Architecture Portfolio | Komal Agarwal

Komal Agarwal

I am Komal, a graduate from Kamla Raheja Vidyanidhi Institute of Architecture, Mumbai. I am a fast learner, eager to learn new things through various experiments and experiences.

I like, try and aspire to create thoughtful spaces designed with love and care, with thought given even to the smallest details. With a commitment and drive to continuously outdo myself, I look forward to bringing my unique blend of creativity, whimsy and enthusiasm for innovation and learning to the team, working towards the same goal of crafting spaces and experiences.

*

work.komalagarwal@gmail.com

+91-9830628219

Kolkata, West Bengal, India

May 7, 2000

2018-23

2004-18

Nov ‘21May ‘22

Education

Kamla Raheja Institute for Architecture & Environmental Studies, Mumbai

Lakshmipat Singhania Academy, Kolkata

Work Experience

Internship at Manjunath & Co., Bangalore (Structural Engineering)

Dec ‘23 onwards Freelance

Drafting/BIM

3D Modelling

Visualisation

Presentation

Others

Urban Food Trail

Story to Screenplay

A Family Portrait

BIM with Archicad

Desktop Publishing

Working with SDGs

Post Digital Collage

Exits to Elsewhere

Skillset

AutoCad, Revit, ArchiCad

Rhino 3D, Grasshopper, SketchUp

Enscape, Twinmotion

Photoshop, Indesign, Illustrator

Hand Drafting, Model Making

Workshops

Competitions & Achievements

KRVIA Design Dissertation Colloquium 2023

Top 10 Citation

COA Documentation & Heritage Awards Participant

Co-curriculars & Positions of Responsibility

Student Council 2020-21

Book of Joineries 2019-20

KRVIA Design Dissertation Colloquium Online Exhibition 2020

KRVIA Winter Elective Online Exhibition 2020

KRVIA Scales of Seeing Online Exhibition

Life Along the Ridge: Almora 2019-20

KRVIA Annual Exhibition 201819, 2019-20

KRVIA Winter Newsletter 201920

KRVIA 25 Publication

Archival Head

Editorial Coodinator

Student Curator

Student Curator

Student Curator

Exhibition Team

Volunteer

Editorial Team

Editorial Team

George Jacob & Shirish Joshi

Roopa Desai

Sahiba Madan

Vistasp Mehta

Ankush Chandran

Kimaya Keluskar

Lorenzo Fernandez

Sahej Rahal

Interests Languages

Painting Photography

Playing the Keyboard Travelling

English Hindi

Professional Work

1. Shiv Nadar School

Structural Engineering Internship- Manjunath & Co.

2. #(C9)3 House

Interior Design Freelance- Assisted Jaideep Mulye

3. Making Reimagined

Undergraduate Thesis

4. (E)merge

Working Drawing Semester 6

5. Quagmire Quandary

Urban Design, Conceptual Architecture Semester 7

6. Kumhar Jami

Institutional Design Semester 5

7. Miscellaneous

A compilation of sketches, models & photographs

Shiv nadar school 1.

Project Type: Professional, Structural Engineering

Project Location: Chennai, India

Project Team: Jaideep Mulye (Project Lead), Pranav Darda, Sagar Bhat, Shajith Haroon, Shevin, Komal Agarwal

Personal Role: Visual Scripting, Structural Drawings, Digital Modelling, BOQ

The school designed by Vastu Shilpa Consultants sits within densely vegetated area, being shaped by the trees around. The plan follows a path of least resistance and the banana shaped parasol roof unifies the separate blocks acting as a skylight as well. The structural design for the school also takes into account the dense vegetation on site, taking necessary precautions to not harm the roots of the trees. Even the statement parasol roof is designed to accomodate its branches wherever necessary.

RCC Trench Walls, Slabs and Footings

Expansion Joints and Interim Capitals

Steel Corridor Slabs

RCC Plinth Beams

Trapezoidal unit Steel Superstructure

Steel Sloping Roof and Rafters

Steel Slab

Steel Cantilevered Staircase

PRIMARY BLOCK EXPLODED AXONOMETRIC

PRIMARY BLOCK SECTIONAL AXONOMETRIC

1. RCC Substructure

2. Service Trench

3. Classroom Modules

4. Secondary Roof Column

5. Corridor

6. Primary Roof

7. Secondary Roof

PRE-PRIMARY BLOCK: AERIAL VIEW

SECONDARY ROOF EXPLODED: PARASOL & WEBBING

SECONDARY ROOF: BIRDS EYE VIEW

PARASOL: EXPLODED AXONOMETRIC

Webbing Model

Webbing Drawing

Single Intersection Trusses

Triple Intersection Trusses

WEBBING: EXPLODED AXONOMETRIC

1. Parasol

Curved Back to Back Trusses

2. Curved Beams

3. 2 Truss Units+ Horizontal Bracing

4. Interunit Horizontal Bracing

5. One Truss Unit: Concave & Convex Truss Profiles

6. Concave Truss Profile

7. Convex Truss Profile

8. Intra-unit Horizontal Bracing

9. Purlins

10. Top Chord Single Intersection

11. Single Strut shared by 2 intersecting trusses

12. Straight V Profile Bottom Truss

13. Triple Strut shared by 2 intersecting trusses

14. Top Chord Triple Intersection

15. Curved Profile Bottom Chord

16. Interpolated Member

17. Single Ties (No Bottom Chord)

18. Curved Truss Peripheral Chord

19. Curved Truss Bottom Chord

20. Inverted Truss

house 2.

#(C9)3

Project Type: Professional, Freelance, Interior Design

Project Location: Mumbai, India

Project Team: Jaideep Mulye (Project Lead), Komal Agarwal

Personal Role: Drawings & Renders

A minimalist 1BHK with clean aesthetics designed for a couple. The space exudes simplicity with a touch of whimsy through its monochrome finishes highlighted with an accent colour on carefully designed pieces of furniture. Moreover, the patterns formed on the surfaces strive to further liven up the space.

ROOM VIEW 1

LIVING ROOM VIEW 2

STUDY VIEW

FOR

CUTOUT IN PLATFORM FOR RUBBER PIPE TILE WOODEN FASCIA DOOR FRAME GAS PIPE PLASTIC HOLDER DRAWN BY:

1 1/2" 3/4" 1 1/2" t 1 1/2" DOOR

JHARI DETAIL GAS PIPELINE

Kitchen Plan -Callout 1 4

GOOD FOR CONSTRUCTION

OVERHEAD STORAGE

GYPSUM FALSE WALL

VERTICAL PARTITION

GAS PIPE

REBATE

DOOR FRAME MADE IN PLY

DEPTH 1' 6" TO ACCOMODATE PLUG FOR HOB

3/4" = 1'-0" Section C1 1

STOVE/ HOB

CAVITY FOR GAS PIPELINE

GAS PIPE PIPE HOLDER

SLIT IN SHUTTER

HOLE IN SHUTTER TO ACCOMMODATE LED

CAVITY FOR GAS PIPELINE

PIPE HOLDER

GAS PIPE

SLIT IN SHUTTER

HOLE IN SHUTTER TO ACCOMMODATE LED

RECESSED HANDLE

RECESSED HANDLE

Section C4 -Paneling for Gas Pipeline Detail

-Paneling for Gas Pipeline Detail

PIPELINE DETAIL

MAHANAGAR GAS METER PROFILE HANDLE

N OT E S:

• ALL SHUTTERS IN ELEVATION TO BE MACHINE PRESSED WITH EDGE BENDING

• OVER COUNTER STORAGE TO BE MADE ON SITE. EDGES TO HAVE DUCO/POLISH FINISH

OVERHEAD STORAGE

• OVERHEAD COUNTER TO HAVE EDGES MADE IN LAMINATE

RECESSED HANDLE

• t= 3/4", THICKNESS OF PLY

• t1= 1/2", THICKNESS OF PLY

Section C7 -Gas Pipeline Panelling Detail 3

WATER PURIFIER

STORE FOR DRYING PLATES AND GLASSES (TAKEN AS PER THE KAFF DRYING UNIT AS REFERENCE

FASCIA

PANELLING FOR GAS PIPELINE 1/2" NOTCH FOR RECESSED HANDLE JHARI COUNTERTOP

DRAWN BY:

DRAWER HANDLE TO BE 1/2"

RECESSED FROM FASCIA EDGE

BY:

GOOD FOR CONSTRUCTION

Sharan Jeswani's Residence

Furniture-Kitchen Counter

3/4" = 1'-0"

LOFT SHUTTER

DOOR FRAME ATTACHED TO STORAGE

LOFT BOTTOM

Section C7 -Gas Pipeline Panelling Detail 3

LOFT SHUTTER

DOOR FRAME ATTACHED TO STORAGE

LOFT BOTTOM

CONCEALED DOOR CLOSER

1 1/2" THK DOOR

GAS PIPELINE DETAIL

OVERHEAD STORAGE

HOLE IN SHUTTER TO ACCOMODATE LED

CONCEALED DOOR CLOSER

SLIT IN SHUTTER

1 1/2" THK DOOR

PANELLING FOR GAS PIPELINE 1/2" NOTCH FOR RECESSED HANDLE JHARI COUNTERTOP

Section C6 -Callout 1

DRAWER HANDLE TO BE 1/2"

RECESSED FROM FASCIA EDGE

= 1'-0"

KITCHEN PLATFORM-CABINET SECTION

CRP Bed 2 4

1/2" = 1'-0"

CRP Bed Side Table 8

3/4" = 1'-0"

1 1/2"

1' - 5 1/2" 2 3/4"

1' - 8 1/4"

MOVABLE SIDE TABLE 5" 11 1/4"

3" 1' - 8 1/4" t

Furn Bed Detail PLan 2 1

1/2" = 1'-0"

CRP Bed 3 5

1/2" = 1'-0"

BED SECTION 1

CRP Bed Edge Detail 9

3" = 1'-0"

Furn Bed Detail Plan 2

1/2" = 1'-0"

t1= 1/2", thickness of ply

COUNTERTOP MADE IN 15MM QUARTZ+ 3/4" PLY

DRAWER 1

DRAWER 2

CRP Bed 1 3

1/2" = 1'-0"

10 3/4" HINGED BOX

DRAWER 3

SWITCHBOARD TO BE EMBEDDED ON TOP SURFACE

CASTORS FIXED AT THE BASE FOR MOVEMENT

11 1/4"

CRP Bed 2 4

1/2" = 1'-0"

Side Table Side Elevation 3

3/4" = 1'-0"

1/4"

- 10 3/4"

- 10 3/4" 1' - 4 3/4"

CRP Bed 3 5

1/2" = 1'-0"

0' - 11 1/4"

1' - 6 3/4" 1' - 8 3/4"

3/4" = 1'-0"

CRP Bed Side Table Ele 1 7

3/4" = 1'-0"

BED SECTION 3

CRP Bed Side Table Ele 2 8

3/4" = 1'-0"

DATE:

PROJECT NO.:

DRAWN BY:

CHECKED BY:

GOOD FOR CONSTRUCTION

PROJECT NAME:

CRP Bed Edge Detail 9

3" = 1'-0"

CRP Bed 1 3 1/2" = 1'-0"

Side Table Detail Sharan Jeswani's Residence A1305

Side Table Side Elevation 3

GOOD FOR CONSTRUCTION

DRESSER AXONOMETRIC DRESSER ELEVATION

Side Table Section 2 3/4" = 1'-0"

3/4" = 1'-0"

Making reimagined

Project Type: Undergraduate Thesis

Project Location: Pokhran, Rajasthan, India

Semester: 9 & 10

Mentor: Vikram Pawar

The purpose of the thesis is to investigate the evolution of the act of making, in relation to technology. It is thus aimed to imagine and explore an artisan-designertechnology collaboration to understand and establish ways in which technological development and skill development go hand in hand.

The design intent in turn is to explore different collaborative workflows and craft a space that exudes the same collaborative atmosphere. While also exhibiting the work of the craftsmen in every corner of the structure by including them in the designing process as well. The thesis thus explores collaboration at 3 scales- between different crafts; between man and technology and between craftsmen and engineers, designers, etc.

The village of POKHRAN, located outside of Jaisalmer in Rajasthan, is home to an extensive collection of Indian traditional crafts, particularly POTTERY.

The TECHNOLOGY provided by KVIC to the potters has proven to be INEFFICIENT

Potters have DIVERSIFIED cupations, including metalwork,

of other skill-based oc-

carpentry, and stone carving.

INTRODUCTION

The town of Pokhran is located in the outskirts of Jaisalmer. It is home to a variety of Indian Traditional Crafts, particularly Pottery. About 200 families practiced the craft, a number that’s continuously declining

To increase demand for their products, the artisans expand into industries, other than only kitchenware. And to keep up with the scale of production required and to not lose the creative aspects of the craft to machines, a collaborative institute is proposed, enabling collaboration at 3 levels- intercraft collaboration, collaboration between technology and craftsman and collaboration between artisans and people from other fields such as designers, engineers, etc. 1.

KVIC, or Khadi and Village Industries Commission, conducted workshops and distributed tools like an electric wheel, clay blungers and an electric kiln. But most equipment except the electric wheel aren’t used.

There is not enough demand for clay objects and all that’s sold are small tchotchkes, bought by tourist which is not enough for the potters to sustain themselves.

The potters are diverisying into other skill based professions such as stonework, carpentry and metalwork as a means to sustain themselves.

A series of speculations were done as a pair of two binaries and an equlibrium between them with varying degrees of dependence between crafts done manually and with the help of technology. The first, ‘Cyborg City’ and ‘Victorious Humans?’ where they are not interdependent and exist without each

other. The second binary, ‘Age of AI’ and ‘Mechanisation & Power Tools’ where both have some interdependence but one can still favour one or the other. And the equilibrium which introduces a third party collaborator or an ‘agent of equilibrium’ in the form of architects, designers, engineers, etc.

imaginative scenarios w.r.t craft in the future

how is ‘making’ reimagined?

The equilibrium workflows for stoneworks include: Bridge saws and other such tools to roughly cut the stone. Desigining using holograms or AR/VR, transferring those onto the stone through machines and then precision work and detailing through hand. Lastly Finishing via sanding and polishing.

The workflow for carpentry is inspired by the workflow of Wendell Castle. A scaled model is used to design the furniture, followed by replicating it digitally. The digital model is used to cut consequetive sections of them which are then glued together and given the final shape using chainsaws and then polished.

STONEWORK CARPENTRY

There are a number of workflows for pottery based on the current ways of working as well. Reclaming of clay, working with clay blungers and pugmills to make the dough. Using AR/VR to design and while thowing to get an accurate shape or 3D printing clay or 3D printing plaster moulds to slip cast the object desired.

The metalwork workflow incorporates multiple ways of working as well. Using various handheld machines, 3D printing joineries, robotic arms to assist in the fabrication process, using AR to fabricate objects by hand, etc.

POTTERY METALWORK

POTTERYMETALWOODSTONE

POTTERYMETALWOODSTONE

FINISHING

PROCESSING

PREPARATION

TECHLAB

SIMULATION FABRICATION INNOVATION

ADDITIVE MANUFACTURING SUBTRACTIVEMANUFACTURING STONEWOOD

DESIGN SKILL BUILDING

POTTERYWOODSTONEMETAL

POTTERYMETAL STONE STONE WOOD MATERIALREUSING TOOLSNEW TREATMENTSURFACE

PROGRAMS

A. ADMINISTRATIVE

1. KVIC Offices

2. Material Library

B. PRODUCTION

1. Preparation

2. Processing

Stonework

Pottery

Carpentry

Metalwork

Simulation

Fabrication

Finishing 4. Innovation

C. PUBLIC

1. Cafeteria

2. Exhibition

DESIGN CONSIDERATIONS & CONCEPT

With collaboration being the essence of the building, it is designed as an exploration of Forcefits and Chance Encounters. Moreover, the site being situated in Rajasthan necessitates special consideration towards Thermal Comfort and the adoption of passive cooling strategies. These ideas along with promoting the craft contribute to the following architectural gestures and the design of the building.

Screens & Jalis providing thermal comfort & visual access.

Amphitheatres and Courtyards forming spaces for discussion and collaboration.

Staggered Section to increase range of access and also creating voids to act as terraces and courtayrds.

STONE WOOD METAL POTTERY

MASTERPLAN

Barmer Road is the main access point to the kumharo ki pol as well as the KVIC site.

The inserts help to direct tourist movement towards the potters houses, acting as activators throughout the pol.

Programs for Inserts

1. Information Centers

2. Public Toilets

3. Restaurants

4. Recreational Areas

5. Pavilions

1. KVIC Site

2. Potters Houses

3. Site for inserts

Double roof providing thermal comfort.

Sunken Building adding to thermal comfort and increasing range of vision. Built Courtyards Gathering Space Corridors

PLAN @ 3.6M

PLAN @ 5.85M

PLAN @ 7.8M

A B

Visual access into stonework while walking on the ramp leading to the exhibition area terrace.

The processing area is designed around a small courtyard with designated areas for the crafts establising a seamless workflow with endless possibilities of continued collaboration.

The influence of the crafts can be seen in the making of the structure reinforcing the idea of striving for modernity while keeping traditions alive.

The lobby directs the visitors to move upward to the bridge connecting it to the exhibition area to provide them with a wider view of activities around

The structure is partially sunk-in which provides thermal comfort while also reducing visual boundaries.

The finishing zone also explores the idea of forcefit between all the crafts and various methods of working, by placing them all together in the same zone.

Alley between preparation and finishing with openings on either side providing visual access.

Material Library allows for interacting and working with the materials inside or on the terrace right outside.

The storage and preparation area is designed exploring a forcefit between all the four materials and also between different methods of preparation.

The spiral ramp around the main courtyard, hugging the built mass allows for visual connect through various levels.

The innovation area is a plugin to all other programs around. and is thus placed in the center and has physical and visual access from all sides.

DETAIL A

The KVIC Office with an alley and smaller courts with a Pergola on top.

DETAIL C

The spiral ramp around the main courtyard, hugging the built mass allows for visual connect through various levels.

The secondary roof reduces heat gain through the terrace and also provides a dappled light quality. The roof is also creates volume differences to direct movement.

Stone Jalis allow one to see the activities inside the production spaces, blurring the sense of boundaries within the builing.

The staircase winds over itself, forming courts in between, and the interchanging landings that leads one to view different activites.

While displaying the exhibits, the exhibition area also allows the visitors to view the activities around through strategic placement of corner windows and jalis.

Collaboration can be seen in the processing zone at all scales- between different crafts; between machine and man and between craftsmen, designers, engineers, etc.

The secondary roof is exposed here showing the intricate steel frame roof with terracotta panelling.

DETAIL B B2 C2

AXONOMETRIC: ROOF STRUCTURE

EXPLODED AXONOMETRIC:

DETAIL A.1

DETAIL A.1

DETAIL A.3

DETAIL A.2

DETAIL A.2

40mm Red Sandstone Cladding

200 thk Red Sandstone Steel

Railing

300mm Truss

Cantilever Truss

SHS 50 Rafter

600mm Truss

ISMB 450

ISMB 150 Rafters @ 1200 c/c

125mm thk RCC Decking Slab

Branched Column CHS 150NB

Bottom Chord, Epoxy Paint Finish CHS 100NB

Strut, Epoxy Paint Finish CHS 100NB

Top Chord, Epoxy Paint Finish CHS 100NB

Column CHS 300NB

MS Frame

25mm Mortar

Red Sandstone Cap

(e)merge 4.

Project Type: Academic, Design & Working Drawing

Project Location: Kochi, Kerala, India

Semester: 6

Mentor: Vishal Jayan, Swati Seshadri

A ward office that is designed to become a part of the public realm. It has a free flowing roof that humbly emerges from the ground, bowing down towards the canal and merging with the ground from which it emerged, thus opening itself up to the public, facilitating interaction. Both the interior and exterior spaces have been designed to have interactions at different scales, providing varying degrees of intimacy. Thus offering a engaging experience to the public/community.

GROUND PLAN

ROOF PLAN

GREEN ROOF DRAINAGE DETAIL

CROSS-SECTION

1. RCC Retaining Wall

2.Raft Slab

3. 50mm Box Waterproofing

4. 150mm thk PCC Bed

5. 40mm IPS Flooring

6. RCC Plinth Beam 7. Screed

Brick Bat Coba laid to slope 1:100

Structural RCC Slab

Brick Infill

Gravel laid to slope for drainage

SCREEN(TOP) DETAIL

SCREEN(BOTTOM) DETAIL

LONGITUDINAL-SECTION

1. 150mm PCC Slab

2. Raft Slab

3. Box Waterproofing 4. RCC Retaining Wall

Aluminium Mullion

RCC Plinth Beam

IPS Flooring

Curtain Wall

Wooden Slats

RCC Arch

RCC Gutter

Brick Bat Coba laid at slope

Green Roof

Skylight

MS Handrail

RCC Slab

SCREEN(BOTTOM) DETAIL

3 Track

Quagmire quandary 5.

Project Type: Academic, Urban Design

Project Location: Kolkata, West Bengal, India

Semester: 7

Mentor: Deepti Talpade, Karan Rane, Sandeep Menon

Collaborators: Bidisha Ghosh, Parth Mehta, Risha Chitalia, Yash Shah

The project is set in the East Kolkata Wetlands (EKW) and is an attempt to preserve and reinterpret it. The EKW acts as the kidneys of Kolkata and is an essential component in the working of the city which is now under threat from developers and contaminants. The masterplanning proposal aims at creating owness in the public towards the same such that the EKWMA can be revived to its former state.

The East Kolkata Wetlands face many threats like the increase in level of metals in the water due to the industries present, solid & inorganic waste, etc being dumped into it because of because of lack of services provided to the slum dwellers, etc. This has led to the deterioration in the functioning of the kidneys of Kolkata. The following strategies have been proposed under the head of ‘Wetland Interpretation & Conservation’ to improve the dwindling conditions of the wetlands as well as uplift the communities staying there and making them a part of the selfsufficient system.

PHASE 0

It was assumed that this phase was already in motion and was most likely to be undertaken by the government. Its aim was to provide municipal facilities to all its citizens along with a better way of living. This was done through the further development of the government housing in the area and rehabilitation of the slum dwellers in the in the same government housing (1). And the cleaning of the canal by placing solid waste segregators(9).

Phase 1 is focussed on the wetlands and its safety. Prevention of encroachments by developers, collective stakeholder communities fall under it.

This is imagined to be achieved through the introduction of the (2) EKWMA and Research Labs that monitors the health and well being of the wetlands. It shall house government administrative bodies and farmer-fishermen guilds as well that study the current state of the wetlands.

PHASE 2

The last phase focusses on the community and the sociocultural scenario of the wetlands leading the communities here towards self sufficiency. This phase includes creation of naturalised promenades(10), cycling tracks along the jheel and canal(12), floodable landscapes(8), nurseries(4), composting pits(7), biorejuvanation parks(15) and floating markets(11) at the jheel. This phase works towards the training of the community and also ensures interaction of the community and the wetland with others. Thus this phase would also include the development of a centre for skillbuilding of the farmer-fisherman forming a co-op.,(3), a center for handicraft and material research(4), a market, exhibit and dry waste collection(5) and a center for ecotourism(6). This phase works towards developing an owness towards the canal and the jheel, such that the entirety of the community works towards the betterment of it, ensuring continued maintenance and even growth.

Planning: Bidisha Ghosh, Komal Agarwal, Yash Shah, Risha Chitalia, Parth Mehta

Graphical Representation: Yash Shah, Komal Agarwal

The market and exhibit is developed around one of the jheels. Its is imagined as a space divided by bamboo columns at 3m intervals creating a series of pavilions that direct movement inward

The infill for the 3m grid is imagined to be openable panels such that the space of

and outward to the canal and the jheel, framing different views of the same space, like a chinese garden.

the market and exhibit can be reorganised as need be. And also to function as both a market and

a lively space for recreation by the community nearby.

Open| Shrubs & Plants Semi-Open| Bamboo Panels

Closed | Bamboo Panels

Infills offering varying degrees of privacy

MARKET AS A RECREATIONAL SPACE

MARKET AS A MARKET

Kumhar jami 6.

Project Type: Academic, Institutional Design

Project Location: Kolkata, West Bengal, India

Semester: 5

Mentor: Apurva Parikh

Situated in Kumartuli, Kolkata, the project provides the idolmakers a space to work, teach and exhibit their work, altogether. One can see all the different stages of idol making going from one level to the other, turning the entire space into a smaller version of the area of Kumartuli. Each terrace and level offiers a view of other levels. And the terraces also offer a view of the sculptural tessalated screen made of teracotta. The screen makes the structure stand out in the context, while the teracotta (clay) is always a reminder of who the structure belongs to, i.e. the idolmakers.

GROUND PLAN

A collection of sketches, models and photographs made over the years both in collaboration with team mates and individually. Work ranging from joneries, models made to scale, collages, etc. focussing on learning through handson experiments.

Collaborators: Abhilasha Rajput, Sarth Kankaria, Lajja Mehta, Prasad Parab, Mahek Todi, Rashmi Gawari, Komal Agarwal

Collaborators: Athira Arun, Zoya Ajani, Mahek Todi, Diya Bejoy, Rahul Gujarkar, Sneha Watwe, Vallabhi Agarwal

Bamboo Roof Spanning Excercise

Collaborators: Mohit Katke, Yash Shah, Lajja Mehta

Collaborators: Rutuja

Dhadiwal, Sneha Watwe

Beach Toy: Tumbleweed Newspaper Chair

Collaborators: Avanti Jain

Collaborators: Mohit Katke, Bidisha Ghosh, Viraj Patil

Wood Cylinder & Steel L-Angles Joinery

RCC Parking Lot