PORTFOLIO KATHERINE HUAMÁN ROMANÍ (ENGLISH)

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T. KATHERINE HUAMÁN ROMANÍ tonnia.huaman@urp.edu.pe 941462285 PORTFOLIO

CENTRO DE CAPACITACIÓN Y EXHIBICIÓN DE ARTE DIGITAL INMERSIVO, EN EL EJE CULTURAL DEL

DISTRITO DE SAN BORJA

(IMMERSIVE DIGITAL ART TRAINING AND EXHIBITION CENTER AT THE CULTURAL CORE OF SAN BORJA DISTRICT)

LOCATION: LIMA-PERU YEAR: 2023

ARCHITECTURAL LICENSE THESIS PROJECT

This thesis is put forth in the interest of making an architectural proposal that provides simultaneous cultural, entertainment and educational experiences, thus offering the public the opportunity to experience and learn a work of art immersively using all the senses at once, utilizing the tools that contemporary technology offers to us.

Thus, it is proposed that a Training and Exhibition Center for digital immersive art is developed in the cultural axis of the San Borja district that, considering its strategic location, promotes innovation, creativity and learning in areas of art, audiovisual media, ICT, design, programming and other related fields, for both spectators and collaborators. Immersive digital art uses technological tools in its expression, providing the user with an immersive sensory experience. In other words, it offers the user the possibility of experiencing a work of art not only visually but also auditorily, tactilely, spatially, etc., simultaneously. A connection is established between the digital nature of this art and the architectural process through the High Tech concept, which incorporates parametricism in its design.

The Immersive Digital Art Training and Exhibition Center fulfills the demand for technical education and training, as well as for a cultural center, with a novel design that integrates entertainment, art and learning with the constant evolution of technology and computing.

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CONCEPT

Its form arises from a curve that continues an imaginary curve shaped by the nuclear location of cultural and educational buildings in a determinate area in the district of San Borja. Together, these buildings form a cultural backbone which benefits the whole of Lima. The project seeks to integrate into its urbanistic context not only in function but also in form, combining both under the concept of High Tech.

Through computational technology, not only digital art is created, but traditional art can also be digitized. Painting becomes an experience that can be lived in a first person perspective; the three-dimensionality of sculpture turns into Projection Mapping; music into atmospheric or background music that users hear while exploring the spaces.

The observer becomes an explorer and participant, they are able of touching projected surfaces and interacting with them or simply exploring environments where imagination is the limit.

The technological character of this setup is expressed in the computational design process, using steel structures that allow for large exposed spans, coverings, parametric furniture, and facades designed with software to mathematically define dimensions and modify them according to the project’s evolution.

LOCATION BIBLIOTECA.N.P
GRAN TEATRO NACIONAL MINISTERIO
CENTRO DE CONVENCIONES MINEDU ESTACIÓN LA CULTURA DEP.LIMA CIUDAD DE LIMA DISTRITO SAN BORJA
PROYECTO
DE CULTURA MUSEO DE LA NACIÓN BANCO DE LA NACIÓN
HIGH TECH FORM AND FUNCTION TECHNOLOGY THEME AND METHOD CURVE IMAGINARY LINE CULTURAL CORE URBANISTICALLY AWARE ART EXPERIENCED Escaleras y ascensores servicios Escaleras de evacuación Rampa vehicular Escaleras y ascensores usuario Rampas interiores Ingreso personal de servicios Ingreso principal Ingreso a bloque de Capacitación Ingresos complementarios Ingreso vehicular Service Personnel Entrance Main Entrance Entrance to Training Block Complementary Entrances Vehicle Entrance Stairs and Service Elevators Evacuation Stairs Vehicle Ramp User Stairs and Elevators Interior Ramps

SPACE PLANNING

ARCH. THEORIES

• It is an architectural style and concept that originated in the 1970s.

• It led architects to design within the requirements and needs set by the development of industrial technologies , such as new materials, mass production, machinery, etc.

• It represents an architectural expression whose aesthetics and function are a direct evidence of the technological advancements of the moment when the architectural object is constructed.

Área administrativa (Exhibiciones)

Cuarto Técnico

Evacuación

Circulación Vertical Servicios

Circulación

Área de estudio

Mediateca

Social Cuarto Técnico

Evacuación

Circulación Vertical Servicios

Circulación Vertical Público

Circulación horizontal

Área de estudio

Cafetería

Social

Evacuación

Circulación Vertical Servicios

Circulación Vertical Público

Circulación horizontal

Cuarto técnico

Área administrativa (Capacitación)

Complementarios

Social Área de exhibiciones

Evacuación

Circulación Vertical Servicios

Circulación Vertical Público

Circulación horizontal

Área de estudio

Mediateca

Social Área de exhibiciones

Evacuación

Circulación Vertical Servicios

Circulación Vertical Público

Circulación horizontal

Salas de usos múltiples

Área social Área social

Área de exhibiciones

Evacuación

Circulación Vertical Servicios

Circulación Vertical Público

Circulación Horizontal

Complementarios

Servicios

Estacionamientos

Cuarto Técnico

Circulación Vertical Servicios

Circulación Vertical Público

Evacuación

• The location as part of the identity of the architectural work in its present and future.

• Integrating the building harmoniously into its context, being consistent with the presence and urban profile imposed by its surroundings at the urban, sociocultural, and architectural levels.

• The project is located in a consolidated city, surrounded by cultural buildings, forming a curve that faces Av. Javier Prado.

• The elements involved in the design process can be understood as parameters or variables capable of being managed and modified.

• The customization of precise commands based on elements and subsystems that come together as a whole.

• This method constitutes a system that reflects an architecture seeking the organization, articulation, and meaning of functionally distinguishable components

Vertical Público Circulación horizontal Área convenciones Evacuación Circulación Vertical Servicios SÓTANO 1 ° NIVEL 2 ° NIVEL 3 ° NIVEL 4 ° NIVEL 5 ° NIVEL 6 ° NIVEL 7 ° NIVEL HIGH TECH PARAMETRIC ARCHITECTURE ARCHITECTURE AND CONTEXT
Conventions Area Evacuation Vertical Circulation Services Administrative Area (Exhibitions) Technical Room Evacuation Vertical Circulation Services Vertical Circulation for Public Horizontal Circulation Administrative Area (Training) Complementary Spaces Social Exhibition Area Evacuation Vertical Circulation Services Vertical Circulation for Public Horizontal Circulation Study Area Media Library Social Area Technical Room Evacuation Vertical Circulation Services Vertical Circulation for Public Horizontal Circulation Study Area Media Library Social Area Exhibition Area Evacuation Vertical Circulation Services Vertical Circulation for Public Horizontal Circulation Study Area Cafeteria Social Area Evacuation Vertical Circulation Services Vertical Circulation for Public Horizontal Circulation Technical Room Multipurpose Rooms Social Area Social Area Exhibition Area Evacuation Vertical Circulation Services Vertical Circulation for Public Horizontal Circulation Complementary Spaces Services Parking Spaces Technical Room Vertical Circulation Services Vertical Circulation for Public Evacuation UNDERGROUND LEVEL GROUND LEVEL SECOND FLOOR THIRD FLOOR FOURTH FLOOR FIFTH FLOOR SIXTH FLOOR SEVENTH FLOOR

TRIANGULATED TRUSS - RECTANGULAR FORMAT LAC ASTM A500 STEEL TUBES OF 100MM X 250MM

TRANSLUCENT POLYCARBONATE IQ-RELAX ENVELOPE T=8MM

TRIDIMENSIONAL TRIANGULAR GRIDRECTANGULAR FORMAT LAC ASTM A500 STEEL TUBES 100MMX250MM.

REMOTE CONTROLLED LED LIGHTING FIXTURES

TRANSLUCENT PARAMETRIC ROOFING

NATURAL SOURCE OF LIGHT

FACADE

ENVELOPING MEMBRANE

LAC ASTM A500 STEEL TUBES RECTANGULAR PROFILE 250MM X 100MM

GEODESIC STREEL STRUCTURE

DRYWALL DOME T= 0.15M R=10M.

RAMP COVER (WOODEN TRUSS STRUCTURE) LASUR FINISH

2”X8” BOARDS ASSEMBLED WITH METAL BRACKET

METAL RAMP WITH ANTI-SLIP POLYMER PODOTACTILE FLOOR

10MM ANTI-SLIP LAMINATED WALKABLE GLASS SHEETS

50MM THICK BLACK GLASS WOOL ACOUSTIC INSULATION SONOGLAS CINE

GEODESIC DOME 360° PROJECTION

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TRANSPARENT MULTI-CELL POLYCARBONATE HONEYCOMB E=16MM

TRIANGULATED TRUSS - RECTANGULAR

PROFILE LAC ASTM A500 STEEL TUBES 50MM X 100MM

LAC ASTM A500 STEEL TUBES - CIRCULAR PROFILE 3’’

AIR CURTAIN

TECHNICAL EMERGENCY EXIT. DOOR EQUIPPED WITH 54DB ACOUSTIC INSULATION

SOUNDPROOFING SPATIAL BUFFER

DRYWALL PARTITIONS T=10CM

LIGHT GREY VINYL FLOORING CONDITIONED FOR INTERACTIVITY

SONOGLAS CINE BLACK GLASS WOOL ACOUSTIC INSULATION THICKNESS: 50MM

DOUBLE DRYWALL WALL SYSTEM T=30CM

STEEL GRATING FLOORING SYSTEM

CURVED TRIANGULAR GRID - GALVANIZED ASTM A500 STEEL TUBES RECTANGULAR PROFILE 50MMX150MM.

CURVED METAL I PROFILE-BEAMS 30CM X 85CM

EXHIBITION ROOMS

IMMERSIVE DIGITAL EXPERIENCE

CUSTOM FURNITURE

PARAMETRIC DESIGN

MAIN ENTRANCE

SMOOTH TRANSITION

GALVANIZED STEEL TUBES ASTM A500 SQUARE PROFILE 50MMX50MM

TRIDIMENSIONAL TRIANGULATED NODE STRUCTURE MAX HEIGHT=5.00M

TRANSLUCENT SMOOTH SOLID POLYCARBONATE T=8MM

LAC ASTM A500 STEEL TUBES RECTANGULAR FORMAT 250MMX100MM

GALVANIZED ASTM A500 STEEL TRUSS RECTANGULAR FORMAT 25MMX50MM

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Ø
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EDUCATIONAL AREA HALL ACCESS RAMP TO SPHERICAL
RAMP CIRCUIT CAFETERIA COMPUTERIZED CLASSROOM
SPHERICAL EXHIBITION ROOM
ROOM

SALA DE EXHIBICIÓN ESFÉRICA

Servicios

Estacionamientos

Cuarto Técnico

Circulación Vertical Servicios

Circulación Vertical Público

Evacuación

MULTIPURPOSE ROOM

Salas de usos múltiples Área social

Área social

Área de exhibiciones

Evacuación

Circulación Vertical Servicios

Circulación Vertical Público

Circulación Horizontal Complementarios

TECHNICAL ROOM

Área de estudio

Cafetería Social

Evacuación

Circulación Vertical Servicios

Circulación Vertical Público

Cuarto técnico

9 PAGE UNDERGROUND LEVEL GROUND FLOOR
SECOND/FOURTH FLOOR
T. KATHERINE HUAMÁN ROMANÍ

EXHIBITION ROOM

Área de estudio

Mediateca

Social Área de exhibiciones

Evacuación

Circulación Vertical Servicios

Circulación Vertical Público

FLOOR SIXTH/SEVENTH FLOOR
THIRD/FIFTH

CENTRO DE CAPACITACIÓN Y EXHIBICIÓN DE MODELING:

• REVIT

• RHINOCEROS + GRASSHOPPER

RENDER + POST. PROD:

• LUMION 11.5

• PHOTOSHOP

UNDERGROUND LVL 1/100 GROUND LEVEL 1/100 SECOND FLOOR ESC 1/100 12 PAGE T. KATHERINE HUAMÁN ROMANÍ
13 PAGE ARTE DIGITAL INMERSIVO

URP CAMPUS OF THE FUTURE

8TH SEMESTER DESIGN PROJECT

PROFESSOR: ARCH. SIMONE CENSI

LOCATION: LIMA-PERU

YEAR: 2019

8TH SEMESTER DESIGN PROJECT

Mixed-use building with access for both the public and students; featuring areas for socializing, dining, classrooms, and openuse offices, as well as spaces for students looking to establish their own businesses.

The project is located on the campus of the future, and is part of an architectural master plan that seeks to coexist with nature. The inspiration for the tree-like structures comes from concepts like Arata Isozaki’s “The City in the Air,” an architect from the Japanese Metabolism movement.

To support parts of the volume in the air, a tree-like steel structure is used, resembling the trees that form the new campus. By elevating the building above ground level, the presence of parks, gardens, and public spaces is encouraged, fostering social interaction among users and a free flow towards the campus.

The project counts with green roofing, as well as the creation of terraces that connect different levels externally. Being situated in front of the educational buildings, it provides a comfortable and nearby space for students to gather, eat, and collaborate as a team.

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ORGÁNICA
MIXED USE BUILDING ORGÁNICA MODELING: • SKETCHUP • ARCHICAD RENDER + POST. PROD: • LUMION 8 • PHOTOSHOP
City in the air- Arata Isozaki
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AV.BENAVIDES

CONCEPT

AV.CAMINOSDELINCA

HEXAGONAL PLAN GRID

INTERIOR EXTERIOR

OPEN FLOOR PLAN

Tree-like steel structure, resembling the trees that make up the nature surrounding new campus.

TREE-LIKE STRUCTURE

Circulación vertical usuario Circulación vertical servicios

The building is inspired by nature to coexist and become a part of it, making it organic in its design.

JAPANESE METABOLISM

The green roofs in public spaces and terraces blend together; meanwhile, the trees are encompassed by the building.n

PLACAS

Plates

Triangulated Hexagonal Structural Mesh Span of 12m Material: Steel

DEP.LIMA CIUDAD LIMA DISTRITO SURCO
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LOCATION

THE BUILDING’S GEOMETRY CREATES OPEN AIR COURTYARDS THAT ALLOW THE INCLUSION OF PLANTING AS AN INTEGRAL PART OF THE BUILDING.

EIGHT FLOOR

SEVENTH FLOOR

SIXTH FLOOR

FIFTH FLOOR

FOURTH FLOOR

BRIDGE

COBERTURA

THIRD FLOOR

SECOND FLOOR

MEZZANINE

ENREDADERAS

GROUND FLOOR

STABILITY

GRAY COLOR

PALETTE

WOOD PANELLING, PAINT, STONE (OFFICES)

CREATIVITY, WARM COLORS (COWORKING OFFICES)

PLANTING, TREES IN PUBLIC AREAS

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HUAMÁN ROMANÍ SECTIONS AXONOMETRÍA
LA DE LA FACHADA ES DE MADERA PARA FUSIONARSE CON LA VEGETACIÓN. TECHO VERDE
GROUND FLOOR 1/200 SECOND FLOOR 1/200 FOURTH FLOOR 1/200
FLOOR 1/200 18 PAGE T. KATHERINE HUAMÁN
FIFTH
ROMANÍ
LOBBY BRIDGE
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LOBBY BRIDGE AMPHITHEATER LOUNGE

ARCHITECTURAL MODELING AND VISUALIZATION: PARAMETRIC STRUCTURES

LOCATION: LIMA-PERU

YEAR: 2020

RHINOCEROS + GRASSHOPPER +LUMION + PHOTOSHOP

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DAYLIGHT EXTERIOR VIEW 1 DAYLIGHT EXTERIOR VIEW 2 21 PAGE T. KATHERINE HUAMÁN ROMANÍ

ARCHITECTURAL MODELING AND VISUALIZATION: GAS STATION

LOCATION: LIMA-PERU

YEAR: 2020

RHINOCEROS + LUMION + PHOTOSHOP

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23 PAGE

ARCHITECTURAL MODELING AND VISUALIZATION: PARAMETRIC STRUCTURES

LOCATION: LIMA-PERU

YEAR: 2020

RHINOCEROS + GRASSHOPPER +LUMION + PHOTOSHOP

24 PAGE T. KATHERINE HUAMÁN ROMANÍ
TORSO
25 PAGE LILAS PAVILION PUBLIC PLAZA

ARCHITECTURAL MODELING AND VISUALIZATION: PARAMETRIC STRUCTURES

LOCATION: LIMA-PERU

YEAR: 2020

RHINOCEROS + KEYSHOT + PHOTOSHOP

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27 PAGE T. KATHERINE HUAMÁN ROMANÍ

ARCHITECTURAL MODELING AND VISUALIZATION : APARTMENT

LOCATION: LIMA-PERU

YEAR: 2021

3DS MAX + VRAY+ PHOTOSHOP

28 PAGE T. KATHERINE HUAMÁN ROMANÍ
VIEW
TOP
29 PAGE T. KATHERINE HUAMÁN ROMANÍ
DAYLIGHT INTERIOR VIEW - BEDROOM DAYLIGHT INTERIOR VIEW - KITCHEN

ARCHITECTURAL MODELING AND VISUALIZATION: LIVING ROOM.

LOCATION: LIMA-PERU

YEAR: 2021

3DS MAX + VRAY+ PHOTOSHOP

30 PAGE T. KATHERINE HUAMÁN ROMANÍ
DAYLIGHT INTERIOR VIEW - LIVING ROOM
31 PAGE T. KATHERINE HUAMÁN ROMANÍ
NIGHT LIGHT EXTERIOR VIEW - SWIMMING POOL

ARCHITECTURAL MODELING AND VISUALIZATION: COUNTRYSIDE HOME

LOCATION: LIMA-PERU

YEAR: 2021

SKETCHUP + VRAY NEXT + PHOTOSHOP

32 PAGE T. KATHERINE HUAMÁN ROMANÍ
NIGHT TIME EXTERIOR VIEW
DAYLIGHT INTERIOR VIEW - BEDROOM NIGHT TIME INTERIOR VIEW - LIVING ROOM 33 PAGE T. KATHERINE HUAMÁN ROMANÍ

ARCHITECTURAL MODELING AND VISUALIZATION: COUNTRYSIDE HOME

LOCATION: LIMA-PERU

YEAR: 2021

SKETCHUP + LUMION + PHOTOSHOP

34 PAGE T. KATHERINE HUAMÁN ROMANÍ
DAYLIGHT INTERIOR VIEW - LIVING ROOM
DAYLIGHT EXTERIOR VIEW DAYLIGHT INTERIOR VIEW - DINING ROOM 35 PAGE T. KATHERINE HUAMÁN ROMANÍ

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PORTFOLIO KATHERINE HUAMÁN ROMANÍ (ENGLISH) by Katherine Huamán Romani - Issuu