portfolio
SELECTED WORKS 2004 - 2013
KHUYEN NGUYEN LUONG
KHUYEN (KEN) LUONG ARCHITECTURAL DESIGNER
EDUCATION
[CELL] (857)-222 9852 [EMAIL] KENCHITEK@GMAIL.COM HTTP://WWW.BE.NET/KENCHITEK
MASSACHUSETTS COLLEGE OF ART AND DESIGN (2011-2013) Master of Architecture Degree HO CHI MINH UNIVERSITY OF ARCHITECTURE (VIET NAM) (2004-2009) Bachelor of Architecture Degree
PROFESSIONAL EXPERIENCE
FREELANCE DRAFTER (TEMPORARY) Design Living Space, Arlington, MA. Seitz Architects, Inc. Somerville, MA. INDEPENDENT ARCHITECTURAL DESIGNER (2009-2010) (VIET NAM) Specialized Offices interior, Commercial interior, Small scale residental buildings. GIAHI DECOR INTERIOR, LTD (2008-2009) (VIET NAM) Architectural Designer, specialize Commercial and Residental’ interior. Participated in all phrases of the design process: 3D modelling, CAD, Construction supervising.
ACADEMY EXPERIENCE
“TIMBER IN THE CITY” COMPETITION SPRING 2013: Submitted works with Thang Nguyen (IIT), advisor Paul Endres, AIA, SE TEACHING ASSISTANT SPRING 2013: Sustainable Architecture Studio, Instructor- Patricia Seitz. SUPERVISER FOR MASSART ARCHITECTURE DEPARTMENT’S COMPUTER LAB (2011-2013), Advisor - Clint Baclawski “FUNDAMENTALS OF LIGHTING PROGRAM” (Sep-Oct, 2011) Certificated by The Illumination Engineering Society Boston and Rhode Island Section. MASSART ARCHITECTURE DEPARTMENT’S PHOTOGRAPHER (2011-2012) TEACHING ASSISTANT FALL 2012: Architectural History II, Instructor- Tanja Conley. VOLUNTEER COMMUNITY BASED DESIGN AND BUILD COURSE IN MASSART (MAY-AUGUST, 2011)
SKILL SETS
CRAFTING: Hand Sketching; drawing with different materials (water color, pencil, marker), making physical model. ARCHITECTURAL DRAFTING: REVIT 2013, Auto CAD 2013. ARCHITECTURAL 3D MODELLING: REVIT 2013, SKETCH UP PRO 8.0 + PLUGINS, 3DS MAX 2010, RHINO 4.0 + GRASSHOPPER, PARACLOUD GEM 4. ARCHITECTURAL VISUAL RENDERING: VRAY FOR SKETCH UP, RHINO, 3DS MAX ; ARTLANTIS 4.0 FOR SKETCH UP, REVIT 2013. GRAPHIC DESIGN TOOLS: ADOBE SUITES CS6 : PHOTOSHOP, ILLUSTRATOR, In DESIGN.
LANGUAGE
ENGLISH, VIETNAMESE
4
THE IMAGINATION OF AN EXHIBITION SPACE SKETCH
Spring 2013 Spring 2012 Fall 2011 Fall 2018
08 26 32 38 50 60
DESIGN AT THE URBAN EDGE: THE MUSEUM OF WATER LOCATION: BOSTON, MA THESIS PROJECT, ADVISOR TAMARA METZ
THE RISING TIMBER
LOCATION: REDHOOK, BROOKLYN, NY “TIMBER IN THE CITY” COMPETITION TEAM WORK: WITH THANG NGUYEN, ADVISOR PAUL ENDRES, AIA, SE
SEARANCH SINGLE FAMILY HOUSE
LOCATION: SEA RANCH, SANOMA COUNTY, CA SUSTAINABLE STUDIO, TEAM WORK PROJECT WITH TUAN TRIEU, ADVISOR PATRICIA SEITZ, AIA
CAMBRIDGE COMMUNITY TELEVISION (CCTV) OFFICE LOCATION: CENTRAL SQUARE, CAMBRIDGE, MA COMPREHENSIVE STUDIO, ADVISOR PAUL PATURZO, AIA
MASSART NEW CAMPUS
LOCATION: HARVARD SQUARE, CAMBRIDGE, MA ADVISOR HANK REISEN, AIA
THU THIEM PUBLIC LIBRARY
LOCATION: THU THIEM, HO CHI MINH CITY, VIET NAM DEGREE PROJECT, ADVISOR THIEN NGUYEN PHUOC
CULTURE RESIDENT INSTITUTION EDUCATION
Spring 2013
PAGE
08 CU
LTURAL PROJECT
1. AT THE URBAN EDGE : THE MUSEUM OF WATER Location: Fort Point Channel, Boston, MA.
What is the meaning of edge? An edge separates, but it also belongs to its adjacent territories. In the city, the most critical edge condition occurs at the waterfront, at the intersection of land and water. The waterfront is by nature dynamic, and engenders innovative solutions for growth and adaptation. This project is sited in the Fort Point Channel area of Boston, Massachusetts as an opportunity to examine the idea of architecture on the edge. Here, the challenge is twofold: connecting the density of the historic city center to the dispersed development of South Boston, and reintroducing these two areas to nature in the form of water. The exact site chosen is the existing Northern Avenue Bridge. This project focuses, not on the historic value of the bridge, but rather on the potential to create at this site a meaningful space that gives the visitor a sense of the threshold between city and harbor. The proposed program, a Museum of Water, is inspired by the symbolic, cultural and physical powers of water. The Museum would bring renewed interest to this moment along the urban edge while enhancing the role of the bridge as an important pedestrian access across Fort Point Channel. Humans, nature and the built environment share boundaries. The goal with this exploration is to create an architecture that exists within and across those boundaries to enhance the experience of all.
10
MAP: WALK MINUTE TO NEIGHBORHOOD DISTRICTS
MAP: WALK MINUTE TO GREEN OPEN SPACE
MAP: WALK MINUTE TO MBTA STATION
MAP: URBAN CONNECTIONS SYSTEM
COLUMBUS PARK
LONG WHARF SQUARE
NEW ENGLAND AQUARIUM
GREEN WAY
ROWES WHARF COMPLEX
PROPOSED SITE (ORIGINAL NORTHERN AVENUE BRIDGE) EVELYN MOAKLEY BRIDGE BOSTON ICA
BOSTON CHILDREN’S MUSEUM TEA PARTY’S MUSEUM AND SHIP
DEACTIVATION
BOSTON INNER HARBOR
R IVE OL ET RE ST
ACTIVATION JAMES HOOK RESTAURANT (TEMPORARY)
EV
EL YN
M
OL
D
NO
RT HE
RN
AV EN UE
OA KL
EY B
FORT POINT CHANNEL
BR ID GE
RI DG E
NO RT
BARKING CRAP RESTAURANT (TEMPORARY)
MAP: EXISTING COMMUTING MODES ON SITE
SE AP
HE
RN
OR TB LV D
PHASE 1: EXISTING CONDITION TO LO GAN INT ERNA TIONA L AIRP ORT
HA RB
TO STON F BO HAR ES W ROW
N LOGA
INTER
OR
EX PR
ES S
ONAL NATI
BR ID GI NG
CI RC
PU
MUSEUM WING AT BOSTON SIDE
BL IC
ORT AIRP
MU SE UM
WI N
G
IN
CH
UL AT IO
N
PR OG RA M
AN N
EL
MUSEUM WING AT SOUTH BOSTON SIDE
PHASE 2: RECLAIMING NEW EDGEMUSEUM OF WATER ORIENTATION
MAP: COMMUTING MODES ON SITE
TEA PARTY MUSEUM AND SHIPS
BOSTON’S CHILDREN MUSEUM
PHASE 3: LINKING MUSEUM, ENHANCING CIRCULATION
MAP: VIEW IN AND OUT FORT POINT CHANNEL THROUGH SITE
PHASE 4: SHAPING FORM, DIVIDING CIRCULATION
AV EN
UE
12
BIRD EYES VIEW FROM BOSTON SIDE
CIRCULATION DISTRIBUTION FROM BOSTON SIDE
ROOFTOP OUTDOOR SITTING AREA
U.S COAST GUARD BUILDING ENTRANCE
MUSEUM ENTRANCE AT BOSTON SIDE PEDESTRIAN BIKE + PEDESTRIAN EXPRESS WAY
EXPRESS WAY ROOF TOP ENTRANCE
HARBOR WALK EXTENSION
HARBOR +
MUSEUM LOADING ENTRANCE
ENTRANCE
EMPLOYEE
EVELYN MOAKLEY BRIDGE
BOSTON WING BASEMENT LEVEL -10’BELOW THE GROUD 1 BASEMENT LOBBY 2 SPECIAL EXHIBITION 3 HARBOR WALK EXTENSION 4 BIKE AND PEDESTRIAN RAMP, LOADING DOCK ENTRANCE 5 LOADING DOCK 6 MUSEUM STORAGE
4
5 6 1
7
11
13 12
12 13 14 15 16
14 2
15 15
MALE RESTROOM FEMALE RESTROOM LABORATORY WORKSHOP
11 CLASSROOM
8
10 9
3
7 8 9 10
16 17
18 19 16 20 21
COMPUTERLAB MAINTANANCE ROOM ELECTRICAL ROOM CONFERRENCE ROOM MUSEUM OFFICE
17 MEETING ROOM 18 DIRECTOR ROOM 19 KITCHEN AND LOUNGE 20 SECURITY 21 MUSEUM EMPLOYEE ENTRANCE, HARBOR WALK EXTENSION CONNECTION
THE MUSEUM ENTRANCE FROM BOSTON SIDE
14
SOUTH BOSTON WING
18
BASEMENT LEVEL -10’BELOW THE GROUD 1 BASEMENT LOBBY 2 SPECIAL EXHIBITION 3 HARBOR WALK EXTENSION + WATER TAXI STOP. 4 MUSEUM’S SHOP 5 6
MAINTANANCE ROOM MALE RESTROOM
7 8 9 10
FEMALE RESTROOM ELECTRICAL ROOM AUDITORIUM BACK STAGE
17
11
11 LOADING DOCK 12 13 14 15
MUSEUM’S STORAGE FILM ROOM AUDITORIUM STORAGE MUSEUM CAFETERIA
16 CAFETERIA KITCHEN 17 HARBOR WALK ENTRANCE
16
12 10
9 14
3
4
1 15
18 FERRY HUB
2
8 7
13 13 13 17
THE MUSEUM ENTRANCE AT SOUTH BOSTON SIDE
6 5
BIRD EYES VIEW FROM SOUTH BOSTON SIDE
CIRCULATION DISTRIBUTION FROM BOSTON SIDE FERRY HUB BIKE + PEDESTRIAN EXPRESS WAY
HARBOR ENTRANCE
ROOFTOP ENTRANCE
ROOFTOP OUTDOOR SITTING AREA
ROOFTOP OUTDOOR SITTING AREA
AUDITORIUM ENTRANCE HARBOR WALK EXTENSION
PEDESTRIAN EXPRESS WAY
MUSEUM ENTRANCE AT SOUTH BOSTON SIDE
16
THE PAVILIONS
VIEW FROM ANTARCTICA EXHIBITION
18 PAVILION B PAVILION D
PAVILION A
PAVILION C
LEVEL 5 + 48’
8
8
4
8 12
5
9
LEVEL 4 +36’
4 14
SOUTH BOSTON
11
7
6
7
6
BOSTON
LEVEL 3 + 24’
3 13
10
LEVEL 2 + 12’
2
5
12
1
9 5 12
HIGH TIDE + 10’
2
9
MEAN TIDE - LEVEL 1 LOW TIDE - 1’-8”
BOSTON HARBOR PAVILION A: EXPERIENCING NATURE
PAVILION B: WATER CRISIS
PAVILION C: WATER AND ART
PAVILION D: PURE WATER
1 2 3 4
5 6 7 8
9 EXHIBITION SPACES 10 RESTAURANT KITCHEN 11 RESTAURANT
12 EXHIBITION SPACES 13 HUBWAY STACKS 14 RESTING PLACE
EXHIBITION CORE EXHIBITION SPACES BIKE SHOP MUSEUM’S SHOP
EXHIBITION SPACES MUSEUM GIFT SHOP MUSEUM COFFEE SHOP ROOFTOP
PAVILION B
PAVILION C
PAVILION D
PAVILION A
8
9
9
8
12 LEVEL 5 + 48’
8 9
9 11
6 4
10
7
6 3
14
LEVEL 4 +36’
SOUTH BOSTON
9 13
LEVEL 3 + 24’
9 LEVEL 2 + 12’
BOSTON
5
9
12
2 HIGH TIDE + 10’
5
9
12
1
FORT POINT CHANNEL
MEAN TIDE - LEVEL 1 LOW TIDE - 1’-8”
PAVILION A: EXPERIENCING NATURE 1 2 3 4 5 6
EXHIBITION CORE EXHIBITION RAMPS GLASS BOX PAVILION A EGRESS + ELEVATOR EXHIBITION SPACES MUSEUM GIFT SHOP
5
7 PEDESTRIAN PATHWAY 8 MUSEUM CORRIDOR 9 BIKE SHOP 10 BIKE + PEDESTRIAN PATHWAY 11 PAVILION LOBBY 12 GLASS TUBE WITH RAMP
1
3
LEVEL 5 + 48’ 2
6
7
8
LEVEL 4 +36’ 9
10
11
8
LEVEL 3 + 24’
LEVEL 2 + 12’ HIGH TIDE + 10’
MEAN TIDE - LEVEL 1 LOW TIDE - 1’-8”
4 5
12
20
LEVEL 4 +36’
4
1
3 5
LEVEL 3 + 24’
CONNECTION BETWEEN PAVILION A AND B 1 PEDESTRIAN PATHWAY 2 BIKE + PEDESTRIAN PATHWAY 3 EXHIBITION CORRIDOR 4 ROOFTOP 5 PAVILION B - WATER CRISIS
2
LEVEL 2 + 12’ HIGH TIDE + 10’
MEAN TIDE - LEVEL 1 LOW TIDE - 1’-8”
3
PAVILION B: WATER CRISIS 1 2 3 4 5 6 7
8 9 10 11 12 13
NORTH POLE EXHIBITION PAVILION A EGRESS + ELEVATOR WATER TANK EXHIBITION RAMPS GLOBE EXHIBITION MUSEUM CORRIDOR PEDESTRIAN PATHWAY
1 2
LEVEL 4 +36’
1
6
LEVEL 5 + 48’ 11
8
7 10
11
5
9
LEVEL 3 + 24’ 12
LEVEL 2 + 12’ HIGH TIDE + 10’ MEAN TIDE - LEVEL 1 LOW TIDE - 1’-8”
13
3 4
MUSEUM LIBRARY PAVILION B LOBBY BIKE + PEDESTRIAN PATHWAY MUSEUM’S BOOKSTORE + COFFEE 3D THEATER ANTARCTICA EXHIBITION
22
CONNECTION 3 BETWEEN PAVILION B AND C : VIEW FROM THE RESTAURANT TOWARD BOSTON INNER HARBOR
CONNECTION 3 BETWEEN PAVILION B AND C : VIEW IN FRONT OF THE MUSEUM’S BOOKSTORE CAFE’
CONNECTION BETWEEN PAVILION B AND C 1 2 3 4 5 6
RESTAURANT PEDESTRIAN PATHWAY EXHIBITION CORRIDOR ROOFTOP BIKE + PEDESTRIAN PATHWAY PAVILION B - WATER AND ART
4 LEVEL 4 +36’
1
2
3
LEVEL 3 + 24’
1
5
3 LEVEL 2 + 12’ HIGH TIDE + 10’
6 MEAN TIDE - LEVEL 1 LOW TIDE - 1’-8”
PAVILION C: WATER AND ART
PAVILION D: PURE WATER
1 2 3 4 5 6 7 8 9
1 2 3 4 5 6 7
EXHIBITION SPACES PAVILION C EGRESS + ELEVATOR PAVILION C LOBBY MUSEUM CORRIDOR BIKE + PEDESTRIAN PATHWAY RESTAURANT’S LOBBY PEDESTRIAN PATHWAY RESTAURANT RESTAURANT ELEVATOR
EXHIBITION SPACES PAVILION D EGRESS + ELEVATOR PAVILION D LOBBY MUSEUM CORRIDOR BIKE + PEDESTRIAN PATHWAY DIRECT PEDESTRIAN PATHWAY PEDESTRIAN PATHWAY
1
1
1
2
1
LEVEL 5 + 48’
LEVEL 5 + 48’
LEVEL 5 + 48’ 8
7
9
4
6
5
LEVEL 4 +36’ LEVEL
1
LEVEL 4 +36’ 3
1
6
4
5
3
4 +36’
1 1
LEVEL 3 + 24’
LEVEL 3 + 24’
1
LEVEL 3 + 24’ 1
LEVEL 2 + 12’ HIGH TIDE + 10’
1
LEVEL 2 + 12’
LEVEL 2 + 12’
2
HIGH TIDE + 10’ MEAN TIDE - LEVEL 1
MEAN TIDE - LEVEL 1 LOW TIDE - 1’-8”
VIEW FROM MUSEUM WING AT SOUTH BOSTON
1
HIGH TIDE + 10’
1
MEAN TIDE - LEVEL 1
LOW TIDE - 1’-8”
LOW TIDE - 1’-8”
1
24
CONCLUSION:
This thesis is seeking for who really attention to our Boston area waterfront development. Look at the ongoing development plan of South Boston, it is true value to think about the connection between it with the existing developed waterfront from the other side. Especially, that connection represent for a new alternative edge on the waterfront. By this intervention, the new pedestrian and its auxiliary will become a new definition of the new edge of Boston waterfront. The urban waterfront is a dynamic and vital area, full of potential. Historically, waterfronts have witnessed many layers of development, leaving this zone to often play a peripheral role in the life of the city. The Boston waterfront began as an active trade zone, developed as an important industrial area, and now exists as a somewhat undefined mix of diverse uses. The unique qualities that define an edge, of ambivalence, of ‘betweenness’, suggest a method of understanding and of exploiting the unique characteristics of the Boston waterfront so that it may become a major destination as well as a moment of connection.
The site of the Northern Avenue Bridge provides an exciting opportunity to improve existing pedestrian connections, to compliment continuing development in South Boston, and to redefine the ‘edge’ of the city of Boston. It also allows for another important role for the proposed project: to redefine the relationship of the city to its harbor, and of the inhabitants of the city to nature. The proposed project is for a Museum of Water, and for an enhanced public thruway for pedestrians and bicycles. The Museum introduces the major aspects of water in four categories: Experiencing Nature, Water Crisis, Water and Art and Pure Water. Through the experience of the educational pavilions, and through the framed views of the city beyond, the new Museum aims to redefine the edge of the Boston waterfront. The initial scope of this thesis may expand to look at other port industrial areas. The goal is to increase public usage of the waterfront, for residents and as an attraction to tourists. In Boston alone, there are many opportunities to enhance the meaning and character of the water’s edge. Lovejoy Wharf in the North End of Boston, the dry dock wharf in South Boston, and many locations in East Boston are all awaiting development. The water’s edge can and should be viewed as a major asset to the city and should be developed as a unique and vital amenity.
Spring 2013
PAGE
26 RE
SIDENTAL PROJECT
2. RISING TIMBER-“TIMBER IN THE CITY” COMPETITION Location: Redhook, Brooklyn, NY.
This building looks to reinterpret the predisposed notions of wood construction. Wood is an organic material made to effectively resist the tensile forces caused within a tree’s branches while simultaneously resisting the compressive forces caused by the weight of the tree, and yet wood construction has been greatly limited to exploiting its compressive strengths. Rather than duplicating this same building typology, this project explores the potentials of the balance between the compressive strength and tensile capabilities within wood. This strategy highlights the intricate balance between these forces characteristic within the material and hopes to clearly exemplify the potential of wood as a material that works efficiently to absorb tensile forces.
28
LOWER MANHATTAN
DOWNTOWN BROOKLYN
LIBERTY ISLAND
IKEA
GROSS SQFT 182,755 SQF
DIVID
ING S
ITE IN
TO 1
0’X1
0’ SQ
UARE
GRID
50’ 50’ ESTIM 15,2 ATING fo 00 S o QF/ F tprint of LOOR = 18 two to w .3% SITE ers SQFT TAP E
EXTRUDING
RIN G
40’ 40’
SLID
ING F
ORM
TO CR
EATE
FLOO
TAPE R
R PLA
ING
NS
RE
SID
EN
TAL
AR
EA
BIKE ENTRANCE
LOADING AREA 2 PARKING GOING DOWN
REDHOOK COMMUNITY FARM
LOADING AREA 1
IKEA PARKING LOT
PARKING GOING UP GATHERING SPACE
PUSHING BACK LIFTING UP
CREATING STEP BACK AND ENTRANCE FOR BUILDING
CREATING COMMUNITY PLAZA - SHORTCUT THROUGH SITE
EVENT PLAZA
IKEA
VA
ND
YK
ES
APARTMENT SERVICES:
TR
EE
DAYCARE CENTER
LEVEL 4
GROCERY STORE
T
DW
IG
HT
ST
RE
ET
p
EA
DS
TR
EE
p
T
APARTMENT SERVICES:
T
BR
FITNESS CENTER
LEVEL 3
DIGITAL PRODUCTION OFFICES
LEVEL 2
OT SE
GO S
TREE
LAUNDRYMAT
WOOD PRODUCTION OFFICES
A
RM MMU NITY FA
T
REDH OOK C O
BY
O
WO O D S
H OW
RO
M
LO
C O M
ICE FF
EVENT PLAZA
TREE
WOOD
LOB
O
O
SH
DU
R M FA OM T O W E R WRO
OR
W
D
IKEA PARKING LOT
T
AT E R I A L S T O RAG EA M G AR E DIN OA OOD PRO
WALK, BIKE CIRCULATION
T
BIKE ST
NCE
H
VEHICLE CIRCULATION
EE
B I KE MA I NTA
Y
RC
TR
EE
BIKE PROTECTION PAR KIN GL
D RESEA
DS
TR
WOO
EA
ES
GE
BR
BB
YK
GO S
D FF
ICE
ER
WOO
T Y N I U F WOOD P R OM
IGH
TS
TR
NT
DW
CE
M U N I T Y OM AREA W ION OO
SEARCH
ND
WOOD
RE
T
M LEVEL
C
VA
STORAGE IAL ER E A TOW ER AR
UCTIO N OD
MA
NTER
LOADING A REA
CE
A
R M
CT
EE
WOOD SHOWROOM AT M LEVEL
OT S E
T
AT M LEVEL
14
30
19
BUILDING SYSTEM 13
RESIDENTAL
12
STUDIO 1 br
20
STUDIO 3br
109,725 sqf.
100 units 32,500sqf STUDIO 2 br 11
35 units 22,750 sqf. STUDIO 3br
STUDIO 2br
15 units 15,000 sqf. 10
SUPPORTIVE FUNCTION DAYCARE CENTER LAUNDRY MAT
CONVENIENCE STORE
24
9
GYMNASIUM
STUDIO 1br
RESTAURANT 8
STANDARD RESIDENTAL FLOOR PLANS
2
7 3
DIGITAL PRODUCTION 6
14,340 sqf. WOOD PRODUCTION
5
4
44,640 sqf. BIKE FACILITY 14,050 sqf.
PROGRAM DIAGRAM
DWIGHT STREET
VAN DYKE STREET
1NNER TENSION
22
21
OUTER TENSION
COMPRESSION
23
COMPRESSION
TENSILE STRUCTURE DIAGRAM
DETAIL STRUCTURE MEMBER FROM CORE TO INNER TENSION CONNECTION
DETAIL INNER TENSION CONNECTION POINT
OTSEGO STREET
spring 2013
PAGE
32 RE
SIDENTAL PROJECT 3. SEA RANCH SINGLE FAMILY HOUSE
Location: Sea Ranch, Sonoma County, CA. “ Designing for place at The Sea Ranch means knowing your place and thinking in three dimensions—absorbing into consciousness the slope of the land, the vault of the sky, the reach of the horizon, and the undulations underfoot. It requires building the land’s contours into our fingers (or keyboard) as we draw, feeling the wind as it passes, knowing precisely the course of the sun, and acknowledging the presence of our neighbors—both those who have already built and those yet to come. It means containing the impulse to sprawl—working with the land, not spilling out over it. This is a precious landscape, a landscape that is not accidental but one that has evolved through design and through the investments of many. It depends on continuing care, ingenuity, and discretion.” —Donlyn Lyndon, The Sea Ranch Donlyn Lyndon and Jim Alinder, 2004
34
Sea Ranch Climate refference: Santa Rosa, Sanoma County, CA, U.S Latitude-Longtitude 38.52’ N, 122. 82’ W Location: The Sea Ranch, Santa Rosa
110
Elevation 124ft. Time zone -8 Sanoma County, CA, U.S Latitude-Longtitude 38 42’55”N, Temperature range 46F- 70F 123 27’ 16”W Mean temperature 56F Elevation: 108ft. Time zone -8 Sky cover range: mean 45%
TEMPERATURE
RADIATION
TEMPERATURE
5000
500
110
100
4500
450
100
90
4000
400
90
80
3500
350
80
70
3000
300
70
60
2500
250
60
50
2000
200
50
40
1500
150
40
30
1000
100
30
20
500
50
10
JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC
0
JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC
ANNUAL
0
20
JAN FEB MAR APR MAY
JUN JUL AUG SEP OCT NOV
DEC
10
JAN
MARCH 1 3 2
4 9 5
6
8
SECOND FLOOR PLAN ENTRANCE SCALE 1” 0 = 16’ 0” 1 ENTRANCE 2 LOBBY
10 JUL
3 KITCHEN
7
4 REST ROOM
7
5 STORAGE 6 LIVING + DINNING 7 MASTER BEDROOM 8 WALK-IN CLOSET 9 BATHROOM 10 BALCONY
1 OCT
FIRST FLOOR PLAN
2
6
3
4
SCALE 1” 0 = 8’ 0” 1 MECHROOM 2 STUDIO 3 LAUNDRY
7 WIND SPEED mph
DEC
35 30 25 20 15 10 5 0
5
4 BATHROOM 5 BEDROOM 6 HALL 7 OUTDOOR PORCH
36 DETAIL D1- ROOF
1 2 3
SCALE 1/2” = 1’ 0” ROOF R VALUE 40.67 1 2
3/4” PLY WOOD
3
2x12 JOIST
4
CLOSED CELL FOAM
5
GYPSUM PLASTER
6
2x14 BEAM
7
RAINWATER GUTTER DOUBLE GLAZING WITH WOOD FRAME
8
4
EPDM
5
7
6
8
DETAIL D2- WALL SCALE 1/2” = 1’ 0” WALL R VALUE 40.67 1 STAIR RAIL 2 BIRCH WOOD FINISHED 3 2x4 STUD WALL
12
4 POLYURETHANE FOAM
11
SPRAYED 5 6” AIR GAP 6 8” CONCRETE
10
7 1/2” SHEATHING/
13
BUILDING PAPER
8 1” AIR GAP
9 STONE VENEER
9 8 7 6 5 4 3 2 1
10 GIRDER 11 WOOD FLOOR FINISHED 12 AIR SUPPLIED 13 METAL SHEET CAPPING
DETAIL D3- WALL AND FOUNDATION SCALE 1/2” = 1’ 0” 1 WOOD COLUMN 2 BIRCH WOOD FINISHED
D2 7 6 5 4 3 2 1
D1
D3
3 2x4 STUD WALL 4 POLYURETHANE FOAM
11
SPRAYED
5 1/2” SHEATHING/
BUILDING PAPER 6 1” AIR GAP 7 STONE VENEER
8 10
9
8 CONCRETE SLAP 9 CONCRETE FOUNDATION 10 FOUNDATION INSULATION
AXONOMETRIC DIAGRAM
WATER COLLECTION
SOLAR PANELS
TOTAL ROOF AREA: 1418.01 sqf COLLECTION RECOVER AREA AVERAGE RAIN DEPTH PER YEAR: 5.4” TOTAL VOLUME GALLONS FACTORED/YEAR:
THE PHOTOVOLTAIC PANELS ARE TILTED 12 IN ADDITION TO THE ROOF ANGLE TO OPTIMIZE SOLAR GAIN
2249401.14 STORAGE CISTERN CAPACITY( CALCULATED MONTHLY): 50,124 cubic feet
M SU
M
ER WINTER
OPERABLE WINDOWS
BRACING DETAIL
BRIDGE DETAIL
Spring 2012
PAGE
38 IN
STITUTIONAL PROJECT 4. CAMBRIDGE COMMUNITY TELEVISION OFFICE Location: Central Square, Cambridge, MA.
This studio investigated the relationship between the built and digital environment. Students explored ways in which digital media can change the meaning of a place such as the new opportunities that exist for working since laptops and cell phones enable us to travel with a virtual ofďŹ ce, as well as our continuous connection to each other regardless of our physical location. In addition, students drew conclusions regarding the civic role media plays in society and developed design proposals that address the need for people to interact in the built environment while creating media. The class researched media centers including MIT's Media Lab and the Cambridge Community Access Television, an existing non-proďŹ t organization that functions as a community service for the city of Cambridge Massachusetts.
40
S BI P HO N LE AL
PROSPECT STREET
BISHOP ALLEN DRIVE
MASSACHUSETTS AVENUE
UE EN AV
View to site from Massachusetts Avenue
ET
S TT SE HU AC SS MA
NORFOLK STREET
RE ST
E IV DR
Corner between Bishop Allen Dr. and Exxes street
ESSEX STREET
Harvest Co-op market’s entrance on site
Central square station’s entrance at corner Mass Ave and Essex St.
RESIDENTAL ZONE
The CCTV office is located between the lively commercial Massachusetts Avenue and the quietly residential area at Central Square, Cambridge. For this reason, there is an opportunity to give the building acting like a transitional moment within the urban fabric of Cambridge
BISHOP ALLEN DRIVE
ESSEXX STREET
COMMERCIAL ZONE
X SE ES
MASSACHUSETTS AVENUE
1 RAMPS, ENTRANCES TO SITE 31
2 HARVEST CO-OP 31
MARKET ENTRANCE 3 SERVICES ENTRANCE, LOADING DOCK 4 MAIN LOBBY
5TH FLOOR PLAN
5 ELECTRICAL ROOM 6 MATAINANCE ROOM
7
12 11
18
7 MECHANICAL ROOM
26
26
6
5
6
5
8 DRESSING ROOM 9 FLEXIBLE
29
PERFORMANCE SPACE
30
10 GALLARIES
28 27 29
4TH FLOOR PLAN
11 MALE RESTROOMS 12 FEMALE RESTROOMS 13 GALLERY STORAGE
18
15 PERFORMANCE
20
21
22
14 LOADING DOCK
23
7
12 11
24
25
17
SPACE’S STORAGE
23
20
19
16 EXHIBITION 17 COMPUTER LAB
3RD FLOOR PLAN
18 TECHNICAL ROOM 19 CONTROL ROOM 20 STUDIO
9
18
17
7
12 11 6
21 RENTAL OFFICE
16
16
9
22 CONFERRENCE ROOMS 23 LOUNGE
10
24 SHARED KITCHEN
2ND FLOOR PLAN
25 LIBRARY 26 MAIN OFFICE
3 9
27 EDITTING SUITES 4
2
1
28 MEETING ROOM 29 LIVE STUDIOS
1
30 BROAD CASTING ROOM
BISHOP ALLEN DR.
31 ROOF TOP-HVAC
2 11
12
15
7
8 6 3
14
5
9 4
13
10
1
1
ESSEX STREET
GROUND FLOOR PLAN
5
42 Optimization of solar gains, reduction of heat loss and day lighting are the primary sustainable design strategies Implemented in the project. Due to the orientation of the site, the extended facades of the building face the east and west axes. This positioning requires an appropriate response to solar control and allows for a unique opportunity to generate a rich architectural texture using the building envelope. A perforated panel system is deployed on portions of the southern and western facades, diffusing sunlight, minimizing glare and solar heat gains, while allowing winter sun deep into the building. A portion of the envelope facing Essex Street is covered by a double glazed curtain wall system that builds a connection to the urban environment, while controlling interior temperatures throughout various seasons. The double façade opens to allow ventilation in order to control internal heat gain throughout the year. The north façade, facing Bishop Allen Drive, has limited openings for views and thick walls to prevent heat loss in the building. A glass roof is implemented above the double height office space, filling the room with natural light, while managing heat gain and solar glare through a roof mounted louver system.
5
3
5
10
20
0 1
30
40 feet
15
1 Air exchange 2 Double curtain wall facade 3 Air exit 4 Acoustic wall 5 Cap gap detail 6 Daylighting conveying roof system 2
1 2 3 4 5 6
1
CCTV PLAZA GALLERIES FLEXIBLE PERFORMANCE OFFICE LOUNGE OFFICE FOR RENT CCTV MAIN OFFICE SPACE
4
6
5
4
2
1
2
3
44
AXONOMETRIC DIAGRAM SHOWS THE ROOF SYSTEM AND SOUTH WEST FACADE SYSTEM 1 Horizontal lourves system 2 Secondary structure 3 Glasses roof 4 Mullions frame 5 Roof trusses system 6 Shading canvas system 7 Main steel structure 8 Curtain wall 9 Secondary structure holding perforated panels 10 Perforated panels
1
2 3 4 5 6
10
9
8
7 8
1. 2. 3. 4. 5. 6. 7. 8. 9.
MAIN LOBBY RECEPTION AREA LOUNGE 1 AUDITORIUM GALLERIES EXHIBITION SPACE PRODUCTION STUDIO PRODUCTION CONTROL R. LOUNGE 2
9
10
10. COMPUTER LAB 11. SHARED KITCHEN 12. SHARED LIBRARY 13. LIVE STUDIO 14. EDITOR SUITES 15. CCTV MAIN OFFICE SPACE 16. MEETING ROOM 17. HVAC FIELD
SERVICE ENTRANCE
MARKET COMMUN ENTRANCE GADERN
17 15
16
13
11
12
10
14
9
5
7
8
6 4 5
2
1
3
D
NITY N
46
SRUCTURAL MODEL STUDYING Scale 1:8 Apllying bracing trusses system for the cantilever box in which contained the live studio and the library and staggered trusses system on the storey above the auditorium to free columns for the space underneath
48
The landscape along the length of the building, easily accessed by ramps, not only provides a transitional approach for the CCTV offices, but also invites people to engage in their daily activities and events in a new public plaza. The CCTV entrance is shared with that of the Harvest co op as a respectful response to the neighborhood, and to promote community friendly building throughout Cambridge. The gallery corridor communicates with the outdoor plaza on the ground floor to make a connection between the inside and outside. Additional sliding partitions in front of the gallery provide a flexible space that can open to the outdoors and expand during special events.
Fall 2011
PAGE
50 IN
STITUTIONAL PROJECT 5. MASSART NEW CAMPUS AT HARVARD SQUARE Location: Harvard Square, Cambridge, MA.
The proposal of the new Massachusetts College of Art and Design satellite campus is for a location in Cambridge, MA. This new branch of the art facilities aims to expand the existing Boston Campus into the rich culture of Harvard Square. The building attempts to integrate the smaller college town atmosphere with MassArt's identity by merging the scale and proportions with the culture and style that helps MassArt distinctly stand out from other schools. In addition to the primary program required for the Boston campus, the new additional program emphasizes community outreach by providing restaurants and retail operation spaces to serve the public. Furthermore, some of the school’s facilities, such as the auditorium, seminar rooms, and the computer labs are shared with the local community. The available retail spaces are leased for either short term use or single events. The new campus strives to be a good neighbor by carefully ďŹ tting into the small scale of the local neighborhood context.
52 PROGRAM
AREA
ZONING TYPE: BA SET BACK FRONT YARD: NO MIN SET BACK SIDE YARD: NO MIN SET BACK REAR YARD: (H + L /5) MAX HEIGHT: 35' ~ 45' 3-3.5 STOREYS
CAPACITY PUBLIC/PRIVATE SUNLIGHT
SQUARE FEET
FEET
MAIN LOBBY + GALLERY
1,600 SF
18 FT
RETAIL (ART STORE)
TO BE DETERMINED
12 FT/18 FT
RESTAURANT DINING ROOM
1,500 SF
12 FT/18 FT
RESTAURANT KITCHEN
750 SF
12 FT/18 FT
18 FT/24 FT
AUDITORIUM
2,400 SF
ADMINISTRATIVE OFFICE
1,600 SF
12 FT
REGISTRATION OFFICE
500 SF
12 FT
LOADING AREA
1,000 SF
12 FT
METAL SHOP
1,800 SF
12 FT/18 FT
WOOD SHOP
2,400 SF
12 FT/18 FT
GENERAL ART ROOM (x2)
1,200 SF
12 FT/18 FT
MULTI MEDIA ROOM (x2)
600 SF
12 FT
SPECIALIZED ART SPACES (x5)
200 SF
12 FT
LIBRARY
800 SF
FOURTH FLOOR
SPECIALIZED INSTRUCTIONAL PROGRAM
THIRD FLOOR
12 FT/18 FT PRIMARY INSTRUCTIONAL PROGRAM
SECOND FLOOR
CLASS ROOMS (x10)
800 SF
12 FT
COMPUTER LABS (x5)
800 SF
12 FT
ELEVATOR 1 (x2)
8’ x 10’
N/A
N/A
ELEVATOR 2 (x1)
10’ x 12’
N/A
N/A
EVERY FLOOR PROGRAM
EGRESS (x2)
12’ x 24’
N/A
N/A
MAINTANANCE/ STORAGE
150 SF
12 FT
N/A
MECHANICAL ROOM
150 SF
12 FT
N/A
TOTAL SITE AREA: 25,512 SF
GROUND FLOOR CA M
ARLINGTON
BELMONT
T USE ACH
OLD BURYING GROUND
I
SOMERVILLE
TR E
DAWES ISLAND PARK
UE
R FA
P LL WE
DE NS
VEN TS A
GA R
E STR EET
S MAS
CAMBRIDGE COMMON PARK
B RI D G
ET
GENERAL MACAUTHUR SQUARE
BR RE ST
STR
EE T
REET R ST
ET
H RC
E PALM
E TL AT U CH
HARVARD SQUARE STATION BRATTLE SQUARE
DY S
S TR EET
NN E
URN
KE
AUB
JK
MT
TR EE
T
BELMONT WATERTOWN
BROOKLINE
MAS SACH USE TTS
AVEN
UE
BOSTON
21
GROUND FLOOR:
21
14
FOURTH FLOOR
20
21 21
20
22
20 13
20 12
22
11 15
22 23
3’RD FLOOR
1. MAIN LOBBY + GALLERY 2. RETAIL SPACE 3. CINNING ROOM 4. KITCHEN 5. REGISTRATION OFFICE 6. ADMINISTRATIVE OFFICE 7. AUDITORIUM BACK STAGE 8. AUDITORIUM 9. METAL SHOP 10. LOADING AREA + MATERIAL STORAGE
EVERY FLOOR PROGRAM: 11. MAINTANCE ROOM 12. MALE RESTROOM 13. FEMAL RESTROOM 14. ELECTRICAL ROOM 15. FLOOR LOBBY
21
THIRD FLOOR
21
16. AUDITORIUM LOBBY + EVENT SPACE 17. GEMERAL ART SPACE 18. SPECIAL ART SPACE: GLASS BLOWING, CERAMIC, PRINT MAKING, JEWELRY, PHOTOGRAPHY DARKROOM 19. WOOD SHOP
14 20 20 20 13
20 12
11
19
SECOND FLOOR:
THIRD FLOOR + FOURTH FLOOR: 20. CLASSROOMS 21. COMPUTER LAB
15 14 19
3’RD FLOOR:
8
22. SEMINAR ROOM 23. LIBRARY
18 17
13 12
16
11 15
SECOND FLOOR
10
9
8 7
6
4
P
13 2
3
5
12 11
1
GROUND FLOOR STREET
STREET CHURCH
R PALME
Vehicle path
Walking circulation (public path)
54
VIEW FROM THE MAIN LOBBY WINTER SUN GRASS ROOF SUMMER SUN
NATURAL VENTILATION
CHURCH STREET
On a larger level in society, the building tries to incorporate energy efficiency and sustainable building practices into its design. The module for the facade system is created for its best performance in a specific orientation. The atrium amidst the building conveys quality light into interior spaces and allows natural ventilation across the building. Local plants are grown on the rooftop for absorbing the heat of the direct South sun. This gardern provides the school’s users a healthy, relaxing environment.
VIEW FROM THE ATRIUM
THICK INSULATION WALL
56
PANEL MODULE 1
2
3
4
5
6
PANEL MODULE APPLIES TO FACADE 1. 2. 3. 4. 5. 6.
ALUMINUM PANEL 0.25 INCH GLAZING PANEL WITH LIFTING UP WINDOW WOODEN WINDOW FRAME 0.25 INCH GLAZING PANEL METAL FRAME HOLDS ALUMINUM PANEL STRUCTURE FRAME HOLD A FACADE UNIT
STEEL FRAME HOLDS SOUND INSULATION WALL AND CEILING 1
2
3
FULL SOUND INSULATION PANEL
1
2
5
4
3
SOUND INSULATION PANEL SYSTEM
SOUND INSULATION WALL AND CEILING
HALF SOUND INSULATION PANEL WITH HALF GLAZING
1. ALUMINUM PANEL 2. METAL FRAME HOLDS ALUMINUM PANEL 3. ALUMINUM PANEL WITH SOUND INSULATION MATERIAL IN BETWEEN 4. 0.25 INCH GLAZING PANEL 5. WOODEN WINDOW FRAME
1 CONCRETE SLAB
2 STRUCTURE/INTEGRATED SYSTEM GAP 3 MODULATED FACADE SYSTEM
4 SOUND INSULATION CEILING
5 GLAZING FACADE AT MAIN LOBBY
1 STRUCTURE/INTEGRATED SYSTEM GAP 2 SOUND INSULATION WALL AND CEILING
58
60
Spring 2009
PAGE
60 IN
STITUTIONAL PROJECT 6. THU THIEM PUBLIC LIBRARY
Location: Thu Thiem, District 2, Ho Chi Minh, Viet Nam. The new public library location will be in the heart of the new developing area of Ho Chi Minh City, Viet Nam. The original landscape arrangement was designed by Sasaki Associates Inc. The project takes advantage of the ideal location, it attempts to integrate with the landscape and respond to urban context. Inspired by the natural spiral form, the design attracts people form different directions. Also, the interior space offers the users to observe speciďŹ c interesting views of the area. The quality of interior light and natural ventilation is a must on the check list for the design process. The program provides most of the function that serves the public. Thu Thiem library prefers to be considered a public place where everyone in the community can come relax and share in the great resource of knowledge.
62
M
M
M M
M M
M
M
M
M
M
M M
MUNICIPAL SUB WAY
M
FERRY FERRY STOP
BUS
WATER TAXI
BUS STOP
WATER TAXI STOP
CIRCULATOR BUS CIRCULATOR BUS STOP
GROUND FLOOR PLAN
BRIDGE CLEARANCE
BASEMENT FLOOR PLAN
M FLOOR PLAN
2ND FLOOR PLAN
3RD FLOOR PLAN
4TH FLOOR PLAN
5TH FLOOR PLAN
EAST ELEVATION
NORTH ELEVATION
6TH FLOOR PLAN
64
66
68
DESIGN + INSTITUTION COMMERCIAL RENOVATION ADDITION
BUILT OUTDOOR STUDYING PLATFORM
73
Summer 2011
SPIRAL EDGE OFFICE LOBBY
77
Fall 2010
HIDDEN COFFEE SHOP
81
Spring 2008
MOONLIGHT LOUNGE
85
Spring 2009
TEAM WORK ROLE: DESIGNER, BUILDER DENNIS C.HALEY PUBLIC ELEMENTARY SCHOOL, ROSLINDALE, MA
ROLE: INTERIOR DESIGNER, CONTRUCTION ADMINISTRATOR HO CHI MINH CITY, VIET NAM
ROLE: INTERIOR DESIGNER, CONSTRUCTION ADMINISTRATOR HO CHI MINH CITY, VIET NAM
ROLE: ARCHITECTURAL DESIGNER HO CHI MINH CITY, VIET NAM
72
PAGE
The scope of MassArt's 2011 Community design and build project was to introduce a new outdoor interactive learning center in the school yard the Dennis C. Haley Public School in Roslindale, MA. The existing school yard offerd an overgrown natural area with a swale, shady trees and various plantings. The concept was to transform this natural area into an inviting safe place for learning and discovery by creating paths, a bridge crossing the swale, educational nodes, seating, raised garden planters and an open-air teaching platform shaded by trellis structure. The project was designed to complement the natural environment and draw students into the area with the built elements while still maintaining the sense of the "undiscovered" natural setting, thereby reflecting the school emphasis on living, learning, and working in the local environment. Through this project, I and other MassArt graduate student experienced and involved in the whole process of conceptual design, construction drawing development, funding managing budget, hands-on the final construction.
Summer 2010 COMMUNITY BASED DESIGN PROJECT
1. OUTDOOR STUDYING PLATFORM
Location: Dennis C. Haley Public School, Roslindale, MA
73 ED
Picture Down : Haley’s pupils was playing with the project’s master plan physical model on site. ( picture was taken by me) Picture right side : Inside of the teaching platform. (picture was taken by me)
74
Rendering site plan shows orientation of built elements amidst natural order CORRUGATED METAL ROOFING
1"X2"RED MERANTI LATTICE
2"X12" DOUGLAS FIR BEAMS
32' - 8 3/8"
1"X6" RED MERANTI DECKING
30' - 10 3/16"
2
1
TRELLIS PLAN
DECK PLAN
1"X2" RED MERANTI LATTICE 2"x12" DOUGLAS FIR FRAMING BEAMS DOUGLAS FIR INTEGRATED BENCHES 4" SCHEDULE 40 GALVANIZED STEEL COLUMN
4 A14
TRELLIS TOP 12' - 0"
TRELLIS TOP 12' - 0"
TRELLIS BOTTOM 8' - 0"
TRELLIS BOTTOM 8' - 0"
DECK 1' - 6"
DECK 1' - 6"
FOOTING TOP 0' - 4" 1 A11
3
EAST ELEVATION
GRADE 0' - 0"
1 A11
FOOTING BOTTOM -4' - 0"
4
FOOTING GRAVEL
SOUTH SECTION
FOOTING TOP 0' - 4" GRADE 0' - 0" FOOTING BOTTOM -4' - 0"
75
1. CONNECTION BETWEEN BEAM, TRELLIS, KICK BACK
WOODEN BRIDGE ACROSS THE SWALE
4. TOOL SHED’S DOOR DETAIL
1
2
3
2. TRELLIS ROOF DETAIL
3. KICK BACK BENCHES
5. RAIN WATER COLLECTION
6. PLANTER BOXES
4
5
6
76
PAGE
77 INTERIOR DESIGN PROJECT
The project is located at the lobby on the first floor of an eight storeys office building. SPIRALEDGE LTD. is a us owned company specializing in web application development and design. Their work includes E-Commerce, online communities, and tools for the American and international markets. The design used brightly colored curved Aluminum panels that softened the corners and created a dynamic motion experience in the place. Moreover, using the company logo as a decorative component for branding promotion. Many types of indoor plants are provided in order to provide a fresh environment as the first impression for visitors to the lobby.
Fall 2010
2. SPIRAL EDGE OFFICE LOBBY
Location: District 3, Ho Chi Minh City, Viet Nam
1 2 3 4 5 6 7 8
FRONT YARD RAMP LEADS TO BASEMENT ELEVATOR EGRESS RESTROOM GYPSUM CEILING RECEPTIONIST BAR EXHIBITION WALL
5
8
4
6
7
2
1
3
79
80
PAGE
81 3. HIDDEN COFFEE SHOP
Location: District 3, Ho Chi Minh, Viet Nam
Concept of entrance corridor.
New expansion loft integrated with the old structure.
View of the new expansion building from the back.
INTERIOR DESIGN, RENOVATION PROJECT
As the name hidden coffee would suggest, the owner wanted to create an ideal place that would bring the customers out of their ordinary life, which is full of stress and hurry, and bring them to a small, quite space. The design intent for the coffee shop, which occupies an old French Colonial House, was to maintain the layers of texture and structure of the original house while adding an L-shaped loft. One side was a public space for customers while the other was a private residential area for the owner.
Fall 2008
The sketch of existing condition
GROUND FLOOR PLAN
83
2ND FLOOR PLAN
P ON KS AR
DEPARTMENT S TO RE
TAN SON NHAT INTERNATIONAL AIRPORT
PAGE
4. MOONLIGHT LOUNGE
Location: Tan Binh District, Ho Chi Minh City, Viet Nam. Experiencing a spectacular view towards the Tan Son Nhat Airport and a lively main street from a 180 ft. building height, the Moonlight Lounge attracts visitors and tourists by its location. The steel frame warehouse building form sits atop of a twelve-story existing building. The challenge is not only with the client, but involves many others parties such as the government, military department, the owner of the tower, and Parkson Co, who rents the building during the design and build process. In addition, the structure provides challenges both economically in material use and saving during construction time. Structural members have to be strong enough to prevent the wind load but light enough for integration with the structure of the existing building. The lounge layout has two parts, one indoor and the other is the outdoor seating area for exibility in operating the lounge for the owner.
VIEW FROM THE DANCING AREA
Spring 2009
85
1
2
A
7 6
B
5 6
3
2
4 3
C
3 6
1
D
1. Parkson department store building 2. Moonlight lounge primary structure 3. Building existing egresses 4. Tower chiller system 5 Moonlight lounge’s roof structure 6. Building’s sign on steel frame 7. Moonlight lounge’s metal roof with insulation
E
F
MOONLIGHT LOUNGE FLO
INDOOR LOUNGE VIEW
OUTDOOR SITTING AREA
87 4
5
6
7
8
EMERGENCY EXIT
3
OOR PLAN
REFLECTING POOL (TRANSITION SPACE)
9
VIEW FROM THE BACK OF THE MUSEUM OF SCIENCE TOWARDS CHARLES RIVER.
THANK YOU SO MUCH FOR YOUR CONSIDERATION MY CONTACT EMAIL: KENCHITEK@GMAIL.COM PHONE: +1 (857) - 222 9852 HTTP://WWW.BE.NET/KENCHITEK