Katherine Barringer | Portfolio 2025

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Student Design Portfolio

2020-2024

Katherine Barringer

01|The Savannah Theater

The theater in Telfair Square draws inspiration from Savannah’s historically planned squares, iconic trees, and deep appreciation for the arts. It serves as a versatile hub for both performances and educational activities within the realm of the performing arts. The guiding principle of this design hinges on the interplay of layered surfaces with varying opacities, achieved through elements such as perforated walls, visual alignment, glass features, curtains, and staircases.

Conceptual Site Map
Lobby Perspective at Entryway
Professor John Maze
Exterior Perspective from Telfair Square

The theater’s architectural intent is to mirror the captivating dynamics of a stage performance. It raises intriguing questions about how architecture can simultaneously conceal and unveil, direct the audience’s focus, and craft an illusion that masks the controlled chaos lurking backstage.

Physical Model
University
Professor John Maze
Professor John Maze

Known as a “ghost light,” this backstage light carries cultural importance for historic theaters. It is a tradition rooted in suspicion, where a single light is left perpetually lit to serve as a guide for any lingering spirits.

Auditorium Perspective from Backstage
Physical Model
Professor John Maze

02|Confluence Commons

Situated on Cleveland Avenue in Washington, D.C., this project aims to disrupt the currently stagnant state of Woodley Park, and instead utilize both current and proposed zoning to strategically shape an emerging neighborhood.

This function of a rowhome is redefined by introducing non-residential use, pushing the emerging relationship of residential and commercial spaces. The ground floor is publicly accessible with access to a grocery store and cafe. The public space creates an access point to the surrounding neighborhood, breaking the hard edge that currently separates the activities of Connecticut Avenue from the surrounding Woodley Park historic homes.

Site Axonometric

Professor Esther
Lorenz

Understanding the Neighborhood

Despite the mixed-use zoning designation of Woodley Park, the identity of the neighborhood remains predominantly defined by its residential qualities. The restaurants and commercial amenities have high turnover rates, and the buildings that house them are limited to low rise buildings on a single city block. This is a missed opportunity for the city, considering Woodley Park’s proximity to the lively downtown district and the direct intersection of Connecticut Avenue, a critical and historic boulevard.

The intention of all proposed interventions is to provide useful services to their residents, making this site an identifiable collection of civil resources.

Commercial Footprint
Pedestrians
Rooftop Map
Professor Esther Lorenz
Professor Esther Lorenz
Site Model
Exterior Perspective | Connecticut Ave.
Historic Building
Public Program Diagram
Professor
Esther Lorenz
Residential Access Business & Office Grocery Cafe

Circulation Perspective | Bridge Corridors

Lorenz

Physical Model

Professor Esther Lorenz
Two Story Studio Communal Living
One Bedrooms
Professor
Esther Lorenz

03|Pace Gallery

Group Project with Olivier Benghiat

The headquarters of Pace Gallery Inc. in Midtown Manhattan embodies a deliberate community, and urban dynamics. Reflecting the diverse and vibrant spirit of New incorporates a commitment to inclusivity and empowerment. An intentional transition city into a more serene environment creates an immersive experience, inviting visitors with the art on display while also fostering connections between artists, curators,

deliberate fusion of art, New York City, the design transition from the energetic visitors to engage deeply curators, and observers.

University of Florida
Professor
Judi Shade Monk
Floor

While the public areas focus on facilitating interaction, the curation spaces behind the scenes, though not accessible to visitors, play a pivotal role in inspiring and supporting the gallery’s functionality. Together, this design approach mirrors the spontaneous mingling of diverse perspectives, aligning with Pace Gallery’s vision of engaging art through a holistic lens.

Lobby Perspective University
Professor
Judi Shade Monk

Drawing

Elevation
Professor
Judi Shade Monk

Axonometric Diagram

Exterior Perspective

An emphasis on strengthening relationships within the art realm is central to the design. As visitors navigate through the galleries, glimpses into studios and interactive spaces facilitate a direct connection between the creative process, artists, and guests. These intentional intersections encourage dialogue and learning, enriching the appreciation of art.

Atmospheric Exploration
University
Professor
Judi Shade Monk

Studio Perspective

Gallery Perspective

Sculpture
Professor
Judi Shade Monk

04|Tower

The narrative of this project draws its inspiration from the symbolic towers described in the novel “1984,” aiming to convey similar themes of dystopian irony. This project entails the preservation of a historic drop tower, conceived as a monument to honor the past use of a bullet factory and to symbolize the cessation of weaponry production, thereby serving as a compelling visual metaphor for the end of war.

Within the tower, the staircase and the rooms surrounding the drop shaft feature glass walls that offer a clear view of the bullets as they descend, creating a mesmerizing illusion akin to falling raindrops. This serene representation of lethal weapons serves to divert the attention of the inhabitants, concealing the stark reality that bullets are still being manufactured.

The interplay of transparent and opaque materials is a central element in the design, resulting in various lighting effects across different spaces within the structure. These effects are carefully curated to foster a tranquil ambiance while simultaneously crafting deliberate openings and edges that either reveal, camouflage, or frame moments within the architectural composition.

Professor Mark McGlothlin
Professor Mark McGlothlin

05|Sweetwater Diving Facility

Elevated Perspective from Diving Board

Facility

This project is rooted in the concept of a “social circus,” a place designed for individuals to cultivate unique skills for personal and community development, focusing on habit-building or rehabilitation rather than professional competition. This facility in Gainesville, FL is dedicated to teaching diving specifically to local youth. It was created to celebrate the existing site using a roof design that unifies the exterior shell and the overhead structure into a cohesive whole. This integration results in a visual framework that frames elements of the surrounding landscape and intentionally directs visitors’ experiences to specific qualities both visually and spatially.

Site Map

Professor Nina Hofer

The facility’s design draws inspiration from the surrounding landscape of Sweetwater Wetlands Park. The visual perspective from the observation areas and diving boards create the illusion that the diving pools seamlessly blend into the site’s natural ponds, effectively honoring the water element that serves both the site’s ecosystem and the diving facility’s purposes.

Section Drawing 02

Exterior Perspective
University
Professor Nina Hofer

Plan of Diving Facility and Dining Area

This facility provides a recreational environment featuring both indoor diving pools. Additionally, there are viewing areas for family and friends performances and practices and a modest dining area, locker rooms, and spaces for athletes who perform or spend extended hours training.

and outdoor friends to watch and conditioning

1. Food Service
2. Dining Prep.
3. Dining Platform
4. Locker Rooms
5. Outdoor Diving Pool
6. Practice Floors
7. Interior Diving Pool
8. Elevated Viewing
Professor Nina Hofer

Section of Dining Area

Concept Sketch

Dining Area Perspective

The intention of this observation space. and transparency, lighting effects, staircases, scales, enabling individuals

this project is to integrate elements from Florida’s natural landscape into the design of an space. The thresholds and boundaries within this space are intentionally diverse in size, orientation, transparency, mirroring the unpredictabilities of nature that influence one’s immersion within it. The interplay of staircases, and materials within the space captures the essence of the environment across various individuals to interact comfortably with the surrounding nature at every moment.

Perspective from Outdoor Diving Pool
Professor Nina Hofer
Nina Hofer

My design process frequently begins with sketching, material studies, site mappings, color investigations, or watercolor paintings. All of which seek inspiration and research the atmospheric qualities that could potentially guide the project.

Professor Nina Hofer

06|Astronomy Research Center

Center

This project is an astronomy research center designed to include a diverse range of spaces, each tailored for the collection and analysis of data. Its design responds to the specific ground conditions presented by the designated site on the University of Florida’s campus. The planning of this facility correlates the nature of discovery with the ground condition, for example, more intimate and private spaces are designed into the natural terrain, creating an atmosphere that fosters contemplation and immersion in research. In contrast, the strategically positioned libraries and communal gathering spaces overlook and engage with the landscape for moments of inspiration and enlightenment.

Professor Mark McGlothlin

Drafted Plan Drawings

Drafted Section Drawings

This project is a comprehensive knowledge can be discovered, a direct correlation to the capacity facilitate intimate connections in program encompasses a wide range an outdoor observation deck equipped

comprehensive exploration of programmatic harmony, and is guided by a fundamental principle that evolved, and persevered. The spatial hierarchy is carefully structured within the design as capacity for sharing and discovering knowledge within a space. Some spaces are designed to in smaller, more private offices, while others are optimized for collaborative teamwork. The range of spaces, including libraries, offices, laboratories, and classrooms, supplemented by equipped with telescopes that can be rolled out for research purposes.

University
Professor Mark McGlothlin

University of Florida 2024

University of Virginia 2026

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