“A welcome literary resurrection that deserves a place alongside Wright’s best-known work.” the man who lived underground
THE MAN WHO LIVED UNDERGROUND
indifferent to the fate of the nefarious forces arrayed against him. The first of Woods’ many collaborations to be unquestionably inferior to his solo performances.
THE CHECKLIST
Woolridge, Addie Montlake Romance (347 pp.) $9.99 paper | Jun. 1, 2021 978-1-5420-2927-8
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full. Written in 1941 and ’42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright’s take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world. A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
y o u n g a d u lt
A corporate consultant thinks she has it all: good life, perfect partner, fast track to the placement she wants in Paris. But when she’s sent on a long-term assignment to her hometown, Seattle, and must live with her parents, she realizes that she doesn’t. Pencil-skirt– and Manolo-wearing Dylan Delacroix—a “Black Katharine Hepburn”—lives in Houston with her methodical, gorgeous, blond-haired boyfriend, Nicolas. He’s just as organized as she is, and she finds the routine soothing after a childhood spent with no boundaries. But when she’s sent by her employer, Kaplan and Associates, on assignment to Seattle for a few months and Nicolas finally meets her family, her worlds collide: Her well-to-do artistic parents, Bernice and Henry, and her sister, Neale, are appalled by Nicolas’ disrespect toward her and them. And as Dylan tries to help Technocore, the troubled company with which she’s been placed, founder Tim Gunderson seems ready to undercut her at every turn. Throw in her best friend, Stacy, who’s Filipina; Mike, the gorgeous Latino boy across the street who’s getting a Ph.D. in early childhood development; Linda and Patricia Robinson, his two moms; and Deep and Brandt, Dylan’s new best friends at the office, and this story has an extremely full slate of characters who together draw Dylan back into the messy, unscheduled, opinionated, overwhelming life she thought she’d left behind. Readers ready to settle in to a long, detailed read about Dylan’s burgeoning interest in Mike, low-stakes neighborhood squabbling between the Robinson and Delacroix parents, and Dylan’s efforts to improve productivity at a “profit-sinking black hole” of a tech company that seems to have an endless supply of money will enjoy this lengthy tome. Some, on the other hand, might find its insistence on heavy-handed explanations and descriptions off-putting. A highly organized and detailed book with a predictable storyline.
Wright, Richard Library of America (240 pp.) $22.95 | Apr. 20, 2021 978-1-59853-676-8
VERSION ZERO
Yoon, David Putnam (368 pp.) $27.00 | May 25, 2021 978-0-593-19035-7 A trio of disgruntled coders, a reclusive genius, and a teenager attempt to take down the internet—the whole damned thing. For his first adult novel, YA superstar Yoon draws on his decades in the tech industry to envision a takedown of the digital world so |
kirkus.com
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fiction
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1 april 2021
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