Barbara Katona - Graphic Design Portfolio 2021 (@brbrgraphics) by Katona Barbara

G R A P H I C D E S I G N P O R T F O L I O - 201 6 -2021

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content 01

Katona Barbara ID

Personal identity 08

ChocoGraph

Chocolate packaging

ZINEZŐ Graphic Design Newspaper

TYPE ROAD

Diploma work 32

New Blood

Dot Matrix printer experiment

ZINEZŐ II.

Graphic Design Newspaper

Chinese Zodiac

Illustrations of zodiac signs

PANEL exhibition

MODEM - Debrecen

ARC exhibitions

Billboard exhibitions

I left my footprints in Taiwan

Book from my exchange studies

3D illustrations

Abstract 3D experiments

S L A M M E D .

Slam poetry publication

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Logos Logo designs 110

Korean Movie Festival

Festival branding 118

Korean Cultural Centre

Flyers, brandings, illustrations

South Korea’s buildings

Icons 140

Debrecen Spring Festival

Festival branding 144

HARSÁNY

Newspaper layout

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Illustrations

Illustrations of Asian streets

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Beer / Wine labels

Label designs, illustrations

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Fullonum

Handmade soap branding

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DIPLOMA ‘21

Branding for graduation exhibition

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KORAVE

Korean BBQ branding

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Ticket illustrations

MODEM Debrecen

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Lizián Florist

Florist branding identity

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Blues szól a másodikon

Poetry book layout & illustrations

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NUTRI PT

UI & Illustrations

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Korean patterns Traditional Korean Patterns

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Black and white illustrations

Ilustrations 230

SMILE catalogue 234

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I’m Barbara Katona, a graphic designer from Hungary. I make print designs, logos, illustrations, brandings, publications, packagings. Nothing is impossible, you just have to start doing it.

Contact me at brbrgraphics@gmail.com katona.barbara.94@gmail.com +3630 922 75 61

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Hello,

behance.net/brbrgraphics instagram.com/brbrgraphics facebook.com/brbrgraphics brbrgraphics.com

My logo was made of 2 alphabets from Danube font family. K stands for Katona, B stands for Barbara. I arranged the letters in a way that creates an aesthetically pleasing shape.

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Self branding Personal identity identity logo design branding 2016

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My logo was made of 2 alphabets from Danube font family. K stands for Katona, B stands for Barbara. I arranged the letters in a way that creates an aesthetically pleasing shape.

I choose two colors for this identity, bright red and deep blue. My reason for this is that they complement each other perfectly and it gives us a strong, striking look. As soon as you see it, it immediately grabs your gaze and you want to see even more of it.

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ChocoGraph

Graphic design history from 1900 package design branding 2019

A Chocolate Brand that contains not only cocoa, but the history of graphic design from the 1900s.

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ChocoGraph is a chocolate series that contains the history of graphic design from the 1900s, Bauhaus. The brand can be useful for those who prefer learning the history of graphic design in a more playful way. All the pieces are in square format and has two or more collectible cards. One card shows the 2-coloured illustration, and the other one is

the replica of the original artwork. In the back you can see a brief description of the era and the styles. We can see a timeline of graphic design if we put these chocolates together. In the sides you can see the era’s name, the artist name, and the date. Design universities can also distribute these chocolates for the upcoming students to learn something useful.

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Based on my experience a lot of designer student don’t want to learn these dry historical texts. That’s why I did a sweet chocolate packaging for it. You can eat a piece of white or dark chocolate while you are reading some information.

There are 10 packages in total and 1 premium package that can be a gift for your best friend. The premium one contains all of the 10 pieces, so it’s a perfect gift for a birthday or even for Christmas.

The package is made of creative paper. As for the premium package, I used black paper with white ink printing. The little packages are digital printing, and made of lighter paper so you can easily fold it.

Published Open the package: Creative Process of Packaging Design from Briefing to Finishing, Guangzhou, China, 2020 Circle Zine Magazine, Taiwan, 2020

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GRAPHIC DESIGN HISTORY

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PHOEBUS PALAST

For the Designer in you.

GRAPHIC DESIGN HISTORY

Herbert Matter

Napoleon Movie Poster (1927)

Jan Tschichold

Molded Plastic Chairs (1951)

beethoven

CHARLES

TH E

The Diva is Dismissed (1994)

Paula Scher

The Letter M (1965)

Wolfgang Weingart

Rage, the Flower Thrower (2005)

Banksy

Dylan (1966)

Milton Glaser

Shot Marilyns (1964)

Andy Warhol

Beethoven Poster (1955)

J.Müller-Brockmann

IBM logos (1972, 1981)

Paul Rand

N EO OL

PUBLIC

GRAPHIC DESIGN HISTORY

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GRAPHIC DESIGN HISTORY

TSCHICHOLD

THEATER

chocograph.com

GRAPHIC DESIGN HISTORY

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PHOEBUS PALAST

For the Designer in you.

GRAPHIC DESIGN HISTORY

Moholy-Nagy László

Napoleon Movie Poster (1927)

Jan Tschichold

Molded Plastic Chairs (1951)

Herbert Matter

19 (1921)

beethoven

CHARLES

TH E

The Diva is Dismissed (1994)

Paula Scher

The Letter M (1965)

Wolfgang Weingart

Rage, the Flower Thrower (2005)

Banksy

Dylan (1966)

Milton Glaser

Beethoven Poster (1955)

J.Müller-Brockmann

IBM logos (1972, 1981)

Paul Rand

N EO OL

PUBLIC

GRAPHIC DESIGN HISTORY

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GRAPHIC DESIGN HISTORY

TSCHICHOLD

THEATER

chocograph.com

A design-periodical published by the Department of Media and Design at Eszterházy Károly University

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Zinező I. Newspaper

print dpd operation layout design 2019-20

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ZINEZŐ Design periodical of Média and Design Department Eszterházy Károly University, Eger Year of foundation: 2016 Editor/curator: Süli-Zakar Szabolcs DLA Printed at: Newspaper Club, Glasgow

Zinező is a biannual design-periodical published by the Department of Media and Design at Eszterházy Károly University, as a highlighted project of the Graphic Design Master’s Course. In terms of design, I made my own typography for the newspaper, which I used as titles and graphic elements. Like many other graphic works, the dominant colors are red and blue which gives a vibrant feeling.

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r ipe d g , a n en ti n r s e p es e a t w ele of er y be n T m nt t 4 t, a t i a s e s ZI o g r os e l p I r o m t h u d a 0. Z l p e 2 a th o m , B 0 c i d fr r y r 2 f f i ye rs lle e o la te a tob e EN s p s p G c th on P d i p o le O f t i LE n ir Te of r t o bi E t i o h e e th a hi T A b i t th 4 p Ex I Z h i n d at e 2 a k . ZI ex a e t h a s e e e a ls l a c n d w W Th i c p a r y r t o d o k 5t h l l e t A to e Ga es th r t a p A ud B

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1st place winner 2017 01

KÉPZŐ DIÁKHITEL COMPETITION 2018, Budapest

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Graduation work Master’s diploma Art Book Publication Writing system 2021

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Type Road is a project and an art publication that deals with the compatibility of Latin and traditional Chinese typography. The different culture’s writing systems are completely different but the structure of the communication is the same. My research on this topic can be tracked back to the year of 2019, when I had the opportunity to travel to the island of Taiwan and learn more about taiwanese culture. During my journey, a lot of questions swirled in my head such as verbal and visual communication’s connection. This subject started to engage me as I walked on the streets of the amazing Taipei and I became aware of the myriad of advertisements, neon signage, and information on the posters that could be found in every corner of the city. What is interesting and thought-provoking about this? I came from a totally different culture so I didn’t understand anything from these captions because the lack of language.

This was the exact point when I started to think: What is visual communication? What are the boundaries of visual and verbal communication? All the letters, characters, punctuations belong under the topic of visual communication. It doesn’t really matter if I see these visual signs ont he streets because I’m unable to decode these codes. Chinese characters as pictograms are easily understandable when they are displayed visually. Is it possible to blur these boundaries between Latin and Chinese writing so that writing can be understood without the knowledge of the language? Where is the boundary between visual and descriptive display? The title „Type Road” comes from the name „Silk Road” that was and is a network of trade routes connecting the East and West. This time the connection is between typography and writing, therefore I changed the word silk to type.

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The aesthetics of Chinese typography was my thesis work for my Masters diploma. It is a research about the aesthetics and structure of Chinese typography.

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An experimental publication with a dot matrix printer.

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New Blood Publication

dot matrix print dpd operation experimental 2019

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NEW BLOOD In this project I reflect on how old or forgotten tools can be renewed when we update them. I made an experimental publication using an OKI 321 Microline Plus Elite dot matrix printer. These printers were used mostly in the 70s-80s, and it was cost-effective so people valued them up to the 90s. How does it work? Dot matrix printers create characters on paper by striking an inked ribbon with a hard surface. Typically, the print head contains 9 or 24 superimposed needles. The higher the number of needles, the better the print quality. I’ve tried a lot of things with this, for example I removed the inked ribbon and used a golden paper. The needles left marks on the surface, so that’s why a convex print was created. What is also interesting that dot matrix printers are noisier than inkjet or laser ones. The project has a publication entitled FLUSH. This is an experimental publication that consists of prints created during the experiment. I used various materials to stretch the boundaries of the printer. Even without ink, a print is created, as the needles leave a mark on the surface. I emphasize that things that have been used for a long time and are well-known also leave a mark in some form.

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A design-periodical published by the Department of Media and Design at Eszterházy Károly University

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Zinező II. Newspaper

print dpd operation layout design 2019-20

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Chinese zodiac Pictograms

online illustration chinese characters 2020

Chinese zodiac signs illustrated from their own chinese characters.

鼠 (mouse)

蛇 (snake)

雞 (rooster)

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猴 (monkey)

馬 (horse)

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牛 (ox)

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龍 (dragon)

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豬 (pig)

羊 (goat)

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狗 (dog)

虎 (tiger)

兔 (rabbit)

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PANEL Exhibition

branding illustration identity 2019

Identity for an exhibition that took place at MODEM, Center for Modern and Contemporary Art.

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ARC exhibitions Competition

illustration exhibited artworks 2016-2019

Some of my illustrated artworks were exhibited for the public at ARC, Budapest, Hungary.

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A book design with full of busy illustrations about my exciting journey in Taiwan. New place, new experiences, new culture, new friends.

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I left my footprints in Taiwan

Illustrated book book design illustration 2019-20

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我在台灣留下了我的足跡

Tajvanon hagyott nyomaim I left my footprints in Taiwan I’m so glad that I had the opportunity to go to Taiwan as an exchange student for one semester, back in 2019. I did a lot of videos, photos and I was absolutely meshmerized by the country. When I went there at first I felt pressure because of the language barrier. I couldn’t understand anything but as the time passed by, I slowly started to accept the feeling. After all these messy feelings, I thought I brought my culture into another culture.

I am a hungarian with a hungarian background, experiences, friends, family but for a short time I was in Taiwan and everything happened with me quite fast and mysterious. I made new friends there, and I slowly started to understand this culture. It somehow became my second home since I went with the flow. I went to the Night Markets, I ate taiwanese food, started to learn some chinese.

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I decided to use my taken photos in Taiwan and make a book about it. I choose 5 photos and I placed 5 figures in each photo to make illustrations. I choose red color to make this book because Taiwan’s main color is also red. I wanted to express that even though we came from different cultural backgrounds, we are still the same. I used a lot of traditional hungarian signs, embroidery and brands (DRK, Tisza cipő, Matyó, Kalocsai) and put them into a taiwanese environment like a mixture.

The illustrations are detailed but if you pay attention, you can easily find the signs. After making the illustrations, I decided to put them up into a traditional Chinese style accordion book shape. I bought a book in Taiwan and it was a similar style, it told a story about Buddha. That contained just a little amount of calligraphy and the main focus was on the illustrations. These illustrations functioned like a story, and mine is also based on my story in Taiwan. I bought some supplies for making the book and I bound it by myself.

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Still life in 3D 3D illustrations experiment compositions 2019-20

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Detailed abstract still life posters were made in case of practicing different textures, shades and compositions. These posters are richly detailed with different metal, soft and plain materials.

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Slammed Slam poetry

publication poetry collection 2017

S L A M M E D .

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A slam poetry collection from hungarian writers.

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Hungarian Slam Poetry Publication The authors are Áfra János • Biró Krisztián • Izsó Zita Juhász Tibor • Lukács Flóra • Zala Eszter

S L A M M E D .

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Prizes and features 017 01

ARANYRAJZSZÖG

ARTHUNGRY PRIZE

FEATURED ON BEHANCE

EXHIBITED WORK (2017, Budapest)

SHORTLISTED WORK (2017, Budapest) The week’s artwork (11/27/2017)

ADVERTISING (07/19/2017) GRAPHIC DESIGN (08/03/2017) STUDENT SHOW (08/28/2017)

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I always try to challenge myself with different kind of styles. My logofolio shows the variety of the unique brands that I portrayed.

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Logo

Logo design different brands 2017-20

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SIPOTÉKA

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EGRI BORVÁR

TÓTH FERENC

BÓTA A U T Ó S B O LT

GARAMOND

M AG YA R F ES TÉS Z E T N APJA

SIPOTÉKA

K Ö N Y V E S B O LT

EGRI BORVÁR

TÓTH FERENC

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SIPOTÉKA

EGRI BORVÁR

K Ö N Y V E S B O LT

BÓ

AUTÓ

GARAMOND

M AG YA R F ES T ÉS Z E T N A PJA

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SIPOTÉKA

K Ö N Y V E S B O LT

EGRI BORVÁR

TÓTH FERENC

BÓTA A U T Ó S B O LT

GARAMOND

RAMOND

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NOT YOUR BUSINESS.

Finalist poster 017 01

Posterheroes 6th edition (Rights in love) Firenze, Italy

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Exhibited poster 017 01

TYPOZONE

Eger, Hungary

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A korean movie festival branding with the unique theme “Bibimbap”.

9th Korean Filmfestival branding

festival identity publication 2016

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Sugár mozi

Apolló mozi

Belvárosi mozi

Apolló mozi

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Photo: Korean Cultural Centre Source: facebook.com/koreaikultura

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Photo: Korean Cultural Centre Source: facebook.com/koreaikultura

9th Korean Film Festival - Hungary, 2016 This is the branding of the 9th Korean Film Festival. The theme was “Bibimbap” which is a traditional Korean dish. The idea of papercutting and line-drawing drove this work to the finish line.

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Concert designs Korean Cultural Centre leaflets posters typesetting 2016-

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I created different kind of classical concert leaflets, posters and designs for the Korean Cultural Centre in Budapest, Hungary.

Photo: Pályi Zsófia Source: facebook.com/koreaikultura

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Koreai Művészek Európában #2

on Sunyoon minik Plocinski fal Zolkos ga Siemenczuk riusz Prybylski

ⓒSangwook Lee

fuvolaművész szólóestje

2018. 06. 23., (szombat) 15:00 Duna Palota (Színházterem)

Photo: Hirling Bálint Source: facebook.com/koreaikultura

A belépés díjtalan. Előzetes regisztráció szükséges a hungary.korean-culture.org honlapon.

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Photo: Mudra László Source: facebook.com/koreaikultura

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Photo: Mudra László

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Source: facebook.com/koreaikultura

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Every time I look at South Korea’s buildings, I’m meshmerized of their aesthetics. I decided to create an iconset of them.

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South Korea Icons

illustration pictogram buildings 2018

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향원정 Hyangwonjeong

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광화문

경복궁

Gwanghwamun

Gyeongbokgung

서울광장

코엑스몰

Városközpont, Seoul Pláza

COEX bevásárlóközpont

국립중앙박물관

보신각

Koreai Nemzeti Múzeum

Bosingak

육삼 빌딩

엔 서울타워

63-as épület

Namsan torony

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Debreceni Tavaszi Fesztivál Festival design branding identity illustration 2017

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I created a Spring-like fresh identity for this festival design. Spring is about new life therefore I used a lot of colors to represent this renewal feeling.

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HARSÁNY Newspaper

branding typography text editing 2019

Newspaper design HARSÁNY. It was an exhibition of Russian Posters that took place at MODEM, Center for Modern and Contemporary Art.

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Illustrations

Traveling moodboard illustration details 2016-2019

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These are my detailed illustrations of different places where I’ve been.

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Label design Beverages

package design branding 2019-20

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These are my label designs for different kind of alcoholic beverages.

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BOGYÓLÉ

Villányi Zweigelt-Portugieser Újbor 2018

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Fullonum is a handmade soap brand. They pay a lot of attention for environmental awareness.

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Fullonum

Handmade soap package design branding 2019

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‘21 DIPLOMA Identity

illustration typography branding 2021

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2021 DIPLOMA at Eszterházy Károly University / Graduation identity with typography and illustrations

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BA A B BA BA

MA MA MA

EN Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?

BA BA BA BA BA BA

Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?

k szé an n T zék ig s s an De k n T és szé sig dia an De Mé n T és zék ig s s ia n d a De k Mé n T és szé sig dia De Tan Mé és zék ign s s ia n e d a D k Mé n T és szé esig dia an k Mé s D n T szé sig ia é n e d a k Mé s D n T szé sig ia é n e d a k Mé s D n T szé sig ia é n e d a k Mé s D n T szé sig ia é n e d a D k Mé n T és szé n esig dia a D é k M n T és szé n esig dia a D é M n T és zék ns esig dia a D é T M n és sig dia De Mé és dia é M

M éd és ia D Tan esign szé k

BA BA BA BA BA BA BA BA BA BAM A BA MBA A MA MA

Moz g ók épm és K űvé om m sze ti unik Moz áció g ók s Ta é pmű és K nsz vés om m ék zeti unik Moz áció g ók s Ta épm és K nsz űvé om m ék sze ti unik Moz áció g ók s Ta épm és K nsz űvé om m ék sze ti unik Moz áció g ók s Ta épm és K nsz űvé om m ék sze ti unik Moz áció g ók s Ta épm és K nsz űvé om m ék sze ti unik Moz áció g ók s Ta épm és K nsz űvé om m ék sze ti unik Moz áció g ók s Ta épm és K nsz űvé om m ék sze ti unik Moz áció g ók s Ta épm és K n ű szé vés om m k z e t unik i áció s Ta nsz ék

Képzőművészeti Tanszék

Ké pző mű Ké vé pző sze mű Ké ti T vé pző an sze mű szé Ké ti T v k pző és an z m szé eti Ké űv k pző Ta és ns zet mű Ké z ék i Ta vé pző s n zet mű szé Ké i Ta vé k pző sze ns mű Ké zé ti T vé k pző an sze mű szé Ké t i Ta vé k pző s n zet mű szé Ké i Ta vé k pző sze ns mű Ké zé ti T vé k pző an sze mű szé Ké t i Ta vé k pző s n z mű szé eti Ké vé k pző Ta sze ns mű Ké zé ti T vé k pző an sze mű szé Ké t i Ta vé k pző sze ns mű Ké zé ti T vé k pző an sze mű szé Ké ti T vé k pző a s ns zet mű Ké zé i Ta vé k pző sze ns mű zé ti T vé k an sze s z ti T ék an szé k

HU Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?

iós pác ké i gó et nik oz ész mu M űv m m Ko ék és nsz HU Ta Sed ut perspiciatis unde omnis iste

natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?

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KORAVE is a Korean restaurant and I was asked for making their identity and branding. I created a modern, fresh, cartoonish style for their brand.

KORAVE

Restaurant identity Korean restaurant branding identity 2021

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# b ib im

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# b ib im

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RAVE

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Contemporary art supporting ticket designs, illustrations for MODEM Debrecen.

Ticket

illustration abstract design 2021

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LIZIÁN Identity

florist branding packaging 2020

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LIZIÁN florist branding and identity design with packaging. csokorneked.hu

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Blues szól a másodikon is a poetry book created by Bálint Kodaj. I was responsible for the layout and illustrations. bluesszolamasodikon.com

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BOOK

Blues szól a másodikon illustration poetry book layout 2019

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NUTRI PT Branding UI illustration identity logo 2018

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Isometric illustration for NUTRI PT and a logo design.

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KOREAN PATTERN Traditional

pattern illustration 2021

Traditional Korean pattern designs from embroidery and temples.

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Illustrations

Random illustrations 2019-2020

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Catalogue DTP operation catalogue layout 2020

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SMILE :) catalogue was created for MODEM to show the student’s summer camp’s photography works.

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exhibitions 2020

ZIZI a Telepen

2019

19. ARC - Klímariadó!

2018

KÉPZŐ Diákhitel, Szerep-modell - (Won 1st place)

18. ARC - UNFAKE!

ArtBook Fair

Entrée 2018

Telep Galéria, Budapest, Hungary

Budapest, Hungary

10 09

2017

DESIGN/AIR

ARANYRAJZSZÖG

Eger, Hungary

Budapest, Hungary

TRAILER

Facebook, likes, selfies, social loneliness

16. ARC - Hol jár az eszed?

Posterheroes 6th edition (Rights in love)

03 02

2015

Budapest, Hungary

2016

Budapest, Hungary

TYPOZONE

Budapest, Hungary

08 07

Budapest, Hungary

Debrecen, Hungary

Budapest, Hungary

Firenze, Italy

01 MFG-ART - FAQ

Debrecen, Hungary

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competitions 2018

KÉPZŐ Diákhitel, Szerep-modell 1st place Budapest, Hungary

10th Poster Triennal 2018 1st round finalist Trnava, Slovak Republic

03 Poster for __ . Shortlist

2017

02 ARTHUNGRY DÍJ Shortlist

2016

Budapest, Hungary

01 Posterheroes 6th edition (Rights in love) Finalist

Firenze, Italy

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curriculum vitae education 2018-2021

Eszterházy Károly University Media and Design Department Graphic Design MA

2019

National Taiwan University of Arts 國立臺灣藝術大學 Department of Visual Communication Design Graphic Design MA

2015-2018

Eszterházy Károly University Media and Design Department Graphic Design BA

2013-2015

Medgyessy Ferenc Gymnasium Graphic Design

2009-2013

Medgyessy Ferenc Gymnasium Art class

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experience 2019-2020

National Taiwan University of Arts - Exchange studies For a semester I was an exchange student in Taiwan, Banqiao at National Taiwan University of Arts, Visual Communication Design Department Masters.

2019-

MODEM Centre for Modern and Contemporary Arts - Work I do the exhibition’s graphic designs and other works related to design.

2017

Indonesia, Yogyakarta - Workshop Institut Seni Indonesia We did an animation movie about one indonesian village’s traditional toys with thai and indonesian students. Tiszafüred - Workshop This was a professional workshop where we had to do objects that are made by hand.

2016-

Korean Cultural Centre, Budapest - Work I do graphic design works for the Korean Cultural Centre in Budapest. Idolater Magazine, Budapest - Work Graphic Designer, typesetter, magazine designer