PORTFOLIO

NAME:LAI KER VINN ID:1001954458 LECTUCRER:Nor Syawallina Azman Ahmad najmi Che pee Muhammad Munzir Mahazir

TASK 1A PRECEDENT STUDY

2-17

TASK 1B CLIENT STUDY

18-23

TASK 2A HUMAN FIGURE AND SPACE

24-27

TASK 2B SITE ANALYSIS

28-34

TASK 3 THE ARTIST RESIDENCE

35-57

THE STONE HOUSE THE T A V O L E

LONELY HOUSE

Lai Ker Vinn 1001954458 Chan Ka Mun 1001954588 Jason Foo Ming Chee 1001849740 Ong Phang Xiang 1001851348

THE LONELY HOUSE

BACKGROUND

Herzog & de Meuron

1985-1988

130sqm

LOCATION MAP

Tavole,Italy

9°C-24°C

The Location of Stone House Tavole Stone house was a vacation house in the Italian region of Liguria. Near Village of Tavole 10km from the Mediterranean coast, halfway between Genoa and Nice. It also located at south side of Calafquen lake. Located on a dense hillside forest in the Santa Rosalía area of Guatemala City

STYLE -reductivist pieces of modernity that registered on the same level as the minimalist art of Donald Judd.

-commitment of articulation through materiality -Their formal gestures have generally progressed from the purist simplicity of rectangular forms to more complex and dynamic geometries.

DESIGN CONCEPT & PRINCIPLES

ELEMENT STUDY Space are severed and divided. The ground plans of traditional house. It seem to have emerged through a process of accretion, addition, or through compression, The Stone House Tavole is based on this principle.

SCALE 1:1

SUSTAINABILITY Open Space -Extensive View & Light Materiality -Natural Stone can be recycle,Healthy Interior

WIND ORIENTATION LEGEND NORTH WIND SOUTH WIND

MATERIALITY

Slat Maverick Mansions Reinforce Natural Stone (Flooring) Concrete Frame (Gabion Wall) - Strong and - Anti - Fire resistance - Good stability durable - Insect resistance slippery - Insect resistance - Easy to maintain when wet

SCALE 1:1

CIRCULATION

SPACE PLANNING

LEGEND PUBLIC SPACE PRIVATE SPACE

SCALE 1:1

TOPOGRAPHY

SITE RESPONSE SUN ORIENTATION

LIGHTNING

CONSTRUCTION

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T A L

t ukMohammadNorbi nMohammadKhal i d Name:Da D. O. B Pl aceofBi r t h Pr ofes s i on Honor i fi ct i t l e

“ Lat ”der i v edfr om Bul ati n Mal aymeansr ound becaus eIam as t ockyand cher ubi cfaceboy.

:5Mar ch1 951( age69) :Gopeng,Per ak :Mal ays i anCARTOONIST( s i nce1 974) :YANGBERBAHAGIA DATUK

LAT‛ sEARLYLIFECHRONOLOGY 1 950s

CHILDHOODLIFEIN KAMPUNG

Ear l y1 970s

MOVETO KUALA LUMPURPURSUE HISDREAM TO BEA CARTOONIST

1 979

1 974

ASCOLUMN CARTOONISTIN NEW STRAITTIMES

FIRSTSUCCESSFULWORK

“ THEKAMPUNGBOY” PUBLISHED

1 994 Honor i fi ct i t l eofDat uk

Ot her snot abl ewor ks

1 998 Ei s enhowerFel l ows hi p 2002 FukuokaAs i anCul t ur ePr i ze 2005 Pet r onasJour nal i s m Awar ds( Speci alJur yAwar d) 2007 Honor ar yDoct or at ei nAnt hr opol ogyandSoci ol ogy

TownBoy( 1 981 )

Kel uar gaSiMamat ( 1 968)

MatSom ( 1 989)

201 0 Ci v i t el l aRani er iVi s ualAr t sFel l ows hi p 201 9 Honor ar yDoct or at ei nAr t s( Tayl or ‛ sUni v er s i t y)

LAT‛ sARTSTYLE&PRESENTATION

Managet ocr eat e an i mpr es s i v el y l ocal s t yl e whi l e r emai ni ngor i gi nal .

LAT hasnos t udi o.

He wor ksathome s omet i mesdr aw at di ni ngt abl e,por ch, cor r i dor s .

Ar t i s t i c s ki l l s wer e cul t i v at ed fr om yout h and s el ft aught .

M e ssa g e del i v er ed wi t h exagerrated dr awi ngs wi t h mi ni maldi al ogue t ext .

Pen & Ink dr awi ng r el i ed on s t r ong cont r as t bet ween Bl ack & Whi t e t o cr eat e s pace and s ugges ts ubs t ance.

" t ot r ans l at et he r eact i onoft he peopl ei nt ohumor ous car t oons "

Mus i c i ns pi r edLat cr eat i nghi s ar t wor k.

Lear nEngl i s h wi t hSongs: PeggyMar ch‛ s “ IWi l lFol l ow Hi m” Paul&Paul a‛ s “ HeyPaul a”

Fav or i t emus i c genr e: RockMus i c

Fav or i t emus i c genr e:Count r y Mus i c

-TheBeat l es -El v i sPr es l ey

-HankWi l l i ams -RoyRoger s

Dr awi ngcar t oons makepeopl e l augh.

LAT‛ s BELIEFS Peopl es houl dbefr eet omake upt hei rownmi ndsandmakes r eaderunder s t andhi dden meani ngofhumor ouss cene.

Thedi al ogueofcar t oon char act er ss peakMal ays i anuni que di al ectwhi chi sabl endofv ar i ous l anguagei none Lat ‛ sdepi ct i ont heMal ays oci et yi n humor ousway

Humor ous way t o depi ct t he dai l yl i fe of peopl ei nv i l l age andci t y.

Chi l dr en depi ct ed exagger at edl y dwar fed compar e t o adul t . Appear ed mos t l y mopt opped,t oot hy,&bar ebot t omed.

Adul t depi ct edi n exagger at ed cl ot hi ngand hi l ar i ous expr es s i on andphys i cal i mage

THENATUREOFLAT‛ sARTWORK

Sar cas m on pol i t i ci an, gov er nment and s t er eot ypeofpeopl ei ns oci et y.

Lat ‛ sdr awi ngt oi l l us t r at et he cul t ur eofMal ays i an Mul t i r aci als oci et y

PROJECT 2A & 2B

SITE ANALYSIS

NAME:LAI KER VINN ID:1001954458

LECTURER: NOR SWAWALLINA AMAN MUHAMMAD MUNZIR MAHAZIR AHMAD NAJMI CHEE PEE

PLAN

BEDROOM

KITCHEN AND DINNING ROOM

THE MINIMUM SPACE OF WIDTH FOR THE HUMAN FIGURE IS 900mm

BATHROOM

STUDIO

Scale 1:100

SECTION

BEDROOM

BATHROOM

KITCHEN AND DINNING ROOM

STUDIO

THE HUMAN FIGURE HEIGHT IS 175cm

Scale 1:100

BUILDING PLACEMENT & CLIENT CONCEPT

Accept Natural Limitation to enjoy life more easily.

WHY ?!

-The site is quite natural due to the environment colors which is green It is a dominant color in nature that makes you think of growth.

-Green evokes a feeling of abundance and is associated with refreshment and peace.

N

SITE PLAN

S-Amazing View -Easy to access W-Land is too flat -Insect (mosquito breed) O-Free Water Supply -Private space provided T-Dengue(mosquito bite) - Might flood during heavy rain

CONTEXT & NATURAL CONDITION (LAKE,HILL,POND)

Limestone Hill S-View of Sun Rise O-Provide rock climbing Activity T-Flash Flood if heavy rain -Soil erosion 401 46

N

8M 9M 10M

10M

8M

8M 9M

10M

Chrystal Lake(Algae) S-Good View -Clear Water W-Algae inside lake -Low quality water -Smelly O-Free Water supply T-Dead Zone Lake -Raise treatment cost

9M

48

Pond S- Good View W-Mosquito -No Water Treatment O-Free water supply T-Dengue -Poisoning

THE APPROACH / ACCESS OR ENTRANCE LEGEND Pedestrian Entrance Entrance for Vehicle

THE MAIN ENTRANCE S -Less Sound Pollution -Easy to access W-Less Privacy -No proper road O-Convenient T-Got risk on emergency response

1.Pagoda Tower

2.Hill

3.Lake

1 Visual Sensory -North of the site -Best view in Bamboo Bridge

Audio Sensory -Hiker and Vehicles noise

4.Palm Oil Plantation

1 5 Smell Sensory -Fertilized Smell -Strong smell around the area

Smell Sensory -Earthy smell -East of the Site -Funky smell

View From Site

3 4

3

5.Chrystal Lake

2

Visual Sensory -Clear water feel peace -Nature Beauty

2

4

View To Site

1.

2.

3.

4.

From Mountain Lake & Forest Grassland Crystal Lake

Climate SUN -EAST RISES TO WEST -7am - 7pm -12 HOURS (DURATION OF DAYLIGHT) -Sun Distance 151.832 million km WIND -STRONGER WIND INEARLY APRIL TO MAY -STRONGER SOUTH WIND -MODERATE EAST WIND RAIN -East experiences 5080 mm of annual rainfall -Wet season from April to October

NATRURAL LIGHTING AND LEGEND NATURAL VENTILATION

NATURAL VENTILATION NATURAL LIGHTING

ZONING & SPACE PLANNING KITCHEN DINNING AREA

BEDROOM

LIVING ROOM

Private

MAIN ENTRANCE

Public Semi Private

STUDIO

LEGEND BATHROOM

Immediatelly Adjacent Close & Convenient Convenient

Site forces – find strategies/solution to tackle site issues Humidity(Timber Decay) ADVANTAGE • Reduce Humidity Level • Add carpet • Trap Moisture • Install dehumidifier • Fresh Air Income • Prevent Insect Growing • Fresh circulation ADVANTAGE • Effective • Avoid chemical use and create a healthy ecosystem • Artificial circulation causes less environmental damage

Algae Blooms (Toxic) • Aeration • Chemical • Mixing

DISADVANTAGE • Mixing often affects only surface layers close to destratifiers • High costs for maintenance and labor • Cause DEAD ZONE

DISADVANTAGE • Sound Pollution(Machine) • Possibility of mold grown in areas of high moisture

Mosquito(Spread Virus) • Vegetative Buffer (Basil) • Biological Control(DragonFlies) • Remove excess vegetation and organic • Mosquito Fish ADVANTAGE DISADVANTAGE • Stop Mosquito Breeding • Wont completely wipe out • Decrease rate of mosquito • Have to daily take care of • Prevent spraying virus vegetation • Increase beauty of scenery

1

TASK 3 THE ARTIST RESIDENCE LAI KER VINN 1001954458

2

INTRODUCTION THIS IS THE DESIGN OF RESIDENCE FOR AN ARTIST WHICH IS FOR A 96 YEARS OLD HUMAN (STAN LEE )TO LIVE AND ENJOY LIFE MORE FULLY.

-STAN LEE IS A COMIC WRITER BUT HE RECENTLY FEEL STRESSFUL BECAUSE OF HUMANITY IN ORDER TO ENJOY LIFE MORE FULLY THE BUILDING PLACEMENT IS NEAR NATURE. -STAN LEE IS ALSO AN OLD MAN WHICH IS WHY THE BUILDING IS ONLY 1 LEVEL. -THE DESIGN OF THE BUILDING IS RELATE BACK TO HIS CHARACTER AND NATURAL -THE DESIGN SHOULD CONSIDERATION A STRUCTURAL ,SPATIAL FUNCTIONAL

3

CONCEPT AND IDEA

CLIENT-STAN LEE KEYWORD-NATURAL,MODERN IDEAS: -I WILL DESIGN THE BUILDING LINK BACK TO NATURE.MY CLIENT RESPECT NATURAL MATERIAL AND ACCEPT THE NATURAL LIMITATION OF THE WORD IN ORDER TO MAKE HIM ENJOY LIFE MORE FULLY. -THE BUILDING WILL BE MORE CLOSER TO NATURE IN ORDER TO ACHIEVE WHAT MY CLIENT NEED I'LL APPLY OPENING SPACE AND MAKE THE BUILDING LIKE HIS COMIC FROM SIMPLICITY START TO AMAZING END

TEXTURE GLASS

TINTED GLASS

STONE (WALL)

REINFORCED CONCRETE

4

S I T E

S T U D Y

5

PRECEDENT STUDY

WENCHUAN EARTHQUAKE MEMORIAL MUSEUM BY CAI YONGJIE

IRON MAN HOUSE

Wind Resistance: Because of their unique design, butterfly roofs are extremely aerodynamic and are able to resist wind damage from coastal winds and heavy storms.

This means that less repairs and maintenance has to be done on butterfly roofs, cutting down on long run costs.

ENJOY NICE VIEW WHILE HAVING A TEA

6

DESIGN STRATEGIES

FLOW

THE FLOW IS LIKE A MAZE IT CONNECTED TO EVERY AREA

FUNCTION

THE ACTIVITY AREA SPACE IS OPERATE ADEQUATELY HOWEVER THERE'S STILL SOME EXTRA SPACES

FIT

COUPLE OF SQUARES OR RECTANGLE IN ONE LEVEL AND THERE'S A OPENING SPACE TO LET U FEEL CONNECTED WITH NATURAL

FORM

PLENTY OF SQUARE AND RECTANGLE COMBINE TOGETHER AND MAKE IT CONNECTING ALL THE TIME

FINISHES

-RC FRAME AND ENCASE WITH BRICK -FLOOR FINISH WITH TILES FLOOR -BIG GLASSES TO ENJOY THE VIEW

VEGETATION

THE HOUSE IS SURROUNDED WITH GRASS/ VEGETATION TO LET CLIENT FEEL LINKED WITH NATURE

7

ADJACENCY MATRIX

LIVING ROOM

LEGEND

KITCHEN

IMMEDIATELY

DINING AREA

NEARBY

TOILET/BATHROOM

NOT RELATED

STUDIO BEDROOMÂ

SEMI PUBLIC SPACE

BATHROOM (BEDROOM)

PRIVATE SPACE TOTAL :117.72M

BEDROOM (GUEST)

M

E C A L P

PR IV AC Y LI GH TI N G VE N TI LA TI SQ ON

H=HIGH , M= MEDIUM, L=LOW

M M M M H H H H

H M H L M M L M

H H H M M M M M

24.12M 15.09M 2.89M 10.89M 12M 26.84M 10.89M 15M

ZONE AND SPACE PLANNING

8

Limestone Hill

Lake KITCHEN

Pagoda Tower

Chrystal Lake BEDROOM

LIVING ROOM

SPACING ORGANIZATION MAIN ENTRANCE

Chrystal Lake

STUDIO

VIEW FROM SITE

Lake and Forest LEGEND NOT RELATED

BATHROOM BEDROOM

Palm Oil Plantation

BATHROOM

BEDROOM (GUEST)

Palm Oil Plantation

Immediatelly Adjacent Close & Convenient VIiew of Nature

ZONE AND SPACE PLANNING (SITE PLAN) LIVING ROOM

KITCHEN

BEDROOM

BATHROOM

BEDROOM

LEGEND

OPENING SPACE SEMI PUBLIC SPACE

BATHROOM BEDROOM STUDIO

OPENING SPACE

PRIVATE SPACE

DRAFT FORM

A linear organization usually consists of repetitive spaces which are alike in size, form, and function. It may also consist of a single linear space that organizes along its length a series of space that differ in size, form, or function. In both cases, each space along the sequence has an exterior exposure.

9

SITE RESPONSE

CLIMATE

MAIN DRAWING

10

SITE : TADOM HILLS :BANTING SELANGOR

KEYPLAN

LOCATION PLAN

SITE PLAN

11

DESIGN STRATEGY

-REDUCING ULTRAVIOLET RAY AND ALLOW BENEFIT NATURAL LIGHTING

-PROTECTION AGAINST HEAVY WINDÂ

-INCREASE PRIVACY AND CAN BE SEE FROM INTERIOR BUT CANNOT SEE FROM EXTERIOR

-STRESS RELIEF & RELAXATION WITH ITS SMOOTHING SOUNDS OF FLOWING WATER

12

FLOOR PLAN & SITE PLAN & ROOF PLAN

SITE B SCALEÂ 1 :200

13

FLOOR PLAN & PATH & SITE

ROOM

Master Bedroom Guest Bedroom Living Room Kitchen High Tea Area Toilet (Master Bedroom) Toilet (Public) Carpark Small Garden Studio Big Opening Space

SCALE 1 :50

14 SECTION X-X

SECTION Y-Y

SCALEÂ 1 :50

15

SOUTH E L E V A T I O N

SCALE 1 :50

NORTH E L E V A T I O N

SCALE 1 :50

16

EAST E L E V A T I O N

SCALE 1 :50

WEST E L E V A T I O N

SCALE 1 :50

17

DETAIL DRAWING

BEAM BRICK STUCCO LINTEL

FOUNDATION SCALEÂ 1 :20

18

JOINTING DETAILS PLAN VIEW SLIDING DOOR

SLIDING DOOR HEADER

SCALEÂ 1 :5

19

SECTIONAL PERSPECTIVE

EXTERNAL & INTERIOR

EXTERNAL & INTERIOR PERSPECTIVE VIEW

20

E X T V E I R E N W A L

21

INTERIOR

VIEW