Architectural Portfolio

PORTFOLIO KIRRA

KEATING

BArch 2017 MArch(Hons) 2018-19 SELECT WORKS 2017-2020

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DESCRIPTION MAIN BEACH MAKERS WORKSHOP, BOARDWALK COLLAGE PROGRAMS USED SKETCHUP, ILLUSTRATOR AND PHOTOSHOP

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C O N T E N T S

SCALE MODEL OF CARRARA METRICON STADIUM 2018 COMMONWEALTH GAMES SUMMER SEM 2016-2017 PAGE 10-11

MEALS ON WHEELS KITCHEN AND COMMUNITY HUB PROJECT UNDERGRAD YR 3 SEM 2 2017 PAGE 12-15

PINOCCHIO LIBRARY COMPETITION - YAC SUMMER SEM 2017 PAGE 16-17

STEAM GRIFFITH UNIVERSITY PROJECT MASTERS YR 1 SEM 1 2018 PAGE 18-21

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MAIN BEACH MAKERS WORKSHOP MASTERS YR 1 SEM 2 2018 PAGE 22-25

RESEARCH BY DESIGN HOW TO DEFINE A RURAL CHARACTER MASTERS RESEARCH BY DESIGN 2018-2019 PAGE 26-43

TWEED REGIONAL ART GALLERY EXHIBITION FACADE: ART DECO OF MURWILLUMBAH ARTWORK: EN MASSE 2019 PAGE 44-45

GRAPHIC DESIGN 2017 - CURRENT PAGE 46-49

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KIRRA KEATING

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EMAIL CONTACT INSTAGRAM

kirra_keating@hotmail.com 0430087001 arch.in.situ

SKILLS ARCHITECTURE PROGRAMS

DESIGN

MODELS

REVIT

PHOTOSHOP

LASER CUTTING

AUTOCAD

ILLUSTRATOR

SKETCHUP

ARCHICAD

INDESIGN

3D MODELING

EDUCATIONAL BACKGROUND 2011-2012 CERTIFICATE II CREATIVE ARTS QUEENSLAND COLLEGE OF ART SOUTHBANK 2015-2017 BACHELOR OF ARCHITECTURE AND DESIGN FINISHING GPA 6.3

GRIFFITH UNIVERSITY

2018-2019

GRIFFITH UNIVERSITY

MASTERS OF ARCHITECTURE FINISHING GPA 6.89 (HONOURS)

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EXTRA CURRICULAR UNIVERSITY BASED ACTIVITIES 2016-17

SCALE MODEL COMMONWEALTH GAMES 2018

GRIFFITH UNIVERSITY

2017

DESIGN DEVELOPER FOR WHITSUNDAY REGIONAL COUNCIL

GRIFFITH UNIVERSITY

2017-18 MENTOR FOR UNDERGRADUATE AND POST GRADUATE STUDENTS

GRIFFITH UNIVERSITY

2018

GRIFFITH UNIVERSITY

POSTGRADUATE UNIVERSITY BOARD REPRESENTATIVE

2019 FACADE: ART DECO OF MURWILLUMBAH EXHIBITION TWEED REGIONAL ART ARTWORK: EN MASSE GALLERY

JOB HISTORY 2017

FLOOR PLAN DOCUMENTATION

CENTURY 21 REAL ESTATE

2017-2018 TECHNICAL TUTOR GRIFFITH UNIVERSITY 2018 QCA TUTOR SEM 1 GRIFFITH UNIVERSITY 2018-CURRENT

FIRST AND SECOND YEAR TRI SEM 1 STUDIO TUTOR

2018-2019 STUDENT OF ARCHITECTURE

- LANDSCAPE DOCUMENTATION AND INTENT PACKAGES

- DOOR AND WINDOW SCHEDULES - CONTRACT DOCUMENTATION

GRIFFITH UNIVERSITY BURLING BROWN ARCHITECTS

2019-CURRENT GRADUATE OF ARCHITECTURE SYMBIOSPHERE ARCHITECTS

- CONCEPT DESIGN (ARCHICAD) AND CLIENT PACKAGES - DA AND CD DOCUMENTATION

REFEREES DR ZUZANA KOVAR

LECTURER - GRIFFITH UNIVERSITY (ZUZANA&NICHOLAS ARCHITECTS)

JESSICA HARRIS

ASSOCIATE LECTURER - GRIFFITH UNIVERSITY

A/PROF KARINE DUPRE

LECTURER - GRIFFITH UNIVERSITY 7

“I BELIEVE THAT ARCHITECTURE AND ART BOTH CAN COEXIST WITH EACH OTHER AND THE AMALGAMATION OF THE TWO HAS THE ABILITY TO PROVOKE FEELING AND CREATE ENDLESS IMAGINATION.” - KIRRA KEATING

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PROJECT DESCRIPTION MATERIALS

HOW TO DEFINE RURAL CHARACTER PART 02 SUGAR CANE CASTING GREY CEMENT

ROLE

PROGRAMS USED MATERIALS PARTICIPANTS

TEAM LEADER, PREPARING AND EXECUTING LASER CUT FILES REVIT AND AUTOCAD MDF AND PLYWOOD NIKKI FINDLAY, BRIAN MATES, SARAH PAIGE AND PROF KARINE DUPRE

METRICON STADIUM 1:200 SCALE MODEL - COMMONWEALTH GAMES 2018 (2016-17 SUMMER SEM HOLIDAYS)

EMPLOYED BY JACK MORTON IN COLLABORATION WITH GRIFFITH UNIVERSITY, THE MODEL WAS USED AS A GUIDE FOR THE OPENING AND CLOSING GAMES CEREMONIES. THE MODEL TOOK 6 WEEKS TO COMPLETE ON A BUDGET OF $2000 FOR MATERIALS. ONCE COMPLETED THE MODEL SPANNED APPROX 3M LONG X 3M WIDE.

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THE ROOF

(LEFT) CONCEPTUAL DEVELOPMENT DIAGRAMS ILLUSTRATOR (RIGHT) MAIN KITCHEN COLLAGE RENDER REVIT, SKETCHUP, ILLUSTRATOR AND PHOTOSHOP

THE SHELL

DESCRIPTION PROGRAMS USED DESCRIPTION PROGRAMS USED

MEALS ON WHEELS KITCHEN & COMMUNITY HUB PROJECT (THIRD YEAR SEM 2 2017)

THE TERRAIN

BY COMBINING BOTH THE NATURAL ELEMENTS ON SITE AND THE PROPOSED FORM, AN INTEGRATION WITH THE LANDSCAPE COMES FORTH. NEW RELATIONSHIPS ARE FORMED WHILST CREATING A DESIGN THAT CAN RESPOND TO THE EXISTING ECOLOGY AND TERRAIN ON SITE. THE CONCEPT COMES FROM THE INCORPORATION OF MULTIPLE MANIFESTOS WITH AN INTEGRATION INTO THE LANDSCAPE AND THIS INCORPORATION INTO THE LANDSCAPE MAKES THE DERIVATIVE CONCEPTUAL TERM MULTI-SCAPE. THE PROPOSAL AIMS TO INCORPORATE THE BUILDING SEAMLESSLY INTO IT’S LANDSCAPE SO THAT THE BUILT FORM FITS INTO IT’S SITE AND PLACE. 12

THE ECOLOGY

THE RAIN GARDEN

MULTI-SCAPE

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DESCRIPTION ISOMETRIC SITE PLAN PROGRAMS USED SKETCHUP AND ILLUSTRATOR

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DESCRIPTION EXTERIOR COLLAGE RENDER PROGRAMS USED REVIT, SKETCHUP, ILLUSTRATOR AND PHOTOSHOP

DESCRIPTION ISOMETRIC SITE PLAN (KIRRA KEATING) PROGRAMS USED SKETCHUP, ILLUSTRATOR AND PHOTOSHOP PARTICIPANTS EMILY PATTERSON

(SUMMER 2017)

PINOCCHIO LIBRARY COMPETITION - YAC

THE ARCHITECTURE OF THIS TIME AND PLACE SHOULD EVOKE ADVENTURE AND EXPLORE A NARRATIVE THAT ELICITS THE IMAGINATION. THIS EXPLORATION OF BODY AND THE BUILT ENVIRONMENT REVEALS QUALITIES IN OUR HUMANITY, EXPERIENCED AS LESSONS OF BENEVOLENCE AND MALEVOLENCE, THE FEMININE AND MASCULINE. FAIRY TALES ARE OUR CHILDHOOD LESSONS OF THE DARK AND LIGHT IN OURSELVES. THE COUNTRY TOWN IS A CASCADE OF LITTLE HOUSES, ROOMS WITHIN ROOMS. THE BUILT FORM IS ROOTED INTO THE PLACE IT EXISTS IN ITS LANDSCAPE MUCH LIKE THE EXISTING ARCHITECTURE. THE MATERIALLY EQUALS COLLODI’S STREETS LINED WITH HANDMADE RED BRICK, ENCOMPASSING TRADITION AND HERITAGE. WITH THIS UNSPOKEN INTERACTIVITY, THE MAGIC IS MADE. MASTER PLANNED TO TREAT THE TOWN AS A LANDSCAPED NETWORK AND THE LIBRARY ACTS AS A SOCIAL MEETING PLACE, THE TRANSITIONAL EPICENTER. IT CONTAINS SPACES WITHIN SPACES WHICH INTERACTS TO ELEVATE THE JOURNEY THROUGH AN ARCHITECTURAL NARRATIVE. THE BUILT FORM INTEGRATES PLAY ALLOWING THE ARCHITECTURE TO CAPTURE CHILDLIKE IMAGINATION. THE BUILT FORMS EMBODY A MULTIPLEX OF STRUCTURES, A GREENHOUSE AND LIBRARY. 16

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DESCRIPTION

PROGRAMS USED PARTICIPANTS

(TOP) PLAY CENTRE (KIRRA KEATING) (BOTTOM) RIBBON ROOM (KIRRA KEATING) SKETCHUP, ILLUSTRATOR AND PHOTOSHOP EMILY PATTERSON

(LEFT) EXTERIOR PHOTO OF PHYSICAL MODEL SCALE 1:200 AUTOCAD (RIGHT) SECTION PERSPECTIVE COLLAGE RENDER SKETCHUP, ILLUSTRATOR AND PHOTOSHOP DESCRIPTION PROGRAMS USED DESCRIPTION PROGRAMS USED

(FIRST YEAR SEM 1 2018)

STEAM GRIFFITH UNIVERSITY PROJECT - MASTERS

THE INDIGENOUS USE OF NATURAL RESOURCES SUCH AS TIMBER AND BARK, THEIR COMPLEX SOCIO SPATIAL STRUCTURES OF SUB-CAMP CLUSTERING ACCORDING TO CLASS IDENTITY, THE STRUCTURAL FORMS INCLUDING EFFECTIVE, SIMPLE JOINERY TYPES AND CLIMATIC ADAPTIVE DESIGN ALTOGETHER FORMED THE CONCEPT OF A BUILT FORM THAT ENCOMPASSES INDIGENOUS CULTURAL ADAPTATION INTO A MODERN CONTEMPORARY CONTEXT. THE PROPOSED BUILDING ACTS AS A LIVING BREATHING ORGANISM THAT WORKS NOT ONLY FOR THE STUDENTS BUT GIVES BACK TO THE ENVIRONMENT. 18

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LEGEND

EERIN

SERVICES

ENGIN

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SERVICES

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SERVICES

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GROUND FLOOR PLAN 1-ENTRANCE FOYER 2-MAIN STAIRCASE 3-RECEPTION 4-ADMINISTRATION 5-WAITING AREA 6-SERVICE ROOM 7-LIFT 8-MACHINE ROOM 9-FIRE STAIRS 10-LOADING BAY 11-ENGINEERING DRIVE ROUNDABOUT 12-DROP OFF AND PICK UP 13-LECTURE THEATRE 14-UNISEX TOILETS 15-CO-OP BOOKSHOP 16-LIBRARY 17-OUTDOOR SEATING INDIGENOUS SCULPTURE ART PLACED WITHIN GARDENS

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GINER PLANT CREATING WAYFINDING

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LEVEL 1 18-STAFF KITCHENETTE/LUNCH ROOM 19-RECEPTION/ WAITING AREA 20-OFFICES x8 INCLUDING OUTDOOR SPACES 21-UNISEX TOILETS

SCIENCE RD

LEVEL 2 15

22-LEARNING SPACES 23-FLEXIBLE CLASSROOMS/ LECTURE SPACE 24-UNISEX TOILETS

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* SERVICES ARE HIGHLIGHTED IN FLOOR PLANS AND COVER FIRE HOSE, HVAC SYSTEM AND WATER PIPES

FH

SERVICES

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DESCRIPTION PROGRAMS USED DESCRIPTION PROGRAMS USED

(LEFT) GROUND FLOOR PLAN SKETCHUP AND ILLUSTRATOR (RIGHT) INTERIOR COLLAGE RENDERS SKETCHUP, ILLUSTRATOR AND PHOTOSHOP

WATERFRONT ELEVATION

Main Beach CBD

Dry Boat Storage Shed and Dock

TS Tyalgum - Australian Navy Cadets

Naval Memorial Park

Humphreys Boat Shed and Slipway - Rebuilt

Makers workshop and exhibition strip

Southport Yacht Club

Southport Surf Lifesaving Club

Main Beach Pavilion

Car Parking

Site Extent

WATERFRONT SECTION

Travel Lift Dock

Humphreys Boat Shed and Slipway - Rebuilt TS Tyalgum - Australian Navy Cadets

Naval Memorial Park

Makers Workshops / Shop/ Public Toilets

Exhibition/ Main Entrance Strip

Cafe/ Function/ Reception/ Staff

Workshop

Car Parking

Callout - Detail Section Panel 3

CROSS SECTION

DESCRIPTION SITE SECTIONS AND ELEVATION PROGRAMS USED SKETCHUP AND ILLUSTRATOR

MAIN BEACH MAKERS WORKSHOP

(MASTERS SEM 2 2018)

Dry Boat Storage Shed and Dock - Crane Operated

MY PROPOSAL COMES FROM THE CONCEPT OF RE-GROUNDING LOST HERITAGE AND TO INTERWEAVE HERITAGE, NATURE AND ARCHITECTURE TOGETHER. THE SITE CURRENTLY SITS IN-BETWEEN THE TS TYALGUM AND THE SOUTHPORT YACHT CLUB. THE IDEA IS THE SITE WILL ENCOMPASS THREE MAIN ELEMENTS THAT RESPOND TO THIS CONCEPT INCLUDING; - CLIMATE RESPONSE - HERITAGE RESPONSE - PUBLIC REALM RESPONSE MY PROPOSAL HAS THE OPPORTUNITY TO NOT ONLY TO CREATE AN AREA THAT CAN ATTRACT TOURISTS TO BOOST THE GOLD COAST ECONOMY BUT ALSO REJUVENATE THE LOST AND FORGOTTEN HERITAGE WITHIN THE GOLD COAST IN A MODERN AND CONTEMPORARY APPROACH. 22

SPACES AS WELL AS CREATING RESILIENCE FOR FUTURE CLIMATE CHANGE BY UTILISING THE OYSTER ALONG WITH AN ARTIFICIAL REEF SYSTEM. KIRRA KEATING S2759772

DIAGRAMS

SITE ANALYSIS

OYSTERS

Not Accessible

Indigenous Lot

STAGE 1

-

Placemen

BI-PLANE WRECKAGE 1920, MAIN BEACH

Fishermans Wharf

IVER NG R NERA

Lifeguard Towers

STAGE 2 (1-2 year

and jetty

SEA

Tourist Hub

MAIN BEACH

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DESCRIPTION SITE HERITAGE ANALYSIS MAP PROGRAMS USED ILLUSTRATOR AND PHOTOSHOP

SOUTHPORT

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Pavillion +Main+ Beach + Bathing + + and Surflifesaving Club

STAGE 3 (2-3 yea

and full growth of oyst

PUBLIC REALM

Wharf implementation

OYSTER SHED, GOLD COAST

NATIVE SOUTH-EAS

Coastal Banksia

Coastal

MAIN BEACH BATHING PAVILLION

Southport Cable Hut Coronidium

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Coastal

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DESCRIPTION PROGRAMS USED DESCRIPTION PROGRAMS USED

(LEFT) SITE ROOF PLAN SKETCHUP, ILLUSTRATOR AND PHOTOSHOP (RIGHT) COLLAGE RENDERS OF KEY SPACES SKETCHUP, ILLUSTRATOR AND PHOTOSHOP

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2019)

RESEARCH BY DESIGN (MASTERS FINAL YEAR 2018 HOW TO DEFINE A RURAL CHARACTER

THE INSPIRATION FOR THIS PROJECT CAME DIRECTLY FROM AN UNDERSTANDING OF THE UNIQUENESS OF PLACE AND THE RECOGNISED NEED FOR A SYMPATHETIC DESIGN APPROACH FOR AUSTRALIA’S RURAL TOWNS AND THE ADAPTIVE REUSE OF TRADITIONAL AGRICULTURAL PROCESSES. THE PROJECT SEEKS TO IDENTIFY THE LINKS BETWEEN THE CHARACTER WITHIN THE HISTORIC REGIONAL TOWN OF CONDONG, NSW AND THE DEVELOPMENT OF THE TOWN’S PRIMARY AGRICULTURAL INDUSTRY, THE CONDONG SUGAR MILL (1880-CURRENT).

THE PROJECT SEEKS TO DEVELOP ON THE CURRENT AGRICULTURAL USE OF THE AREA AND CONCEPTUALISE THE FUTURE OF A TROUBLED SUGAR INDUSTRY BY ADDING PROGRAMS CENTRED AROUND NEW PRODUCTION TECHNOLOGIES AND THE ACT OF MAKING, WITH SPECIFIC GROUNDING IN THE SITE CONDITIONS INCLUDING FLOODING AND HERITAGE CONSERVATION. EARLY RESEARCH CONCLUDED THAT RURAL CHARACTER REVOLVES AROUND LAND, PEOPLE, BUILT ENVIRONMENT, HISTORY, CULTURE AND TRADITION. THE DESIGN-BASED RESEARCH METHOD INVOLVED PRIMARY RESEARCH INTERVIEWS WITH LOCAL RESIDENTS, FAÇADE STUDIES, MATERIAL EXPERIMENTS, FORM-BASED LINO STUDIES AND HISTORICAL RESEARCH INTO THE SUGAR MILL IN ORDER TO UNDERSTAND THE CHARACTER ASSOCIATED WITH PLACE. A SERIES OF BUILT INTERVENTIONS AIM TO EXPAND ON THE CURRENT PROCESSES OF THE SUGAR MILL IN ORDER TO DIVERSIFY AND MOVE TOWARD A SUSTAINABLE FUTURE FOR THE INDUSTRY. THIS ADAPTIVE REUSE OF PROCESSES INCLUDES THE TESTING AND PRODUCTION OF BUILDING AND INDUSTRIAL MATERIALS FROM SUGAR CANE AND ITS BY-PRODUCT. THE EXPANSION TO THE CURRENT MILL INCLUDES A TESTING FACILITY, PUBLIC WORKSHOP AND FLOOD REFUGE CENTRE, A PRODUCTION FACILITY, A PUBLIC SHOW ROOM FOR ARTISTS AND DESIGNERS AND A PLAY AREA IMMERSED WITHIN EXISTING AND NEW NATIVE VEGETATION. THE DESIGN SEEKS TO CREATE SPACES THAT PROMOTE COLLABORATION AND FACILITATE AN APPROACH TO MAKING THAT UTILISES LOCAL RESOURCES AND EMERGING TECHNOLOGIES. THE VERNACULAR FORMS OF THE SURROUNDING SITE AS WELL AS THE AD-HOC NATURE OF THE SUGAR MILL WERE DRIVERS FOR THE FORM OF THE DESIGN INTERVENTIONS. THIS PROJECT AIMS TO ENLIVEN THE LOCAL COMMUNITY AS WELL AS BRING AWARENESS TO A PROGRESSIVE AND REVIVED INDUSTRY. THE BUILDING FACADES, FAMILIAR CONSTRUCTION TECHNIQUES AND SYMPATHETIC MATERIAL SELECTION ACKNOWLEDGE THE SYMBOLIC HISTORIC FORMS AND GENERAL VERNACULAR FOUND WITHIN THE BUILT ENVIRONMENT ADJACENT TO THE SUGAR MILL AND SEEK TO INTEGRATE WITH THE CURRENT CONTEXT. THIS PROJECT AIMS TO BENEFIT THE IMAGE OF CONDONG, THE FARMERS AND COMMUNITY VITALITY IN A CREATIVE AND FORWARD-LOOKING MANNER. 26

DESCRIPTION

AERIAL OVERVIEW OF SITE, CONDONG, NSW

MOUNTAIN RANGES

CANE FIELDS

MILL OFF-SITE STORAGE

TWEED RIVER

CONDONG BOWLS CLUB THE CONDONG SUGAR MILL

MILL WORKERS OFFICES

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DESCRIPTION CASTING OF FACADE, WORKERS COTTAGE, CONDONG PROGRAMS USED AUTOCAD MATERIAL JESMONITE PIGMENTED WITH RED OXIDE

DESCRIPTION MATERIAL

TWEED RIVE R

FACADDE STUDIES, LINOLEUM PRINTS HAND CARVED LINOLEUM, PRINTED ON 220gsm PAPER

CONDONG, NSW

DEFINING A RURAL CHARACTER

KIRRA KEATING

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DESCRIPTION PATTENRS EXTRAPOLATED FROM LINO PRINTS PROGRAMS USED ILLUSTRATOR

Private Buildings a) Residential Heritage 1 b) Sugar Mill c) Residential Heritage 2

Views a) Duroby and Surrounding Nature Reserve b) Surrounding Cane Fields and Stotts Island c) Mooball National Park d) Mount Warning

DESCRIPTION

MORPHOLOGY PATTERNS OF CONDONG SITE

Public Buildings a) Condong General Store b) Bowls Club c) Sugar Mill Main Office

Access into Buildings off McLeod Street and Clothiers Creek Road

Major Entrances

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Minor Entrances

BAGASSE FIBER

70% PRESSED MUD

50% BAGASSE FIBER

50% PRESSED MUD

70% BAGASSE FIBER

30% PRESSED MUD

ASH SOIL

PRESSED MUD

DESCRIPTION

MATERIAL TESTINGS FROM SUGAR CANE BY-PRODUCTS: BAGASSE FIBRE, ASH SOIL AND PRESSED MUD

30% BAGASSE FIBER

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20% BAGASSE FIBER

80% GREY CEMENT

BEES WAX COATED SUGAR CANE PAPER COLOURED FROM PRESSED MUD (WATER RESISTANT)

SUGAR CANE PAPER COLOURED FROM PRESSED MUD

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Land & Built Environment Interaction references the re-establishment of the links with history and memory through the embodiment of perceptive distinctions between the physical and impalpable. For this brief, interaction is a reflection of one’s own self within the surrounding environment as well as the contact with built forms. The land is porous and the physical built environment is ephemeral in nature, both constant and permeable which is subject to change.

INTERACTION

History, People, Culture and Tradition Conservation references the immutable past.

Condong is rich in history, culture and tradition established and cultivated by the people. In a current time where urbanisation is creating a lack of connection, understanding and importance of our agricultural industries it is vital that this project embodies both past and present qualities of the site and place, the genus loci, by acts of conservation.

DESCRIPTION FINAL DESIGN CONCEPT DIAGRAMS PROGRAM: ILLUSTRATOR

CONSERVATION

Resilient Site Actions Recovery landscape represents the strategic actions of regaining the lost land within Condong. For this brief, to recover in an architectural sense means to become resilient.

In a town that currently suffers from both 1:2 and 1:100 flooding events and drought conditions, the brief responds by implementing built forms that create a safety net for the people and landscaping that is hardy and brings back lost fauna.

RECOVERY LANDSCAPE

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PMF 5.3m

DESCRIPTION 4 DESIGN GUIDELINES PROGRAM: ILLUSTRATOR

RL 3.4m

Flood Adaptation

Landscape Integration

New buildings are built to the recommended Probable Maximum Flood (PMF) level

New landscaping to promote local Flaura and fauna of the area, including site and broader masterplan context.

Views

Passive Design Strategies

Maintain views to Mt Warning, Sugar cane fields & surrounding mountain reserves by implementing verandahs around all new buildings

Passive design strategies including cross ventilation and filtered northern light. Western light to be combated with flexible shade screens

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MAIN MILL OFFICES HISTORIC WORKERS COTTAGE

GENERAL STORE AND OFFICES

TWE

ED

VAL

LEY

BOWLS CLUB

WAY

NEW HERITAGE BOILER ROOM VIEWING PLATFORM THE CONDONG SUGAR MILL

MC

LE

DESCRIPTION PROGRAM:

SITE PLAN SKETCHUP AND ILLUSTRATOR

NEW OVERPASS

OD

ST

RE

NEW BEACON AND JETTY ZONE

NEW LANDSCAPED PATHWAY

RE

SUGAR CANE FIELD

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SUGAR CANE FIELD

OFF-SITE MILL STORAGE

NEW LANDSCAPING NEW SHOWROOMS

NEW OVERPASS NEW MILL EXTENSION

EE

T

ESIDENTIAL

NEW ARTIST RESIDENCES

NEW PUBLIC LOOKOUT OVER HERITAGE TRAM TRACKS

SUGAR CANE FIELD

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DESCRIPTION SECTION PERSPECTIVE OF SHOWROOMS AND COLLAGES PROGRAMS: SKETCHUP, ILLUSTRATOR AND PHOTOSHOP

Product showrooms

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Showrooms and playground

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DESCRIPTION SECTION PERSPECTIVE OF ARTIST RESIDENCE AND COLLAGE PROGRAMS: SKETCHUP, ILLUSTRATOR AND PHOTOSHOP

Kitchen and workshop space

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DESCRIPTION PROGRAMS:

IN CONTEXT COLLAGE MAIN BUILDINGS SKETCHUP AND PHOTOSHOP

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MAY 16 - JULY 27)

FACADE: ART DECO OF MURWILLUMBAH TWEED REGIONAL ART GALLERY (EXHIBITION

EN MASSE IS A SMALL TOTEM-LIKE SCULPTURE THAT IS BASED AROUND A STUDY OF MURWILLUMBAH’S ART DECO FAÇADES. THE INTERNAL VOIDS ARE A RESPONSE TO THE PATTERN LANGUAGE OF THE TOWN AND REPRESENT AN ABSTRACTION OF THE RELATIONSHIP BETWEEN THE FAÇADE AND THE SKYLINE. THE MATERIAL NARRATIVE OF MURWILLUMBAH, SPECIFICALLY THE WEATHERED RED BRICK EVIDENT IN THE TWEED ARCADE BUILDING, THE REGENT CINEMA AND OTHERS, HAS INFORMED HARRIS AND KEATING’S WORK. THE SCULPTURE IS UNADORNED, YET BY WAY OF CASTING, REFERENCES THE ECLECTIC CULTURAL INFLUENCES OF THE ART DECO MOVEMENT. 44

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TITLE MATERIAL SIZE PARTICIPANTS

EN MASSE JESMONITE COLOURED WITH RED OXIDE 500mm x 75mm x 75mm JESSICA HARRIS

GRIFFITH UNIVERSITY ARCHITECTURE PRESENTS

ELEMENTS OF ARCHITECTURE

EXHIBITION BURLEIGH BREWERY 2 ERN HARLEY DR, 4201

OCTOBER

6:00PM

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PALM

DESCRIPTION 2017 GRIFFITH ARCHITECTURE EXHIBITION POSTER ROLE DESIGN CO-ORDINATOR AND CO-ILLUSTRATOR PROGRAMS USED ILLUSTRATOR PARTICIPANTS KELLY NJORTE

GRAPHIC DESIGN

(2017-2019)

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Based on the graphic art of Fabiola Morcillo Nunez

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KELLY NJORTE KIRRA KEATING

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DESCRIPTION 2019 ARCH DAILY VALENTINES CARD COMPETITION

FEATURED IN ARCH DAILY MAGAZINE PROGRAMS USED ILLUSTRATOR

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DESCRIPTION 2020 FINGAL HOUSE PROJECT CONCEPT COLLAGES PROGRAMS USED ARCHICAD AND PHOTOSHOP

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DESCRIPTION GOLD COAST COLLAGE PROGRAMS USED PHOTOSHOP