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(Un)doing Thresholds explores the temporalities and architectonic specificities of porous conditions of Naples, where (un)doing is presented through Andrew Benjamin as a productive conception of urbanity; one in which porous architectures are (un)done, drawn through one another, in a constructive overwriting founded in the immediacy of the city.
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Exploring architectures of the ruin, labyrinth and theatre, be they programmatically labyrinthine or theatrical, or materially or spatially so, the thesis considers their interpenetration: each space becomes a threshold to another space. It promotes an expression of presence in the city, gathered in collectivity, that takes possession of space as a protagonist in constructing an experience of Naples that goes beyond the control of fixed political and historical representations of the city.
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(Un)doing Thresholds Door /Ways to New Neapolitan Practice(s)
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[animate drawing] [performative construction] [tectonic assemblage]
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CITY FRAGMENTS: NEAPOLITAN POROSITIES
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