that brings them together. Mitsutsuka and Fuyuko begin meeting regularly at a cafe, where they talk about all sorts of things but mainly about “the mysteries of light.” While their relationship is important to Fuyuko’s development, the women in her life are even more important. Through Fuyuko and the women around her, Kawakami has created a rich and notable examination of the varied ways women choose to live their lives and the gains and losses that come with the choices they’ve made. Hijiri is the same age as Fuyuko but her total opposite. She’s sex positive, prizes her independence, and speaks her mind. Kyoko is the founder of her own business, more traditional, and critical of Hijiri’s lifestyle. Noriko is in a sexless marriage and loves being a mother, but both she and her husband are having affairs. Fuyuko’s indecisiveness, of course, results in discontentment. She says of herself, “I had faked it the whole way. In all those years of doing whatever I was told to do, I had convinced myself that I was doing something consequential, in order to make excuses for myself, as I was doing right now, and perpetually dismissed the fact that I’d done nothing with my life, glossing over it all.” Kawakami writes with the tender and incisive sensibilities of a poet. She never prescribes the right way to live, but Fuyuko becomes a happier person because of her relationships with others. An unforgettable and masterful work.
THE BODY BY THE SHORE
Khair, Tabish Interlink (224 pp.) $16.00 paper | April 19, 2022 978-1-62371-846-6
Beware the fungus among us. After attending an academic seminar, a group of scientists, all prominent in their various fields, suffer career setbacks and share an alarming tendency to die in peculiar accidents. This interdisciplinary group had met to explore a radical new theory recasting the conventional understanding of the nature of human life: What if the unique ability of Homo sapiens to think abstractly is the result of space-borne symbiotic microbes? As a sinister network of intelligence operatives maneuver to leverage this information, a frightened young Caribbean woman trapped on a decommissioned oil rig, a retired Danish policeman, and a former covert operative are drawn into the conspiracy as they struggle to puzzle out the strange circumstances confronting them. Khair’s cerebral thriller, set in a pandemic-ravaged near future, borrows liberally from the Michael Crichton playbook, animating classic suspense tropes with heady scientific speculation and dire warnings regarding the hubris of humans tampering with forces beyond their control. Khair centers the action in Denmark, cannily exploiting the country’s tidy, homogenous reputation to make trenchant observations about the unpredictable long-term effects of the Covid-19 pandemic, a leitmotif that elegantly underscores the frequent authorial disquisitions on the mutative powers of microscopic organisms. The story’s real strength, however, lies in the shifting perspectives of his 36
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vividly realized characters, from the smart, resourceful woman stranded at sea to the reflexively racist but fundamentally decent old cop to the sophisticated and formidable secret agent; each is a fully dimensional and compelling point-of-view character, and their wildly divergent backgrounds and worldviews allow Khair to approach the novel’s questions about human nature from a variety of intriguing angles. Familiar territory navigated with intelligence and grace.
BELLE GREENE
Lapierre, Alexandra Trans. by Tina Kover Europa Editions (480 pp.) $28.00 | June 14, 2022 978-1-60945-758-7 In this fictionalization of a true story, a young Black woman named Belle da Costa Green passes for White and rises to become the first director of J.P. Morgan’s library. In this extensively researched historical novel, we see Belle from the time she’s a young woman born Belle Greener, daughter of the first Black man to graduate from Harvard. After he abandons his family, Belle makes a pact with her mother and siblings to change their surname and pass for White. They swear secrecy. None will have children, for fear of being found out: “Six irrevocably intertwined fates, and if any one of them were to fall short, it would bring the others down with it.” Brilliant, bookish, and unsentimental, Belle gets a job at the Princeton library, where she meets Junius Spencer Morgan and eventually finds her way to his uncle J.P., who’s looking for someone to oversee his new project. Belle’s literary expertise helps her secure Morgan’s trust, and he rewards her with the responsibility of shaping the library’s collection. Belle closes herself off to thoughts of her heritage or her former life. Her focus on success remains singular. Morgan is mercurial and possessive. Belle is formidable. She’s torn by twin feelings: “the intoxication of feeling herself to be free, and the frustration of having to submit to the tyranny of her master.” Eventually, Morgan sends her to Europe to bid on items at auction; the library is entirely hers to shape. Yet she’s aware at all times that she has “a career based entirely on the protection of an individual more rich and powerful than [herself].” Tension builds as Belle tries to avoid losing the career that supports her family. As she tries to outbid the other collectors of the day in a new world that’s full of wealth and eager to grab up the world’s treasures, she presents a carefully shaped persona. She adopts a new background because she believes it’s the only way to succeed in a broken system. Passing for White puts Belle’s life at risk every day. She’s consumed by the library and her secret; scenes with her real-life historical counterparts are fleshed out with dialogue drawn from primary sources such as letters. Occasionally these conversations feel stilted, but Belle’s story is so exceptional that readers won’t mind. An engaging story about a brilliant woman who risks everything.
