Portfolio by Sahil Khan

port fo lio 20 24

archi

tecture

about

Sahil Khan

Architecture Student

Education

I am currently in my fourth year of studies at the Balwant Seth School of Architecture in Mumbai, India, pursuing a degree in architecture. Within this portfolio, I present a culmination of extensive research and hands-on experience in designing a diverse array of projects. From community centers to five-star hotels, I have engaged with projects of varying scales and typologies, showcasing my versatility and commitment to architectural excellence.

Contact

About Address

Goregaon (W), Mumbai

Phone

8850337797

E-mail

khan.72.sahil@gmail.com

Balwant Seth School Of Architecture 2020-2025

Patkar-Varde College, Goregaon 2018-2020

City International School, Oshiwara Completed in 2018

Study Trips

Kolkata- Studying The Temples 2023

Goa- Site Selection Study 2022

Summer Internship

MK Associates 2022-2023

Experience

Installation 2023

Contigent Leader

Freescape, BSSA

Exhibition, BSSA

MMRDA, Mural Painting

Technical Skillls

Advance

Additional Courses

Drawing the Language of Architecture

Photography

Coding & Scripting

Art & Design

Indian Aesthetics

Urban Sociology 2021 2022 2023 2024

Autodesk Autocad, Adobe Photoshop, Adobe Indesign, Mcneel Rhinoceros, Lumion, Procreate, Morpholio Trace

Intermediate

Autodesk 3ds Max, Revit

Artificial Intelligence

Midjourney, Dall.E, Prome

Others

Sketching, Model Making, Drafting, 3d Printing, Animating

01 02

grace grove garden plaza interflex

contents

table of

06 graphics aaramgah working drawing

project 01

Interflex

YEAR 3 SEM 6 2022-2023

Mentor- Attrey Chayya

Site- Kalina, Mumbai University

interflex

Engagement among students within an institution is not merely a social phenomenon; it's a catalyst for knowledge acquisition and holistic growth. Collaboration stands at the forefront of this dynamic, igniting the exchange of ideas and perspectives that enrich the learning experience. However, the architecture of a learning environment often goes overlooked in its potential to facilitate such interactions. Yet, it holds immense power to shape the dynamics of student engagement. Consider the significance of open spaces: the sprawling atriums, inviting courtyards, and expansive landscapes. These areas beckon students to converge, fostering informal dialogues, group endeavors, and moments of respite amidst the academic hustle. In this realm of fluid interaction, architecture becomes more than just walls and ceilings—it becomes a conduit for collaboration, nurturing a community of learners poised to explore, create, and thrive together.

GROUND FLOOR

SECOND FLOOR

10 01 02 03

CAFETERIA UP

ADMIN LIBRARY DOWN UP UP DOWN CLASS CLASS CLASS UP DOWN CLASS FACULTY OFFICE

FIRST FLOOR

insight

The institution's design embodies a forward-thinking approach, prioritizing adaptability and connectivity to enhance student engagement. By seamlessly integrating modular spaces, the architecture facilitates a dynamic environment where activities seamlessly flow from group work to lectures to social gatherings. The strategic placement of nodes serves as focal points, encouraging spontaneous interactions and idea exchange among students. Moreover, the incorporation of void spaces not only promotes natural light and ventilation but also offers potential for future growth and evolution. This emphasis on flexibility underscores a commitment to meeting the evolving needs of both the institution and its diverse student body, fostering a culture of collaboration and innovation that transcends traditional boundaries.

concept

Fluidity, a guiding principle permeating every aspect of its design. The concept embodies adaptability and innovation, evident in dynamic spaces seamlessly transforming to meet evolving needs. This fosters adaptability and creativity among students, empowering them to engage meaningfully with their environment. Layering enhances this by offering depth and versatility, providing diverse settings for learning, collaboration, and relaxation. Whether through flexible furniture arrangements or multipurpose zones, layering enriches the student experience. Interconnectedness is another key aspect, facilitating collaboration and community-building. Deliberate spatial planning encourages meaningful exchanges among students, extending to digital connectivity for seamless communication. Ultimately, InterFlex nurtures a vibrant learning ecosystem, empowering students to collaborate, innovate, and thrive.

In the heart of the Institution of Interconnected Learning lies a visionary architectural design tailored to enhance student engagement and collaboration. Its modular spaces effortlessly transition between group work, lectures, and social events, accommodating the diverse needs of its dynamic student body. At strategic nodes throughout the institution, students converge to exchange ideas and forge connections, fostering a vibrant culture of interaction and innovation. Flooded with natural light and providing spaces for relaxation and reflection, void areas promote well-being and creativity. As the institution evolves over time, these void spaces offer opportunities for expansion and adaptation, ensuring that the design remains responsive to the changing needs of both the institution and its students. Ultimately, this innovative approach to architecture isn’t just about physical spaces; it’s about empowering students to thrive in an environment that prioritizes connectivity, collaboration, and growth.

interflex

02 project

Interflex

YEAR 4 SEM 7 2022-2023

Mentor- Ritu Mohanty

Site- Eastern waterfront, BPT

EASTERN WATERFRONT

Garden Plaza

A hotel situated on the eastern waterfront of Mumbai will stand as a beacon of economic revitalization and urban development for the region. It will attract tourists and travelers, serving as a catalyst for economic growth by injecting vital tourism revenue into the area. These visitors, drawn to the hotel's allure, will not only contribute to its success but also stimulate the local economy through spending on accommodations, dining, shopping, entertainment, and exploration of nearby attractions. Moreover, the hotel will serve as a hub for tourism promotion, showcasing the rich cultural heritage and recreational opportunities of Mumbai's waterfront. Through strategic partnerships and initiatives, it will help activate the waterfront, transforming it into a vibrant destination teeming with life and activity. Furthermore, the hotel's presence will catalyze infrastructure development, prompting improvements in transportation, utilities, and public amenities to accommodate the influx of visitors. Thus, by serving as a nexus of economic activity, cultural exchange, and community engagement, the hotel will play a pivotal role in the ongoing revitalization and transformation of Mumbai's eastern waterfront.

16 B001 Ishita Agrawal | B004 Riddhi Basatwar | A027 Dishant Patel

Rocky seafloor Muddy seafloor Rocky shore Mangroves Flamingo Habitat Mumbai and its Eastern Waterfront face a variety of environmental problems, largely resulting from its geography and climate. Mumbai's tropical climate and unique geography allows for large amounts of rainfall during the monsoon season (June to September), with daily rainfall amounts of up to 250 mm and annual rainfall of 2142 mm. As a result of these rains and inadequate drainage, major floods occur in Mumbai. Higest and lowest water recorded is +- 5.39 m and - 0.46 m respectively. ECOLOGY FLOOD ZONES Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Rainfall Wind Speed Temperature Pilgrim Street Artist Garbage SEWRI FORT Tousrists Environmental Artists Flamingo SEWRI Fish Industry Workers Fishing BHAUCHA DHAKKA/ SASSOON DOCKS REFERENCE - www.asla.org www.issuu.com Wind direction Flood impact line

inspiration

In drawing inspiration from renowned hotels such as Marina Bay Sands in Singapore, the Ritz-Carlton, and Mandarin Oriental in Bangkok, my design concept is deeply rooted in the architectural innovation and user-centric experiences that define these iconic establishments. Inspired by Marina Bay Sands' iconic three-tower structure and innovative sky park, my architectural vision seeks to create a visually striking landmark that seamlessly integrates with its surroundings while offering guests unparalleled views and amenities. Taking cues from the elegant sophistication of the Ritz-Carlton and Mandarin Oriental, the focus on user experience is paramount. Every architectural element is meticulously designed to evoke a sense of luxury, comfort, and serenity, ensuring that guests feel enveloped in an atmosphere of refined indulgence from the moment they arrive. From grand atriums and sweeping staircases to intimate lounges and thoughtfully curated spaces, every detail is crafted to enhance the guest journey and create memorable moments that resonate long after their stay. Just as Marina Bay Sands' architectural marvels redefine Singapore's skyline and the Ritz-Carlton and Mandarin Oriental set the standard for luxury hospitality in Bangkok, my aspiration is to create a hotel experience that transcends the ordinary, elevating the senses and inspiring a profound connection with both the environment and the spirit of hospitality.z

views

master plans

technical

ground floor

GROUND FLOOR

SECOND FLOOR

ITEM ITEM

GAMING ROOM GYM

second floor

SWIMMING POOL

HORTICULTURAL GARDEN

technical

BANQUET KITCHEN

third floor THIRD FLOOR FOURTH FLOOR fourth floor

FIFTH FLOOR

typical floor plan Fifth - Eight

Featuring a ground floor adorned with retail stores and diverse dining options, guests are welcomed into a vibrant hub of local culture and culinary delights. Adjacent to these bustling spaces, a serene sensory garden provides a tranquil escape, inviting guests to immerse themselves in nature's beauty while overlooking the waterfront. Ascending to the first floor reveals a magnificent banquet hall, bathed in natural light and ideal for hosting weddings, corporate events, and social gatherings. From the second floor upwards, the hotel offers a five-star experience with thoughtfully designed accommodations boasting panoramic views of the Arabian Sea and modern amenities. Throughout the hotel, sustainable design elements such as passive solar features and rainwater harvesting systems underscore our commitment to environmental stewardship. Beyond offering world-class hospitality, the hotel serves as a vibrant community hub, hosting cultural events and fostering connections that celebrate Mumbai's rich heritage and creativity.

‘‘

03 project

Grace Grove

YEAR 3 SEM 6 2022-2023

Mentor- Shriya Bhatia

Site- CMP Homeopathic College

Grace Grove

Grace Grove is a transformative landscape garden project nestled within the heart of CMP hospital campus. This innovative endeavor is meticulously designed to cater to the diverse needs of our community, including college students, patients, and esteemed medical professionals. Within this tranquil oasis, I have curated three distinct programs: a serene yoga space, an immersive sensory garden, and a vibrant horticultural garden. Each program is meticulously crafted to provide unique benefits to the stakeholders. From offering moments of respite for busy college students to providing therapeutic experiences for patients and fostering well-being among the medical staff, the landscape embodies a holistic approach to healing and wellness.

programs more

01 02 03

04 project

Graphics

YEAR 3 SEM 6 2022-2023

Mentor- Dhruv Seth

Site- Koliwada

Site context

36 34 ASHVINI MARY DINOY M.ARCH 2018 1 2 3 5 6 8 10 12 7 9 11 13 4

WORLI FORT

SEA-LINK

LACK OF PROPER FACILITIES IN THE EXISTING VILLAGE

PROPERY COST

NARROW ACCESS ROUTE

FSI AND HEIGHT LIMITATIONS

DEMAND FOR HOUSING

CHANGING LIFESTYLES OF THE KOLIS 3. SOCIAL SEGRAGATION

ENCROACHMENTS ON THE SITE

COASTAL REGULATION ZONE

INDIAN COAST GUARD

WORLI KOLIWADA

ROCKY SURFACE

FLOODS

SHAPE OF THE LAND 34 ASHVINI MARY DINOY M.ARCH 2018 ASHVINI MARY DINOY M.ARCH 2018

2 6 8 1 2 3 4 5 6 7 8 9 10 11 12 13 VIEW OF THE KOLIWADA FROM THE SEA-LINK LOOKING SOUTH AT WORLI SKYLINE FROM THE FORT LOOKING WEST FROM THE FORT LOOKING NORTH AT THE SEA-LINK FROM THE FORT LOOKING EAST AT MAHIM �AY FROM THE FORT LOOKING AT THE FORT FROM THE KOLIWADA VIEW OF THE CRICKET FEILD LOOKING AT THE WEST COAST OF THE KOLIWADA LOOKING AT THE EAST COAST OF THE SITE VIEW FROM CLEVELAND �ETTY TYPICAL HOUSE FACADE FISH MARKET S� K� �HAYE MARG 3 7 4 9 RETAIL STRUCTURES RELIGIOUS STRUCTURES PU�LIC FACILITIES POSSI�LE ENCROACHMENTS VIEW ANGLE

PURPOSE OF FISHING BUISSNESS AMONG COMMUNITY MEMBERS OF WORLI KOLIWADA 12% 13% 34% 41%

insight

37 39 ASHVINI MARY DINOY M.ARCH 2018 limited Mumbai, sqof the collared trade, eventually i be and want record a the places, of mixed by on

skyline

sea

FERRY/ FISHING CENTER POINT VIEW POINT THE HISTORIC CENTER THE SOUL- THE CUTURAL CENTER CONDOS FISHING VILLAGE MAJOR ARTERIES 2 3 3 2 4 1 4 COMMONERS AS ENCLOSERS: LAND TENURE AND CONFLICTING CLAIMS IN A MUMBAI KOLIWADA PART – COMMONS AND COMMONING significantly different from those in the postindustrial, Euro-American core (Ghertner 2014) that have well-established private property regimes. He hopes that critical urban studies will draw from agrarian studies and non-urban political ecology in order to understand the profound regional variance of agrarian tenure systems and intermediate forms of tenure which have capacity to foster non-ownership based or non-fully-marketized uses (Ghertner 2015). These, he argues sustain relatively equitable forms of social reproduction through the creation of various opportunities for occupancy and the production of forms or uses of urban space almost unimaginable in privatized land systems. PART 2 COMMONS AND COMMONING Figure 1 Coastal commons in urban villages or Koliwadas Image shows sh drying areas (left and net mending (right) Source: Author’s image. 7 ENCLOSERS: LAND TENURE AND CONFLICTING CLAIMS IN A MUMBAI KOLIWADA COMMONS AND COMMONING Tenure of the literature on the commons a category of tenure arrangements, state or market based ones, each with bundle of rights and obligations. strand constructs the notion of 'comverb, a socio-political practice, with on the ften radical or revolutionary the concept as an alternative to social relations. Included in the first discussion of pre-urban, non-capitalist tenure arrangements where private systems do not constitute the norm. instance, argues that contexts in the have property and planning systems, frameworks, and histories of land development significantly different from those in the postindustrial, Euro-American core (Ghertner 2014) that have well-established private property regimes. He hopes that critical urban studies will draw from agrarian studies and non-urban political ecology in order to understand the profound regional variance of agrarian tenure systems and intermediate forms of tenure which have capacity to foster non-ownership based or non-fully-marketized uses (Ghertner 2015). These, he argues sustain relatively equitable forms of social reproduction through the creation of various opportunities for occupancy and the production of forms or uses of urban space almost unimaginable in privatized land systems. COMMONS AND COMMONING in urban villages or Koliwadas Image shows fish drying areas (left and net mending (right) image. 51 50 ASHVINI MARY DINOY M.ARCH 2018 ASHVINI MARY DINOY M.ARCH 2018 VILLAGE PATTERN STUDY Closer analysis of the streetscape and tracing the pedestrian paths helped me in understanding the pattern language of the site. PATTERN STUDY UNIT PLANS FISHING VILLAGE STREET EXISTING STREET PATTERN COURTYARD ACCESS RETAIL SPINE PEDESTRIAN ACCESS TO THE SEA SERPENTINE ROADS PATTERN STUDY UNIT PLANS FISHING VILLAGE STREET EXISTING STREET PATTERN COURTYARD ACCESS RETAIL SPINE PEDESTRIAN ACCESS TO THE SEA SERPENTINE ROADS 1 BEDROOM 16’ X 24’ 2 BEDROOM 24’ X 24’ 01 02

This shows the site sections compared to the

beyond and in relation to the

link on the horizon.

FISHING - A TIME DEPENDENT SYSTEM

the minutesmapping

01 02 03

Rules

Be the first corporation to successfully manage fishing villages by collecting 3 full different dock sets.

GET READY

Shuffle the cards and broker 5 cards to each corporation. All remaining cards to be put in a draw pile. Any one of the player starts and the brokering continues clockwise.

PLAY! On your turn:

1.Take 2 Cards from the draw pile.

2.Lay up-to 3 Cards from your hand. Put them face up front of you in any combination of the following ways:

1.Put Money or Impact Cards with monetary value into your Bank pile (the value of the card is mentioned in the corner)

2.Lay a property card face up in front of you, never in your bank.

3.Play an impact card. Follow the instructions on the card and play it into the center. Always keep a well stocked bank. You may never know when you’ll have to pay out.

Ending your turn,

If you have more than 7 cards in your hand discard the extra cards so you are back down to 7. If you have no cards left, pick up 5 (not 2) from the center pile at the start of your next turn.

IMPORTANT!

1.NEVER put cards back into your hand!

2.Paying other players:

1.Do not pay with cards on your hand, you can only pay using the card’s you have laid in front of you.

2.Change is not given, you give what you have!

3.If you do not have enough money in your bank pay with your properties.

4.If you have no properties or money in front of you do not pay.

Card Back

FISH BROKER

game introducing the

05 project

Aaramgah

YEAR 4 SEM 8 2023-2024

Mentor- Sheema Fatima, Saman Ambreen

Site-

insight

45 01 02

insight

Gig workers face a myriad of challenges in their daily routines, exacerbating the already demanding nature of their work. Firstly, they encounter significant barriers to accessing basic facilities, such as the denial of permission to enter the Oberoi Mall, a key hub for potential orders and amenities. Moreover, the absence of public toilets within a 1km radius further compounds their difficulties, leaving them with limited options for restroom facilities during their shifts. Additionally, gig workers are subjected to unfair treatment at the Oberoi Mall, where they are prohibited from waiting at the storefront and instead relegated to standing on the opposite footpath, highlighting an unjust disparity in access and accommodation. Furthermore, the lack of benches or shaded areas exacerbates their challenges, as they have no designated spaces to wait, rest, or even sit comfortably between jobs. These systemic issues not only impede the efficiency and well-being of gig workers but also underscore broader issues of inequality and marginalization within the gig economy.

48 01 02

purpose

Aaramgah serves as a beacon of hope and resilience for gig workers amidst the shadows of infrastructure violence. By providing a dedicated space for gig workers to wait, eat, and rest, it addresses a critical need in urban environments where such amenities are often lacking. Equipped with comfortable seating, shaded areas, and amenities like water stations and charging points, the Aaramgah offers a sanctuary for gig workers to recharge and rejuvenate between jobs. Beyond its practical utility, the Aaramgah is designed to reflect the personality and identity of gig workers, with vibrant colors, cultural motifs, and personalized touches that celebrate their contributions to the urban landscape. Through interactive features like a community message board and collaborative art installations, the Aaramgah fosters a sense of camaraderie and solidarity among gig workers, providing a platform for them to connect, share experiences, and support one another. In doing so, it not only addresses the immediate needs of gig workers but also empowers them to reclaim their space and build a stronger, more resilient community in the face of infrastructure violence.

06 project

Working

Drawing

Mentor- Ajit Prabhu, Manish Rangnekar

SETTING OUT PLAN NAME: SAHIL KHAN WORKING DRAWING SCALE 1:50 BALWANT SHETH SCHOOL OF ARCHITECTURE SHEET NO. 1 SIGN: 06-08-2022 ROLL NO A019 PROPOSED MIXED USE COMMERCIAL PROPOSED MIXED USE COMMERCIAL 13M 34M 24.5M 34M 9M 10872.02 5934.42 9069.68 4824.12 1461.05 430.3 3569.7 3000 2540 3460 2040 1578.18 3294.33 2960 863.2 790 3278.18 2820 218.54 1309.86 4134.53 2326.52 2000 500 1040 2000 1000 3103.54 1549.42 3679.56 2668.09 2730 1000 2770 1230 2615 1230 1664.24 1633.06 1885 1633.06 7134.46 1270 1000 1730 1000 1270 1730 1000 1000 1202.97 3244.19 6230 1500 2270 1500 3730 1000 2770 1969.9 4837.43 1500 1500 1969.9 1270 1615 2115 1 2 3 22.9M 10M 24M N C1 C2 C3 C4 C5 C6 C7 C9 C10 C11 C12 C15 C16 C17 C18 C19 C20 C24 C26 C27 C13 C14 C21 C22 C23 PB8 PB9 PB10 PB11 PB12 PB13 PB14 PB15 PB27 PB7 PB28 PB29 PB30 PB31 PB32 PB33 PB34 PB42 PB35 PB36 PB37 PB38 PB39 PB40 PB41 PB43 PB44 PB45 PB46 PB47 PB48 PB22 PB23 PB24 PB25 PB26 PB6 EX-PB1 EX-PB2 PB3 PB4 PB5 PB16 PB17 PB18 PB19 PB20 PB21 C25 1 2 3 4 5 6 7 8 9 A B C D E F G H K L M N O P FOUNDATION PLAN EX- EX- EXEXEXEX- EX- EX- EX- EX- EXEXEX- EX- EX- EX- EXEXEX- EX- EX- EX- EX- EXEXEXEXIN- IN- IN- IN- IN- INININ- IN- ININININININININSCHEDULE COLUMN COLUMN SIZE FOOTING SIZE PCC BED SIZE C1-C27 300X450 1400X1550 1700X1850 NOTES: 1) THIS IS A PROPERTY SAHIL KHAN SHALL REPRODUCED WITHOUT PERMISSION. 2) THE COMMENCMENT OF CONSTRUCTION SUBJECT TOAPPROVAL FROM ALL COMPETENT AUTHORITIES. GENERAL 01. ALL GROUND TO BE VERIFIED THE CONTRACTOR BEFORE COMMENCING WORK. 02. ALL DIMENSIONS UNFINISHED ARE IN AND OTHERWISE SPECIFIED. DIMENSIONS SHOULD VERIFIED 03. DISCREPANCY IF ANY SHOULD BROUGHT ARCHITECT'S NOTICE COMMENCING WORK. 04. DO NOT THE DRAWING. ONLY WRITTEN DIMENSIONS BE FOLLOWED. 05. THIS BE READ CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL SERVICES INTERNAL PLASTER EXTERNAL PLASTER EXECUTION SETTING NAME: WORKING SCALE BALWANT OF ARCHITECTURE SIGN: PROJECT SITE + COMMUNITY FONTAINHAS, CONCEPT STUDYING SPACES QUALITY EXPERIENCE; ON ANALYZING CONNECTED OUTDOOR,ACTS SITE VIVA PANJIM,RUA JANEIRO,FONTAINHAS,GOA. LEGEND BRICK WALL RCC SITE BOUNDARY STONE FACADE DETAIL

FLOORING PLAN

DRAWING NAME: SCALE: NORTH DATE: NAME: 15/01/2024 SAHIL KHAN SUBJECT: WORKING DRAWING BALWANT SHETH SCHOOL OF ARCHITECTURE 1:20 FLOORING PLAN

SLOPE1:100 SLOPE1:100 SLOPE1:100 SLOPE1:100 SLOPE1:100 SLOPE1:100 SLOPE1:100 SLOPE1:100 SLOPE1:100 W1 W2 W2 W1 START TILE START TILE START TILE C D A' B' NOTES 6100 6100 X 2000 MM MIDLANDING 300MM RCC WALL 12 MM INTERNAL PLASTER 11 +1.87M C 15 MM METAL PLATE 20 MM DIA STEEL CABLES 2000 +0.00M +0.17M A 2 3 4 5 6 7 8 9 10 12 13 14 15 16 17 18 19 20 21 +3.57M +2.04M 10 11 2 3 4 5 6 7 8 9 1 6. ALL SERVICES TO BE FROM THE SERVICES DRAWINGS. 7. FOR ALL OTHER DETAILS TO OTHER RELEVANT ALL EXISTING GROUND TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF 9. IN CASE OF ANY DISCREPANCY SHOULD BE IMMEDIATELY TO NOTICE OF ARCHITECT/ CONSULTANT. 150150 C' 20 MM THK STEEL CABLES 1. ALL DIMENSIONS ARE MILLIMETERS. 2. DO NOT SCALE THE 3. FOLLOW WRITTEN ONLY. 4. THIS DRAWING IS THE OF SAHIL KHAN AND SHOULD COPIED WITHOUT HIS THIS DRAWING IS THE PROPERTY OF THE ARCHITECT. 5. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED STRUCTURAL ENGINEER'S DRAWINGS. 15 MM THK METAL PLATES 2000 TREAD = 300MM RISER= 170 MM WIDTH OF TREAD = 2000MM B PLAN AT 1.9M SECTION BB' REVISION TABLE: BALWANT SCHOOL ARCHITECTURE, NAME SAHIL KHAN 20MM THK STEEL CABLE FIXING PIN AND METAL PLATE ALL DIMENSIONS ARE IN HANDRAIL CARVED OUT FROM RCC WALL 100 MM THK RCC CANTILEVERED STEP WITH 6MM LAMINATES STAMP AND SIGN NORTH HANDRAIL CARVED OUT FROM RCC WALL D2 D4 YEAR :4th YEAR B.ARCH DATE :10/04/24 SHEET: SECTION AA' SECTION CC' 900 170 2000 900 EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ 3000 850 900 1870 170 20 MM DIA STEEL RODS 6MM MATTE FINISH LAMINATES D3 MM DIA STEEL TIES 10 MM HORIZONTAL REINF. FIXING PIN RUBBER WASHER METAL PLATE 18 MM DIA VERTICAL REINF. 12 MM DIA HORIZONTAL REINF. 6MM THK MATTE FINISH LAMINATES 20 MM DIA STEEL RODS 15 MM THK METAL PLATE 8 MM THK BOLTS FOR PLATE 20 MM THK FIXING PIN FOR CABLE DETAIL D1 (SCALE 1:10) EXPLODED AXONOMETRIC VIEW OF DETAIL D3: JOINERY OF METAL PLATE TO THE EDGE OF RCC STAIR (SCALE 1:5) STEEL CABLE BOLTS FOR METAL PLATE FIXING PIN METAL PLATE 20 MM DIA STEEL RODS REINFORCEMENT TO SUPPORT CABLES ON OPPOSITE EDGES DETAIL D2: (SCALE 1:2) FIXING PIN RUBBER WASHER METAL PLATE MATTE FINISH LAMINATES 15 20 DETAIL D3: FIXING PIN AND BOLTS ON METAL PLATE (SCALE 1:2) ELEVATION VIEW OF DETAIL D3: JOINERY OF METAL PLATE TO THE EDGE OF RCC STAIR (SCALE 1:5) 3000 300 50 35 16 16 112 20 72 20 90 150 NOTES 6. ALL SERVICES TO BE REFERRED FROM THE SERVICES CONSULTANT DRAWINGS. 7. FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 8 ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF WORK. 9. IN CASE OF ANY DISCREPANCY SHOULD BE IMMEDIATELY BROUGHT TO NOTICE OF ARCHITECT/ CONSULTANT. 1. ALL DIMENSIONS ARE IN MILLIMETERS. 2. DO NOT SCALE THE DRAWINGS. 3. FOLLOW WRITTEN DIMENSIONS ONLY. 4. THIS DRAWING IS THE PROPERTY OF SAHIL KHAN AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. 5. ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWINGS. REVISION TABLE: BALWANT SCHOOL OF ARCHITECTURE, NMIMS NAME SAHIL KHAN ALL DIMENSIONS ARE IN MILLI METRES YEAR :4th YEAR B.ARCH DATE :10/04/24 SHEET: ROLL NO A019 SCALE 1:20 +0.10M +0.45M +3.95M +4.45M W1 W1 885,07 180,94 SECTION BB' SR.NO FIXTURES WATER CLOSET MANUFACTURER: DIMENSIONS: CLOSET RANGE: CODE: SPECIFICATION JAQUAR CERAMIC VITREOUS CHINA 365 530 465 (MM) DISABLED DIS-WHT-93753P180UF 390x610x800 (MM) RANGE: JAQUAR URINALS ICON IMAGE TOILET FIXTURES SPECIFICATIONS SR.NO WALL TILING MANUFACTURER: DIMENSIONS: FINISH TYPE: FLOOR TILING MANUFACTURER: DIMENSIONS: FINISH TYPE: VETICAN GRANITO 600 X 600 (MM) GLOSSY CERAMIC VETICAN GRANITO 600 600 (MM) MATT VITRIFIED TILES FIXTURES SPECIFICATION ICON IMAGE TILING SPECIFICATIONS KEY PLAN SECTION LINES

53 DRAWING NAME: SCALE: NORTH DATE: NAME: 15/01/2024 SAHIL KHAN SUBJECT: WORKING DRAWING BALWANT SHETH SCHOOL OF ARCHITECTURE 1:20 FIXTURE PLAN ROLL NO.: A019 SEM: C D W1 W1 W2 W2 D1 D1 D1 D1 D1 D1 D1 D1 D2 D2 D3 LADIES WASHROOM MENS WASHROOM DISABLED WASHROOM +0.45M +0.45M +0.45M 600 600 600 600 600 600 600 1420,41 600 600 1420,41 450 300 300 1121,62 1121,36 1125,77 719,84 971,54 470,57 2568,39 2193,13 440,18

FIRST FLOOR N C1 C4 C5 C6 C7 C8 C9 C10 C14 C14 C15 C16 C17 C18 C19 C24 C26 C21 C28 A 9M 3M SECTION BB' NOTES: 1) THIS DRAWING IS A PROPERTY OF SAHIL KHAN AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION. 2) THE COMMENCMENT OF CONSTRUCTION SUBJECT TOAPPROVAL FROM ALL COMPETENT AUTHORITIES. GENERAL NOTES: 01. ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK. 02. ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS AND OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE. 03. DISCREPANCY IF ANY SHOULD BE BROUGHT TO THE ARCHITECT'S NOTICE BEFORE COMMENCING THE WORK. 04. DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED. 05. THIS DRG. TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL & SERVICES DRGS. INTERNAL PLASTER 15MM EXTERNAL PLASTER 25MM EXECUTION NOTES: AS PER DRGS. UNLESS OTHERWISE SPECIFIED 06. ALL STRUCTURAL DIMENSIONS TO BE REFER FROM THE STRUCTURAL DRGS. 07. FOR ALL CIVIC DETAILSREFER RESPECTIVE DRGS. REFER WALL SECTION DRGS. FOR EXECUTION. 09. FOR ALL DOORS AND WINDOWS REFER TO ALL DOOR WINDOW SCHEDULE DRGS. 10. ALL MECHANICAL CUT-OUTS & SLEEVES TO BE IN CONJUNCTION WITH RESPECTIVE & RELEVANT SERVICE DRGS. PROVISION TO BE MADE FOR DAMPER SLABS IN ALL DUCT SHAFTS & CUT-OUTS ON ALL FLOORS. 11. ALL BRICK WALL WORK IS IN ENGLISH BOND. 12. ALL PARTITION WALLS ARE 115MM THICK UNLESS SPECIFIED. TERRACE PLAN NAME: SAHIL KHAN WORKING DRAWING SCALE 1:50 BALWANT SHETH SCHOOL OF ARCHITECTURE SHEET NO. SIGN: 07-10-2020 ROLL NO A019 PROJECT NAME SITE + X COMMUNITY CENTRE, FONTAINHAS, GOA CONCEPT STUDYING HOW DIFFERENT TRANSITIONAL SPACES COME TOGETHER AND CREATE SPACIAL QUALITY GIVING THE USER A DIFFERENT EXPERIENCE; ON ANALYZING FONTAINHAS.HOW PEOPLE GET CONNECTED BETWEEN INDOOR AND OUTDOOR,ACTS AS A BUFFER SPACE SITE VIVA PANJIM,RUA 31 DE JANEIRO,FONTAINHAS,GOA. LEGEND BRICK WALL RCC SITE BOUNDARY N CORRUGATED SANDWICH ROOF SHEET 100 100 GYPSUM SHEET 2064 1000 50 3360 80X80MS PIPE 12mm WATERPROOF SHEET 200 80 200 80 FIXED GLASS WINDOW 50X50 ANGLE WITH 10mm GUSSET PLATE FOR ROOF FIXING GIRDER STEEL BEAM ALUMINUM SHEET COVERED FOR RAIN WATER 700 280 3360 150 150 3256 SECTION-A DRAWING NAME: NORTH DATE: NAME: 15/01/2024 SUBJECT: BALWANT SHETH SCHOOL OF ARCHITECTURE 1:20 FIXTURE PLAN ROLL NO.: A019 SEM: +0.10M +0.45M W2 W2 C D +3.95M +4.45M 1066,39 899,8 W1 W1 1099,76 SECTION AA' +0.10M +0.45M +3.95M +4.45M W1 W1 SECTION BB' NOTES: FRAME MICRON POWDER COATED ALUMINIUM SLIDING WINDOW WITH 10mm THK. FROSTED GLASS WITH REQUIRED HARD WARE A E F C 400 900 A' ELEVATION W22 SCALE 1:10 MARBLE SILL GRANITE SILL SECTION AA' SCALE 1:10 SHUTTER B A PLASTER (10MM THICK) PLAN SCALE 1:10 WALL (150MM THICK) GLASS (10MM THICK) BUMPER BODY COLUMN CENTER LINE CLICKER FRAME 100MM 50MM DETAIL F SCALE 1:5 INTERLOCK FOR WINDOWS DETAIL B SCALE 1:5 GROUND FLOOR PLAN NAME:SAHIL KHAN SCALE 1:50 WORKING DRAWING BALWANT SHETH SCHOOL OF ARCHITECTURE WINDOW DETAIL ROLL NO.: A019 2MM BEAD SITE :BHULESHWAR, BUFFER PAD MUMBAI ,MAHARASHTRA. RCC MEMBERS PCC MEMBERS CONCEPT LAYER STACKING 400 BUFFER PAD 1) THIS DRAWING IS PROPERTY OF SAHIL KHAN AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION. 2) THE COMMENCMENT OF CONSTRUCTION SUBJECT TOAPPROVAL FROM ALL COMPETENT AUTHORITIES. GENERAL NOTES: 01. ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK. 02. ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS AND OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE. 03. DISCREPANCY IF ANY SHOULD BE BROUGHT TO THE ARCHITECT'S NOTICE BEFORE COMMENCING THE WORK. 04. DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED. 05. THIS DRG. TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL SERVICES DRGS. EXECUTION NOTES: AS PER DRGS. UNLESS OTHERWISE SPECIFIED 06. ALL STRUCTURAL DIMENSIONS TO BE REFER FROM THE STRUCTURAL DRGS. 07. FOR ALL CIVIC DETAILSREFER RESPECTIVE DRGS. REFER WALL SECTION DRGS. FOR EXECUTION. 09. FOR ALL DOORS AND WINDOWS REFER TO ALL DOOR WINDOW SCHEDULE DRGS. 10. ALL MECHANICAL CUT-OUTS SLEEVES TO BE IN CONJUNCTION WITH RESPECTIVE & RELEVANT SERVICE DRGS. PROVISION TO BE MADE FOR DAMPER SLABS IN ALL DUCT SHAFTS & CUT-OUTS ON ALL FLOORS. 11. ALL BRICK WALL WORK IS IN ENGLISH BOND. 12. ALL PARTITION WALLS ARE 115MM THK UNLESS SPECIFIED. PROJECT NAME :MIXED COMERCIAL BHULESHWAR, MUMBAI. 1200 1000 DETAIL A DETAIL C FIRST FLOOR N KEY PLAN CHANNEL DETAIL E GUIDE RAIL INTERLOCK FOR WINDOWS

FIXTURE PLAN

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