The Wayfaring Stranger for Solo Female Voice and SSAA Choir

Page 1

Keane Southard

The Wayfaring Stranger for

Solo Female Voice and

a cappella SSAA Choir

(2020) (Duration: c. 5 min.)



Program Notes: This setting of the American folk song The Wayfairing Stranger was composed over the course of a week in May 2020 during the COVID-19 pandemic. A few nights after seeing the film “1917” during which a British soldier sings this song to his fellow soldiers before heading into a battle, I had a dream where I was singing the song in a choir, creating this rhythmic, hocketed and hummed accompaniment, reminiscent of African-American work songs, for a soloist who sang the words. I woke up and was intent on recreating this effect by completing a setting of this song. This setting is also inspired by Percy Grainger’s setting of the English folk song “Brigg Fair” for solo high male voice and mixed chorus, particularly in his use of making the choir hum as an accompanist for the soloist singing the words. Keane Southard 2020


Performance instructions: 1. On the 2nd and 3rd verses (but not the 1st!), the soloist may add some tasteful ornamentation of the melody, including slightly altering the prosody, if desired. Several ornaments are already written in the notation for these verses and they should be generally followed, but some may be altered or added to but this shouldn’t be overdone. The first verse should be performed as notated, which is the melody in its simplest form without ornamentation. 2. For the 1st verse and the ending, the choir is asked to hum and breathe in rhythm while keeping the mouth closed. This includes an audible inhale lasting a quarter-note before each hummed quarter-note pitch. Each hummed pitch begins with an accented “H� sound. For the other two verses, rhythmic and audible breaths are not necessary and normal breaths should be taken as necessary to maintain a legato texture.

Keane Southard/Spindrift Pages Email: keane.southard@hotmail.com Website: keanesouthard.instantencore.com


The Wayfaring Stranger Keane Southard Solo Female Voice

  

q = 52

mp espress.

      

    

I am a

  

poor

  

way far - ing stran - ger

  

a trav - 'lin'

  

SOPRANO 1

Hmm

Hmm

Hmm

Hmm

Hmm

Hmm



Hmm

SOPRANO 2

  



  





  



Hmm

Hmm

Hmm

Hmm

Hmm

Hmm

Hmm

   

   



Hmm

Hmm

Hmm

 

Hmm

Hmm

p closed mouth, audible quarter-note-long inhale through nose before each hummed note

       

ALTO 1

Hmm



Hmm

Hmm





Hmm

Hmm



Hmm



Hmm



Hmm

      Hmm

Piano Reduction (rehearsal only)

6

 Solo  

 

   

      Hmm

Hmm

    



Hmm

Hmm

mp

   

A1

Hmm

Hmm

   

Hmm

sick







Hmm

-







ness, toil or

  

p

Hmm

p



Hmm

Hmm

  

Hmm

   

dan ger



   

Hmm

 

Hmm



 

 

Hmm

 

  

Hmm



Hmm

 

world

©2020

Hmm



to which I

   



Hmm

Hmm

Hmm



Hmm

 

   

Hmm

   

Hmm

 

Hmm

go.

I'm go - in'

  

   



Hmm

Hmm

Hmm



Hmm



Hmm



Hmm

 

 

 

 



Hmm

Hmm

  



   

Hmm

Hmm









    

 

Hmm

 

 



Hmm

Hmm

 

Hmm



Hmm

in that fair

Hmm



Hmm



    

Hmm

   p

Hmm

 



      

  

 



Hmm



Hmm

Pno.





p

mp

A2

Hmm

Hmm

mp

   



Hmm

Yet there's no

mp

S2



Hmm

    

woe,

S1

q = 52

   

Hmm

Hmm

p closed mouth, audible quarter-note-long inhale through nose before each hummed note

ALTO 2

this world of

p closed mouth, audible quarter-note-long inhale through nose before each hummed note

       

through

    

p closed mouth, audible quarter-note-long inhale through nose before each hummed note

      

   

 

   






A

2

Solo

  

there

     Hmm

Hmm

Hmm

       Hmm

A1

mf



Hmm

A2

mf

 



   

-

in' o - ver

      Hmm

Hmm

     Hmm

Hmm

A2

   



Hmm

  

Hmm

 



 

 

Hmm



Hmm





Hmm



 

 

Hmm



Hmm



Hmm

  

Hmm

     pp

    

  



Hmm

(audible Hmm breath)

pp

 



B

mp

f

(audible Hmm breath)

pp

 



(audible Hmm breath) A tempo

 

mp



(audible Hmm breath)

  



 



Hmm

 





Hmm

   

 

   

clouds

 

Hmm

Hmm

 

will gath - er

   mf

Hmm p Opened mouth, breathe as needed

Hmm





end audible nose breaths on rests

mp

 

  

   

Hmm

mf espress.



Hmm

Hmm



mp

  

I'm on - ly

  

Hmm

Hmm

 

Hmm

p

I know dark

pp

 

Hmm



A tempo

home.

 

Hmm

Hmm





    p

 

in' o- ver Jor dan,

p

Hmm



      

   

Hmm

     

-

Hmm

Hmm

poco rit.



p

    

Hmm

     

go

Hmm

Hmm

Hmm

(q = 40)

rit.

Hmm

Hmm

Pno.





I'm on- ly

   

Hmm

   

Hmm

Hmm

Hmm

    

A1

Hmm

(q = 40) A tempo pp

 Solo  

S2

  

Hmm



Hmm

 



rit. 17

S1

    

no more to roam,

     

go

Hmm







there

A tempo

mp

    

Hmm

Hmm



Hmm

A



Hmm

Hmm

Pno.

 

Hmm

Hmm

Hmm

Hmm



I'm go - in'

  



mf

S2

    

to see my fa - ther,

mf

S1

poco rit.

      

mf

11

Oo

still hummed, breathe as needed f

p

       

       

mm ... still hummed, breathe as needed f

p

       

        ...

B

       



   

     

  


22

Solo

3

      3

  

'round me,

I know my



 

S1

  way

 

    

  

is rough and

  

Hmm

S2



steep,



   

Yet gold - en

Hmm







fields

Hmm

lie there be

  

    

Hmm

...

mf

 

A1

    

mf

A2

Pno.

        

  

        

 



 

    

mf

     

p

    

 

p



   

mf

     

   

       



     

p

          p

          

  

 

       

q = 46

poco rit.

C  Solo   26



fore

me,

  

S1

 

S2



   

Where wea - ry

eyes

          no more will

  

Hmm



  

Hmm

weep.

ff



    I'm go - in'

there

ff       

Hmm (ah) gradually open mouth to bright, forward "ah" (a la "sacred harp")

 

  

  I'm

mf

A1

p

     

     

 

       

Pno.

       

    

          



   



    

    

        

 

  

I'm







q = 46      







 

      

 



go - in'

 

ff

C





gradually open mouth to bright, ah, forward "ah" (a la "sacred harp") poco rit.





 

p

     

gradually open mouth to bright, ah, forward "ah" (a la "sacred harp")

mf

A2

ff

I'm go - in' there

ff

to see my



I'm



go - in'

go - in'


4

3

30

Solo

     

  



moth - er,

S1





She said she'd

    

S2

there

there

A2

 

to

my moth - er

see

to



there

 

  

to see

 my

    

      

 

my moth

-



 

moth

-

 

  Solo    Jor - dan,

  

S1

I'm on - ly

go

Hmm

 

S2

 

-



-

me

p breathe as needed

Hmm Oo ... fp hummed, breathe as needed p

             



she'd

  

in' o - ver

Hmm

  

 

meet

 



She

    

meet



me

said

she'd

Hmm

mm



p

me

Hmm

         

molto rit.

   



...

accel.

   mm

Slowly

3



 



meet 3

  





A tempo

...

A tempo

  

(q = 46)

       



in' o - ver home.

   p

  

Hmm

           

A1

she'd

said



mp

   

fp hummed, breathe as needed p

er

-

go

Hmm

 





Hmm



me

said

She

  

  

 3      3  

             

  

I'm on - ly



fp hummed as before mp





poco rit. 34

A tempo (q = 46)

fp hummed

She

er

  

 

  

see

 

there,

Pno.

   

   

 

A1

come.

She said she'd meet

  

Slowly

 mp      

me when I

         

to see my moth er,



    

meet

molto rit.

  

Hmm

Opened mouth



Oo



p Opened mouth, breathe as needed

                       Oo

mp

A2

           

... Opened mouth, breathe as needed p

   

Pno.

  

 

 

          



poco rit.

  

A tempo

   



Oo

...

accel.

 



                    



       

 

  






D

q = 72

39

Solo

(e = 52) molto rit. mp espress.

  

      f

f

I'll soon be

 

A1

A2

 

mm

...

f

mm

mm

f

p hummed, breathe as needed







  

p hummed, breathe as needed



  Solo   

S1



  

A1

 

  

 

...

D Tempo I







(q = 52)





 

 



   



 in



      the house of

 

pp

God. pp



  

(e = 60)

   

pp

   



   

I'm go - in'



 

Pno.

   

(e = 60)

  



  



 

 

   

there

to

     



q = 46          

there

ff



there

to

to

ff



there



to

ff







E 







I'm go - in'

rit.



 

      

pp



         

    



ff

ff

I'm go - in'

pp





E

q = 46

I'm go - in'

A2

 

 



 

of self de

 

I'm go - in'

S2

I'll drop the cross

p hummed, breathe as needed

and en - ter



be- neath the sod.

         

...

   

ni - al

rit. 45

   

...

mm (e = 52)

This form shall rest

p hummed, breathe as needed



         

molto rit.

from eve - ry tri - al,

q = 72

Pno.

free

           

    

S2

 

    

S1

5

Tempo I (q = 52)

there

to



see my


(e = 60)

rit.

6

     

49

  Solo   sav - ior

I'm

     

S1

see

my

   

S2

 

see my

sav

no

 

-



ior,

my sav

 



     

   

 -

ior,

   

 

more to roam,

no

no

more to roam,

  

 more,

no

more,

no

no

 

   

     

  



more to roam, rit.

   

pp

 



 

pp

 

 

A1

pp A2

Pno.

 

    

  

           

     

 

 

 

 

Oo p breathe as needed

...

Oo p breathe as needed

...

  

 

Oo

...

p breathe as needed







...

A Tempo

molto rit.

   









    

 





 

(e = 52)

rit.

 

home.

(mm)

closed mouth, audible quarter-note-long inhale through nose before each hummed note p mp p





Hmm



Hmm



Hmm

  

Hmm

closed mouth, audible quarter-note-long inhale through nose before each hummed note p







 

 

Hmm Hmm Hmm Hmm closed mouth, audible quarter-note-long inhale through nose before each hummed note p p mp





Hmm



Hmm

 

Hmm

  

Hmm

closed mouth, audible quarter-note-long inhale through nose before each hummed note p



Hmm Tempo I



Hmm

(q = 52)









Hmm



 

 

Hmm (e = 52)

rit.

 

 

 

 



  

I'm on - ly

close mouth

Hmm

 

molto rit.

Oo (e = 60)

         o - ver

  



 

more to roam,

       

go in' o - ver Jor - dan, p breathe as needed

  

Hmm

S2

I'm on - ly

more,



in'

pp

S1

no

   

  

more,



roam,

Tempo I (q = 52)

   go

-

no

to

p

      

 

oir,

  

  see

 

-

54

Solo

ior,

 

see my sav

Pno.

-

no more

 

      

A1

A2

go - in' there

sav

    

A Tempo


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