# in t ernat iona l isat ion 2018
For many years, working internationally has been self-evident in music, visual arts and performing arts. But discomfort is growing. With the economic pressure, inequality and precarity are increasing. Geopolitical turbulences and ecological concerns strip our assumptions of their innocence. œ How to understand these trends? What is the actual value and significance of working — internationally in the arts, In a new series of kunstenpockets in a shifting societal context? Flanders Arts Institute Which frictions and contrashares insights dictions occur? Which answers from current or alternatives are being research projects. developed? How can we Earlier appeared: imagine new ways of kunstenpocket#1 working internationally? Brussels. In search — of territories of
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In this pocket publication Flanders Arts Institute examines new ways of working internationally in the arts. Joris Janssens collects insights and light bulb moments from the research & development trajectory (Re)framing the International.
kunstenpocket #2 (Re)framing the International.
On new ways of working internationally in the arts. Joris Janssens
internationalisation
new-urban creation. Chris Keulemans January 2018
kunstenpocket#2 internationalisation
Flanders arts institute