Selected Works - Kristoffer Lund

WORK VOLUME Kristoffer Lund

Architect MArch, MAA

WORK VOLUME Kristoffer Lund

2020.

Architect MArch, MAA

2020.

KADK / SCI-ARC / SNØHETTA / OMA / BUREAU SPECTACULAR

Kristoffer Lund Architect MArch, MAA Personal Statement

Kristoffer Tjerrild Lund - A recent graduate from SCI-Arc (Southern California Institute of Architecture). I continually seek to push the boundaries and expand my imagination for a future architecture. I try to pursue the sensational poetics of everyday life and the technological means to encounter knowledge on future development within the build environment. All to further enhance the possibilities of bringning people together in and around architecture.

In 2016 I graduated from the Royal Danish Academy of Architecture in Copenhagen, with a bachelor in Arts and Architecture, city and landscape. Prior to my engagement at SCI-Arc I worked at numerous recognized offices around the world: Snøhetta, Oslo and OMA, Rotterdam and Bureau Spectacular in Los Angeles. The journey has given me many insides into various cultural complexities and how to navigate those as well as allowed me to explore new inspirations and facinations. So far i have engaged in projects ranging from major mix-use and urban developments, in Hong Kong, Bangkok and Russia, to shopping center KaDeWe in berlin and Housing in Rotterdam.

Email kristoffer.tjerrild@gmail.com

Phone +45 24238789

Scholarships Awarded Recived in persuit of M.arch degree at Sci-Arc in Los Angeles

Sci-Arc Scholarship Fond / DAF (Dansk Amerika Fonden) / Dreyers Fond / Knud Højgårds Fond / Oticon Fonden / Louis Hansen Fonden / Augustinus Fonden / Arkitekt Fr. Borup og families Legat / Direktør Ib Henriksens Fond

CV.

Education 2018 - 2020 US, LOS ANGELES

M.Arch. SCI-Arc - Master of Architecture (M.Arch 2) okt. 2020 - Recently graduated student of architecture

2013 - 2016 DK, CPH

B.Arch. KADK - Bachelor in Arhictecture - Graduated from the Royal Danish Academy School of Architecture

at the Souther Californian Institute of Architecture, in Los Angeles, learning and adapting skills of high technological advancement combined with a studies of architectural theory. The School is have multiple times been amongst the top ranking universities in the world. at the Institute of Architecture, City & Landscape (IBBL) I was awarded highest honor for my bachelor project.

2013 DK, RODOVRE

KTS (Technical School) - Furniture Joiner - Course in the tradional techniques of danish furniture

2012 DK, SKIVE

KRABBESHOLM - Highschool at the well known craetive school in Skive, where i developed myself and my

manufactoring primarily wood graduated with high honors.

abilities with the profesions of art and architecture, exhibitions and experimentation.

Practice 2019 USA, LOS ANGELES

BUREAU SPECTACULAR - Summer Internship - I worked for a few months with Jimenez Lai on a competition

2018 NL, ROTTERDAM

OMA - Office of Metropolitan Architecture - I took park in various projects of various scales. Most

2017-2018 NO, OSLO

SNØHETTA - My experience at Snøhetta allowed me to grow exponentially from being on various projects

2017-2018 DK, CPH

TOM ROSSAU - For two years during my studies at KADK i was building handmade designer lamps together

2011-2012 DK, CPH

PER AARSLEFF - Construction worker at the UN-Headwaters in Copenhagen, dealing with various tasks

2005 DK, CPH

BIG - Bjarke Ingels Group - School Practice in folk-school, BIG was my first encounter with an architectural

for facades in Los Angeles, a house, but most profoundly the furniture and architecture exhibition for Volume Gallery, that are currently on display in the Chicago. During my time i was working on concept development, construction drawings and renders for the exhibition, together with Jimenez Lai. profoundly was my role in the development of ‘The Dragon Project’ in Bangkok, Thailand, A 450.000 sqm mix-use complex of residential, hotel, office and shopping. I had a leading part in the conceptualization process and made essential design decisions based on thorough cultural analysis, 3d modelling, graphic representation and dealing with an unusually high level of complexities and demands due to the cultural impact which a project of such scale and nature may impose on the city.

gathering experience untill towards the end becoming project leader on a winning competition for a new iconic grand-mosque in Dubai. The proposal was to convert the traditional and historic mosque to a more contemporary project combining library, learning center and mosque all under one roof. The project became a proposal of how future criteria can adapt into a historical institution. with Tom. During the two years i produces nearly 3.000 lamps. I also took part in the construction of building TOM ROSSAU lamp exhibition in Milan at the annual furniture fare.

ON-SITE, from machine digging to managing and sailing divers on the artificial islands that were created due construction of foundation.

Practice, at the age of 14 i was building my dreamhouse for 2 weeks.

Exhibition 2020 US, LOS ANGELES

SCI-ARC GALLERY - ANNA NEIMARK, RUDE FORMS AMONG US - Construction and production of

2019 US, LOS ANGELES

SCI-ARC GALLERY - PETER NOEVER, OBSESSIONS - During research of the various architects that

2019 US, LOS ANGELES

SCI-ARC Spring Gallery Show 2019, Selected to exhibit semester project, Atalanta public Library at the annual Spring Show in the main gallery.

2015 DK, CPH

CPH Culture Night - Selected Projects - I was chosen to exhibit my work from my Bachelor as a contribution to the yearly culture night in Copenhagen, representing KADK and the institute IBBL - City and Landscape.

2015 DK, CPH

CONDITIONS - A Field Study of the Informal City - An Exhibition at KADK with material produces from our one month study and research of the informal areas in the outskirts of Maputo. Research, drawings and models where on display.

exhibition pieces.

were on display in the gallery, focused on material and background by Zaha Hadid.

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WORK VOLUME 2020

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p 06.

TABLE OF CONTENT 2020 Thesis Project / SCI-Arc

p 26.

GLASS MASS 2020 Elective / SCI-Arc

p 34.

HOUSE FOR BODY CULTURE 2016 Bachelor Project / KADK

p 46.

ATLANTA PUBLIC LIBRARY 2018 Studio Project / SCI-Arc

p 60.

REDACTED SPACE 2019 Studio Project / SCI-Arc

p 74.

MATERIALS & TECHTONICS 2018 Academic Work / SCI-Arc

p 84.

GRAND DUBAI MOSQUE 2017 Professional Work / SNØHETTA

p 98.

NAN FUNG KAI TAK 2017 Professional Work / SNØHETTA

p 108.

DRAGON PROJECT 2018 Professional Work / OMA

p 121.

RECOMMENDATION Erik Vitanza - Snøhetta PROJECTS Kristoffer Lund

Index.

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WORK VOLUME 2020

Architecture Conception

Table of Content -The table as a means of selection, inclusion and accumulation of differences-

The thesis ‘Table of Content’ examines an architecture that is promiscuous in it’s abilities to include. The table, located in between those who have it in common, it serves as the thing that both relates and separates people at the same time. To bring something to the table is to make a contribution or an offer to the discussion, but in order to be able to bring something to the table, it requires the table to always already be there. This thesis explores the ‘table’ as a building typology, in order to discuss the current state of public buildings and how we engage with them as infrastructural monuments and at the same time examining the relationship between the exterior public space and the proposal for an interior one, and perhaps instead of the public life being manifested in the designated space between buildings the body can act on the scale of the interior instead of the exterior or at least in a dialogue between the two.

The ‘table’ is an interpersonal and spatial exchange, a physical manifestation of a negotiating space. It is a generator for public discussion. With the inclusion and participation of it’s citizens, it is a space for assembly and alternative intermingling. The table is a destination and a building of public ownership.

Studio

Thesis Project - 9 Semester HOW WILL WE LIVE TOGETHER.

SCI-Arc

Instructors

Anna Neimark, John Cooper, Erik Ghenoiu

Year

2020

TABLE OF CONTENT Kristoffer Lund

Project Location

Pershing Square, Dowtown Los Angeles, US

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WORK VOLUME 2020

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A Monument of the Public - At the groundlevel of the building is planted a forrest of trees to silence the density and loundness of the city. The ‘table’ is an interpersonal and spatial exchange, a physical manifestation of a negotiating space. The table is a destination and a building of public ownership.

TABLE OF CONTENT Kristoffer Lund

DT Los Angeles

09.

Layering

A3

Roof Structure, Light Filter

A2 Facade, Light Filter A1 Structure Profile

3

Public Square

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WORK VOLUME 2020

Federal Administrative level

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1

Core Circulation

0

Groundlevel Landscape

TABLE OF CONTENT Kristoffer Lund

Circulation

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Circulation Pattern - Detailed discription of the circulation pattern, direct acces through elevator cores or curated stair descend experiences.

WORK VOLUME 2020

Storage, Public Space and Federal Administration.

Each of the legs of the building is spacific experience of public congestion, the descend allows the people to view the public storage on display before enetering through the federal and administrative federal facilities and arriving at the table square.

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WORK VOLUME 2020

TABLE OF CONTENT Kristoffer Lund

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Plan 00 - Cut at the level of the wooden stem, the plan explores principles of random scatter and distribution of trees onto the pre-existing square. Ramps accomodate for the difference in landscape contour. Each legs of the building leaves limited impact onto the site.

WORK VOLUME 2020

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Plan 00- Cut at branch level, the scattering of trees promotes informal nature-like formation surrounding the legs of the building.

TABLE OF CONTENT Kristoffer Lund

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Exterior render - The public square underneath the building is pretected from the sun which only penetrates through the holes of building. The undulating underside of the building reflects the public life and trees in a familiar yet slight destorted and dreamy version.

WORK VOLUME 2020

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Plan 01 - Public Administrative level, federal institutions such as bureau of landmanagement, preservation, conservation. Located on the floor beneath the elevated square it is intertwined with the square and the specific purpose with which it aim to govern.

TABLE OF CONTENT Kristoffer Lund

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Interior render- Accessing the public square floor from the administrative federal level.

WORK VOLUME 2020

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Plan 02- The flooring of the table square is created as an ondulating surface, forces one to move and the deeper features allows for informal gathering.

TABLE OF CONTENT Kristoffer Lund

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Interior render - The public square floor features informal gathering, shelther from the strong sunlight of downtown LA. featuring atmospheric and silence for contemplation and action.

WORK VOLUME 2020

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Table Square - The flooring of the table square is created as an ondulating surface, forces one to move and the deeper features allows for informal gathering. Through the displacement of everyday life and lifestyles; conversation, dance, lectures, events etc. the new interior public space supports the exchange of ideas, in a theatrical sense it produces an assemblage of a new combination of people.

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TABLE OF CONTENT Kristoffer Lund

WORK VOLUME 2020

Facade

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TABLE OF CONTENT Kristoffer Lund

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Script - A random generator script has been created for the formation of the facade pattern, no single element composition is repeated, creating an effect as if one were to look through the leaves of the tree in the forest. It creates the kind of non-authored condition needed for a democratic public synthesis.

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WORK VOLUME 2020

Refraction / Reflection / Layers

Glass Mass - Architecture / Motion Graphics -

The aim of the exercize is to speculate on the aesthetics, material, tectonic and detailing means of transparency, opacity and reflectivity in architecture by focusing on and expanding upon the genealogy of fritted glass and its currently available technological means to construct illusionistic and ambivalent effects within a cloudy mass and a monolithic translucent envelope. Using AI engines, graphic patterning and rendering techniques, along with physical models and small material prototypes, the aim has been to develop a nuance approach to architectural volume using glass.

As glass becomes the predominant material for a large array of medium and large projects for a variety of climates, regions and cultures, its aesthetic conception and formal sensibility, long associated to the rise of corporate modernism in America, needs to be expanded and reconceived.

The end product, a detailed disection of modular facade system that makes an assumption of a potential total, but understanding the premis of the detail alone as an end aswell as a beginning.

Studio

Applied Studies GLASS MASS

SCI-Arc

Project Location

Instructors

Marcello Spina

Year

2020

Collaboration Nero He

GLASS MASS Kristoffer Lund

Speculative Reality

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DETAIL CONNECTIONS DETAIL ASSEMBLY

B1

Gradient Silver Fritted Pattern

C1 Outer Aluminum Profile C2 Inner Aluminum Profile

A1

Double Layered Frosted Glass

A2

WORK VOLUME 2020

Double Layered Glass

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GLASS MASS Kristoffer Lund

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WORK VOLUME 2020

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GLASS MASS Kristoffer Lund

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WORK VOLUME 2020

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WORK VOLUME 2020

House of Bodyculture A Bodily Discourse - Architecture / Motion -

The project ‘Bodily Discourse’ is a culture house which organization is depending on it’s relation to the body as movement, as stable and structural entity as well as a free moving spirit, riding the instable currents that modern city lifestyles permits. A 6.000 sqm buidling for the body, born out of the infrastructural necessity that Bisperengbuen creates. Bisperengbuen is the most powerfull character at the site, a local identity, a landmark and a moment, seperationg Nørrebro a lower income neighbourhood with the richer and mondane Frederiksberg.

The project ‘Bodily Discourse’ is a culture house which organization is depending on it’s relation to the body as movement, as stable and structural entity as well as a free moving spirit, riding the instable currents that modern city lifestyles permits. A 6.000 sqm buidling for the body, born out of the infrastructural necessity that Bisperengbuen creates. Bisperengbuen is the most powerfull character at the site, a local identity, a landmark and a moment, seperationg Nørrebro a lower income neighbourhood with the richer and mondane Frederiksberg.

Studio

Bachelor Project - 6 Semester BODILY DISCOURSE

Project Location

Bispeengbuen, Copenhagen N, DK

Instructors

Frederik Seehusen, Lea Olsson

Year

2016

HOUSE OF BODYCULTURE Kristoffer Lund

KADK

35.

Program The programmatic intention lie in the tension between the commercial idea of exercise, the fitness program - which only purpose is to strive for the ideals of the body.

The other program being a type of self-organizing notion, an informal approach to the body nested in the aim towards using the urban landscape as physical backdrop for expression.

1. THE INSTITUTIONALIZED PROGRAM (upper building) FITNESS CENTER AEOROBIC GYM BOXING GYM BODYBUILDING STORAGE 2. THE COMMUNAL PROGRAM (lower building) CAFÉ LOBBY MEETING ROOMS AUDITORIUM SPACE CONFERENCE ROOMS 3. THE SUBCULTURAL (under the bridge)

WORK VOLUME 2020

SKATEBOARDING, BASKET, DANCE etc.

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HOUSE OF BODYCULTURE Kristoffer Lund

Technique

WORK VOLUME 2020

Opaque and transparent Public and Private, Stable and Instable

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Technique - Developing the project a series of drawings and models are created as explorations between the opaque and the transparent. They produce examples of intricate relationships of flow and movement similar to that of the hand and the body.

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HOUSE OF BODYCULTURE Kristoffer Lund

WORK VOLUME 2020

+8 PLAN FITNESS CENTER

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+6 P AUDITO

+1 PLAN BASIC LEVEL, LOBBY, CAFÉ

HOUSE OF BODY CULTURE Kristoffer Lund

PLAN ORIUM

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WORK VOLUME 2020

HOUSE OF BODYCULTURE Kristoffer Lund

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Physical Model - At the groundlevel the base of the building touches the site with an extention of the preexisting columns from the bridge and rises to the top. Elevator core, stairs and biscycle ramps are the points of entry. The screen shelters from the highway, towards the back the building expresses a fluid movement with various floor slabs, giving the building it’s nuanced character.

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WORK VOLUME 2020

HOUSE OF BODY CULTURE Kristoffer Lund

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Renders - Displaying the destinction between informal body culture taking place underneath the bridge and the fascilitated culture of the fitness in the form of an aeorobic class, in the top of the building.

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WORK VOLUME 2020

Architecture and Speculative Reality

Atlanta Public Library - Digital and Spatial Sequality -

This project speculates on the reimagination of the existing Marcel Breuer library in Atlanta Central Library that is currently being refurbished because of its lacking interior qualities. This project turn the building inside out.

Speculating on ideas and roles of the library of the future, the programs dwells on the questions about shifting sources of information and possible ways of storing that information. Furhtermore how to express this archival condition to the public through the architecture is taken under investigation the expression of the archive as collective power.

The proposal aims towards a complete integration between form and content, function and expression, therefor the vivid typological development. We no longer need to hide the archive in far away locations but rather develops an omniprescense significance. It gains a new formal quality together with the cultural program which creates a new aesthetic for the new public library building through it’s monumentality.

In a dialogue between the sculptural three-dimensional forms and the flat pictorial, between realism and abstraction. I propose a type of building that exist in a juxtaposition of content, rather than a segregation of program. Where the content of programming relies on a strategy of superposition to intertwine event and storage to generate the necessary multiplicity and excitement a library of the contemporary must hold.

Studio

8 Semester Project FORMS OF KNOWLEDGE

Project Location

Atlanta, Georgia, US

Instructors

Jackilin Bloom

Year

2019

ATLANTA PUBLIC LIBRARY Kristoffer Lund

SCI-Arc

47.

Archival Expression From Content to Form The Library integrates gridal Archiving with the cultural program posing together towards the civic plaza at ground level. The monolithic posture towards One Margeret Mitchell Square creates a memorable civic image where the cultural heritage and spatial experience is carefully intersected.

Top View

WORK VOLUME 2020

Gallery Space Plan Section

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Reading Halls

Book Archive / Core

Auditorium

Workspaces Book Archive

Gallery

Reading Halls

Main Entrance

ATLANTA PUBLIC LIBRARY Kristoffer Lund

Street Level CafĂŠ

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WORK VOLUME 2020

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Auditorium

Construction detail

ATLANTA PUBLIC LIBRARY Kristoffer Lund

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Auditorium - Is held in place by two major structural beams. The cultural program takes up various formal qualities and the formal expression of the auditorium is aimed toward an interior as well as exterior experience.

Exhibition/Gallery

WORK VOLUME 2020

Spatial Integration The Nested Program

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Exhibtion Space

Section thorugh exposition entrance through reading hall (Front)

Rendered Detail Section - The sectional detail explains the intregrate relationship between the nesting of the spatial expression of event space and the seriality of reading halls / work spaces.

ATLANTA PUBLIC LIBRARY Kristoffer Lund

Exhibition Section thorugh exposition entrance through reading hall (Backside)

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WORK VOLUME 2020

Folding Panels

ATLANTA PUBLIC LIBRARY Kristoffer Lund

Seriality of Members The serial assembly of facade panels are adjustable according to the sun and allows for intriticate climate control adding an additional 50 % shade when needed. As well as its funcational abilities the many folding positions creates a kind of pattern along the glass facade giving the two-dimensional properties a three-dimensional expression.

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Folding Shade Window Panel Detail Component Assembly

Stiffening Rods

Pivot Bearings Coated Aluminum Sheet

Mechanical Rotar

Gear Bearing

Rubber Gasket

WORK VOLUME 2020

Metal Couplings

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ATLANTA PUBLIC LIBRARY Kristoffer Lund

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Folding Panel- The folding shade device is constructed from a fabric fins that filters the sunlight regulating the amount of heat generated in the building, as well as the many possitions they have makes it more adjustable.

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WORK VOLUME 2020

ATLANTA PUBLIC LIBRARY Kristoffer Lund

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Conceptual Model - The Conceptual model reflects on the relationship between a data structure that efficient and economically destributes information and with the inhabiters of a city. The Insertions are public hubs. The use of materials represent the various programmatic intersections.

The resin casted elements carries the idea of anatomic cultural program situtated in the juxtaposing logic rigidity of the storage grid.

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WORK VOLUME 2020

Architecture / Poetry

Redacted Space Manifest: Restriction, Concretization and simplification is the very essence of poetry.

The new architecture is simple and can be perceived visually as a hole as well as in parts. It becomes an object to be both seen and used. An object containing thought but made concrete through play activity, Its concern is with brevity and conciseness. Understanding that the formulation of architecture is game of rules. Plans, sections, elevations, diagrams, tectonics, programmatic organization etc. are parts of this game. The architect invents new formulations, by the exemplary use of the rules of the game. The new architecture can have an effect on ordinary architecture. The constellation is the simplest possible kind of configuration, which has for its basic units and intention of provoking a new understanding of previously known knowns. The configuration encloses the group of constructive elements as it if were drawing stars together to form a cluster.

The constellation is an arrangement and at the same time a play area of fixed dimensions, the facade sets a perimeter to be challenged. The constellation is ordered by the architect, the architect determines the play area, the field and force and suggests for it’s possibilities. The reader, the new reader, grasps the idea of play and join in. In the constellation something is brought into the world it’s a reality in itself, and not an architecture about something other than itself. The constellation is an invitation to a play.

The Redacted space argues for the spatial multiplicity of blackness with the invention of a game logic to reveal the possibilities of redaction, as a form, detail and imagination is provoked by its mistery presence. The project began with a facination with the unvoluntary formal expression of the recated text from the Mueller report.

Studio

Studio Project - 8 Semester DIFFICULT PYRAMIDS

SCI-Arc

UIC, Chicago, US

Instructors

Andrew Zago, Benjamin Weisgall

Year

2019

REDACTED SPACE Kristoffer Lund

Project Location

61.

B3 Columns B2

Structural Facade

B1

Facade Lamellers

A5

Core Circulation

A4

Horizontal Circulation Tube

A3

Event Space

A2 WORK VOLUME 2020

Large Auditorium

62.

A1

Small Auditoriums

REDACTED SPACE Kristoffer Lund

Context Massing Model

Packing the Program. Because of the high demand of individual event space, auditoriums, multi function spaces and designated circulation patterns, the internal organization is in itself a formal compisition. The building examins the relationship between the facade exterior and the internal organization of the program. The black blank surfaces that reappear on the face as an expression of functional hiarchy with a twitch of the mystery of the black redacted surfaces.

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Context Massing Model

Conceptual Tape Displacement Model

WORK VOLUME 2020

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Physical Model - The models reveals the complex relationship between the interior organization of program with the facade lamination, creating a various readings of depth, the black radacted box is in itself a detailed array of black conditions.

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REDACTED SPACE Kristoffer Lund

Level 11

Level 10

Level 9

Level 8

Level 7

Level 6

Level 5

Level 4

Level 3

WORK VOLUME 2020

Level 2

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Level 1

REDACTED SPACE Kristoffer Lund

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Staircase Circulation - The shearing of the exterior volume and the interior circulation creates a friction which leaves gaps and crevices for light and views to happen. Ultimately creating an interior experience of techtonic expression and programmatic excitement.

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0

2

6

12

WORK VOLUME 2020

REDACTED SPACE Kristoffer Lund

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Main Auditorium - From the outside the radacted surfaces seems rather blank, on the interior though is different game taking place. An array of dark shaded materials, that all emphasizes the nuances of blackness, from textures, surfaces, repetitions and slight coloration.

WORK VOLUME 2020

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0

2

6

12

Auditoriums - On the 5th floor the series of black boxes creates a formation that solves the plan, everything is either inside or outside and inbetween.

REDACTED SPACE Kristoffer Lund

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0

2

6

12

Eventhall - Furhter up in the building is planned a stacking of eventhalls with the possibility of hosting events, the inbetween spaces becomes the circulation and prefunction space.

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WORK VOLUME 2020

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REDACTED SPACE Kristoffer Lund

Extruded Aluminum Profile

Insulated Glass - Low-E Coating

Steel and concrete composite floor

Fireproofing Steelbeam

Adjustable intiglare blinders

Suspending cieling / Galvanized perforated metal panel

WORK VOLUME 2020

Steel Column / Galvanized-metal cladding

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Mullion / CNC-cut extruded aluminium

Learning From the Trutec Building

Materials & Techtonics - Archeology and Transformation in Modern Architecture-

The aim of this exercise is to break down this amazingly resolved facade, by introducing a secondary skin layer, which does not interfere with its geometrical complexity, keeping the profiles as sleek as possible. In fact, the additional layer does not affect the existing panels, but rather shapes a secondary layer of glazing, able to increase the ability of the curtain wall to better control interior temperatures, thus supporting the building with a fully controlable naturally ventilating facade system.

The secondary skin is made of glass panels supported on an aluminum frame. The frame duplicates the genometry of the existing facade and is attached to it. All the joints are placed on the orthogonal mullions and not the inclied CNC-cut frame of the diagonal glass panels, as the structural stabilty of the latter remains debatable. the outer Low-E glass layer preserves the three-dimensionality of the original design, while the interior layer can now be made of flat laminated glass panels. Both layers have operable parts.

The succes of this intervention lies in breaking down the original intention of the architect to concentratre all the functions of the curtain wall into one single layer. By seperating the layers and assigning different roles to them, we amange to use the interior glass facade purely for air and water sealing, while using the ecterior one to control temperature and sunligt.

Studio

SCI-Arc

Project Location Seoul, Korea

Instructors

Randy Jefferson, Maxi Spina

Year

2018

Collaboration

Nero He, Gregory Kokkotis, Lourenco Vaz Pinto

MATERIALS & TEC HTONICS Kristoffer Lund

Materials And Techtonics APPLIED STUDIES

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ORIGINAL CONDITION

WORK VOLUME 2020

OVERVIEW DETAIL REVEAL OF VARIOUS COMPONENTS

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RENDERED DETAIL CHUNK - By extraction and removal of certain parts of the building the drawings aim to reveal parts and logics of the project that is otherwise hidden, as an archeological project in modern architecture.

STRUCTURAL DIAGRAMS

2. Structural Beam System

3. Curtain Wall Frames

MATERIALS & TEC HTONICS Kristoffer Lund

1. Glazed Curtain Wall System

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TRANSFORMATION

WORK VOLUME 2020

NATURAL VENTILATION ASSEMBLIES

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TRANSFORMATION - The secondary skin duplicates the genometry of the existing facade and is attached to it allowing the curtain wall to better control interior temperatures, thus supporting the building with a fully controlable naturally ventilating facade system.

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OPERABLE MECHANICAL DETAIL

Raised Floor Stainless Steel Mounted Hinge Steel and Concrete Composite Floor

EPDM Gasket Mullion / CNC - cut Extruded Aluminum

Extruded Solid Aluminum Bars

Suspended Ceiling / Galvanized Perforated Metal Panel

Laminated Glass

Insulating Glass/ Low-E Coating

MATERIALS & TEC HTONICS Kristoffer Lund

Fireproof Steel Beam

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DETAIL

WORK VOLUME 2020

CONNECTIONS DETAIL VARIOUS TYPE ASSEMBLIES

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MECHANICAL DETAIL ASSEMBLY

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MATERIALS & TEC HTONICS Kristoffer Lund

WORKMODEL EXPRESSION EXPANDING FLATNESS

WORK VOLUME 2020

WORK MODEL 10’’x10’’x10’’

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PHYSICAL MODEL - The work model is composed of mainly 3d prined components. The acrylic glass representation with it’s foldable panels expand the two-dimensionality of the original facade into the the three-dimensional, giving a much more diverse and diffuse expression.

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MATERIALS & TEC HTONICS Kristoffer Lund

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WORK VOLUME 2020

Architecture / Religous

DUBAI GRAND MOSQUE - Sacral Spatiality -

I was given the opportunity to be projectleader on this 4 week competetion. The task was to design a new Mosque in the axis between Calatravas coming tower, the new highest structure in the world and the existing Burj Khalifa, currently the highest building in the world. An interesting project from the beginning, with an extreme amount of interests. Pealing from the surface, the mosque extend from the landscape becomes the roof for the underlaying prayer hall. Light is transmitted through the surface of the roof. ”In a city like Dubai where monumentality is spread as a general typolog, how do we establish the monumentality of the traditional horizontal mosque.”. We enter the tower to look down and admire human efforts in the physical world. We enter the spiritual place to go beyond.

Professional Work

Grand Mosque, Dubai, UEA Religious - Mosque

Project Location Dubai, UEA

Team

Robert Greenwood, Erik Vitanza, Henry Stephens, Pia Habostad

Year

2017

DUBAI GRAND MOSQUE Kristoffer Lund

SNØHETTA

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WORK VOLUME 2020

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DUBAI GRAND MOSQUE Kristoffer Lund

WORK VOLUME 2020

mecca orientation

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SKYLIGHTS

04

ROOF

03

ROOF STRUCTURE

02

MESH/ LIGHT FILTRATION

01

COLUMNS

00

PRAYERHALL ABLUTION SPACE LIBRARY

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00

LANDSCAPE

city grid

overlay - tectonic intersection

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DUBAI GRAND MOSQUE Kristoffer Lund

PLANNING SIMPLE AND DESTINCT The diagrammatic and functional planning of the mosque makes an historical reference to the traditional planning of mosques.

PRAYER HALL

PRAYER HALL

LIBRARY

ABLUTION

WORK VOLUME 2020

00 PLAN

SECTION A

90.

SECTION BB

IMAM RESIDENT

L

LIBRARY

ROOFPLAN

DUBAI GRAND MOSQUE Kristoffer Lund

+1 PLAN

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WORK VOLUME 2020

DUBAI GRAND MOSQUE Kristoffer Lund

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RENDER OF PRAYER HALL - The Mosque’s underlaying roof of copper mesh filters the hot exterior

sun beams, creating the atmospheric, scenic and incredible spatial experience suited for prayer.

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RENDER OF ENTRANCE - By extraction and removal of certain parts of the building the drawings

aim to reveal parts and logics of the project that is otherwise hidden, as an archeological

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DUBAI GRAND MOSQUE Kristoffer Lund

MODEL

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ASCENDING AN ELEVATED SURFACE

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DUBAI GRAND MOSQUE Kristoffer Lund

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Professional Work at SNØHETTA

NAN FUNG KAI TAK - Architecture of Mix-use -

Combined with the responsibility of solving circulation in the podium and the roofgarden design, my role in this project was the overall responsibility for the 3d massing, sculpting and uptimization studies as well as consistently updating the geometry to every change throughout the SD phase.

I was worked on the project for the entirety of the SD phase for about 5 months.

The development is specifically designed to be porous on ground floor, to integrate to the surrounding public realm. On Ground floor facing the Kai Tak Station square, the retail colonnade is proposed as two semi-free-standing buildings, maximizing the retail frontage by allowing access from two sides, as well as providing a diversity of urban spaces – from narrow to wide, from intimate to open.

Professional Work

Nan Fung, Kai Tak - Hong Kong Mix Use - Hotel, Office, Shopping

SNØHETTA

Project leaders

Robert Greenwood, Erik Vitanza, Thomas Fagernes

Year

2017

NAN FUNG, KAI TAK Kristoffer Lund

Project Location

Kai Tak, Hong Kong

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FROM STREET TO TOWER POROUSITY STRATEGY

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The recesses break down the scale of the podium and revert the podium into a traditional urban-scale volume. The multiple recesses, being the entrances to the volume, serve to create a porous and penetrable building.

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NAN FUNG, KAI TAK Kristoffer Lund

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GROUNDLEVEL Busterminal, shopping, lobby

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ROOFPLAN Roof garden + amenities

NAN FUNG, KAI TAK Kristoffer Lund

ROOF LANDSCAPE South facing entrance

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The design strives to create variety of public spaces; from open plazas to narrow streetscapes, all coupled together to form a continuous system of lush, green and people-friendly public spaces.

Combinations of soft surfaces and hard surfaces on the public spaces surrounding the development allow for movement as well as relaxation.

PLAN MATRIX OFFICE AND HOTEL TOWERS

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TYPICAL FLOORPLAN 22. Level - Layout for office tower

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Level 32

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Level 33

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Level 21

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Elevation D

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Elevation A

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Elevation C Section D

NAN FUNG, KAI TAK Kristoffer Lund CROSS SECTION Plinth shopping and hotel tower

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Professional Work at OMA

Dusit Thani Dragon Project - Architecture of Mix-use -

The Dusti thani Dragon Project, reimagines the famous original hotel of Dusit Thani Bangkok. It was the first large scale highrise hotel in the early urbanization of Bangkok, and was for a long period of time the highest building in Thailand. Overlooking the Lumpini park it has an iconic location in the city. The past 40 years Bangkok has undergone dramatic change and the current hotel is no longer of any signicant architectural presence besides it iconic history, every thing around the hotel has grown out of proportions. In an attempt to accomodate the future and change the pioneering status of the past hotel is reimagined with an entirely new set of restraints. A breath taking 475.000 sqm mix-use development, concluding a mix of shopping, hotel, residential and office now makes the Dusit Thani a project of aspiration yet agian.

I was on this project for 5 months from concept development and followed into schematic design.

My role was to development conceptural stretegies and massing as well as producing material for client meetings. The project was under high pressure and with an incredible complixty it was a very complicated project to work on.

Professional Work

Dusit Thani - Dragon Project Mix Use - Hotel, Office, Shopping, Residential

OMA

Bangkok, Thailand

Project Leaders

Chris Van Duijn, Michelle van der Kar, Andreas Karavanas

Year

2018

DUSIT THANI - OMA Kristoffer Lund

Project Location

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One major challange for the project of such complexity was to create a level of coherency between the rather different uses and still maintaining a certain lokality, breaking down the scale of the 300 m tall tower.

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MASSING

CONCEPT CONCEPT DESIGN 24.04.2018 COLLAPSING MIX-USE 1

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HOTEL CONNECTIONS DETAIL VARIOUS ASSEMBLIES

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The Hotel is Located at the most prominent corner of the Dragon Project site with maximum exposure towards the park. Conceptually the hotel program is translated into a stacking of a rectangular hotel room valume on top of a podium plinth, a part of the overall complex. The tower is articulated in vertical direction by means of a gradient. The rooms itself are reflected in the facade as protruded boxes, also helping to break down the scale of the project and the relationship to the nearby buildings, but still maintaining an iconic presence.

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HOTEL TYPICAL UPPER LEVELS L29, L31, L33 1.

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HOTEL TYPICAL UPPER LEVELS L30,L32, L34 1.

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HOTEL PRESIDENTIAL SUITE LEVEL L35

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HOTEL STATE SUITE LEVEL L36

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DUSIT THANI - OMA Kristoffer Lund

RESIDENTIAL TOWER DETACHED CORE THE CANVAS AND THE EASEL

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BANGKOK DRAGON - SCHEMATIC DESIGN REPORT - DRAGON | 160

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RESIDENTIAL TOWER - The vertical apartment slabs are in a similar way connected by the supporting core structure on the back, allowing all apartments view towards the adjacent park.

DUSIT THANI - OMA Kristoffer Lund

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DUSIT THANI - OMA Kristoffer Lund

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1. Lift Hall 2. Swimming Pool 3. Kid’s Pool 4. Jaquzzi 5. Lockers 6. Yoga 7. Cabana 8. Fitness 9. Kid’s Club 10. Kitchen / Pantry

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LVL 48 SCALE 1:200

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Sport Fashion

Anchor

Lifestyle Sport Anchor

Sport Fashion

Fashion Design Products OP

Anchor

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Fashion Design Products OP

Book Store

Design Products

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RETAIL - The 70.000 sqm retail podium is due to is large scale broken down with 3 main atrium

circulations that through their various designs provide orientation through identity.

metal void + escalators

linear lighting terrace direction

vertical planting

RETAIL PODIUM VIEW VOID 1 +

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wood void + escalators

linear lighting terrace direction

greenery from edge of void

RETAIL PODIUM VOID 2 +

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ORIENTATION THROUGH IDENTITY - The Circulation is atriums has various material pallettes as

well as different circulation configurations.

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To whom it might concern

Snøhetta Akershusstranda 21, Skur 39 N-0150 Oslo, Norway

January 10, 2018

Letter of reccomendation I hereby confirm that Kristoffer Tjerrild Lund has held an architect internship position in Snøhetta since January 2nd 2017 until January 5th 2018.

During his internship he has worked on several projects of various scale, stages and typologies, including urban design work in Moscow, the new Banque LibanoFrancaise HQ in Beirut and the New World residential project in West Kowloon, Hong Kong. Most recently he took a leading role in developing the concept on the competition for a new iconic Mosque in Dubai, while at the same time playing a key role in developing the geometry for our ongoing mixed-use project in Kai Tak, Hong Kong, which is currently in DD stage.

It is my pleasure to say that Kristoffer has conducted the work with exceptional skill and care. He has a great capacity and handles multiple tasks of great complexity with the skill of prioritizing tasks. Further, he has a very good eye for strong concepts and knows how to cultivate an initial idea into architecture.

Kristoffer is a team player, and he brings very a good spirit into the team. He communicates very well with the rest of the teams and clients, speaks his mind clearly, while not being too precious about his own ideas if the design evolves in a different direction. He has taken on tasks beyond what one could expect from a young student of architecture, and he has mastered them perfectly.

I can strongly recommend Kristoffer, as his sense of commitment to the job, his creativity and his social skills makes him a highly desired person in every team.

Feel free to contact me any time should you need any further information, I would be happy to assist any time.

Sincerely,

Erik Vitanza Director, Design Team Manager Snøhetta erikv@snohetta.com +47 909 45 638

Thank you

WORK VOLUME Kristoffer Lund Architect MArch, MAA

Kristoffer Lund Architect MArch, MAA

Phone +45 24238789

2020.

Email kristoffer.tjerrild@gmail.com