FIFTY+SA Issue 11

by

Book and Lyrics by

David Lindsay-Abaire

Music by Jeanine Tesori

Licensed exclusively

Music Theatre International (Australasia)

Based on the play by David Lindsay-Abaire

The Season Ahead

As winter settles in, Adelaide’s calendar fills up with plenty of opportunities to get out and enjoy what our city has to offer.

From theatre to local festivals and seasonal markets, there’s no shortage of things to see, do, and listen to—so be sure to explore all these highlights in this issue.

BUY

Adelaide Farmers’ Markets (Every Saturday)

A trip to the farmers' markets is a must this winter. You’ll find an impressive selection of fresh, local produce, from seasonal vegetables to artisanal goods. It’s a great way to support local farmers and stock up on ingredients for hearty winter meals.

HEAR

FIVEAA’s Conversations with Cornsey Weekdays, 12–1 PM

Tune in for a dose of good conversation with South Australian icon Graham Cornes. In each episode, Cornsey sits down with a range of local personalities—from athletes to community leaders—for relaxed yet insightful chats. It’s the perfect way to unwind and stay connected with the voices shaping Adelaide.

DO

History Festival | May 1–31

History enthusiasts will want to take note of this month-long celebration of South Australia’s past. The History Festival offers a wide range of exhibitions, guided tours, and talks that explore the stories behind some of the state’s most iconic landmarks. It’s an excellent way to deepen your connection with our rich heritage.

WATCH

Dear Son – State Theatre SA | July 10–12

This poignant production looks at the relationship between father and son, exploring themes of family, understanding, and reconciliation. It’s a powerful piece of theatre that’s sure to resonate with audiences, particularly those who appreciate reflective storytelling.

Whether you’re heading out to a festival, catching a local show, or just enjoying the best of our markets, there’s something for everyone in Adelaide this winter. So, layer up and make the most of the season ahead.

Tom Archontidis

Publisher

FOLLOW US: @fiftyplus.sa fiftyplussa.com.au

PUBLISHERS

Tom Archontidis

Charlotte Chambers

EDITOR

Olivia Williams

DESIGNER

Nicole Jesenko

SALES MANAGER

Katie Brown katie@fiftyplussa.com.au

DIGITAL

Lauren Ferrone

EDITORIAL CONTRIBUTORS

Paul Kitching

Jacqui Lim

Nick Stock

Dave Bradley

Dr Christian Verdicchio

Angie McBride

DISTRIBUTION templarsa.com.au

COVER

Poh Ling Yeow

PHOTOGRAPHER

Tina Smigielski; supplied by Network 10

TC MEDIA PTY LTD

Opinions expressed by the author are not necessarily those of the publisher. Whilst all care is taken, the publisher accepts no responsibility for any errors or omissions.

Fifty+SA is a team effort and if you have any suggestions or questions we would love to hear from you.

hello@fiftyplussa.com.au

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We would like to acknowledge the Kaurna people as the custodians of the lands and waters of the Adelaide region.

Thank you to our publishing partners:

Photo: Author Paul Flavel, joined by artist Stavroula Adameitis (FRIDA LAS VEGAS) and Richard Hayward, descendant of the Hayward family (John Martin’s) | Photographer: Bri Hammond

Adelaide Cabaret Festival 2025

A 25th Anniversary Celebration

The Adelaide Cabaret Festival is celebrating its 25th anniversary in 2025, and it promises to be an unforgettable event. Hosted by Virginia Gay, the festival will showcase incredible performances, vibrant talent, and a true celebration of cabaret. Kicking off on June 5 with a glamorous anniversary gala, this evening sets the tone for the entire festival, offering guests the chance to dress up and enjoy a night of entertainment.

A major highlight of the festival is seventime Grammy winner Jacob Collier, who will perform exclusively in Australia on June 7–8 at Her Majesty’s Theatre. Known for blending jazz, pop, R&B, and classical influences, Collier’s interactive live shows are set to captivate audiences.

This year’s festival also brings an exciting lineup of late-night events that are wild, messy, and packed with fun. These late-night sessions offer a chance to let loose, dance the night away, and create memories you’ll never forget. Among these, don’t miss The Parlour (June 6–7), a late-night salon hosted by the fabulous Victoria Falconer. This event will feature a night of circus, songs, silliness, and seduction, offering a perfect mix of comedy, variety, and glamour.

Next up is There Is Nothing Like A Game! (June 13–14), an interactive late-night show with musical comedian Gillian Cosgriff. Filled with quizzes, games, scavenger hunts, and a live three-piece

band, this event promises plenty of audience participation and surprise guest appearances.

To wrap up the celebrations, the 25th Birthday Party (June 20–21) is sure to be a wild late-night bash full of mischief, mayhem, and cake. If Virginia Gay has her way, there may even be a surprise popping out of that cake!

The festival will also feature workshops and masterclasses for aspiring performers, offering a unique opportunity to learn from the best in the business.

For tickets:

cabaret.adelaidefestivalcentre.com.au

A Spirited Celebration of Australian Craft Gin Adelaide Gin Festival 2025

The highly anticipated Adelaide Gin Festival is returning in 2025, and it’s set to be an unmissable event for gin lovers across Australia. Hosted at the Adelaide Convention Centre from June 20 to June 22, the festival will showcase the best of Australian gin and provide an immersive experience for connoisseurs and casual drinkers alike.

Festival Highlights

One of the key attractions of the festival is the opportunity to meet over 50 talented Australian gin distillers. Each will be showcasing their signature creations, allowing visitors to sample an incredible selection of gin varieties. With unlimited tastings during the threehour sessions, you'll have the chance to explore new favourites and rediscover beloved classics, all complemented by Long Rays mixers.

For those looking to dive deeper into the art of gin making, the festival offers exclusive masterclasses. The Square 1 Distillery Guided Tasting and the Seppeltsfield Rd Home Grown Hero Masterclass will give attendees an insider’s look into gin production, tasting notes, and the unique processes behind each distillery’s offerings. These masterclasses are the perfect opportunity to enhance your gin knowledge and appreciation.

Session Details

The Adelaide Gin Festival spans three days, with multiple session times to accommodate attendees:

y Friday, June 20: 5:00 PM – 8:00 PM

y Saturday, June 21: 1:00 PM – 4:00 PM and 5:00 PM – 8:00 PM

y Sunday, June 22: 1:00 PM – 4:00 PM

Tickets for the event are available now:

ginevents.com.au/adelaide-ginfestival-2025

Photo: Claudio Raschella

Unearthing the Viking Age THE GALLOWAY HOARD COMES TO SA

On now until 27 July 2025 | South Australian Museum

The Galloway Hoard is the most remarkable collection of Vikingage treasure ever unearthed in Britain or Ireland. Like most Viking-age hoards, it contains lots of silver: ingots, hacksilver, armrings and finely crafted jewellery. The Galloway Hoard also holds the largest quantity of gold objects ever recovered from this period of British and Irish history. But the most astonishing thing about the Galloway Hoard is the presence of heirlooms, relics and exotic curiosities. The discovery of these buried treasures connects southwest Scotland with Viking-age trade networks that stretched into the Middle East and Asia.

The hoard contains over a hundred objects, most of them silver arm-rings and ingots of a kind used as currency in the Viking Age. However, objects like Anglo-Saxon disc brooches and a pendant silver cross, complete with its chain still wrapped around it, are rarely found in hoards like this. A collection of unique, generational heirlooms were contained in a lidded silver vessel which was slowly and carefully unpacked by conservation scientists over many years.

When the Galloway Hoard was discovered by an amateur metaldetectorist in 2014, it had been buried in a Scottish field for over a thousand years. Organic material rarely survives in archaeological sites of this age but, at the heart of the Hoard, a lidded vessel preserved samples of wool, leather, linen and silk in a stable micro-environment. These are some of the oldest surviving textiles found in Britain. Even more staggering is the vessel itself, which is made of silver mined from modern-day Iran, and decorated with tigers, leopards and fire altars related to the culture of pre-Islamic Persia.

Current research suggests that the Galloway Hoard was buried by a wealthy and well-connected group of people from the upper echelons of society. These people appear to have been acting in the interests of a broader community, probably with ecclesiastical or even royal associations. Elaborate dress items, generational heirlooms, and a charm used in childbirth also imply a strong female involvement in the burial.

In some respects, the real treasure of the Galloway Hoard isn’t the precious metals that it contains, but the snapshot that it provides of Viking-age life in Scotland around 900 CE. This makes it one of the

most illuminating British archaeological discoveries of the 21st century. Since its discovery and subsequent acquisition, world-leading research led by National Museums Scotland has been unpacking the wonder of this Galloway time capsule. Along with the dazzling and remarkable objects themselves, the exhibition showcases the fascinating discoveries made as the Hoard was conserved, which are transforming how we see the Viking Age in Britain.

The real treasure of the Galloway Hoard isn’t the precious metals that it contains, but the snapshot that it provides of Vikingage life in Scotland around 900 CE.

Treasures of the Viking Age: The Galloway Hoard is showing now until the 27th July 2025.

Following highly acclaimed presentations in Scotland, the Adelaide exhibition will be the first opportunity to view this unique collection of treasures outside Britain.

Pectoral cross angle

Pendant from the Galloway Hoard Post Conservation

Quatrefoil brooch from the Galloway Hoardhoard Post Conservation

ARMADILLO OPENS AN ATELIER AT TERRACE FLOORS + FURNISHINGS

THE GLOBAL RUG BRAND RETURNS TO ITS ADELAIDE ROOTS

Armadillo, the luxury brand known for its sustainable handcrafted rugs, is proud to announce its newest atelier at Adelaide’s premier design destination, Terrace Floors + Furnishings. The opening is poignant as it marks Armadillo’s return to the city that its co-founders both call home.

Since 2009, Jodie Fried and Sally Pottharst have been dedicated to creating rugs that balance sustainable craftsmanship with timeless design. The opening of their eighth location is a homecoming of sorts and an exciting partnership with Terrace Floors + Furnishings, a business led by Sally’s family for the past 25 years and respected by architects and interior designers nationwide for its curation of Australian and international design.

“Jodie and I have always considered Adelaide home, so opening this atelier is a full-circle moment for us,” says Sally. “The quality of residential and commercial projects coming out of South Australia today is truly exceptional so we’re thrilled that Armadillo can now directly service its visionary design community.”

The new Armadillo space within Terrace Floors is situated centrally on Glen Osmond Road in the leafy Eastwood area. “The atelier format reflects our considered approach to curating spaces in dynamic design locales,” says Jodie. “These intimate, refined settings enable design professionals and design enthusiasts alike to fully immerse themselves in our brand and engage with our collection at their own pace.”

Open Monday to Saturday, with no appointment necessary, Armadillo’s Adelaide atelier has an inviting atmosphere that brings together globally minded design and local heritage.

Terrace Floors + Furnishings 51 Glen Osmond Road, Eastwood terracefloors.com.au

Rear Vision: The Holden Collection A Glimpse into an Iconic South Australian Legacy

Holden holds a special place in the heart of South Australia, and the Rear Vision: The Holden Collection at the State Library offers an exciting opportunity to explore this iconic brand’s impact on the state’s history. The exhibition features over 1700 pieces of archival material, including rare drawings, promotional films, and the first and last Holden engines. Visitors can also immerse themselves in a virtual reality assembly line experience, bringing Holden’s golden years to life.

The collection spans Holden’s journey, from its early years in the 1940s to its crucial contributions during World War II. Notable highlights include an original Holden Bronze Lion, a pristine 1954 FJ Ute, and heartwarming stories shared by former workers. For those interested in the human side of Holden, the exhibition also features tales of the employees who spent decades working at the factory, contributing to the spirit of the brand.

Jeff Jamieson, a former Holden employee, expressed the emotional resonance of the collection, saying, “The Holden brand lives on in the hearts and memories of many Australians, especially those of us who played a role in the Holden community here in South Australia.” The exhibition also includes a range of events, from talks by historians and Holden enthusiasts to family activities, ensuring a visit is both educational and engaging.

For anyone with a love of cars, history, or nostalgia, this exhibition is a must-see.

Open now at the State Library of South Australia, with free entry. For more information:

slsa.sa.gov.au/events/rear-visionholden-collection

Photos: Jenah Piwanski

WINTER NIGHTS

Three concerts to warm your soul this winter at Adelaide Town Hall

20 & 21 Jun

15 & 16 Aug

South Australia’s History Festival 2025 Decisions That Shaped Us

The Phan family, joined by Hieu Van Le AC and Ted Byrt

|

Photographer: Bri Hammond

Words by Alice Beale, Senior Curator, History Trust of SA

As a much-loved part of the South Australian festival scene, the History Festival brings new ideas, discoveries and stories about South Australian history. The History Festival is run by the History Trust of South Australia every year in May, and regularly attracts over 500 events, which are attended by hundreds of thousands of people. More than just providing history enthusiasts with a program of events tailored to their interests, the History Festival also plays an important role for the 300 community history organisations operating across the state.

The History Festival is an important moment in the community history calendar, to share, celebrate and highlight their collections and their stories. It provides a focal point for these organisations and gives them a statewide platform for their work, as well as an opportunity to engage with existing and new audiences.

We often look to our national or state institutions to understand the bigger picture of South Australian or Australian history. Nonetheless it is our community history groups that tell an altogether more personal story and hold within their organisations the echoes of everyday life of the individuals, some may say characters, who have shaped their history. Whether they are telling the story of their town, the diverseness of the communities they belong to, or are dedicated to the memory of a particularly significant part of South Australian history; community history organisations hold in-depth knowledge that may not be represented elsewhere.

It shouldn’t be forgotten either that many of these organisations are entirely volunteer led and run. We say this because their work is exceptional across the board, and in acknowledgement of the fact that South Australian community history organisations punch far above their weight. The passion and commitment that exists for history across the state is fervent and why it is so important that the History Festival works to support this cause.

Each year the History Festival presents a new theme as a provocation. This prompts organisations to rediscover or reinterpret an aspect of their collection or history. In 2024 we saw groups rally around the theme of Power, literally and figuratively. The Mount Torrens and Districts Association held an exhibition that explored the very real impact electricity had on their community when it arrived in 1926. This award-winning exhibition featured personal stories and an interactive display from students at the Mount Torrens Christian school.

It is our community history groups that tell an altogether more personal story and hold within their organisations the echoes of everyday life–of the individuals, some may say characters–who have shaped their history.

The Hahndorf Academy, on the other hand, sought textile pieces from its collection, exploring and honouring textile production throughout history. This thoughtfully curated exhibition paid tribute to and explored the power of the South Australian women who created the works. The offerings from the Mount Torrens and Districts Association and Hahndorf Academy are two of the many examples of thoughtfully prepared exhibitions, talks, tours, performances, workshops, open days, online and special events offered for everyone’s delight in 2024.

In 2025 the History Festival has embraced Decisions as its defining statement. Decisions, big or small, good or bad, this year the History Festival will tease out the moments of decision that have shaped South Australia, wherever or whenever they have occurred. Our community history organisations with their deep roots in community and wealth of personal stories are bound to have some doozies.

My challenge to you this May, is to look a bit deeper at the events being offered in the 2025 History Festival and make a decision. Decide to travel a bit further, decide to discover something new and decide to be inspired with all that our wonderfully engaging and dedicated community history organisations have to offer.

South Australia's History Festival 1-31 May 2025

festival.history.sa.gov.au @historysa

Kymm Apostolides (Kymm Berlei) and Tina Couper, volunteers at the Burra Town Hall | Photographer: Bri Hammond

Let’s Talk History!

South Australian history that is…

A fun and informative way to peer into the past this winter and learn a whole lot more about who we are and how we ended up this way!

South Australia’s

History Festival

Talking History is a popular public program devoted to South Australia’s diverse and fascinating history. The History Trust of South Australia has been hosting Talking History for well over a decade and is delighted to be in partnership with the State Library of South Australia and UniSA for the 2025 series, which will be held at the Hetzel Lecture Theatre at the State Library

In 2025, the Talking History series comprises 4 evening panel events featuring 3 speakers from all over the state. These panels will explore the entertaining and informative topics below with South Australia’s History Advocate, Dr Kiera Lindsey as chair.

Talking History events begin with a complimentary glass of wine, nibbles and a chance to socialise from 5.30pm followed by a panel discussion at 6pm. Talking History is much loved by our audiences and numbers are limited so be sure to book early.

TUESDAY 15 JULY: Illuminate Festival

Subcultures

In July, we turn on our torches and peer into the past. What makes practices like surfing or gaming so… ‘subterranean’? And how do they become mainstream whilst keeping their ‘edge’? Find out about some of the many surprising subcultures that have shaped South Australia.

TUESDAY 30 SEPTEMBER DURING NATURE FESTIVAL

Environmental Histories

In September, we pull on our boots to unearth the ways South Australians have reshaped their environments. You’ll learn about oranges, irrigation, and introduced species, but most importantly, learn the stories of people who have survived and thrived in the state with the most unpredictable rainfall.

TUESDAY 10 JUNE: The Adelaide Cabaret Festival

Entertainment History

Roll up for an evening of show-stopping splendour ... In this first Talking History panel for 2025, we look closely at our history of circuses and stand-up, boxing rings, and vaudeville! Go behind the scenes to learn about the many performers who have entertained South Australians over the decades!

TUESDAY 12 AUGUST: SALA

Arts and Crafts

South Australians have long used their hands, hearts, and minds to make things both practical and beautiful. In this Talking History, we meet some sensational South Australian artists and artisans who practice ‘hands-on history’ by blowing glass, running bobbins through looms, or transforming liquid metal into sculpted stories.

To find out more about Talking History:

history.sa.gov.au/talking-history @historysa

Photos:

Leading the charge for South Australia's history

By Olivia Williams

For nearly a decade, Greg Mackie has been at the helm of the History Trust of South Australia, championing the preservation and celebration of the state’s rich history. Under his leadership, the Trust has expanded its reach and impact, navigating an evolving landscape of digital transformation, education, and community engagement. As he reflects on his tenure, Mackie remains passionate about ensuring that history remains relevant to all generations.

Like many government-funded organisations, the History Trust must constantly balance ambition with limited resources. "The biggest challenges are about growing reach and demonstrating impact. This demands wise decisions with finite resources, and, most importantly, expanding efforts to increase net earned income and raise more philanthropic and sponsorship dollars," Mackie explains.

One of the most significant shifts has been the move towards digital engagement, a necessity accelerated by the pandemic. "The pandemic fast-tracked our need to reach audiences and stakeholders beyond physical in-museum experiences. And out in the community, the rise of online research tools for unlocking the stories of our past—about people, places and events—will eventually make it easier to link up information to create new knowledge and new understanding across museums, archives and collections locally, nationally and globally.."

With several museums under its wing, the History Trust is committed to making history accessible and engaging for younger audiences. "Museums are hungry beasts! Since 2018, the History Trust has been accountable to the Minister for Education. This has sharpened our focus on, and investment in, the development of Australian Curriculum-relevant, South Australian history-focused, digital learning resources for students and teachers." He notes that these efforts have significantly expanded the Trust’s reach. "We now reach many more young people and their families by making freely accessible digital-by-design offerings than in-museum school visits."

Reflecting on his tenure, Mackie takes pride in making history and culture more relevant to more people. "I would like to think that the arts, culture and history are now ‘more relevant—to more people—more of the time.’ These were Mike Rann’s riding instructions to me back in 2003-04. Growth in audience numbers and revenue may not be ‘ends’ in themselves, but they are useful measures of our relevance and therefore evidence of the increasing value of continued taxpayer, philanthropic, community volunteer and corporate investment."

One of the standout achievements during Mackie’s tenure was the 2019 Epic Flight Centenary program, which played a pivotal role in securing $6 million to relocate the historic Vickers Vimy aircraft. “The Epic Flight Centenary was a triumph of collective endeavour,” he recalls. “As CEO, I had the privilege of leading the charge to secure state and Commonwealth commitments of $2 million each in match funding. It was literally a bipartisan ‘coalition of the willing’—good people who shared a vision that the Smith Brothers, their Vickers Vimy aeroplane, and this South Australian pioneering first in global aviation history deserved a prime location at Adelaide Airport to inspire future generations of young people to aim high.”

Mackie’s career has been defined by a deep commitment to fostering cultural and historical engagement. From his early days as an independent bookseller to his role as founder of the Adelaide Festival of Ideas, he has consistently championed access to knowledge. "As a City Councillor, in 2002, I led the move to have the Aboriginal Flag flown permanently in pride of place alongside the Australian Flag in Tarntanyangga/ Victoria Square. Every day I take pride in that flag, and am now reminded that, along with my City of Adelaide Reconciliation Committee Co-Chair, the late Aunty Shirley Peisley AM, we rallied many good people to achieve this major civic recognition."

y Favourite hidden gem in Adelaide: The Museum of Economic Botany at Adelaide Botanic Garden—sublime.

y Best place for a coffee or meal in the city: AGSA Eat, Parlamento, Sofia, Lounders Boatshed Cafe.

y A South Australian historical site everyone should visit at least once: Burra.

y Your go-to spot to unwind or find inspiration: ‘BrokeBank Ridge’—aka our Silverton retreat.

y A local event or festival you never miss: South Australia’s History Festival— but then I would say that, right!

His passion for cultural preservation extends beyond the History Trust. "Our current campaign to ‘Save the Queen’— aka Priscilla the bus—will leave a lasting legacy that promotes diversity—and the joys of ‘inclusion with attitude.’"

As Mackie prepares to step away from his role, he remains committed to the sector. "A life-long low boredom threshold probably means I will draw several breaths and undoubtedly continue in my personal ‘risorgimento’. I will always be a true friend to the History Trust. There’s no shortage of heavy lifting to be done in the philanthropy space!"

His advice for his successor is clear and simple: "Don’t just be a manager—be an impassioned leader and inspire others to get with the program!"

history.sa.gov.au @historysa

Greg Mackie’s Adelaide Favourites

THE HOUSE OF HISTORY

National Trust South Australia, History Trust of South Australia & Ayers House Function Centre proudly presented by

THE PALATE THE PALLETTE &

Poh Ling Yeow’s Next Chapter

Interview by Olivia Williams

Few faces in Australian food culture are as instantly recognisable—or as beloved— as Poh Ling Yeow. Since first capturing hearts as the runner-up on MasterChef Australia’s debut season in 2009, she’s forged an extraordinary career spanning TV, cookbooks, and fine art. Now, as she returns to MasterChef as a judge for 2025, Poh reflects on her journey from contestant to mentor, the creative thread that ties her passions together, and why South Australia will always be home.

Q: MasterChef has been a huge part of your journey. How does it feel to return as a judge again for the 2025 season, and how has the experience evolved for you?

A: I was revving up with new confidence in my second season as judge but when I found out it was a ‘Back To Win’ I immediately felt renewed trepidation! To be judging contestants I went through Season 12 with (in the first Back to Win), and whom I have huge respect for as industry colleagues, took a bit of head space re-jigging. But it’s been delightful. They’ve been so generous and received my feedback with such grace that I can feel nothing but humbled.

This whole experience as a new judge is complex for me because I’ve never dared to envision myself on the other side. It’s much easier to be a contestant because the goal is simple - to get

through every cook. It’s free range chaos. But as a judge we are mentoring so I feel like I have to reign in the goofball and deliver poise which doesn’t come as easily to me. I enjoy writing because I’m someone who needs time for thoughts to percolate so to deliver critiques off the cuff is unnerving.

However, I do love a challenge because it’s the only way we grow; to get comfortable with the uncomfortable. Season 1 was a life affirming exercise…to dive into so much that was unknown and find myself able to thrive and create in such a pressure cooker environment gifted me a confidence I’d always yearned for.

Q: You’ve mentioned that you hope contestants see you as proof that “you don’t have to win to win.” Can you share a moment in your career where that really rang true?

A: At 51, I’m seeing so many patterns that have run through my life and one of them is that the prize is not always clear. Often, time will reveal the jewel and as

an artist I’m used to the idea of never becoming attached to outcomes but rather, to find yourself naturally falling in love with the process.

When I spoke about it in Season 16, I was of course referring to the wild full cycle moment of me being a contestant 16 years ago and then returning as a judge. Never in my most outlandish dreams did I imagine that to be a result of coming the runner up. But even back then, as soon as I was in the final I considered it a win. I knew holding the trophy would be so many things that I would have no control over, like nerves, micro decisions, and to a certain extent, luck.

The other really important example is both my long-term relationships. They didn’t work out, but I’ve stayed close friends with both. Matt, my first husband remains my closest confidante and most powerful enabler. We have a creative symbiosis that I doubt I’ll ever find with anyone else. It was worth the tempestuous marriage to come out of it as unbreakable friends.

Photo: Tina Smigielski.;

Q: The MasterChef kitchen has changed so many lives, including your own. What’s the biggest lesson you’ve taken from being both a contestant and a judge?

A: Take risks and always be yourself. As a contestant I’d never felt such freedom to be my most unbridled self. I made a decision to never be swayed by the judges so if I got kicked out, the mistake would entirely belong to me. I knew I could live with that. And because I was so spectacularly rewarded for being authentic it gave me complete belief in always steering with my gut.

As a judge I feel less confident. I’ve never seen myself as an expert, more as someone who always loves what they do and wants to be good at it so I’m still carving out what I can bring to that space. The thing that comes most naturally for me in the role is relating to the contestants as an ex-competitor, so again it’s about tapping into what feels most honest.

Q: South Australia has such a rich food culture. Are there any local ingredients or dishes you love to champion?

A: I’m a hardcore homebody so I’m less about restaurants and more about produce because I prefer to cook than eat out. We have amazing South Australian stone fruit and almonds in summer. The laksa from Asian Gourmet, lamb and couscous from La Souk, and honey cake from House of Honey Cake are among some of my favourites.

Q: The Fifty+SA audience includes many passionate home cooks. What advice do you have for people exploring new cuisines or techniques later in life?

A: Firstly, just go for it because like all of life, mistakes are where all the learning occurs. Secondly, shopping locally to support farmers in your region and buying seasonal produce is an important ethos. Fresh ingredients are at their most flavourful, nutritious and cheapest when flowing with the rhythms of nature. And when you start with great raw ingredients, you don’t really have to do much to make them shine - olive oil, salt, pepper and a squeeze of lemon will do the trick!

“IT’S A DARN GOOD LIFE IN SA!”

FAST FIVE

What’s your go-to comfort meal when cooking at home?

Leftover rice, 2 fried eggs, my mum’s sambal belachan and a mountain of hack cut cucumber. It’s kind of a hack Nasi Lemak!

Favourite SA food producers or restaurants you always recommend?

I’m a produce gal and rarely eat out so my heart lies at the Adelaide Farmer’s Market where Jamface has a home. All the growers and producers there are legit local and seasonal. Sundays there are my church and community.

Is there a South Australian ingredient you love working with the most?

I love SA almonds. They’re so versatile for everyday meals like adding body and texture to salads. But my favourite use is for baking, whether in meal form for pastries and cakes, or roasted for gorgeous crunch and flavour.

What’s one dish that instantly takes you back to your childhood?

Assam Laksa which is incidentally my death row meal! It’s a sour, hot fish based broth loaded with all my favourite things; springy rice noodles, cucumber cut into matchsticks, fresh pineapple, red onion, mint and torch ginger flower, finished with shrimp molasses. When I was about six years old, my mum used to take me to a local place in a shopping centre every week. At first, I would share just a teacup worth of hers. I think it took me two years to be able to finish a whole bowl by myself because it was SO spicy but I felt so proud!

For someone new to cooking Asian cuisine, what’s a simple dish to start with?

Fried rice because it’s cheap, the condiments are already in most pantries, and you can make your own version with whatever leftovers you have. But most importantly it’s a crowd pleaser!

“AT 51, I’M SEEING SO MANY PATTERNS THAT HAVE RUN THROUGH MY LIFE AND ONE OF THEM IS THAT THE PRIZE IS NOT ALWAYS CLEAR. OFTEN, TIME WILL REVEAL THE JEWEL AND AS AN ARTIST I’M USED TO THE IDEA OF NEVER BECOMING ATTACHED TO OUTCOMES BUT RATHER, TO FIND YOURSELF NATURALLY FALLING IN LOVE WITH THE PROCESS.”

Q: You move fluidly between food, art, and storytelling— do you see these as separate passions, or are they all part of the same creative expression?

A: Being a creative is the thing I identify with most, more than race, gender or being a migrant. It’s the thing that drives my curiosity and gives me purpose. For me it’s principally about the desire to make something beautiful out of nothing. To be able to create a three-dimensional form on a blank canvas or cook a delicious meal from scratch and have the ability to affect people’s memories and emotions really floats my boat!

Q: Your artwork often explores themes of identity and heritage. How does your MalaysianChinese background continue to shape your creativity?

A: My migrant story informs both my food and paintings hugely. Growing up with the push pull of two cultures is something I grappled with until quite late in life, so I use both practices to process being raised with strict eastern values at home but desperately wanting to fit in with western sensibilities. I like playing with the concept of having dual identities for different facets of life because it’s something that most will relate to on some level. For example, the same person will present differently as a parent at home than in their workplace.

Q: What inspires your artwork, and do you find any similarities between painting and cooking?

A: They’re intrinsically linked because they both come from a space of wanting to tell cultural stories. They both use composition, a narrative - where as an artist you would use paint to execute the idea, as a cook you use ingredients and flavour. Both, when consumed, can have great emotional impact. The only difference I think is that painting could be seen as more indulgent, playing more purely to self-expression. With food you are always serving and looking for approval. There are not many industries where the feedback from a customer is so immediate and visceral.

Q: You’ve stayed rooted in Adelaide despite your national and international career. What keeps you here?

A: It’s home and always will be. I’m a small town girl. I love the quiet and lack of distraction. I can afford a house here and I’m close to those I love. There are amazing beaches, the hills, great festivals, markets, food and wine. We get to experience all the seasons. It’s a darn good life in SA!

Q: You wear many creative hats— artist, chef, TV personality. How do you balance them all, and do you ever feel pulled in one direction more than another?

A: I’m still learning to balance the two. They certainly joust for my time. I used to try to do both at the same time but now I have to section off parts of the year dedicated to one or the other. They feed different parts of me. The food is heavily media focused so the extrovert in me gets to ham it up but then I really need half a year of solitude to recover in front of the easel and in the garden.

Q: You’ve had such a fascinating and varied career. Looking ahead, is there anything new or unexpected you’d love to explore?

A: I’m superstitious about revealing new projects unless they’re close to being realised. I feel like it jinxes things....I do plan to have a little boutique exhibition at the end of the year which is very exciting because I haven’t shown my work for a couple of years!

Photos: Gretl Watson-Blazewicz

BIG Changes Are Coming to In-Home

Aged Care

Here’s What You Need to Know

If you or someone you love receives in-home aged care support (or may need it), you might have heard that some changes are coming.

From 1 July 2025, the Australian Government will introduce a new system called Support at Home, which will replace the Home Care Packages (HCP) and ShortTerm Restorative Care (STRC) programs. While the goal is to simplify and improve aged care services at home, it’s natural to feel unsure about what this might mean for you or a family member currently receiving care.

At HenderCare, we’re committed to keeping our clients and their families informed and supported throughout the transition. Here's what you need to know about Support at Home, and how we can help.

WHAT IS SUPPORT AT HOME?

Support at Home is a new program that aims to streamline aged care delivery to older Australians. Instead of the current Home Care Package levels (1–4), there will be eight funding levels based on individual needs, plus short-term options for things like recovery or endof-life care.

The new system is designed to offer:

y More flexibility in how funding is used

y Quicker access to services

y A simpler structure that’s easier to understand and manage

y A stronger focus on clinical and personal care, with clearer guidelines on what can be funded

WHAT ABOUT THE CHSP PROGRAM?

If you or a loved one receives care through the Commonwealth Home Support Programme (CHSP), there’s no need to panic, as CHSP will continue unchanged until at least 1 July 2027. However, if you have noticed needs changing, now might be a good time to consider whether a Home Care Package could better support you or a loved one before the new system begins.

WHAT SERVICES WILL BE INCLUDED?

The Support at Home program will group services into clearer categories, including:

y Clinical Supports – such as nursing care, occupational therapy and physiotherapy.

y Independence – such as personal care, social support, respite care, community engagement and transport.

y Everyday Living – such as domestic assistance, home maintenance and repairs, and meals.

Assistive Technology and Home Modification funding will also be available for those assessed as requiring support in this area.

These services are designed to help older people remain safe, well, and independent at home for as long as possible.

WILL OLDER PEOPLE PAY MORE?

Under the new system, people will only contribute to the services they receive. There will be no contribution for clinical supports, moderate contributions for services to support independence including personal care, social support and transport, with higher contributions for everyday living services like meals, cleaning or gardening. If you or a loved one is a Commonwealth Seniors Health Card holder, they’ll likely pay less than other self-funded retirees.

That said, the full details are still being finalised - so it’s a good idea to stay in the loop.

HOW CAN HENDERCARE HELP?

At HenderCare, we’re already preparing for the changes ahead. Whether you or a loved one are currently receiving support or just starting to explore their options, we’re here to:

y Help you understand what Support at Home means for your family

y Guide you through the transition, including exploring assessments

y Continue delivering trusted, compassionate in-home services tailored to your loved one’s needs

We’ve also created an easy-to-follow information hub online at: hendercare.com.au/aged-care-services/ understanding-support-at-home

Here you’ll find updates, frequently asked questions, and practical advice to help you make informed decisions.

A FINAL WORD

Change can be challenging, especially when it affects something as personal as care for a loved one. But with the right information and support, the transition to Support at Home can be a smooth one.

All information in this article is current at the time of writing and is intended as a general guide only. As the government releases more details in the lead-up to July 2025, we will continue to keep you updated because you and your loved ones deserve care you can count on.

Need help navigating your next steps? We're just a call away.

HEART HEALTH MATTERS

Why checking your cholesterol could save your life

by Dr Christian Verdicchio, CEO Heart Support Australia

Cardiovascular disease (CVD) is one of Australia’s largest health problems, which accounts for 1 in 4 of all deaths claiming the life of someone every 12 minutes in Australia. Screening for cholesterol along with other risk factors such as blood pressure and blood glucose levels can significantly prevent the risk of developing CVD or identify it for those who already have it without even knowing.

Known as the ‘silent disease’ as it often presents with no symptoms, high cholesterol is a critical risk factor for atherosclerotic cardiovascular disease (ASCVD), an umbrella term for diseases caused by fatty deposits silently building up in the arteries. If left untreated, ASCVD can lead to heart attacks and strokes, accounting for 85% of all cardiovascular-related deaths worldwide.

High cholesterol is a leading cause of heart disease and stroke in the general population which can be managed and treated if detected early, avoiding potentially fatal heart attacks or strokes.

What is cholesterol and why is it so important?

Cholesterol is a fat-like substance that comes from the foods we eat or from our own body as it plays an important role in the development of our cells in the body. However, too much cholesterol can lead to the development of fatty deposits (atherosclerosis) in your blood vessels which can affect the blood flow through the arteries and if these fatty deposits break apart, they can form a clot which can lead to a heart attack or stroke. For this reason, preventing the development of high cholesterol is key to preventing heart attack or stroke.

Heart Health Checklist

Know Your Numbers Treat Your Risk

y Total Cholesterol <5.5mmol/L

y LDL (Bad Cholesterol)

<2mmol/L (or <1.4mmol/L for those with CVD)

y HDL (Good Cholesterol)

>1mmol/L

y Blood Pressure – Systolic

<130mmHg and Diastolic

<80mmHg

y Blood Sugar <5.5mmol/L (fasting)

y Triglycerides <1.7mmol/L

Risk factors for high cholesterol?

High-cholesterol is caused primarily due to lifestyle-based risk factors but there are two uncontrollable risk factors being a family history of high-cholesterol and those older than 45-years are also at risk. The following risk factors significantly increase your disk of developing high cholesterol.

z Smoking

z Being overweight or obese

z Lack of exercise or physical activity

z Poor diet and nutrition

z High-blood pressure

z High-alcohol intake

How is cholesterol tested?

Cholesterol is measured via taking a blood sample. When measuring cholesterol, we generally look at LDL (low-density lipoprotein) the bad cholesterol, HDL (high-density lipoprotein) the good cholesterol and Total Cholesterol.

Another test which requires a referral from a medical practitioner is to assess Lipoprotein (a). This is a type of lipoprotein that is genetically inherited and can be an independent risk factor for heart disease based on the levels in your bloods. Talk to your GP today about your Lp(a).

How can you lower high cholesterol?

There are several ways to lower your cholesterol profile. Your GP or Cardiologist would be able to help you best ascertain what would be best for your individual risk and needs.

Diet

A healthy diet can help reduce cholesterol and more importantly reduce your weight to a healthy BMI.

Exercise and physical activity

Achieving more than 150-mins per week of aerobic exercise per physical activity can help reduce your risk of developing highcholesterol and heart disease.

Medications

If needed medications may be required to help lower your cholesterol levels in conjunction with diet and exercise. Medications for lowering cholesterol are safe and highly effective, with new ways to treat your cholesterol either via oral statins or fortnightly or six-monthly injections.

Cardiovascular Disease can happen to anyone. A simple Medicare GP bulk-billed Heart Health Check is available to all those above the age of 40 years. Arrange to see your GP as soon as possible and don’t delay any further. A Heart Health Check could save your life. If you already have heart disease, then go back to your cardiologist to make sure you take control of your heart health.

While genetics play a role, lifestyle choices such as diet, exercise, and alcohol intake are significant in heart disease prevention. By identifying your risk factors and ensuring that each of them are in normal ranges you can ultimately reduce your risk of developing heart disease. At the end of the day, it is a numbers game with 8 risk factors you can control against the 2 you can’t control being your age and genetic history.

Elite Gear for Every Runner

When it comes to running, age is just a number—at least, that’s the mindset of Adelaide-based marathon runner David Costi, 54. Discovering his passion in his forties, David embodies the philosophy of local brand One Running Apparel: that every runner deserves elite gear.

Inspired by others while on holiday in Darwin, he took up running in 2012. Twelve years later, he’s racked up PBs that would inspire any runner: a 5k in 19:59 and a marathon in 3:18:30. His highmileage training weeks, often reaching 90 km, are backed by elite performance apparel.

That’s where One Running comes in. Founded by elite Adelaide runners frustrated with ill-fitting sportswear, the brand creates technically advanced, beautifully designed apparel. Whether chasing PBs or running for joy, One Running delivers functionality and comfort.

For fifty-plus runners, gear that supports comfort, performance, and style is key—whether at parkrun or marathon training. One Running’s innovative designs ensure runners of all abilities can stride confidently in apparel built to last.

Simple Swaps for Better Heart Health:

Reducing portion sizes, cutting alcohol intake, and trying intermittent fasting can improve heart health.

Aim for 30 minutes of exercise daily, even in shorter bursts.

For more information about Cholesterol or CVD in general visit Heart Support Australia:

heartsupport.org.au

Know Your Numbers Treat Your Risk is a national awareness campaign led by Heart Support Australia for more information:

knowyournumberstreatyourrisk. com.au

MAKE A STATEMENT

It’s not just eyewear. It’s your boldest accessory. At Design Eyewear, we believe in the power of a statement, and nothing speaks louder than the perfect pair of glasses.

Whether you’re going for bold, sophisticated or unapologetically you, your glasses should make the impression you want. It’s time to make your mark.

LIVING AT HOME FOR LONGER

South Australians are increasingly wanting to stay in their own homes as they age. The good news is that there are now many services available to support older people to maintain their independence.

Providers, like ECH, can take care of the day-to-day tasks, as well as medical, wellness and personal care needs so that you can get more out of life.

Many people pay for these services directly with their own funds, or by using their private health funds. Others access services once they receive government funding to contribute toward the costs.

For those who access Government funding for their services, there are changes coming up with the introduction of the new Support at Home program.

WHAT IS SUPPORT AT HOME? WHAT IS CHANGING?

Support at Home is a new Australian Government initiative designed to simplify care and prioritise supported and independent ageing.

From 1 July this year, Support at Home will replace two existing types of government funding – the Home Care Packages (HCP) Program and the Short-Term Restorative Care (STRC) Programme.

The Commonwealth Home Support Program (CHSP) will also merge with Support at Home no sooner than 1 July 2027.

Support at Home aims to help older Australians stay in the comfort of their own homes for longer, by giving them more choice, flexibility and transparency to better tailor their services to their individual needs and preferences.

Changes under Support at Home include:

y Levels of care – while there are currently four levels of support available, under Support at Home there will be eight. Annual funding will be up to $78,000 per person.

y How you pay – recipients will be 100% funded for clinical care but will pay a percentage of the cost of non-clinical/dailyliving support services.

y Capped pricing – the government will set limits for what providers can charge and there will be no separate administration or management fees.

y Less waiting – wait times for services are expected to reduce, with the government targeting a three-month waiting list by July 2027.

WHAT WILL SUPPORT AT HOME FUND?

Services and supports currently available will continue under Support at Home. They will fall into three categories, including:

y Clinical supports – services that help to maintain or restore physical or mental abilities and are delivered by, or supervised by, an accredited health professional such as a registered nurse or allied health practitioner. This could include nursing care, allied health and therapeutic services, nutrition, care management, and restorative care.

y Independence supports – these are the things that will help you to maintain your independence and support daily living, like personal care, social support and community engagement, respite care, transport, and assisted technology and home modifications.

y Everyday living supports – services that will enable older people to continue living in their own homes, including domestic assistance and housework, home maintenance and repairs, and meal preparation and meal delivery.

WHAT WILL IT COST?

What you pay will depend on your income, assets and pension status. The contribution required from funding recipients varies as per below:

y Clinical supports – the government will pay 100%.

y Independence supports – individuals will pay 5-50%.

y Everyday living supports – individuals will pay 17.5-80%

If you are already receiving a Home Care Package, or you are on the National Priority System and assessed as eligible for a package as of 12 September 2024, the government has advised that you will be no worse off under Support at Home. Any unspent funds you have from your home care package will also be retained to use under the new program.

The government has also committed to a lifetime cap for Support at Home, which means individuals will pay no more than $130,000 in costs over their lifetime. This balance can be carried over to residential care if required.

People who currently receive a home care package are encouraged to utilise their available funding before 1 July 2025 to help demonstrate the level of support you require into the future under Support at Home.

To learn more about maintaining your independence and what’s changing with Support at Home, contact ECH’s friendly team on 1300 275 324 or visit:

ech.asn.au/support-at-home

THE ‘M’ WORD

Interview by Olivia

Williams

Menopause is often whispered about or ignored—but Megan Hayward is on a mission to change that. A passionate menopause advocate, Megan recently hosted a screening of The (M) Factor: Shredding the Silence on Menopause in Adelaide, a documentary highlighting the economic, emotional, and professional challenges faced by 1.3 billion women worldwide. With Australia leading the way as the first country to launch a national inquiry into menopause, Megan hopes the film will spark a wider conversation and empower women to reclaim their health, careers, and confidence.

We spoke with Megan about the film’s impact, the myths she wants to bust, and what still needs to change.

FOR THOSE WHO HAVEN’T SEEN THE M FACTOR, CAN YOU TELL US WHAT THE DOCUMENTARY IS ABOUT AND WHY IT’S SO IMPORTANT?

The documentary’s main purpose is to highlight the silence around menopause. It sheds light on the struggles that 1.3 billion women worldwide face—things like lost wages, career disruption, and family upheaval. The film confronts the neglected menopause crisis, challenging societal and medical shortcomings, and advocates for a more prepared, supportive approach to women's health, especially in America.

HOW DO YOU HOPE THIS DOCUMENTARY WILL SHIFT THE CONVERSATION AROUND MENOPAUSE IN AUSTRALIA?

Thankfully, the conversation is shifting. Australia is the first country to launch a national inquiry into menopause—an incredible milestone. And with Labor’s recent pledge of $573 million for women’s health, including subsidies for menopause treatments, we’re making real progress.

More women are beginning to realise that menopause isn’t something to hide or be ashamed of. It’s a natural phase, and it’s time we start talking openly about it to get the support we need. The documentary will reinforce that menopause should be taken seriously. With the right support, future generations of women won’t just survive menopause—they’ll thrive.

YOU’VE BEEN VOCAL ABOUT THE LINK BETWEEN MENOPAUSE AND ECONOMIC INSTABILITY. WHAT NEEDS TO CHANGE TO BETTER SUPPORT WOMEN DURING THIS TRANSITION?

We need to raise awareness about the challenges women face in the workplace. Currently, 27% of women retire early before 55, and 17% take extended breaks from work between ages 45-64, which has significant

financial consequences. Many women also face challenges like divorce and domestic violence during this time, which can further disrupt their careers.

The conversation around menopause needs to move beyond just hot flushes—there are around 44 symptoms, many of which can be debilitating in the workplace. With more women aged 45-55 staying in the workforce, organisations need to implement mandatory menopause training. This would help raise awareness of the symptoms and create a more supportive work environment.

Employers must take responsibility for creating a safe and flexible environment. Many women just need flexibility to manage symptoms discreetly. Training and awareness should be part of workplace policies and could start with small efforts, like a 45-minute session on menopause.

WHAT DO YOU THINK THE IMPACT OF THE FEDERAL GOVERNMENT’S $573 MILLION PLEDGE FOR WOMEN’S HEALTH WILL BE, AND WHAT MORE NEEDS TO BE DONE?

The federal government’s pledge will make healthcare more accessible and equitable by improving doctor training on menopause and female health conditions. It will also allow for better coordination of care and more dedicated clinics.

However, we also need more funding for allied and complementary health services. Many women can’t or don’t want to use hormone therapy, and services like physiotherapy or complementary medicine are crucial for managing menopause symptoms. Women’s sexual health also needs more attention—testosterone should be on the PBS, and the cost of IUDs should be the same as a vasectomy.

Another area requiring attention is osteoporosis prevention. DEXA scans are currently only funded for women over 70, but 23% of women over 50 live with osteoporosis. Early testing should be available from age 40 and funded by Medicare to allow for timely intervention.

WHAT HAS BEEN THE BIG GEST CHALLENGE IN GETTING PEOPLE TO TAKE MENOPAUSE MORE SERIOUSLY AS A WORKPLACE AND SOCIETA L ISSUE?

The biggest challenge is getting people to recognise menopause as a legitimate issue. Many women, especially older generations, avoid discussing it at work out of fear of being perceived differently. This stigma keeps the conversation hushed and prevents proper support.

Menopause symptoms can affect job performance and job satisfaction, but workplaces are often still structured around the traditional 9-5 model, which doesn’t account for women’s needs during this stage of life. Employers assume menopause training requires a large-scale program, but it can start small—something like a 45-minute lunch-and-learn session can open the conversation.

Ongoing awareness is key. We need to normalise the conversation by including menopause education in onboarding processes, making it part of the workplace culture.

YOU’VE TALKED ABOUT THE STIGMA AND MISINFORMATION SURROUNDING MENOPAUSE. WHAT ARE SOME OF THE BIGGEST MYTHS YOU’D LIKE TO BUST?

“You are too young!”

I’ve heard this many times, and it just adds to the feeling that something is wrong with me. The average age for menopause is 51, but perimenopause can start as early as 39, particularly for women with a history of stress, trauma, or medical issues.

“Menopause means your life is over!”

Absolutely not! Menopause simply means you’re no longer reproductive. It doesn’t mean you’ve reached your ‘used by date.’ In fact, menopause can be empowering. Certain whales are the only non-domesticated mammals with a post-reproductive stage, and they play vital roles in their communities. Like them, women at this stage have so much to offer.

“You’re just crazy, hormonal, and emotional.”

The idea that menopause makes women ‘crazy’ is a harmful stereotype. If you’re not sleeping, juggling work and caregiving, dealing with painful periods, and experiencing symptoms like body pain and migraines, it’s no wonder you might feel overwhelmed. It’s not ‘hormonal’—it’s a lack of support and recognition.

ADVOCATING FOR YOURSELF TIPS FOR NAVIGATING MENOPAUSE MISDIAGNOSIS

If you feel unheard by medical professionals, here’s some advice:

y BE PREPARED: Bring a list of symptoms to your GP. Use a Menopause Symptom Tracker to help identify your main concerns.

y ASK QUESTIONS: Don’t be afraid to ask for tests, like a full functional health test, not just the FSH test.

y SEEK ADVICE: Talk to others about their experiences and which specialists they’ve seen.

y ADVOCATE FOR YOURSELF: Don’t be afraid to push for the care you deserve—be your own best advocate!

WHAT ROLE DOES MIMI MOON MENO PLAY IN SUPPORTING WOMEN THROUGH MENOPAUSE?

Through Mimi Moon Meno, I lead workshops for organisations, empowering women to reclaim their health during menopause. I’ve developed a program, Menopause: An Essential Guide for Workplace Support, which helps employers understand menopause and create a supportive work environment.

I also offer individual support through Shout! Sessions, where I help women navigate specific challenges and set goals for managing their menopause journey. These sessions are all about providing tailored strategies and advice to help women manage their symptoms and get the care they need.

I continue to advocate for change, raising issues with our leaders to enhance support for women going through menopause.

Discover Exceptional Home Care and Seaside Living with Alwyndor

Alwyndor offers more than picturesque living near Adelaide’s premier seaside suburbs.

We provide a comprehensive range of home care services, therapy and wellness services designed to support you in maintaining your independence, engaging in community activities and living a fulfilling life in your own home.

Catering to Adelaide’s southern metropolitan community, we are dedicated to enhancing the quality of life for those who wish to remain at home while enjoying the finest care and support.

Tailored Support for Your Lifestyle

We understand that as you age gracefully, certain daily tasks may become more challenging.

Whether it’s household chores, medical appointments or ensuring personal health and wellness, our services are designed to cater to your needs and preferences.

As an approved provider of home care services, we will work with you to create a personalised care plan that may include:

y Cleaning: Ensuring your home remains clean and comfortable.

y Shopping: Assistance with grocery shopping to ensure your pantry is well- stocked.

y Meal Preparation: Nutritious meal planning and preparation to suit your dietary needs.

y Transport: Reliable transportation for medical appointments and social engagements.

y Home and Garden Maintenance: Keeping your home and garden in pristine condition.

y Personal Care: Support with daily activities such as showering and dressing.

y Nursing Support: Professional nursing services for health monitoring and medical care.

y Mobility Equipment: Assistance with accessing and installing mobility aids to enhance your safety and independence.

y Social Outings: To keep you engaged and active within the community.

By offering these essential services, Alwyndor ensures that you can continue to enjoy the comfort and familiarity of your own home while receiving the support you need.

Comprehensive Therapy Services

Maintaining your physical health and wellbeing is crucial for enjoying life to the fullest. We offer a variety of one-on-one therapy services and group wellness programs designed to help you stay active and healthy. Our mobile and onsite therapy services include:

y Physiotherapy: Personalised exercises and treatments to improve mobility and manage pain.

y Occupational Therapy: Techniques and support to help you perform daily activities independently.

y Podiatry: Specialised foot care to keep you comfortable and mobile.

y Speech Pathology: Assistance with communication and swallowing difficulties to enhance your quality of life.

y Exercise Physiology: provides you with exercises to prevent or manage chronic disease and/or injury and restore your optimal physical function.

These therapies are tailored to your specific needs including Reablement and Restorative programs to get you mobile and able to maintain your independence and wellbeing.

Engaging Wellness Programs

Beyond individual therapies, we offer group wellness programs that provide physical benefits and social interaction. These programs are designed to keep you active, connected and involved in a supportive and friendly environment.

Respite Care

Recognising the importance of both personal wellbeing and caregiver support, Alwyndor provides centre-based respite services. These services offer a muchneeded break for primary caregivers while ensuring that you receive the highest standard of care and engagement.

If the need arises you can consider our superb Residential Living options at our Hove location.

End of Life Care

At Alwyndor, we understand that facing the end of life can be an incredibly challenging time. That’s why we are committed to providing care that embodies the dignity, respect, and kindness that every individual deserves. In 2025/26, we will be unveiling a dedicated palliative care suite, aimed at further enhancing our compassionate care options for our clients.

Contact us to discuss how we can tailor our services to meet your needs and enhance your lifestyle.

52 Dunrobin Rd, Hove 8177 3200 alwyndor.org.au

Create a Space you Love

Remember the thrill of moving into your home? Every corner felt special, filled with possibility. But over time, our homes may become cluttered and uninspiring—more of a storage unit for memories than a place of joy. The good news is you don’t need to move or undertake costly renovations to reignite the spark. A little decluttering, reimagining and thoughtful styling can breathe new life into your home, making it a space you love living in once again.

With over 60 years of combined interior design experience, Mandy Primett and Karyn Gulliver from Shô understand that many homeowners struggle with an accumulation of belongings—some sentimental, some inherited, and some simply outdated.

Often, we’ve become burdened by other people’s belongings— our parents’ furniture, our children’s mementos.

– Mandy Primett

“But decluttering isn’t about discarding the past; it’s about curating a home that reflects the best of your life’s journey” Karyn explains.

www.grundysshoes.com.au

Unlike staging a house for sale, this process isn’t about creating a show-home aesthetic; it’s about striking a balance between beauty and liveability. “We gently redirect you from feeling overwhelmed and cluttered to feeling in control and curated,” Karyn says. The process involves repurposing, recycling, donating, rediscovering, and reinventing what you already own, while adding styling items as needed. ‘Letting go’ doesn’t mean losing your history—it means taking the most special elements with you into a refreshed, beautiful space.

The team from Shô also prefers the term ‘rightsizing’ over ‘downsizing.’ “Downsizing indicates a ‘downhill step,’ whereas rightsizing is a ‘leap forward’ into a freer, more intentional way of living,” Mandy explains. By eliminating unnecessary clutter and focusing on what truly matters, you create a home that’s both functional and your haven.

Not sure where to start? Sometimes, all it takes is a little love, a guiding hand and professional expertise. “With the right support, you can fall in love with your home all over again.”

And fittingly, Shô stands for Styling, Home, and Organisation—the perfect trio for rekindling your home’s magic.

Contact Shô for an in-house consultation:

Mandy: 0425 764 180 Karyn: 0402 912 981 hello@shohome.com.au @sho.collective

Mandy Primett and Karyn Gulliver

Mastering the Art of Small Talk

by Angie McBride, FiveAA

2025 is an excessively BIG social year, as most of my friends were born in 1975hitting the big 50!

I have a number of birthday parties in the diary. The social pressure of finding a dress that looks decent and then having to talk to people. Sweating already! I feel awkward socially. Of course, I want to celebrate with my friends as it is a milestone worthy of a cocktail or two (drink responsibly). I am an introvert when I go into social situations and do not know people. I am an extrovert when I feel comfortable and safe. My friends and work colleagues get the full extroverted ‘Angie.’ They may tell you that isn’t necessarily a good thing!

I know people struggle socially and have genuine social anxiety which can be crippling for them. I am completely sympathetic to that. The thing about socialising that slightly irks me, is when those who ARE socially confident

Strikingupaconversationcanbe dauntingandinconvenient,butwe needtostartcaringandshowing interestinothers.” “

are more than happy to talk about themselves but not ask questions back. I have been in this situation on many occasions. I am genuinely interested in people; their background; what they do; what drives them; do they like Vegemite etc. I seem to be the one always asking the questions; enough to last at least 15 minutes. When I stop asking questions... the sound of crickets. How awkward is that silence? Very! Maybe I should get used to that silence or stare at them intently until they feel slightly uncomfortable. At least that would give them something to talk about at the next party. “There was this weird girl who wouldn’t stop staring at me; it was very odd; very creepy.”

and become involved outside of yourself. You never know what you might learn or get out of it. I could be a secret billionaire wanting to offer money to those who start a conversation!

Striking up a conversation can be daunting and inconvenient, but we need to start caring and showing interest in others. The way the world currently is with wars, antisemitism, cost of living, no rain, the negativity of social media and people having their heads stuck in their phones 99% of the time. Asking that person at a party what they like or how they know the person hosting the party might make them feel significant and important for a change. In turn, which will make you feel good and provide a bit of light relief from the woes of day-to-day life and universal events.

Generally, people do love talking about themselves. What do you want to know about me?! If you are in a social situation and not prepared to ask questions and not interested in or do not care to know things about the person you are talking to - don’t go to the party! Is that too harsh? If you are unemployed or retired, the conversation does not need to be about your current career. That doesn’t define you. Being a decent and kind human defines you. Ask what my favourite colour is? Do I have any pets? What movies do I like? Do I like eggs? Do I have a third nipple? The list goes on. My point is, expand your horizons fiveaa.com.au

I like your earrings…where did you get them from?

Weekend Breakfast with Angie McBride and Michael Keelan on FIVEAA 6am Saturdays and Sunday.

First release of premium care suites in North Adelaide.

Presenting a homely feel, with plenty of room for your personal effects, each private light-filled spacious and furnished suite offers your own charming lounge, boutique kitchen and generous bedroom with stunning private ensuite. Welcoming sitting areas, library, refined dining and outdoor spaces provide a wonderful extension to your suite, to enjoy with family and friends.

Rotary House, a truly redefined, revitalised and reimagined aged care experience.

To find out more call the Admissions Team on 8224 7763 or email info@westering.com.au

Make it greener

Looking for a meaningful farewell that’s kind to the planet? Discover how Simplicity Funerals offers sustainable choices, from natural burials to biodegradable urns.

Read more about eco-friendly funeral options in our latest article.

By Simplicity Funerals

It IS easy being green… Even for your final farewell

By Karen Bielak, Simplicity Funerals

Many in the funeral industry say, ‘it’s not easy being green’, but here at Simplicity Funerals, we’re more like Kermit the Frog. Although it may not be easy being green, we believe the commitment to sustainable practice is worth it.

As we become more conscious of our environmental impact, many of us are making greener choices in our daily lives. We recycle, drive hybrid and electric cars, and cut down on single-use plastics—but have you ever considered the environmental footprint of your final farewell?

Sustainable funerals are becoming an increasingly popular choice for those who want to leave a legacy of care for the planet. At Simplicity Funerals, we believe a meaningful goodbye shouldn’t cost the earth—literally. With eco-friendly options that honour both your life and the environment, here’s how you can say farewell sustainably.

Green doesn’t mean expensive or boring—it can be just as appropriate for farewelling your loved one with the additional legacy of caring for our planet.

A Natural Goodbye

For those who wish to return to nature in the gentlest way, burial at Wirra Wonga in Enfield Memorial Park is one of the greenest options available in South Australia. Nestled in natural scrubland, this serene space avoids traditional headstones, instead using GPS coordinates to mark resting places. No plaques, no concrete— just you and nature in harmony.

The Eco-Friendly Coffin

Traditional coffins, with their polished veneers and metal components, can take decades to break down. Instead, consider biodegradable alternatives such as wicker, cardboard, calico-wrapped, or untreated timber coffins. Not only do they decompose naturally, but they also require fewer resources to produce.

A Cremation with a Conscience

Simplicity Funerals partners with Adelaide Cemeteries to offer cremations using an advanced filtration system to minimise carbon emissions. We also provide biodegradable urns that dissolve in water or soil, allowing ashes to nurture the earth. Some urns even grow into trees, creating a living memorial.

Thoughtful Touches

Traditional memorial cards and order of services are printed on FSC certified recycled paper made from postconsumer sources such as kerb-side collections and commercial cardboard. For a more personal touch, consider tribute blossoms picked from your garden rather than market-bought flowers.

A Lasting Tribute

Simplicity Funerals offers seed packet memorials, allowing family and friends to plant something meaningful in honour of the deceased—a bed of native flowers or a grove of trees that will continue to flourish. As Audrey Hepburn said, “To plant a garden is to believe in tomorrow.”

Planning Ahead for a Greener Goodbye

More people are pre-planning their funerals, ensuring their wishes are met while also sparing loved ones the stress of making arrangements. By choosing a sustainable funeral, you take control of your final impact on the planet— leaving behind not just memories, but a healthier world for future generations.

Green doesn’t mean expensive or boring or ticking a lot of boxes, it can be sexy or beautiful and just as appropriate for farewelling your loved one with the additional legacy of caring for our planet.

At Simplicity Funerals, we’re here to help you create a farewell that aligns with your values. Whether it’s a natural burial, an eco-friendly cremation, or simply a few sustainable touches, we make it easy to plan a farewell that’s kind to the earth.

For more information, contact us 24/7 on 1300 556 222 or visit:

ADELAIDE Modernism

101 houses that shaped a city’s architectural identity

Words and interview by Olivia Williams

Modernist architecture flourished in Adelaide between the 1940s and 1970s, yet its contribution to the city’s built environment remains largely uncelebrated. Unlike the sandstone villas and bungalows that dominate Adelaide’s suburban landscape, modernist homes embodied a radical shift in design philosophy. These homes prioritised function over ornamentation, embraced new materials and construction methods, and sought to integrate architecture with the natural environment.

Architectural historian Tim Reeves is hoping to change perceptions with his latest book, Adelaide Modernism: 101 Houses. The book highlights some of the most significant examples of modernist residential architecture in Adelaide, offering a long-overdue tribute to the architects and homeowners who shaped this movement.

“These homes weren’t just about aesthetics,” Reeves explains.

“Modernist architects were deeply invested in improving the way people lived. They designed homes to be functional, efficient, and in harmony with their surroundings— qualities that still resonate today.”

Yet, despite their innovation, many of these homes remain underappreciated, with only a handful receiving heritage protection.

Documenting a forgotten chapter of Adelaide’s architectural story

Reeves’ book is the result of years of meticulous research, drawing on archival material, historical publications, and firsthand accounts. He selected the homes based on their architectural significance, the reputation of their designers, and their contribution to the broader modernist movement. Some houses were relatively well-documented, appearing in design magazines and newspapers of the era, while others had been largely forgotten.

A key breakthrough in his research came from accessing the John Chappel archive at the State Library and the Architecture Museum at UniSA. These collections provided invaluable resources, from architectural plans to early photographs, shedding light on the intentions behind each design.

“I was fortunate to access original plans and even personal notes from some of these architects,” Reeves says. “Seeing their sketches and handwritten annotations gave me incredible insight into their thought processes.”

Reeves also made a concerted effort to contact current homeowners, many of whom had no idea their homes were historically significant. Some were enthusiastic, eager to learn about the history of their houses, while others were surprised by the interest.

“In some cases, people didn’t even realise they were living in a home designed by one of Adelaide’s most respected modernist architects,” Reeves shares. “It was a real privilege to connect with these homeowners and help them see their properties in a new light.”

Many of the architects featured in the book had been influenced by international trends, drawing inspiration from the work of figures like Frank Lloyd Wright, Ludwig Mies van der Rohe, and Le Corbusier. However, they adapted these principles to suit Adelaide’s unique conditions, creating homes that responded to the local climate and lifestyle.

Architects designing for themselves

One of the most fascinating revelations from Reeves’ research was the number of architects who designed their own homes—nearly half of those featured in the book. This wasn’t just a matter of personal preference; it was a way for architects to experiment with new ideas and showcase their design philosophies in a tangible way.

“For many architects, their own home was their calling card,” Reeves notes. “It allowed them to test new materials and ideas that they might not have been able to convince a client to use.”

These self-designed homes often pushed boundaries, featuring unconventional layouts, new construction techniques, and a deep integration with the landscape. The home of architect Keith Neighbour, for example, became a testing ground for structural innovations. After the 1954 Adelaide earthquake, he reinforced the house with steel cables—an experimental solution that later influenced his broader work in seismic strengthening.

“He wasn’t just an architect; he was an engineer at heart,” Reeves says. “His home became a prototype for seismic resilience in South Australia.”

Other architects used their homes to explore how modernist principles could be adapted to Australian suburban life. Houses designed by Newell Platten, for example, featured extensive use of local materials and incorporated passive design techniques that kept them cool in summer without the need for air conditioning.

A climate-responsive approach

Unlike many postwar homes in Australia that relied on mechanical cooling, modernist architects in Adelaide sought to design homes that worked with, rather than against, the climate. Cross-ventilation, deep eaves, and carefully oriented glazing were essential components of these designs.

“MODERNIST HOMES WEREN’T JUST ABOUT AESTHETICS; THEY WERE DESIGNED TO IMPROVE THE WAY PEOPLE LIVED— FUNCTIONAL, EFFICIENT, AND IN HARMONY WITH THE ENVIRONMENT.”

Reeves highlights the 1958 Badger House as a particularly innovative example. While it lacked traditional eaves—a feature that typically provides shade in hot climates— it compensated with imported German heat-resistant glass, which helped regulate indoor temperatures.

“The ingenuity of these designs is remarkable,” Reeves says. “They were experimenting with sustainable building techniques long before sustainability became a buzzword.”

Many homes also embraced indooroutdoor living, with open-plan designs that seamlessly connected living spaces to courtyards and gardens.

“Architects like John S. Chappel and Dick Peddle were ahead of their time in incorporating outdoor spaces into the overall design of the home,” Reeves explains. “They understood that in a climate like Adelaide’s, a well-designed patio or courtyard was just as important as the living room.”

“WE NEED TO BROADEN THE CONVERSATION ABOUT WHAT HERITAGE ACTUALLY MEANS.”

The risk of losing Adelaide’s modernist heritage

Despite their historical and architectural significance, many of Adelaide’s midcentury modern homes are at risk. Poor renovations, neglect, and demolition for redevelopment have led to the loss of a significant portion of the city’s modernist housing stock.

“Very few of the homes I feature in the book remain in their original condition,” Reeves laments. “Many have been altered beyond recognition, or worse, demolished to make way for oversized new builds that ignore the principles of good design.”

One of the key challenges in preserving modernist homes is that they often lack the decorative detailing that is typically associated with heritage value. Unlike Victorian and Federation-era houses, which are adorned with intricate woodwork and stained glass, modernist homes are defined by their simplicity. This has made it difficult for them to gain recognition under traditional heritage frameworks.

Reeves believes that Adelaide’s modernist homes deserve the same level of recognition and protection as the city’s older heritage buildings. While some mid-century homes have been added to heritage registers, the process remains inconsistent, and many significant properties are still vulnerable.

“We need to broaden the conversation about what heritage actually means,” Reeves argues. “It’s not just about ornate facades and historic charm—modernist homes are just as important in telling Adelaide’s architectural story.”

Reeves also hopes that increased awareness of modernist design will encourage homeowners to approach renovations more thoughtfully.

“If people understand the intent behind these designs, they can make updates that enhance rather than erase the home’s original character,” he says.

Why modernism still matters

For Reeves, modernist homes aren’t just relics of the past—they offer valuable lessons for contemporary architecture.

“These homes were designed to be functional, efficient, and connected to the landscape,” he says. “That’s exactly what we should be aiming for in new housing today.”

With growing interest in sustainable housing and climate-responsive design, Reeves sees modernism as a vital blueprint for the future of architecture. As Adelaide continues to evolve, his book Adelaide Modernism: 101 Houses not only celebrates these groundbreaking homes but also urges a collective effort to preserve this pivotal chapter of the city's history. While modernism enjoys a global renaissance, particularly in furniture and design, Adelaide's architectural landscape is still fighting against the prevalence of mass-produced, cookie-cutter homes. These often fail

to respond to their environment or the local climate, resulting in inefficient, poorly oriented spaces. Reeves believes that by embracing the principles of modernist architecture—characterised by functionality, sustainability, and climate responsiveness—we can create homes that are better suited to our future. Instead of erasing the past, it’s time to learn from it, ensuring thoughtful innovation that honours the legacy of modernism.

Why Property Debt Funds Are Gaining Attention in Current Markets

by Joe Christie, Executive Director (Investor Relations & Distribution), Capital Property Funds

In an environment of economic uncertainty, property debt funds are emerging as a compelling option for investors seeking reliable income and stability. Offering attractive interest and backed by real property, they provide a resilient alternative to more volatile assets—an attractive feature in unpredictable markets.

Global financial markets remain unsettled, with concerns about US trade policy, tariffs, and recession fears. Central banks face slowing growth and rising inflation.

In response, investors are increasingly seeking lower-risk strategies that still generate meaningful returns.

Property debt funds pool investor capital to finance loans secured by real estate. This security means that if a borrower defaults, the lender has recourse to the property—offering a clear downside buffer. While some assume non-bank lending is riskier, these funds typically support well-managed, asset-backed projects that fall outside traditional banks’ narrowing criteria. For investors, this opens the door to high-quality, riskadjusted returns anchored by real assets.

Australia’s property market remains relatively robust. Unlike listed equities, which swing with sentiment, property debt funds are unlisted and less reactive to market noise. They deliver predictable

income through borrower interest payments and are generally less volatile.

As banks scale back lending, property debt funds meet demand, securing favourable terms that translate into better investor returns.

In uncertain times, the combination of steady income, property-backed security, and lower correlation to public markets makes property debt funds an attractive portfolio addition.

This article is for informational purposes only and does not constitute financial advice or a personal recommendation. Capital Property Funds is not licensed to provide financial advice. All investment decisions should be made in consultation with a qualified financial advisor, taking into account your personal circumstances. Past performance is not a reliable indicator of future results.

JACQUI'S FOOD ADVENTURES

Jacqui Lim is a passionate, active advocate of the food and wine industry. Besides eating and drinking a lot, she sees her role to be connecting people with, and through, good food whether it be organising food and wine events, sharing her experiences on Instagram @jacquisfoodfetish, recommending restaurants or simply bringing friends together to enjoy a meal.

Follow @jacquisfoodfetish for more insights into the dining plates of Australia’s best restaurant.

Staguni

Snacks – Larger $9 - $35

Housed in the charming 1922 Marananga schoolhouse, Clare Falzon’s farmhouse-style eatery Staguni (Maltese for ‘seasons’) is all about local, fresh, and seasonal, drawing flavour inspiration from the Mediterranean and surrounds. Staying true to its schoolhouse roots, menus are handwritten on lined paper, and wines are chalked up on the original blackboard. Clare’s dishes are simple, honest, and full of flavour, allowing the produce to take centre stage. Staguni is warm and inviting, and a must for your next Barossa visit.

457 Seppeltsfield Road, Marananga @stagunirestaurant

2KW

Snacks and smaller $6.50 - $32, Larger $28 - $175, Chef’s Menu $85, $115

This 8th floor restaurant and bar offering stunning city views has been a favourite among both locals and visitors for over a decade. I’ve always loved the food here – it’s produce-driven modern Australian cuisine, complemented by an exceptional wine list. 2KW has a refined atmosphere, ideal for a leisurely lunch or dinner in its spacious, open dining area. Be sure to sip on a cocktail and take in the view from the terrace bar, whether before or after your meal.

2 King William Street, Adelaide @2kwbar

Penny Blue

Starters $9 - $29, Mains $34 - $68

Housed in the historic GPO building and named after a rare stamp, Penny Blue exudes elegance and style. Its interior blends sleek modernity with timeless charm, creating a sophisticated setting that mirrors the quality of the food. The menu is contemporary Australian with classic touches featuring dishes like a refreshing Prawn Cocktail with baby cos and avocado, Blue-eye Trevalla with saffron fennel and lemongrass foam, and a show-stopping Beef Wellington for two. Don’t miss the beautifully crafted Darwin Pea Daisy cocktail.

141 King William Street, Adelaide @pennybluerestaurant

Aurora Restaurant at ILA Three courses $95pp, Five courses $130

At Aurora Restaurant you’ll get contemporary fusion dining with three or five course degustation options. Aurora is part of Adelaide’s Centre of Immersive Light and Art (ILA), a not-for-profit that creates opportunities for artists through its hospitality, events and immersive technologies. The team is continually exploring new ways to blend the culinary and artistic experience with a focus on innovation and sustainability. Optional beverage pairings are available to enhance your experience.

ILA | 63 Light Square, Adelaide @aurora_adl

Thelma

Smaller $14 - $22, Larger $26 - $42, Feed Me $85pp

Thelma, in the heart of Piccadilly in the Adelaide Hills, is a quaint neighbourhood dining spot serving food, wine and coffee. It’s cosy, and in keeping with the size of the venue, chef and co-owner Tom Campbell works out of a tiny kitchen space to deliver a small, frequently changing menu. The food is European country-style using fresh, quality ingredients. It’s a relaxed place where you can sit down for lunch, enjoy drinks and snacks, or drop in to get a sandwich to go.

176 Piccadilly Rd, Piccadilly @thelmapiccadilly

EAT, EXPLORE , ENJOY

Where else can you travel the world one trader at a time? Find a unique ingredient for your recipe? Enjoy a meal with live music? Great specials every single visit? Only at the Market, the Adelaide Central Market!

Whether you're a food lover, a gourmet cook, or simply someone who enjoys fresh, locally sourced ingredients, the Adelaide Central Market offers something for everyone. From delicious cheeses, freshly baked bread to the best local produce, seafood, flowers and sweet treats, there’s always something to discover.

Friday Nights at the Market

Friday nights at Adelaide Central Market were recently voted Australia's favourite food experience in the 2025 delicious 100 awards and it’s easy to see why! The Market has such a vibrant atmosphere with something for everyone - the best of SA, food from around the world, cheap eats and live music all under one roof. Every Friday you can kickstart your weekend with live tunes from some of Adelaide's most talented musicians and stroll through over 70 traders offering everything from fresh local produce to mouth-watering meals and pick up your weekend essentials... It’s the perfect way to wind down after the week!

Plan Your Visit

The Adelaide Central Market is open Tuesday to Saturday, with late-night trading on Fridays until 9pm.

Free Audio Tour

Looking for a Market activity during your next shop? Join co-hosts and renowned foodies Adam Liaw and Katie Spain as they share some of the hidden gems and insights into the Market with our free audio tour!

Start the tour at The Market Stall (Gouger Street end) to pick up your map and we recommend bringing your earbuds or headphones for the best listening experience.

The audio tour is available for free on all Android and Apple podcast platforms.

Find out more:

adelaidecentralmarket.com.au/ tour

Open Tuesday - Saturday

Tuesday 7:00am - 5:30pm Wednesday 9:00am - 5:30pm*

Thursday 9:00am - 5:30pm Friday 7:00am - 9:00pm Saturday 7:00am - 3:00pm *Selected Stalls

Markets in Season

There’s something truly special about shopping at a farmers’ market—the sights, sounds, and most importantly, the fresh produce. As the crisp air of May rolls in and we move into the cooler months, these markets become the heart of our local food scene, offering everything from seasonal harvests to artisanal goods and a taste of South Australia’s finest products.

Adelaide Showground Farmers’ Market

Rose Terrace, Wayville

Held every Sunday, this bustling market is one of the state’s largest and most well-established. The Showground Farmers’ Market offers a wide range of fresh, organic produce, local meats, dairy products, and pantry essentials. Be sure to check out the seasonal selections of kale, pumpkins, sweet potatoes, apples, and citrus fruits during the cooler months.

Key Vendors:

y The Food Forest is a foundation stallholder at the market, is a permaculture farm that grows seasonal, organic produce. They offer a diverse selection of fruit, vegetables, nuts, pulses, olive oil, dressings, juice, wine, beer, and cider, with their signature specialty being organically certified pistachio nuts.

y Pomology @ Tarrawood is home to 20 apple varieties—including Pink Lady, Fuji, Royal Gala, and Granny Smith—along with eight types of pears and Lisbon lemons, some available year-round.

y Naranja Orchards specialise in Riverland citrus, Naranja Orchards offers limes, oranges, mandarins, and exotic citrus varieties. Returning in May/June with fresh citrus.

y Choice Gourmet Mushrooms offer a year-round selection of exotic mushrooms that change with the seasons.

Where to Shop Local this Winter

Willunga Farmers’ Market High School, Main Rd, Willunga

Willunga Farmers’ Market combines great local produce with a relaxed, country atmosphere. In May, the market is filled with fresh leafy greens, root vegetables, and local cheeses—ideal for the winter months.

Key Vendors:

y Pasta Social Club puts a vibrant spin on handmade pasta, crafting boldcoloured creations like beetroot magenta, spinach green, and lemon myrtle. Made with fresh, local ingredients—including gluten-free options.

y San Jose Smallgoods crafts awardwinning smallgoods from 100% Australian, free-range heritage pork, celebrating authentic salumi and embutidos with rich, time-honored flavours.

y Fleurieu Lavender has handharvested organic lavender, crafting fudge, brownies, and lemonade that capture the essence of the Fleurieu Peninsula since 1999.

Adelaide Hills Farmers Market 23 Mann Street, Mount Barker

From May to July, the Adelaide Hills Farmers Market is full of seasonal delights like potatoes, onions, and apples, as well as locally produced jams, sauces, and condiments.

Key Vendors:

Barossa Farmers’ Market

740 Stockwell Road, Angaston

During May to July, the Barossa Farmers’ Market features an abundance of fresh apples, pears, and citrus, as well as artisan breads and cheeses.

Key Vendors:

y Barossa Valley Ice Cream Co crafts award-winning ice cream using Jersey Fresh milk and local fruit from the Riverland and Adelaide Hills. With flavors like Belgian Chocolate, Black Licorice, Honey & Rosemary, and Gin & Lime Sorbet, they offer a perfect blend of classic and creative tastes.

y Birdwood Venison has been breeding premium venison for over 30 years, with their herd roaming freely on 40 acres in Birdwood for the best quality meat. At the market, they offer fresh venison, gluten-free sausages, pies, smallgoods like bresaola and chorizo, and even splint-free dog chews for furry friends.

y HillTilly Distillery crafts small-batch gins and vodkas at their off-grid Adelaide Hills property, using local, organic ingredients and solar power. Their seasonal range ensures there’s always something new to try.

y Salt Gang crafts small-batch chili oils, condiments, and ferments inspired by Chinese and Japanese traditions, using the finest Adelaide Hills produce for bold, unique flavours.

Birdwood Venison at Barossa Farmers’ Market

Fleurieu Lavender at Willunga Farmers’ Market

Salt Gang at Adelaide Hills Farmers’ Market

A TASTE OF LUXURY | Truffle Season in Adelaide

As the winter chill settles over South Australia, a sought-after delicacy begins to make its appearance— the truffle. From June to August, Adelaide’s top chefs and food artisans embrace this rich, umami-packed ingredient, transforming it into indulgent seasonal dishes. Whether you're foraging in the Adelaide Hills or enjoying truffle-infused creations at some of the city’s finest restaurants, truffle season promises a truly special dining experience.

WHAT ARE TRUFFLES?

Revered as the "black diamond" of the culinary world, truffles are subterranean fungi that grow in symbiosis with the roots of oak and hazelnut trees. Unlike mushrooms, which sprout visibly above ground, truffles develop beneath the earth’s surface, relying on specialised scent-detecting dogs to locate them. The intense, earthy aroma is what makes them so highly prized, with just a few shavings capable of transforming a dish into something extraordinary.

The black winter truffle (Tuber melanosporum), the most common variety found in South Australia, has an aroma and flavour profile that’s both robust and complex, offering notes of earth, garlic, and even hints of chocolate. Its rarity and difficulty to cultivate only add to its mystique, making it one of the most luxurious ingredients in the world.

SOUTH AUSTRALIA’S TRUFFLE HEARTLAND

Adelaide’s cool-climate regions, particularly the Adelaide Hills and Fleurieu Peninsula, provide ideal conditions for truffle cultivation. Over the past decade, a handful of dedicated truffle growers have mastered the delicate art of nurturing these elusive fungi, offering visitors a rare opportunity to experience the thrill of the hunt firsthand.

WHERE TO EXPERIENCE A TRUFFLE HUNT

Quercus Truffles

Nestled in the picturesque Piccadilly Valley, Quercus is a family-owned farm known for its premium black truffles and immersive experiences. During the winter season, guests can join their renowned truffle hunt tours—a two-hour adventure that includes both hunting and a gourmet tasting. For a more immersive outing, Quercus offers a four-hour experience, starting with morning tea by the fire, followed by a guided hunt, and ending with a truffle-infused degustation paired with premium Adelaide Hills wines. quercustruffles.com.au

Lovely Valley Truffles

Located in Myponga on the Fleurieu Peninsula, this family-run truffle orchard supplies some of South Australia’s top restaurants. Their seasonal truffle hunts provide a fascinating insight into the cultivation and harvesting process, complete with truffle-infused tastings and wine pairings.

lovelyvalleytruffles.com.au

Adelaide Hills Truffle Co.

This boutique truffle farm in the Adelaide Hills hosts immersive truffle hunts during winter, where guests can follow expertly trained dogs as they sniff out truffles beneath the cool forest floor. The experience is capped off with tastings that highlight the depth of flavor this delicacy brings to simple, well-crafted dishes. adelaidehillstruffles.com.au

A TASTE OF TRUFFLE

Once harvested, these luxurious fungi are delivered to Adelaide's top chefs, who craft dishes that highlight their intoxicating depth of flavour. Truffles are best enjoyed fresh, ideally within 4-5 days, as their distinct aroma and flavour diminish over time. When fresh truffles appear on a menu, it’s worth asking where they’re from to support the local South Australian truffle industry.

Restaurants that proudly serve and support South Australian truffles include:

y Anchovy Bandit - Prospect

y Anvers Wines - Kangarilla

y Crafers Hotel Restaurant - Crafers

y Dolly Bar - Unley

y Good Gilbert - Goodwood

y Hardy’s Verandah RestaurantMount Lofty House

y Lune Bar - Beulah Park

y LVN Restaurant - Woodside

y Mount Lofty Ranges VineyardLenswood

y Ondeen - Verdun

y Sequoia Lodge - Mount Lofty

y Topiary - Tea Tree Gully

BRINGING TRUFFLES HOME

For those looking to source fresh truffles during the season, they can purchase directly from the growers. Quercus has a stall at the Adelaide Farmers Market in Wayville every Sunday, while Adelaide Hills Truffle Company can be found at the Stirling Market.

A TASTE OF THE MARKET

Gourmet to Go

For over two decades, husbandand-wife duo Paul and Irene Noakes have run Gourmet to Go, a much-loved fixture at the Adelaide Central Market. Their stall offers high-quality, ready-to-eat meals and handcrafted preserves, catering to various dietary needs while celebrating flavours from around the world.

“Being part of the most iconic food market in Australia is inspiring,” says Paul. The ever-changing nature of the market fuels their passion as they continually source new products and expand their range.

“Offering quality take-home foods— whether it’s a simple pie, a family lasagna, or dishes inspired by different cultures—is at the heart of what we do.”

A standout feature of Gourmet to Go is its small-batch jams and chutneys. Irene, the mastermind behind these preserves, takes a hands-on approach. “I make

Little Pete Brewing Langhorne Creek’s Newest Hotspot

small batches, and all fruit—especially marmalade—is hand-cut. Being small batch and handmade ensures a quicker cooking time, therefore more flavour in the jar!” Many of the fruits come straight from their backyard orchard, including cherries, plums, blackberries, apricots, cumquats, and Seville oranges. “Ingredients are simply fruit and sugar,” she adds.

The market’s vibrant energy has kept the duo engaged over the years. “No two days are the same! The atmosphere is buzzing with chatter and aromas from different stalls.” Their long-term customers add to the experience. “We regularly talk to established customers each day and keep updated with their life and work.”

If you're visiting for the first time, Paul recommends the Barossa Pasty from Tanunda’s Apex Bakery. “We’ve stocked it at Gourmet to Go for at least 29 years—it’s a long time favourite and a true classic.”

Langhorne Creek has a fresh new reason to visit, with Little Pete Brewing launching its highly anticipated open-air bar. Nestled on 20 acres and framed by ancient river red gums, this first-ofits-kind venue offers craft beer lovers a laid-back escape with stunning vineyard views.

Co-founders Warren and Beck Burgess have poured their passion into creating a space that blends community, quality brewing, and the beauty of the region. “We want our customers to feel at home, just like visiting a friend for a catch-up, but with a sneaky beer in hand,” Beck said.

Visitors can enjoy seven signature beers, local wines, and buildyour-own platters featuring produce from the Fleurieu region. Family-friendly and semi-off-grid, the venue invites guests—kids and dogs included—to unwind on the lawns with a pint of the flagship SA Draught in hand.

Little Pete Brewing | 543 Step Road, Langhorne Creek littlepetebrewing.com.au

When they’re not at their stall, Paul and Irene love exploring the market’s diverse food offerings. “Lunch from Sunmi Sushi is always a go-to, souvlaki lamb ribs from O’Connell Meats are a Friday tradition, and on Saturday nights, it’s Atlas pizza.”

Gourmet to Go Stall 42, Adelaide Central Market adelaidecentralmarket.com.au

Pour a glass of…

Introducing Camino Wine Co, the debut label from renowned winemaker Jason Barrette. A former Australian Army soldier, Jason’s passion for winemaking was sparked during travels through France and Italy. After studying Oenology at the University of Adelaide and honing his skills at Penfolds Magill Estate, where he worked on iconic wines like Grange, Jason has spent years refining his craft across the globe.

His meticulous approach, shaped by military discipline, shines through in his boutique wines, which have already earned critical acclaim. With a collection of seven wines—including the 2023 Barossa Valley Grenache Rosé and 2021 Paradigm Vineyard Marananga Shiraz—Camino reflects Jason’s journey and dedication to quality.

From vineyard to bottle, Jason personally oversees every step, ensuring each wine tells a story of precision, passion, and global expertise. Camino Wine Co is quickly becoming one of Australia’s most exciting new labels.

For more information:

caminowineco.com

Paul & Irene Noakes from Gourmet to Go

A Delicious and Active Winter Outing for Seniors at

HOTEL, WEST LAKES

Offer available from May 17 2025

This winter, the Mosaic Hotel in West Lakes, invites seniors to enjoy a delightful, budgetfriendly dining experience with the launch of the new three-course lunch special for just $28. Available Monday to Friday, this fantastic offer includes a warming soup of the day, a hearty roast of the day, and a delicious dessert of the day—the perfect combination to enjoy good food and great company.

To make the day even more memorable, guests can show their seniors card and restaurant receipt to receive one hour of free simulator hire OR 9 holes of mini-putt upstairs at X-Golf West Lakes. It’s the perfect way to stay social, try something new, and keep active—all in one great location!

With a full seniors’ menu featuring classic favourites like Fish and Chips, Quiche Lorraine, and fresh salad bowls, the Mosaic Hotel is the ideal spot for a cosy and affordable winter lunch.

Above the hotel, is X-Golf West Lakes, featuring 6 state of the art golf simulators and 18 holes of themed miniputt with clubs available for hire. The indoor venue is a great place to have a swing or putt in comfort and is also available functions and events.

Gather your friends, enjoy a delicious meal, and make a day of it at Mosaic Hotel this winter!

For more details or to book your table, contact:

Easy Drinking

by Nick Stock

Nick Stock is one of Australia’s most wellknown and highlyregarded wine critics. He co-owns McLaren Vale’s favourite beach front bar and restaurant the Silver Sands Beach Club and The Old Bush Inn Hotel, Willunga’s “top pub.”

nickstock.com.au @stockwine silversandsbeachclub.com.au oldbushinn.com

I’ve always loved chardonnay and when I first got into wine in the 1990’s it was all the rage. Chardonnay was upmarket, it carried a higher price tag than other whites and it was a vastly more complex wine to get to grips with. These things all ring true today, but there’s been one big change and that is the quality of Australian chardonnay has never been better.

Many things have shifted to boost the current quality of Australian chardonnay but the main one is that producers have focused on growing it in the right places. Chardonnay’s energy is explosive and growing grapes in cool climates then harvesting them with structural power and electric flavour is where it’s at.

The Adelaide Hills is one of Australia’s best chardonnay regions, alongside Tasmania, Victoria’s Yarra Valley and Macedon Ranges and Western Australia’s Margaret River to name a few. These are all reliably consistent regions and a safe bet when you’re searching out good chardonnay.

The notion remains that when you’re drinking great chardonnay you’re drinking something that is a little fancy. The entry price for great chardonnay will always be a little higher than other whites like sauvignon blanc and riesling. Most importantly you’re paying a premium for the quality of the grapes that are grown at lower yields aimed at higher quality wine.

You’re also buying into a wine that relies on more complex winemaking and that comes at a premium. The time spent crafting a great chardonnay involves an array of techniques and careful attention to detail. These are much more involved wines to make and make well.

Have a glass of…

2023 Penfolds Reserve Bin A Chardonnay

Penfolds are very adept at making excellent chardonnay and this wine showcases the Adelaide Hills admirably. There’s a strikingly intense citrus core, the oak is refreshingly dialled in and vibrant lemon and peach fruits sit with lightly spiced brulée custard notes.

Fermenting and ageing chardonnay in oak barrels is a very common practice and does much to shape many of the greatest chardonnays but the days of big oak character are gone. Now the best winemakers cleverly use oak in their chardonnay winemaking repertoire in ways that enrich the wine but don’t overpower the wine with oak characters. Sometimes you barely even notice it.

So what to look for in great chardonnay? The one character that sets the great bottles ahead of the merely good is intensity. Great chardonnay unleashes such powerful aromas and flavours and is capable of carrying immense complexity on the back of very highly concentrated fruit. These wines are thrilling and mouthwatering and they are crazy delicious when young as well as being capable of maturing and improving if cellared.

2023 William Fevre Petit Chablis

There’s a surge of interest in Chablis as a reference point for fresh and succulent chardonnay and this producer leads the way. Fresh lemon and peach fruits abound, the energy and freshness on the palate is undeniably delicious.

2024 Murdoch Hill Chardonnay

Certainly one of the best value chardonnays in the market, this delivers all the bells and whistles of wines twice the price. Gently flinty with cool citrus fruits as well as tangy peach and nectarine. Powerfully refreshing and intense chardonnay. Top value.

2024 Cullen Kevin John Chardonnay

A top-tier Margaret River chardonnay that showcases an elite vineyard that is run with immense care and attention to detail. The result is a supple yet intense style of chardonnay with x-factor texture and harmony. Power and grace combined.

Chardonnay certainly demands more of us in order to be appreciated and you’ll never dig a regal chardonnay out of the bargain bin. But once you crack the code, it offers so much in terms of enjoyable drinking. There’s little wonder that wine lovers are running fast in the direction of chardonnay.

I’ll see you there!

Nick Stock

2024 First Drop Real Time Chardonnay

With grapes sourced from Gumeracha, this vintage realises an ambition to make chardonnay that has the class and finesse of the top level. Gently flinty with vividly intense nectarine and lemon citrus fruits, some hazelnut seasons the finish neatly.

2024 Gentle Folk Village Chardonnay

Gentle Folk has ascended as one of the Adelaide Hills’ most impressive chardonnay producers and here the cool 2024 vintage has lifted things to another level. Bright lemon and white peach, hints of gun glint and grilled hazelnut. This has it all and then some.

Catch of the day without the catch

A Journey Back to Art

Adelaide artist Philip Cam’s return to painting after a lengthy hiatus is a tale of reconnection—both with his first love and with the evolving urban landscape around him. His creative journey, while rooted in art, is deeply shaped by his academic background in philosophy, and his work provides a window into his intellectual exploration of people, place, and the human condition.

“Although art was my first love, I went on to study philosophy and pursue an academic life that left little time for it,” Philip reflects. “After retirement, when I no longer had teaching and administrative commitments, I was free to engage in painting alongside research and writing.”

This return to his roots has not only reawakened his passion for painting but also opened up new layers of artistic expression. For Philip, the relationship between art and philosophy is not as distant as it might appear. “Art and philosophy may seem quite unlike one another—the one appealing to the senses and emotions, the other intellectual and guided by reason,” he notes. “Yet, like philosophy, art can be an exploration of ideas, whether of a metaphysical nature or of what is often called the human condition.”

In fact, Philip’s background in philosophy has been instrumental in shaping his approach to the canvas. “The composition of paintings like mine requires a great deal of planning and analysis, not so far removed from the development and articulation of a piece of philosophical writing,” he explains. His meticulous process reflects this—each painting starts with detailed sketches, followed by drawings and a full-scale rendition before being transferred onto canvas. The precision in his approach mirrors his philosophical thinking, where structure and clarity are key.

One recurring theme in Philip’s work is the relationship between people and the spaces they inhabit. “The environment in which we live is largely a human construction,” he says, offering insight into his work’s depth. “It is designed to meet our needs and desires, and is therefore expressive of them. Individuals both shape and are shaped by the world they inhabit, and this is subject to endless variation.”

Philip’s art often begins with an exploration of characters within their environment, aiming to capture the essence of both. “When it comes to painting, I often begin by thinking about a character in an environment that is quintessentially theirs,” he shares. “The task then is how to present them in that environment in a way which brings this out.”

"For me, painting is an attempt to reveal things about ourselves and the world in which we live."

His time spent living in inner Sydney, where the urban landscape provided much of the inspiration for his early works, is evident in the richness of his paintings. “The urban environment in Adelaide is very different, of course, and my interest in people and place naturally led me to explore its possibilities,” Philip notes. His exploration has focused on both the domestic architecture and public spaces of Adelaide, drawing particular attention to those familiar, quintessentially local spaces where Adelaideans go about their everyday lives.

This connection to place is further enriched by Philip’s admiration for fellow South Australian artist Jeffrey Smart. “I often delight in referring to artists whose work I particularly admire, whether in terms of ideas or compositional elements,” Philip explains. “Those who are familiar with the work of the Adelaide-born and bred artist Jeffrey Smart will recognise his influence in several of my paintings.”

For Philip, his “retirement” from academia has been a creative renaissance. “Retirement can present a challenge, especially for those whose lives have been deeply immersed in the world of work,” he acknowledges. “My good fortune is that philosophy and art are intrinsically fulfilling, so that my so-called retirement has been an opportunity to immerse myself in these two loves of my life.”

As he reflects on his current artistic chapter, Philip’s motivation remains clear: “For me, painting is an attempt to reveal things about ourselves and the world in which we live, which, though not exactly hidden, need to be articulated and placed before us, in order that we may more fully understand ourselves.” This drive to contribute to a deeper understanding of life and society continues to shape his work. “If I manage to contribute to that in some small way, I would judge my efforts to be worthwhile.”

philipcam.com

Arentz Advises

Meet Matthew

Arentz,

a

Partner

at

DBH Lawyers,

boasting over 20 years of legal expertise.

Q: What happens if I trip and fall on a public road or footpath?

A: Potholes in roads and raised pavers or cracked concrete on footpaths are an all too common tripping hazard. Falls can cause debilitating and permanent injury, requiring extensive medical treatment and preventing people from participating in their normal daily activities.

Generally speaking, a person or entity in occupation of a premises is required to take reasonable steps to ensure the premises is safe, and does not contain hazards that may injure people attending the premises. This obligation is called a “duty of care”.

In the event a person is injured because of the hazardous state or condition of a premises, they can bring a claim for compensation against the occupier of the premises, on the basis they have breached their duty of care and the breach has resulted in injury.

The above principle does not necessarily apply to injuries arising from the hazardous state or condition of public roads and footpaths. Under the Civil Liability Act, 1936 (SA) “road authorities” are granted an immunity from claims for compensation where the cause of the injury was a failure to maintain, repair or renew a public road and/or footpath.

Section 42 of the Civil Liability Act, 1936 (SA) states:- “A road authority is not liability in tort for a failure –

a. To maintain, repair or renew a road; or

b. To take other action to avoid or reduce the risk of harm that results from a failure to maintain, repair or renew a road.”

A “road authority” is defined as the “… body or person in which the ownership of a road is vested by statute, or which the care, control or management of a road is

assigned by statute…” and would normally include the relevant Council and/or State Government Department.

The term “road” is defined broadly as: “… a street, road or thoroughfare to which public access is available to vehicles or pedestrians (or both), and includes –

a. A bridge, viaduct, busway (including the O-Bahn) or subway;

b. An alleyway, laneway or walkway;

c. A car park;

d. A footpath;

e. A structure associated with a road;”

In effect, the above provisions mean the “duty of care” owed by a Council and/or State Government Department does not include a duty to take reasonable steps to maintain, repair or renew public roads and/or footpaths to minimise or eliminate safety hazards.

Contact DBH Lawyers for expert guidance on your legal options and potential claims following a trip and fall injury.

Brings First Nations Letters to Life A Groundbreaking Theatre Adaptation

In 2025, audiences in Adelaide will witness a deeply personal and powerful theatrical experience with Dear Son, a world-premiere adaptation of Thomas Mayo’s celebrated book. Adapted by acclaimed First Nations theatre makers Isaac Drandic and John Harvey, this production brings to the stage the heartfelt letters from First Nations men to their fathers, sons, and nephews, weaving together stories of love, strength, and resilience.

Set to run from July 26 to August 16 at the Odeon Theatre, Dear Son is a reflection of lived experience, cultural pride, and intergenerational wisdom. Starring leading First Nations actors, including Jimi Bani and Trevor Jamieson, the show will explore themes of fatherhood, masculinity, and identity through an innovative blend of storytelling and music.

Originally published as a book, Dear Son was born from Mayo’s own reflections on fatherhood, masculinity, and cultural identity. “When I wrote Dear Son, I was 43 years old and had only recently published my first book,” Mayo recalls. “For the first time, I took the time to deeply analyse my childhood, my parenthood, and how I was raised.”

Mayo’s inspiration for the book stemmed from the harmful stereotypes of Indigenous men in mainstream media, particularly the narrative that portrayed them as absent fathers. “The stereotyping depicted Indigenous men as terrible fathers who did not love their children, ignoring the colonial programs that purposely disempowered and demeaned Indigenous men,” he explains. He set out to challenge this damaging perspective, bringing together 12 First Nations contributors—including Stan Grant, Troy Cassar-Daley, and John Liddle—to write letters that celebrate the complexities and strengths of Indigenous fatherhood.

The idea to adapt Dear Son into a theatre production came from theatre director Mitchel Butel. “I was chuffed when he reached out to me via email,” Mayo says. With Drandic and Harvey at the helm, the adaptation promises to capture the

essence of the book while adding new layers of performance and emotion. “I read the first draft recently and I was deeply moved to read the voices of the letter writers coming to life, imagining them spoken and acted out on stage.” Through storytelling and music, Dear Son will create a space where the audience can connect with the raw and heartfelt experiences shared in the book. The adaptation aims to honour the rich traditions and wisdom of fathers passed down through generations while confronting contemporary challenges faced by First Nations men today.

A core theme of Dear Son—both in its literary and theatrical forms—is the challenge of toxic masculinity and the reshaping of narratives around First Nations manhood. “Dear Son is my favourite work because I believe it is important for men to challenge what we

are sometimes taught about how a man should behave,” Mayo says. “Poor lessons start in the home with the example we set. Poor lessons are amplified amongst boys at school. Toxic masculinity is being promoted—effectively and purposely— across social media.”

“Storytelling is powerful because when we take the time to listen to another person’s story, we tend to imagine ourselves or a loved one in the same shoes.” – Thomas Mayo

For Mayo, the most rewarding feedback comes from men who tell him that the letters helped them reflect on their own relationships. “This is my hope for the book and the play—that we learn from each other, we learn from thinking about the influences around us, and that we challenge the stereotypes about Indigenous men while tackling the scourge of gender violence.”

Mayo is no stranger to using storytelling as a means of advocacy. As co-author

of The Voice to Parliament Handbook, he has been at the forefront of national conversations on Indigenous rights and representation. For him, Dear Son is a continuation of that work, offering a deeply personal lens through which audiences can engage with First Nations experiences.

“Storytelling is powerful because when we take the time to listen to another person’s story, we tend to imagine ourselves or a loved one in the same shoes,” he reflects. “Most people cannot help but empathise.”

This empathy is at the heart of Dear Son’s journey from book to stage. It is a reminder that stories have the power to heal, to challenge, and to bring people together. As audiences prepare for this landmark production in 2025, Dear Son stands as a testament to the enduring strength of First Nations men and the universal bonds of family.

July 26 – August 16, 2025 Odeon Theatre, Adelaide

statetheatrecompany.com.au/ shows/dear-son

A Powerful Vision for the Stage

Petra Kalive, Artistic Director of State Theatre Company South Australia, on Dear Son:

"It was the inspired vision of my predecessor, Mitchell Butel, to adapt Dear Son for the stage – a powerful, deeply moving work that challenges stereotypes of masculinity and redefines what it means to be resilient through a series of stories of fathers to their sons. With Thomas Mayo’s profound heart and insight, and Isaac Drandic’s brilliant theatrical imagination, this promises to be an unforgettable night at the theatre – full of truth, tenderness, and transformative storytelling.”

Author, Thomas Mayo

A GALACTIC EXPERIENCE

Star Wars: A New Hope in Concert with the Adelaide Symphony Orchestra

Prepare for an interstellar adventure as the Adelaide Symphony Orchestra (ASO) presents Star Wars: A New Hope in Concert on Saturday, 9 August 2025, at the Adelaide Entertainment Centre. This unique event brings George Lucas’s legendary film to life in a whole new way—with John Williams’ iconic Oscar®-winning score performed live by the ASO, conducted by Nicholas Buc.

Whether you’re a lifelong fan or a newcomer to the saga, this is the ultimate way to experience the film that started it all. The action, the adventure, the timeless battle between good and evil—it all unfolds on the big screen, perfectly synchronised with the sweeping power of a full symphony orchestra.

Since its release in 1977, Star Wars: A New Hope has captivated audiences worldwide, becoming one of the most beloved films in cinematic history. But it’s John Williams’ legendary score that truly elevates the experience—from the thunderous opening fanfare to the emotional highs and heartpounding battles. His music is as much a character in the film as Luke Skywalker, Princess Leia, and Darth Vader.

Hearing this score performed live in sync with the film creates a deeply immersive experience, adding a new level of excitement and emotion to an already epic adventure. Every dramatic moment, every triumphant victory, and every heart-stopping battle is brought to life in breathtaking detail by the Adelaide Symphony Orchestra.

concert is led by Nicholas Buc, a conductor, composer, and orchestrator renowned for his work on film and television projects. Having conducted live-to-film performances across the globe, Buc’s expertise ensures an unforgettable night where music and movie magic collide.

The ASO is no stranger to grand cinematic performances, having previously delighted audiences with live concert versions of beloved scores. Now, they're bringing their exceptional artistry to the Star Wars universe, making this event an unmissable opportunity for fans of all ages.

Saturday, 9 August 2025

Adelaide Entertainment Centre

For tickets:

This

ASO

Tutti

Violin

Ambra

Nesa.

Credit: Matt Turner

WINTER NIGHTS

ASO’s Winter Concert Series at Adelaide Town Hall

As the nights grow colder and the city slows, the Adelaide Symphony Orchestra is warming things up with three incredible evenings of classical music. Held at the stunning Adelaide Town Hall, these concerts offer the perfect escape from grey concrete and skies. With performances by artists from around the world backed with the full power of the Adelaide Symphony Orchestra, you're guaranteed to warm your soul this winter.

MESMERISE

Feel the intensity build as Beethoven’s Coriolan Overture unfolds–bold, urgent, and brimming with dramatic conflict. Then, the tension gives way to the vibrancy of Beethoven’s Piano Concerto No.2 with its joyous dialogue between piano and orchestra. With every note, this concert showcases Beethoven at his most electrifying and expressive. The concert concludes with the hypnotic pulse of Ravel’s Boléro, its relentless rhythm and slow-burning intensity build to an exhilarating climax.

MYTHIC

For those who revel in musical storytelling, Stravinsky’s Petrushka is a feast for the imagination, evoking the playful yet haunting world of a few mischievous puppets. The evening concludes with the grandeur of Beethoven’s Emperor Concerto as pianist Javier Perianes takes centre stage, commanding every note. From playful charm to majestic brilliance, this concert is a feast for the senses.

RHAPSODY

Experience the brilliance of Prokofiev’s Violin Concerto, performed by ASO Concertmaster Kate Suthers in a dazzling display of virtuosity. The program also features Smetana’s The Moldau, a musical tribute to his homeland, as a mountain stream flows through Prague. To complete the evening, Janáček’s rhapsody captures the full range of emotions stirred by love and war.

Concertmaster Kate Suthers has had a deep connection with Prokofiev’s Violin Concerto No. 2 since her teenage years. “The opening is this dark, brooding theme played by the violin alone,” she says, describing how it immediately transports her to a blackand-white cinematic universe—“a Hitchcock thriller, perhaps?” The score, she adds, is rich with imagination and character, making it a thrilling piece to bring to life with her ASO

colleagues. “I’m endlessly moved by the power of music to connect and communicate,” she shares, noting that Prokofiev’s concerto offers something for everyone—drama, romance, mystery, and fun.

From fiery drama to playful mischief and sweeping romance, these concerts promise an unforgettable adventure through music. Choose to attend one, two, or all three, and let the ASO fill your winter nights with warmth, passion, and breathtaking music.

Secure your seats today and experience the power of live orchestral music with the Adelaide Symphony Orchestra.

For tickets:

aso.com.au/winter-nights

ASO Concertmaster and Soloist, Kate Suthers

Life, Laughter, and a Little Bit of Felony

Kimberley Akimbo | 8 – 19 July 2025 | Her Majesty’s Theatre

It took Broadway by storm, won five Tony awards, including Best Musical, and now Kimberly Akimbo is skating into Adelaide with an allstar cast for its international debut!

Not your typical musical, Kimberley Akimbo is at once an exhilarating, heartbreaking and life-affirming piece with a fast-aging teenager at its heart. Adapted from the 2000 play by David Lindsay-Abaire, this is a musical about growing up, growing old and grabbing life by the proverbial!

Starring stage icons Marina Prior, Casey Donovan, Christie Whelan Browne and Nathan O’Keefe along with local newcomers, this new musical transcends generations with laughter, love and a poignant reminder of life’s fleeting moments.

Take a trip back to New Jersey, 1999 where our musical heroine like no other, Kimberley Levaco (Marina Prior), bursts onto stage and into a sea of teen angst, unrequited crushes and popularity contests. Equal parts teen comedy, heist caper and unlikely love story, her rollercoaster journey shows that the tempo of your song is yours to set.

Born with a genetic rarity that means she ages at four times the rate of everyone else, Kimberly is a teen in mid-life form and living on borrowed time. She can cope with her dropkick dad (Nathan O’Keefe) and narcissistic mum (Christie Whelan Browne) – you can’t spell ‘dysfunction’ without ‘fun’, right? But when her criminal aunt Debra (Casey Donovan) shows up with a get-rich-quick scheme too good to be legal, Kimberly decides you’re only young once.

“Packed with great songs, anagrams, heart, and maybe a couple of felonies along the way, Kimberly Akimbo is a theatre experience unlike any other!”

Packed with great songs, anagrams, heart, and maybe a couple of felonies along the way, Kimberly Akimbo is a theatre experience unlike any other! The show’s Broadway run received five Tony Award wins, including Best Musical, Best Book of a Musical and Best Original Score, with Variety stating “LindsayAbaire […] is a nimble cartographer of the ties that bind families together and the devastating distances that keep them apart.”

Australian soprano and leading lady of musical theatre Marina Prior becomes Kimberley with aplomb for the debut season here in Adelaide!

“I have performed in Adelaide many times during my career, and am thrilled to return to make my State Theatre Company of South Australia debut in Kimberley Akimbo,” she said.

“It is a beautiful show that balances hilarity, pathos, and brilliant music beautifully.”

Playing Kimberley’s zany and somewhat above-the-law aunt Debra is stage superstar and much-loved performer Casey Donovan.

“I’m so looking forward to playing the role of Debra in the Tony Award winning production of Kimberley Akimbo with the State Theatre Company South Australia, alongside Marina & Christie plus the rest of the cast. The script and music are brilliant and Debra is an unruly, funny, but loving character to play,” she said.

Kimberley Akimbo is supported by Wagnan Productions Sarah Rohrsheim and State Theatre Company South Australia Major Production Fund, made up of a syndicate of visionary supporters who support the staging of productions of significant scale by State Theatre Company South Australia.

The support of the Major Production Circle enables State Theatre Company South Australia’s creatives to dream of and release bold and ambitious creative visions that wow audiences, use large ensemble casts and stretch the limits of the Company’s renowned set and costume artisans.

And if there is an ambitious story to be told, it is definitely Kimberley Akimbo as she navigates life’s trickier moments while being the one person in four million who becomes old before her time, yet remains young at heart – like we all do.

For tickets:

CONVERSATIONS WITH CORNESY

Sporting legend. Seasoned Broadcaster. SA icon. That’s Cornesy.

FIVEaa presents a special series called ‘Conversations with Cornesy’ with Graham Cornes. Discover the stories behind the biggest sporting identities, musicians and politicians. FIVEaa’s Conversations with Cornesy are unguarded, authentic and utterly captivating.

SIR BOB GELDOF REFLECTS ON MAKING SENSE OF HIS TURBULENT LIFE.

“Life can make sense. It seems incoherent, it seems random, there is awfulness and there are these moments of understanding that make you realise that it isn’t the worst feeling in the world to be sentient and alive.”

RENOWNED AUSTRALIAN NEUROSURGEON, DR CHARLIE TEO, ON NEGATIVE ATTITUDES TOWARDS RISKY BRAIN CANCER PROCEDURES.

“Most doctors have a very nihilistic, fatalistic approach to it – they’re going to die so why would we even try. The worst thing about that is that it’s a selfperpetuating situation, where it’s a self-fulfilling prophecy. If you don’t try, then of course they’re going to die, and so you’ll never make advances.”

9/11 SURVIVOR, NOW MOTIVATION SPEAKER AND HUMANITARIAN, SUJO JOHN, ON THE MOMENT THE SOUTH TOWER OF THE WORLD TRADE CENTRE IMPLODED.

“The ground begins to shake, and I hear this incredible roar. I thought it was a bomb, but this was not a bomb. The South Tower was finally imploding and going down.”

AWARD-WINNING AUSTRALIAN JOURNALIST AND TV PRESENTER, STAN GRANT, ON DIVISIVENESS OVER AUSTRALIA DAY.

“Whatever has led us here, whatever our ancestors’ journeys, we stick together on this land, that is our home, all of us. I think it’s time to put the weapons down and reach a hand of love. I feel we’re getting closer to that…it’s really simple at the end of the day, we’re human beings.”

SCOTT CAMPOREALE ON HIS DECISION TO NOT GO FOR THE SENIOR COACHING JOB AT THE CROWS, THE SEASON AFTER PHIL WALSH PASSED AWAY.

“That rest of the year, I never got to grieve until the end of it. That was part of the reason why I didn’t end up going for the senior job in the end, because I just hadn’t been able to process it, and I was so drained. As a senior coach in that environment, it’s tough enough as it is.”

To listen to these episodes and more scan the QR code or listen ON AIR weekdays, 12:30pm-1:30pm.

fiveaa.com.au

EXPLORING EUROPE ON FOOT

There’s no better way to immerse yourself in Europe’s rich history, breathtaking landscapes, and charming villages than by exploring on foot. Walking holidays offer a slower, more intimate way to travel—allowing you to truly connect with the culture, food, and people of each region. Whether you prefer leisurely strolls through rolling vineyards or challenging hikes across dramatic mountain ranges, Europe has something to offer for every level of walker.

THE CLASSIC CAMINO

Spain’s Camino de Santiago

One of the most famous walking routes in the world, the Camino de Santiago is a network of pilgrimage trails leading to Santiago de Compostela. The most popular route, the Camino Francés, stretches 800km from the French Pyrenees to Spain’s northwest, though many opt for a shorter segment, such as the final 100km from Sarria to Santiago. Expect medieval towns, Romanesque churches, and a wonderful camaraderie among fellow walkers.

BEST FOR: History lovers and those seeking a spiritual or reflective journey.

DIFFICULTY: Moderate, but flexible with shorter options.

ALPINE ADVENTURES

The Tour du Mont Blanc

For those who enjoy mountain scenery, the Tour du Mont Blanc is an unforgettable experience. This 170km circuit traverses France, Italy, and Switzerland, offering panoramic views of the Alps, glacial valleys, and picturesque alpine villages. The trek typically takes 10-12 days, but there are options for guided or self-guided shorter hikes.

BEST FOR: Experienced walkers who enjoy mountainous terrain.

DIFFICULTY: Challenging, with steep ascents and descents.

TIPS FOR A SUCCESSFUL WALKING HOLIDAY

y Choose the right level: Be honest about your fitness level and select a route that suits your experience.

y Pack smart: Lightweight, moisture-wicking clothing and wellworn hiking boots are essential.

y Consider guided vs. selfguided tours: Guided tours offer convenience and local expertise, while self-guided trips provide more flexibility.

y Embrace slow travel: Walking holidays are about the journey, not just the destination—take time to appreciate the landscapes, people, and cultures along the way.

Whether you’re drawn to coastal paths, mountain trails, or historic pilgrimages, walking holidays in Europe offer an enriching and rewarding way to explore. Lace up your boots and set off on an adventure—one step at a time.

THE ROMANTIC ROUTE

Italy’s Via Francigena

The Via Francigena is an ancient pilgrimage route that stretches from Canterbury, England, to Rome. The most scenic stretch, from Lucca to Siena, winds through Tuscany’s rolling hills, vineyards, and medieval towns. Think cypress-lined roads, hilltop villages, and long lunches in sun-drenched piazzas.

BEST FOR: Lovers of Italian culture, food, and history.

DIFFICULTY: Moderate, with some hills but no extreme terrain.

A WALK THROUGH HISTORY

England’s Cotswold Way

For those who prefer gentle walks with historic charm, The Cotswold Way in England offers a 164km route through quintessentially English countryside. Thatched cottages, ancient woodlands, and charming market towns make this a delightful journey. Walkers can choose from short day hikes to multi-day treks, staying in cozy B&Bs along the way.

BEST FOR: Those seeking a relaxed pace with plenty of history and charm.

DIFFICULTY: Easy to moderate, with rolling hills.

COASTAL BLISS

Portugal’s Rota Vicentina

If rugged coastlines and Atlantic breezes appeal, Portugal’s Rota Vicentina is a stunning choice. This lesser-known route follows the country’s southwestern coastline, passing dramatic cliffs, golden beaches, and sleepy fishing villages. The Fishermen’s Trail is a particularly scenic 75km section, where you’ll be rewarded with fresh seafood and stunning sunsets over the Atlantic.

BEST FOR: Nature lovers and those looking for a quieter, off-the-beaten-path experience.

DIFFICULTY: Moderate, with sandy trails and some exposed sections.

Gardening Through May-August in Adelaide

A Seasonal Guide

As the cooler months settle in, many gardeners might think it’s time to pack up their tools, but winter gardening offers unique opportunities to prepare for the months ahead. With a little planning and a few smart choices, your garden can thrive in the cooler Adelaide weather.

Autumn’s Bright Colours and Practical Tasks

Autumn in Adelaide brings stunning foliage, perfect for enjoying a peaceful stroll in the garden while also taking the time to tidy up. Collecting fallen leaves, for example, can be composted to enrich your garden beds, keeping the soil healthy for future plantings.

Autumn Gardening Tips:

y Collect fallen leaves and add them to your compost bin.

y Prune deciduous trees to encourage healthy growth next season.

y Plant hardy perennials like lavender, daisies, and chrysanthemums to bring colour to your garden in spring.

y Consider planting hardy bulbs like daffodils and tulips that will bloom in the warmer months.

Winter Vegetables for Adelaide Gardens

Winter in Adelaide might seem like a quiet time, but there are plenty of vegetables that thrive in cooler weather. These crops are nutrient-rich and perfect for filling your plate throughout the winter.

Best Winter Vegetables to Grow:

y Kale: A superfood that thrives in the cold, packed with nutrients.

y Broccoli: A hearty vegetable that can grow in colder climates and provides fresh produce throughout winter.

y Spinach & Silverbeet: These greens grow quickly and can be harvested regularly.

y Garlic & Leeks: Ideal for planting now, they’ll be ready to harvest later in the year.

Winter vegetables are low-maintenance and offer high rewards, making them a perfect addition to your garden.

Preparing for Spring

The months of May-August aren’t just for tending to the garden—they're also ideal for planning the upcoming spring season. Now’s the time to think about what went well in your garden last season, what could be improved, and what new plants you want to introduce.

Winter Gardening Tips for Spring Prep:

y Reflect on your garden layout—did your vegetable patch need more sun, or is there a new spot you want to try?

y Refresh your soil with compost or wellrotted manure to ensure it’s nutrient-rich for spring plantings.

y Plan for upcoming plantings, especially if you want to grow seasonal flowers or vegetables come September.

Planning now means you'll be ready to hit the ground running as soon as the first warm days arrive.

Indoor Gardening

When it’s too cold to spend hours outside, bring the beauty of nature into your home with indoor gardening. Houseplants are an easy way to maintain your green thumb indoors.

Indoor Gardening Ideas:

y Herb Gardens: Grow herbs like basil, parsley, and rosemary in your kitchen. They’ll add freshness to your meals and brighten up the indoors.

y Succulents & Ferns: These hardy plants can thrive in the cooler weather and are easy to care for.

y Terrariums: Create your own mini ecosystem with succulents or small flowering plants in a decorative glass container.

Indoor gardening offers a lowmaintenance way to stay engaged with your garden while staying warm indoors.

Adelaide Open Gardens

Get Inspired by Adelaide's Open Gardens Program

Looking for inspiration? Explore Adelaide's Open Gardens, where local gardens open their gates for the public to enjoy and learn from. Winter is a fantastic time to visit as you can see how other gardeners are handling the cooler months.

What to Expect:

y Discover beautiful winter plantings and unique garden designs.

y Get expert gardening tips and tricks from local gardeners.

y Enjoy the beauty of established winter gardens in your area.

For more details on upcoming open garden events, visit: opengardensa.org.au

BUCKET LIST SA

The Ultimate Coastal Escape at

Bandari

Imagine waking up to the sound of waves crashing against the cliffs, a salty breeze drifting through the air, and an uninterrupted horizon of blue stretching before you. This is Bandari—EYRE.WAY’s latest off-grid retreat on the Eyre Peninsula— where luxury meets the raw beauty of South Australia’s coast.

What makes Bandari a true bucket list experience isn’t just its stunning location, perched on the cliffs of Sleaford Bay, but the way it invites you to disconnect from the world while indulging in thoughtful, eco-conscious comfort. Unlike your standard beachside escape, this secluded hideaway offers a frontrow seat to nature’s most breathtaking performances—sunrises that set the ocean alight, wildlife encounters just beyond your deck, and a night sky so clear it feels infinite.

Designed with warm timber, earthy terracotta, and minimalist elegance, Bandari blends seamlessly into its surroundings. Inside, high-end finishes like premium bedding from Bed Threads and I Love Linen ensure you don’t have

to sacrifice comfort for sustainability. It’s entirely solar-powered, boasting modern luxuries like air-conditioning, instant hot water, and even high-speed WiFi (just in case you need to share the view with envious friends).

Bandari is an experience in itself. Spend your days exploring the untamed coastline, watching dolphins play in the surf, or simply unwinding on the deck with a glass of local wine. At night, the lack of city lights reveals an unrivaled star-filled sky, making this an unforgettable retreat for couples, solo adventurers, or anyone craving true solitude in nature.

For more information or to book:

eyreway.com

MUST-READ BOOKS

We Can Do Hard Things Answers to Life's 20 Questions

by Abby Wambach, Glennon Doyle & Amanda Doyle

Bestselling authors and award-winning podcasters Glennon Doyle, Abby Wambach, and Amanda Doyle created We Can Do Hard Things, the guidebook for being alive — to help fellow travelers find their way through life. When you travel through a new country, you need a guidebook. When you travel through love, heartbreak, joy, parenting, friendship, uncertainty, aging, grief, new beginnings – life – you need a guidebook, too. We Can Do Hard Things is the guidebook for being alive.

Glennon’s compasses are her sister, Amanda, and her wife, Abby. Recently, in the span of a single year, Glennon was diagnosed with anorexia, Amanda was diagnosed with breast cancer, and Abby’s beloved brother died. For the first time, they were all lost at the same time. So they turned toward the only thing that’s ever helped them find their way: deep, honest conversations with other brave, kind, wise people.

It is daunting to grow old in a time and place that does not value old people, but the agegroup known as Boomers should not be so easily dismissed. They marched against the Vietnam War and were the first generation to be liberated by the contraceptive pill from the fear of unwanted pregnancy. Their teenage years were fuelled by protest songs and peace-and-love idealism, and many are still engaged in forms of activism.

Framed by the turning of the seasons in her small suburban garden, Carol Lefevre’s Bloomer documents the year in which she turned seventy. Memoir threads through meditations on aspects of ageing, from its hidden grief and potential for loneliness to our relationship with the past and with our own mortality.

This is a gorgeous, optimistic and eloquent coming-of-old-age book in which Boomers emerge as Bloomers, people not at the end of things but still on their way, intent on embracing a late-life flourishing.

Secrets of the Icewomen by

Isabelle Hof and Laura Hof

Become happier, healthier and stronger with this essential guide exploring the unique benefits that cold water therapy, along with breathing and mindset exercises, can offer women.

Sisters Isabelle and Laura Hof have been practising and teaching the Wim Hof Method for most of their lives. Sciencebacked and potentially life-changing, the method focuses on three pillars – breathing, cold therapy and mindset – which can result in increased energy, better sleep, a strengthened immune system and more. While the method works for everyone, it has unique physical and mental health benefits for women.

England, 1979. Vincent, Lawrence and William are the last remaining residents of a secluded New Forest home, part of the government’s Sycamore Scheme. Every day, the triplets do their chores, play their games and take their medicine, under the watchful eyes of three mothers: Mother Morning, Mother Afternoon and Mother Night. Their nightmares are recorded in The Book of Dreams. Their lessons are taken from The Book of Knowledge. And their sins are reported in The Book of Guilt.

All the boys want is to be sent to the Big House in Margate, where they imagine a life of sun, sea and fairground rides. But, as the government looks to shut down the Sycamore Homes, the triplets begin to question everything they have been told.

The Tinpot Navy | by Anthony Delano

Fascinating stories from Australia's colonial navies and the early Royal Australian Navy, whose untried ships and the eager crew manning them performed feats of great courage in World War I. Just months before the start of World War I, Winston Churchill withdrew the Royal Navy's most formidable ships from the Pacific. With powerful German cruisers in its northern waters, Australia's fledgling navy needed to step up.

Seasoned foreign correspondent and RAN veteran Anthony Delano has uncovered surprising stories from those days and earlier. The rogue captain ready to bombard Brisbane. The quick-witted officer who snatched Germany's secret codes. The bold raid on Rabaul and the capture of German colonies across the Pacific. A dangerous marauder blockaded in an African river. The courageous volunteers who raided a U-boat haven. The battle between HMAS Sydney and the cruiser Emden that might not have been quite the glorious victory it once seemed. Captain Guy Gaunt, a boy from Ballarat who became a master of intrigue and espionage. The unhappy flagship HMAS Australia and a scandalous mutiny trial.

$36.99, Penguin

$36.99, Penguin

$24.00, Affirm Press

$34.99, Penguin

$34.99, Allen & Unwin

Bloomer | by Carol Lefevre

The Book of Guilt | by Catherine Chidgey

Reviews

Book Review

ORPHEUS NINE

by Chris Flynn

Hachette Australia

RRP $32.99 (paperback)

By Dave Bradley

Film Review - Sponsored by

The Belfast-born Flynn’s latest is a spoiler-heavy apocalyptic science fiction psychodrama that offers a disturbing mystery alongside some surprising sentimentality and flickers of seriously dark humour.

One Saturday morning in the small fictional town of Gattan (which might be somewhere in regional Victoria, perhaps near where Flynn himself lives) something inexplicable happens at 11am, and the world is changed forever. A bizarre event which somehow combines Shakespeare, sodium chloride, and millions upon millions suddenly dead, the whole ‘Orpheus’ thing just never stops, and society beyond Gattan starts to crumble.

A clutch of characters struggle to come to terms with what has taken place, and what might very well be coming soon. There’s Jess, who’s understandably falling apart, and marrieds Hayley and Jude, who are terrified for their young daughter Ebony, although all the kid really wants is to enjoy the time she apparently has left. Flynn also introduces Dirk, a respected (and moneyed) resident with quite the ego, and then the narrative gets tricky, as we flash back to them as teenagers and examine how they got to where they are, just as the world is seemingly ending.

With a pointedly Australian sense of Armageddon, where no one seems quite sure what’s truly happening elsewhere on Earth, this is given a dose of realism by some of the particularly Aussie details: Jess owns a faithful dog named Baz Luhrmann; characters shop at Bakers Delight; and one tries to forget about impending catastrophe by sitting down to watch Have You Been Paying Attention? on 10 Play.

And yet Flynn’s tale is surely at its most powerful in his cool depiction of these ordinary, amiable people desperately attempting to live their lives amid unimaginable global chaos.

You know, like now.

Late lamented singer/songwriter Charles Aznavour (19242018) presided over this handsome biopic, and personally selected Mehdi Idir and Grand Corps Malade to co-write and co-direct, but sadly he died just as pre-production was originally scheduled to begin. He also approved of the casting of Tahar Rahim, and the star responded with a beautifully understated performance, even if, it must be said, he’s rather taller than Charles.

Rahim not only lost weight and wore light prosthetics for the role, but also did his own singing and piano playing, and spent months learning to mimic Aznavour(ian) in every way. And yet all this technique doesn’t detract from the warmth and often cheeky humour of his characterisation.

Charles is seen as a child (Norvan Avedissian) trying to earn a few francs to help his impoverished family, and along the way learning to love the spotlight. We skip forward in time (a little uncertainly, as always), and find him imitating Charles Trenet, helping hide Jews during the Nazi occupation, and forming a popular double-act with Pierre Roche (a lovely Bastien Bouillon).

When no less than a fragile yet formidable Edith Piaf (MarieJulie Baup) catches their show, she helps push him (and only him, after a while) into stardom beyond France. And, as his fame grows, Charles keeps working hard, turning out chanson after chanson and unable to slow down lest he face his demons (a biopic cliché, yes, but it works well here).

Despite a 133 minute running time, Idir and Malade’s sumptuous epic never loses momentum, and Rahim ensures that we’re always on Charles’ side, even if you naturally have to question various liberties. For example, on the night that he met his last wife Ulla (Petra Silander), did he really dream up one of his most-loved hits, She, on the spot?

But it doesn’t matter, because Rahim will be the reason this film will survive, the why and wherefore it’s alive…

MONSIEUR AZNAVOUR (M)

LET PK ENTERTAIN YOU!

Paul Kitching - aka PK - from Fuller Brand Communication has been out and about enough over his 50+ years to still have his finger on the pulse for the best things to see, do and enjoy in our excellent state. Whilst we all know life starts at 50, we also know what we like: right?! And yes, we are choosy about how we dedicate our precious spare time. With lots on offer, PK reckons these gems are all ‘book-now’ worthy…

Beauty & The Beast

Adelaide Festival Centre

Thu May 8 - Sun Jun 29

Musical fans rejoice! At last, for the very first time, the stage production of Beauty and the Beast is coming to town. Full of spectacle and grandeur this enchanting and timeless tale is ready to impress a whole new generation. The much-loved classic - featuring spellbinding songs like “Belle”, “Human Again” and everyone’s favourite “Be Our Guest” - is set to be one of the most breathtaking musicals we’ve seen here in a while. Book your tickets now!

And don’t miss…

Sigur Rós (& The Adelaide Symphony Orchestra!)

Adelaide Entertainment Centre

Fri May 16 & Sat May 17

You either know who Sigur Rós is… or you should! The Sigur Rós Orchestral Tour promises intimate performances that combine the ethereal, otherworldly essence of this iconic Icelandic band with the richness of orchestral arrangements by our talented Adelaide Symphony Orchestra. Blending distinctive falsetto vocals, mesmerising soundscapes and lush orchestration, these shows promise a uniquely immersive experience that new listeners and long-time fans alike won’t want to miss.

Jacob Collier

Her Majesty's Theatre

Fri Jun 7 & Sat Jun 8

It’s mind blowing that this world talent is coming to town; and all thanks to the Adelaide Cabaret Festival. Get ready for an evening of totally immersive music magic with the extraordinary seven-time GRAMMY® Award-winning musician, composer, and producer Jacob Collier! Renowned for his genre-bending music, Collier seamlessly blends jazz, pop, R&B, and classical music into a unique and captivating sound. It’s live improvisation, audience participation and more, all delivered with his joyous spirit and palpable energy.

Yachtly Crew The Gov Wed May 14

Jimeoin Her Majesty’s Theatre Fri May 16

Ball Park Music Hindley Street Music Hall Sat May 17

Train Adelaide Entertainment Centre Tue May 20

The Beautiful Girls The Gov Fri Jun 6

Kisschasy Hindley Street Music Hall Sat Jun 7

John Williamson Her Majesty's Theatre Fri Jul 25

Kimberley Akimbo

Her Majesty's Theatre

Tue Jul 8 - Sat Jul 19

It’s New Jersey, 1999 where, from a sea of teen angst, unrequited crushes and popularity contests, bursts Kimberly, a musical heroine like no other. Adelaide is up first with the Australian premiere of this Tony Award-winning new musical. With soaring tunes from powerhouses Marina Prior, Casey Donovan, Nathan O'Keefe and Christine Whelan Browne - and directed by Mitchell Butel - find out why the New Yorker calls Kimberley Akimbo “A howlingly funny heartbreaker of a show!”.

Rockaria (The ELO Experience)

Norwood Concert Hall Sat Jul 12

Coming in hot from a sell-out show right here back in February this tribute to Jeff Lynne's “Electric Light Orchestra’’ is tight, entertaining and ready to rock your world. Not only will you hear classics like “Evil Woman”, “Don't Bring Me Down” and “Xanadu” live, the band also gets amongst musical gems from Jeff Lynne's classic outfit “The Traveling Wilburys.” Relive the ‘80s or perhaps experience it live for the first time as “Rockaria (The ELO Experience)” powers through so many hit songs you just won’t want the night to finish!

What's On?

Beautiful Tensions

Gray Street Workshop, JamFactory

22 April – 6 July 2025

Celebrate forty years of artistic innovation at Beautiful Tensions, an exhibition showcasing Gray Street Workshop’s rich legacy in contemporary jewellery and object making. Founded in 1985, this iconic artist-run collective has made a lasting impact on the Australian art scene. Experience their exceptional craftsmanship and creativity at JamFactory, where meticulous design and individual artistry come together in a stunning display of talent.

Illuminate Adelaide

Various Locations 2-20 July

Brighten up your winter nights with Illuminate Adelaide, returning in July 2025 with a dazzling lineup of light, art, music, and technology. Experience breathtaking installations, cutting-edge performances, and immersive experiences as the city’s streets, laneways, and iconic landmarks come to life. With a mix of free and ticketed events, this festival invites you to embrace the unexpected, shake off the winter blues, and rediscover the magic of Adelaide after dark.

Explore what’s coming up in the Adelaide event calendar.

To stay up to date, head to fiftyplussa.com.au

Adelaide Equestrian Festival

Adelaide Parklands 1-4 May

Get ready for four days of world-class equestrian action at the Adelaide Equestrian Festival, returning to the heart of the city from May 1–4, 2025. As the only five-star eventing competition in the Southern Hemisphere, this festival brings top riders, thrilling cross-country courses, and show-stopping dressage to Adelaide’s stunning parklands. Beyond the arena, enjoy gourmet food, shopping, and family-friendly entertainment in a festival atmosphere.

British & Irish Lions Tour

Adelaide Oval 12 July

Rugby history will be made at Adelaide Oval on Saturday, July 12, 2025, when the British & Irish Lions take on a combined Australia-New Zealand XV for the first time since 1989! As one of rugby’s most prestigious tours, the Lions Tour only comes down under once every 12 years— and this will be their first-ever match in South Australia in 137 years. Expect an electric atmosphere as fans from around the world descend on Adelaide for this once-in-alifetime clash.

Jimeon

Her Majesty’s Theatre 16 May

A night spent with this comedy legend is not only funny but full of handy tips. Jimeoin will teach you how to make your bed with very little effort, how to prank your partner and get away with it and how to talk dirty in a nice way…. you’ll come out the other side having laughed yourself stupid and maybe with a life hack or two. Have you ever wondered what goes on inside Jimeoin’s head? By the end of this show you’ll know that it’s absolute Pandemonium!

Winter Reds

Adelaide Hills 25-27 July

Warm up this winter at Winter Reds, South Australia’s biggest winter wine event, in the stunning Adelaide Hills Wine Region. Over 35 local wine producers and partnering venues will come together to showcase the region’s famous cool-climate red wines. Enjoy tastings, masterclasses, and special events across the picturesque hills, all celebrating the very best of Adelaide’s wine scene.

John Williamson

Her Majesty’s Theatre 25 July

2025 will mark his 55th year in the industry. He will also turn eighty. Twenty-five, fifty-five, eighty. From his humble beginnings as the son of a wheat farmer in the small Victorian Mallee town of Quambatook, it’s quite an achievement.

His live concerts take the audience on a journey across this vast land, moving deftly between larrikin humour and touching pathos. From ‘Cootamundra Wattle’, ‘Cydi’, ‘Three Sons’, ‘Please Don’t Forget Me’ and his calling card, ‘True Blue’, Williamson touches his audience’s hearts, gives them hope and lingers in their memories.