Kesta Happening Magazine January 2014

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/ KESTA HAPPENING MAGAZINE

/ JANUARY 2014

January TABLE OF CONTENTS

ISSUE # 34

7 ROCK

Jarabedepalo

8 REGGAE

Cultura Profética

8

10 SALSA

Domingo Quiñones

21

11 BACHATA

Leslie Grace

12 RUMBA FLAMENCA Los Gipsy Kings

14 KESTADC.COM GALLERY

Photos of concerts and DC nightlife

12

15 UPCOMING EVENTS

Calendar of upcoming events

18 FEATURED

Jorge Celedón

21 LIVE SHOW

7

18

Stomp

23 FOOD

El Centro DF Restaurant

27 STYLE

Gold Metal Winner

28 KESTA GIRL

Maria Belen Barriga

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/ KESTA HAPPENING MAGAZINE

30 KESTA EPIC PICS

Some of our favorite pics of the month

32 KESTA ASKS

/ JANUARY 2014

SALSA

New Year Stuff

33 LOCAL TALENT

PRESS PLAY ON

Locomotive

ECHOSTAGE LINEUP This month at Echostage

By: Manu Mayor

H

ard to find a more authentic Nuyorican than Domingo Quiñones. Born near New York City in 1963, but raised in Ceiba, Puerto Rico, Domingo returned to New York when he was 14 years old. It wasn’t long before he started singing with Conjunto Nativo before joining Luis “Perico” Ortiz’s orchestra in 1985 where he recorded four albums. Doming eventually spread his wings landing a solo deal with RMM in 1990. His first album titled “Domingo s mi Nombre” introduced him to the tropical scene where he has resided ever since.

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Domingo worked with the legendary Tito Puente, on Puente’s 100th record, before going on to release his second album “Pintando Lunas”. In 1996, he achieved his first Tropical Airplay #1 hit with the song “Tu Como Estas”. His follow up to that, was an album that was named as one of the most influential in Puerto Rico by the National Foundation of Popular Culture of Puerto Rico. Two popular songs from that work were “Mi Negrita Me Espera” and “No Voy A Dejarte Ir” which rose to the #2 spot in the Tropical Airplaychart. A song you will likely recognize as soon as the first line hits. Domingo Quiñones is a talented Salsa artist without a doubt. His sound is crisp and clear, his songs the perfect

tempo for either listening or dancing. Not too fast, not too slow, a Salsa sweet spot. He may not have the name recognition of others, but if you start looking up his music, you will find yourself familiar with more of his songs than you would think. If you grew up in one of Salsa-heavy countries of Latin America, or in “Neyorico”, this good musical stuff was in the background of your life and is in the depths of your mind, ready to come out and dance with you. Just press play on Domingo Quiñones on your favorite device and be ready to dance! Domingo is a man of many talents however. In 1998 he acted in the play Jesus Christ Superstar alongside Olga Tañon. Then he played the role of none other than Hector Lavoe in the New York play Quien Mato A Hector Lavoe. His performace as Lavoe won over many critics, including The New York Times. Domingo captured both the essence and the music of the Salsa legend. Not

an easy feat to do, especially live. He also played a music promoter in the Marc Anthony’s and Jennifer Lopez film feature “El Cantante”.

34 KESTA NEW

Although Domingo has stayed busy with acting this did not stop him from releasing 12 full-length albums throughout his career. Domingo slowed down a bit after suffering a mild stroke in 2011, however is back on track embarking on his latest “Salsa en 2 Tiempos Tour” and continues to bring people together in the name of Salsa.

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The good news is, that Domingo Quiñones, a man of many talents, will be with us performing alongside “El Dynamico de la Salsa” Charlie Cruz live on Friday, January 24th at The Palace. No need to press play there. For tickets and more information visit www.tickeri.com! █

Vive Latino 2014

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35 ALBUM REVIEWS

Chulius & The Filarmonicos & Kickoman

36 KE PASÓ

Natalia Lafourcade & Ñengo Flow

PUBLISHER: Media644.com / DIRECTOR: Juan Luis Gonzalez / EDITOR: Rosario Garcia / DESIGN: Miriam Jave WEB & TECHNOLOGY: Javier Gonzalez / WRITERS: Luis Ayala, Sarah Barrie, Malayna Butler, Victoria Flamant,

Ellen Flores, Kala Fryman, Rosario Garcia, Juan Leon, Manu Mayor, Alicia Yim PHOTOGRAPHERS: Jose Acha, Jose Arrieta, William Espinoza, Miriam Jave, Daniel Martinez, Harold Reynold SALES: Jose Acha / INTERESTED IN ADVERTISING? info@kestamag.com / tel: 202 643 0555

LOVE ADVICE

Love, dating & relationship advice

37 KE?

Win tickets to Jorge Celedón and Stomp


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/ KESTA HAPPENING MAGAZINE

/ JANUARY 2014


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ROCK

By: Luis Ayala

THE YEAR 2013 WAS A VERY SPECIAL ONE FOR PAU DONES AND JARABEDEPALO. First, there was an interesting visit to the US with an acoustic tour named: A Piano y Voz. This barebones format gave us the opportunity to listen to classic JarabedePalo love songs in a more intimate atmosphere. Something that started just as an idea many years ago, developed into something that took Pau Dones and his friend and fellow musician: Jaime de Burgos, around the world performing in cities that Jarabedepalo had never played before like Boston and Stanford, CT. After completing a full visit to Latin America, the band packed their instruments once again and headed straight to Japan, for the first time in their history. An experience

that Pau expressed as a “dream come true”. Jarabe performed in a historical venue as part of the Blue Note Jazz festival, a legendary event that has seen jazz icons such as Quincy Jones, Jorge Benson, Tony Bennett, Maceo Parker, Chucho Valdes and many others. JarabedePalo played six shows in 3 days, an excellent opportunity to present another facet of the music currently being made in Spain in front of a crowd that might not have been the regular JarabedePalo fan base. There was no doubt that the new crowds

were hungry for Latin music and culture as Jarabe received warm receptions throughout the historic tour. Throughout this visit to the land of the rising sun, Jarabedepalo further cemented their status as one of the most important international Spanish bands of the moment, adding a new territory to call their own. Jarabedepalo is already well known throughout Europe, Latin America and USA. After coming back from Japan, Pau and the guys went straight to work and announced that the new album “Somos” was going to be released in early 2014. They also gave us a little “advance” by letting their fans download the first self-titled single: “Somos” (a funk-rock collaboration with Gabylonia and Montse Moreno) for free from the band’s official website. Pau recently shared during a press conference in Santo Domingo that

“Somos” will be, “an album that is much more focused on American rock elements, but is also going to be indicative of the aspirations of so many people in this world who want a better life.” As if the visit to Japan and the new album was not news enough, the end of 2013 marked another important milestone for Jarabe as Carlos Santana chose to cover “La Flaca” for inclusion in his new album Corazon (with the guest vocals of none other than Colombian powerhouse, Juanes). The premier collaboration was broadcast live at the Latin Grammys in Las Vegas this past November. 2014 looks like it will be an even bigger year for Pau and JarabedePalo as the new album is expected to hit the streets to incredible demand and will be followed by an extensive tour. JarabedePalo will be back in the US and this time they will continue to expand to new markets visiting cities like Philadelphia and Seattle joining other international bands that tour the US circuit with full force. The tour stars in NYC on March 15th and will stop in Washington, DC on March 27th at Echostage. For more information and tickets, visit: www.echostage.com! █


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/ KESTA HAPPENING MAGAZINE

/ JANUARY 2014

REGGAE

By: Ellen Flores

hen I received the news that I would be writing the Kesta article on Cultura Profética and their upcoming visit to The Howard Theatre on April 1, I instantly smiled and felt a rush of energy, joy and honor. Then, I got a little intimidated. I realized that this would mean writing about one of my very favorite groups which happens to be not only one of the biggest groups in reggae music today, but also one of the most successful reggae groups to come from my beautiful Puerto Rico. No pressure, right? Instead of writing a laundry list of achievements and mapping out their career, I’ve decided to pay homage to this amazing group and share my appreciation for their music, by highlighting 5 of my favorite things about Cultura Profética! I’m sure this will help you understand why you should be there with us for what is going to be one of the best shows of 2014! My Five for Five of Cultura Profética. Let’s get started:

Puerto Rico has a robust and varied musical landscape. With its vast supply of Afro-Caribbean rhythms and percussion, reggae is a genre that is ever present in the musical culture and identity of the island. Cultura Profética has managed to musically unite a segmented musical culture with their unique fusion of Reggae, Jazz, Bossa Nova and even Dubstep. Only at a Cultura show you would see the rocker, the caco (fan of reggaeton), the cocolo (salsa fan), the merenguero (merengue fan) and the fresita (pop fan) all in the same audience singing along and chilling with the diehard reggae fans that have been following the band from the beginning in 1998. Selling out the biggest venues in Latin America has shed a light on reggae talent hailing from Puerto Rico and put the island on the radar for reggae fans worldwide (a community that is very faithful to the sound and identity associated with the sound).

To say that Cultura Profética is just a band would be a mistake. They are above your run of the mill group. These guys are dedicated and educated musicians. In a time where technology and life moves at lightning speed, Cultura takes the time to craft lyrics that are up to the standards of some of our biggest Latin American poets like Mario Benedetti, Jorge Luis Borges and José De Diego. Songs like “De Antes”, “En La Oscuridad”, and “Donde No Alcanza Mi Verso” are musical poems that masterfully fuse metaphors, images and words that take us on a musical journey of desire, love and celebration for life and nature. The words in Cultura’s music are compositions that have been crafted with such attention and care that when combined with melody they create a poem that invades the airwaves and goes into the heart.

Not shy about voicing their views on Puerto Rico’s political status, Cultura Profética has brought issues that affect the island and the capacity to be self sufficient to center stage. Their unapologetic honesty is helping newer generations learn about their history and question the status quo. Songs like “Somos Muchos” “Que Será” and “Bieke” cover subjects of Puerto Rico’s political evolution and ask: Should we trust what we are told? Should we settle? They lyrics ignite the listener to think of who we are and where we want to go as a society.

Whether you agree with their views or not, Cultura’s support for the legalization of marijuana has diminished the taboo of public debate over this issue. “Fruto de la Tierra” and “Sube el Humo” are compositions that blend and expose a logical, even practical side to the legalization of marijuana.

The vibe, the sound and the words in Cultura Profética’s melodies can inspire us all to take joy in the day-to-day hustle and bustle to feel and experience the world around us. The universe is a gift that continually gives us moments and it’s up to us to stop and experience them all.

So now you know why I love Cultura Profética! I hope you get motivated to come out and see these melody makers in their first ever DC performance on April 1st at the Howard Theatre in DC. Get your tickets in advanced at the sale price of $20 only at www.tickeri.com! Now that you know my 5 favorite things about Cultura, check out these 5 essential Cultura Profética tracks to get you in the reggae mood! 1. Fruto De La Tierra 2. Ilegal 3. Reggae Rústico 4. Sube el Humo 5. Baja la Tensión █


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SALSA


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/ KESTA HAPPENING MAGAZINE

/ JANUARY 2014

SALSA

By: Manu Mayor

ard to find a more authentic Nuyorican than Domingo Quiñones. Born near New York City in 1963, but raised in Ceiba, Puerto Rico, Domingo returned to New York when he was 14 years old. It wasn’t long before he started singing with Conjunto Nativo before joining Luis “Perico” Ortiz’s orchestra in 1985 where he recorded four albums. Doming eventually spread his wings landing a solo deal with RMM in 1990. His first album titled “Domingo s mi Nombre” introduced him to the tropical scene where he has resided ever since. Domingo worked with the legendary Tito Puente, on Puente’s 100th record, before going on to release his second album “Pintando Lunas”. In 1996, he achieved his first Tropical Airplay #1 hit with the song “Tu Como Estas”. His follow up to that, was an album that was named as one of the most influential in Puerto Rico by the National Foundation of Popular Culture of Puerto Rico. Two popular songs from that work were “Mi Negrita Me Espera” and “No Voy A Dejarte Ir” which rose to the #2 spot in the Tropical Airplaychart. A song you will likely recognize as soon as the first line hits. Domingo Quiñones is a talented Salsa artist without a doubt. His sound is crisp and clear, his songs the perfect

tempo for either listening or dancing. Not too fast, not too slow, a Salsa sweet spot. He may not have the name recognition of others, but if you start looking up his music, you will find yourself familiar with more of his songs than you would think. If you grew up in one of Salsa-heavy countries of Latin America, or in “Neyorico”, this good musical stuff was in the background of your life and is in the depths of your mind, ready to come out and dance with you. Just press play on Domingo Quiñones on your favorite device and be ready to dance! Domingo is a man of many talents however. In 1998 he acted in the play Jesus Christ Superstar alongside Olga Tañon. Then he played the role of none other than Hector Lavoe in the New York play Quien Mato A Hector Lavoe. His performace as Lavoe won over many critics, including The New York Times. Domingo captured both the essence and the music of the Salsa legend. Not

an easy feat to do, especially live. He also played a music promoter in the Marc Anthony’s and Jennifer Lopez film feature “El Cantante”. Although Domingo has stayed busy with acting this did not stop him from releasing 12 full-length albums throughout his career. Domingo slowed down a bit after suffering a mild stroke in 2011, however is back on track embarking on his latest “Salsa en 2 Tiempos Tour” and continues to bring people together in the name of Salsa.

The good news is, that Domingo Quiñones, a man of many talents, will be with us performing alongside “El Dynamico de la Salsa” Charlie Cruz live on Friday, January 24th at The Palace. No need to press play there. For tickets and more information visit www.tickeri.com! █


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BACHATA

title originally came from the public after my first single, “Will You Still Love Me Tomorrow.” I think the feminine touch my voice brought to the genre was something people hadn’t heard for a very long time in bachata because as we all know, the genre of bachata is dominated by males.” A recent post on Leslie’s Instagram and Twitter accounts shows her appreciation for Billboard’s recognition of her music and she is grateful to be recognized in the company of the other up and coming artists of her generation. “This is pretty cool! Honored to be featured on this months issue of @billboard, surrounded by awesome talent. All ambassadors of the new school, best of both worlds, Latin American #fusion music. It’s who we are. Tell’em generation #GraceNation” Fito Blanko, Kat Dahlia & JenCarlos Canela are also featured on the same Billboard page.

By: Malayna Butler & Victoria Flamant

As an avid listener of Motown classics when I first heard her adaptation of “Will U Still Love Me Tomorrow” by The Shirelles, it evoked memories of the shake and shimmy charttoppers of Diana Ross and the Supremes or Martha and The Vandellas who captivated young hearts in their day. Leslie strives to do the same, but with a modern and bilingual twist. Prince Royce also reached back as a newcomer when he sampled Ben E. King’s “Stand By Me” giving young Spanish-speakers exposure to an oldie-butgoodie yet catered to their generation. His career soared ever since and hers is taking flight. She has also updated The Ronettes’ “Be My Baby” and added hints of modern flare. Like Royce, Leslie’s music is infused with elements of the past and the present. The “Princess of Bachata” grew up in New York and knew that she wanted to be a singer from a young age. Before she could even speak, she was entertaining

her five older siblings and parents who quickly realized that she had a great talent. By helping to nurture her gifted voice and encouraging her to sing, Leslie’s family helped her achieve her dream of becoming a recording artist. At the age of 14, Leslie recorded her first album titled Pasión. Though the album was not widely distributed, Leslie was encouraged to continue working on her singing and writing. This budding singer-songwriter took piano lessons to expand her craft and a few years later it paid off when she was introduced to Top Stop Music executives who signed her first recording contract at 17. She and her family have since transferred to Florida. Leslie Grace Martinez is the youngest Latin female artist to achieve #1 on Billboard’s Latin Radio Airplay chart with her debuting single “Will U Still Love Me Tomorrow”. The single, was released in 2013 is part of her self-titled album, Leslie Grace, and features a variety of bilingual bachata and pop songs. In an exclusive interview with Latina magazine the “Princess of Bachata” was asked how she feels about the title and where it came from. She responds, “The

The Dominicana who will celebrate her 19th birthday on January 7 has learned to keeps family close especially starting a career so young. As the youngest of 5 siblings she always found a stage at home where she began performing. In addition to having strong faith they help to keep her focused. She says, “My family does a great job at keeping me grounded considering they’re part of my team on the road. My mom is my hair and wardrobe stylist; my sister, Annexie, is my makeup artist; and my dad keeps me up to date on all my duties when I’m slacking!” Speaking of her roots, she topped a float in the 2013 Dominican Parade in New York and she remains a source of pride for Dominicans as a successful musical artist. She was born in the Bronx and raise in Yonkers which surely added to the excitement of the parade.

This bilingual beauty was also one of the leading acts to perform at the 2013 DC Bachata Congress which drew an audience of Latin dancers of all genres from throughout the United States. She has also made an appearance on Univision’s leading variety show Sábado Gigante with Don Francisco, where many Spanish-speaking artists make their debut. At Premios Juventud 2013 she was announced with N’Klabe, a salsa trio who decked the halls of Cococabana last month. Leslie Grace will perform live at Cococabana this month and there’s no doubt that some of her 47.3K Twitter followers will be there to welcome her back to the DMV on Saturday, January 4. The show is free with guestlist before midnight. For more information visit tickeri.com! █


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RUMBA FLAMENCA

/ JANUARY 2014

By: Manu Mayor

olare! First time you heard that word, you probably were listening to the Gipsy Kings version of the song. These longstanding French artists may not be the trendiest, edgiest band out there. You may have never hung posters of them as a teenager. However, the Gipsy Kings are a band that has truly stood the test of time and have done it all on their own. They are, what now seems like a constant sound, in the musical soundtrack of the world. Their music, their flamenco influenced guitars, voices and their unique rumba style; always

the background to many people’s special occasions with family and friends. Of course, it wasn’t always so. Every story has a beginning, for even kings that ruled for decades, start out as children. The children in this story were the Reyes brothers. Their father, Jose Reyes, was a renowned flamenco vocalist. Traveling the south of France with his children, Jose Reyes eventually formed a band with them in the 70’s, they were called Los Reyes. Los Reyes developed a following in the greater Gipsy community playing traditional flamenco until their father’s death. Despite the heavy blow to the brother’s family, Los Reyes played on.

Photo: Pascal-ito - copyright Gipsy Kings

One of those years, they made the gipsy pilgrimage called Saint Marie de

la Mer Gitan. At this big cultural festival, they met up with the Baliardos brothers, their cousins. Together, they played music by the campfire and quickly animated the crowds. It is then when they realized they had just formed something very special, something that moved people, it was there that the Gipsy Kings were born. The Gipsy Kings didn’t just play flamenco, they played what came to be called rumba flamenco, a faster, more upbeat take on the traditional version. This came to them naturally. After some more traveling, their rumba flamenco started catching on in other parts of Europe. After the band began recording, they released an album in 1988. It was also called Gipsy Kings. It was only a matter of

time before their infectious music started to spread around the around the world. They have sold 25 million albums since. Unlike many other innovators, whose musical styles mark an era but then leave us, the Gipsy Kings have remained. Many styles have come and gone since 1988, but the Gipsy Kings’ unique style stands firm in our musical background. Not many songs can feel neither old, nor new, regardless of the years passed. I can only compare this staying power with the likes of Bob Marley, as in their music is classic, but feels like it could have been released today. The Gipsy Kings are now embarking on a world tour celebrating their 25 years of music. Their passion for music is still burning strong and it shows in their latest album “Savor Flamenco” issued after a seven year long break. This new album mixes the Gipsy rumba sounds with some Brazilian samba influences. The single “Samba Samba” starts off with a breezy bossa nova before engaging some fiery flamenco and then settling in with some hip shaking Brazilian samba. The album is sure to be another instant classic with its traditional blend of Nuevo flamenco, and bossa nova, as well as, samba influences. Mr. Reyes their father, who instilled his spirit into his music, must surely be smiling down from heaven looking at his children. The gipsy boys, who became Gipsy Kings. The Gipsy Kings will be performing live on January 20th, at the Birchmere in Alexandria, VA. For more information visit www.birchmere.com. █


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URBAN


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KESTADC.COM GALLERY Nene Malo @ Diamong Lounge 12.14.13

Photos by: José Acha

El Gaitazo 2013 @ The State Theatre 12.07.13

El Grupo Niche @ The Palace 12.06.13

El Torito @ The Palace 11.29.13

Photos by: José Arrieta

Photos by: Harold Reynolds

Jowell y Randy @ Cococabana 11.22.13

Tiesto @ Echostage 11.22.13

Photos by: José Arrieta

Photos by: William Espinoza

Photos by: Miriam Jave


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KESTA HAPPENING DC FEATURED EVENTS Fri 12.27 Fri 12.27 Fri 12.27- Sat 12.28 Tues 12.31 Tues 12.31 Tues 12.31 Sat 01.04 Fri 01.10 Sat 01.11 Mon 01.20 Fri 01.24.14 Fri 01.24.14 Feb 04-09 Thurs 02.13 Thurs 03.27 Tues 04.01 Fri 04.04 Sun 05.30

Gotay @ The Palace Andy Andy @ 360 Nightclub Gogol Bordello @ 930 Club New Years Eve @ Bravo Bravo Carnaval de Havana NYE 2014 @ Cuba Libre DCs Ultimate New Years Party @ Crystal City Doubletree Hotel Leslie Grace @ Cococabana J Balvin @ The Palace Yomo @ Cococabana Gipsy Kings @ The Birchmere Charlie Cruz & Domingo Quiñones @ The Palace Cosculluela @ Cococabana Stomp @ The National Theatre Jorge Celedón @ The Palace JarabedePalo @ Echostage Cultura Profética @ The Howard Theatre El Gran Combo @ The Howard Theatre Tempo @ Cococabana

For more information and many more events go to KESTADC.COM

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FAMILY

/ JANUARY 2014


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FEATURED

/ JANUARY 2014

By: Manu Mayor

“Ay ay aaaaaay!” If you read this magazine, (which I’m magically guessing you are doing now) chances are you have sung this out loud at a party, at a club, or probably, even louder in your car. “Que bonita es esta vida!” How could you not? A song so infectious, so up-lifting, something that sounds almost exactly like what it says. This song will pick you up and make you celebrate life. This, is what an inspired Vallenato by Jorge Celedon can do.

For those unfamiliar with Colombian culture, Vallenato is a style of music from the Caribbeanfacing region of that country near the city of Valledupar. The music was born in the valleys, hence the name. Farmers in that area used to travel looking for pastures for their cattle often times on their way to sell them at cattle fairs. Their only form of entertainment, as they traveled from town to town, was playing music. Mix some Spanish, African and Caribbean influences that resided in those areas and you have the birth of Vallenato. Eventually, it went from being farmer’s only music, to being the


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central attraction at social occasions in the region. Vallenato performers would not just sing however. Usually, they would tell a very specific story through song (sometimes with a little help from some Agua Ardiente. Jorge Celedon, or “Jorgito”, was born into this musical culture. At 12 years of age, he performed for Doble Poder, a band led by his uncle Daniel Celedon. His uncle was behind classic songs like “La Gota Fria”, later adopted by very popular singers like Carlos Vives. From a very young age, Jorgito perfected his craft, by the time he reached adulthood he was already a very experienced performer. This head-start certainly served him well when he had bigger shoes to fill. Jorgito later joined the very successful band, El Binomio de Oro, after their popular frontman Rafael Orozco was killed in 1992. Some say, a victim of his wife’s affair with a drug lord.

The times in Colombia however, changed. Jorge Celedon grew with El Binomio de Oro and released three albums with them. These were popular in not only Colombia, but also Venezuela and even as far as Mexico. In Maracaibo’s ( Venezuela) huge festival, Jorge won the silver Orquid award, for being the artist that turned the crowd into a frenzy the most. If you have never seen it, look up “El Festival de La Orquidia” on YouTube and you will see the magnitude of this musical event with thousands in attendance. After rising in popularity with El Binomio de Oro, Jorge eventually left the band to sign his own deal with Sony Music. Teaming up with accordionist Jimmy Zambrano, the duo conquered Colombia with hit after hit. Zambrano was born in Colombia but graduated from a Venezuelan music school. He joined a band called Los Diablitos before working with Los Emigrantes and finally joining Jorge Celedon. Even though Jimmy Zambrando was schooled in several instruments, it was his amazing skill with the accordion combined with Jorge’s voice, that made their Vallenato really stand out. In 2005, they released their first live concert DVD. This was recorded along with the Bogota Symphonic Orquestra playing live, in front of 30,000 fans. It stands as a testament to the new level they reached. In 2006, they released the album “Son Para El Mundo”, internationally. This album includes the gem “Esta

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Vida”, winning them a Latin Grammy as soon as the Grammy members heard it. Ay ay aaaaaaay indeed! After three more albums together with great success, Jimmy Zambrano announced he was leaving the musical partnership. “I thank God for this career, full of success, alongside an angel like Jorgito Celedon.” Zambrano said. He has now teamed up with singer Duban Bayona on new Vallenato projects. Jorge Celedon has since teamed-up with accordionist Gustavo Garcia and released their 2013 album “Duetos”. Of course not all of Jorgito’s Vallenatos are upbeat celebrations of life, as “Esta Vida” so gloriously is, but they are all great at capturing strong feelings and turning them into song. Whether you are feeling a little down due to a setback, or very hopeful due to a win in life, Jorgito Celedon has a song to accompany you and turn your feelings into music. Music, can turn everything around. Ay ay aaaay! Now you can witness the magic that is Jorge Celedon on Thursday, February 13th, 2014 at the Palace in Woodbridge. Visit www.tickeri.com to get your tickets! █


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Photo Credits: Steve McNicholas

LIVE SHOW

By: Sarah Barrie

is the most important aspect and therefore STOMP is all about rhythm. “I think there is rhythm in everyone”, Cresswell says, “It’s a language”. After all, rhythm is a universal language and is one that everyone can understand and appreciate. Looking back, you may think it was just all in good fun, but imagine making a career out of it. That’s exactly what the percussion group STOMP did, and since their start 20 years ago, STOMP has become an international sensation, by making music using everyday objects. Now you will have the chance to witness the international phenomenon that is STOMP, yourself as they are scheduled to perform at the National Theater this February! Created in 1991 by Luke Cresswell and Steve McNicholas in Brighton, U.K., STOMP evolved from a street band known as Pookiesnackenburger. Luke Cresswell was always looking for new and different ways to play the drums on the street, drumming on various objects such as dustpans, and trashcans. Growing up, he was always banging on things, trying to make a rhythm. The selftaught rock drummer believes that rhythm

What makes STOMP unique and sets it apart from the rest is their creativity and use of unconventional “instruments”. In fact when STOMP go shopping for new instruments you’re more likely to see them at a hardware store than a music shop. STOMP makes music by using ordinary objects such as trashcans and lids, hubcaps, shopping carts, plumbing fixtures, paint cans, buckets, sticks, Zippo lighters, radiator hoses, matchboxes, brooms, boots and yes even the kitchen sink. STOMP makes music and rhythm by playing just about anything but conventional instruments. Even simple everyday acts like biting into an apple or coughing can be made into music. As there are no words in STOMP, solely percussion, there are no language barriers. As Cresswell notes, “the performers

make a rhythm out of anything we can get our hands on that makes a sound.” And they do. From stomping around on barrels, to banging sticks on kitchen sinks, the performers come up with catchy and rhythmic beats without fail. “It is a celebration of rhythm and sound”, describes McNicholas. In addition to rhythm and percussion, STOMP also integrates humor, dance, and theatrical performances into their routines. They often call for audience participation. For example, you may be asked to clap, and to assist in carrying a rhythm (but don’t worry they won’t single you out). The audience thrives on the performer’s bold energy and their original use of everyday props. Each routine is different and unique and performed by an eight-member crew. Throughout its 20 years existence, STOMP has received numerous awards and recognitions and has also appeared in various short films and commercials, including Coca-Cola and Target. It won an Oliver Award for Best Choreography, a Drama Desk Award for Unique Theatre

Experience, and the group received an Academy Award nomination, four Emmy nominations, and one Emmy Award for the 1997 HBO special “Stomp Out Loud”. STOMP also performed at the 2012 Summer Olympics Games Closing Ceremony in London. The Chicago Tribune calls STOMP, “A phenomenal show! Bashing, crashing, smashing, swishing, banging and kicking – a joyous invention!” From the sweeping of a broom, to the shuffle of footsteps, rhythm is all around us, whether we realize it or not. After seeing STOMP perform you may begin to listen differently, and start to hear the rhythm in the everyday sounds around you. STOMP will be performing at the National Theatre February 4-8, 2014. Tickets start at $40 and can be purchased online at thenationaldc.com. STOMP is definitely an experience you don’t want to miss! █


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Photo Credit: Goranfoto

FOOD

By: Sarah Berrie

l Centro D.F. (named after the federal district capital of Mexico) is a Mexican eatery, owned by internationally acclaimed Mexican Chef, Richard Sandoval. With over 30 restaurants worldwide, including Ambar, La Sandía, Masa 14, and Zengo in the DC area, Sandoval is a culinary legend having been credited for introducing Latin cuisine to the world to include Dubai, Qatar, and Serbia. First opening its doors in the U street neighborhood in 2011, and most recently, Georgetown in June of this year, El Centro D.F. has quickly become a popular hot spot in the DMV area. Known for its authentic Mexican comfort food and wide variety of tequilas, Washington Magazine recognized it as, “Best Latin American Cuisine” in 2013. One thing that is immediately noticeable at both El Centro D.F. locations is the marriage between rustic and modern. An open kitchen surrounded by bar stools provides a welcoming environment for those looking for a taco (or two) on the run, while the high wooden tables and stools are perfect for lounging and waiting

for friends while you sip some refreshing cocktails from the voluminous tequila, mezcal, margarita, and spirits menu. For a more romantic evening, candlelit tables, and walls decorated with Mexican folk-art transport you to lands far away, as you devour your authentic meal. The first thing I tried at El Centro was the Guacamole, which is prepared right at the table. Creamy, refreshingly cool, and served with a generous portion of chips, this appetizer is absolutely delicious! To accompany my guac and chips, I had a spiced Mango Margarita, blended with Sauza blue, fresh lime, agave nectar, and fresh mango purée. From the appetizer menu, I tried the Chicken Flautas. These chicken taquitos are served with a special mole sauce that elevates them from an ordinary taquito, to gourmet territory! Next up were the Huaraches. These corn flatbread dishes are definitely worth a try. With choices of steak, mushroom, or shrimp, the Grilled Skirt Steak Huarache was one of my favorites. Reminiscent of

an upscale Mexican pizza made with black beans, Mexican cheeses, crema, and salsa roja, the crispy flatbread with tender steak was the perfect combination! When the time came to try the Beef Tongue Tacos, I have to admit I was a bit squeamish at the thought of eating “lengua”. However, I was pleasantly surprised, as this dish actually turned out to be my favorite one of all! Seasoned with onion, cilantro, and salsa verde, the beef tongue is sautéed in butter, giving it a crispy texture on the outside, yet staying oh-so-tender on the inside. The texture of the beef tongue was comparative to a tender steak, full of flavor, and unlike any beef tongue I’ve tried before. I was told that when El Centro’s Chef, Stephen Hartzell comes in to dine with his friends, the Beef Tongue Tacos are his go-to dish. The Cochinita Pibil was the next taco I tried. This slow-roasted pork dish was both spicy and flavorful, infused with hints of onion, avocado, salsa verde, and served with a side of Mexican rice. El Centro also offers a variety of enchilada dishes, an excellent choice for

those looking for something exotic are the Duck Mole Enchiladas. Juicy tender duck meat is wrapped in a corn tortilla, dressed in mole poblano, topped with cotija cheese, and served with a side of Mexican rice for a truly delectable meal. Desserts are plentiful at El Centro, a great choice are the crispy churros served with cajeta, passion fruit, and chocolate sauces. However, would you consider tequila a dessert? At El Centro you can, thanks to their truly remarkable house-infused tequilas. Fresh ingredients such as tamarind, grilled pineapple, peach, strawberry & chile, watermelon & cucumber, and green apple are infused into the tequila for 3-7 days to create one tequila shot that you’ll definitely want to sip instead of shoot! A must try! Whether you’re looking for a delicious meal, a relaxing cocktail, or a vibrant nightlife, El Centro D.F. has something for everyone. Visit El Centro D.F. at 1819 14th St NW or in Georgetown at 1218 Wisconsin Ave. to taste these mouth-watering dishes yourself. For more information visit: www.richardsandoval.com/elcentrodf/ █


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INSPIRATIONAL

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KESTA ASKS

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STYLE

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15 By: Alicia Yim

After an eventful holiday season full of celebrations, you may not be ready to step away from the bright lights just yet. Luckily, this spring will feature plenty of daytime metallics for a smooth transition from sequined holiday party dresses back to everyday life. Sweaters that drape over your body like liquid metal are an easy way to look effortlessly chic. Metallic threads have also been worked into intricate designs on voluminous jacquard and brocade skirts that are appropriate for a day at the office followed by a well-earned happy hour. Or you can polish up your outfit with metallic accessories such as handbags, scarves, shoes, and even a metallic manicure. Don’t hold back, this is your year to go for the gold, silver, bronze…and chrome!

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1. Deep Plunge Skater Dress in Silver Jacquard, $99.82 – asos.com | 2. Motel Bubble Romber $90 – nastygal.com | 3. Franci Metallic Sweater, $128 – guessbymarciano.guess.com | 4. 11. Les Prairies de Paris Full Skirt in Metallic Brocade, $299.46 – asos.com | 5. Jacquard Skirt, $148 – guessbymarciano.guess.com 6. Rare London Sun Glitter Sequin Dress, $98 – nastygal.com | 7. TFNC Bodycon Mini Dress with Aztec Sequins, $99.82 – asos.com | 8. DIALOG Trainers, $39.93 – asos.com | 9. Women’s Ansley Lizard in Sterling, $120 – uggaustralia.com | 10. BALMAIN Gold Metallic Sweater, $1105 – farfetch.com | 11. BALMAIN Silver Halter Neck Blouse, $2524 – farfetch.com | 12. Shoe Cult Edge Pump – Pink Metallic, $88 – nastygal.com | 13. Stella McCartney Falabella Large Metallic Woven Tote Bag, $1780 – Bergdorf Goodman | 14. Gianvito Rossi Rose Gold 100 mm metallic leather pumps, $720 – luisaviaroma.com | 15. OPI DS Radiance, $12.50 16. TOBI Silver Rock the Metallic Backpack, $46 – tobi.com | 17. Gold Dust Peplum Pant, $48 – nastygal.com | 18. Metallic Latex Legging, $49 – ardenb.com 19. Jane Norman Silver Metallic Cut About Pencil Skirt, $57 – house of fraser.co.uk | 20. Hue Foil Brocade Leggings, $44 – nordstrom.com


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Whats your hometown? Quito, Ecuador What are your hobbies? I like to play and watch soccer. I am a book lover, I read a lot. If i dont have to go out Whats your favorite quote? “Nada es eterno” Whats you favorite movie? “Charlie and the Chocolate Factory” Whats your favorite drink? Cerveza/ I am totally a Beer drinker Something that no one knows about you? I am a cleaning freak! What do you always carry in your purse? My Cellphone, a toothbrush, my wallet and chocolate. 5 things you could not live without? They are probably no things, but I will say, God, My family, my loyal friends and a good book! Photography: DC Pro Studio

Want to see more? Check Belen’s photoshoot video

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Photo by: Miriam Jave

Photo by: Miriam Jave

This page: Tiesto @ Echostage | Next page: Grupo Niche @ The Palace, Jowell & Randy @ Cococabana

Photgrapher: William Espinoza


Photo by: William Espinoza

Photo by: William Espinoza

Photo by: Jose Arrieta

Photo by: Jose Arrieta

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KESTA ASKS

The end of 2013 means anything is possible in 2014! We want all of our Kesta Fans to start out fresh and really make this year count so we challenged them to share their 2014 New Year’s resolutions with us and immortalize their responses here! Who knows? Maybe we’ll repost your answers in a later edition to remind you to stay on track! Now is a good time to promise to make real changes that will make you happier in the long run.... good luck everyone!

Rocksario Garcia: No dejar para mañana lo que puedo hacer hoy! Daniel Martinez: poder ir al toque de Calle 13!!! Paola Toquica: Que el 2014 se venga con toda! Mas viajes, mejores rumbos profesionales, mas ahorro y mas tiempo en familia! Will Kestadc: Terminar de pagar los student loans. Miriam Jave: El 2014 presiento que va a ser un éxito! más conciertos, viajes, metas profesionales, y mucha salud! Ellen Flores: Ir al Vive Latino! Y pues claro, cumplir el bucket list musical del año.

Ixandra Molina: 2014 Todo lo que pienso y deseo lo realizo con exito y prosperidad! Kala Fryman: Pay off credit cards!!! Ze Rafael: Pay off debts, Exercise often y comer saludable! Belen Barriga: technology detox Alexa Torres: Finish my masters and travel to Colombia and Europe

Pretty, pretty please! with cherry on top Rata Blanca

Manu Chao

Malayna Butler: To take over the world -- Lol! Attend as many events as possible, make new friends in the DMV, get in some much needed international travel and make concrete steps toward my career and life goals :-) And of course try to keep positive energy and share the LOVE!

Catupecu Machu

Bunbury

Los Cafres

Pretty please!

Marc Anthony

Please come to DC! REQUEST METER

Alejandro Marti: Darle un beso a Elly Guerra ...

If you saw our December issue “2013 Concert Highlights” cover, you saw the huge concerts and events we got to experience right here in the DC area throughout the year! There was truly something for everyone from Vicente Fernandez to Los Pericos, from Romeo Santos, to Cafe Tacvba and more, 2013 was an epic year for concerts! With that said, we want 2014 to be even better and that’s why we asked our Kesta Facebook fans, “Which artist do you want to see in 2014?” Check out the responses and let’s hope they all come true!

Los Héroes de Norte

Mana

Fito Páez

Beyonce

Ricardo Arjona

Carla Morrison

Luis Miguel

Alejandra Guzman

Pablo Alborán

Wisin y Yandel

Don Omar

Ricky Martin


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LOCAL TALENT

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ECHOSTAGE LINEUP

By: Juan Leon

KH: Can you comment on the current state of moombahton in DC? LM: DC loves Moombahton and recently it has got more popularity because more promoters are starting to throw Moombahton Events, and we can’t forget about Moombahton Massive Events. They are huge here in DC. If y’all have not been to one, we recommend y’all should! Shout out to Dave Nada.

By: Juan Leon

KH: What are your favorite local venues to play out at? LM: Favorite one we played so far would be Cafe Citron. The crowd there was nuts! Half of them didn’t even know what they was listening too but they was going crazy! Also Ultrabar, Lima, & FUR were a lot of fun when we played there. KH: In DC do you think there’s a divide between the “nightlife”, mainstream club scene and venues and underground scene and venues? If so, do you think that divide is shrinking? As artists do you try to position yourselves in one or the other? LM: There is definitely a huge difference from the mainstream and the underground because in the majority of the clubs, they play mainstream so the people are so used to it and don’t give the underground scene a chance. As far as us, we love to please the crowd. If we see they are not vibing off what we are playing, we switch it up and bring it back to what we do. We are in the middle but a little more underground.

By: Juan Leon

Meet the DJ duo helping to keep the torch of underground Latin music in DC alive. Kesta sat down with KnightCrawler and DJ Heavy D (AKA LocoMotive) to talk moombahton, the Latino music scene in DC, and more… KH: So, where did each of you guys grow up? How did you get into music? LM: Well, Carlos (KnightCrawler) grew up in Texas half his life and the rest in Northern VA. As for Danny (DJ Heavy D) grew up in Northern VA As far as how we got into it, we was always into music but to do it as a career or hobby it happened 5 or 6 years ago. Carlos was doing his own events at local venues and Danny was dj-ing. And truthfully, that’s how we met-through music. KH: How did LocoMotive get started? LM: LocoMotive started as a good friendship of hanging around drinking and listening to music. Then we heard of

moombahton thanks to DJ Madd OD, and Carlos started producing it as a solo artist but then had the great idea of joining both producing and Danny’s DJing skills to make a strong team. As far as the name, it has a double meaning. And it has a strong play on words meaning, “Loco” (Crazy) and “Motive” (Motivation). So, Crazy Motivation. We had to put that Latino twist into it. But of course a LocoMotive is a train, and that is representing our strong passion to always push forward doing what we love. KH: What do you think about the Latino music scene in DC? LM: We love our Latinos. So much talent, especially in the music scene. I just feel like we all should stick together and respect each other’s talents. As far as the crowds, we personally love ‘em cause Latinos know how to get down and party.

KH: How have Latinos received moombahton in your experience? Are they aware of it? Do they respond to it? Do they support moombahton in big numbers? LM: A lot around our area are not aware of moombahton, and to us it’s sad but all we could do is push that Latino flavor to reach out to our people. For those that do know about Moombahton they support it 100%, especially if it has something to do with the Latino Roots. Since we started, the Latino support for Moombahton has grown a lot. KH: Where do you see moombahton going in the future? LM: Moombahton has big future. There are so many great artists out there producing it, that it’s ridiculous. Hopefully soon you will see moombahton stages in BIG FESTIVALS or just more artists playing it. And when that happens you will see all those great artists that have put their soul and passion into this genre. You can find out more about LocoMotive on www.facebook.com/LocoMotiveDMV and listen to their mixes on: soundcloud.com/LocomotiveDMV. █

Saturday, January 11: - So far only one event is on the calendar for Echostage in January…but it’s a big one. One-half of rap duo Clipse, GOOD Music member, and frequent Kanye collaborator, Pusha T makes an appearance at Echostage on January 11. His studio debut, My Name Is My Name, was released in October of this year. It features the singles “Pain”, “Sweet Serenade”, and “Let Me Love You”. My Name Is My Name was produced largely by Kanye West and features guest appearances from Rick Ross, Young Jeezy, Kanye himself, Big Sean, Future, Pharrell, Chris Brown, Kendrick Lamar and more. Tickets available through www.ticketmaster.com. (Doors at 9PM, 18+)


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KESTA NEW

By: Ellen Flores

ne age imperative to celebrate for all Latinos is the year you turn 15. A “Quinceañera” is one of the most anticipated events for most Latina girls and a mark of manhood for boys. It’s a tradition of personal achievements and as much a milestone as when you turn 21 or get married. A quince, is a very big thing in every Latin American country and we know how to throw one hell of a party! This year, one of the biggest rock festivals in Latin America turns quince and it’s going to be the lineup of the decade! El Festival Iberoamericano de Cultura Musical Vive, also simply known as El VIVE, celebrates its fifteenth year of music, party and camaraderie at the heart of México’s Foro Sol in the Distrito Federal. From March 27 through March 30 the biggest names in music will come together to fill the air with sounds of our favorite melodies and gather over 70,000 music lovers each day at the Foro Sol. In true quinceañera fashion, this year there will be a fourth day added to the lineup. Now, that’s a party! But El Vive has so much more going on than just the music, there is an entire village that lives within the music festival. Since 2009, the Intolerante Tent has been a staple

at el Vive. The Intolerante tent is a space for concert goers to meet bands that otherwise go unnoticed, some are the buzz of the moment and others are there because of their role in the underground or alternative scene. This stage is open to new sounds, mergers, progressive rock and many more fusions. One memorable moment in 2012’s Vive was the crowd spotting Alfonso Andre (there for the Caifanes reunion show) in the crowd cheering on his son Julian’s band “Ritalin”. In addition to the music, there is the Tianguis Cultural El Chopo, one of the biggest cultural markets you will ever find at a music festival filled with art, graffiti, band merchandise and much more. Another important space is the “Vive Verde”, an effort that since 2010 has been a way to go green and promote an ecological friendly conscience. If you are a film buff, then you will love the continual music documentaries and full features projected at the Ambulante Tent. And last but not least, the endless supply of vendors that will have so many amazing finds you will need to bring an extra suitcase to fit all your loot in. Now that we’ve covered the landscape and the amazing life within the Vive, like any party we need to talk about the entertainment. Believe it or not, El Vive will be home to over 150 bands. Yes, 150 bands over the span of 4 days, a

sure guarantee that there will be something for everyone. If you don’t believe us take a look at the opening day’s lineup featuring AFI, Diplo, La Santa Cecilia, Los Bunkers, Nine Inch Nails, Zurdok and Liquits. The party continues with Arcade Fire, Ana Tijoux, Bostik, Cut Copy, Jumbo, No Te Va Gustar, Rusko, Seis Peatones and Ely Guerra who will take the stage on Friday. The weekend festivities begin on Saturday with none other than: Maldita Vecindad, Doctor Krápula, El Gran Silencio, De La Tierra, Calle 13, Luzbel and Los Tigres del Norte, just to name a few. To close a four-day marathon of music and celebration, this quinceañera ends on Sunday to the tune of: Enanitos Vedes, Fito Páez, Julieta Venegas, Placebo, Los Cafres, La Vela Puerca and Zoé. Wow, I’d say that’s a party worthy of this milestone celebration! Do you remember your quince? I bet you do. So put it on your bucket list for 2014 and start filling up that piggy bank to raise funds for this party of the decade. Don’t think twice, pack your bags, grab your friends and get ready to taste some tantalizing food, drinks and above all; music. El Vive is turning quince and at this party, what happens at el Vive, stays at el Vive… Until next year! ¡Felices Quince y que viva la música! For more info and full lineup visit: www.vivelatino.com.mx █


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ALBUM REVIEWS

By: Juan Leon

Chulius & The Filarmonicos is a new side project by Venezuelan disco-funk band Los Amigos Invisibles’ lead singer Julio Briceño. Chulius & The Filarmonicos’ first release, the curiously titled “Shorts & Sandals”, is a whirlwind showcase of Briceño’s voice, talent, and charisma. Buoyed by collaborations with Miami’s Elastic Band and Latin electronic rock pioneer Gil Cerezo (of Kinky), Shorts & Sandals is trademark Briceño wit combined with Amigos style funk and groove. Though similar in tone and feeling to an Amigos Invisibles album, Shorts & Sandals also sees Briceño expanding his sonic range and taking outright musical risks that would be much more restrained on a proper Los Amigos Invisibles LP. Straying slightly from the ridiculously danceable rhythms and beats that make Los Amigos Invisibles a wild and must-see live act, Briceño accents his personal vocal charm with electronic flourishes that careen from Chemical Brothers style acid (“The Sound”) to updated new wave (“Leita”) to electro-ballad (“Mine, Mine”). █

By: Rosario Garcia

Kickoman doesn’t just want to welcome you to the “KickoHouse”, they burst the door wide open and bewitch you into entering with their sexy rhythmic original songs that marry reggae and rock and fuse it with valuable messages while staying authentic and unpretentious. Kickoman’s defined original sound makes you wonder if this is what a supergroup made up of Los Pericos, El General, Gondwana, and Locos Por Juana would sound like. Although, Welcome To KickoHouse is an album cemented in reggae, it walks the plank between cumbia, and “musica que eleva y te pone jumpin’” as lead vocal Vmasta sings in, “Kickohouse”. “Aire” manages to bring the environment to the forefront while converging one of the catchiest choruses of the album, “Aire…te necesito mas que nunca, aire es tu presencia que me alumbra.” The song flawlessly describes the lightheadedness that ensues from breathing pollution-free air with the passion of wind instruments in charge of Gabriel Lora (Saxophone), Wes Boling (Horns), and a tantalizing guitar solo by lead guitarist, Umut. Kickoman continues to bring the heat in the single, “Enciendelo” a track about lighting up while beach side and partaking in natures “forbidden” plants. “Pa Seducirte” instructs you to dedicate it to that, “special person that lives in your heart” and then proceeds to show you 1,001 ways to seduce that someone utilizing all your senses for an entire night. Cold shower recommended after listening! Kickoman apologizes for a romantic misstep in “No lo vuelvo,” with Yeko on vocals. In it, a man begs his girl for forgiveness after being a “dog” and “promises to change and not come home late again.” Thanks to the sensual cumbia rhythm enveloping the message, you’ll want to forgive them too. Download Welcome to Kickohouse for free: https://www.facebook.com/kickomanmusic █

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KE PASÓ

LOVE

By: Rosario Garcia

Some big things come in very small packages, like Natalia LaFourcade’s incredible voice when compared to her petite stature. Always wearing a smile on her face, Natalia welcomed fans at the Rock and Roll Hotel on December 11th in what turned out to be a very small and intimate show. She started by sharing she would be performing songs off her latest album, “Mujer Divina – Homenaje a Agustin Lara” but quickly added, “we’ll also be playing some oldies but goodies”. And that she did! One thing I loved about this show was the incredible singalong that followed every song! Everyone seemed to know Natalia’s songs, lyric for lyric, singing with the same intensity as the singer along to “Elefantes”, “Amar Te Duele”, and “Ella Es Bonita”. It was a warm and peaceful show, no pushing and shoving to get to the front, but rather strangers and friends singing and dancing together in unison. I always revel at Natalia’s sheer talent, which she displayed flawlessly pairing her angelic voice with multiple instruments such as the guitar, the piano, and the ukulele. In fact, Washingtonians got a little more attention from Natalia than they bargained for, as the singer attended a meet and greet before the show, where she signed autographs and took pictures with fans. I arrived at the pre-show happy hour a few hours late due to work, but the bartender quickly informed me, “You just missed her.. she was sitting right where you’re sitting now!” I’ll take that as a good sign! █

I had a guy who was really into me and pursued me for over 6 months. I was always honest with him that I just wanted to be friends. However, the minute he started seeing someone else I started pining over him, becoming jealous, and kicking myself for not giving him the time of day when I had the chance. Why is it that the more a guy (or girl) likes us the more we take them for granted? Are we meant to always like someone who is hard to get? Celosa en VA

Dear Celosa: There is nothing like knowing something is temporarily unavailable to make you want it even more (iPhone 5 anyone?) By: Malayna Butler

The anticipation of Ñengo overflowed in my system like a bottle of bubbly. This concert had been promoted for weeks. Llegamos a la disco: fellas in the latest urban gear, ladies perfumed, dolled up and lookin’ oh-so-lovely. With a domino effect at around 11:45pm, folks crowded to the stage, one here, another there and then in one fell swoop scrambled to get up close. It was Friday the 13th but I was feeling pretty lucky. I moved quickly and secured my favorite place: front and center. This show was hosted at CocoCabana in Hyattsville, MD and featured la animación of Esko affiliated entertainers and radio personalities from El Zol 107.9. The concert was opened by Mr. Pelon 503 representing El Salvador, and who, clad in blue and white, delivered a well-received, high-energy performance. While nightclubs around the city were shutting down the party, at Coco we were just getting started. Call it fashionably late as there was a significant time lapse in between sets. We looked on as two Men in Black took their places on each side of the stage dressed like secret service agents. By then, it was 2 am so the audience was very ready. Ñengo Flow must have come to us fresh from Jacob the Jeweler as he was gleaming with ice and wore a huge gold chain with what appeared to be a figure of a boy on crutches dangling from his tatted neck, likely metaphorical of his struggle to rise to the top, overcoming setbacks and personal challenges with perseverance. The New York Yankees cap, Timberland boots and varsity Obey jacket made him look particularly good although I think the ladies were hoping that he’d show off the chest tats that he’s known for collecting. His distinct voice captivated the audience, especially his Joker laugh, as partygoers pushed and shoved to touch the hand that he generously extended, connecting with as many fans as possible. It was also a hand that donned a very large red, ruby-colored ring on the middle finger, a hand with Full Records tattooed on it and that was illuminated by a watch (karat size unknown but one can only imagine it’s whooping). “Llegamos A La Disco,” “Sigue Viajando”, “Yo Sé Que Quieres”, “Bellaco con Bellaca”, “Soldado Callejero” and “En Las Noches Frías” were just a few hits that moved the audience to rap along. Ñengo, a “Real G4 Life” surprisingly wished everyone Happy Holidays and ended the set, sending us back to real life. Still no one can take this seemingly eternal night away from us! █

So, yes, we are already conditioned to think that when something is too available, it must not be that good or desirable. But when it comes to your question, the full explanation comes from years of research in adult attachment theory. Here’s a crash course on the three “attachment styles”: • Secure- tends to be reliable, consistent and trustworthy- not interested in playing games. • Anxious- craves intimacy and worries a lot about their partner loving them back. • Avoidant - thinks intimacy means losing their independence, sends mixed messages, and always runs when relationships get too close. Secure types make up more than 50% of the population; however they take a very long time to re-appear in the dating pool because they tend to stay in long-lasting, committed relationships. While Avoidant types (only 25% of the population) are everywhere because they don’t last too long in relationships and are ready to start dating immediately after a break up.

The odds are you may have dated many Avoidant people and have become used to the guessing game that follows (getting mixed messages and analyzing every little gesture for clues that someone likes you). Sometimes we mistake this anxiety, the “roller coaster” feeling, with passion, or even “love at first sight” and end up with someone who is wrong for us. Conversely, when an honest, open, ready for commitment, secure person (major catch in attachment terms!) comes along, someone who has a more anxious style may dismiss it because “there’s no chemistry”, everything’s too calm, it feels too boring. Once your friend became interested in someone else you started experiencing the roller coaster feeling you’ve felt before with “hard to get” guys allowing you to finally feel the “sparks” and appreciate the qualities he had all along. Next time you are ready to dismiss the reliable, “no-games” nice guy or girl, think again! There’s nothing more satisfying than a drama-free relationship with complete trust and certainty that you are each other’s #1. █

Jazmin Moral www.jazminmoral.com is a licensed clinical social worker practicing in Rockville. This column is meant for entertainment only and should not be considered a substitute for professional counseling. If you have a love, dating, or relationship question, send it to us via our confidential online form at www.kestadc.com/love.


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KE? KESTA HOROSCOPE Aries: Jorge Celedón says “Tato y Tato ya viene el garabato, nadie se va a dormir porque hay rumba para rato”

-“El Tumbaito”, Jorge Celedón

GIVEAWAYS: Libra: Cultura Profética says: “Cambia tu vida, bota esa mala vibra. En tu dieta es necesaria mi rima, que es pura fibra.” -”Canción Despojo”, Cultura Profética

Taurus: Gypsy Kings says: “Que no se para la fiesta y que sigan al compás de esta noche tan caliente hasta por la madrugada” -“Mira la chica”, Gypsy Kings

Scorpio: Jarabedepalo says: “Como se

Gemini: Leslie Grace says: “Cual es el secreto, para ser feliz? Hay personas que olvidan tan facil o saben fingir...” -“Odio no odiarte”, Leslie Grace

Sagitario: Luis Miguel says: “Yo quiero que te vayas por el mundo, y quiero que conozcas mucha gente.”

Cancer: Jorge Celedón says: “Oiga

vaya usted con Dios, que él bendiga su camino.” -”Juepa Je” -Jorge Celedón

Leo: Illya Kuryaki says: “Es hora de empezar a mover. A mover el culo” -“A mover el culo”, Illya Kuryaki

Virgo: Jorge Celedón says “Que uno quiere pa’ que lo quieran, que uno ama pa’ que lo amen. Que uno no da la vida entera pa’ que lo engañen pa’ que lo engañen” -“Uno quiere pa’ que lo quieran”, Jorge Celedón

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puede vivir sin la pena y la alegría sin sentirse agustito con las cosas de la vida.“ -“Agustito con la vida” -Jarabedepalo

-”La media vuelta”, Luis Miguel

Capricorn: Domingo Quiñones says:

“Vale mas la soledad que una mala compañia“ -”Rio abajo va”,Domingo Quiñones

Aquarius: El Gran Combo says:

”Es la vida; caja de sorpresas: Hoy felicidad; mañana tristeza ”

-“Caja de sorpresas”, El Gran Combo

Pisces: Illya Kuryaki says: ”Hago que lo imposible sea posible, que todo lo increíble se vuelva visible, que todos tus sueños sean irrompibles, que tu imaginación vuele como un dirigible. ” -”Ula ula” -Illya Kuryaki

win tickets to

jorge celedón THURsDAY, february 13th @ the palace

Download and install a free QR code reader for your phone 1. Open the QR code reader application 2. Take picture / scan the QR code with your mobile device 3. The code willl take you to the Win Tickets Page for a chance to win 4. THE FIRST PEOPLE TO ANSWER THE QUESTION CORRECTLY ON THE WIN TICKETS PAGE WINS TICKETS TO CONCERT. Good Luck!




WWW.KESTADC.COM

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