (1916–1987). Adagio.’08 Walther, Johann Gottfried (1684–1748). Chorale and Four variations, “Meinen Jesum lass ich nicht.” ’79 Walther. Concerto No. 3 in B minor, LV 133 (after Vivaldi).’95,’99,’08 Walton, Sir William (1902–1983). Crown Imperial, Coronation March (1937).’82 (transcr. by Herbert Murrill).’02,’12 Walton. Orb and Sceptre (1953) (transcr. by William McKie).’16 Walton. Richard III (score): March–Elergy–Scherzetto.’87 Wammes, Ad (b. 1953). Miroir (1989).’13,’17 Wammes. Toccata Chromatica (2008).’19 Ward, Beverly A. (b. 1935). CRUCIFER (“Lift high the Cross”) (1981).’93 Weaver, John (b. 1937) Weaver. Fantasia.’93,’97 Weaver. Pastorale for flute and organ (2001).’08 Weaver. Rhapsody for flute and organ (1967).’13 Weaver. Toccata für Orgel (1968).’91,’11,’16 Weaver, Powell (1890–1951). The Cuckoo.’92
48
L’ORGANO 1979–2019
Weckmann, Matthias (1621–1674). Fantasia in D minor.’87 Werner, Gregor Joseph (1693–1766). Concerto in B-flat major.’00 Wesley, Charles (1757–1835). New Variations on “God save the King.” ’08 Wesley, Samuel (1766–1837). Organ Duet in C major.’79 (Allegro only).’98 Wesley, Samuel Sebastian (1810–1876). Introduction and Fugue in C-sharp minor (?1835).’86 Wesley. Andante Cantabile in G major.’95 Wesley. Duet for Organ: Fuga.’98 Whelam, B. (b. 1950). Riverdance (1994): Lament; Firedance (arr. by G. Idenstam/K. Shtegamn).’15 “When Johnny Comes Marching Home” (arr. by Edwin Lemare).’08 White, David Ashley (b. 1944). Night Cries (1979) (premiere performance).’79 White, Louie L. (1921–1979). Sonata for Organ (1961).’96 White, Nicholas (b. 1967). Shenandoah (1993).’02 White, Thomas J. Adoro Te Devote.’03 Whitlock, Percy (1903–1946). Five Short Pieces (1925): Folk Tune.’19 Whitlock. Four Extemporizations: Fanfare.’79,’11 Whitlock. Plymouth Suite.’05 Whitlock. Sonata in C minor: Scherzetto.’02 Whitney, Samuel B (1842–1914). Processional Grand March, op. 25.’88 Whitney. Trio.’07 Widor, Charles–Marie (1844–1937). Widor. Bach’s Memento (1925): Miserere Mei, Domine (J. S.Bach, Prelude in D minor, BWV 851).’18 Widor. Symphonie No. 2 in D major, op. 13, no. 2 (1852): Finale.’96 Widor. Symphonie No. 3 in E minor, op. 13, no. 3 (1852).’03 Widor. Symphonie No. 4 in F minor, op. 13, no. 4 (1852).’06 (Finale only).’16 Widor. Symphonie No. 5 in F minor, op. 42, no. 1 (1885): Allegro vivace.’80,’93,’94,’95,’96,’09,’10,’11, ’13,’14,’15; Allegro cantabile; Andantino quasi allegretto.’10; Adagio.’94,’95,’07,’10; Toccata.’80,’81, ’86,’94-(2x),’00,’04,’10 Widor. Symphonie No. 6 in G minor, op. 42, no. 2 (1879) Allegro.’81,’84,’88,’89,’96,’00,’03,’12,’14-(2x), ’15,’18; Adagio.’04,’12,’18; Intermezzo.’04,’07,’08; Cantabile.’88,’08; Finale.’89,’96,’08’10 (complete performance).’16 Widor. Symphonie No. 7 in A major, op. 42, no. 3: Finale.’04 Widor. Symphonie No. 8 in B major, op. 42, no. 4 (1885): Finale.’19 Widor. Symphonie No. 9 in C minor “Gothique,” op. 70 (1894-95): Andante sostenuto.’81,’86,’92-(2x),’93, ’95, ’02,’03,’04,’13,’16,’18; Moderato (variations).’92 Wiedermann, Bedřich Antonín (1833–1951). Toccata and Fugue in F minor.’93 Willan, Healey (1880–1968). Introduction, Passacaglia and Fugue (1916).’09,’11 Willan. Six Chorale Preludes (Sets I and II): Quem Pastores (Set I); Lasst uns all froelich sein (Set I); Mit Fried und Freud (Set II); Gelobt sei Gott (Set I).’06 Williams, John. “Star Wars Symphonic Suite.” ’86 Williams, Ralph Vaughn (1872–1958). Three Preludes Founded on Welsh Hymn Tunes: Rhosymedre.’87 Wills, Arthur (b. 1926). Carillon on “Orientis Partibus” (1976).’13 Wills. Toccata for Two (1979).’87 Wisniewski, Robert (b. 1956). Toccata alla Fantasia.’91 Wood, Dale (1934–2003). Pastoral on “Forest Green” for Organ and Harp.’13 Wood. Prelude on “Holy Manna” (“Brethren we have met to worship”).’09 Woodman, James (b. 1957). Basilica Triptych for Flute and Organ.’08 Woodman. Sonata No. 1 in C major for Organ: Andante tranquillo.’00 Woolen, Russell (1923–1994). Postlude on the Solemn “Ite.” ’95 Wyton, Alec (1921–2007). Fanfare (1956).’12 Wyton. Fanfare-Improvisation on AZMON (1963).’08 Wyton. Hymn settings on “Amazing Grace”; “The Church’s one Foundation.” ’84 Wyton. Suite: In Praise of Merbecke (1957).’08 X Ximenez, Jose (1601–1672). Batalla del Sexto Tono.’93 Y Yon, Pietro Alessandro (1886–1943). 12 Divertimenti: “Humoresque” L’Organo primitivo (Toccatina for flute) (1915).’95,’16; American Rhapsody (ca. 1919).’10 Yon. Concerto Gregoriano (1920): Introduzione e Allegro.’19; Adagio.’19; Scherzo.’19; Finale.’00,’19 Young, Gordon (1919–1998). Variations on NETTLETON (“Come, Thou Fount”) (1960).’11,’17 Z Zeuner, Charles (1797–1857). Fuga; Cantabile.’88 Zipoli, Domenicó (1688–1726). Four Verses and Canzona; Offeratorio.’81
49
L’ORGANO 1979–2019
Zipoli. Sonate d’Intavolatura per Organo e Cimbalo, op. 1, Parte prima, no. 3 (1716): Canzona in G minor (transcr. by Sinzheimer).’10
Patricia Gould, BA Jason Pedeaux, MM
L’ORGANO COMMITTEE Robert Gant, DMA, Chair Julia Harlow, DMA Daniel Sansone, MM
Nancy Lefter, MA Murray Somerville, DMA
CITY OF CHARLESTON OFFICE OF CULTURAL AFFAIRS Scott Watson, Director Harrison Chapman Mindy Manziano Basil Punsalan Anne Quattlebaum Gordon Rooney Karina Staaf Ray Swagerty Hannah Wathen Rachael D. Workman ADDITIONAL RECITAL CO-SPONSORS AND DONORS Charleston Chapter of the American Guild of Organists John-Paul Buzard Pipe Organ Builders Fox Music House, Inc. Hazel and Murray Somerville Cornel Zimmer Organ Builders PROGRAM BOOK ASSISTANCE Clara Godshall William D. Gudger Professional Printers, Columbia, SC M. L. Layton, program book design/compilation of L’Organo information ©2019 Sally Gant
RECITAL VENUES PARKING INFORMATION Cathedral Church of St. Luke and St. Paul, 126 Coming Street; park on Vanderhorst or in the church lot across Coming. Cathedral of St. John the Baptist, 120 Broad Street; park on Broad, Legare, or in the church lot. First (Scots) Presbyterian Church, 53 Meeting Street; park on Meeting, Tradd, or church lot. Grace Church Cathedral, 98 Wentworth Street; park on Wentworth, Glebe, Coming, or garage at Wentworth and St. Phillip. Holy Spirit Lutheran Church, 3075 Bees Ferry Road in West Ashley; park in church lot. St. John’s Lutheran Church, 5 Clifford Street; park on Clifford or garage at King and Queen. St. Matthew’s Lutheran Church, 405 King Street; park on King or garage on King. St. Michael’s Church, 71 Broad Street; parking garage with entrance from Meeting or Queen. St. Philip’s Church, 142 Church Street; park on Church or garage at Church and Cumberland. Summerall Chapel at The Citadel, 171 Moultrie Street; parking spaces across from chapel along Avenue of Remembrance; parking lot–turn right at end of Avenue of Remembrance.
IN MEMORIUM JAMES POLZOIS, 2019 L’ORGANO COVER ARTIST Born in Iowa, Army veteran James Polzois (1939–2018) was a Charleston resident for over forty years. James is highly regarded as a graphic artist, who specialized in architectural renderings and paintings of Charleston scenes of the 1930s to the 80s. After twenty years of research, he wrote about Denmark Vesey and “the rising” of a slave revolt aganist the city of Charleston in 1822. A man of many talents, he installed a 27-note pedalboard on the 1845 Erben organ in the French Protestant (Huguenot) Church in 1984, were he served as organist at the time. James was a L’Organo recitalist in 1984 and an associate on the committee in 1988. This cover features his measured drawing of the historic 1823 Thomas Hall organ case in St. John’s Lutheran Church, Charleston, SC. Three additional historic organ case drawings were featured on L’Organo programs in 2000, 2005, and collectively on the program book cover for 2011–14.
50
L’ORGANO 1979–2019
For 2020 L’Organo application to perform on the series, contact City of Charleston Office of Cultural Affairs 75 Calhoun Street, Suite 3800, Charleston, SC 29401 (843) 724-7305 culturalaffairs@charleston-sc.gov. Applications will be available in September.
51
L’ORGANO 1979–2019
52
L’ORGANO 1979–2019