Oktavia Kirana - Studio Portfolio

OKTAVIA ARCHITECTURE UNSW Y1T3 ARCH1102 Tutor: Katie Molnar

TABLE OF CONTENTS

01

Brief and Design Development

02

Project 1 - Part 1: Sitting in the kiosk

03

Project 1 - Part 2: Bicycle Parking and Workshop

04

Project 2: Gallery Tower Ensemble

National Art School 156 Forbes St, Darlinghurst NSW 2010, Australia

Humidity 30- 60%

℃ Average indoor temperature 20°

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Dominant sun orientation: East South

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Precipitation rate: 1175mm Summer: North East Winter: West

DESIGN PROCESS precedents studies

Brick Country House

by Mies van der Rohe

"The house loses its enclosing character and serves only to articulate the house organism" -Jean L. Cohen The design reflects the idea of giving walls a new purpose, something more than just a divider between spaces. Here, walls adds liveliness to the design as well as literally giving life to the building; allowing air circulation and a home for plants.

88Minutes strives to reflect the characteristics of Mies' Brick House that by; maintaining pure orthogonal geometry of the space, the dominant utilization of masonry, the presence of thick structural blocks.

Barcelona pavilion was designed with line structures. Within those lines, vertical walls rise to divide spaces. The proportion of the pavilion echoes with the human Sitescale Planwhich creates a sense of harmony to the structure. The placement of freestanding and jointed walls creates different spaces with 1:200 minimum structures.

The circulation of the Barcelona pavilion dominates over structure. The connection between supporting beams creates a surreal quality to the building as if the roof is hovering above the ground. The circulation within the structure allows people to move around different areas freely.

A facade that breathes. Using brise soleil, air circulation is maximized in and out the gallery. However, this approach is best suited for tropical counties where the air is relatively warm and humidity is high.

To accomodate Sydney's weather, the brick is layered with glass. This allows diffused light to come into the gallery, without the cold breeze. This is to maintain the thermal comfort.

Extruded wall and roof of Bar-Pool-Gallery inspires my gallery to have this imposing design. Upon entrance, comers are greeted with a high ceiling and intimate walls. This is to prepare them coming into the gallery.

PROJECT 1 PART 1: SITTING IN THE KIOSK

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A mobile Kiosk (an object that expands, or partially expands + partially stationed) that open and close in Site A. It is for the sale of light snacks, hot and cold beverages and art supplies during the day and can be closed + moved into or next to a wall. The wall can be existing or new. Provide three internal interconnected spaces, for storage, for preparation, for display and point of sale.

PROJECT 1 PART 2: WORKSHOP

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PROPOSED ARRANGEMENT OF PLAN. Considering the development of Gallery in C27, kiosk is moved toward the middle, in betweem the workshop and gallery.

MODEL DEVELOPMENT The first scheme explored the idea of underground workshop with a 12m ramp. After much consideration, this idea was not plausible as the ramp is too steep to be considered safe. It also doesn't allow natural air circulation and natural light to seep in.

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PROJECT 2 GALLERY TOWER ENSEMBLE

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National Art School

Site Plan 1:500

Proposed Site The project site, National Art School is in the primary arts precinct of inner suburb Darlinghurst and surrounded by cultural facilities, heritage sites and buildings, theatres, and the Sydney Jewish Museum

Circulation Plan

L2 PLAN 1:100

GROUND LEVEL PLAN 1:100

Section A 1:50

Section A 1:50

Roof

second Level

Ground Level

Basement

Natural Lighting Flow/ Enterance Natural Air Flow

Perspective Section 1:50

Perspective Section 1:20