Portfolio borodai karina 2017

PORTFOLIO This portfolio presents the research and design proposals of the studio course offered between 2013-2017 academic year. Its three-part structure reflects my academic parcour. Part one, «school project», present my school work selection. Part two, «competition», documents on my competitions works. And part three, «internship», illustrates my experiances as an intern.

KKAA

Ishigami

october 2017

PORTFOLIO Karina Borodaï EPFL ARCHITECT

+41 (0) 78 657 16 19 . karina.borodai@hotmail.fr

SUMM A RY

4

cv

06

La Petite Ceinture en Folly Museum Park in an old railway

10

Treillis-d’Union EPFL Super Structure reconstruction

20

Water House Energy Water industry in porto Marghera 中村公園

Roof-line into the Nature

Preservation of historical buildings 緑のライン

school projects

28

36

Pedestrian green line

Rethinking the superblock in Japan

42

Origamie music high school Area betwen two different destrict

Part of it all - CIO

48

won

CIO memorial object

56

won

Project 24

Light project to put on light the art work

60

Water house saison changing competition

Asian competition kenchiku

The natureal visual limite Competition designboom «Asian award»

KKAA

Ishigami

internship

64

68

Kengo Kuma, Paris & Tokyo internship work

74

Junya Ishigami, Tokyo Guggenheim Helsinki competition

78

Malka architect, Paris internship work

5

82

HELLO, I AM KARINA AND THIS IS M RESUME.

6

PERSONAL DETAILS Karina Borodaï +41 (0)78 657 16 19

MY

karina.borodai@hotmail.fr https://goo.gl/Za3H2j

PREVIOUS EDUCATION 2017 École Polytechnique Fédérale of Lausanne, Switzerland MArch / Studio GUGGER Harry

2013 - 2014 Nagoya University Graduate school of Environment, Japan Master1 / Studio KATAGI Atsushi, Nishizawa Y. , Hotta Y. , Suzuki C.

2011 - 2013 Ecole N. Supérieure d’Architecture Paris-Val de Seine, France License / Studio LAROCHE Rigaudeaux, ALTER Michel 2008 - 2011

Autograf Private school of art and design, France BTS of Space Design - preparatory class of art

SKILLS SETS

2008

BAC Engineering Science section, France

WORK EXPERIENCE

AutoCad

Photoshop

Rhinoceros

Vectorworks

Indesign

Grasshopper

Archicad

Illustrator

3DS max

QGIS

SketchUp

Artlantis

2017 Comité International Olympique Switzerland h

Design and realisation object, colab. CIO & EST-CO EPFL Freelance

2016 Project 24 - light installation Switzerland h

Design and realisation light instalation colab. & LIPID EPFL project EPFL

2015 Kengo Kuma & Associates Europe Paris Design and production 1/1 scale models.

10 months Internship

h

EXTRA SKILLS

2014 Junya Ishigami & Associates Tokyo

Russian French English Ukrainian Spanish Japanese

h

Design for Guggenheim Helsinki competition 3 months Internship

2014 Kengo Kuma & Associates Tokyo h

Design and developement project proposition.

3 months Internship

Mother Bilingual Fluent Fluent Basic Beginner-level

h

7

BestOf 2017, Architectural Student Competition, projet primé, ‘‘The littel belt’’ ,Paris, studio HarryGugger

SCHOOL P R O JECTS PROJECS FROM: P A R I S / J A P A N / SWITZERLAND

8

La Petite Ceinture en Folly Museum Park in an old railway

SWITZERLAND

10

Treillis-d’Union EPFL Super Structure reconstruction

20

Water House Energy Water industry in porto Marghera

中村公園

J A PA N

Roof-line into the Nature

Preservation of historical buildings 緑のライン

36

Pedestrian green line

Rethinking the superblock in Japan

PA R I S

28

42

Origamie music high school Area betwen two different destrict

9

48

faรงade

La Petite Ceinture en Folly 01

Museum Park in an old railway year

2ndsemester 2016.17

place

EPFL, Switzerland

Paris 2030, Sai, professor of Visual Art and her pupil Jack.

SAI Did you go to 'The littel belt' recently?

JACK What is it?

SAI It’s an old Railroads, which use to go around Paris city. Closed in1985, it's became today a 'Museum Park'.

JACK How can I reach it?

SAI A new project, created multipal accesses, on the crossing points of the Paris main roads and ‘The littel belt‘.

'Fabrique' 1, as they call them, gives the access and activate the green walk of 32 km. Furthermore, they also represent Arts declinations, in six landmarks.

JACK What can I do there?

SAI You can experience 3 declinations of Arts.

The first one is ‘The Alive Performing Art’.This is a place of representation, you will attend to an alive theater.

Then, ‘The Sound Art‘ is a place of sound experience.You will travel to the sound engineer system.

Finaly ‘The Pictural Art’ is a place of exhibition, where you will see the beauty of art.

JACK Swag let’s go!

11

THEORETICAL STATEMENT / E.T. museum-park

E.T. - MUSEUM PARK 1951

1987

1992

2017

Middelheim

Hombroich

Naoshima

La Petite Ceinture

Belgique

Allemagne

Japan

Paris

The project originates from reflections and conclusions drawn of a theoretical statement.

With a view to an architectural proposal serving the wastelands, the study phase focused on understanding of the museum park and their function. Thus, research have made it clear that the museum park must be ablerespond in the first place to their composition of the course through the pieces of art, their insertion, and finally their scale. In addition, observations that the existing museum park is very far from the city.

Paris, densse city, had some wasteland, like the small belt that crosses several districts of the city. Each neighborhood is composed of several structures all styles diferant.

Thus, the architectural proposal made the radical choice to offer a walk and open sky museum, open to residents and artists, in order to promote a mix in the city.

12

13

12

G

75017

Musée National GUSTAVE MOREAU

Arc de Triomphe

Musée de l'orangerie Grand Palais

Musée du Louvre

Musée de L'Armée

A

75015

Panthéon

Performing Arts musée Zadkine

B

75014

Sound Arts C

75013

Language Arts

3

2

1

6 4

14

INT ER S

The museum park is a new hybrid set, made to accommodate the art out of the museum. It is a perfectly balanced balance between the sculpture park and the museum.

S ON TI EC

Garden art historians say that landscaped gardens tell a story because they are composed by a seccession of scenes. These scenes are organized around «Fabrique», small buildings whose term was borrowed from the landscape painters.Factory «designates all construction or ruins scattered in theprojet: garden, which punctuate the course of the one who visits A it.

75019 F Visual Arts 11

75015

place:

This 32 km long prothém: du ject is located ''Arts around the Little Belt Spectacle *, forming a circle around Paris.

Vivant'' Accessibility is at the heart site:of the project. This project gives access to the C.C. * through the «Fabriques» representing the 6 declensions of the practice of arts, staging 5 different courses.

10

E

75020

‘’Les Fabriques de la Petite Ceinture e projet:

INT ER S

NS TIO EC

Selected Sites /B Paris 75014 ‘’Les Fabriques place: de la Petite Ceinture en Folly’’ monument extramuros h

INT ER S

NS TIO EC

‘’Les Fabriques de la Petite Ceinture en Fo ‘’Les Fabriques de la Petite Ceinture en Folly’’

NS TIO EC

INT ER S

INT ER S

Space Arts

NS TIO EC

thém:

monument extramuros monument intramuros

''Arts du Son'' monument extramuros

monument intramuros Petite Ceinture

monument intramuros

Place de la Bastille

Bd. Periferique monumentPetite extramuros Ceinture

D Place de la Nation

Petite Ceinture

monument intramuros

projet: projet: place: place: thém: thém:

site:

places Bd. Periferique

site:

75012

Everyday Arts

places

site rajouté

Petite Ceinture

projet: place:

thém: site:

Aprojet: 75015 75015 A place: ''Arts du

A

thém: Spectacle ''Arts du A 75015 Vivant'' Spectacle Vivant'' ''Arts du

Bd. Periferique site rajouté

site selectioné site rajouté

l'eau

l'eau

la vegetation

la vegetation

la vegetation

l'eau

1. Observatoire de Paris la vegetation 2. Musée National de Rodin de Paris 1. Observatoire 1. Observatoire deExpo-porte Paris 3. Paris Versailles 2. MuséedeNational de Rodin 2. Musée 4.

National de Rodin 3. Paris Expo-porte cimetière parisien de Baneux de Versailles

3. Paris Expo-porte 4.Versailles cimetière parisien de Baneux 5. Chateauxdede Sceaux

1. Observatoire de Paris

5

projet:

5. Baneux Chateaux de Sceaux 4. cimetière parisien de de Sceaux 2. Musée National6.de Chateaux Rodin 6. Chateaux de Sceaux 5. Chateaux de Sceauxde 7. de Chateaux 3. Paris Expo-porte Versailles Vincennes 7. Chateaux de Vincennes 6.

Chateaux de Sceaux 8. Parc Floral 4. cimetière parisien de Baneux 8. Parc Floral 7. Chateaux de Vincennes 5. Chateaux de Sceaux 9. Hippodrome de Vincennes 9. Hippodrome de Vincennes 8. Parc Floral 6. Chateaux de Sceaux 10. La Villette10. La Villette 7. Chateaux de Vincennes 9. Hippodrome de Vincennes 11. Fort d’Aubervilliers 11. Fort d’Aubervilliers 8. Parc10.

Floral La Villette 12. Stade de France 12. Stade de France 9. Hippodrome Vincennes 11. Fortded’Aubervilliers 13. La defense 13. La defense 10. La Villette

5

F

place:

5

thém:

place:

thém: thém: site: site: site:

''Arts Visuels ''

11. Fort d’Aubervilliers

13. La defense

12. Stade de France

projet:

Bplace:75014

13. La defense

B

75014

75014 ''Arts du Son'' B 75014 ''Arts du Son'' ''Arts du Son'' ''Arts du Son'' thém:

site:

A

site: A

A A B C D

B C

B

C

B

C D

C

D

B

B

B

D E

C

2.5 km D

3.7 km

E

4.2 km

E

D

3.7 kmE

4.2 km

E

4.2 km

200 200

8

8

projet:

15

400

200

2.5 km D

3.7 km

E

4.2 km

2.9 km

F

2.9 km 2.9 km

F 2.9 km

F

2.5 km

2.5 kmD

F

E

2.8 km

2.8 km

3.7 km

200

7

B C

2.8 km

2.8 km

C

E

7

7

75019

12. Stade de France

9

projet: projet: place: projet: B place: thém:

site selectioné

l'eau

site selectioné

site: 5

site rajouté

site selectioné

places

75015

''Arts du 7 Spectacle Vivant'' 8

Spectacle site: Vivant''

Bd. Periferique

places

400

400 2000

400

2000

SECTION

16

‘ALIVE PERFORMING ART’

AXO

MODEL

h

A ‘Hang Theater’ made out of wooden structure, creates a masterful staircase and Stage.

The visitors can use this ‘Fabrique’ as an access to the small belt or they can just sit inside and look at the performance.

While crossing the city, this ‘Fabrique’ is located just next to the Porte de Versaille, exhibition park.

This ‘Fabrique’ is dedicated to ‘The Alive Performing Art’ meaning, dance,the art of the circus and theater.

17

‘SOUND ART’

AXO

FAÇADE

h

This ‘Fabrique’ in the 14th borough, is in front of an old ‘Mon Rouge’ Station. The idea is to bring the visitors of the ‘The littel belt ‘ within presence of the sound experiance, thanks to a moment of sound creation.

Using the conic concrete structure, the visitors will experiance of a new city’s sounds.

The first cone is made out of concrete, covered by a micro holes plates, giving to this place an absorbed sound.

The second one is totaly made out of concrete, that create a sound refraction, and make an diffracted sound.

18

SECTION

19

'VISUAL ART'

This «Fabrique», not far from the park de la Villette represent «The Visual Arts». This arts is represented by painting, sculpture, photography and cinema. The idea is to expose art on this monumental wall, guiding the visitors to the «Petite Ceinture». The old station is also transformed into an art gallery. Accessible by that crawl which brings the the visitors to the walk inside the Museum Park and the observation of the art wall.

What a better way to finish your day in a world filled with art, disconnect from the daily stress.

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Axo

21

utopi

EPFL

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Treillis-d’Union 02

EPFL Super Structure reconstruction year

1ndsemester 2016.17

place

EPFL, Switzerland

Paola Viganò, Chiara Cavalieri, Alice Chénais, Qinyi Zhang avec Kelissa Cartier, Coralie Comte, Laure Friès, Mike Lopes Louise Nicolas, Capucine Previtali, Juliette Vautey

The essence of the project is to rethink the future of education in the face of the extreme development of MOOCs and a hyper-connected educational network. Online courses are developing today in schools around the world and tend to imagine a privileged way to teach and learn in the campus of the future. Thus, students will be able to take the courses of their choice in any university. But in this project utopia, the notion of school as we understand it today is called into question and gives way to a new «Swiss University».

If the MOOCs allow students to study from home, this leaves the question of the future of the infrastructures of the different universities. Thus, the project proposes to concretely confront this utopia with the site of the Ecole Polytechnique Fédérale de Lausanne and to imagine it as the new central place for the exchange of knowledge and connected to different satellites distributed throughout the Swiss territory.

The project requalifies the superstructure of origin in major axis of the campus to make a physical and visual connector from EPFL to UNIL. This hyphen thus makes it possible to create a campus on a large scale and no longer two neighboring entities. This artery becomes the new «Student Center» and functions as an attractive public street. It represents the symbolic showcase of education and exchange between students.

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Espace rĂŠutilisable 28%

28 % reused space

CONCRETE UTOPIA By entering the phase of concrete utopia, the project had to confront the EPFL site and its constraints. The idea was to identify the different spaces on the existing campus by classifying them into two categories. The first is the one called "reusable spaces" and represents the spaces that have become obsolete following the development of the MOOC. It includes rooms such as classrooms, auditoriums, offices and conference rooms. The second is "conserved spaces" and groups together the different spaces considered necessary despite the change of teaching implemented in the new EPFL campus. Labs, cafeterias, workshops and shops can be named

esplanade EPFL

UNIL Esplanade UNIL

UNIL Végétal Diffus

EPFL

UNIL

EPFL Minéral Dense

UNIL 14’189 étudiants 17’343 Total

Esplanade EPFL

EPFL

EPFL 10’124 étudiants 13'834 Total

esplanade UNIL

R+3 R+2 R+1 RDC

25

26

27

Common rooms

Plugged

Common rooms

wickets

SAT 2.0

Academic Service

Flexible use

Plugged

Association Offices

SAT 2.0

Plugged

E

IN SI D

n

L PF eE c n tra

E

EM ST Y S

E

28

EX IL UN IL

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Porto Marghera

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Water House Energy 03

water industry . porto Marghera . Venice year

2ndsemester 2015.16

place

EPFL, Switzerland

The location of this project in Porto Margera is important because this is one of the places that create the current disconnection between Venetians and the water. For decades during the 20th century, the industrial activity in Porto Marghera heavily polluted the lagoon. At the same time, however, this place also hosted Venice's most recent economic boom. The surviving structures, the industrial ruins, have value not only as a manifestation of collective memory, but also as a site with significant architectural potential.

The project presented here is perceived not as an answer to all of the lagoon's pollution problems, but rather as a symbolic and exemplary project that could be reproduced in other locations while becoming part of a water depollution system across the lagoon. The project proposes the symbiosis of two contrasting programmes that are nonetheless linked to a common theme: Water.

First, a thermal bath complex would be a good programme to introduce, for it would foster a closer relationship between the Venetians and the waters that surround them day in and day out.Second, the programme of a water treatment plant that exploits the growth of seaweed would create a connection to the chosen site and make the project socially, ecologically and economically relevant.

31

99 master plan

- Porto M.

32

I work on the publication of the 'Venice Lessons' book with the LABA team.

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algae industry

thermal bath

1 entrance and exit 2 make-up room 3 changing room 4 lookers 5 showers 6 wcs 7 fire bath 42°C 8 cold bath 14°C 9 flower bath 30°C 10 sound bath 30°C 11 inside bath 30°C 12 outside bath w.36°C/s.30°C

13 outdoor patio/rest space 14 waiting area 15 massage room 16 rest area 17 physiotherapy 18 drinking water 19 orthopaedic beds 20 wcs 21 sweat stone spa 22 cafeteria 23 outdoor terrace

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

1

+1.50

+0.00

2 a

A

B

b c

d

C

D

001

002

001

002

003

004

003

004

005

006

005

006

007

008

007

008

E

F

G

H

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J

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K

L

M

N

O

P

Q

R

S

T

U

4

4

4

35

1,7

According to the system proposed in the project, water is fed into a system of transparent pipes directly from the lagoon. The pipes contain the cultivated algae. Being exposed to the sunlight, the algae begins to grow, cleaning the polluted water running through the system in the process. At the end of this process, clean water exit the system and can be used for the termal baths.

36

algae

CO2

algae

algae

algae

h

cultivated algae system

CO2

energy

energy clean water

clean water

Porto Marghera

polluted water

electricity heat

polluted water

lagoon’s eutrophication

lagoon’s eutrophication

textil skin

new structure

policarbonate skin

structure

existing structure

concrete stage

37

electricity thermal heat

bath

thermal bath

Construction decomposition

+

ction decomposition

+

roof

=

horizontal lines

vertical lines

roof

horizontal lines

vertical lines

cross bims

grid system

+

cross bims

=

+ +

+ columns

columns

grid

grid

roof

0.10m

longitudinal bims

0.10m

longitudinal bims

0.2m

columns

columns

3m

glass volum

glass volum 0.1 m

0.1 m

structure

中村公園 04

Roof-line into the Nature

Preservation of historical buildings year

2nd semester 2013.14

place

Nagoya University , JAPAN

This project start on an old traditional Japanise site. This site, used to be an shrine and an gesthouse for the royalty. All this japanese constructions, was made in the 17s area in Nagoya.

My vision, for this site, was to preserve the traditional Japanese buldings and link the differants areas by Green Spaces and one Roof-line. The New project will take shape out of the fluent harmonization between existing architecture and natural environement. I wanted my architecture to be the kind of place were people could come and feel like they were strolling through the «Forest».

The new consruction will not

be one entire open

space, but various incloses spaces mixing differants activities. In such ways the surrounding natural environment penetrates the building.

This project is refering to this japanes terme of «ENGAWA», mining inbetwen outside and inside place

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1

4

2

5

3 6

1 lunch house 2 waiting house 3 tea ceremony house

4 guests house 5 japonese rock way 6 green facade

40

1

ch house

emony house

1 lunch house

guests house 4

3

2

guests house

2 waiting1house lunch house

5

rock path rock path ground guesground ts hous e 6

41

2 waiting house 3 tea ceremony house 2 wa

6 green facade 6 green facade rock path ground

Plan + sections

Plan + sections AA’

plan

master plan 1.200

This project is interested in the relation with the exesting constuctions and also with the nature.

The most importante in this project is not to be imposing, in order not occult the existing buildings, which show the Japanes traditional architecture.

section AA’ 1.100

facade 1.200

AA’ plan - zoom bims 1.20

master plan 1.20

plan-1.25 plan zoom

This project is interested in the relation with the exesting constuctions and also with the nature.

The most importante in this project is not to be imposing, in order not occult the existing buildings, which show the Japanes traditional architecture. detail A 42

section AA’ 1.100

section AA

facade 1.200

AA’ master plan 1.200

section AA’ 1.100 43

view on the street

緑のライン 05

Pedestrian green line

Rethinking the superblock in Japan year

1st semester 2013.14

place

Nagoya University , JAPAN

This project is located in the suburbain zone in Nagoya city. the maint goal of this project was to analyse and revork the existing japanese «super bloc». This super blok representing japanes traditional way of building after 1960. the small building tall of maximum two flores are folowing the mane rood and inside the rood are realy small and there is no pedestrian way.

For this project the goal was to create a new pedestrian street.Working with the existing green spaces and empty parking plots in order to create a Green

pedestrian

Network.

For that I imagin a modular structure that can be made by the habitant them self in order to give them this free to do wath they realy need.

The projec's annalyse, is showing them the empty places, that they can use and they decide wath tey realy want to made there. this project is also showing the missing programes in this super bloc and they againe they decide to made it or not.

The new modular infrastructure offers to the neighborhood a new life and many activities for the older population as well as for the younger ones, that connect all the generations

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46

gallery

kitchen

botanical garden

cafetaria

dog park bicycle

petanque playground

47

playground

bicycle

playground

park

bazaar

playground

tea house

playground

0.03 m 0.03 m

0.03 m 0.06 m

All the structure is modular. The metallic beams are rectangulaire and the metal pillars are square, they can be connected as showed in the detail. This modular structure can make : bench, a table, flower pot ...

48

0.03 m

0.18 m

Botanical

0.03 m

garden

0.03 m 0.50m 0.06 m

0,5m 0,18m

0,18m

49

view from city

Origamie music high school 06

Area betwen two different destrict year

2nd semester 2012.13

place

Val-de Seine, Paris

This project began with the analys of this site which is a buffer space between the new district of the 13th and the 13th historical. In my study of the site I notice that this space is multidisciplinary and therefore requires an architectural project that develops this thematic of differance and resemblance.

I decided to start, from the existing small house and continue my architecture on the blind wall also existing.

For this, I chose to use an abstract form such as an origami, this form adapts to all the existing forms.

This project represents a music high school for 300 students. The movement is one of the main elements that makes the organic architecture alive, dividing the site into three major parts.

51

N

This project is an origami that communicates with the exterior spaces and which also creates buffer spaces between the exterior and the interior of the project.

52

,

.-'9

,

,

,

53

,

54

REALISE PAR UN PRODUIT AUTODESK A BUT ED

REALISE PAR UN PRODUIT AUTODESK A BUT EDUCATIF

E PAR UN PRODUIT AUTODESK A BUT EDUCATIF

REALISE PAR UN PRODUIT AUTODESK A BUT EDUCATIF

coupe longitudinale AA’ 1/200

coupe longitudinale AA’ 1/200

section AA'

façade rue Chevaleret 1/200 facade Chevaleret street

façade rue Chevaleret 1/200

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Atelier de Musique

Conservatoire départemantale

COMPETITIONS COPETITIONS FROM: J A P A N / SWITZERLAND

56

Part of it all - CIO

SWITZERLAND

won

CIO memorial object

project 24

56

won

light project to put on light the art work

60

Water house saison changing

J A PA N

Asian competition kenchiku

64

The natureal visual limite Competition designboom ÂŤAsian awardÂť

57

68

nis. Cupecum quam num aucomnost audet in hocaeque publi incerors porum deperi sedo, se, qua noncepo terfiricam temod noctatoris, que audessoltum tum re taritri, con nos opopoenium octur, Cati, cerfirmis,

view on the object

viviverestra ditus, confecercem intrave, mo virmili caedo, mei consultorei po

won 07

Part of it all - CIO CIO memorial object year

sep-juin 2017

place

Lausanne

This project start whit an workshoop at the olympic house for the distruction of the old building and the goal of this workshoop was to reuse recicle as maximum possible of materials. I start by analising the mane elemets of this building, this elemnts that some how are the image of all the building the memory of it. it apear that the marbal plates and the plexiglass hand rail sems to be the maine elements of the image passe of this site. my project then start to work whit this materiality.

MARBRE / TRADITION PLEXI

/ MODERNITY

The object should remember to the olympic comity the pass of this place and the olympic union. the 5 rings is the logo and the symbol of the olympic comity, I want to use this shape for my object design. All the peices can be pute

togeger and

it will made the 5 olympics rings, like the comity members are: PART OF IT ALL

59

1. The 5 Olympic rings are the Olympic symbol.

2. Using this symbolic object I cut it into 123 pieces (number of olimpic membres) and I obtained this shape. Looking like a square this marble piece is representing the unit of the Olympic committee.

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21째

1213.35

1/ piece 1

382.47

605.10

21째 65째

1213.35

107째

0.5 cm d'espacement entre les pieces a la jointure

2/ boxes option

2

0.5 cm d'espacement entre les pieces a la jointure

option 1:

top /plexi down / marbre

option 2: top / marbre down / marbre

61

light exploded

won 08

Project 24 Light project to put on light the art work year

2016

place

EPF Lausanne

http://www.artymath.org/24-oeuvre/

Artymath supports and develops urban artistic concepts.

This work is a metaphor for the flagship activities of the Ecole Polytechnique Federale de Lausanne, and is based on the duality of emotion and reason.

It aims to immerse passers-by in a world where intuitions and demonstrations, sensations and reasonings, colors and inscriptions, art and science are intermingled.

I was a Student in Master of Architecture at EPFL. That was my semester work with the

Prof. Marilyne

Andersen. Supervised by PhD students Kynthia Chamilotori and Giorgia Chinazzo from the LIPID laboratory.

This team helped me to discover, how the light is working and they helped me to find the right design for this project that was at the end of the semester presented to the EPFL administration.

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http://www.artymath.org/24-oeuvre/

For this project, I learned how to use and made calculation whit DIVA / Rhyno, sunlight calculation. Thank to this I can analys the existing light inside the tunel and tell where we should make more light.

This calculation also is depending of the saisons. In winter the sun intensity is tvase less light than in summer. Thank to this analyse I also thought to make the light connect to an outside detecteur, in order to calculate the light intensity dependent of the outside light.

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projet 24 - EPFL

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冬

秋

axo water house

Water house saison changing 09

Asian competition Kenchiku year

Summer Holidaus 2013

place

Paris / Japan

Could it be possible that one day people will stop trying to protect themselves from water, but at the contrary will start to savories the interaction with it.

According the season many changed such as solid, liquids and gaseous are offered by water.

Architectural possibilities are unlimited and should take in consideration that water could offer a new way of interact with architecture. this house is changing with the seasons. Japanese people live in harmony with the passing seasons, they understand the time that is going and the appreciate all the seasons in a different way.

This project is reflecting the for seasons with the help of the house's roof.

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冏

秋

Autumn

Winter

the rain accumulate on the roof.

the rain frost and becomes ice rink.

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�

ć˜Ľ

Spring

the rain lake.

Summer

The rain evaporates and leaves place for the garden.

becomes

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This project is reflecting the for seasons with the help of the house's roof. In Autumn, the rain is accumulated on the top of the roof. In Winter this water became ice. Then in Spring the ice became a lake and finaly in Summer the water is desaper

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model photo

The natureal visual limite Competition designboom ÂŤAsian awardÂť 10

year

Summer Holidaus 2013

place

Paris

The society became more and more connected but our place as a human been desapere more and more inside this open work space that sometimes reducing us to robot like.

This project is offering to the big ofices a new way to be connected and disconected from hech other. this Natural bondary helpe the coworkers to have there own space but in the same time they can comunicate with there coworkers.

Plus the flowers and the differants plantations can relax all the coworkers and give to this space a natural good smells.

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The organic shape of this table, intervene in the choice of the union of the poles as well as respecting individual privacy, through plantations on each side.

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INTERN SHIP INTERNSHIP IN: J A P A N / PARIS

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KKAA

J A PA N Ishigami

PA R I S

Kengo Kuma, Paris & Tokyo internship work

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Junya Ishigami, Tokyo Guggenheim Helsinki competition

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Malka architect, Paris internship work

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model wall

KKAA

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Kengo Kuma, Paris internship work year

10.2014 - 03.2015

place

Tokyo / Paris

At KKAA agency in PARIS I have to work on different projects. and for one of them I had the chance to make my own proposal. They photos following shows some models that I made during this trees firs month of internship.

The picture on the last line showing my design proposition for an pavilion in Italy for a privet client .

At KKAA agency in TOKYO, I have the opportunity to by a project-design manager.

My first project was to create different master plan proposals in Odaiba Tokyo. My own proposal was subsequently presented by Kengo Kuma himself to the client. On this project I decide to preserve how much it°s possible of the existing landscape and create different levels. on my second project the team was working on MahaSamutr complex and they design me to be the concept-design manager of the gate. I had to find the right design and after thinking how we can build it. with a help of one engineer.

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KKAA

KKAA PARIS

the firs model is the Grenada project. An immence theater that was never builed and that the agency want to update in order to tride agait to builed it. the segond model is an other proposition for a beanch. this model is showing to us the entrance design for the Paris socials houses design by KKAA in boulogne.

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KKAA TOKYO

this is a 1to1 model for the chocolatiere in Paris Henri Le Roux. the idea behain this model to work with the kkaa style and hide all the construction details. this project was for an private home, the cliante want to have a KKaa bench in order to look at the landscape in the ront of his house.

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junia Ishigami

+I

Ishigami

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Junya Ishigami, Tokyo Guggenheim Helsinki competition year

2014 - Summer Holidays

place

Tokyo

In the office of Junya Ishigamy, I was chosen to work on the Guggenheim Helsinki competition. Before any project I start by annalizing the site as well as the operation of the world's largest museum. once the museum system was included as well as the finished site analysis I was able finally to pass on the proposals of organization and design of the new museum.

I loved to create different proposals of concepts, the agency did everything so that all the imagination was stymulated. a few times I had to provide in one hour a hundred proposals, this technique really allowed me to totally release myself from an estetic point of view and just produce a maximum to further more concretely.

The site was located in Helsinki, Finland, in front of the old market and the Baltic Sea.

I was lucky enough to have one of my proposals chosen

by Junia Ishigamy, which was then studied by the whole competition team.

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JI

CONFIDENTIAL

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faรงade

Malka architect, Paris internship work 13

year

2013 - Winter Holidays

place

Paris

This internship was my first in the architecture. In this one month, I worked on diferants projects. I'm realy glad now to see some of this projects on diferants famous site: designboom, A13 ... one of them was a design for guinguette typology in Paris.

All the projects that I had to work on, was really original, and some realy utopic.

This architect juste let me be

inventive and thank to this new ideas and projects come out of this office. Organic, all the projects of this office tryed to create an urban recreation space.

The architect began his career as artistic agent of the urban landscape, using the massive planes of the city to understand the communicative power of the built form.

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Stéphane Malka a un intérêt significatif pour les espaces indigents et la notion d’urgence. Il collabore avec de grands noms de l’architecture internationale. Parmi eux, les Ateliers Jean Nouvel, Philippe Starck Network, Rem Koolhaas, entre autres. Il propose des solutions architecturales alternatives et créatives. Les murs pignons, sous les ponts ou encore sur les toits sont ses lignes directrices. Il tend à fusionner Art & Architecture..

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ÂŤAny obstacle strengthens the determination. The one who settled a purpose does not change it.Âť Leonard De Vinci

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Š Karina Borodaï Arch. dipl. EPF 2017 +41 (0) 78 657 16 19 karina.borodai@hotmail.fr