CIRCLING BACK TO YOU
Tieu, Julie Avon/HarperCollins (352 pp.) $15.99 paper | July 12, 2022 978-0-06-306984-8
When a guarded real estate analyst and her flirty co-worker find themselves working together to land a lucrative client, they realize their feelings might be more than a simple cubicle crush. Analyst Cadence Lim is used to taking risks at work, but she’s vowed never to risk her heart for top-selling broker and serial bachelor Matt Escanilla. For the five years that Cadence has worked for San Francisco’s Prism Realty, gorgeous Matt has been a welcome reprieve in an office where she is constantly passed over for promotions. His small favors and coffee runs have become a staple of her day, as have the butterflies she feels every time he sticks his head over her cubicle. Much to Cadence’s chagrin, her close friendship with Matt has even sparked a flurry of office nicknames for them, including “Asian Jim and Asian Pam” after the characters from The Office. While Cadence would love to ditch her icy exterior and just date Matt, she refuses to invest her heart in a relationship she knows won’t last. Matt is one meeting away from sealing a deal with elusive entrepreneur Percy Ma, and he’s a shoo-in for a promotion to his and Cadence’s hometown of Los Angeles, also known as the land of Cadence’s unresolved family drama. Yet when their boss ensures that a trip to LA to meet Percy can work out well for both of them, Cadence and Matt soon find themselves devoid of any HR restrictions to hold their attraction at bay. Tieu’s second novel, after The Donut Trap (2021), is at its best when the slow burn is still sizzling. Once Matt and Cadence embrace their desires, the passion falls flat and their credibility as best friends feels questionable. Cadence often seems more aggravated than charmed by Matt’s immature behavior, calling him “annoying,” “irritating,” and “a baby” on multiple occasions. Matt’s grating selfishness and Cadence’s constant aversion to friendliness dampen their union, and readers may find it difficult to root for a relationship so fraught with inertia. A friends-to-lovers slow burner that fizzles when the romance hits.
THE SWIFT AND THE HARRIER
Walters, Minette Blackstone (590 pp.) $29.99 | July 12, 2022 979-82-00913-01-5
Crime writer Walters tells the story of a bloody civil war that turned England into a crime scene. Life was hard for women in 17th-century England, and in Walters’ latest novel, Jayne Swift has it even harder because
she’s a physician, a role reserved for men in that era. Living with her aristocratic family in Dorsetshire on the English Channel, Jayne struggles against the chauvinism and lethal concoctions of the local quacks who kill more patients than they save. And if that weren’t enough, her skills are badly needed to handle the brutal injuries as Royalist and Parliamentarian armies clash in a civil war that eventually ends with the execution of Charles I. Walters draws wonderfully on her crime-writing skills to capture the violence and gore of the era. She gives us a likable, resourceful heroine in Jayne, who, with a MacGyver-esque ability to treat any injury with brine, calendula oil, catgut, or a handful of maggots, refuses to take sides. “I still favor neutrality and will continue to do so even after the conflict ends,” she insists at one point. “I have no wish to judge anyone for their beliefs, now or in the future.” It’s definitely an admirable position, but she’s out of place in an era demanding absolute loyalty. As a result, Jayne gets into frequent trouble, but thankfully she has William Harrier in her corner. Harrier’s a chivalrous footman who helps her out of many tight spots and isn’t quite what he seems to be. Questions swirl around him—is he a spy? What side is he on?— as Walters takes us through the years of this devastating war and shows its effects on the towns and villages of Dorsetshire. Her expositions on English history might make some readers impatient for action, but they provide much-needed context for a crisis that divided English society and viciously turned citizens against each other in a way that feels strangely familiar now. This well-researched novel of 17th-century warfare shows the perils and rewards of sticking to one’s principles.
THE IT GIRL
Ware, Ruth Gallery/Scout Press (432 pp.) $26.99 | July 12, 2022 978-1-9821-5526-1
Ten years after having discovered her Oxford roommate’s dead body in front of the fireplace in their room, a young woman struggles with the realization that she may have helped send the wrong man to prison. Hannah Jones arrives at Oxford hardly believing that she’s been accepted into this haven of learning and wealth. Sharing a picturesque set of rooms with the flamboyant and beautiful April Clarke-Cliveden, she divides her time between rigorous studying and energetic socializing with Emily Lippmana, Ryan Coates, Hugh Bland, and Will de Chastaigne, with whom she shares an attraction even though he’s April’s boyfriend. It’s a good life except for the increasingly creepy interactions she has with John Neville, one of the porters. When Hannah finds April dead one night just after she’s seen Neville coming down the stairs from their rooms, it’s her testimony that puts him in jail. Ware divides the novel into alternating “before” and “after” chapters, with the narrative of Hannah’s college experience unfolding parallel to the events of her life nearly a decade later, when she’s married to Will and pregnant with their first child. |
kirkus.com
|
fiction
|
15 may 2022
|
33
