# T he p osi t ion of t he ar t is t 2019
At the same time, we notice that in the field today, there is a great deal of movement in the attempt to strengthen artists and evolve towards a more sustainable future. ¶ How are diverse artists, art workers and organizations already engaged in re-examining — their working habits, In our Kunstenpocket reshaping organizational publications, Flanders Arts Institute shares processes, giving form insights from ongoing to fair working relationships research trajectories. and developing Previously published are: working models kunstenpocket#1. Brussels. that strengthen In search of territories of artists?
kp 3
This pocket publication by Flanders Arts Institute attempts to understand the position of the artists and the difficulties that they experience in today’s world of the arts. By pointing out the problems that artists experience, we also detect the shortcomings of the functioning of the system as a whole.
kunstenpocket #3 D.I.T. ( Do It Together )
The position of the artist in today’s art world.
Delphine Hesters
new-urban creation, written by Chris Keulemans and published in January 2018, and kunstenpocket#2.
(Re)framing the International. On new ways of working internationally in the arts, by Joris Janssens, September 2018.
kunstenpocket#3 The position of the artist
The position of the artist Flanders arts institute