At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and Texas law enforcement's worst nightmares. Fearless, shameless and alluring, the Tonynominated Bonnie & Clyde, from the legendary Frank Wildhorn (Jekyll & Hyde, Civil War, Dracula) is the electrifying story of love, adventure and crime that captured the attention of an entire country.
When Bonnie and Clyde meet, their mutual cravings for excitement and fame immediately set them on a mission to chase their dreams. Their bold and reckless behavior turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer. Bonnie & Clyde is a thrilling and sexy musical with a non-traditional score, combining blues, gospel and rockabilly music.
Act One
The show begins with a shocking tableau of our two protagonists, Bonnie Parker and Clyde Barrow, dead in the front seat of their iconic grey Ford Deluxe Sedan. We are then immediately taken back to Depression-era West Texas, with a young Bonnie at twelve years old, as she dreams of her life as a movie star, and a young Clyde, who dreams of a life like Al Capone and Billy the Kid ("Picture Show"). The two grow up, holding onto and pursuing these same dreams, although it appears to have led to nothing, as we come to find that neither has escaped their resent-filled lives in West Texas — Bonnie, a waitress at a diner, and Clyde, a frequent inmate at the county prison.
Clyde, who has just broken out of prison with his brother and partner-in-crime, Buck, discovers Bonnie, stranded on the side of the road with a broken-down car. The two dreamers connect almost immediately, as he fixes her car in exchange for a lift to Dallas ("This World Will Remember Me").
Meanwhile, Buck flees to his wife, Blanche, who urges him to turn himself back in so that once he has set things straight with the law and the Lord, they can start their lives afresh ("You're Goin' Back to Jail").
Bonnie and Clyde spend the next several days together. She shares her dreams of becoming a starlet, a poet and a singer. Clyde persuades her to sing for him ("How 'bout a Dance?"). Bonnie takes him back to her house to stay the night and hide from the law... although it is short-lived when Ted, police officer and friend of the Parkers, shows up to check on Bonnie and warn her of a loose prisoner who's been spotted in her area. This unexpected visit forces Clyde to flee, although not before he convinces Bonnie that both of their dreams will come true if they skip town together — his of a life without worrying about money, and hers of extraordinary fame. He tells her to meet him at his brother Buck's house, and takes off to retrieve him.
The brothers' reunion starts off sweet, thrilled to see one another again and talking of leaving town in the latest Ford car ("When I Drive"). However, when Bonnie arrives and Clyde urges his brother to join them on the road, Blanche forces Buck to confess his plans to return to prison, and an argument breaks out between the four of them. Their dispute grows to the point that Clyde slaps Bonnie for suggesting that he follow Buck and resign from his life as a criminal. Bonnie, in turn, slaps Clyde for mistreating her, and the two of them leave angrily.
Buck goes through with his plan to turn himself in, and authorities eventually catch Clyde, as well ("God's Arms Are Always Open"). Both Blanche and Bonnie visit their respective Barrow men and discover that Clyde has been facing continuous assault by fellow inmates, encouraged by the prison guards. Ted, on guard at the prison, finally realizes Bonnie's relationship with Clyde. He laments that he is the better man for Bonnie, while Clyde insists that his is the only love worthy of her ("You Can Do Better than Him"). The following night, on the eve of the Barrows' hearing, Blanche and Bonnie face the criticism of their friends and family for standing by their love for these criminals, but the women realize that they cannot help their adoration ("You Love Who You Love"). They find themselves with the rest of the Barrow clan, who come to hear of the Barrow brothers' fates: Buck to be released on good behavior and Clyde to serve another sixteen years for seven counts of robbery and a prison break.
Six months later, Bonnie visits a severely beaten Clyde, and the two plot to break Clyde out ("Raise a Little Hell"). Bonnie returns the next day with a gun hidden in her brassiere and leaves it with Clyde, who threatens to use it on the guard if he doesn't let Clyde go free. The prison guard obliges, and in no time, Clyde is back to stealing money to get by. While their friends and family react to the news of their great escape, Bonnie and Clyde take off in their 1931 roadster, excited and determined to fulfill their lifelong dreams ("This World Will Remember Us").
Act Two
The second act opens with a society torn between the righteousness of living under the law, and the sympathy of trying to live a better life in these harsh times ("Made in America"), showing that Bonnie and Clyde's criminal escapades have not only gained the attention of the press, but also the support of the general public. However, in a grocery store robbery gone wrong, Clyde kills a deputy who was "trying to be a hero." When Clyde comes clean to her about his accidental transition from robbery to murder, a hysterical Bonnie wants out but finds that she's too far from what her life used to be to go back ("Too Late to Turn Back Now"). The grocery store shooting only earns the two hero status throughout the country, with police in every Southern state in pursuit of them.
Clyde sends sporadic letters to Buck and Blanche, writing of all the adventure and opportunity they've found for themselves on the road. Buck sees that this life could also be possible for his wife and him, and tries to convince Blanche that they should join Bonnie and his brother, but she refuses ("That's What You Call a Dream").
The notorious duo carry on their robbery spree, growing progressively more daring in their endeavors and taking on banks instead of stores ("What Was Good Enough for You"). Clyde even suggests that Bonnie send her latest poem about their story to a big newspaper to be published. This not only gains more fame for both of them, but also infuriates the Texas team of investigators to the point that Texas Governor Miriam Ferguson interferes and recruits retired Texas Ranger, Frank Hamer, to hunt down Bonnie and Clyde.
In the middle of a disastrous bank raid, Clyde is shot in the shoulder. When he hears the news of his injured brother, in order to help Clyde, Buck leaves home... and Blanche, who's torn between her righteousness and her love for Buck.
Meanwhile, in their hideaway, the increasingly infamous couple share a tender moment ("Bonnie"), although it is quickly interrupted by Buck's arrival. A hesitant Blanche, who chose love over law after all, accompanies him.
Days later, while Buck and Clyde are out for another robbery ("Raise a Little Hell – Reprise"), Blanche inquires how Bonnie can possibly be happy, living the way they do, as the two women anxiously await the brothers' return. Bonnie insists that she and Clyde are the only people truly living their lives to the fullest ("Dyin' Ain't So Bad"). The boys return safely, but the celebration is brief as they learn that the authorities have discovered their hideout and have them surrounded. A shootout follows, and, although Clyde and Bonnie escape successfully, Buck is fatally injured and dies in Blanche's arms. Blanche is arrested immediately ("God's Arms Are Always Open –Reprise").
While heading back to Dallas to visit their parents, a sporadic habit that the two have picked up, Clyde troubles over how his family will ever forgive him for abandoning Buck and leaving him to die. Bonnie assures him that Buck's death was not his fault, but both of them start to see that their famous adventures are coming to an end ("Picture Show – Reprise / Dyin' Ain't So Bad – Reprise"). All the while, Ted and the rest of the gang who are in pursuit of the legendary twosome discover their habit of visiting their parents. On May 23, 1934, on a road in Louisiana, Bonnie and Clyde are ambushed, marking the end of their fateful journey.
CAST & CREW
Casey Al-Shaqsy
Simon Anthony
Albert Atack
Gillian Bevan
Eloise Davies
Adrian Grove
Jeremy Jordan
Debbie Kurup
George Maguire
Matthew Malthouse
Frances Mayli McCann
Natalie McQueen
Trevor Dion Nicholas
Jeremy Secomb
Liam Tamne
Bea Ward
Russell Wilcox
Julie Yammanee
Stella
Bud/Archie
Young Clyde
Cumie Barrow
Trish
Henry Barrow
Clyde Barrow
Govenor Miriam Ferguson
Clyde Ivan 'Buck' Barrow
Bob Alcorn
Bonnie Parker
Blanche Barrow
Preacher
Sherriff Schmid
Ted Hinton
Young Bonnie
Captain Frank Hamer
Emma Parker
DIRECTOR: Ben Crabb, Nick Winston
WRITER (book): Ivan Menchell
COMPOSER: Frank Wildhorn
LYRICS BY: Don Black
LAND ACKNOWLEDGEMENT
King’s Theatre is honoured to be on the ancestral and unceded territory of L’nu, also known as the Mi’kmaq Peoples, who have lived and cared for this land since time immemorial. We honour the Peace and Friendship Treaties and acknowledge that we are all treaty people.
The Fog Machine may be in use tonight. It is a non-toxic water-based mist
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COMING SOON 2025
SATURDAY JULY 26 7:30 PM th
STAGE TO SCREEN
SUNDAY AUGUST 24 3:00 PM th.
SATURDAY, SEPT 6 7:30 PM th
SUNDAY, NOV 16TH SUNDAY, NOV 16TH
3:00 PM3:00 PM
KING’STHEATRE
Built in 1921, King’s Theatre has been at the heart of Annapolis Royal’s cultural community for 100 years. It is a favoured venue for performers, known for its enthusiastic audiences, intimate setting, high quality production values, and warm reception from the community.
King’s Theatre also supports emerging talent. Fostering a close relationships with the schools and the amateur drama community, there are many opportunities for talent in all genres to learn the ropes.
King’s Theatre has also served as a movie house for 100 years, transitioning from reel-to-reel to digital projection and surround sound, with programming that ranges from Indie to Hollywood, to work by filmmakers who call Annapolis home.
BOARD OF DIRECTORS
Tracy Summerville, Chair
Margo Tait, Vice Chair
Kerrie Picken, Treasurer
Shannon Kelly, Secretary
Betsy Akin
Thea Boyanowsky
Caroline Hancock
Garth Laidlaw
Thomas May
AC Silver
Alison Warwick
Michael Westcott
STAFF
Janet Larkman, Executive Director
Tracey Harnish, Bookkeeper
Jessica Scott, Box Office & Operations Manager
Devin Fraser, Technical Director
Jamie Alcorn, Sound Technican
Gregory Muszkie, House Manager
Brynja Bachem-Jennings, Box Office and House Support
Lucy Walsh, Student Staff
Cali Currie-Timmons, Student Staff
Maddie Frisby, Student Staff
Moxy Manitowabi, Student Staff
We gratefully acknowledge the support of our government sponsors.
Nous reconnaissons avec gratitude l’appui de nos partenaires gouvernementaux.
