PORTFOLIO
KHUSHI JAIN
2nd YEAR
VIVEKANAND EDUCATION SOCIETY’S COLLEGE OF ARCHITECTURE
INTERIOR DESIGN
1.
Name: Khushi Jain
Year: 2nd
Vivekanand Education Society’s College of Architecture
2.
SOFT SKILLS
Communication
Organizing
Creative thinking
Problem solving
Knowing strength's
Purpose Driven
I love creating things that combine innovation, creativity, and culture. I would call myself an empathetic leader as I love listening to different ideas and working collectively, and landing on the best concept. I am a person of experiencing and learning new things. I like working towards diversity and meaning in design.
EDUCATION
2009-2019
Ryan International Scool, ICSE
10th Boards-85.6%
OBJECTIVE
Design that serves the company, client and culture.
2019-2021
SIES College of Arts, Commerce and Science
12th- 86.5
Learning from the experiences and growing
personally and professionally.
Loyalty in work and in person.
2021present
Vivekanand College of Architecture
MSBTE 1st year- 1 class pass
CERTIFICATE'S
Indian Green Building Council[IGBC], Hyderabad Chapter
1st place in toy kit at Association of furniture manufactures & traders {Wood from Finland}
Condent public speaking course
ECAT test
Faber castel/ NDTV
Prem Jain Trust
Mumbai roll ball association
Quality over Quantity
TECHNICAL SKILLS
AutoCad
Photoshop
CorelDraw
Sketchup
Enscape
Word
Power point Presentation
Canva
INTERESTS
khushigadiya5@gmail.com
9004549049
MY PROFILE
KHUSHI JAIN
PERSONAL INFO
Learning psychology Writing Reading Travelling Swimming Learning from creative process
3.
Competitions
SR.NO TOPIC PAGE NO.
Restaurant
Dior
Site 1-
Site 2- Spa Site 3-
office Construction technique-2
Interior
Site visits
design-1
Construction technique-1
Perspective and Projection Compiled subjects
1. 2. 3. 4. 5. 5-6 7-8 9-11 1317 19 Vivekanand Education Society’s College of Architecture 20 6. Name: Khushi Jain Year: 2nd 4. 22 7. 2324 8. 25 9. 2627 10. 28 11.
Basic design
Paraline
INDEX
It is an area of around 1953 sq.ft. located near Chembur.
This restaurant has been designed keeping in check the requirements for family and friends as it has different kinds of sitting arrangements. Its design resonates with comforting and cheerful environment.
All the client requirements are fulfilled.
THEME -
ENSCAPE VIEWS
SITE 1- RESTAURANT
The client seems to have an ambient restaurant with multi cuisine food available at present. The additions that need to be done are, Buffet arrangement Bar counter Convertible space to kitty parties.
Seating for around 30-40 people
CLIENT PROFILE
Gymkhana,Chembur
BOHEMIAN
Vivekanand Education Society’s College of Architecture 5.
Name: Khushi Jain Year: 2nd
Measurement Layout
Mood Board
Name: Khushi Jain
2500 600 150 2255 610 450 4500 1500 250 800 250 435 865 16730 1500 1131 2018 1001 676 700 925 1320 1482 700 1900 1950 600 2977 2977 5954 100 1726 19380 1650 950 100 607 800 3693 1260 250 9540 layersAccessorize Artistically Bright ColoursMetallics And Mirr ors Plays On P attern Go For Distressed F inds The word ‘bohemian refers to someone involved in the arts, making it a gr eat interior design option for a rich and heady space full of visual inter est and a relaxed spirit. the key characteristics for the design would be :BotanicalsSimple Base Low-L ying Furniture Shy A way From Minimalism legumes, vegetables. Most Czech meals ee courses. The rst course is soup.arestaurant would CUISINE Bohemian styles are defined by a lack of structure, opting instead for carefree layers of pattern, texture, and color While there are some common practices with the bohemian look, there are no hard and fast rules like there are with modern or minimalist
Vivekanand Education
College of Architecture 6. Section
Society’s
Year: 2nd
SPA CASE STUDY
BRIEF IDEA
Abadia
Retuerta LeDomaine in Spain
I had studied multiple images of salon and spa for the design of this Spa. I also looked at salon designs to get design inspiration based around minimal theme, because I wanted to create a zen experience.
COHERENT SPA CONCEPT.
In our experience, the key to developing a winning conceptual design is understanding what the client wants to achieve with their spa and ensuring that the spa complements the rest of the space. This is done by receiving a brief from the client. This brief is instrumental in understanding the client’s vision.
The zen design epitomizes the minimalist philosophy through the use of simple, clear lines. Avoiding complicated and excessive details, zen uses natural elements, materials and patterns to create balance and harmony in a space that is meant to bestow a feeling of warmth and relaxation.
Zen palette will include neutral and soft colours that create a relaxing environment.
Name: Khushi Jain
Year: 2nd
These are the other reference images that I studied to understand further about colour palettes, elements and designing around the concept.
“INTEGRATION” AND “EXPRESSIVENESS”
In terms of the spa experience, we designed the treatments and wellness activities to help guests “connect” with themselves and their surroundings by using authentic products, rich aromas unique to the region and tailored treatment sequences.
Our client wanted a simple yet elegant concept. With the teamwork and by using the spa sommelier concept as a starting point, operational needs such as storage areas, technical requirements (for example: electrical sockets, water points, drainage, acoustic insulation, etc.), were taken into consideration at an early stage. Additionally, this approach ensured that the correct purchases were made in terms of both look and feel as well as practicality for the spa team to operate, from the spa furniture right down to small utensils (recipients for products, tea cups, foot bowls, etc.) and critical storage areas. Every detail was closely considered matching it to the approved spa concept and design brief.
Vivekanand Education Society’s College of Architecture 7.
SITE 2- SPA
Ensuring that all the operational furniture and utensils tted in well with the overall exterior and interior design. simplicity stillness natural non-routine subtlety austerity Elements openness We specically searched for a local artisan in Tudela de Duero to source the small operating items to add a local feel to the spa.
PANTRYAND STORGE FEMALE ROOM COMMON RESTROOM MALE ROOM 3450 1000 1250 269 285 400 270 779 983 870 973 730 699 636 730 849 266 1046 119 150 800 303 800 600 269 364 10959 750 HAIR SPA,MANICURE AND PEDICURE ROOM COUPLE SPA RECEPTION AREA AND WAITING FEMALE STEAM ROOM RESTROOM WITH CHANGING AREA WAXING ROOM MALE ROOM FEMALE ROOM MALE STEAM ROOM STORAGE WALLMOUNT FEMALE SHOWER AREA Glass shower area LAUNDR AREA PANTRY 4241 2181 3144 115 1396 6695 1039 1517 705 878 1409 9082 8312 6395 6537 7246 6141 203 A A' B' PLAN 16054 16860 CASE STUDY COLOUR
IMAGE WALLS LEGEND HATCH NAME LEGEND NAME SYMBOL DOOR CURTAIN SLIDING DOOR AREA= 2,915 SQUARE FOOT SECTION
PALETTE
Vivekanand Education Society’s College of Architecture
Name: Khushi Jain Year: 2nd
4241 2181 3144 1115 1396 6695 1039 1517 705 878 1409 9082 8312 6395 6537 7246 6141 HAIR SPA,MANICURE AND PEDICURE ROOM COUPLE SPA RECEPTION AREA AND WAITING FEMALE STEAM ROOM RESTROOM WITH CHANGING AREA WAXING ROOM MALE ROOM FEMALE ROOM MALE STEAM ROOM STORAGE WALLMOUNT FEMALE SHOWER AREA Glass shower area LAUNDRY AREA PANTRY COUNSELING ROOM 16054 16578 PASSAGE1 PASSAGE2 4241 2181 3144 1 15 1396 6695 1039 1517 705 878 1409 9082 8312 63956537 7246 6141 HAIR SPA,MANICURE AND PEDICURE ROOM COUPLE SPA RECEPTION AREA AND WAITING FEMALE STEAM ROOM RESTROOM WITH CHANGING AREA WAXING ROOM MALE ROOM FEMALE ROOM MALE STEAM ROOM STORAGE WALLMOUNT FEMALE SHOWER AREA Glass shower area LAUNDRY AREA PANTRY COUNSELING ROOM TRACK LIGHT LIGHTLINING A B LEGEND ROOM NAME TILE SIZE RECEPTIONAND WAITINGAREA COUPLE SPA COUNSELING ROOM HAIR SPA,MANICURE AND PEDICURE ROOM WAXING ROOM RESTROOM WITH CHANGINGAREA ANTRY LAUNDRYAREA MALE STEAMAND BATHROOM FEMALE STEAM AND BATHROOM MALE ROOM FEMALE ROOM 2700 X 1500 1500 300 5200 X 500 2000 X 300 1300 300 3400 X 800 950 150 ASSAGES A-1400 200 B- 2000 200 5850 X 2524 5400 X 2600 2300 X 1400 3480 X 2390 1300 300
FALSE CEILING LAYOUT FLOORING LAYOUT
8.
This SPA design is created to provide a place to come and relax and feel a sense of calmness hence the theme is zen with finishes of natural colours and materials.
Name: Khushi Jain
Year: 2nd
Vivekanand Education Society’s College of Architecture
SITE 3- DIOR OFFICE 9.
FURNITURE LAYOUT
Name: Khushi Jain
2nd
Theme
Vivekanand Education Society’s College of Architecture 10.
Facility: O ce & Headquarters Services: Engineering Cost & Construction Management Location: Neuilly-sur-Seine, France Dior is worth $42.7 billion and continues to Founder: Christian Dior Died: October 24, 1957 (aged 52) Italy Born: January 21, 1905 Granville France Dior logo’ meaning and history Arguably the world’ one of the most prominent luxury fashion houses, today Dior has a logo that conveys prestigious, sophisticated and unique spirit. This is by no means coincidence.The Dior logo has most likely been designed to evoke feeling of luxury and originality two core values which the brand seems to strongly embrace. convey its prestigious and sophisticated character the Dior logo utilizes an elegant, Nicolas Cochin font.Another noteworthy aspect of the Dior logo’ typeface preference is the use of upper-case characters to support the unique character of the brand. Christian Dior SE, or DIOR as is publicly known, French luxury fashion house. Founded in 1946, Dior has always been amongst the most sought after luxury brands of the world.Although Dior as brand is strongly associated with prestige, glamour and wealth, the Dior logo is simple, rather minimalist word mark used in one solid colour The contrast between the rich values of the brand and its logo is a striking visual reflection of the iconic heritage of the luxury brand. Industry: Luxury goods Founded: 16 December 1946; 77 years ago Founder: Christian Dior Number of locations: 210 Key people: Headquarters: 30 venue Montaigne, Paris, France AntoineArnault (vice-chairman & CEO) Area served: Worldwide DelphineArnault (chairman) Maria Grazia Chiuri (creative director) Kim Jones (creative director) Industry: Luxury goods First collection debut in 1947. Founded: 16 December 1946; 77 years ago Clothing Accessories Jewelry Women's fashion Fashion and Accessories by Dior: Men's fashion Bags Kids & baby Haute couture Jewelry timepieces Maison Fragnance Beauty Brand Philosophy “Whatever you do whether for work or pleasure do it with passion! Live with passion,” wrote Christian Dior Dior functions within a few business groups. Those are Wines & Spirits, Christian Dior Couture, Perfumes & Cosmetics, Fashion Leather Goods,The Selective Retailing, etc. Christian Dior SE is corporation that occupies the creation and marketing of luxury accessories and beauty products. Dior values The company has made e orts to keep the same values promoted by its original founder Christian Dior Indeed, Dior was primarily female brand.After the World War 2, the designer wanted to “liberate” women from the horror of the war but also giving joy and lightness by creating elegant clothes with new design. It has revolutionized women’ Yves Saint Laurent, John Galliano and Raf Simons have been the latest masterminds behind the Dior namesake. Australia 190 Africa 148 Europe 5,373 NorthAmerica 1,635 SouthAmerica 129 Asia 2,078 Location People at location The Dior Rimowa In 2019, the design house, Dior collaborated with theAmerican artist, KAWS to create a playful new collection. Collaborations Location Sydney NSW Australia Client LVMH Year 350sqm Completed 2012 Status Scale In addition to our work on the Dior flagship store in Sydney PMDLwere engaged to design the refurbishment of existing o ce space for the new Dior O ce, located in the same street. In keeping with the style and elegance for which the brand is renowned, the space features sophisticated front of house reception area and boardroom facilities, and a smart but simple open plan o ce behind, with glazed o ces and meeting room spaces. fresh, sophisticated design for a global style icon. Dior O ce Sydney The most noteworthy one is the following. “Happiness is the secret to all beauty there is no beauty without happiness.” white-colored website.At the top middle, we see the logo of the brand. On the left corner is the navigation bar There are two main categories: Fashion &Accessories, Fragrance Beauty The editorials are more colourful. However the product shots are again on the simpler side.They are shot on white background where we can get a clear idea of what the product looks like. black and The o cial website of Dior The website a simple The Packaging White once again the colour that Dior uses in its packaging. The boxes are square or rectangular boxes, and a lot of the time, they have ribbon on them. Then these boxes are placed inside simple white bag with the Dior logo on The Slogan Element There are a few slogans of Dior: This collaboration created uniquie pieces of wallets,belt bags, saddle bag Gallagator backpack and tactical belts in their summer collection 2023 for men’s line. The Dior x ERL The Dior x BIRKENSTOCK The website of the company mainly implements the colors black and white.The colors black and white resemble natural sensation of warmth.That, by itself, strengthens the authority of the general design and the elegant perception that gives. Colour O ce design is vital to both employees and customers. For employees who spend a large part of their day an o ce, crucial to create space that’ functional, visually appealing, comfortable, and inviting—all of which promote productivity and e ciency For customers, o ce design sets the tone for business and tells a story about the brand, professionalism, and success.
CIRCULATION LAYOUT LAN LAYOUT FIRE-FIGHTING LAYOUT
CASE STUDY
- reflective of companies values and logo.Classic, sophisticated and feminine. It's a researched case on Dior’s brand history.
OFFICE LAYOUTS
Year:
THIS IS THE CAFÉ DESIGNED FOR THE DIOR OFFICE. THE THEME OF THE OFFICE IS MINIMALIST YET REFLECTING THE LUXURY OF DIOR AND ITS RECENT INFLUENCE IN INDIA.
THIS OFFICE IS DESIGNED FULFULING ALL THE REQUIREMENTS PROVIDED.
VIEWS AND CALCULATION
11.
Vivekanand Education Society’s College of Architecture
Name: Khushi Jain Year: 2nd
12.
While hand-drafting its important to keep in mind the lineweights, materials, dimensions, scale, and detailing of the drafted design.
CONSTRUCTION TECHNIQUE
Vivekanand Education Society’s College of Architecture
13
.
Name: Khushi Jain Year: 2nd
SOFTWARE DRAFTED SHEETS Vivekanand Education Society’s College of Architecture 14. TV UNIT Year: 2nd
Name: Khushi Jain
Khushi Jain Year: 2nd
BASIC DESIGN
The elements and principles of design, are the building blocks used by the designers to create the designs.
These are the artworks created by mixing elements and principles. to learn in depth about patterns, colour schemes etc.
Vivekanand Education Society’s College of Architecture
23
.
Name: Khushi Jain Year: 1st
Textured painting
Design Matrix means creating illustration, artwork and structure combining different elements and principles.
I studied various famous artists and tried to replicate their work to understand about its complexity around colours, patterns and techniques.
This oil painting by me is a replica of Georgia O’keefe’s painting - Sky above clouds, which was inspired from her travel above the clouds revolving around pattern and landscape.
A N T H R O P O M E T R Y
Vivekanand Education Society’s College of Architecture
24.
Name: Khushi Jain Year: 1st
DOORS SIGNS AND SYMBOLS
Name: Khushi Jain
Year: 2nd
ARCHES
Drafting technical drawings helps us understand the detailing of furniture and materials.
Vivekanand Education Society’s College of Architecture
STONE MASONARY
25.
CONSTRUCTION TECHNIQUE
A paraline drawing is a three-dimensional representation used to illustrate the relationships of planes and volumes.
Isometric drawing is a pictorial representation of an object in which all three dimensions are drawn at full scale. Projecting these lines helps us understand the importance of even a millimetre.
Vivekanand Education Society’s College of Architecture
PARALINE PERSPECTIVE AND PROJECTION 26.
Year: 1st
Name: Khushi Jain
MASTER BEDROOM PLAN AND ELEVATION FURNITURE
COMPLEX PROJECTIONS
Vivekanand Education Society’s College of Architecture
27.
Name: Khushi Jain Year: 1st
On your left is a cover page designed and executed for a given house documentation to understand deeply about space planning and designing.
Above
On your right side are some of the posters created on CorelDraw. Topic was given and we were free to explore our creativity.
COMPILED SUBJECTS Ecotribe Atripwithmotherearth fromMumbaitoKerala 1st to 7th May Age group 18+ for further details Contact us 9948738492 Mail ecotribe@gmail.com RAJA RAVI VARMA ART EXIBITION MAY 8,SUNDAY 10AM - 5PM J N Marg, Moti Baug, Vadodara, Gujarat 390001
RAJARAVIVARMA ISANINDIANPAINTEROF THE18THCENTURY HEISALSOKNOWNAS “THEFATHEROFINDIANART”
V I S I O N B O A R D Plot no.25 road no,12 Shivaji Nagar Baganwadi Govandi Mumbai 400043 she’s an old soul with young eyes, a vintage heart, and a beautiful mind B E L I E V E hope Boss Babe Growing and Glowing
Vivekanand Education Society’s College of Architecture Name: Khushi Jain Year: 1st FRONT ELEVATION LHS ELEVATION RHS ELEVATION PLAN Multipurpose Street Furniture Working space Relaxing area for kids and young adults Seating for old age group [lower Amortise and tenon joint connects two pieces of wood together mainly when the adjoining pieces connect at right angles. Mortise and tenon joints are strong and stable joints.They furnish a strong outcome and connect by either gluing or locking into place. The basic mortise and tenon has two components: the mortise hole, and the tenon tongue. Amitre joint is a joint made by cutting each of two parts to be joined, across the main surface, usually at a 45° angle, to form a corner usually to form a 90° angle, though it can comprise any angle greater than 0 It is a design inspired by heights. The height level of the object differs with the age group
is a furniture hand-drafted and finished by me.
28.
PERSONAL INFO khushigadiya5@gmail.com 9004549049 29.
