Olga Korolkova - Bartlett MArch Application Portfolio

OLGA KOROLKOVA

Contents:

Academic

Professional BIG, London Part I Architectural Assistant

www.olgakorolkova.com

Qiddiya Theming (Competition)

2021

DS 3.3

DS2.5

Make Architects, London

The Futurist Urban Pleasure Garden of Gluttony 1 What is Beauty? The Salon of Natural Treasures 11 The Vertical Sake Distillery 20 The Kettle of Fish Theatre 22

Site Diary (80 Charlotte St) 24

2018

Nevsky Dom, St. Petersburg Architectural Assistant Interior Architect

SCABAL, London Part I Architectural Assistant

Academic Portfolio.

2012

Stepan Razin Beer Factory Refurbishment Project

Commons Room for UCL Academy 25

2020 Ko + Co, St. Petersburg Founder Interior Designer

Alkotel Business Centre Flat R

2018 DA Bureau, St. Petersburg Senior Interior Designer

Department 57 Restaurant 27 Workki Coworking 4 28 Made in China Restaurant 28 Lodbrok Restaurant 28 Workki Coworking 3,2,5 Babaganoush Restaurant Flat S

2016 Stepan Razin Development, St. Petersburg Interior Designer

Stepan Razin Beer Factory Refurbishment Project 28

2017 PgD Management IMISP, St. Petersburg

2016 BA Interior Design 1st Russian State Academy of Arts, St. Petersburg

MG52 Workplace (Galvanic Block Refurbishment) 26

2016-2020

2021-2022

2020 BA Architecture 1st University of Westminster, London

2014 Megapolis Project, St. Petersburg Junior Designer

Selected Works

UCL Bartlett School of Architecture MArch Application (ARB/RIBA Part II)

The Futurist Urban Pleasure Garden of Gluttony

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Type: Year 3 Studio Project, University of Westminster Tutors: Constance Lau, Stephen Harty Software: Rhinoceros + V-Ray, AutoCAD Location: Natural History Museum, London, UK

Winner Detail Magazine Technical Studies Prize 2020

«La Città Nuova», by Sant’Elia, 1914, 270 × 210 mm

There are many ways to study the Natural History - this cross-disciplinary science is not limited by one field of research or definition. Food is one of the exciting areas to consider talking about our natural environment. If we look in the past, the connection between food production and naturalism becomes apparent from the XVth century agricultural revolution to the modern farming science. Culinary allows us to create art from nature.

Taking inspiration from the gluttonous imagery in Hieronymus Bosch’s 15-16th-century triptych ‘Garden of Earthly Delights’, Heston Blumenthal’s historical recipes1 and the proclamations to reinvent cuisine patterns in the Manifesto of Futurist Cooking2, the project challenges conventional dining experiences through engaging the whole range of senses. The authentic futurist eating experience takes place in the Futurist Gastronomic Laboratory and the Rice Plantation, amplified by the sound of blenders and sight of the structures housing gastronomic battles. Appropriately, the role of the head master is given over to a machine that is programmed by the Michelin Star chefs.

1 Heston Blumenthal, et al. Historic Heston. London, Bloomsbury Publishing, 2014 2 Marinetti, Filippo Tommaso, Manifesto of Futurist

Cooking, Gazzetta del Popolo, Dec 1930 3 Marinetti, Filippo Tommaso, Manifesto du

Futurisme, Le Figaro, Numero 51 Feb 1909.

Gallica, Bibliotheque nationale de France 4 Sant’Elia, Antonio, La Citta Nuova, 1914 5 Lang, Fritz. Metropolis. Paramount Pictures, 1927

Adjacent to the Natural History Museum, the proposed Futurist Garden of Gluttony reflects the whole range of aspects of the food production and consumption.

Employing ancient farming techniques, pulled through the XXth century Utopian concepts3, the proposal arrives in a new architectural typology, where today we create the artifacts of our future natural history. The main clients of the project are the modern representatives of the Futurist Society.

The unrealized project of the New City4 and the visual worlds of the Metropolis movie5 are the main architectural references of the project. Just like the City of the Future, the Futurist Pleasure Garden seeks constructive inspiration in the new mechanical world, the ideas of which are transferred to the XXI century realm, where the proletarian workers have been replaced by the automated computing systems.

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

Pleasure Garden Inspired by the15-16th-century triptych ‘Garden of Earthly Delights’, the Urban Pleasure Garden’s architectural program alludes to some key fragments of its’ central panel: the Meat Fruit Theatre repeats the circular movement around the Pond of Maidens, the rooftop garden refers to the fragment with the Tree of Knowledge depicted on the right side of the Eden Gardens.

I have identified the three main ‘pleasures’ of the drawing: exuberance, temptations and delicacies. In my project, the enclosed dining structures are referred to as Delicacies and the Temptations are all the architectural elements, leading to eventual enjoyment.

01 My Analysis Of The Garden Of Earthly Delights By Hieronymus Bosch 02 Pleasure 1. Temptation 03 Temptation, Delicacy, Exuberance

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

01 Axonometric Drawing Of My Dining Experience At ‘Dinner By Heston Blumenthal’

Historical Recipes The narrative of the project starts with documenting my dining experience at the 2-star Michelin Restaurant ‘Dinner

by Heston Blumenthal’, known for reinvention of British historical recipes. Each dish of the three-course experience had its’ unique historical origin. In particular, the Meat Fruit is the rebirth of the Pome Dorres (c.1500) antique recipe: the meat liver ball served as a ‘fake’ fruit to entertain the visitors of the medieval feasts. The dish is also associated with the apples from the Tree of Knowledge in the Eden Gardens - a well-known Biblical symbol and an important element of the Bosch’s triptych ‘The Garden of Earthly Delights’. The Futurist Urban Garden of Gluttony project is my interpretation of both.

02 Course 1. Meat Fruit (c.1500) 03 Course 2. Spiced Squab Pigeon (c.1780) 04 Course 3. Eggs in Verjuice (c.1730)

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05 Architectural Reinventing of the Meat Fruit Temptations 06 Architectural Reinventing of the Meat Fruit Delicacy

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07 South Kensington Gourmets Map

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

Albertopolis Plan Analysis

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Architectural Promenade 13 17

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Location of site plan elements was designed in reference to the Acropolis of Athens & the Architectural Promenade notion - to create sequence of picturesque oblique views on existing and new structures. The Journey to the Laboratory consists of various pavilions, reflecting Temptations and Delicacies of Bosch’s drawing. See the red lines for main ‘frames’ of the journey.

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Legend

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re-used/re-purposed site elements

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Sun-Path kept site elements

1 Phase II Darwin Centre 2 Natural History Museum 3 Queens’ Lodge 4 Tsunami Memorial 5 Existing Trees 6 Southern Rice Fields 7 Air Cleaner 8 Garden Dining Structures 9 Automated Buckets Delivery Systems 10 Summer Pergola & Fishing 11 Skylights 12 Pipes Delivering Fruit Juice 13 Juicers & Balconies 14 Trees Of Knowledge Garden 15 Summer Futurist Members’ Room 16 Futurist Kitchen The project suggests the existing site elements to be treated carefully: 29 trees are kept/replanted, the Queens’ Lodge is re-purposed and the materials of demolished building are included to the Material Passport. The drawing above demonstrates how the rice fields can be re-purposed into the ice rink in winter.

2020 | BA Architecture | Futurist Urban Garden of Gluttony

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2020 | BA Architecture | Futurist Urban Garden of Gluttony 01 Hall Of Temptations 02 Inside The Garden Dining Structure

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The program is based on my research of the Futurist culture: their passion over the mechanisms and speed, ironic theatre plays and funny futurist dinner descriptions. The Journey to the Gastronomic Laboratory starts in the Pleasure Garden, where automated machinery is teasing visitors with the Perfect Meals, reflecting Dynamism and the idea of temptations from Bosch’s drawing.

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05 03 Demolishing and Conservation 04 Reusing Existing Foundation 05 Core Structure Construction Sequence 06 Juicer Detail

2020 | BA Architecture | Futurist Urban Garden of Gluttony

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

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Proposed as a new public park, the landscape provides unprecedented views on the preserved Site Elements: the Tsunami Memorial, the Phase II Darwin Centre Building and the Queen’s Lodge - all to be appreciated from various heights.

The Journey through garden leads to the Level 2 of the Laboratory, where all the futurist dining and theatre activities occur. The plot of every performance was designed following the recipes and instructions described in the Futurist Cookbook (1930). Each one is enhancing eating experience with sound, smell or vision.

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01 Child Interacting With The Machine

03 View On The Phase II Darwin Centre Building

02 Public Garden Areas

04 Prefabricated Facade Module

Level 2 Plan

2020 | BA Architecture | Futurist Urban Garden of Gluttony

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

Futurism Each of the three main structures of the Laboratory the Big Futurist Oven, the Meat Fruit Theatre and the Juicers perform some role in cooking or distributing the medieval Meat Balls and reflect my interpretations of the Manifesto. The Laboratory Basement, where all the activities and dishes are programmed by the IT futurist department, alludes to the underground machinery of the Metropolis.

The Big Futurist Oven was designed according to proportions taken from the original Sant Elia’s drawings and the landscape was inspired by the sketches of New City with its’ elongated rectilinear geometry & bridges.

Legend 1 Futurist Members Room 2 Amphitheater 3 Nourishing Radio 4 Washed plates smell diffusers 5 Fruit Juice Bowl with Aluminum mechanisms 7 Juice Pipes 8 Oblique Chimney 9 Oven from Metropolis Movie 10 Juice Smell Diffusers 11 Juicer

From the Futurist Cookbook (1930): “Every dish will be preceded by a perfume which will be driven from the table with the help of electric fans” “...the smell of washed plates” “...broadcasting nourishing waves over the radio”

2020 | BA Architecture | Futurist Urban Garden of Gluttony

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

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01 Rendered Long Section 02 View Down the Amphitheater 03 Reusing The Existing Foundation 04 Inside the Meat Fruit Theatre

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

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Winner Detail Magazine Technical Studies Prize 2020

01 Construction Process 02 Laboratory Exploded Structural Diagram 03 Meat Fruit Theatre Structural Diagram 04 Wall To Ground Detail Section 05 Wall To Ground Detail Axo

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

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2020 | BA Architecture | Futurist Urban Garden of Gluttony

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03 Tree Planter Detail Axo Winner Detail Magazine Technical Studies Prize 2020

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01 Juicer Detail Section 02 Tree Planter Detail Section

2020 | BA Architecture | Futurist Urban Garden of Gluttony

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What is Beauty?

The Salon of Natural Treasures

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Type: Year 3 Studio Project, University of Westminster Tutors: Constance Lau, Stephen Harty Software: Rhinoceros + V-Ray, AutoCAD Location: Natural History Museum, London, UK

Goodrich castle by Samuel Ireland, 1797, 130 x 164 mm

The project is a proposal for the Salon and Auction House in a right wing of the Natural History Museum. This is my interpretation of the established in the eighteenthand-nineteenth-centuries Western and Eastern picturesque architectural typologies and my response to the Robert Maxwell’s essay ‘Sweet Disorder and the Carefully Careless’1, which forms the base of the studio brief of the same title.

The project’s narrative is based on the principles derived from my research of idealized landscapes of the Rousham Garden by William Kent, Chinese Scholar Gardens’ design typologies and my reading of the ‘Red Chamber’2 - Chinese Qing dynasty classical novel by Cao Xueqin. The mix-use proposal complements to the existing Natural History Museum stone galleries by uncovering a pleasurable side of the natural history and poetic role of Stone in it.

Our studio brief was focusing on learning from the historical architectural typologies belonging to the ‘Picturesque’ Phenomenon. I was challenging the idea of nature as a static narrative and generating its’ different readings and meanings within the given context. S. Eisenstein’s ideas of architectural montage3, B. Tshumi’s ‘stage-set’4 and ‘the carefully careless’ framing techniques were my key areas of research for ensuing the design proposal.

1 Maxwell, Robert, Sweet Disorder and the Carefully Careless: Theory and Criticism in Architecture (New Jersey: Princeton Architectural Press, 1993).

2 Cao Xueqin, The Dream of the Red Chamber, trans. by

H. Bencraft Joly, China, 1791 (first printed edition) 3 Eisenstein, Sergei, ‘Montage and Architecture’,

Assemblage 10, pp. 110-131.

4 Tschumi, Bernard, The Manhattan Transcripts by

(London: Academy Editions Ltd., 1981).

The location is no coincidence. Built in 1881, the Alfred Waterhouse’s building of the Natural History Museum represents the new eighteenth-and-nineteenth-centuries architectural typology of a ‘Cathedral of Nature’, generated by the boom of collecting the plants and their picturesque representation. The Salon alludes to this historical concept, using current technological possibilities of simulating the natural context.

My analysis of Albertopolis, as the main area of intervention, plays important role: the proposal is juxtaposed to initial historical symmetry of the master plan. This design decision is my interpretation of the ‘Sweet Disorder’ notion. The site is squeezed inbetween the Science Museum and the Natural History Museum’s right-wing extension - in place of existing parking area. The intervention boundary is thus concealed from public, reflecting the idea of the Chinese Scholar Gardens, which are often “found by surprise”.

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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01 Western and Eastern Picturesue Narratives 02 Analysing the Picturesque Fiction

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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Project Guide

Sweet Disorder

English Garden

Picturesque Principles

Carefully Careless

These drawings reveal the English Landscape Garden phenomenon, as a physical representation of the XVIIIcentury Picturesque drawing principles. While the Rousham Garden was initially designed by Charles Bridgeman, William Kent has reinterpreted its’ original symmetry in a new carefully careless way taking inspiration in Picturesque landscape paintings.

Viewpoint

P1

P3

P5 Moon view

Picturesque Silhouette

Foreground, Middle-ground, Background

Projection of the Object On Canvas Various heights

Blocking

Blocking

P2

P1 Irregularity

P4

Borrowed view

P6

In my research of the Rousham Garden and other Western and Eastern landscape gardens and paintings I have identified the following principles of Picturesque: P1 Irregularity, P2 Carefully Careless, P3 Blocking, P4 Multiple heights, P5 Borrowed View, P6 Concealment and surprise.

The results of my research were then projected on the site of Albertopolis. Corresponding icons along the final drawings indicate, which ideas were applied in design process.

Zig-zag bridge

Mountain path

Concealment and surprise

High angle view

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01 Albertopolis Analysis

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02 Analysis Of Old And New Rousham Garden Plans 03 Carefully Careless Cascades In Rousham Garden By William Kent (Analysis)

2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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Picturesque In these drawings I was trying to recreate the typical composition of the XVIII-century Western picturesque landscape drawings using the abstracted elements of the William Kent’s Rousham Garden, the Goodrich Castle and photos of my site models.

01 Eastern Principle Of The Borrowed View 02 Site Models To Test Picturesque Ideas 03 Experimental Collages

View Down The Mountain

View On The Mountain

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

Architectural Promenade

P5

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Various heights

Blocking

P2

Blocking

P1 Irregularity

Borrowed view

Zig-zag bridge

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Following the concept of ‘the Architectural Montage and Promenade’ by S. Eisenstein, the structures of the proposed intervention are co-dependent to each other and the bigger context in terms of constructing the foregrounds, middlegrounds and backgrounds. This creates various visual experiences and routes through the Salon Upper Galleries with oblique views on the V&A domes, the Natural History Museum roof and the key Victorian buildings of the Central London.

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Mountain path

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Concealment and surprise

High angle view

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Low angle view

01 Model To Test Views On The Victoria and Albert Museum Domes (Sweet Disorder) 02 Initial Concept Collages

03 Analysis Of Rooftop Views

2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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01 Zig Zag Bridge 02 Upper Galleries Natural History Rooftop Experience

Axo 1 Upper Galleries 2 Auction House 3 Existing NHM Stone Galleries

03 Upper Galleries V&A Borrowed View Experience 04 Upper Galleries Fragment Plan

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1 Zigzag Bridge 2 Rocks Passage 3 Various Mineral Exhibitions 4 Staircase To The Upper Galleries 5 Auction Exhibits 6 Chinese Scholar Garden Inspired Ponds 7 Galleries Inside The Mountain 8 Cascade Of Surprises 9 Auction Stage 10 Natural History Museum Earth Hall

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MG BG

FG

2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

01 Legend

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1 Zig-zag bridge 2 The Most Beautiful Stone 3 Entrance To Minerals Exhibition 4 Staircase To The Upper Galleries 5 Irregular Exhibition Structure 6 Chinese Garden Inspired Ponds 7 Pavilion With Moon View 8 Cascade Of Surprises 9 Auction Stage 01 View From The Staircase 02 Experience Transcripts 03 Stone Exhibition

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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Picturesque Principles Long section demonstrates the idea of blocking elements and the viewing experience of the upper galleries.

Cross section manifests the picturesque principle of Irregularity. Silhouettes of beams and cascades refer to the background silhouettes of the Western antique travel cards.

Legend 1 Zigzag Bridge 2 Rocks Passage 3 Various Mineral Exhibitions 4 Staircase To The Upper Galleries 5 Auction Exhibits 6 Chinese Scholar Garden Inspired Ponds 7 Galleries Inside The Mountain 8 Cascade Of Surprises 9 Auction Stage 10 Natural History Museum Earth Hall 11 Picturesque Irregular Beams 12 Upper Auction Galleries

2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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SWODAHS FO SEITILAUQ TCEFREPMI LARUTAN

2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

01 Exhibition Space 02 Carefully Careless Elements of the Rousham Garden 03

03 Carefully Careless Elements of the Salon

LANOITOME

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Auction House Experience Auditorium space of the Auction House brings together the Western and Eastern picturesque principles. This final render alludes to the initial research and experiments with the landscape drawings.

Visitors of the Auction House essentially become part of the final picturesque frame.

Main elements of the exhibition space demonstrate co-dependence with their context, thus reflecting same compositional principles as were used in the landscape drawings and gardens.

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2019-2020 | Academic | BA Architecture | The Salon of Natural Treasures

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The Vertical Sake Distillery

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Type: Year 3 Studio Project, University of Westminster Tutors: Constance Lau, Stephen Harty Software: Rhinoceros + V-Ray, AutoCAD

The project stems from my design development of the Salon proposal, the essential part of which was based on comparing the Eastern and Western Picturesque approaches.

The Vertical Sake Distillery is an imaginary no-site stone tower structure processing crystalclear water for sake fermentation plant. The top floor is a sake tasting bar with magnificent city views, while most of the building consists of a gigantic natural stone filter, available for public visiting.

Representing the Eastern sculptural qualities, my proposal engages an architectural typology of curving the positive space out of the solid limestone blocks. This method is juxtaposed to the flat block massing, used in the Salon project, which represents the Western approach. Unlike Salon with the carefully planned frames and almost mathematically designed experiences, the Tower seems to be less rationalized and more ephemeral: it is all about feeling the space, not only seeing it. This refers to my interpretation of the mysterious role of Stone in Eastern cultures, represented in the Chinese Scholar Gardens, antique Chinese mountain drawings and the ‘Red Chamber’ novel1.

Massive limestone rocks of the Chinese Gardens resemble natural beauty, however, in fact they have been carefully designed to create specific experiences, the ideas of which were often borrowed from the landscape imagery. The example of the Mountain Villa Of Embracing Beauty in Suzhou, China demonstrates well this Picturesque fiction.

My analysis of ‘Lofty Mount Lu’ by Shen Zhou

Simplified blocks of the tower allude to some recognized patterns of the Chinese landscape drawings. Typical irregular mountain paths facing natural obstacles are abstracted into the staircase-looking structures, leading to nowhere. The block corners and recesses mimic the naturally occurring patterns of stone erosion.

1 Cao Xueqin, The Dream of the Red Chamber, trans. by H. Bencraft Joly, China, 1791 (first printed edition) Albert Lutz ‘To paradise through stone: tales and notes

on Chinese Scholar Stones’ in and De

Meuron, Natural History, ed. by Philip Unsprung

(Switzerland: Lars Muller Publishers, 2002.)

Wu Bin, Ten Views of a Lingbi Stone (Fragment), China, 1610 20

2019-2020 | Academic | BA Architecture | The Vertical Sake Distillery

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01 Drawings Representing Positive Space Of The Distillery

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Legend

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1 Main Tasting Space 2 Lounge Room 3 To The Lower Bar 4 Room for Staff 5 Restroom 6 To The Filters 7 Filtration Pool With Sand From The Yellow River 8 Filtration Through The Sculpted By Erosion Limestone Rocks 9 Filtration Through The Oval Stones 10 Rice Polishing 11 Rice Washing 12 Fermentation

02 Drawing Representing Positive Space Of The Salon 03 The Borrowed View Of Pagoda Though Rocks 04 Analysis Of Scholar Stone Sculptural Qualitites

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2019-2020 | Academic | BA Architecture | The Vertical Sake Distillery

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The Kettle of Fish Theatre

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Type: Year 2 Studio Project, University of Westminster Tutors: Camilla Wilkinson & Chris Bryant Software: SketchUp, AutoCAD, Rhino, Adobe CS Location: Temple Station, London, UK

Kettle of Fish Performance at the Yard Theatre, 2018

This was my first project, which I designed during my Architecture BA at the University of Westminster. Its’ narrative was based on my experience of visitng a theatre performance.

‘Kettle of fish’ is an immersive one-actor performance in the Yard Theatre, featuring one day in life of a lady named Lisa. Lisa is on her way to a new country for her work. She has spent months learning and she knows the business. But something has happened hundreds of miles away while she is on a plane. A disaster. A tragedy.

Something that prompts her to question what is more important to her; where she has come from? Or where she is going? She is experiencing a panic attack at 30,000 feet in the air. The light and sound show immerses the viewers deep into the world of protagonist’s experience.

The project is an extension to the Temple Station, covering the first floor space of the building and its’ rooftop garden. The structure consists of sharp shells, cutting into the existing building. They symbolize fragments of explosion, alluding to a dramatic plot of the performance. Suspended above the platform, the proposal interacts with the context and is designed in a way that passers-by and commuters become part of the play. The engagement is achieved using the method of transparency, borrowing the views of the passing train through the glass floor openings and using various lighting scenarios.

Temple Station

The Temple Station sits in-between two contrasting theatre districts: the Covent Garden area, famous for its’ legendary West End classical theaters and a more contemporary South Bank area. The Kettle of Fish Theatre project symbolizes opposition and symbiosis of old and new cultures through the delicate connections of the proposed architectural intervention into the XIX century building of the Temple, solidifying the concept of ‘explosion’.

The main entrance of the proposed theatre has been placed from the back side of the Temple building, so that it looks towards the West End, thus becoming a starting point of the journey into the young independent culture. There is also a direct entrance from the station.

Site Photos

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2018-2019 | Academic | BA Architecture | The Kettle of Fish Theatre

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01 Design Process. Analyzing the Performance 02 Prototype Models 03 1:50 Presentational Model With Demountable Elements

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2018-2019 | Academic | BA Architecture | The Kettle of Fish Theatre

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2020-2019 | BA Architecture | Technical Studies

Site Diary 80 Charlotte Street GRADE: 84

5 Academic

Published on ISSUU

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01 Analyzing Design 02 Analyzing Structure and Details 03 Contracts Diagram 04 Construction Sequence Drawings I am interested in prefabrication and innovative energy-efficient design solutions in designing comfortable public spaces. Visiting this manifold construction site and thorough study of site processes over the 5 months period has equipped me with competent understanding of technologies, roles distribution and work of architect in the Stage 5 project of medium size.

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2020-2019 | BA Architecture | Technical Studies

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2020 | Professional | RIBA Part I Work Experience

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Commons Room for UCL Academy Part I Work Experience RIBA I

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Professional

2020

Type: Teamwork (SCABAL) Area: 680 m² Status: RIBA Stage 4 Contribution: Technical design Software: Rhinoceros, AutoCAD, Adobe CS Location: Adelaide Rd, London, UK

Responsibilities: During my work experience with SCABAL, I was engaged in this Stage 4 Project of the Commons Room for UCL School and developed a new structural solution to reduce the project budget. The glulam beams and CLT were replaced with flitch beams and plywood. I have created all 2D and 3D technical drawings and held a meeting with SE. 01 Orthographic Drawings

03 Typical Flitch Beam Detail

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Site Plan Provided By The Architect 02

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MG52 Workplace Part I Work Experience

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RIBA I

2020

Status: Concept/Awaiting Planning Permission Area: 3420 m² Role: Author, Project Lead Contribution: Concept, Design development Software: 3Ds Max + V-Ray, Sketchup, AutoCAD Location: 52 Marshala Govorova St., St. Petersburg, Russia Responsibilities: I have been invited to develop the concept for this project.

Working on interiors individually, I have been designing the penthouse and landscape proposal under the architect’s supervision in a team of 8 specialists, including engineers and building regulations consultant.

Originally part of the Russian Academy of Sciences Analytical Instrumentation Design Bureau building (architect - B. A. Podolsky, 1987), the block of the Galvanic Centre is planned to adapt for modern use. The concept is based on the conservation of original architectural elements combined with delicate modern interventions.

Industrial mechanisms found on-site are used as core elements of design and spacial organization. By preserving artifacts of the past and displaying them in an unexpected way, I aim to design site-specific atmosphere with unique experiences and respect to building’s industrial past.

01 Exterior Renders 02 Lightwell Detail 03 Entrance with Molding Machine View

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2016-2018 | Professional | Interior Architecture & Architectural Design

Department 57 Restaurant Contribution: interior design, renders, technical design, construction drawings, construction supervision

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2019, Built | Teamwork | 860 m² | St. Petersburg, Russia | Role: Co-Author, Project Lead

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04 Bar Counter 05 Podiums Layout

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01 01 Podium 1 Structure and Details 02 Wardrobe Structure and Details 03 Sections of Dining Room 1

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2016-2018 | Professional | Interior Architecture & Architectural Design

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2016-2018 | Professional | Interior Architecture & Architectural Design

Workki Coworking 4 Contribution: interior design, renders, technical design, construction drawings, budget optimization, supervision

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Made in China Restaurant Contribution: interior design, renders, technical design, construction drawings

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2019, Built | Teamwork | 6100 m² | Moscow, Russia | Role: Co-Author, Project Lead 2017, Built | Teamwork | 140 m² | St. Petersburg, Russia | Role: Co-Author

Lodbrok Restauran t Contribution: technical design, construction drawings, supervision

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2018, Built | Teamwork | 85 m² | Peterhof, Russia| Role: Co-Author, Lead

Stepan Razin Factory Contribution: 2016: BA Interior Design Thesis Project 2017: interior and exterior design, renders, planning, supervision

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2016 -2017, Built| Individual | 4500 m² | St. Petersburg, Russia| Role: Author Listed Building

2016-2018 | Professional | Interior Architecture & Architectural Design

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