April 1, 2021: Volume LXXXIX, No 7

Page 49

“Two writers reunite 15 years after an intense, weeklong affair changed both of their lives.” seven days in june

A LOWCOUNTRY BRIDE

Williams, Preslaysa Avon/HarperCollins (352 pp.) $15.99 paper | Jun. 1, 2021 978-0-06-304029-8

A wedding dress designer learns to trust her professional instincts after returning home to Charleston to care for her ill father. Maya Jackson has a dream job in New York working for Laura Whitcomb, one of the most prestigious wedding gown designers in the world. Although Maya has been told she’s in competition for a promotion, Laura denigrates every single one of Maya’s designs, which are inspired by her Filipino and African American background. Maya also hides her sickle cell disease from her boss, recognizing Laura’s pattern of discriminatory behavior and fearing retaliation. Nevertheless, Maya continues to hope that becoming Laura’s junior designer will open future opportunities in the wedding gown industry. When Maya’s father becomes ill, Laura agrees to let her take an unpaid leave of absence to care for him. Worried about her loss of income, Maya takes a job at the first Black-owned wedding boutique in Charleston to make ends meet. Having inherited the boutique from his mother, Derek Sullivan is struggling to keep the business afloat while also raising his teenage daughter. Three years earlier, his wife was killed in a mass shooting at their church, which is presented as a muted backstory rather than an active emotional factor for Derek. Maya’s original designs and her knowledge of the bridal business breathe new life into the boutique. Derek and Maya go out on a few sweet, bland dates, but the barely-there romance feels like an afterthought; their relationship lacks chemistry and is woefully underdeveloped. Maya is torn between hoping for Laura’s seal of approval and honoring the legacy of her heritage, and this dilemma drives the plot and timeline of the novel. Williams’ choppy, stilted prose is not strong enough to carry the emotional weight of the novel. A simple story about learning to trust yourself to achieve happiness.

financially afloat, so her dream of researching and writing the stories of the Louisiana Creole women who are her ancestors is permanently on hold. At a Brooklyn literary panel, she has a surprising public reunion with Shane Hall, the reclusive, awardwinning author of four books of literary fiction. As seniors in high school, Shane and Eva shared one week of passionate connection; they revealed to each other their raw pain and the extreme coping mechanisms (addiction, cutting) they used to survive. Now Shane has been clean for two years and Eva’s finally found a doctor who properly medicates her chronic, debilitating migraines. With chapters from the past interspersed throughout the novel, Williams juxtaposes Shane and Eva as reined-in adults with their terrifyingly out-of-control teen selves. Their reunion feels like coming home but also reveals that they might not have the skills to sustain a successful adult relationship. Williams’ novel is a tour de force, capturing Eva’s experience as part of the Black literati in Brooklyn, her urge to hide generational trauma from her daughter while still celebrating their ancestors, and the ways in which fate brings people together. The structure of the novel is complex but ultimately rewarding and provides a portrait of a richly layered world. A hugely satisfying romance that is electrifying and alive.

SEVEN DAYS IN JUNE

Williams, Tia Grand Central Publishing (336 pp.) $27.00 | Jun. 8, 2021 978-1-5387-1910-7

Two writers reunite 15 years after an intense, weeklong affair changed both of their lives. Eva Mercy is the successful author of a long-running erotica series with a devoted fan base, but as the deadline for the 15th book approaches, she has to admit she’s run out of ideas. She can’t afford to give up the series, which keeps her and her 12-year-old daughter, Audre, |

kirkus.com

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romance

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1 april 2021

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April 1, 2021: Volume LXXXIX, No 7 by Kirkus Reviews - Issuu