Charlie Parker w/ Strings concert programme

Charlie Parker w/ strings Cross genres with the symphony as they cover The Bird’s original jazz tunes.

DINA GILBERT Music Director

THE CORY WEEDS QUARTET

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Charlie Parker w/ strings

MESSAGE FROM THE EXECUTIVE DIRECTOR Thank you for joining us today for our genre-bending concert experience.

In a year filled with experiments, why not throw one more into the mix?

Keep your eyes peeled for the upcoming announcement of a remixed edition of our ever-popular fundraiser: Barb’s Used Book & Music Sale. Although we may not be able to launch a full sale due to continuing event restrictions, we are eager to go ahead with a revised format, which we are calling the “Mixed Bag” Edition. Bags of pre-packaged books will be sold to adventurous book lovers according to genre. And of course, all proceeds will go directly to supporting the Symphony you know and love.

Although it may not be in the format you have come to know, we are excited to give this remixed version of the sale a shot.

Stay tuned for more details, and please enjoy the show!

Daniel Mills | Executive Director

FOUNDATIONS

PERFORNMANCE SPONSORS

GOVERNMENT GRANTS BC Interior Community Foundation Kamloops Symphony Foundation TELUS Community Foundation Hamber Foundation

Kamloops Symphony Society Kamloops, BC • kag.bc.ca

Proud to support

Music & the Arts

BOARD OF DIRECTORS

Miki Andrejevic | President Claire Ann Brodie Kathy Collier Lucille Gnanasihamany Gabriele Klein Maureen McCurdy | Treasurer Rod Michell Helen Newmarch | Secretary Steve Powrie | Vice President Simon Walter

HONOURARY LIFE MEMBERS Bonnie Jetsen Art Hooper

ADMINISTRATION Executive Director

Daniel Mills

Music Director

Dina Gilbert

Office Administrator

Sue Adams

Marketing Coordinator

Ryan Noakes

Operations Coordinator

Evan Ren

Librarian

Sally Arai

Orchestra Personnel Manager

Olivia Martin

Production Manager

Todd Stone, MLA

Peter Milobar, MLA

Kamloops | South Thompson

Kamloops | North Thompson

446 Victoria Street • 250.374.2880

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Todd.Stone.MLA@leg.bc.ca

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Adrien Fillion

Chorus Master

Tomas Bijok Proud Member of Orchestras Canada, the national association for Canadian orchestras

Collaborative Pianist

Daniela O’Fee

Music Director Emeritus

Bruce Dunn

MUSIC DIRECTOR Regularly invited to conduct in Canada and overseas, Dina Gilbert attracts critical acclaim for her energy, precision and versatility. Currently Music Director of the Kamloops Symphony and of the Orchestre symphonique de l’Estuaire (Québec), she is known for her contagious dynamism and her audacious programming.

Dina Gilbert is regularly invited by leading Canadian orchestras including the Orchestre symphonique de Montréal, Orchestre métropolitain, Toronto Symphony Orchestra, Hamilton Philharmonic and the Orchestre symphonique de Québec.

In 2017, she made debut performances in the United States with the Eugene Symphony and the Fayetteville Symphony Orchestra as well as in Asia conducting a series of five concerts with the Sinfonia Varsovia in Niigata and Tokyo.

Passionate about expanding classical audiences and with an innate curiosity towards non-classical musical genres, Dina has conducted the Orchestre Philharmonique de Radio France and the Orchestre national de Lyon in several Hip-Hop Symphonic programmes collaborating with renowned Hip hop artists. She has also conducted the world premiere of the film The Red Violin with orchestra at the Festival de Lanaudière and has conducted the North American premiere of film The Artist with the Orchestre symphonique de Montréal.

As the founder and artistic director of the Ensemble Arkea, a Montreal-based chamber orchestra, Dina premiered over thirty works from emerging young Canadian composers. Committed to music education, she has reached thousands of children’s in Canada with her interactive and paticipative Conducting 101 workshop.

From 2013 to 2016, Dina Gilbert was assistant conductor of the Orchestre symphonique de Montréal and Maestro Kent Nagano, also assisting guest conductors including Zubin Mehta, Sir Roger Norrington, Lawrence Foster and Giancarlo Guerrero. In April 2016, she received great acclaim for stepping in to replace Maestro Alain Altinoglu with the OSM in a program showcasing Gustav Holst’s The Planets.

Dina Gilbert earned her doctorate from the Université de Montréal, where she studied with Jean-François Rivest and Paolo Bellomia. Awarded the Opus Prize of “Découverte de l’année” in 2017, Dina Gilbert was also named as one of the 50 personalities creating the extraordinary in Québec in 2018 by the Urbania Magazine.

Orchestra FIRST VIOLIN

Elyse Jacobson | concertmaster++ Llowyn Ball | assistant concertmaster++ Meredith Bates Molly MacKinnon

SECOND VIOLIN Boris Ulanowicz* Hannah Chung Annette Dominik Narumi Higuchi

Martin Kratky* Doug Gorkoff

OBOE

Marea Chernoff*

FRENCH HORN Sam McNally+

HARP

Naomi Cloutier

VIOLA

Ashley Kroecher* Jennifer Ho Erin Macdonald

Chair Sponsors Dina Gilbert

CELLO

Principal

*

Acting Principal

+

Substitute Principal

++

Geoff & Judith Benson | concertmaster Rod Michell | assistant concertmaster Gabriele Klein | principal second violin June McClure | principal viola Anonymous | principal cello Eleanor Nicoll | principal flute Joyce Henderson | principal clarinet Kelvin & Roberta Barlow | principal bassoon Hugh & Marilyn Fallis | principal trumpet

Program Conductor:

Dina Gilbert

Guest Artists: Cory Weeds | saxophone Tilden Webb | piano Jodi Proznick | bass Jesse Cahill | drums Just Friends

John Klenner arr. Jimmy Carroll

Just Like That

Repetition Neal Hefti

Easy to Love

Waltz for Someone Special Cory Weeds arr. Phil Dwyer

Tilden Webb

Cole Porter arr. Jimmy Mundy

Everything Happens to me

Washing of the Water

Jodi Proznick

I’m in the Mood for Love

Summertime

At Dawning

Laura

What is This Thing Called Love?

Matt Dennis & Tom Adair arr. Jimmy Carroll

arr. Joe Lippman David Raskin arr. Joe Lippman

They Can’t Take that Away from Me

George & Ira Gershwin arr. Joe Lippman

Program made possible by

Peter Gabriel arr. Tilden Webb George Gershwin arr. Jimmy Carroll

Cole Porter arr. Jimmy Carroll

Rocker

Gerry Mulligan

Duke of the York Alana Marie

Cory Weeds arr. Phil Dwyer Coleman Hawkins arr. Phil Dwyer

PROGRAM

Voilà Viola!

Web Experience FRIDAY

APRIL 23 to SATURDAY

MAY 22

See the symphony shine a light on the

string section.

MARINA THIBEAULT Viola

Tickets available at Kamloops Live! Box Office 250.372.5000

kamloopslive.ca 250.374.5483

We will be announcing one more exciting concert experience this season, featuring the world premiere of a Kamloops Creation.

Stay tuned for the announcement!

(1920–1955)

sometimes-forgotten member of the

DINA GILBERT Music Director

kamloopssymphony.com

Charlie Parker

“There is no boundary line to art.

Music is your own experience, your thoughts, your wisdom.

If you don’t live it, it won’t come out of your horn.”

The words are those of Charlie “Bird” Parker, ground-breaking performer and band leader—his pronouncement on the relationship of life to art. Given the struggle his life became, with addiction to heroin, alcohol and mental illness, his words are best applied to the importance of musical experience on art rather than to lifestyle experience.

Charlie Parker was born in Kansas City and learned to play alto saxophone and baritone horn at school, frequenting the clubs and halls where jazz was played, then leaving school at 14 to find part-time work and to continue to practise. He ended up in 1939 in New York, working at lowpaying jobs but continuing to develop the distinctive features of rhythm and harmony that would shortly develop into what came to be known as the bebop style. He worked with the Jay McShann Band from 1940 to 1942, and then with Earl Hines’ Band. This is where he met trumpeter Dizzy Gillespie, another advocate of the emerging stylistic changes in jazz, and in 1944 Parker founded the first of his own influential bebop quintets with Gillespie on trumpet.

In their hands the harmonic and rhythmic developments of bebop grew into a radically new form of jazz, a jazz revolution in fact, although one that can also be seen, in retrospect, as an evolution from the previous era of big bands of Lester Young, Coleman Hawkins and others. And Parker’s influence was not just confined to saxophone players but affected players on all instruments, such as pianist Thelonius Monk. In spite of his battles with heroin, alcohol and mental illness Parker continued to lead and record with small groups of players in this new jazz idiom, using trumpeters such Miles Davis. He toured in Europe twice, in 1949 and 1950, visits which helped consolidate this new modern jazz idiom both in Britain and on the Continent. Although his own musical development was more or less complete by the late 1940’s, and he made no further radical changes before his early death in 1955, Parker’s influence on jazz would be hard to overestimate, and a number of his compositions have become jazz standards, such as “Now’s the Time” and “Ornithology.”

continued…

Charlie Parker with Strings (1949–1950)

It can be no surprise that a talent as creative and original as Charlie Parker would have broad musical interests, and these included classical music, such as the works of Stravinsky and other 20th Century composers who (like Parker) expanded the boundaries of rhythm, harmony and form. Parker was also willing to try other performance formats beyond the typical small group in which he normally played. The idea of his playing accompanied by a string ensemble was put to him by Norman Granz, who owned Parker’s recording rights in the later years of his life.

The music was to be standard tunes, the likes of “April in Paris”, “Summertime” etc., no original compositions by Parker. Given the ups and downs of Parker’s life the sessions were sporadic: some in 1949, again in 1950, and in 1952. It is an inspired combination—distinct and familiar tunes from the 30’s and 40’s put into the hands of a performer who is both master of melody but also a gifted improviser, whose skills expand and elaborate those melodies with the expressive and decorative language of bebop jazz.

Guest Artist

PROGRAM

Cory Weeds

A saxophonist with an expressive sound rooted in Jazz tradition, a label owner tirelessly documenting unsung Jazz heroes, one of Canada’s most important Jazz impresarios, the hardest-working man in Jazz business —Cory Weeds is all of these things, and much more.

charts, with many more releases planned. In addition to playing on numerous sessions, Weeds has also served as producer on more than 120 recordings. In 2017 Weeds celebrated a win at the 2017 Juno Awards when Metalwood won for Jazz Album Of The Year: Group.

Weeds may be best known as the founder and owner of Cory Weeds’ Cellar Jazz Club in Vancouver, which he successfully ran for more than 14 years. Weeds built the Cellar to become one of North America’s best Jazz clubs, where masters such as George Coleman, Jeff Hamilton, Louis Hayes, David “Fathead” Newman, Dr. Lonnie Smith, and the finest Jazz musicians from Vancouver and across Canada performed before it closed in February 2014.

On the presentation front, Weeds has booked Frankie’s Jazz Club in downtown Vancouver since 2016. In addition to Frankie’s, Weeds presents music all over the city at various venues including The Italian Cultural Center, Hycroft at The University Women’s Club, Club 45 in North Vancouver and The Emerald.

But he wasn’t just the club owner.

As a saxophonist who studied at the University of North Texas and Capilano University, Weeds spent many nights on the Cellar bandstand as a leader and sideman. He held his own when performing with icons like Joey DeFrancesco and Christian McBride. Weeds has also recorded seventeen albums as a leader.

While the Cellar is now a happy memory, the record label Weeds established in 2001 is alive and well. Rebranded in 2018, The Cellar Music Group has put out over 160 recordings, including many that have spent extensive time on the JazzWeek

Beyond Vancouver, Weeds has a strong affinity with New York City. He’s brought so many of the Jazz mecca’s top players to Vancouver, and has performed, toured, and recorded with many of them. Tapping into his insider knowledge of the New York scene, he has led the annual New York With Weeds tour ten times and counting. He leads about 35 Jazz lovers to Jazz clubs off the beaten track, private recording sessions and more.

Finally, Weeds has also worked as an educator, leading the BC Music Educators Association’s Honour Ensemble, giving clinics on saxophone as well as the business of music, and teaching privately. He can also be heard on the airwaves on his show Condition Blue that airs on www. jazzcast.ca.

Tilden Webb is one of the most indemand pianists in Canada. He has been featured on over two dozen CDs alongside such musicians as Ray Brown, Ed Thigpen, John Clayton, Jeff Hamilton, David Murray, Guido Basso, David Fathead Newman, Pat Labarbara and Dave Young. He has performed with jazz greats Maria Schneider, Mark Turner, Terry Clarke, Conrad Herwig, Ingrid Jensen, Eddie Henderson, P.J. Perry, Hugh Fraser´s VEJI, Seamus Blake, Denzal Sinclaire, Phil Dwyer, Pat LaBarbera, Neil Swainson, and Jerry Fuller among many others. Tilden worked alongside Montreal vocalist Ranee Lee for 7 years, touring with her throughout Canada, the US and Brazil. He has performed in festivals from Vancouver to Halifax from Sao Paulo, Brazil to Tokyo, Japan. Tilden has been heard on countless CBC radio shows and seen on BRAVO. Tilden is a member of the Juno-nominated Jodi Proznick Quartet.

Tilden was a member of the 1997 “Prix de Jazz” recipient, the Joel Miller Quintet. He has also performed with the Montreal Symphony Orchestra, Vancouver Symphony Orchestra and I Musici de Montreal. In 2000, Tilden moved from Montreal to Vancouver where he has become an integral part of the jazz and commercial music scene. His first CD as leader, “Cellar Groove” was released in 2005 on the CellarLive label and features David Fathead Newman on saxes and flute.

His critically acclaimed group the Tilden Webb Trio was asked to tour with Fathead in the summer of 2006.

His second CD, Peter Bernstein &

The Tilden Webb Trio—Live @ Cory Weeds’ Cellar Jazz Club was released in 2013. He also played on bassist Jodi Proznick’s CDs Foundations and Sun Songs; both nominated for Juno awards.

Originally from Regina, Saskatchewan, Tilden began studying classical piano at the age of 8. His subsequent interest in jazz led him to Montreal in 1988 to study at McGill University. He was a member of the award winning McGill Jazz Ensemble at the age of 17 where he had the opportunity to play with Dave Liebman and Rob McConnell.

After receiving his B. Mus., Tilden worked as a freelance musician and then returned to McGill in 1994 where he obtained his M. Mus. in Jazz Piano Performance.

Tilden was an instructor at McGill University and Vanier College CEGEP. He has worked as a clinician at Grant MacEwen Community College, Capilano College, Brandon University, McGill University, and St. Francis Xavier University.

Guest Artist

Jodi Proznick

Multi award-winning bassist, composer and educator Jodi Proznick has received many awards including the Western Canadian Music Award for Jazz Artist of the Year, National Jazz Award for Bassist, Album and Acoustic Group of the Year, and two JUNO nominations for her CDs Foundations and Sun Songs. She has performed with many internationally recognized artists such as Michael Bublé, Phil Dwyer, George Coleman, Sheila Jordan, David “Fathead” Newman, Harold Mabern, Bill Henderson, and as has been featured on over 40 albums as bassist. Jodi is also a devoted teacher and is currently the Chair of the Jazz Department at the Vancouver

Guest Artist

Guest Artist

Tilden Webb

Symphony Orchestra School of Music and Artistic Director of the Summer Jazz Workshop and Girls’ Jazz Day. Previously, she was on the music faculty at Capilano University and Kwantlen Polytechnic University. In 2019/2020, she was the Manager of Education and Community Outreach for the Vancouver Symphony Orchestra. She holds a BMus in Music Education (Jazz) from McGill University and a MEd in Art Education from Simon Fraser University.

Jesse Cahill

Jesse Cahill started playing drums at a young age and worked his first professional gigs in restaurants and clubs in his hometown of Victoria, British Columbia. In 1993 he moved to Montreal to study music at McGill University, graduating in 1999 with a Bachelors Degree in Jazz Performance (with distinction).

While Jesse’s freelance resume boasts an extensive list of Canadian and international names it is his long term musical collaborations with west coast artists that have resulted in his most notable work. He has appeared on dozens of recordings with western Canadian musicians including Jodi Proznick’s Juno nominated CDs Foundations (2007) and Sun Songs (2018), Cory Weeds’ Juno nominated Up a Step (2012), and Jerrold Dubyk’s WCMA Jazz Album of the Year The Maverick (2008). Jesse has also released three albums with his own group The Nightcrawlers and has been a regular member of rockabilly power trio Cousin Harley for nearly two decades.

Jesse is also a dedicated educator and currently enjoys a busy teaching schedule at The Vancouver Symphony Orchestra School of Music in downtown Vancouver.

During the 2020-21 Season, our Executive Director Daniel Mills embarked on an epic journey: He ran every city street in Kamloops, and with your support raised over $24,000 for the orchestra! His journey is now complete!

Special thanks to the following people for their donations Anonymous

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