ARCHITECTURE PORTFOLIO
Selected Works | Karan Bhambhani
Karan Bhambhani
D.O.B
NATIONALITY
PHONE
EMAIL
EDUCATION
19 October 2000
INDIAN +91 720190694
karanbhambhani12@gmail.com
Institute of Architecture and Planning, Nirma University, Ahmedabad | 2018 - 2023
Udgam School for Children, Ahmedabad | 2016 - 2018
LANGUAGES SPOKEN
Hindi
English
Gujarati
INTERESTS
Reading
Music, Music Production
Photography
Painting
Pottery, Ceramics
Psychology and Philosophy
ACHIEVEMENTS
Best Studio Performance | Year 1 |2018-19
Winner - WGBW Design Competition (Group) | 2020
KALP Exhibition Team Head | 2023
Audio Engineer | Tales Beyond the Tackboard (Podcast)
EXPERIENCE
Model making and Rendering Workshop | 2019
Concrete and Wood workshop | 2019
Parametric Furniture Design Workshop | 2020
WORK EXPERIENCE
Design Ni Dukaan, Ahmedabad
June 2021 - December 2021 (Internship)
REGIONAL ARCHITECTURE STUDY AND RELATED PROGRAM
NATIONAL
Ahmedabad RSP, Gujarat | 2018, 2019
Mandu, Madhya Pradesh | 2019
Modhera, Gujarat | 2018
Polo Forest, Gujarat | 2018
Udaipur, Rajasthan | 2018
INTERNATIONAL
Bhutan | 2019
Italy | 2022
France | 2022
SKILLS
PHYSICAL SOFTWARE
Hand modelling, Sketching, Drafting
Autodesk Autocad
Autodesk Revit
Rhino
Grasshopper - Basic
Sketchup
V-ray - Basic
Lumion - Basic
Adobe Photoshop
Adobe Indesign
Adobe Illustrator
Adobe Lightroom
Adobe Premiere Pro
Microsoft Office
1
Contents
1. Design Thesis (Sem IX, 2022)
2. Institution Studio (Sem V, 2020)
3. Working Drawing (Sem VI, 2021)
4. Material Studio (Sem III, 2019)
5. Studio II (Sem II, 2019)
6. Related Study Program (2018)
7. Parametric Design Workshop (2020)
8. WGBW Design Competition (2020)
9. KALP Exhibition (2020), (2023)
3-10 11-18 19-24 24-28 29-34 35-38 39-40 41-42 34-44 45-46 2
10. Extended Works
Music Center Design Thesis
Sem : Faculty : Site :
IX Jitendra Meghani
Urvi Desai
Falguni Ghogharia
Vijay Patel
Sankar Kedra Complex
Ahmedabad
The city of Ahmedabad boasts an abundance of cultural richness, with a vibrant tapestry of activities taking place throughout its vibrant streets. Among these activities, music performances and learning centers hold a significant presence, contributing to the city’s dynamic cultural landscape. However, given the widespread distribution of events across Ahmedabad, there arises a pressing need for a centralized hub dedicated to music. This envisioned establishment would serve as a sanctuary where individuals can discover, learn perform and preserve music. Such a place would function as a unifying force, making music more accessible to all ,transcending boundaries and connecting people from diverse backgrounds to the captivating world of music.
01 3
4
Underground Level Plan Ground Floor Plan 6
The design borrows its language from sankar kendra using brick and concrete. The circulation through the site is through exhibition spaces and then the performance spaces. The music schools exists between the two and utilizes both types of spaces for enhancing the student’s learning. The entirety of the built mass is sunken below ground respecting the presence of Sanskar Kendra and Tagore Hall. a water body is pulled in from the sabarmati river to make the water edge more accessible and as with the construction of the riverfront, water had been pushed back from the site. The small waterways meandering through the site guide us towards the larger water body. Towards the main road, a large public park is created which steps down to meet the water edge in two directions, one toward tagore hall and the other towards the river. Large open plazas also become a part of the proposal in close proximity to the river to host public events such as shows and concert.
1. ADMIN
2. EXHIBITION 1
3. EXHIBITION 2
4. EXHIBITION 3
5. SOUND LIBRARY
6. STORAGE
7. ART GALLERY
8. SOUVINIR STORE
9. WASHROOM
10. ADMIN
11. LIBRARY
12. COMPUTER LAB
13. AV ROOM
14. PRODUCTION ROOMS
15. CLASSROOM
16. CLASSROOM
17. CLASSROOM
18. CLASSROOM
19. CLASSROOM
20. CLASSROOM
21. REPAIR AND STORAGE
22. RECORDING STUDIO
23. RECORDING STUDIO
24. RECORDING STUDIO
25. RECORDING STUDIO
26. KITCHEN
27. CANTEEN
UG Level Part Plan A B C C’ A’ 1 2 3 4 6 5 7 8 9 11 13 12 19 18 20 27 26 21 24 25 22 23 17 16 15 10 14
AA’
BB’
Site Section
Section
Section
Section CC’
Institution Studio
Art and Craft Musem
Sem : Faculty : Site :
V Vibha Gajjar
Foram Bhavsar
Jinal Shah
Jayant Gunjaria
Sanskruti Kunj, Gandhinagar
Sanskruti Kunj is a place where culture is celebrated. Despite being such a prominent event, it doesn’t get the attention it deserves. With modernization, more and more people are looking towards the west and our values and heritage get lost in the process. The building needs to become a cultural hub attracting visitors of all age groups, and be accessible to all. The building would host paintings, sculptures, handicrafts, and other different artforms from all across the state.
02 11
12
The Studio proposes an Exhibition Center for built on the site of Sanskruti kunj, where an festival celebrates the art, crafts, and culture
13
the city of Gandhinagar. The building is to be an annual festival call Vasantotsav occurs. The culture of many surrounding states of Gujarat.
14
The design was inspired by the dance-form Garba. The rings in plan represent the circles that are formed during performing Raas and levels in the section represent the opposite direction of the movement of the circles.
Section
The roof is a green roof and is sloped so that maximum views of the river could be obtained from different pionts on the roof.
16
Exploded View
66 M +70M +73M DN +62.8M +70M
Ground Floor Plan
1. Entrance
2. Reception Area
3. Washroom
4. Exhibition Area 1
5. Auditorium
6. Temporary Exhibition
7. Exhibition Area 2
8. Washroom
1 2 3 4 5 6 7 8 1 1 Roof Plan 17
9. Exhibition Area 3
Courtyard View
Working Drawing
Art and Craft Musem
Sem : Faculty : Site :
VI Vibha Gajjar
Foram Bhavsar
Parag Mistry
Jayant Gunjaria
Sanskruti Kunj, Gandhinagar
The format for the current semester’s design studio entailed the task of envisioning a previous project using suitable construction materials. In the preceding semester, the Art and Craft Museum was crafted using concrete. The choice of materials was primarily influenced by the local availability of resources within the vicinity and the efficiency they offered in terms of construction. This system is being investigated during the semester.
03 19
TEAKWOOD FRAME 120MM X 70MM
TEAKWOOD TOP RAIL 100MM X 35MM
20MM TEAKWOOD PANEL WITH TONGUE AND GROOVE JOINT
30MM DIA. STAINLESS STEEL PULL DOOR HANDLE
20 5 88 60 70 2490 60 88 5 97 85 85 85 85 85 85 85 85 97 5 29 30 29 60 60 88 884 85,52 60 1180
740 346 153 100 5 1423 495,46 1500
UP DN UP UP 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 A A B C D E F G H I I H G F E D C B +70MM +00MM +1000MM +930MM +2000MM +1930MM +1000MM +930MM +1000MM +930MM +1000MM +930MM +1000MM +930MM +800MM +2000MM +1930MM UP 20822MM X 9800MM EXHIBITION 1 9070MM X 11250MM COURTYARD +4300MM +4230MM 36970MM X 4800MM WORKSHOP AREA +4300MM +4230MM J J 3' 4' 2500 5000 2500 2500 2500 2500 2500 2500 2500 1000 300 1000 D1 1 D2 2 +2M +00M +1M +0M 108050 3500 4900 7100 9800 3070 200 300 7630 5963 4750 7460 6250 400 2400 2000 400 2400 6861 6861 3501 1725 1826 2600 14000 2350 2400 2000 2400 9050 24151 13876 7358 359 359 359 359 359 359 359 5017 359 359 359 359 359 W4 3 W4 4 W5 6 W5 7 W5 8 W5 9 W5 10 B'C002
22 SECTION AA' J H F E D D F H J C A B J H F E D D F H J C A B EXHIBITION 2 +6000 TERRACE +6000 WORKSHOP OPEN COURT +2000 EXHIBITION 1 +1000 CORRIDOR +1000 TERRACE CORRIDOR +6000 TERRACE PARAPET LVL +14500 TERRACE LVL +13600 MID-FRAME LVL +9650 PARAPET LVL +6900 TERRACE LVL +6000 OPEN COURT LVL +2000 GROUND FLOOR LVL +1000 DRAWING: PROJECT ART & CRAFT MUSEUM ROLL NO.: INSTITUTE PLANNING, SECTION BB' J I H G F E D E F H J J H G F E D D C A B E F H J D C A B TERRACE +13600 +9650 +6000 TERRACE +6000 WORKSHOP +2300 +2000 TERRACE +8000 CORRIDOR +1000 AUDITORIUM +2200 PARAPET LVL +10150 WORKSHOP LVL +2300 GROUND FLOOR LVL +1000 TERRACE LVL +13600 SECOND FLOOR LVL +9650 LVL +8900 LINTEL TERRACE LVL +8000 PARAPET LVL +6900 SILL LVL +6500 FIRST FLOOR LVL +6000 DRAWING: PROJECT ART & CRAFT MUSEUM ROLL NO.: INSTITUTE PLANNING, SECTION BB' J I H G F E D E F H J J H G F E D D C A B E F H J D C A B TERRACE +13600 RESTAURANT +9650 +6000 +6000 WORKSHOP +2300 OPEN COURT +2000 TERRACE CORRIDOR +1000 AUDITORIUM +2200 PARAPET LVL +10150 WORKSHOP LVL +2300 GROUND FLOOR LVL +1000 TERRACE LVL +13600 SECOND FLOOR LVL +9650 LVL +8900 LINTEL LVL +8500 TERRACE LVL +8000 PARAPET LVL +6900 LVL +6500 FIRST FLOOR LVL +6000 D1 DRAWING: PROJECT ART & CRAFT MUSEUM ROLL NO.: INSTITUTE PLANNING, SECTION CC' WAITING AREA +9650 CORRIDOR +6000 MID LANDING +7825 TERRACE +6000 OPEN COURT +2000 CORRIDOR +1000 EXHIBITION 1 +1000 TERRACE +8000 J D C A D E F H J B F H J D C A D E F H J B F H PARAPET LVL +14500 TERRACE LVL +13600 LVL +9650 PARAPET LVL +6900 FIRST FLOOR LVL +6000 OPEN COURT LVL +2000 GROUND FLOOR MID-LANDING KARAN BHAMBHANI REPRODUCED, MODIFIED MANNER WITHOUT DIMENSIONS IN PRECEDENCE OVER DRAWING: PROJECT ART & CRAFT MUSEUM SECTION CC' WAITING AREA +9650 +6000 MID LANDING TERRACE +6000 WORKSHOP +2300 OPEN COURT +2000 CORRIDOR +1000 EXHIBITION 1 +1000 TERRACE +7000 J D C A D E F H J B F H J D C A D E F H J B F H PARAPET TERRACE LVL +13600 SECOND FLOOR LVL +9650 PARAPET LVL +6900 FIRST FLOOR LVL +6000 OPEN COURT LVL +2000 LVL +1000 LVL +6900 KARAN BHAMBHANI REPRODUCED, MODIFIED MANNER WITHOUT DIMENSIONS IN PRECEDENCE OVER DRAWING:
23 300MM GROWING 100MM - 75MM 100MM THK.B.B.C.C. 4MM WATER PROOFING 150MM THK.R.C.C. SLAB LVL +2000 LVL +4760 LVL +7550 LVL +8900 LVL +8000 50 300 20 5390 1510 GEOTEXTILE DRAINAGE LAYER KOTA STONE MEDIUM(SLOPED) GRASS SLOPED 20MM THK. 6MM THK. SEPARATION TRIM 200MM DIA. CORNER FILLET R.C.C. PARAPET DETAIL D DETAIL C DETAIL B DETAIL A CORRIDOR +1000 OPEN COURT +2000MM TERRACE +7000 150MM THK. R.C.C. SLAB B.B.C.C. 50MM THK.BEDDING 20MM THK. KOTA STONE 50 100 200 50MM THK. PERMEABLE STONE PAVERS 50MM THK. BEDDING COURSE 100MM THK. OPEN GRADE BASE 150MM THK. STONE SUBBASE GEOTEXTILE (SLOPED) R.C.C. COLUMN
FILL WITH SEALANT
S.S. BENT PLATE 4MM THK. ANCHOR BOLT
S.S. SHIMS
KOTA STONE 20MM THK.
R.C.C. ALUMINIUM TENON 20MM DIA. ANCHOR BOLT
FIXED WOODEN LOUVER 300MM X 20MM
6MM THK. ALUMINIUM BOX SECTION 100MM X 100MM 20MM KOTA STONE 10 MM THK. BEDDING CONCRETE ALUMINIUM TENON 20MM DIA.
6MM THK. ALUMINIUM BOX SECTION 100MM X 100MM ALUMINIUM TENON 20MM DIA.
FIXED
24
+2000
LVL +8000 50 300 20 5390 1510
20MM THK.
SEPARATION
LVL
LVL +4760 LVL +7550 LVL +8900
KOTA STONE SLOPED
6MM THK.
TRIM CORNER FILLET R.C.C. PARAPET DETAIL A 1:2 DETAIL B 1:5
D
DETAIL C 1:5 DETAIL
1:5
100MM
B.B.C.C.
WATER PROOFING MEMBRANE 100MM DIA. PVC PIPE 20 6 100 300 60 100 60 300 135 120 100 106 100 20 100 OPEN COURT +2000MM 50 100 200 50MM THK. PERMEABLE STONE PAVERS 50MM THK. BEDDING COURSE 100MM THK. OPEN GRADE BASE 150MM THK. STONE SUBBASE GEOTEXTILE 10
WOODEN LOUVER 300MM X 20MM GRAVEL 150MM THK. RCC PARAPET
THK.
CORNER FILLET
Material Studio
Water Conservation Institute
The studio focused on creating an understanding of brick as a material, how it could be used structurally along with developing a sense for the mass to void relationship. The brief was to design a Water Conservation Center by organizing 8 units of the same geometric shape of 25sq. m. each, which in turn would lead to a congregation space of 256sq mts. The studio also introduced the concepts of axis, places for arrival and departure to understand orientation. The site was placed in Dholka, adjacent to the ruins of Alif Khan Masjid which also had a lake near by. On the north was placed an Ambavadi, the overall program also laid stress on how to respond to the context such that the design doesn’t stand in isolation.
2019 Purvi J. Imran M. Sanal T. Tanaya D. Mandu,
Sem : Date : Faculty : Site : III
M.P.
04 25
Part Model
26
Ground Floor Plan 1 2 3 6 4 5 8 7 9 10 11 12 13 14 16 17 18 15 19 21 22 20
Entrance
1.
2. Maidan
Classroom 1
3.
4. Courtyard
5. Courtyard
6. Classroom 2
Washroom
Library 10. Dorm 1 11. Dorm 2 12. Dorm 3 13. Dorm 4
Congregation Hall 15. Cafe 16. Admin 1
Admin
Kitchen
Pavillion
Lake
7. Courtyard 8.
9.
14.
17.
2 18.
19.
20. Alif Khan’s Mosque 21.
22. Mango Orchad (Ambawadi)
The entrace to the institute happens under two existing trees. One can then either move to the classrooms or to the main congregational area. The dorms are placed with the river on one side and the mango orchad on the other. The library is tucked away near the orchads to protect it from the sound from the classrooms and other parts of the institute. A small cafe is places near the river along with sitting spaces under the trees The main structure is designed using hexagonal modules and muquarnas for better load transfer of the dome to the base. Mass has been carefully carved out to create spaces to host multiple functions. At places, sitting spaces are carved out. The spaces surronding the central dome are placed in such a way that they help trasfering the load of the cenral dome and the entire structure also maintains an axis towards the river. Light is also taken in through openings on the base of the dome to light up the congregation area. On coming out from the congregational hall the staircase directs the visitors towards both the existing structures.
LVL 10800
LVL 7900
LVL 6900
Section
LVL 1500
Column
Base of the displayed
05
Studio II
Exhibition Design
Sem : Date : Faculty : Site :
II 2018
Ashish Tiwari
Avni M.
Sujan Umaraniya
Dhaval Chauhan
817, Dhal Ni Pol, Ahmedabad, Gujarat
The aim was to design an exhibition for elements such as staircase, doors, columns, bracekts, etc., used in a typical pol house.
The experience of the exhibition starts with you entering through a ramp. It takes you all the way back to the cafe where a long slit leaking light with a hidden source in a dark corner of the space intrigues the viewer to see what is up there. The stairs then take you to the first exhibition space where the frame is displayed. The idea was to ‘frame the frame’. At first, you just see the silhouette of the frame and then you slowly move past it and the details are revealed.Further movement up along the stairs reveals different parts of the column through small openings one at a time and finally revealing the whole column. Then you enter the space where the bracket is exhibit. It could only be viewed through a long slit due to which you discover the bracket more and more as you move closer to it. The cafe sits naturally within the plinth as steps.
A play of light and shadow is achieved by carving out volumes for light to leak through, giving the spaces their unique character that always keeps the viewer engaged with the space.
30
Design Process 1 2
3 4 5 32
1 2 3 4 6 5
1. Entrance
Second Floor Plan First Floor Plan Ground Floor Plan
6. Bracket Exhibition
3. Washroom 2. Cafe 4. Door Exhibition 5. Column Exhibition
Model 34
Winter RSP, 2018
Sem : Date : Faculty : Site :
II December, 2018
Manashree P. Vibha Gajjar
Dhal Ni Pol, Ahmedabad, Gujarat
House Name :
Vasant Haveli
Approximately, seventy years old, the house allotted to our group for the Winter RSP 2018 is a typically enticing pol house. The current residents of the house include a small family of two elderly ladies along with a couple. They have been living here since 1998 and had purchased the house from its previous owners who have moved to America.
The house had suffered major damage during the 2001 Bhuj earthquake, the third floor roof had fallen down which was then reconstructed. The house is adorned with a magnificent façade along with the porch plinth having colonial style columns and brackets made of stone. The columns are engraved with admirable details in conjunction with profiles of faces carved in stone. Niches have decorative colonial cornice elements. The columns are circular with octagonal bases and square decorative capitals. The doors majorly made out of wood have very fine carvings adopting the same style as the colonial columns. Wooden staircases with metal railings and a wooden handrail also stand out due to their compact spacing.
The house also has influence of British architecture, that is, elements are taken from British influence while the plan and organization of spaces are influenced from traditional pol house arrangement.
06 35
Elevation 2260 2470 3471 2997 829 2500 800 15327 N 1 50 LEGEND PROJECT: Documentation of WHC UNIVERSITY: KEY PLAN SCALE DRAWING NAME: DATE: DRAWN BY: CHECKED BY: DRAWING NO.: All dimensions are in Millimeters unless specified otherwise NOTES POLWARD NO - KHADIA -2 SURVEY NOMetal cut Conjectural line Wood cut Metal wood Wall Distress Plumbing DATE: INSTITUTE OF ARCHITECTURE & PLANNING, NIRMA UNIVERSITY, AHMEDABAD FACULTY MEMBERS ELEVATION 2764/EL/06 00/00/2018 JITESH MEWADA PARAG MISTRY DHAL NI POL 2764 16BAR069 18BAR011 17BAR047 16BAR070 16BAR065 17BAR068 TARANG KARAN SAUMYA 27/12/2018 NISHI KOSHA ARJAV MANASHREE PAREKH 36
Ground Floor Plan First Floor Plan Second Floor Plan Terrace Plan A B' B C' C D01 D D04 D05 D02 D03 W01 W01 UP UP 03 04 05 06 08 08 04 04 07 02 01 ENTRANCE PORCH +930mm PLINTH +800mm WASHROOM +800mm KITCHEN +930mm ROOM +930mm CHOKADI +850mm 634 718 375 370 370 1921 261 1594 138 GROUND LEVEL mm A' D' BACK STREET N DHAL NI POL 2764/GF/01 VIBHA G. 28/12/2018 1 50 LEGEND PROJECT: Documentation of WHC UNIVERSITY: KEY PLAN SCALE DRAWING NAME: DRAWN BY: CHECKED BY: DRAWING NO.: All dimensions are in Millimeters unless specified NOTES POL NIRMA UNIVERSITY, AHMEDABAD Metal cut Conjectural line Wood cut Metal wood Wall Distress Plumbing DATE: FACULTY MEMBERS B' B C' D W02 D06 D06 D06 D07 D08 D09 W03 W04 W05 C UP 10 10 09 09 11 12 11 13 ROOM 2 +4670mm ROOM STORE ROOM1 BALCONY +4670mm +4670mm A' D' BACK STREET A N DHAL NI POL 2764/FF/02 VIBHA G. 28/12/2018 1 50 LEGEND PROJECT: Documentation of WHC UNIVERSITY: SCALE DRAWING NAME: DRAWN BY: CHECKED BY: DRAWING NO.: Millimeters unless specified NOTES POL INSTITUTE OF ARCHITECTURE & PLANNING, NIRMA UNIVERSITY, AHMEDABAD Metal cut Conjectural line Wood cut Metal wood Wall Distress Plumbing DATE: MEMBERS B' B C' D D10 D11 W08 W07 W06 W06 14 14 W08 ROOM +8000mm ROOM STORE ROOM1 15 16 17 18 18 20 19 D10 D10 D10 C BACK STREET A' D' A DHAL NI POL VIBHA G. 28/12/2018 1 50 LEGEND PROJECT: SCALE CHECKED BY: Millimeters unless specified otherwise POL WARD NO KHADIA -2 INSTITUTE OF ARCHITECTURE & PLANNING, NIRMA UNIVERSITY, AHMEDABAD Metal cut Conjectural line Wood cut Metal wood Wall Distress Plumbing DATE: MEMBERS A' B' B C' D D' D13 W10 W07 C UP 21 21 22 22 BALCONY +11440mm ROOM 5 +11440mm UP A N TERRACE PLAN 1 2764/TF/04 1 50 LEGEND PROJECT: Documentation of WHC UNIVERSITY: KEY PLAN SCALE DRAWING NAME: DATE: DRAWN BY: DRAWING NO.: All dimensions are in NOTES Metal cut Conjectural line Wood cut Metal wood Wall Distress Plumbing FACULTY NISHI S. 16BAR070 ANUJ T. 17BAR078 37
Section DD’ Section BB’ Section CC’ Section DD' Section BB' Section CC' 38
Parametric Furniture Design Workshop
Sem :
Date :
V December, 2020
Faculty :
Jinal Shah
Leaf Table
The intent of the design was to create a table inspired from a leaf. The table is deisgned using venation and lofting.
First a surface is created in the shape of a leaf. A point is then chosen for the venation to begin from and the bounding box of the shape is populate. Lines are created from the centre to the points in the bounding box. Shortest walk and then nurbs curve are used to obtain the path of the veins. Finally pipe variable is applied to the paths that create the veins. The base is a simple loft of the same geometry as the top which reduces as it reaches the top.
1. A surface is created in the shape of a leaf.
7. Shortest walk to get the veins of the leaf.
2. Point below surface.
39
8. Nurbs curve on the veins.
07
3. Populate 2d to get points on the plane
5. Scale and Populate the bounding box.
9. Pipe variable applied on the veins.
11. The surfaces are lofted to get the base of the table.
4. Create lines between the point below and on the surface.
6. Proximity 3d is applied.
40
10. Cross-sections created for the base.
WGBW Competition
Grey to Green (Winning Entry) (Group)
Date : Team : Site :
February , 2020
Anushri S.
Ishika S.
Karan B.
Neel N.
Helmet Junction Flyover, Ahmedabad
In a post-modern contemporary age with an alarming increase in population, cities are running out of space for a sustainable public relm. Instead of making new provisions for recreational areas within the urban fabric, using spaces like the underside of Flyovers (which usually go un-used) is a win-win situation.
08 Conceptual Sketch
41
The presence of a University, a BRTS Stop and a comercial and residential area nearby gave clues on the spaces to be provided.
Provision of a clean and green recreational area with spaces for playing and pedestrian movement. An addition of Drinking water and washrooms, and specific areas for vendors and hawkers are also provided. Rainwater harvesting is proposed to water all the plants.
Seating
Seating
Washroom
Cafe
Rendered View
Sitting Area Visualisation
Walkway
Organisation
Green Area
Walkway
Walkway
Seating
Seating
Green Edge
Sand Pit
Hawker Stand
42
Green Area
