20 minute read
THE MAN WHO LIVED UNDERGROUND by Richard Wright
the man who lived underground
indifferent to the fate of the nefarious forces arrayed against him.
The first of Woods’ many collaborations to be unquestionably inferior to his solo performances.
THE CHECKLIST
Woolridge, Addie Montlake Romance (347 pp.) $9.99 paper | Jun. 1, 2021 978-1-5420-2927-8
A corporate consultant thinks she has it all: good life, perfect partner, fast track to the placement she wants in Paris. But when she’s sent on a long-term assignment to her hometown, Seattle, and must live with her parents, she realizes that she doesn’t.
Pencil-skirt– and Manolo-wearing Dylan Delacroix—a “Black Katharine Hepburn”—lives in Houston with her methodical, gorgeous, blond-haired boyfriend, Nicolas. He’s just as organized as she is, and she finds the routine soothing after a childhood spent with no boundaries. But when she’s sent by her employer, Kaplan and Associates, on assignment to Seattle for a few months and Nicolas finally meets her family, her worlds collide: Her well-to-do artistic parents, Bernice and Henry, and her sister, Neale, are appalled by Nicolas’ disrespect toward her and them. And as Dylan tries to help Technocore, the troubled company with which she’s been placed, founder Tim Gunderson seems ready to undercut her at every turn. Throw in her best friend, Stacy, who’s Filipina; Mike, the gorgeous Latino boy across the street who’s getting a Ph.D. in early childhood development; Linda and Patricia Robinson, his two moms; and Deep and Brandt, Dylan’s new best friends at the office, and this story has an extremely full slate of characters who together draw Dylan back into the messy, unscheduled, opinionated, overwhelming life she thought she’d left behind. Readers ready to settle in to a long, detailed read about Dylan’s burgeoning interest in Mike, low-stakes neighborhood squabbling between the Robinson and Delacroix parents, and Dylan’s efforts to improve productivity at a “profit-sinking black hole” of a tech company that seems to have an endless supply of money will enjoy this lengthy tome. Some, on the other hand, might find its insistence on heavy-handed explanations and descriptions off-putting.
A highly organized and detailed book with a predictable storyline.
THE MAN WHO LIVED UNDERGROUND
Wright, Richard Library of America (240 pp.) $22.95 | Apr. 20, 2021 978-1-59853-676-8
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full. Written in 1941 and ’42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright’s take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
VERSION ZERO
Yoon, David Putnam (368 pp.) $27.00 | May 25, 2021 978-0-593-19035-7
A trio of disgruntled coders, a reclusive genius, and a teenager attempt to take down the internet—the whole damned thing. For his first adult novel, YA superstar Yoon draws on his decades in the tech industry to envision a takedown of the digital world so
complete that paper comes back into fashion. The book’s main protagonist is Max Portillo, a Salvadoran American programmer for Wren, the world’s all-encompassing social media platform. Cal Peers, the company’s CEO, invites Max to contribute to the Soul Project, an unabashedly evil plan to hoover up personal data that would guarantee higher market penetration. Max is horrified. Together with his best friend, Akiko Hosokawa, and her boyfriend, Shane Satow, Max envisions a global hack he dubs Version Zero, using anonymous personae to put a permanent dent in the web’s usability. “We broke it to fix it,” the anonymous hackers explain. Yoon never fully clarifies his version of the world, but there are breadcrumbs to follow—references to a Handmaid’s Tale–like social hierarchy that includes “whitemen” and “browns” and targets that include the world’s most influential companies, proxies for Facebook, Uber, Reddit, Amazon, and Apple. The mischief rises to another level when the three friends are approached by Pilot Markham, a wildly successful and equally withdrawn entrepreneur who believes the internet has left us emotionally bankrupt and who wants to help take their scheme to the next level with the help of his teenage neighbor, Brayden Turnipseed. Markham’s thirst for revenge was largely caused by his daughter’s untimely death by trolls, but he’s certainly as unhinged as his enemies. Digitally agile readers will recognize plenty of the ills of our time, and some will empathize with the counterintuitive way our heroes interpret the modern adage “Move fast and break things.”
A fast-paced, contemporary take on The Monkey Wrench Gang, blowing up digital infrastructure instead of dams.
mystery
BEYOND A REASONABLE DONUT
Bolton, Ginger Kensington (256 pp.) $15.95 paper | May 25, 2021 978-1-4967-2558-5
A visit to a carnival lands a donut maker in a deep hole. Emily Westhill has run Deputy Donut with her father-in-law ever since her detective husband was killed in the line of duty. At the carnival she attends with her talented employee, Nina Lapeer, an artist who’s just about to get a one-person show, they run into grouchy event manager Marsha Fitchelder, who seems intent on making their lives miserable. Things go from bad to worse: First, someone steals a large bucket of confectioner’s sugar; then, a magician and a mime steal from the cash box. The best part of the day is the time Emily spends with Detective Brent Fyne, who was her husband’s partner. The two are attracted to each other but are overcome by their shared trauma despite their friends’ efforts to foster a romantic relationship. Back at Nina’s loft, Emily finds a mime who looks remarkably like Nina with her head buried in a bucket of powdered sugar and more sugar thrown all over Nina’s masterpiece. After the mime dies, the police arrest Nina, but Emily’s determined to prove her innocent. Nina’s locket, which the victim was evidently trying to steal, provides a clue that harkens back to Nina’s mysterious past, making her look even guiltier. In the end, Emily and her friends go to a lake resort for a friend’s wedding and find far too many people involved in the death already there.
Plenty of twists and intriguing characters add up to an enjoyable donut-centric mystery.
THE GHOST AND THE HAUNTED PORTRAIT
Coyle, Cleo Berkley (336 pp.) $7.99 paper | May 4, 2021 978-0-425-25186-7
The secret of an amateur sleuth’s success is the ghost of a dead shamus. Bookseller Penelope ThorntonMcClure, an accomplished crime solver who never believed in ghosts until her visitation by 1940s gumshoe Jack Shepard, has planned a launch party for a coffee-table book written by a local couple showcasing the art of book covers. The event, which will also include an exhibit of original artwork, was featured on CBS Sunday Morning and is a big deal for Quindicott, Rhode Island. With her two geeky friends, mailman and Jeopardy! winner Seymour Tarnish and professor J. Brainert Parker, Pen visits Walter Waverly, whose enormous collection includes many original book-cover paintings he’s willing to lend for the launch. A painting by Nathan Brock, a cover artist Jack once cleared of murder, is a standout, but Seymour is mesmerized by a self-portrait by Harriet McClure, a famed late-19thcentury artist known as the “Madwoman of Quindicott,” who left her caregivers a Victorian mansion that’s currently run as an inn. Seymour buys the painting, but when the friends return the next day to pick up some artwork for the exhibit, they find Waverly dead. It looks like an accident, but Jack’s warning voice suggests a second look, and that’s just the opening act in a series of crimes involving the self-portrait, which is full of odd symbols that could lead to a treasure. At length Pen travels back to the 1940s with Jack while he investigates a mystery surrounding Brock that may be tied to the present-day murder.
The collision of two cases from different times elevates this haunting tale above the average ghostly mystery.
peaches and schemes
PEACHES AND SCHEMES
Gerard, Anna Crooked Lane (304 pp.) $26.99 | May 11, 2021 978-1-64385-584-4
Murder comes to a bridal expo. Nina Fleet is the proud owner of the Fleet House Bed and Breakfast in Cymbeline, Georgia. Although she’s been cool to weddings ever since her own nasty but lucrative divorce, she sets up at a bridal expo after her new pal Roxanna Quarry suggests that it will provide great publicity. Nina’s frenemy Harry Westcott, a handsome actor who’s been looking for a new gig ever since his dreams of inheriting the house where Nina started her B&B fell through, has set up a booth offering himself as a professional “Plus One” for dateless wedding guests. Although Harry already has plenty of interest, Nina feels sorry for him. She’s been letting him live rent-free in her tower room while he gets back on his feet and finds herself liking him more than she should. Even after overhearing several nasty fights between other expo exhibitors, she’s shocked when Roxanna tumbles out of a faux cake, dead as a doornail. Despite her determination to mind her own business, Nina ends up rescuing Roxanna’s goldendoodle, Gustopher, who’s had play dates with her own dog. With help from Harry and a hidden key, she packs up everything Gustopher needs and takes him to Fleet House. Once home, she opens Gustopher’s treat jar to discover$10,000 in cash packed inside. At length, her repeated glimpses of a mysterious silver car encourage her to snoop, and her past success as a detective is extended when she tracks down the killer.
A nice combination of mystery, Southern charm, and budding romance.
MURDER IN A SCOTTISH GARDEN
Hall, Traci Kensington (304 pp.) $15.95 paper | May 25, 2021 978-1-4967-2601-8
A class trip involves a budding sleuth in murder. Paislee Shaw lives in Nairn, a peaceful Scottish town, with her son, Brody, her Scottish terrier, Wallace, and the grandfather she’s recently been reunited with. She’s agreed to chaperone Brody’s class trip to the gardens of the Leery Estate, where she hopes to get a message to Shawn Marcus, the son of Lady Leery and the landlord of her knitting shop and several nearby shops that all face eviction notices. When Shawn’s look-alike cousin, Charles, is shot to death just across a hedge from Paislee, she plunges into a nightmare investigation of the dysfunctional Leery family. Paislee has already crossed swords with DI Zeffer, but his disapproval does not deter her when her livelihood is at stake. Lady Leery is infamous for her much younger lovers, several of whom were on the scene along with Aila Webster, the 30-year-old illegitimate daughter she recently brought into the family business. A little snooping reveals that Shawn, whose kidney transplant from Aila did not last, is desperate for another organ. Charles, the perfect match, wanted a lot of money for his kidney, but Shawn seems an unlikely suspect in his murder, since he wanted Charles alive. When Paislee’s bestie, Lydia, invites her as her plus-one at a fancy company dinner to be held at Leery Estate, she sees a perfect opportunity to learn more about the family dynamics, save her store, and solve a murder.
Inquisitive and down-to-earth, Paislee makes a charming sleuth in this suspect-packed mystery.
MURDER-IN-LAW
Heley, Veronica Severn House (224 pp.) $28.99 | Jun. 1, 2021 978-0-7278-9097-9
Ellie Quicke’s protegé learns the hard way how to handle Ellie’s demanding daughter. After living for years under wise and generous Ellie’s roof, Susan is ready for a home of her own. Or at least, half of one. Realizing that their house has become too expensive for Ellie and her husband, Thomas, Susan and her husband, Rafael agree to help remodel the oversized Victorian into two adjoining units and rent one from the older couple. Daunted by the prospect of living through a major remodel, Ellie and Thomas take an extended vacation to visit his daughter in Canada. As soon as their digs are ready, Susan, Rafael, and baby Fifi move in. Before they can unpack, Ellie’s daughter arrives with toddler Jenny in tow. Diana needs a place to stash her daughter, quick. Her husband Evan’s battle with Alzheimer’s has been ended by his murder, and the police have tossed her out of her house. With Grandma unavailable, it looks like Susan will have to do. Oh, and by the way, Jenny’s brother, Evan, needs to be picked up from his preschool by noon. Warmhearted Susan takes these challenges in stride, locating Evan, who’s been removed from school by Lucia, his unreliable Italian nanny. Sam, Ellie’s favorite taxi driver, brings by his teenage daughter to help, and Coralie runs rings around mopey Lucia, who acts as if she needs a nanny herself. Susan gradually learns to tune out Diana’s threats and wheedling, but she realizes that no one she cares for will be safe until she solves Evan’s killing.
Heley may have found a worthy successor to her sage but aging heroine.
WHAT DOESN’T KILL US
Housewright, David Minotaur (352 pp.) $26.99 | May 25, 2021 978-1-2507-5699-2
Rushmore McKenzie gets shot. He’s not dead yet, but it’s a lot harder for him to narrate his 18th case. Moments after stepping out of RT’s Basement and seeing the warm smile of neglected housewife Nancy Moosbrugger, who’s come to the bar in hopes of being a little less neglected, the unlicensed private eye is shot in the back. Dr. Lillian Linder, a friend of McKenzie’s wife, nightclub owner Nina Truhler, makes sure that he has the best medical care, and everyone in and out of the St. Paul Police Department, where McKenzie worked until a financial windfall enabled him to retire years ahead of schedule, drops everything to look into the shooting. Chopper Coleman, one of many criminals McKenzie befriended, gets a copy of the surveillance video from outside RT’s Basement. Cmdr. Bobby Dunston, McKenzie’s old friend, prioritizes the attack over every other case on Major Crimes’ docket. Dunston’s former partner, Detective Jean Shipman, looks hard into McKenzie’s latest investigation, a favor for his friend Dave Deese, who asked him to find out who his father was after a home DNA test reveals that it wasn’t the man he was raised to call his dad. This last trail leads Shipman (like McKenzie, as he reveals in a series of first-person flashbacks while he lies in a coma) down a rabbit hole created by the wealthy, wellinsulated family of Gerald King, who disappeared under sinister circumstances 20 years ago. The Kings are a gift that keeps on throwing off nefarious complications, and some readers may well get lost in the weeds before the curtain comes crashing down.
It’s inspiring to see so many people who don’t much like each other rally to the cause of Housewright’s hero.
PINT OF NO RETURN
Mentink, Dana Poisoned Pen (288 pp.) $8.99 paper | May 25, 2021 978-1-72823-155-6
Murder offers the heroine a surprisingly fresh start in this charming series kickoff from the prolific Mentink. Trinidad Jones, one of three ex-wives of serial cheater and crook Gabe Bigley, has been second-guessing her decision to move to Upper Sprocket, Oregon, where Gabe’s other ex-wives live. She’s used every last penny to change the hot dog shop Gabe deeded her to the Shimmy and Shake Shop in hopes of making a living selling her unique treats. With her dog, Noodles, in tow, she rents a tiny home and prepares the shop for a Fourth of July opening. She’s put most of her possessions in storage at a unit run by Juliette, another of Gabe’s exes. When Trinidad travels to pick up an order of fresh nuts she’s splitting with Kevin Heartly, who has a popcorn shop, she meets farmer Quinn Logan and his brother Doug, both of whom she finds congenial. Delivering the nuts, she finds Kevin dead in his popcorn machine. Soon enough, Gabe’s sister, Police Chief Cynthia Bigley, arrests Juliette, who had a nasty breakup with Kevin. Determined to help Juliette, Trinidad learns that there are rumors about a hidden treasure among the effects of a rabid collector and that more than one local is searching for it. With help from some of her new friends, she snoops around enough to become a target herself and is glad when her Cuban grandfather arrives from Florida to help out, boost her spirits, matchmake, and keep her alive.
Plenty of suspicious-looking new neighbors give spunky Trinidad a chance to add detective to her resume.
THE MYSTIC’S ACCOMPLICE
Miley, Mary Severn House (224 pp.) $28.99 | Jun. 1, 2021 978-0-7278-5042-3
A young widow’s job turns her into a determined sleuth in this series debut from Theobald. Maddie Pastore was living happily in 1924 Chicago with a handsome husband and baby on the way. Unfortunately, her husband Tommy’s well-paying job driving for the mob ended when he was shot dead. Maddie’s money and her house vanish in an instant when Tommy’s first, and still legal, wife turns up, leaving Maddie broke. Desperate, she goes to Hull House waiting for little Tommy’s birth but fails to find a job until she meets Mrs. Burkholtzer, the mother of a school friend, who’s reinvented herself as the spiritualist Carlotta Romany. Beginning by playing a grieving widow at seances, Maddie graduates to doing research on upcoming clients while Freddy, a youth Madame Romany’s taken in, provides the ghostly effects. Maddie quickly takes to her job and enjoys chatting up people until she realizes that one of their clients may become the victim of a determined murderer. The wealthy Mr. Weidemann has left his house and half his estate to his wife, with most of the rest divided between two nephews. By chance Maddie runs into one nephew being thrown out of a speak-easy and then learns that the other one has drowned. She suspects that the persistent stomach problem that’s kept the widow Weidemann from coming to a seance stems from poisoning. Helping the widow may draw on every ounce of Madame Romany’s psychic abilities.
Plentiful historical detail and a sparkling cast of characters make up for the lack of mystery.
see something
THE HIVE
Olsen, Gregg Thomas & Mercer (475 pp.) $7.99 paper | Jun. 8, 2021 978-1-5420-1646-9
A corpse at the foot of a waterfall leads a newly isolated cop into a thicket of atrocities rooted in a 20-year-old women’s cult. At first Detective Lindsay Jackman, who must investigate the case on her own because her mentor and partner, Detective Alan Sharpe, has just killed himself, finds few clues in the death of Western Washington University student Sarah Baker, who was strangled, stripped, and dumped below Maple Falls. But her persistent questions eventually link Sarah’s murder to that of Calista Sullivan, whose body was found on the beach of Lummi Island 20 years ago. The link between the two dead women is Marnie Spellman, the self-help guru whose community on Lummi Island Calista had joined and whom Sarah was writing a story about for her student newspaper. Hardselling a message of female empowerment through self-actualization and naturally sourced foods and cosmetics, Marnie styled herself the queen bee of a hive including Calista, actress Dina Marlow, nurses Greta Swensen and Trish Appleton, and Heather Jarred, who emerged from the hive to become a Washington congressional representative now running for the U.S. Senate. After setting up the central situation, Olsen methodically reviews each hive member’s history through extended flashbacks. The effect is both scarifying and repetitious, and Olsen has to reach deeper and deeper into his bag of tricks to keep up the momentum. Along the way, though, the characters, most of them familiar types, spring to vivid life, even the people whose only job is to find dead bodies are deftly sketched in three dimensions.
Readers who relish the aftershocks of cult exploitation will turn every page with keen anticipation.
SEE SOMETHING
Perry, Carol J. Kensington (384 pp.) $8.99 paper | May 25, 2021 978-1-4967-3141-8
A young woman with amnesia shows up in a town the same day as a dead body. Is that coincidence or something more? Though her promotion from WICH-TV field reporter to producer and program director has removed her from the front lines, Lee Barrett gets all of Salem’s news fresh. So she’s among the first to hear the word around the station that the town has yet another murder when an unidentified drowning victim washes ashore with his hands bound. Lee’s been in a relationship with police detective Pete Mondello for a few years, but his cautious ways can’t have rubbed off on her. On the very same day that she hears about the drowning victim, she sees a stranger sitting on a park bench unsure of who she is or how she got there and promptly invites the poor woman into her home. Lee is sure about her instincts—the stranger is obviously more scared of anything than anyone needs to be of her—but when Pete finds out, he’s immediately suspicious. Lee has the support of her Aunt Ibby, who’s both a friend and a housemate, and she’s determined to figure out what’s going on with the so-called Jane Doe (or Janie, as they quickly nickname her). Aunt Ibby brings the case to her seasoned friends for help, but as she and Lee learn more, they can’t help wondering whether Pete is right. Is Janie a victim or a mastermind?
The latest installment of this long-running series focuses more on the puzzle and less on the thrills.
MR CAMPION’S COVEN
Ripley, Mike Severn House (256 pp.) $28.99 | Jun. 1, 2021 978-0-7278-9083-2
An American graduate student tracing the Essex roots of a mysterious 17th-century colony on the Outer Banks arrives in England just in time for some very contemporary murder. This much is known: Back in 1692, a hardy group of villagers from Wicken-juxta-Mare signed the Billericay Covenant, took passage on the Abigail, and set sail for Salem, Massachusetts. Those who didn’t care for their new home headed farther south to Harkers Island, where a few of their descendants still speak with a pure Essex accent. Harvard anthropologist Kathryn Luger’s student Mason Lowell Clay, who wants to know more about the immigrants and their covenant, writes Rupert Campion, who met professor Luger when he was a Harvard student eight years ago in 1963, to ask for help with his inquiries. Rupert’s father, aging detective Albert Campion, offers Mason gratis accommodations but is preoccupied with what seems to be quite another case: the matter of veteran actress Dame Jocasta Upcott’s dog, Robespierre, and the captain of her yacht, the Jocasta, both of them missing ever since the yacht ran aground in the mud of Wicken. Capt. Francis Jarrold is relatively dispensable, but not Robespierre. So it’s very lucky indeed that Rupert finds the dog alive, although the man who vanished with him has died. Mason’s research uncovers a great deal of new information about the Billericay Covenant, none of it uplifting, and suggests that the questionable activities of the locals nearly 300 years ago have taken a disturbing new turn. Ripley lays out all this material more conscientiously than he knits it together, and the appealing franchise hero is pretty well buried under all the skulduggery.
