Hypo-chthonic museum of Dodona
Konstadinos Skouteris
Architect Engineer
University of Ioannina
Abstract
Dodoni, as a concept, has many interpretations, the most important of which is its identification with something sacred. The antiquities of Dodoni are what make it relevant to this day, but the misinterpretation and the ambiguity that runs through them, in relation to the general identity of the place, create a situation that seems marginalized and degraded, definitely disproportionate to the possibilities that arise The space and time of the "museum" Oracle, however familiar they may seem, present inconsistencies in the historical continuity, as well as difficulties in understanding them. This paper deals firstly with the return of the lead instrument plates to the place they belong and secondly with the restructuring of the archaeological site through a passage museum, from today to forever.
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«Oh! where, Dodona! is thine aged grove, Prophetic fount, and oracle divine?
What valley echo' d the response of Jove? What trace remaineth of the Thunderer's shrine? All, all forgotten and shall man repine That his frail bonds to fleeting life are broke? Cease, fool! the fate of gods may well be thine: Wouldst thou survive the marble or the oak? When nations, tongues, and worlds must sink beneath the stroke!»
- Byron, Childe Harold, II, 53