Kimberly Friedman Interior Design Portfolio

INTERIOR DESIGN PORTFOLIO

Kimberly Friedman 2022

DESIGNER PROFILE

EXPERIENCE DESIGN ASSISTANT + INTERNSHIP DAHER GOLDING STUDIO • • • • • • • •

Kimberly Friedman INTERIOR DESIGNER CONTACT INFO TELEPHONE: 516-353-4656 EMAIL: KIMBERLYNFRIEDMAN@GMAIL.COM

• •

• • • •

MASTER OF FINE ARTS

NEW YORK SCHOOL OF INTERIOR DESIGN HIGH HONORS 2019 - 2022

BACHELOR OF ARTS + MINOR IN ARCHITECTURE SUNY UNIVERSITY AT BUFFALO CUM LAUD 2014 - 2018

• •

January 2017 - May 2017 Florence, Italy

Assisted the faculty owner’s of FUA’s three student-based teaching sites on a weekly basis.

Managed product inventory and data at school’s vintage consignment store.

Tasked with production of postings on social media sites for vintage consignment store.

Managed and planned all special events, in collaboration with student team, on site at various teaching sites.

INTERNSHIP J. CAPPIELLO INTERIORS •

August 2018 - September 2019 New York, New York

Liaison for designers, sales associates and production.

Processed all invoices and returns, as well as completed follow-up work by tracking orders and deliveries for the sales associates and designer’s clients.

Sent weekly profits + orders report excel spreadsheet to store manager and company team leaders.

Assisted designers and sales associates in showroom with clients, projects, and other custom services.

Created presentations and edited floor plans; production problem solver.

Ordered fabric samples and managed sample flow + inventory throughout the design room.

EXPERIENTIAL LEARNING FLORENCE UNIVERSITY OF THE ARTS • • • •

May 2019 - August 2019 New York, New York

Collaborated with NYSID MFA students to create new floor plans and re-design the SUNY School of Optometry located in NYC. Attended weekly Zoom meetings with head doctors and staff to discuss project plans and design proposals to meet the needs of the client population.

Presented design proposals and 3D renderings to the SUNY board of fundraising, School of Optometry, and various other faculty members.

DESIGN ASSISTANT SAFAVIEH HOME FURNISHINGS

• •

EDUCATION

Developed floor plans and elevations using Auto-CAD + created 3D SketchUp models of selected project areas to use in presentations.

Researched and sourced furniture, fabrics, wall coverings and more for residential projects.

Assisted with managing + tracking client orders, and supervising project installations.

Managed and updated client budget excel sheet for various projects.

Curated client project proposals for both virtual staging and residential projects.

Collaborated with 3D rendering artist virtually in order to create mock-up visuals for various high end residential and condo staging projects.

Researched and created various developer lists for increased project outreach.

Maintained and updated social media accounts for Daher Golding Studio including company Instagram + website.

EXPERIENTIAL LEARNING NEW YORK SCHOOL OF INTERIOR DESIGN •

May 2020 - January 2022 New York, New York

May 2016 - August 2016 New York, New York

Assisted designer on projects with furniture and fabric selections for upholstery and custom design items as well as completing all follow up work on orders.

Created mock-up custom furniture renderings in SketchUp to be used during client presentations .

Participated in meetings between designer and clients.

Hard working, self-motivated, and creative problem solver offering a growing knowledge of interior design with an interest in all project types. Eager for a hands-on interior design position that will allow me to ask questions, implement feedback, and work confidently within a passionate team setting.

Both my studies and work experiences have made me detail oriented and hard working. I believe that Interior Design has the ability to evoke emotions and create spaces that are representative of a client’s unique experiences and background. I hope to continue down a path of growth with new opportunities that will allow me to come up with new creative solutions.

SKILLS • REVIT • ENSCAPE • AUTO-CAD • SKETCHUP • V-RAY • INDESIGN • PHOTOSHOP • ADOBE ACROBAT • MICROSOFT SUITE • DRAWING & SKETCHING • PHOTOGRAPHY • COMMUNICATION • COLLABORATION

CONTENTS

04 12 18 22 28 30 34 44 46 48

SOURCE

HEALTHCARE / THESIS PROJECT

HAPPY HEMPS RETAIL

NORTHERN LIGHTS CHILDREN’S LIBRARY

DUPLEX APARTMENT RESIDENTIAL

SUNY COLLEGE OF OPTOMETRY EXPERIENTIAL LEARNING TEAM PROJECT

THE HEALING CENTER HEALTHCARE

LOWER LEVEL COMMERCIAL / HOTEL

THE BENDS

FURNITURE DESIGN / DINNING TABLE SET

HAND DRAWINGS SKETCHING / PAINTING

PHOTOGRAPHY EXPERIMENTAL

3

SOURCE REHABILITATION CENTER PROJECT TYPE: HEALTHCARE SITE LOCATION: 380 Dwight St., Holyoke, Massachusetts +/- 52,000 Sq. Ft. OBJECTIVE: To create a safe and peaceful natural environment that encourages healing for individuals seeking recovery from drug and alcohol addiction.

SOURCE explores the design and programming of a rehabilitation center, serving both inpatient and outpatient types. Created in-order to help bridge the gap between a holistic and science based approach to treatment. The design is a crucial contributor to the users overall health and long term recovery.

SOURCE serves as a safe space for individuals to open up about the difficulties they’ve experienced.

DESIGN CONCEPT: Drawn from the chosen site’s location on the Connecticut river. While preserving the exterior industrial architecture, biophilic design takes over various interior spaces as a key design feature that allows nature to directly take part in the healing process for the primary users. Direct connections to nature leave positive impacts on primary users.

4

1ST LV. CENTRAL LOBBY EARLY STAGES OF SKETCHING

LV. 3 KEY 2

1. INPATIENT BEDROOMS 2. NURSES STATION 3. OPEN LOUNGE SPACE 4. OPEN LIBRARY/LOUNGE 5. OUTDOOR GARDEN & DESIGNATED SMOKING AREA

4

5 3

1

1

LV. 2 KEY

FLOOR PLAN LV. 3

6

3

1

10

8

5

2

9

7

4

1. ROOFTOP DECK 2. INDOOR POOL 3. OPEN LOUNGE / GAMING SPACE 4. YOGA STUDIO 5. GYM 6. LOCKER ROOM 7. CREATIVE STUDIO/ FLEX SPACE 8. PUBLIC RESTROOMS 9. FACILITY MANAGER’S OFFICE 10. SMALL CONFERENCE ROOM

LV. 1 KEY

FLOOR PLAN LV. 2

5 3 14

19

14

18

4 15

16

13 12

6

1 2

17

10

10 5

7

11

8

9

FLOOR PLAN LV. 1

1. MAIN ENTRANCE 2. MAIN RECEPTION 3. SECONDARY ENTRANCE 4. SECONDARY RECEPTION/ CHECK-IN 5. LOBBY LOUNGE 6. MAIN DINNING ROOM 7. KITCHEN 8. STAFF ENTRANCE 9.SOLARIUM 10. ATRIUM’S 11. CAFE + CAFE SEATING 12. ADMINISTRATIVE OFFICE 13. GROUP THERAPY ROOM 14: CONFERENCE ROOMS 15. IN-TAKE OFFICE 16. INDIVIDUAL THERAPY ROOMS 17. FAMILY THERAPY ROOMS 18. PUBLIC RESTROOMS 19. STORAGE

5

TREE TYPES

BENJAMINA FICUS

MAIN RECEPTION + CHECK- IN DESK

SECTIONAL PERSPECTIVE

BLACK OLIVE TREE

GLASS EGRESS STAIR EXTERIOR VIEW 1 SELECTED PLANTINGS

2ND LV. HALLWAY + CIRCULATION

BAMBOO

LAVENDER

PHILODENDRON

FERN PLANTS

GLASS EGRESS STAIRS VIEW 2

1ST LV. GLASS ELEVATOR THROUGH ATRIUM

PROGRAMMING : It’s incredibly important to incorporate various areas for the primary users to build and create healthy new habits. SOURCE offers different areas in which primary users can preform a number of activities that range from more active to less active, both individually and in bigger groups.

2ND LV. INDOOR POOL CAUSE AND EFFECT DESIGN: Often times, drug and alcohol addicts who are in recovery will turn to smoking as an alternative to help pass the time when they are fighting a craving. Each floor of SOURCE is designed with ample outdoor space that offers beautiful views of the Connecticut River with designated smoking areas. With an extremely spacious outdoors, primary users can spread out or gather in small groups for socializing. Creating a choice for the primary user in all aspects of their recovery was a critical consideration for this project.

8

2ND LV. OUTDOOR PATH ADJACENT TO

2

Level 2 Floor 3/32" = 1'-0"

OPEN TO ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

3

1

Level 3 Floor 3/32" = 1'-0"

OPEN TO ABOVE

REFLECTED CEILING PLAN LV. 3

Level 1 Floor 3/32" = 1'-0"

OPEN TO ABOVE

SKYLIGHT ABOVE POOL

OPEN TO ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

GROUP THERAPY ROOM 2

Level 2 Floor 3/32" = 1'-0"

REFLECTED CEILING PLAN LV. 2

OPEN TO ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

3

1

OPEN TO ABOVE

Level 3 Floor 3/32" = 1'-0"

Level 1 Floor 3/32" = 1'-0"

REFLECTED CEILING PLAN LV. 1 OPEN TO ABOVE

SKYLIGHT ABOVE POOL

OPEN TO ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

OPEN TO ABOVE

9

SELECTED FURNISHINGS + ART WORK

INPATIENT BEDROOM: DESK + CLOSET MATERIALS

10

CALMING COLORED ROOMS: Neutral colors that put the mind and body at ease were carefully chosen in order to help the users adjust to their new way of life more easily. Additional plants were added into bedrooms to help improve the indoor air quality and healing experience.

INPATIENT BEDROOM 1

INPATIENT BATHROOM

Bathroom Render 12" = 1'-0"

The bathroom design follows along the trend of clean and neutral materials.

Playing with pattern and scale, marble and tile outline the shower and sink area.

11

HAPPY HEMPS CBD RETAIL STORE PROJECT TYPE: RETAIL STORE OBJECTIVE: To design a natural space where users feel comfortable to explore with an open mind and ask the staff questions about holistic healing and CBD product information. The entrance cafe draws customers in with a familiar and relaxed setting and then expands out and up onto the second level with clean and simple branded CBD products.

DESIGN CONCEPT: Applying the themes of natural and transparency to the store design, sustainable materials were chosen in order to create a healthier environment. The soft green color palette was derived from the hemp plantchoosing a soft shade of green to represent it’s healing properties.

BRAND DEVELOPMENT: HAPPY HEMPS is a CBD company that values natural ingredients and holistic remedies for everyday use.

They work closely with local hemp plant growers in order to ensure the healthiest + most effective herbal remedies. The store offers a wide range of hemp infused products such as herbal teas, CBD oils + treats for dogs, and cosmetics + tropicals, and more. By incorporating CBD into everyday use products, they hope to promote curiosity of the hemp plant and it’s educate more customers on it’s healing properties.

12

LV. 1 PRODUCT DISPLAYS

MANAGER’S OFFICE

STAIRS TO LV. 1

STORAGE TRY-ON AREA TOPICALS DISPLAY

STAFF ROOM

UPSTAIRS LOUNGE/ LIBRARY

COSMETICS DISPLAY

LV. 2

LV. 2

CBD COSMETICS + TOPICAL PRODUCTS

REFLECTED CEILING PLAN

STAIRS TO LV. 2

DRINK + SNACK BAR

INFO. DESK

LV.1 PRODUCT DISPLAY

CBD CAFE SEATING

LV. 1

LV. 1

CBD CAFE + PRODUCT DISPLAYS

REFLECTED CEILING PLAN

MATERIALS

LIGHTING FIXTURES

13

CBD COFFEE SHOP

1ST LV. CAFE SEATING PRODUCT INFORMATION : All hemp-infused products are free of dyes and synthetic ingredients. These types of chemicals interfere with our body’s natural ability to heal itself and go against what HAPPY HEMPS stands for. All of the products are made with the most natural ingredients found within nature. By placing a cafe at the store front that offers both regular and CBD infused items, the customer’s curiosity can easily become peaked and encourage them to explore the rest of the store.

INFORMATION+ HELP DESK

DETAIL OF WALL + CUSTOM LIGHTING

2ND LV. CBD LOGO + DISPLAY

2ND LV. CBD LOUNGE

MANAGER’S OFFICE

DETAIL OF CUSTOM DISPLAY SHELVES

15

LV. 2 CASH WRAP DESIGN

NORTH WALL SECTION ELEVATION

16

LV. 2 CASH-WRAP + STAFF BREAK ROOM

2ND LV. CASH-WRAP + PRODUCT DISPLAYS

2ND LV. CASH-WRAP + PRODUCT DISPLAYS

SELECTED MATERIALS + FURNISHINGS

STAFF BREAK ROOM

STAFF BREAK ROOM

17

NORTHERN LIGHTS CHILDREN’S LIBRARY PROJECT TYPE: COMMERCIAL LIBRARY SITE LOCATION: Chapeau, New York DESIGN CONCEPT: The inspiration for this library comes from the beautiful Northern Lights phenomena; the Aurora Borealis. This luminous display of lights contains a variation of soft colors that were translated into the design through the selection of materials and color application. Expanding upon this idea even further, other sky phenomena imagery were incorporated throughout the space which help create an overarching theme of light displays found throughout the universe. This concept and design encourages kids to expand their knowledge beyond the surface level and dive deep out into the unknown.

The space itself is extremely playful and allows for various activities to take place such as storytelling and work spaces that are customized to each age groups needs. There are various places in which kids are able to interact with their surroundings through the inclusion of interactive walls and a second storytelling interactive installation space upstairs that contains even more imagery of Earth and natural phenomenons.

18

INTERACTIVE KIDS PLAY AREA MATERIALS

FLOOR PLAN KEY 3RD- 5TH GRADE AUDIO BOOKS + MUSIC PICTURE BOOKS + TODDLER RECEPTION AREA CLASSROOM LIBRARIAN OFFICE PARENTS + REFERENCE PLAY AREA RESTROOMS STROLLER SPACE EASY READ

LV. 2 FLOOR PLAN

LV. 1 FLOOR PLAN

19

AXONEMETRIC VIEW CHECK-IN DESK

20

TODDLER AREA

SELECTED MATERIALS + FURNISHINGS

CHILDREN’S CORNER

LOUNGE / PLAY AREA

CUSTOM READING IGLOO

21

LUXURY RESIDENCE APARTMENT DUPLEX PROJECT TYPE: RESIDENTIAL APARTMENT DUPLEX LOCATION: LOS ANGELES, CALIFORNIA CLIENT PROFILE: This apartment duplex was created for a lovely couple located in the heart of Los Angeles. Mr. & Mrs. Carson are the owners of one of the largest art and sculpture galleries located right in the heart of Los Angeles.

Both Mr. and Mrs. Carson enjoy living a life of luxury and comfort and requested the space to feel like a lush escape from the city. They enjoy spaces that feel moody and timeless with clear connections to nature through design elements and an abundance of live plants. While they do enjoy patterns, the couple prefers to add depth and contrast to their space by layering textures and adding elegant details with luxurious materials and finishes. They love modern interiors and are attracted to spaces that play with light and dark.

22

PRIMARY BEDROOM SELECTED FURNISHINGS + MATERIALS

PRIMARY FOYER

BEDROOM VIEW INTO FOYER

23

DESIGN CONCEPT: This luxury apartment duplex was created as a lavish space for two creative individuals to come and relax after a long day of work. Keeping a neutral color palette allows for the couple to become the art within their own space by expressing themselves through colorful clothing, accessories, and collected art. The apartment was designed to feel minimalist and serene in order to achieve a calming, spa-like feeling within the primary bedroom and adjacent foyer connecting space.

The connecting primary bathroom explores the usage of other natural materials like stone and marble. The intentional pop of black marble helps to create a strong contrast of colors in the room.

A TOUCH OF GREEN: Brining in nature was highly requested by the client but is also something I always encourage new clients to try out in any space that has access to sunlight. The trees are used as a relief from the surrounding neutral tones of the space.

Incorporating trees and plants into the bedroom will also serve to purify and clean the air in a room where they spend over 6-8 hours everyday.

24

PRIMARY CUSTOM CLOSETS

PRIMARY BATHROOM

PRIMARY DOUBLE SINK BATHROOM

PRIMARY WATER-CLOSET

25

LV. 2 FLOOR PLAN

OUTDOOR SEATING AREA

LV. 1 FLOOR PLAN

INTERIOR SECTION CUT

OUTDOOR DINNING

EXTERIOR SECTION CUT

POOL + HOT TUB

27

SUNY COLLEGE OF OPTOMETRY MEDICAL COLLEGE LEARNING CAMPUS PROJECT TYPE: HEALTHCARE SITE LOCATION: 33 W 42nd St., New York, NY DESIGN CONCEPT: This space was designed to feel calming and inviting through the use of complimentary colors and organic materials. By using strong differentiation in color and brightness our team was able to create strategic way finding paths.

OBJECTIVE: This project was completed as part of a summer experiential learning course at NYSID. Myself, along with a team of 12 other MFA students, worked on new floor plans as well as the overall design concept for the preexisting space of the SUNY College of Optometry located in New York City. The board of the school, as well as the staff, were extremely impressed by our work and have decided to move forward with our proposed plans. This project emphasized the importance of team work and taught me how much can be accomplished with a dedicated team of people.

28

RECEPTION + CHECK- IN

MEDICAL ROOM

HALLWAY

LOBBY LOUNGE

MATERIALS

SEVENTH FLOOR

REFLECTED CEILING PLANS

VISION THERAPY FACULTY SPACE

SEVENTH FLOOR

PROPOSED FLOOR PLANS

HEAD TRAUMA + LOW VISION FACULTY SPACE

29

THE HEALING CENTER CANCER TREATMENT CENTER PROJECT TYPE: HEALTHCARE OBJECTIVE: The Healing Center is a healthcare facility in which various types of cancer patients can come for both typical and alternative forms of treatment. This healing center was made to feel like anything but an institutional place through a Japanese inspired design and spatial layout that allows for easy circulation and a clear understanding of private , semi-private, and public areas.

DESIGN CONCEPT: Through Japanese design influence and a nature inspired color palette, this healthcare space feels warm and welcoming. A variation of Japanese inspired shoji screens were incorporated along with patterns and textures that resemble Japanese art. The materials were carefully selected in order to ensure that they can withstand the standard cleaning protocols of a healthcare facilities from day to day.

CHEMOTHERAPY INFUSION ROOM MATERIALS

Typical infusion treatments can take many hours, making it extremely important to design a space that people can feel at ease in for any given period of time.

Each chemotherapy infusion room is equipped with extra seats for family and friends.

30

RENDERED ELEVATION

CHEMOTHERAPY INFUSION HALLWAY

FLOOR PLAN

TYPICAL INFUSION ROOM TYP.

31

RECEPTION DESK

32

DOCTOR’S OFFICE YOGA STUDIO

WAITING AREA

AXONEMETRIC VIEW

RADIATION PATIENT WAITING ROOM

REFLECTED CEILING PLAN

RADIATION PATIENT CHANGING ROOM

33

LOWER LEVEL COMMERCIAL HOTEL PROJECT TYPE: HOSPITALITY / HOTEL SITE LOCATION: SAINT PAUL HOTEL, MONTREAL, QUEBEC DESIGN CONCEPT: The concept for this hotel design was inspired by Reso, Montreal’s very own “Underground City.”

Reso is a fully enclosed subterranean city that contains various shops and housing opportunities for locals.

The hotel design was influenced from various elements contained in this underground city mixed with a more literal interpretation of what it means to be below the surface level of the Earth. The space includes materials that are reminiscent of colors and textures seen in natural caves and man-made tunnels. Playing with light and shadow was carefully considered throughout the design of the hotel, calling attention to the moments of light and dark seen in underground tunnels and various parts of Reso. Certain spaces of the hotel will be designed to purposefully feel as if they are located below ground - or somewhere below street level.

DESIGN AESTHETIC: The overall design will be sleek and moody - mixing reflective and modern materials with textures and elements that are reminiscent of natural forms and colors.

Adding pops of shades of pink helps to electrify the space and bring it everything to life.

34

LV. 1 LOBBY LOUNGE

LV. 2 KEY 1.GRAND STAIRS 2. BAR 3. OPEN LOUNGE / BAR SEATING 4. COAT CHECK 5. LOUNGE 6. RESTAURANT 7. PRIVATE DINNING 8. KITCHEN 9. RESTROOMS

LOWER LEVEL HOTEL PARTI:

LV. 2FLOOR PLAN

This hotel’s parti draws upon underground architecture and tunnel design. It plays with the idea of some spaces feeling more compressed and others feeling extremely open and large. Both types of spaces express a sense of rhythm through the repetition of pattern and form created through numerous architectural elements.

LV. 1 KEY 1. VESTIBULE / ENTRANCE 2. RECEPTION / CHECK-IN 3. HOTEL LOUNGE 4. MANAGER’S OFFICE 5. BACK OF HOUSE 6. EMPLOYEE OFFICE 7. ELEVATORS 8. GRAND STAIRS 9.NOOK

Santiago Calatrava’s architectural designs were a big inspiration for this project. Through carefully examining his attention to detail and forms, this hotel incorporates some of his design elements in the grand staircase design.

10. COFFEE BAR 11. CAFE SEATING / LOUNGE 12. RESTROOMS 13. WATER FEATURE

LV. 2FLOOR PLAN

35

VESTIBULE LOOKING IN RECEPTION / CHECK-IN NAVIGATING LEVEL 1: Including subway grates with integrated lighting helps bring a realistic piece of underground architecture into the Lower Level’s design. It is used both as an integrated design feature as well as lighting. It is a key design feature that highlights the reception desk and is brought up onto the ceiling to further emphasize the lobby and it’s circulation path. Using various shades of concrete adds a simple feature that helps keep the clean and crisp feeling of Lower Level amidst the various gridded pattern.

36

ELEVATOR BANK HALLWAY

GRAND STAIR VIEW GOING UP

STAIR VIEW

LV. 2 REFLECTED CEILING PLAN

STAIR VIEW DOWN LV. 1 REFLECTED CEILING PLAN

37

MATERIALS

1ST LV. COFFEE BAR SELECTED FURNISHINGS

1ST LV. OPEN SEATING AREA

RESTAURANT DINNING MATERIALS + FURNISHINGS

2ND LV. RESTAURANT

2ND LV. PRIVATE DINNING

2ND LV. DINNING VIEW

39

LOWER LEVEL EXECUTIVE SUITE PROJECT TYPE: HOSPITALITY / HOTEL SITE LOCATION: SAINT PAUL HOTEL, MONTREAL, QUEBEC DESIGN CONCEPT: The executive suite room in Lower Level was designed to mimic some of the colors and patterns found within the main hotel’s overall design and parti of underground architecture and design. Having a bold pop of pink gives the space a modern edge and provides a bold contrast from the darker shades of concrete. It was designed to feel minimal yet comfortable and cozy - almost as if you were staying in a luxury hotel inside a cave or underground.

PRIMARY BEDROOM

MATERIALS

40

PRIMARY BEDROOM

PRIMARY CLOSET

41

DINNING ROOM + KITCHEN MATERIALS

42

DINNING ROOM + KITCHEN

SECTION CUT

EXTERIOR PATIO

EXTERIOR PATIO

THE BENDS DINNING TABLE + CHAIRS SET PROJECT TYPE: FURNITURE DESIGN DESIGN CONCEPT + INSPIRATION: This set of dining table and chairs was inspired by the curves and natural bends a river creates as it moves and flows down stream. Working with metal for the main structure of the chairs and table enabled me to achieve effortless curves that create beautiful silhouettes when looking at this dining set from any angle. Having a ribbed glass table top allows the people seated at the table to see the beautiful metal work of the table legs almost through a similar lens as if they were looking down at a river trying to see the rocks below the water surface. Paired together or displayed separately, this dining table and chairs make a perfect, sculptural, statement piece for any home.

EARLY SKETCH IDEAS

10 5/8"

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

1'-8"

1'-8"

1'-8"

PLAN VIEW

2

1" 1"1'-2 1" 1"3/16"

1'-8"

2

BACK VIEW

1'-2 3/16" 1" 1" 1'-8"

1" 1"

5

10 5/8"

10 5/8"

1 7/8" 3 5/8"1"

1'-4 1/8"

2'-10 3/8"

1 7/8" 3 5/8"1" 1'-4 1/8"

1'-4 1/8"

2'-10 3/8"

2'-10 3/8"

2'-10 3/8"

1'-8"

1'-7 15/16"

1'-7 15/16"

SIDE VIEW

DINING TABLE FRONT ELEVATION

2

3

4

GLASS TABLE TOP WITH METAL OUTSIDE RING TO CONCEAL GLASS EDGES

PRODUCED BY AN AUTODESK STUDENT VERSION

1"1 5/16"

METAL CONNECTORS FOR GLASS TOP AND METAL LEGS

3'-10 1/2"

PROJECT

GLASS TABLE TOP GLASS TABLE TOP GLASS TABLE TOP GLASS WITH M PROJECT WITH METAL OUTSIDE WITH METAL OUTS WITH METAL OUTSIDE RING T RING TO CONCEAL PROJECT 2 RING TO CONCEAL 8 5/16" 1'-1 11/16" 2 9/16" 1'-1 11/16" 8 5/16" RING TO CONCEAL 8 5/16" 1'-1 11/16" 8 5/16" GLASS 8 11/16" 5/16" 1'-1811/16" 2 9/16" 1'-1 11/16" 8 5/16" GLASS EDGES GLASS EDGES 1'-1 11/16" 2 9/16" 1'-1 1'-1 11/16" 2 9/16" 5/16" MODERN PANELING GLASS EDGES

CED BY AN AUTODESK STUDENT VERSION

10 5/8"

634 ADVANCED WOODWORK DETAILING

DRAWN BY:

JANUARY 16TH, 2021 1 2"=

1'0"

KIMBERLY FRIEDMAN

1

DINING TABLE PLAN VIEW

8

2'-5 15/16"

SCALE:

CHRISTINE TAN

2'-5 15/16"

DATE:

SOLID WOOD SEAT SOLID WOOD SEAT SOLID WOOD SEAT SOLID WOOD SEAT BASE BASE BASE BASE

METAL METAL CONNECTORS METAL CONNECTOR METAL CONNECTORS 9'-8" 634 ADVANCED WOODWORK FOR GL FOR GLASS TOP AND FOR GLASS TOP AN DETAILING FOR GLASS TOP AND METAL METAL LEGSFALL 2021 METAL LEGS METAL LEGS CHRISTINE TAN METAL TABLE METAL TUBE TABLE METAL TUBE TABLE METAL TUBE LEGS A JANUARY 16TH, 2021 LEGS AND SUPPOR LEGS AND SUPPORTLEGS AND SUPPORT INSTRUCTOR:

FALL 2021

2'-5 15/16"

1/4" 1 3/4"

1/4" 1 3/4"

7

FRONT ELEVATION

1/4" 1 3/4"

1 7/8" 3 5/8"1"

11 1/4"

CLASS:

CLASS:

METAL TUBE CHAIR ARMS ARMS METAL TUBE CHAIR ARMS METAL TUBE CHAIR METAL ARMS TUBE CHAIR INSTRUCTOR: ALT. DOWN FILL ALT. DOWN FILLALT. DOWN FILL ALT. DOWN FILL FOAM SEAT CUSHION FOAM SEAT CUSHION FOAM SEAT CUSHION FOAM SEAT CUSHION

1/8"

/8"

1/4" 1 3/4" 2'-10 3/8"

1 7/8" 3 5/8"1"

2'-10 3/8"

10 5/8"

10 5/8" 1 7/8" 3 5/8"1" /8"

2'-10 3/8"

2

DINING TABLE SIDE ELEVATION

9'-8"

1"

2'-5 15/16"

METAL TUBE TABLE LEGS AND SUPPORT

10 5/8" 1 7/8" 3 5/8"1"

2'-10 3/8"

6

8"

SECTION CUT SIDE PROFILE

1" 1"1'-2 1" 1"3/16"

METAL TUBE TABLE LEGS AND SUPPORT

1 DINING CHAIR PLAN VIEW DINING CHAIR FRONT ELEVATION DINING CHAIR BACK ELEVATION DINING CHAIR SIDE DINING CHAIR PLAN VIEWCHAIR DINING CHAIR FRONT ELEVATION DINING CHAIR BACK ELEVATION DINING CHAIR SIDE ELEVATION DINING DINING CHAIR 1 PLAN VIEW 2 FRONT ELEVATION 3 BACK ELEVATION DINING CHAIR SIDE4 ELEVATION 4 SIDE ELEVATION DINING CHAIR PLAN DINING CHAIR FRONT DINING CHAIR BACK 1 VIEW 2 ELEVATION 2 DINING CHAIR 3 ELEVATION 3 DINING CHAIR 1 4

PRODUCED BY AN AUTODESK STUDENT VERSION

2

3'-10 1/2"

4

SOLID WOOD CHAIR BACK MODERN PANELING 8 5/16" SOLID BACK WOOD CHAIR BACK SOLID WOOD CHAIRSOLID BACKWOOD CHAIR 7'-7 9/16" 11 1/4" 1" FOAM BACK CUSHION FOAM BACK CUSHION FOAM BACK CUSHION FOAM BACK CUSHION

DINING TABLE FRONT ELEVATION

1" 1" 1'-2 3/16" 1" 1" 1" 1" 1'-2 3/16" 1'-8" 1'-8"

FRONT VIEW

3

2'-10 3/8"

2'-10 3/8"

1" 1" 1" 1"

1'-8"

1'-8"

9'-8"

DINING TABLE PLAN VIEW

1'-2 3/16" 1" 1"

PROJECT 2

3'-10 1/2"

METAL CONNECTORS FOR GLASS TOP AND METAL LEGS

10 5/8"

1'-8"

1'-8"

1" 1" 1'-2 3/16" 1" 1" 1" 1" 1'-2 3/16"

2'-3 5/8"

8 5/16"

PRODUCED BY AN AUTODESK STUDENT VERSION

2 9/16" 1'-1 11/16"

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

2'-5 15/16"

1'-1 11/16"

1

1" 1"

1'-4 1/8"

DINING CHAIR SIDE ELEVATION

2'-10 3/8"

2'-5 15/16"

3'-10 1/2"

2'-0"

2'-0"

SOLID WOOD SEAT BASE 2'-0"

1 7/8" 3 5/8"1"

1/4" 1 3/4" 4

1'-4 1/8"

2'-10 3/8"

ALT. DOWN FILL FOAM SEAT CUSHION

METAL TUBE CHAIR LEGS AND BASE

8 5/16"

1'-6 1/8" 1 15/16" 15/16" 1 15/16" 15/16"

1'-7 15/16"

DINING CHAIR BACK ELEVATION

DINING CHAIR SECTION ELEVATION

1 15/16"15/16" 1'-6 1/8" 1'-6 15/16"15/16" 1 1/8" 15/16" 15/16" 15/16"15/16" 1 15/16"15/16" 1'-611/8" 1115/16" 15/16"

1'-11 7/8"

PRODUCED BY AN AUTODESK STUDENT VERSION

5

1'-11 7/8"

1 15/16"

8 5/16"

1'-11 7/8"

PRODUCED BY AN AUTODESK STUDENT VERSION

1

1'-11 7/8"

METAL TUBE CHAIR ARMS

1" 1"

1'-8"

SECTION CUT

1 15/16"

PRODUCED BY AN AUTODESK STUDENT VERSION

3

1'-2 3/16"

2'-0"

1" 1"

1 15/16"

1 15/16"

2 9/16" 1'-1 11/16"

2'-10 3/8"

1'-4 1/8"

10 5/8"

FOAM BACK CUSHION

1'-1 11/16"

10 5/8"

8 5/16"

1 7/8" 3 5/8"1"

PRODUCED BY AN AUTODESK STUDENT VERSION

SOLID WOOD CHAIR BACK

GLASS TABLE TOP WITH METAL OUTSID RING TO CONCEAL GLASS EDGES

1 7/8" 3 5/8"1"

2'-10 3/8"

2'-10 3/8"

1 7/8" 3 5/8"1"

DETAIL DRAWINGS FOR BENDS DINNING SET

PLAN VIEW

DATE:

SCALE:

DRAWN BY:

1 2"=

1'0"

45

KIMBERLY FRIEDMAN

A- 1.0

HAND DRAWING SKETCHING + PAINTING The following pieces have been completed over a number of years and show my ability to sketch and draw in various mediums. I have always been extremely invested in the creative arts world, but I was unsure of what I wanted to do for a career. Dabbling in various types of art and creative mediums has strengthened my overall sense of design and color. Through my art and architectural studies, I have been able to grow a wide knowledge of difference styles of arts, artists, and architecture that allows me to better communicate ideas.

GRAPHITE

46

GRAPHITE + ACRYLIC PAINT

CHARCOAL

CHARCOAL

ACRYLIC + MARKER

GRAPHITE

GRAPHITE

GOUACHE + COLORED PENCIL + ACRYLIC PAINT

PHOTOGRAPHY EXPERIMENTAL WORK These images are apart of a photography project I completed during my undergraduate studies that show a creative and experimental approach to art that I want to translate into my design career. Both an experimental project and a color study, this series encouraged me to really examine the way light and shadow effect a space and an image.

48

49

Thank You! KIMBERLY FRIEDMAN TELEPHONE: 516-353-4656 EMAIL: KIMBERLYNFRIEDMAN@GMAIL.COM